“
Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.
This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose...
...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
”
”
Rainer Maria Rilke
“
Thinking about the past is like digging up graves
”
”
Nathan Filer (The Shock of the Fall)
“
At some point, you just gotta forgive the past, your happiness hinges on it.
”
”
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
“
My name isn't Offred, I have another name, which nobody uses now because it's forbidden. I tell myself it doesn't matter, your name is like your telephone number, useful only to others; but what I tell myself is wrong, it does matter. I keep the knowledge of this name like something hidden, some treasure I'll come back to dig up, one day. I think of this name as buried. This name has an aura around it, like an amulet, some charm that's survived from an unimaginably distant past. I lie in my single bed at night, with my eyes closed, and the name floats there behind my eyes, not quite within reach, shining in the dark.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
Sometimes the past needed to stay buried; it was the only way you could move on. And sometimes you had to dig it up, because that too was the only way.
”
”
Ann Aguirre (Hell Fire (Corine Solomon, #2))
“
Someone once told me that digging up the past has two sides: The pro is that you remember things you had forgotten about. Unfortunately, the con is the exact same thing. That may scare some people away, might force them to always be moving forward, never looking back, not for a second.
”
”
Pete Wentz (Gray)
“
She found it hard to believe that there would be any bold moves, because too many people had dirty flour in their bags, and people with filthy fingers are hardly enthusiastic about digging up the past.
”
”
Sofi Oksanen (Puhdistus)
“
I have tried to use memory and invention together, like two hands engaged in the same muddy work of digging up the past.
”
”
Emma Donoghue (The Woman Who Gave Birth to Rabbits: Stories)
“
There was far too much interest in the past, she thought. People were forever digging up events that had taken place a long time ago. And what was the point in doing this if the effect was merely to poison the present?
”
”
Alexander McCall Smith (Tears of the Giraffe (No. 1 Ladies' Detective Agency, #2))
“
She couldn't live her life as someone's prisoner the way he had lived his, caught up in a dream of the past, with no way forward and no way back, forced to dig down inside oneself.
”
”
Natsuo Kirino (Out)
“
Don't live off your past successes or failures, live for the next big pursuit.
”
”
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
“
I have come more and more to the belief that we owe our arts a thousand times what we are paying them. We support our cigarette factories, soap manufacturers, beauticians, all the luxury and pleasure businesses of our over-indulged civilization, but we pay our painters an average wage... and yet when the future digs us from the past they won't care how we smell, what we smoke, or if we bathed. All they’ll know of us will be our architecture, our paintings, sculpture, poems, laws, philosophy, drama, our pottery and fabrics, the things which our hands made and our minds thought up - oh, the machines they’ll dig up too, but perhaps they’ll point to them as our destruction, the wheels that drove us down to death.
”
”
Vincent Price (I Like What I Know: A Visual Autobiography)
“
Good fiction is trawling back into the past and digging up the real characters who've influenced your entire being.
”
”
Ken Scott
“
At first it was, as I have said, rather bracing and tonic. For after the dream there is not reason why you should not go back and face the fact which you have fled from (even if the fact seems to be that you have, by digging up the truth about the past, handed over Anne Stanton to Willie Stark), for any place to which you may flee will not be like the place from which you have fled, and you might as well go back, after all, to the place where you belong, for nothing was your fault or anybody's fault, for things are always as they are. And you can go back in good spirits, for you will have learned two very great truths. First, that you cannot lose what you have never had. Second, that you are never guilty of a crime which you did not commit. So there is innocence and a new start in the West after all.
If you believe that dream you dream when you go there.
”
”
Robert Penn Warren (All the King's Men)
“
It is easier to dig up the past, than to save the present – Even though our past actions, have presently dug us in so deep.
”
”
Kyle Fox (Exiles of Eden: The Demonic Dodecahedron)
“
He wanted to dig a hole and put the past inside it and cover it back up again. He didn't know if flowers would grow there or not. He hoped they would.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
Some lessons you learn gradually and some you learn in a sudden moment, like a flash going off in a dark room. I sift and rake and dig around in my vivid recollections of young Sean on the floor in summer, and I try to see what makes him tick, but I know a secret about young Sean, I guess, that he kind of ends up telling the world: nothing makes him tick. It just happens all by itself, tick tick tick tick tick, without any proximal cause, with nothing underneath it. He is like a jellyfish adrift in the sea, throbbing quietly in the warm waves of the surf just off the highway where the dusty white vans with smoked windows and indistinct decals near their wheel hubs roll innocently past.
”
”
John Darnielle (Wolf in White Van)
“
Soon, she is dreaming: I am reading a letter addressed to me by an unknown hand: Dear Kate. The moon rises over the tips of the mountain peaks as we sit here in the darkness thinking of you – and remembering. Remembering the smells of flowers long ago dried and withered away, their faint fragrances hanging in the misty air. Remembering whispers of times gone by. As we have done in the past, we dig deep, looking for clues to your whereabouts. Eyes peek out at us from within the stillness of the night – eyes filled with longing and desire – curious orbs floating like lanterns in the misty void. Looking up from the letter still within her dream, Kate finds herself face to face with two golden beacons of love-filled radiance.
”
”
Kathy Martone (Victorian Songlight: The Birthings of Magic & Mystery)
“
SPRING POEM
It is spring, my decision, the earth
ferments like rising bread
or refuse, we are burning
last year's weeds, the smoke
flares from the road, the clumped stalks
glow like sluggish phoenixes / it wasn't
only my fault / birdsongs burst from
the feathered pods of their bodies, dandelions
whirl their blades upwards, from beneath
this decaying board a snake
sidewinds, chained hide
smelling of reptile sex / the hens
roll in the dust, squinting with bliss, frogbodies
bloat like bladders, contract, string
the pond with living jelly
eyes, can I be this
ruthless? I plunge
my hands and arms into the dirt,
swim among stones and cutworms,
come up rank as a fox,
restless. Nights, while seedlings
dig near my head
I dream of reconciliations
with those I have hurt
unbearably, we move still
touching over the greening fields, the future
wounds folded like seeds
in our tender fingers, days
I go for vicious walks past the charred
roadbed over the bashed stubble
admiring the view, avoiding
those I have not hurt
yet, apocalypse coiled in my tongue,
it is spring, I am searching
for the word:
finished
finished
so I can begin over
again, some year
I will take this word too far.
”
”
Margaret Atwood (You are Happy)
“
Let people repent. Let people grow. Believe that people can change and improve. Is that faith? Yes! Is that hope? Yes! Is it charity? Yes! Above all, it is charity, the pure love of Christ. If something is buried in the past, leave it buried. Don’t keep going back with your little sand pail and beach shovel to dig it up, wave it around, and then throw it at someone, saying, “Hey! Do you remember this?” Splat!
”
”
Jeffrey R. Holland
“
My theme is memory, that winged host that soared about me one grey morning of war-time.
These memories, which are my life--for we possess nothing certainly except the past--were always with me. Like the pigeons of St. Mark's, theywere everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning.
These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras, go down in the end in agony, but leave behind a record of new heights scaled and new rewards won for all mankind; the vision fades, the soul sickens, and the routine of survival starts again.
The human soul enjoys these rare, classic periods, but, apart from them, we are seldom single or unique; we keep company in this world with a hoard of abstractions and reflections and counterfeits of ourselves -- the sensual man, the economic man, the man of reason, the beast, the machine and the sleep-walker, and heaven knows what besides, all in our own image, indistinguishable from ourselves to the outward eye. We get borne along, out of sight in the press, unresisting, till we get the chance to drop behind unnoticed, or to dodge down a side street, pause, breathe freely and take our bearings, or to push ahead, out-distance our shadows, lead them a dance, so that when at length they catch up with us, they look at one another askance, knowing we have a secret we shall never share.
”
”
Evelyn Waugh (Brideshead Revisited)
“
I knew better. I wasn’t about digging up the painful past. Look behind somebody’s horrible exterior, and you usually found a horrible interior, shaped by a horrible history.
”
”
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
“
Outside in the yard, Arsinoe follows Jules past the chicken coops as she and Camden stretch their sore limbs in the sun. Then she darts off into the woodpile.
“What are you digging for?” Jules asks.
“Nothing.” But Arsinoe returns with a book, brushing bits of bark off the soft green cover. She holds it up and Jules frowns. It is a book of poison plants, lifted discreetly from one of the shelves in Luke’s bookshop.
“You shouldn’t be messing about with that,” Jules says. “And what if someone sees you with it?”
“Then they’ll think I’m trying to get revenge, for what was done to you.”
“That won’t work. Reading a book to out-poison the poisoners? You can’t even poison a poisoner, can you?”
“Say ‘poison’ one more time, Jules.
”
”
Kendare Blake (One Dark Throne (Three Dark Crowns, #2))
“
There is nothing that feels as good as breathing near someone you desire. The past of my youth was not a good place to be. Is it strange then, that I am attracted to a woman who is obsessed with digging up the past?
”
”
Deborah Levy (Black Vodka: Ten Stories)
“
Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain!
”
”
Oscar Wilde (Selected Poems)
“
He turns to me, serious, grabs my wrist tight.
“What am I now? A Catholic priest you got to confess all of your sins to? If you start down that road, I got to reciprocate, and I ain’t so sure you can handle that. You want to know where this conversation will lead, my friend? A dead end, that’s where.
“Listen to me good, Barry. I have known you since 1947 when we was nippers. That’s sixty-four years, yuh hear? You and me has finally got a future to look forward to together, so let we not go digging up our past misdemeanors, right? Just sit back comfy and easy and listen to the one and only Miss Shirley Bassey and let we just enjoy the vibes, man, enjoy the vibes.
”
”
Bernardine Evaristo (Mr Loverman)
“
It is not enough to say that we want more life; we must refuse to stop saying it. Suicide notes are written once; life notes must always be written-by having honest conversations, bridging the familiar with the unfamiliar, planting messages for the future, digging up messages from the past, digging up messages from the future, disputing with our souls and refusing to stop. And we must do this together: everyone's hand wrapped around the same pen, every breath of everyone exhaling the shared prayer. "Thus we shall make a home together," the soul concludes at the end of the suicide note, perhaps beginning its opposite. Each of us arguing with ourselves, we shall make a home together.
