Fab Day Quotes

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Mr. Mitchell should stop worrying and put Steph in charge. She will be good at this; she has the party planning gene in her family. I swear, they always have the entire familia over for every occasion. All her tias, tios, cousins, friends, ninas, and ninos go to her house for practically anything. Every day is a holiday at Casa Ayala. Anyway, we’re placed into committees, which totally sucks, because the fab four get split up. Keesha and I get selected for Activities, while Amy and Steph are slated for Rally committee. All the upperclassmen say these are the best committees, and we should feel lucky.
Julie Prestsater (So I'm a Double Threat (Double Threat, #1))
Five years from today. Where, exactly, do you want to be?" Her eyes lit up. Sadie loves that kind of question. "Ooh. Wow. Let me think. December, getting close to Christmas. I'll be twenty-one..." "Passed out under the tree with a fifth of Jack, half a 7-Eleven rotisserie chicken, and a cat who poops in your shoes." Frankie returned our startled glances with his lizard look. "Oh, wait. That's me. Sorry." I opted to ignore him. "Five years to the day,Sadie." She glanced quickly between Frankie and me. "Do we need a time-out here?" "Nope," I said. "Carry on." "Okay. Five years. I will be in New York visiting the pair of you because, while NYU is fab, I will be halfwau through my final year of classics at Cambridge, trying to decide whether I want to be a psychologist or a pastry chef. You," she said sternly to Frankie, "will be drinking appropriate amounds of champagne with your boyfriend, a six-three blond from Helsinki who happens to design for Tory Burch. Ah! Don't say anything. It's my future. You can choose a different designer when it's you go. I want the Tory freebies." She turned to me. "We will be sipping said champagne in the middle of the Gagosian Galley, because it is the opening night of your first solo exhibit. At which everything will sell." She punctuated the sentence by poking the air with a speared black olive. "I love you," I told her. Then, "But that wasn't really about you." "Oh,but it was," she disagreed, going back to her salad. "It's exactly where I want to be. Although" -she grinned over a tomato wedge- "I might have the next David Beckham in tow." "The next David Beckham is a five-foot-tall Welshman named Madog Cadwalader. He has extra teeth and bow legs." "Really?" Sadie asked. Frankie snorted. "No.Not really.
Melissa Jensen (The Fine Art of Truth or Dare)
So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.
Cat Marnell (How to Murder Your Life)
Another aspect noticed in L1 acquisition is the low acquisition of multi- morphemic words (i. e., complex words composed of three or more morphemes) by preschool age English children. Preschool age English children acquire solely 0.5 multi-morphemic words per day and multi-morphemic words constitute 8% of the vocabulary first grade English children own (Anglin, 1993, 71-79). First to third grade English children acquire 2 multi-morphemic words per day. Multi-morphemic words constitute 12 % of the third grade English children’s vocabulary. Fourth to fifth grade English children acquire 7.1 multi-morphemic words per day and multi-morphemic words constitute 19% of the fifth grade English children’s vocabulary (1993, 71-79). The low acquisition rate of multi-morphemic words by preschool age English children can be explained in terms of lack of parsability of multi-morphemic words. In his ‘Complexity-Based Ordering’ Model, Hay (2000, 2002) upholds that Level 1 suffixes (usually being Non-neutral suffixes), which occur inside other suffixes, are not parsed out during the processing of a multi-suffixed word by native speakers. Level 2 suffixes (usually being Neutral suffixes), which occur outside another suffix, are parsed out during the processing of multi-suffixes words. Level 1 suffixes: -al, -an, -ant, -ance, -ary, -ate, -ic, -ify, -ion, -ity, -ive, -ory, -ous, -y, -ity, -ation. Level 1 prefixes: sub-, de-, in-. Level 2 suffixes: -able, -age, -en, -er, -ful, -hood, -ish, -ism, -ist, -ize, -ly, -ment, -ness. (Fab, 1988, 531). Level 2 prefixes: re-, un-, non-. Obviously, such lack of parsability obscures the semantic transparency of multi-morphemic words and impedes the analytical acquisition of multi-morphemic words by preschool age English children. A strenuous effort to acquire multi-morphemic words would result in acquisition of such words as a unit (as the Lexeme-Based Model suggests, see Aronoff, 1994), rather than analytically (as argued by Morpheme-Based Model). Such lack of parsability also obscures the semantic transparency of multi-morphemic words and impedes the analytical acquisition of multi-morphemic words by pre intermediate L2 learners. The degree of Morphological Translation Equivalence that L2 multi-morphemic words share with their counterparts in pupils’ L1 is also lower compared to bi-morphemic words. Consequently, multi-morphemic words will be acquired as a unit rather than analytically by pre intermediate L2 learners. Elementary books designed for pre intermediate L2 learners - in addition to the insertion of root words - should also comprise less multi-morphemic words; perhaps solely or less than 8% of their vocabulary.
Endri Shqerra (Acquisition of Word Formation Devices in First & Second Languages: Morphological Cross-linguistic Influence)
Heroin was a major factor in the escalating problems. As Barry Miles observed of Lennon: ‘He was on edge, either going up or coming down. The other Beatles had to walk on eggshells just to avoid one of his explosive rages. Whereas in the old days they could have tackled him about the strain that Yoko’s presence put on recording and had an old-fashioned set-to about it, now it was impossible because John was in such an unpredictable state and so obviously in pain. Yoko sat right next to him while he played, ordering Mal Evans to fetch her food and drinks and, worst of all, adding her unasked-for comments and musical suggestions, thoroughly inhibiting the other Beatles. Most of John’s attention was focused upon her instead of the other three Beatles. The Fab Four had become the Fab Five without the other three ever being asked if they wanted a fifth Beatle.’⁠414
Joe Goodden (Riding So High: The Beatles and Drugs)
Johnny Otis died in 2012, aged ninety, having achieved more than most of us could hope to if we lived five times that long, and having helped many more people to make the most of their talents. He died three days before the discovery of whom he was most proud, Etta James, and she overshadowed him in the obituaries, as he would have wanted.
Andrew Hickey (A History of Rock Music in 500 Songs Volume 2: From the Million Dollar Quartet to the Fab Four)