”
”
Jonathan Safran Foer (We Are the Weather: Saving the Planet Begins at Breakfast)
“
Leave the past in the past, and live for the moment. That’s wisdom you can take to the grave, and dig up when you need it!
”
”
Neal Shusterman (Unwind (Unwind, #1))
“
Here is the perennial trouble with burying your past. Others are forever trying to dig it up.
”
”
Joe Abercrombie (Red Country)
“
No, don’t! Don’t dig up the past! Dwell on the past and you’ll lose an eye.” But the proverb goes on to say: “Forget the past and you’ll lose both eyes.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation)
“
New losses dig up past losses, as if one needs the other to remember how it’s done.
”
”
Julianna Baggott (Harriet Wolf's Seventh Book of Wonders)
“
Growing up means learning to dig beneath surface behavior and discern the true motives of others, and to respond to intent, not behavior.
”
”
Ramón Stevens (Earthly Cycles : How Past Lives & Soul Patterns Shape Your Life)
“
Knowing what she did...it makes me not want to have her anywhere near them," Callum growled with a frown. "It's a little late for that. I mean, I'm sure Gav knows a guy that could dig her up, but even though I hate the woman, I don't necessarily want her swimming with the fishes," I joked in my best Brooklyn accent, pushing past the nervousness I felt with sarcasm.
”
”
Coralee June (Summer and Smoke (The Bullets, #2))
“
SMALL GHOST HAS ANOTHER BREAKDOWN
small ghost watches the blood pump in your neck
small ghost fills up the bathtub just to drain it
small ghost wants to crawl into bed with her mother
small ghost is so tired
she’s so tired
she’s so fucking tired
the cobwebs in her head feel so heavy, you know?
and it’s like when they started spinning themselves
it wasn’t such a big deal
but now that they’re here????
they’re just so heavy/she’s just so tired/she’s just so/she’s just
she paces the kitchen
walks past your new set of knives over and over
has to remind herself twice in the span of five minutes
you can’t kill something that’s already dead
and isn’t that the point
isn’t that why she became a small ghost anyway
she can’t remember when she started digging her own grave
but now she can’t stop hovering over it
”
”
Trista Mateer (Small Ghost)
“
Don’t cut too deep in your first prints.”
“But what if we do dig too deep?” a girl in the front asked. “What happens then?”
Giulia reached out to the side, pulling up a print stained with inky shadows, but within its depths, the faint outlines of something else. An echo of what it had been still visible in the second plate.
“Cut too deep,” she said, “and your image will keep coming back again and again, no matter how many times you rework it.
”
”
Danika Stone (Intaglio: Dragons All The Way Down (Intaglio, #2))
“
Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years. And great fatigue followed by a good night's rest can to a certain extent help us to do so. For in order to make us descend into the most subterranean galleries of sleep, where no reflexion from overnight, no gleam of memory comes to light up the interior monologue—if the latter does not itself cease—fatigue followed by rest will so thoroughly turn over the soil and penetrate the bedrock of our bodies that we discover down there, where our muscles plunge and twist in their ramifications and breathe in new life, the garden where we played in our childhood. There is no need to travel in order to see it again; we must dig down inwardly to discover it. What once covered the earth is no longer above but beneath it; a mere excursion does not suffice for a visit to the dead city: excavation is necessary also. But we shall see how certain fugitive and fortuitous impressions carry us back even more effectively to the past, with a more delicate precision, with a more light-winged, more immaterial, more headlong, more unerring, more immortal flight, than these organic dislocations.
”
”
Marcel Proust (The Guermantes Way)
“
We are all mysteries, to those who love us and also to ourselves. When you find someone who embraces you, loves and desires you every moment, accepts your mysteries and flaws without judgement, you’ve struck gold. How delicious is the thought that this mysterious complex creature, chooses to share a life with you?
Too many of us undervalue ourselves by digging too deep into the mistakes we have made or dwelling on when we failed at something like relationships, responsibilities, careers, whatever it might be. All those experiences make up the mystery and story of who we are. We are complex beings, all together in this fucked up but beautiful world.
Whatever the mistakes or failures of someone’s murky past that leads them to your door should be experiences you are grateful for and that is cause for celebration. All of us have had experiences, good and bad, and those make up the intricate tapestry of who we are.
I often feel insecure in so many ways, fragile and easily broken even when I know that is only a self-defeating perception that sometimes rears its ugly head. I am doing what I love, and deeply in love with someone with whom I want to share my future and write our own magical mystery story.
I guess what I am trying to say is don’t dig so deep that you end up cutting your roots and the lifeblood that feeds and makes you. Match your energy and vibration with what you envision. Believe. You deserve love and success, so go for it.
”
”
Riitta Klint
“
The mind was a capricious and undisciplined creature. You couldn't always keep it on a lead, and it was for ever dashing off into the undergrowth of the past, digging up some decayed bone of memory, and bringing it back, with tail wagging, to lay it at your feet.
”
”
David Lodge (Paradise News)
“
People were forever digging up events that had taken place a long time ago. And what was the point in doing this if the effect was merely to poison the present? There were many wrongs in the past, but did it help to keep bringing them up and giving them a fresh airing?
”
”
Alexander McCall Smith (Tears of the Giraffe (No. 1 Ladies' Detective Agency, #2))
“
Why do we call the whole world's attention to the fact that we have no past? It isn't enough that the Romans were erecting great buildings when our forefathers were still living in mud huts; now Himmler is starting to dig up these villages of mud huts and enthusing over every potsherd and stone axe he finds. All we prove by that is that we were still throwing stone hatchets and crouching around open fires when Greece and Rome had already reached the highest stage of culture. We really should do our best to keep quiet about this past.
”
”
Adolf Hitler
“
The mind is constantly trawling through memories to find those that echo our current emotional state. For example, if you feel threatened, the mind instantly digs up memories of when you felt endangered in the past, so that you can spot similarities and find a way of escaping.
”
”
J. Mark G. Williams (Mindfulness: An Eight-Week Plan for Finding Peace in a Frantic World)
“
It is that magical, frightening moment, that we need to pinpoint. Recognize it and then move past it. That moment, when everything inside, when everyone around you, says to quit, to give up, you can’t do this, that’s the moment you must stand up, you must dig deep within yourself, and make it happen.
”
”
Ari Gunzburg (The Little Book of Greatness: A Parable About Unlocking Your Destiny)
“
Poem: Roses And Rue (To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird's throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair - did I tie it? For it always ran riot - Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face - Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, 'You have only wasted your life.' (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets' hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God's heaven and hell.
”
”
Oscar Wilde (Selected Poems)
“
Now, now, ladies, you two know the rules.” Finn rose, holding up his hands like a referee. “No fights outside of a Jell-O ring.”
I twirled my be-clawed fingers in front of her face, and eventually she backed off.
“So tell me what his story is.” Finn jerked his chin in Jackson’s direction. “He’s not one of us?”
After a final threatening look at Selena, I said, “I don’t think so. I haven’t seen him do anything superhuman.”
Selena flipped her hair over her shoulder. “Because you haven’t experienced him in the right situation, honey.” Her tone dripped with innuendo.
Was this the proof that I’d been waiting for? Or another lie? Maybe they had gotten together—at least on the night we’d stayed at her place. And possibly more often.
Though I did believe Jackson was interested in me again, I didn’t know how I could get past them. Between gritted teeth, I said, “Then tell us what card he is, Selena.”
She sighed. “My Jack of Hearts.”
Claws aching, I snapped, “Wrong—deck—hooker.”
Finn groaned. “This can’t be happening! So you’re both digging that Cajun dude? Both of you? Come on, pussycats, that’s just not right! Spread the wealth.
”
”
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
“
By digging up the buried tradition of women scholars, Akram has prepared the ground for radical social change. For Muslims, the Islamic past is not just a source of interest for historians but a blueprint for the present. Precedent, not innovation guides the devout on how to live and behave. So Akram's discovery of these women scholars isn't simply an interesting bit of long-buried history, but a quietly eloquent argument for changing the status quo.
”
”
Carla Power (If the Oceans Were Ink: An Unlikely Friendship and a Journey to the Heart of the Quran)
“
One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The
”
”
Erich Maria Remarque
“
My name isn’t Offred, I have another name, which nobody uses now because it’s forbidden. I tell myself it doesn’t matter, your name is like your telephone number, useful only to others; but what I tell myself is wrong, it does matter. I keep the knowledge of this name like something hidden, some treasure I’ll come back to dig up, one day. I think of this name as buried. This name has an aura around it, like an amulet, some charm that’s survived from an unimaginably distant past.
”
”
Margaret Atwood (The Handmaid's Tale)
“
not dealing with the past,” she said, “is like having a skunk in the middle of your living room. You don’t notice it after a while, but everyone around you smells it, and it rubs off on folks who visit, and no amount of tomato juice baths will ever wash the stink away. You can only bury the past when you acknowledge it and don’t allow it to sidle up against your leg no more. Even then, digging the hole to bury the thing is hard work. It’s the hard work of healing most folks never want to do.
”
”
Amy K. Sorrells (How Sweet the Sound)
“
I wasn’t even certain if my wings were meant for flight. I hadn’t exactly had any luck with it the one time I’d tried.
I could glide, though. Probably.
Maybe.
Should worse come to worst, I could smoke up to them. Turn to dragon right there, dig my claws in, and hang on. That might do it.
Looked like I was about to find out.
What I hadn’t thought about, what I’d completely managed to forget about, was that I wasn’t exactly skilled at maintaining my transformed shape, either. The reminder came to me rather forcibly as I was streaming my way east, over the channel, and felt myself beginning to solidify.
No. No!
Yes.
Several thousand feet up in the air, I Turned back into a girl. Screaming, cartwheeling, everything topsy-turvy purple as gravity reclaimed me and I plummeted down to the water.
fly! sang the stars, weighing in past my screams. fly, beast!
It was a damned near save. I was a girl and then I wasn’t, managing the Turn so close to the sea that the foam from the cresting waves splashed up through the smoke of me.
Good thing I didn’t have a real heart just then. It would have stopped entirely.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
In the lane behind my house, every night I walk past road gangs of emaciated laborers digging a trench to lay fiber-optic cables to speed up our digital revolution. In the bitter winter cold, they work by the light of a few candles.
It’s as though the people of India have been rounded up and loaded onto two convoys of trucks (a huge big one and a tiny little one) that have set off resolutely in opposite directions. The tiny convoy is on its way to a glittering destination somewhere near the top of the world. The other convoy just melts into the darkness and disappears.
”
”
Arundhati Roy (My Seditious Heart: Collected Nonfiction)
“
Sometimes, when Chapuys has finished digging up Walter’s bones and making his own life unfamiliar to him, he feels almost impelled to speak in defense of his father, his childhood. But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man’s power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
My name isn't Offred, I have another name, which nobody uses now because it's forbidden. I tell myself it doesn't matter, your name is like your telephone number, useful only to others; but what I tell myself is wrong, it does matter. I keep the knowledge of this name like something hidden, some treasure I'll come back to dig up, one day. I think of this name as buried. This name has an aura around it, like an amulet, some charm that's survived from an unimaginably distant past. I lie in my single bed at night, with my eyes closed, and the name floats there behind my eyes, not quite within reach, shining in the dark. It's
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
“
The closer Finn`s island come to extinction, the more I wandered back in my mind to the lives that come before us, the huts and the houses, the remains of animals and clothing, the coins and the latrines and cooking pots, the messages from the past left in bones and kitchen dumps. And the people.
Sometimes I thought about the content of those lives, the intangible things that leave no fossils and no marks, no history. Would people from the future excavate traces of passion? Of hope, disappointment, despair? Or would the entire human race end up drowned and forgotten, buried under waves of melting ice, with no on left to dig us up or wonder at what was or what might have been?
”
”
Meg Rosoff (What I Was)
“
The Lord is my rock…. —Psalm 18:2 (KJV) Even though my father retired as minister of the church where my sister, Keri, and I grew up, we were committed to staying and raising our own families there. Neither of us anticipated just how difficult this was going to be. All those years my father faithfully led the congregation, he had a knack for bringing peace to the most stressful situations. When an interim minister was hired, we watched helplessly as the church became divided. Keri and I often met for lunch, just to comfort each other. One day a realization suddenly appeared: “This isn’t about where we are with the church. It’s about where we are with God.” While it was a painful time of change, our hearts needed to be aligned with God. The same God Who had been with us every moment of our lives was still here, and His house was still our true home. Finally the Sunday came when my family joined Keri’s to hear our new pastor’s first sermon. He exuded a peaceful presence, and his message was strong and confident. Already he embraced our beloved church and its congregation as if he had known us forever. “God is surely the rock of this church,” he was saying. I caught Keri’s eyes and smiled. Pastor Chris was saying what we already knew, but we certainly didn’t mind hearing it again. Father, let us look past every difficulty and see You ever as our rock. —Brock Kidd Digging Deeper: Ps 18; Is 44:8
”
”
Guideposts (Daily Guideposts 2014)
“
He died of a breaking heart," Pete said, making a stout log fence of his hands around the glove compartment and leaning forward to peer at the luminous clock, "but he was an old man. He was the king of his Yaquis down there and he couldn't live any more when they took the land away. He couldn't live up in the mountains that way. He hid all the treasures - you understand treasures? - in the mountains down there and he died. Now I'm the king of my Yaquis and someday I'll go down there and dig up the treasures again - maybe soon if they don't catch me too much. Then I buy the land back and we will live in the future like in the past only better." Pete let the fence fall, and sunlight showed the clock to be hours wrong, if not years.
”
”
Douglas Woolf (Wall to Wall (American Literature))
“
For after the dream there is no reason why you should not go back and face the fact which you have fled from (even if the fact seems to be that you have, by digging up the truth about the past, handed over Anne Stanton to Willie Talos), for any place to which you may flee will now be like the place from which you have fled, and you might as well go back, after all, to the place where you belong, for nothing was your fault or anybody’s fault, for things are always as they are. And you can go back in good spirits, for you will have learned two very great truths. First, that you cannot lose what you have never had. Second, that you are never guilty of a crime which you did not commit. So there is innocence and a new start in the West, after all.
If you believe the dream you dream when you go there.
”
”
Robert Penn Warren (All the King's Men)
“
Metalearning: First Draw a Map. Start by learning how to learn the subject or skill you want to tackle. Discover how to do good research and how to draw on your past competencies to learn new skills more easily. Focus: Sharpen Your Knife. Cultivate the ability to concentrate. Carve out chunks of time when you can focus on learning, and make it easy to just do it. Directness: Go Straight Ahead. Learn by doing the thing you want to become good at. Don’t trade it off for other tasks, just because those are more convenient or comfortable. Drill: Attack Your Weakest Point. Be ruthless in improving your weakest points. Break down complex skills into small parts; then master those parts and build them back together again. Retrieval: Test to Learn. Testing isn’t simply a way of assessing knowledge but a way of creating it. Test yourself before you feel confident, and push yourself to actively recall information rather than passively review it. Feedback: Don’t Dodge the Punches. Feedback is harsh and uncomfortable. Know how to use it without letting your ego get in the way. Extract the signal from the noise, so you know what to pay attention to and what to ignore. Retention: Don’t Fill a Leaky Bucket. Understand what you forget and why. Learn to remember things not just for now but forever. Intuition: Dig Deep Before Building Up. Develop your intuition through play and exploration of concepts and skills. Understand how understanding works, and don’t recourse to cheap tricks of memorization to avoid deeply knowing things. Experimentation: Explore Outside Your Comfort Zone. All of these principles are only starting points. True mastery comes not just from following the path trodden by others but from exploring possibilities they haven’t yet imagined.
”
”
Scott H. Young (Ultralearning: Master Hard Skills, Outsmart the Competition, and Accelerate Your Career)
“
We have dangerously warmed our world already, and our governments still refuse to take the actions necessary to halt the trend. There was a time when many had the right to claim ignorance. But for the past three decades, since the Intergovernmental Panel on Climate Change was created and climate negotiations began, this refusal to lower emissions has been accompanied with full awareness of the dangers. And this kind of recklessness would have been functionally impossible without institutional racism, even if only latent. It would have been impossible without Orientalism, without all the potent tools on offer that allow the powerful to discount the lives of the less powerful. These tools - of ranking the relative value of humans - are what allow the writing off of entire nations and ancient cultures. And they are what allowed for the digging up of all that carbon to begin with.
”
”
Naomi Klein (On Fire: The Case for the Green New Deal)
“
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all
new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
”
”
Fiona Cole (Lovers (Voyeur, #2))
“
Is it not very important, while we are young, to be loved and to love? It seems to me that most of us neither love nor are loved. And I think it is essential, while we are young, to understand this problem very seriously because it may be that while we are young, we can be sensitive enough to feel it, to know its quality, to know its perfume and perhaps, when we grow older, it will not be entirely destroyed. So, let us consider the question—that is, not that you should not be loved, but that you should love. What does it mean? Is it an ideal? Is it something far away, unattainable? Or is it something that can be felt by each one at odd moments of the day?
To feel it, to be aware, to know the quality of sympathy, the quality of understanding, to help naturally, to aid another without any motive, to be kind, to be generous, to have sympathy, to care for something, to care for a dog, to be sympathetic to the villager, to be generous to your friend, to be forgiving, is that what we mean by love? Or is love something in which there is no sense of resentment, something which is everlasting forgiveness?
And is it not possible while we are young, to feel it? Most of us, while we are young, do feel it—a sense of outward agony, sympathy to the villager, to the dog, to those who are little. And should it not be constantly tended? Should you not always have some part of the day when you are helping another or tending a tree or garden or helping in the house or in the hostel so that as you grow into maturity, you will know what it is to be considerate naturally—not with an enforced considerateness that is merely a negative word for one’s own happiness, but with that considerateness that is without motive.
So, should you not when you are young, know this quality of real affection? It cannot be brought into being; you have to have it, and those who are in charge of you, like your guardian, your parents, your teachers, must also have it. Most people have not got it. They are concerned with their achievements, with their longings, with their success, with their knowledge, and with what they have done. They have built up their past into such colossal importance that it ultimately destroys them.
So, should you not, while you are young, know what it is to take care of the rooms, to care for a number of trees that you yourself dig and plant so that there is a feeling, a subtle feeling of sympathy, of care, of generosity, the actual generosity—not the generosity of the mere mind—that means you give to somebody the little that you may have? If that is not so, if you do not feel that while you are young, it will be very difficult to feel that when you are old. So, if you have that feeling of love, of generosity, of kindness, of gentleness, then perhaps you can awaken that in others.
”
”
J. Krishnamurti (Relationships to Oneself, to Others, to the World)
“
And growth has no end. One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The
”
”
Erich Maria Remarque (The Road Back)
“
Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A
”
”
Lauren Groff (Fates and Furies)
“
Ballad"
Oh dream, why do you do me this way?
Again, with the digging, again with the digging up.
Once more with the shovels.
Once more, the shovels full of dirt.
The vault lid. The prying. The damp boards.
Mother beside me.
Like she’s an old hat at this.
Like all she’s got left is curiosity.
Like curiosity didn’t kill the red cat.
Such a sweet, gentle cat it was.
Here we go again, dream.
Mother, wearing her take-out-the-garbage coat.
I haven’t seen that coat in years.
The coat she wore to pick me up from school early.
She appeared at the back of the classroom, early.
Go with your mother, teacher said.
Diane, you are excused.
I was a little girl. Already a famous actress.
I looked at the other kids. I acted lucky.
Though everyone knows what an early pick-up means.
An early pick-up, dream.
What’s wrong, I asked my mother. It is early spring.
Bright sunlight. The usual birds.
Air, teetering between bearable and unbearable.
Cold, but not cold enough to shiver.
Still, dream, I shiver.
You know, my mother said.
Her long garbage coat flying.
There was a wind, that day.
A wind like a scurrying grandmother, dusting.
Look inside yourself, my mother said.
You know why I have come for you.
And still I acted lucky. Lucky to be out.
Lucky to be out in the cold world with my mother.
I’m innocent, I wanted to say.
A little white girl, trying out her innocence.
A white lamb, born into a cold field.
Frozen almost solid. Brought into the house.
Warmed all night with hair dryers.
Death? I said. Smiling. Lucky.
We’re barely to the parking lot.
Barely to the car ride home.
But the classroom already feels like the distant past.
Long ago, my classmates pitying me.
Arriving at this car full of uncles.
Were they wearing suits? Death such a formal occasion.
My sister, angry-crying next to me.
Me, encountering a fragment of evil in myself.
Evilly wanting my mother to say it.
What? I asked, smiling. My lamb on full display at the fair.
He’s dead! my sister said. Hit me in the gut with her flute.
Her flute case. Her rental flute. He’s dead!
Our father.
Our father, who we were not supposed to know had been dying.
He’s dead! The flute gleaming in its red case.
Here, my mother said at home.
She’d poured us each a small glass of Pepsi
We normally couldn’t afford Pepsi.
Lucky, I acted.
He’s no longer suffering, my mother said.
Here, she said. Drink this.
The little bubbles flew. They bit my tongue.
My evil persisted. What is death? I asked.
And now, dream, once more you bring me my answer.
Dig, my mother says. Pry, she says.
I don’t want to see, dream.
The lid so damp it crumbles under my hands.
The casket just a drawerful of bones.
A drawerful. Just bones and teeth.
That one tooth he had. Crooked like mine.
”
”
Diane Seuss
“
They had shared much of their pasts, most of their fears, and all of their tenuous and fragile hopes, but Deborah had noticed over the years that whenever she mentioned her art, or something on which she was working, a subtle change would come over Carla. Her face would harden almost imperceptibly; her manner would edge toward coolness. Because it was a subtle emotion in a world of erratic oscillations of feeling, of violence, and of lies told by every sense of perception, Deborah had not noticed it in their sick times. But one day the world had cleared enough so that she realised that at any mention of her art, her friend drew back. In their new eagerness for experience and reality, the strange aloofness stood out clearly.
[...]
She had a dream.
In the dream it was winter and night. The sky was thick blue-black and the stars were frozen in it, so that they glimmered. Over the clean white and windswept hills the shadows of snowdrifts drew long. She was walking on the crust of snow, watching the star-glimmer and the snow-glimmer and the cold tear-glimmer in her own eyes. A deep voice said to her, "You know, don't you, that the stars are sound as well as light?"
She listened and heard a lullaby made by the voices of the stars, sounding so beautiful together that she began to cry with it.
The voice said, "Look out there."
She looked toward the horizon. "See, it is a sweep, a curve." Then the voice said, "This night is a curve of darkness and the space beyond it is a curve of human history, with every single life an arch from birth to death. The apex of all of these single curves determines the curve of history and, at last, of man."
"I cannot show you yours," the voice said, "but I can show you Carla's. Dig here, deep in the snow. It is buried and frozen - Dig deep."
Deborah pushed the snow aside with her hands. It was very cold, but she worked with a great intensity as if there were salvation in it. At last her hand struck something and she tore it up from burial. It was a piece of bone, thick and very strong and curved in a long, high, steady curve.
"Is this Carla's life?" she asked. "Her creativity?"
"It is bone-deep with her, though buried and frozen." The voice paused a moment and then said, "It's a fine one - a fine solid one!"
[...]
"Please don't be angry," she said, and then told Carla the dream.
[...]
She wiped her eyes. "It was only a dream, your dream..."
"It's true anyway," Deborah said.
"The one place I could never go..." Carla said musing, "...the one hunger I could never admit."
When Deborah finished, Furii said, "You always took your art for granted, didn't you? I used to read in the ward reports all the time how you managed to do your drawing in spite of every sort of inconvenience and restriction.
”
”
Joanne Greenberg (I Never Promised You a Rose Garden)
“
Rip ran a hand through his dusty brown hair and tried to imagine what Larsen had found. Larsen’s words “a Cosega find” had been playing over in his mind almost constantly since he’d heard them. Cosega was the reason that Rip became an archaeologist. The Jeep’s motor whined as it pushed over the unmaintained road. Rip’s thoughts drifted to the past. They always did when he was in the mountains. Fifteen years earlier he had graduated from the University of Pennsylvania with honors after publishing a series of papers on the prehistory of man. His first break came when billionaire Booker Lipton, a Penn alumnus who had amassed a fortune through brutal corporate takeovers and a variety of other business dealings, immediately offered him funding. Rip had skipped the “cap and gown nonsense,” as he called it, and was already in Africa when his degree caught up with him. His first human origins digs were featured in an eight-page layout for National Geographic. Within a few years Archaeology Magazine had twice detailed his findings for cover stories. He taught courses at three different universities, and often shared his expertise on news and talk shows. Then, four years ago, he published a paper on the creation stories of all known Native American tribes entitled: Cosega. The controversy that erupted after had almost ended his career. Not yet forty, Ripley had already achieved more than the greats
”
”
Brandt Legg (Cosega Search (The Cosega Sequence, #1))
“
Don’t jump to conclusions over first impressions.
They’re often dead wrong. When I first met Mark, I thought he was spoiled. When I met Shirley, I assumed she was tough as nails. But getting to know them both as a member of their family, I saw how wrong I was. Shirley is a teddy bear, a caring, loving person who would do anything for me. And Mark? I think of him as a brother, in every sense of the word. I’ve learned to make a special effort to get to know the people who put up walls and seem cold or tough. It’s like an onion; you have to peel back the layers. I’m sure some of my DWTS partners made an assumption about who I was the first time they worked with me. They probably thought I was a tough taskmaster and cursed me out for putting them through this! But anyone who truly knows me will tell you, I’m harder on myself than I am on anyone else. And I’m a softie who loves to goof around. But to see that side of me, you need to move past the first impression. What’s the lesson here? Dig a little deeper. Get to know people and what makes them tick. Don’t make an assumption till you know someone a lot better. Think of all the people you might have dismissed who could have been great friends, mentors, or allies, if you’d only given them the chance.
Perfect example: dancing with Lil’ Kim on DWTS. She had recently spent time in jail and I remember thinking, Oh my gosh, I’m afraid I’m going to get shanked in the middle of the dance! Then I realized I was judging her without knowing her, something that I have hated people doing to me in the past. It took only a few minutes to see the sweet, loving person she truly was. Had I not given us the chance to get to know each other better, I never would have learned that.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
Top Dog"
If I could, I would take your grief, dig it up
out of the horseradish field and grate it into something red and hot
to sauce the shellfish. I would take the lock of hair you put in the locket and carry it in my hand, I would make the light strike everything
the way it hit the Bay Bridge, turning the ironwork at sunset into waffles.
If I could, I would blow your socks off, they would travel far, always in unison,
past the dead men running, past the cranes standing in snow,
beyond the roads we rode, so small in our little car, it was like riding in a miner's helmet. If I could I would make everyone vote and call their public servants to say, “No one was meant for this.”
I would go back to the afternoon we made love in the tall grass under the full sun not far from the ravine where the old owner had flung hundreds of mink cages.
I would memorize gateways to the afterworld, the electric third rail,
the blond braid our girl has hanging down her back,
the black guppy we killed at our friends’ when we unplugged the bubbler and the fish floated to the top, one eye up at the ceiling, the other
at the blue gravel on the bottom of the tank.
I would beg an audience with Sister Lucia, the last living of the children
visited by Our Lady of Fatima, I would ask her about the weight of secrets, if they let her sleep or if she woke at night with a body on her body,
if the body said, “Let's play top dog, first I'll lie on you, then you lie on me.”
I would ask how she lived with revelation, the normal state of affairs amplified beyond God, bumped up to the Virgin Mother, who no doubt knew a few things, passed them on, quietly, and I would ask Lucia how she lived with knowing,
how she could keep it under her hat, under wraps, button up, zip her lip,
play it close to the vest, never telling, never using truth as a weapon.
”
”
Barbara Ras (Bite Every Sorrow: Poems (Walt Whitman Award of the Academy of American Poets))
“
I want you, Leilani. I'm so hard it hurts. But your scent entices me, lures me." He drew the sheet farther down, past her navel, along the soft swell of her stomach. "I want to taste, to savor. Here." He kissed his way to the tender flesh high inside her inner thigh. "And here." He traced a similar path to the other side. "But I want to feast... here." He drew his tongue along the center of her, and groaned at the sweet taste of her.
Lani's hips started to pump harder, and he could feel a fine quivering begin along her skin. She rocked and keened, and when he plunged his tongue deeply into her, she cried out, reached down and buried her fingers in his hair. Guiding him, urging him, demanding him, release broke over her in wracking, wrenching waves.
"Baxter, please... please." Her hips slowed, but her body continued to gather and jerk as the aftershocks kept twitching through her. "Now," she demanded. "I'm- I'm safe, protected, we don't need-" She broke off as he kissed his way back up the center of her torso while she continued to writhe beneath him.
The way she responded to him, making herself vulnerable to him, moved him in unpredictable ways. He shifted so he was directly on top of her and pressed himself between her thighs, which she parted, wrapping them around his hips, digging her heels into his lower back as she lifted for him, and took him in.
Take her, he did, sliding all the way in, groaning as she gripped him fully, so tightly, so wetly, so perfectly, it was the fulfillment of every fantasy he'd ever had. Even though his heart was drumming inside his chest, and his body was priming itself for a ferocious release, climaxing wasn't the only thing dominating his thoughts. He met her every hip thrust, echoed every groan, every growl, as they worked their every frenzied way to completion, together.
He could feel her climb again as she rolled her hips beneath him, and reality continued to eclipse fantasy. "Come with me, yes," he said, claiming her mouth even as she was nodding in agreement.
He pulled her into his arms and moved more deeply, as she instinctively shifted to take him more tightly inside her. They moved with a rhythm that was as old as man's creation, and uniquely and utterly their own.
”
”
Donna Kauffman (Sugar Rush (Cupcake Club #1))
“
It takes me nearly a half hour to make what should be a ten-minute trip, and by the time I pull up in front of my house, my hands are cramped from my death grip on the steering wheel.
It’s not until I step out of the car, my legs feeling like they’re made of Jell-O, that I notice Ryder’s Durango parked in front of me.
“Where the hell have you been?” he calls out from the front porch, just as I make a mad dash to join him there. His face is red, his brow furrowed over stormy eyes. “They let us out an hour ago!”
I am really not in the mood for his crap. “Yeah, so?”
“So I was worried sick. A tornado touched down over by the Roberts’ place.”
“I know! I mean, I didn’t know it touched down, but I was still at school when the sirens went off.” I drop my ridiculously heavy backpack and shake the rain from my hair. “Is everyone okay over there?”
He runs a visibly trembling hand through his hair. “Yeah, it just tore up their fence or something. Jesus, Jemma!”
“What is wrong with you? Why are you even here?”
“I’m supposed to stay over here, remember?”
“What…now?” I look past him and notice an army-green duffel bag by the front door. He’s got a key--he could’ve just let himself in.
“I figured now’s as good a time as any. We need to put sandbags in front of the back door before it gets any worst out, and then we’ve got to do something about the barn. It’s awful close to the creek, and the water’s rising fast.”
“Well, what do you propose we do?”
“Don’t you keep your guns out there? We should move them inside. And your dad has some expensive tools in his workshop--we should get those, too.”
I let out a sigh. He’s got a point. “Can I at least go inside first? Put my stuff away?”
“Sure?” He moves to the edge of the porch and gazes up at the sky. “It looks like we might get a break in a few minutes, once this band moves through. Might as well wait for it.”
I dig out my keys and unlock the door. I can hear the dogs howling their heads off the minute I step inside. “I’ve gotta let Beau and Sadie out,” I say over my shoulder as I head toward the kitchen. “Take your stuff to the guest room and get settled, why don’t you?”
That’s my attempt at reestablishing the fact that I’m in charge here, not him. This is my house. My stuff. My life.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Heartened up by this story, I began to draw upon his more comprehensive knowledge as to the ages of the pictures and as to certain of the stories connected with them, upon which I was not clear; and I likewise inquired into the causes of the decadence of the present age, in which the most refined arts had perished, and among them painting, which had not left even the faintest trace of itself behind. "Greed of money," he replied, "has brought about these unaccountable changes. In the good old times, when virtue was her own reward, the fine arts flourished, and there was the keenest rivalry among men for fear that anything which could be of benefit to future generations should remain long undiscovered. Then it was that Democritus expressed the juices of all plants and spent his whole life in experiments, in order that no curative property should lurk unknown in stone or shrub. That he might understand the movements of heaven and the stars, Eudoxus grew old upon the summit of a lofty mountain: three times did Chrysippus purge his brain with hellebore, that his faculties might be equal to invention. Turn to the sculptors if you will; Lysippus perished from hunger while in profound meditation upon the lines of a single statue, and Myron, who almost embodied the souls of men and beasts in bronze, could not find an heir. And we, sodden with wine and women, cannot even appreciate the arts already practiced, we only criticise the past! We learn only vice, and teach it, too. What has become of logic? of astronomy? Where is the exquisite road to wisdom? Who even goes into a temple to make a vow, that he may achieve eloquence or bathe in the fountain of wisdom? And they do not pray for good health and a sound mind; before they even set foot upon the threshold of the temple, one promises a gift if only he may bury a rich relative; another, if he can but dig up a treasure, and still another, if he is permitted to amass thirty millions of sesterces in safety! The Senate itself, the exponent of all that should be right and just, is in the habit of promising a thousand pounds of gold to the capitol, and that no one may question the propriety of praying for money, it even decorates Jupiter himself with spoils'. Do not hesitate, therefore, at expressing your surprise at the deterioration of painting, since, by all the gods and men alike, a lump of gold is held to be more beautiful than anything ever created by those crazy little Greek fellows, Apelles and Phydias!
”
”
Petronius (The Satyricon)
“
His eyes flickered with amusement, reflecting sunlight and shade. The rough beard on his chin gave him a wild, dangerous look. Stiffly, she lifted herself onto her toes, bracing a hand against his shoulders. He was steel beneath her grasp. Did he have to watch her so intently? She closed her eyes. It was the only way she would have the courage to do this. Still he waited. It would be a brief meeting of lips. Nothing to be afraid of. If only her heart would remember to keep beating. Holding her breath, she let her lips brush over his. It was the first time she’d ever kissed a man and her mind raced with it. She hardly had a sense of his mouth at all, though the shock of the single touch rushed like liquid fire to her toes. Her part of the bargain was fulfilled. It could be done and over right then. Recklessly, after a moment’s hesitation, she touched her lips once again to him. This time she lingered, exploring the feel of him little by little. His mouth was warm and smooth and wonderful, all of it new and unexpected. He still hadn’t moved, even though her knees threatened to crumble and her heart beat like a thunder drum. Finally he responded with the barest hint of pressure. The warmth of his breath mingled with hers. Without thinking, she let her fingers dig into the sleek muscle of his arms. A low, husky sound rumbled in his throat before he wrapped his arms around her. Heaven and earth. She hadn’t been kissing him at all. The thin ribbon of resistance uncoiled within her as he took control of the kiss. His stubble scraped against her mouth, raking a raw path of sensation through her. She could do nothing but melt against him, clutching the front of his tunic to stay on her feet. A delicious heat radiated from him. His hands sank low against the small of her back to draw her close as he teased her mouth open. His breath mingled with hers for one anguished second before his tongue slipped past her lips to taste her in a slow, indulgent caress. A sigh of surrender escaped from her lips, a sound she hadn’t imagined she was capable of uttering. His hands slipped from her abruptly and she opened her eyes to see his gaze fixed on her.
‘Well,’ he breathed, ‘you do honour your bets.’ Though he no longer touched her, it was as if the kiss hadn’t ended. He was still so close, filling every sense and thought. She stumbled as she tried to step away and he caught her, a knowing smile playing over his mouth. Her balance was impeccable. She never lost her footing like that, just standing there. His grip tightened briefly before he let her go. Even that tiny, innocent touch filled her with renewed longing. In a daze, she bent to pick up her fallen swords. Her pulse throbbed as if she had run a li without stopping. In her head she was still running, flying fast. ‘Now that our bargain is settled…’ she began hoarsely ‘…we should be going.’ To her horror her hands would not stop shaking. Brushing past him, she gathered up her knapsack and slung it over her shoulder. ‘You said the next town was hours from here?’ He collected his sword while a slow grin spread over his face. She couldn’t look at him without conjuring the feel and the taste of him. Head down, she ploughed through the tall grass. ‘A good match,’ she attempted. He caught up to her easily with his long stride. ‘Yes, quite good,’ he replied, the tone rife with meaning. Her cheeks burned hot as she forced her gaze on the road ahead. She could barely tell day from night, couldn’t give her own name if asked. She had to get home and denounce Li Tao. Warn her father. She had thought of nothing else since her escape, until this blue-eyed barbarian had appeared. It was fortunate they were parting when they reached town. When he wasn’t looking she pressed her fingers over her lips, which were still swollen from that first kiss. She was outmatched, much more outmatched than when they had crossed swords.
”
”
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
“
Of course. A new consciousness - I that that is the word,' said the old man after he had thought a moment. 'That is what I hope it is. You and your African and Colombian, you are speaking the same language now, you know the same ideas. You are conscious that life on earth is flux. Men are better educated. They are more disciplined than in the past - their schedules are harder, their lives move faster, efficiency digs into them. Men are more sophisticated -every day they have more alternatives to choose among than they can possibly exhaust. Through psychiatry they know their strengths and weaknesses. They know the risks of every choice. This is what I mean by consciousness. Men know so much about everything they do. It was much simpler when they didn't know, when they simply acted out of instinct, believed from instinct, loved from instinct, brought up children by their instincts. Perhaps people were even happier. But now we are more conscious. We have got to live with our greater knowledge. We have got to live with our greater freedom.
”
”
Michael Novak (The Tiber was Silver)
“
A week before, snow had been forecast. Snow was gathering in the north and would, by the weekend, come down on the West County like a fist. Extra food and fuel were ordered, sheep herded lower down the valley, and the bird table in the postmistress's garden was made up like the spare room. But the threatened snow had not arrived. And that evening in the village pub, the Pike, the talk had scornfully left the present to dig up winters past, their iron ghosts clanking and blowing now around the small, log-warmed bar.
”
”
Peter Maughan (Under the Apple Boughs: (A Journey Through a West Country Year))
“
It's not good to dig in the past, raise the ghost up from the grave, and have it walk with the flesh.
”
”
Anthony Liccione
“
I think that…it’s in the past. Everything becomes history if you are patient enough. And if you don’t dig everything up again.
”
”
Erik Valeur (The Seventh Child)
“
I think about the Old Ones, that they have a past but no history. I think about the inevitability of death, and whether it’s not that very inevitability that inspires us to take photographs and make scrapbooks and tell stories. That that’s how we humans find our way to immortality. This is not a new thought; I’ve had such thoughts before. But I have a new thought now.
That that’s how we find our way toward meaning.
Meaning. If you’re going to die, you want to find meaning in life.
You want to connect the dots.
The Old Ones are born immortal. They’ve lived hundreds upon hundreds of years. But they’re going to die. Someday soon—in five days, or five months, or five years—we humans will come up with a cure for the swamp cough. Then Mr. Clayborne will light the illuminating gas and set the machines going and drain the water from the swamp.
I look about the Flats, I try to imagine it. Men will dig up the ancient trees. They’ll shrivel the Flats into a toothless granny. They’ll drain the swamp into a scab. The Old Ones will have nowhere to live. And if that doesn’t kill them, industry will. The factories and hospitals and shipyards that are sure to come. The Old Ones can’t survive a world filled with metal. They can’t survive the clatter and growl of machinery.
I leave the Flats. The fields are not too far now. Just down the road. But the road looks long and I feel the prickle of tears again. It’s because I’ve been ill, I know. That’s all it is.
And when the bog-holes are puckered shut, where will the Boggy Mun go? Will he go to the sea? And if he does, what then?
Is the sea too big to drain? Probably not. Look what mankind can create. Now you can photograph a person moving, and when you look at the photograph, you’ll actually see him moving, which is why it’s called a moving picture. This is hard to believe, I know, but still, we humans are inventing such astonishing things. I shouldn’t be surprised if, in time, we’ll be able to drain the sea.
And what of the Old Ones?
Only the stories will remain
”
”
Franny Billingsley Chime
“
Remember now your Creator in the days of your youth, before the difficult days come, and the years draw near when you say, “I have no pleasure in them.” —Ecclesiastes 12:1 (NKJV) I was making rounds at the veterans hospital where I work, when an elderly gentleman in a wheelchair pointed his cane to a sign on a bulletin board. “Look, hon,” he said to his wife, “they’re having an old-fashioned Easter egg hunt on Saturday. It says here that the kids can compete in a bunny-hop sack race for prizes.” He barely came up for air. “Remember when we used to have those Easter egg hunts on our farm? The kids would color eggs at our kitchen table and get dye all over everything.” Just then, his wife noticed the smell of popcorn in the air. Volunteers sell it for a bargain price—fifty cents a sack. The veteran didn’t miss a beat. “Remember when we used to have movie night and you would pop corn? We’ve got to start doing that again, hon. I love popcorn. Movies too.” As I took in this amazingly joyful man, I thought of things I used to be able to do before neurofibromatosis took over my body. It was nothing to run a couple of miles; I walked everywhere. Instead of rejoicing in the past, I too often complain about my restrictions. Rather than marvel how I always used to walk downtown, shopping, I complain about having to use a handicap placard on my car so I can park close to the mall, which I complain about as well. But today, with all my heart, I want to be like that veteran and remember my yesterdays with joy. Help me, dear Lord, to recall the past with pleasure. —Roberta Messner Digging Deeper: Eph 4:29; Phil 2:14
”
”
Guideposts (Daily Guideposts 2014)
“
I knew the Tam were already a success by the greeting I got. The women in their canoes in the middle of the lake called out loud hellos that I heard over my engine, and a few men and children came down to the beach and gave me big floppy Tam waves. A noticeable shift from the chary welcome we’d received six weeks earlier. I cut the engine and several men came and pulled the boat to shore, and without my having to say a word two swaybacked young lads with something that looked like red berries woven in their curled hair led me up a path and down a road, past a spirit house with an enormous carved face over the entryway—a lean and angry fellow with three thick bones through his nose and a wide open mouth with many sharp teeth and a snake’s head for a tongue. It was much more skilled than the Kiona’s rudimentary depictions, the lines cleaner, the colors—red, black, green, and white—far more vivid and glossy, as if the paint were still wet. We passed several of these ceremonial houses and from the doorways men called down to my guides and they called back. They took me in one direction then, as if I wouldn’t notice, turned me around and doubled back down the same road past the same houses, the lake once again in full view. Just when I thought their only plan was to parade me round town all day, they turned a corner and stopped before a large house, freshly built, with a sort of portico in front and blue-and-white cloth curtains hanging in the windows and doorway. I laughed out loud at this English tea shop encircled by pampas grass in the middle of the Territories. A few pigs were digging around the base of the ladder. From below I heard footsteps creaking the new floor. The cloth at the windows and doors puffed in and out from the movement within. ‘Hallo the house!’ I’d heard this in an American frontier film once. I waited for someone to emerge but no one did, so I climbed up and stood on the narrow porch and knocked on one of the posts. The sound was absorbed by the voices inside, quiet, nearly whispery, but insistent, like the drone of a circling aeroplane. I stepped closer and pulled the curtain aside a few inches. I was struck first by the heat, then the smell. There were at least thirty Tam in the front room, on the floor or perched oddly on chairs, in little groups or even alone, everyone with a project in front of them. Many were children and adolescents, but
”
”
Lily King (Euphoria)
“
First, you must be certain that you are ready for knowledge. There are many things that we bury in our minds for a reason. Are you sure that you want to go digging up the past?”- Elsie (Marked Book #1) page 226
”
”
A.N. Meade (Marked (Marked #1))
“
Sophia, I want to talk to you about something but I don’t want you to be upset.” Sylvan was speaking carefully, as though choosing his words. Uh-oh, I’m not going to like this. He’s probably going to remind me of his vow and tell me not to expect any kind of commitment once we get back to the ship. “What?” she asked as neutrally as she could. “Earlier when we were talking you said something that made me wonder.” “Wonder? Wonder about what?” “You said ‘don’t do it to me again.’” Turning his head, he gave her a look that seemed to pierce right through her. “What did you mean by that?” “I said that?” Sophie tried to laugh even though her heart was suddenly in her throat. “I don’t remember. I was upset—who knows what I said?” He frowned skeptically. “All right. You also talked about having a ‘phobia’—an aversion to having me…” He cleared his throat. “On top of you. Even after you knew I wasn’t trying to take you against your will.” Sophie felt cold. “Well I mean look at you. I’m not exactly petite but you’re so huge and muscular. I mean, I would feel like I was…was smothering. Don’t you remember I told you I’m claustrophobic?” Sylvan shook his head. “No, I don’t think that’s it.” “Well then what is it? What are you trying to say?” Sophie’s heart was pounding but she tried to sound normal—a little irritated, even. It was apparent that Sylvan wasn’t buying her act. He was silent for a long moment then he spoke in a low voice. “Who was he?” “What was who? What are you talking about?” “The male who hurt you. Who was he and what did he do to you? Was he this ‘Burke’ you mentioned?” Sophie felt like someone had dumped a bucket of ice water over her head. “I…I don’t know what you’re talking about. Nobody ever hurt me. I’m fine—perfectly fine,” she protested almost frantically. Sylvan kept looking at her in that same, patient way that made her feel like screaming. “You’re lying,” he said at last. “What?” She pulled her hands away from his shoulders and clenched them at her sides. “How dare you say that?” “I notice you’re not denying it.” He didn’t sound angry, just tired. Sophie was almost shaking, she was so upset. “How can you even ask me something like that? It’s so personal. I mean, I hardly even know you.” She wished she could call the words back as soon as they left her lips. How could she claim to hardly know him after all they’d been through together that night? But if she apologized and took back her hasty, hurtful words she might have to admit…No, I won’t. I can’t. Sylvan was still looking at her quietly and a little sadly. Finally he sighed and nodded. “If I have offended, then I ask your forgiveness.” “It’s okay,” Sophie muttered, looking down at her hands. Things had been going so well. Why did he have to try and pry into her past? To dig up the old hurt she’d tried so hard to bury? Sylvan
”
”
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
“
Incompatible with one another (and often at odds with themselves), the three
were widely seen as plotting the course of modernity toward a future without reli-
gion and indeed without normative ethics. Today these threats, if not vanished, are
diminished, almost to mockeries of their former magnitude and hubris. The Soviet
embodiment of the Marxist idea has collapsed, as untenable politically and
economically as apartheid proved to be. Logical positivism is now a historical cu-
riosity. Philosophers who want to dig up the roots of our current philosophical
plantings often find it necessary to explain just what positivism was and tell the
story of the rival ideas that motivated otherwise intelligent thinkers to suppose that
verificationism circumscribed the possibilities of meaning. And, of course, the
doctrinaire behaviorism of Watson and Skinner that once proposed to do psy-
chology without any idea of minds or thoughts, intentions or even dispositions,
and dismissed as outmoded the ideals of human freedom and dignity, is itself a thing of the past, quaint as the brass microscopes that might decorate an antique
shop window, no longer proposed for serious scientific use.
”
”
Lenn Evan Goodman (حي بن يقظان)
“
Would you like me to tell you about it? It sits on acres of land. If you can believe it, I dig around in the earth. Me. I’m not going to be joining the garden club anytime soon but there have been carrots.” My laugh punctures the politeness. She relaxes. “We made food and sat on the lawn. I was nervous, but a friend of mine had recently been through cancer and I thought, if she can be here … It was a filthy gorgeous day. I mean really it was greedy of us. Slight breeze. Air you could get drunk on. Even the grass was shining. The food was good, well, the food was okay. We did our best but the steak kebabs were dry. Another friend made a silly remark when she walked outside—a silly joke, but we were crying with laughter. Do you remember, a million years ago, when the old lady walked through the screen door? It was like that. Everyone in a good mood on the same day. I didn’t want it to end. It felt like a sin when the sun set. But then the yard was filled with fireflies. I’d been in the city for so long I forgot about fireflies. I stood in the center of the lawn, everyone stood around me. I said, ‘I’m Simone.’ Everyone said, ‘Hi, Simone.’ That was it. We sat down and ate the crappy kebabs.” She pantomimes eating kebab. Her wrists are thin and mapped with veins, like mine. She holds this woman’s grace and the person I used to know’s ability to entertain with an offhanded gesture. She is simultaneous. Wholly present. Wholly past. Wholly grandmother. Wholly bird. I struggle to lace up my understanding.
”
”
Marie-Helene Bertino (Parakeet)
“
Unless we dig through archive.org, an essential repository of Web history, we rarely stumble upon these artifacts, in part because our filter bubbles emphasize the new and the heavily trafficked. Bob Dole’s 1996 campaign site, dolekemp96.org, is still up as of this writing. Encountering it today is remarkable, an immediate encounter with the past. The site is like a museum exhibit (in fact, it remains up due to the efforts of an entity called 4President.org).
”
”
Jacob Silverman (Terms of Service: Social Media and the Price of Constant Connection)
“
I was a private investigator, digging my way through my own deeply buried secrets, both desperate for answers and fighting to keep them hidden.
”
”
Kerry Hudson (Lowborn: Growing Up, Getting Away and Returning to Britain’s Poorest Towns)
“
For five hundred years my sisterhood has passed down a sacred vow,” says Caspida coldly, “to destroy the one who destroyed our queen. You know this, and you speak these words only to deceive me as you deceived her. You would have me believe that you are capable of love.”
“Believe me when I say I wish that I were not!” Angrily I round on her. “I do not tell you this for myself! Aladdin will die any moment, and the only way to save him is if you make a wish! Please, Caspida—they will kill him at dawn!” I point at the horizon, where the sun is minutes away from rising. “Let me save him, I beg you!”
I drop to my knees before her, doing what I never thought I could: grovel before a human. My pride unravels into smoke, carried away on the wind. Always I have thought myself above these mortals—I, immortal, powerful, able to shift from this form to that. But I let all of that go now, and I beg as I have never begged before. “Do what you like with me after that, but just let me save him!” I dig my fingers into the earth, my eyes damp with tears. My voice falls to a cracked whisper. “Please.”
“Why?”
I raise my face, finding her gaze unyielding. “Because it was my idea. Him wishing to be made a prince. Courting you. Lying all these weeks. I manipulated him and used him, and now they will kill him for it.”
“Why would you lead him into the palace knowing that eventually the truth would come out and he would have to pay the price?”
“Because . . .” I grind my teeth together, wishing the earth would swallow me up. “Because I was trying to win my freedom. Your people had captured the prince of the jinn—Nardukha’s own son. The Shaitan sent me to free him, and in turn, he would free me from my lamp. If I failed, he planned to sink your city into the sea. I had to get into the palace. Aladdin was my only way in.”
“So you don’t deny that you’re a monster. You used him for your own ends.”
I drop my head. “I know what I am. I know nothing can excuse what I did to Roshana, or to Aladdin, or to you. I’ve wronged so many, and there is so much I wish I could take back. I can’t save Roshana. But please—I beg of you—let me save him.”
Caspida lowers to her knees and studies me. I meet her gaze, humbled utterly.
“You want me to believe that you love him,” she whispers.
“Yes.” The word is but a breath, a stir of air in my treacherous lungs. “We’re running out of time. I cannot reverse death or the hours. Time is the strongest magic, and no jinni—not even the Shaitan—can rewrite the past. Once Aladdin is gone, he is gone. Let me save him, and I can help you win your city.
”
”
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
“
I still dug in the bag when Clay walked in without knocking. He didn’t walk past the threshold, though. Concern filled his expression when I looked up. I lifted my hand from the bag and let the bikini I’d found dangle from one finger. “Really, Clay? You’re killing me. Where are my jeans?” His lips twitched with a smile as he leaned against the frame, content to watch me dig through the bag some more. Despite
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
I don’t want to die.” I say, defiantly.
“Bright Side, what?” He’s confused.
Of course he’s confused. No one starts a conversation like that.
I repeat, “I don’t want to fucking die.”
“Oh, shit, Bright Side.” I hear him take a deep breath, a primer for the conversationthat’s about to unfold. “Talk to me. What’s going on?”
“I’m fucking dying, Gus. I don’t want to die. That’s what’s fucking going on.” I hit the steering wheel with my palms. “Goddammit!” I scream... Gus doesn’t deserve this, but I know he’ll deal with it better than anyone else would.
“Calm down, dude. Where are you?”
“I don’t know. I’m sitting in my car in a fucking parking garage in the middle of motherfucking Minneapolis, Minnesota.” That was hostile.
“Are you by yourself?”
“Yes,” I snap.
“You’re not supposed to be driving while you’re on your pain meds.”
I don’t want his fatherly tone. “I know that.”
“Are you in danger or hurt?”
I burst out laughing, surprised that I can’t even laugh without sounding angry. The question is absurd to me though. I’m dying.
“Bright Side, shut up for a second and talk to me. Do I need to call 911? What the fuck is going on?” He sounds scared.
I shake my head like he can see me. “No, no. I’m just ... I’m fucking mad, Gus. That’s all.” And at a loss for words because my mind is jumbled up into this bitter, resentful ball. I don’t know what else to say so I repeat myself. “I’m really fucking mad.”
“Well shit, by all means, there’s plenty of room at my table for anger.” He gets it. That’s why I called him, after all. “I’ve been dishing out heaping servings of fury for the past month. I feel better knowing I’m not the only one in this whole debacle with some rage issues. So fire away. Fucking give it to me.”
I do. An explosive, steady stream of expletives flows out of me. I’m cursing it all, shouting out questions, pounding the steering wheel, and wiping away hot, angry tears. Occasionally Gus joins in, yelling affirmations. Sometimes he waits for a pause on my part and takes his turn and sometimes he just steamrolls over the top of me...
Eventually, my tears stop, and I’m able to take normal breaths. My throat feels tight and my head hurts a little, but I’m calm. On the other end of the line, Gus gets quiet, too. Silence falls between us...
My voice is raspy when I decide to break the silence. “Gus?”
“Yeah, Bright Side.” He sounds like himself again. Calm.
“Thanks.” I feel like a huge weight has been lifted off of me. And now I need to apologize. “Sorry, dude.”
He laughs. “No worries. You feel better?”
I can actually smile now. “Yeah, I really do.”
“Good, me too. I think we should’ve done this weeks ago.”
“I think I should’ve done it months ago.” I mean it. It felt so good to let it all out.
“Bright Side, you know I love you all happy and adorable in your little world of sunshine and rainbows, but you’re kinda hot when you’re angry. I dig aggressive chicks. And that was crazy aggressive.”
He knows I’m going to say it, but I can’t help myself. “Whatever.” I even roll my eyes.
“I think I’m gonna rename you Demon Seed.”
“What? I show you my dark side and now I have to be the fucking antichrist? I don’t like that. Why can’t I just be Angry Bitch?”
He laughs hard and my heart swellsbecause I haven’t heard this laugh out of Gus in a month. And I love this laugh.
“Well dude, since it seems my therapysession has wrapped up, I’d better get going. I need to get home.”
“Sure. Drive slowly and text me when you get there so I know you made it. And no more driving after this trip.”
“Yes sir. I love you, Gus.”
“Love you, too, Angry Bitch,” his voice low and dramatic. He pauses because he knows I’m not going to hang up to that. “I was just trying it out,” he says innocently.
”
”
Kim Holden (Bright Side (Bright Side, #1))
“
They say that music
soothes the soul.
I think that's true.
Sometimes.
But other times music
stirs the soul,
reaching deep and
digging up pain
we need to process,
thoughts we need to
wrestle with, fears we
need to work through,
sadness we need to sit
with, loss we need
to lay to rest.
Music is powerful
because it can reach past
the guardhouse of the mind,
taking on those dragons
that jealously hoard the
glittering treasure of
the human spirit,
and set the tortured soul free.
”
”
L.R. Knost
“
Every joy which comes to you is a jewel which should be carefully placed in the jewel casket of the mind. But the thefts, the disappointments, the mistakes should be left with their own hour and day. Yesterday belongs distinctly to the past. The failures which belong to it are perished. It is wicked, inhuman to dig up the remnants of each and rehash it today. Half the failures made by both men and women are brought about by dwelling on other past failures. Half the miseries of both heart and mind are repeated because they are not left to the past. No man or woman can possibly live properly today if they spend time in living over the yesterday. Every well-balanced man and woman does each day that which he believes to be right. When tomorrow comes let today enjoy the peace of the past.
”
”
Patricia Wagner (Depression Era Recipes)
“
They say, 'No private property', and immediately after strive to maintain private property in its daily manifestations. 'You shall be a commune as far as regards production: fields, tools, machinery, all that has been invented up till now - factories, railways, harbours, mines, etc., all are yours. Not the slightest distinction will be made concerning the share of each in this collective property.
'But from tomorrow you will minutely debate the share you are going to take in the creation of new machinery, in the digging of new mines. You will carefully weigh what part of the new produce belongs to you. You will count your minutes of work, and you will take care that a minute of your neighbours should not buy more than yours.
'And as an hour measures nothing, as in some factories a worker can see to six power-looms at a time, while in another he only tends two, you will weigh the muscular force, the brain energy, and the nervous energy you have expended. You will accurately calculate the years of apprenticeship in order to appraise the amount each will contribute to future production. And this - after having declared that you do not take into account his share in past production.'
Well, for us it is evident that a society cannot be based on two absolutely opposed principles, two principles that contradict one another continually. And a nation or a commune which would have such an organization would be compelled to revert to private property in the instruments of production, or to transform itself into a communist society.
”
”
Pyotr Kropotkin (The Conquest of Bread and Other Writings)
“
The sun at that altitude is an enormous ball of light so powerful that it can burn the inside of your mouth and the inside of your nose. If you take off those protective glasses, within ten minutes your retinas will be seared to total blindness. Hence, I expected that, once the sun was fully out, even behind my jet-black lenses my pupils would clamp down to pinpoints and everything would be infinitely focused. I was certain I was right. It had to work. In the predawn darkness, however, I was too blind to climb. So I stepped out of line and let everyone pass, going from fourth out of thirty-some climbers to absolutely dead last. It wasn’t unpleasant, really, watching everybody traipse past me. I basically stood there chatting and acting like a Wal-Mart greeter until the sun began to illuminate the summit face. As I expected, my vision did begin to clear, and I was able to dig in the front knives on my boots, move across, and head on up to the summit ridge. Then I compounded my problem by reaching to wipe my face with an ice-crusted glove. A crystal painfully lacerated my right cornea, leaving that eye completely blurred. That meant I had no depth perception, and that’s not good in that environment. My left eye was a little blurry but basically okay. But I knew that I could not climb above this point, a living-room size promontory called the Balcony, about fifteen hundred feet below the summit, unless my vision improved. Still believing it would, I said to Rob, “You guys go ahead and boogie on up the hill. At a point that I can see, I’ll just wander up after you.” It was about 7:30 A.M. “Beck,” he answered in that unmistakable Kiwi accent, “I don’t like that idea. You’ve got thirty minutes. If you can see in thirty minutes, climb on. If you cannot see in thirty minutes, I don’t want you climbing.” “Okay.” I hesitated. “I’ll accept that.” This was not a willing and happy answer; I had come too far to quit so close to the summit. But I also recognized the common sense in what Hall said.
”
”
Beck Weathers (Left for Dead: My Journey Home from Everest)
“
I didn’t realize it at the time, but my past was not only my greatest obstacle; it was also the key to my success, and without this realization life would have not changed for me. Like many others, I would have committed to change for a brief moment only to quickly resort back to my old habits. This behavior was so predictable for me it was sickening. I would get motivated, take steps towards change, then do something completely stupid and fuck it all up. It seemed no matter what I did, it was only a matter of time before the old me took over and ruined everything. I was thirty-three before I finally figured out how to stop the cycle of stupidity.
I began journaling and digging into my past to break this cycle. I found the key to change, and this book is not a result of the process—it is the process. There was a dragon within me burning down every opportunity in front of me, and I spent my entire life failing to get away from it. Until finally, I realized it needed to be tamed. Now, my dragon burns down obstacles and clears paths for opportunities. I ride that dragon like Daenerys Targaryen, the Dragon Queen from Game of Thrones, and I have never been so free.
But in order to tame the dragon, I had to go back.
”
”
Sean Rogers
“
Not much good comes from digging up the past. Maybe you should have left well enough alone.
”
”
Shawn McGuire (Original Secrets (Whispering Pines Mystery #3))
“
Well, I was always chasing the Myth. Like everybody else in there. You know? The myth of love. Right? Love will make me different. Love will make me better. Love will make me dig myself."
"But it doesn't work," she said. It was the first thing she'd said for herself. Naturally, he didn't notice she wasn't speaking about him.
"At the time? Romancing, getting there? It worked. In the sack? It worked. A lot. Because I was really there. And she was really there. The whole experience is beyond bull shit, right? It's beyond everything else in my life I've fucked up. I don't have a past or a law practice or a sick wife at home. And neither does she. I can be happy. And so can she. We can make other happy. I can be something great and good to her. And she can be that way to me. And for an hour or a night, for a while, man, we can love each other for it.
"You know, sometimes, I'd just sort of wake to it, like, Here I am, sharing this experience, intimacy, I mean close this way, all ways, to a person I didn't even know existed six hours ago, and I'd ask myself, Is this so bad? Is this really so goddamn wrong? For me, you know, I'm not one of these guys who thinks sex is the only thing in life, but it was glorious. That's all. Glory us." He spelled it. "That's how I'd think of the word.
”
”
Scott Turow (Personal Injuries (Kindle County Legal Thriller, #5))
“
I have never wanted to look back. The idea of looking deep inside myself I don't mind at all, but I am determined not to have to grope about in the past to dig out some reason to carry on living. No matter how narrow or indistinct the world around me becomes, I am determined to keep looking ahead. Even if I end up completely blind, the last thing I want to do is wallow in nostalgia.
”
”
Enchi Fumiko
“
I don’t know it’s such a good idea to dig up the past like an old grave. What’s in it might stink.
”
”
Joe R. Lansdale (Edge of Dark Water)
“
The first half of your detention will be spent digging an eight foot deep hole in the meadow.”
Darius stalked off with the other guys and I moved forward to collect my shovel. Orion scooped it up, holding it out for me. Before I took it he caught my hand, brushing his thumb across my palm and sending a shiver through me. He repeated the process on the other hand then pressed his index finger to his lips. “That'll stop your skin chaffing,” he whispered.
I stared at him in complete surprise as he passed me the shovel and moved aside.
“Thank you,” I said, confused as I stepped past him, making my way through the high grass and colourful array of meadow flowers as I walked toward the Heirs. The four of them had formed a circle and were already getting to work digging the hole.
...
“Vega!” Orion beckoned me and I was grateful to put the shovel down. I was a little dizzy as I walked up to his high metal chair where he was sitting a few feet above my head. He now had a large umbrella set up over it and a flask of coffee in his hand which he'd apparently brought with him. His Atlas was propped on his knee and he looked like he was thoroughly enjoying his morning as he gazed down at my mud stained skin with a bright smile. Thanks to his magic, at least I didn't have any blisters on my hands.
“Water.” Orion waved his hand and water gathered in the air before me, circling into a glistening sphere. Orion tossed me a cup and I caught it at the last second. The water dropped straight into it with a splash and I guzzled it down greedily,
“That's favouritism, sir!” Caleb called.
“You're right, how rude of me!” Orion shouted back, lifting a hand and a torrential waterfall poured down on all of the heirs. Max crowed like a cockerel, pounding his chest, seemingly spurred on by the downpour. The others didn't seem quite as happy as the water continued to fall down on them.
A laugh rushed from my throat and Orion threw me a wink. “So I'm having a little trouble, Miss Vega.”
“With what, sir?”
“Telling you apart from your sister,” he said in a low voice that I imagined only I could hear through the torrential storm he was still casting over the Heirs. “And you never did answer my question. Blue or green?”
A smile twisted up my lips and I shrugged, deciding to leave him in continued suspense over that question, walking back to join the group.
“I want an answer by sundown,” he called after me and my grin grew even wider.
...
“Shut the fuck up!” Orion shouted. “I'm trying to concentrate here.”
“Watching porn again, sir?” Seth shot at him with a smirk.
“Yeah, your mom's really improved since the last edition,” he answered without missing a beat and Seth's face dropped into a scowl as a laugh tore from my throat.
“Do you know who is always watching porn?” Max chipped in.
“You?” the three other guys answered in unison.
They all burst out laughing and I fought the urge to join in.
“Hilarious,” Max said dryly. “I meant Washer. He snuck off in class the other day to rub one out.”
“Useless. Well up you go then,” he said and I moved toward the ladder, taking hold of the first rung.
Orion stepped up close behind me and his fingers brushed my waist, barely perceptible but I felt it everywhere. It scored a line of goosebumps across my back and a heavenly shiver fluttered up my spine. Heated air pushed under my clothes, drying them out almost instantly.
“Thank you,” I whispered for the second time today. What’s gotten into him?
He took hold of the ladder either side of my hands. “Up,” he breathed against my cheek and hot wax seemed to pour down each of my legs, making it almost impossible to move. But somehow, I managed it.
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
the past is done and despite how much human beings like to dig it back up, the past cannot predict the future. It can only make it harder to clearly see the next path.
”
”
Martha Carr (The Leira Chronicles Boxed Set #1: Books 1-6 (The Leira Chronicles Boxed Sets - Enhanced Edition))
“
There was a feeling about this hard to uncover, for he was not a self-analyzing man, never one to dig deeply into the source of his emotions. Facing this range, its good thick layer of fertility and its length and breadth, he came as close to it as he ever would come. It was a strength in his chest and in his muscles. The amber color of the short, nutritious suncured grass, sweeping on like a tawny and thick-napped carpet, had a meaning; the round green spots here and there in that tawniness, indicating water, had a meaning. The sunshine pouring down upon it and the shadows creased into occasional ridges, the wild, sweet smell of the land, the stillness, the free sweep, the quick wheel of cowbirds in the foreground and the faint blot of faraway cattle—all this had meaning. Beneath this grass was a generous, fecund earth. A man had to translate this richness into terms of cattle. But it wasn’t only cattle. Behind the cattle lay something else. Maybe a sense of personal growth, of pride, of something fought for and won, of large-handedness. It stiffened a man’s backbone and made him look at the world differently than other men looked at it. In his world certain things stood out; weather and water and grass and cattle; and himself against all the odds the range put against a lone man. He had his thoughts. They carried him at once into the past and presently he sent his glance all across the flats to the Lost Hills where, ten years before, he had started his married life with Lila. He remembered that one year vividly, as he remembered everything vividly that had to do with her; and he said to himself, “She should have lived to see this. Maybe it might have made a difference to her.” He slanted across the valley and rode up the narrow length of his older range, reaching home-quarters in the middle of the afternoon. As soon as he left the saddle old Mose gave him the latest news: Hack Breathitt had been pulled into a fight at War Pass, killing Liard Connor. Now Hack was hiding in the hills with Sheriff Nickum on his trail. Somebody had said, Mose added, that Herendeen had sent out a party under McGeen also to hunt Breathitt. Of that, Mose qualified, he wasn’t sure, but it sounded in the nature of the Three Pines beast. “I’m going to town,” decided Morgan at once, “and ought to be back around eight.” Old Mose said: “The way things are now, I wouldn’t skylark on the trail after dark. I’ve lived through a
”
”
Ernest Haycox (Saddle and Ride)
“
TOP 10 ONLINE DATING TIPS FOR MIDDLE-AGED MEN
(ACCORDING TO DAN MARQUEZ)
1. Only use dating sites and apps that are free. The others are for suckers.
2. Don’t waste your time trying to come up with a catchy, original screen name. They’re all taken.
3. Keep your BIO brief. Less is more and you’re not that interesting.
4. Don’t mention past wives or girlfriends. Women will dig up your skeletons sure enough.
5. Mention your favorite food and if you have pets. Women will always love guacamole and animals more than they love men.
6. Take five seconds to spellcheck your personal BIO before posting it. Unless you’re trying to attract dyslexic women or non-English majors.
7. Absolutely no shirtless, selfie pics. Unless you’re gay or under the age of 25.
8. Don’t get discouraged if you LIKE a woman’s BIO and she never responds. It’s an ancient one the geniuses who run the dating sites
never remove to keep lonely bastards like you swiping RIGHT.
9. Never be open and honest about your dating intentions. Women already know.
10.Do everything you can to disguise the fact you're a self-centered asshole with a fear of commitment like me.
”
”
J. M. FOSTER