F Love Image Quotes

[F]or when you get in love you are made all over again. The person who loves you has picked you out of the great mass of uncreated clay which is humanity to make something out of, and the poor lumpish clay which is you wants to find out what it has been made into. But at the same time, you, in the act of loving somebody, become real, cease to be a part of the continuum of the uncreated clay and get the breath of life in you and rise up. So you create yourself by creating another person, who, however, has also created you, picked up the you-chunk of clay out of the mass. So there are two you's, the one you create by loving and the one the beloved creates by loving you. The farther those two you's are apart the more the world grinds and grudges on its axis. But if you loved and were loved perfectly then there wouldn't be any difference between the two you's or any distance between them. They would coincide perfectly, there would be perfect focus, as when a stereoscope gets the twin images on the card into perfect alignment.

I'm Losing Faith in My Favorite Country Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed.

We are created in the image of our heavenly parents; we are God's spirit children. Therefore, we have a vast capacity for love—it is part of our spiritual heritage. What and how we love not only defines us as individuals; it also defines us as a church. Love is the defining characteristic of a disciple of Christ.

F*** these men who don’t think we’re beautiful, because there are men who love us big babies!

His desire re-created her until she lost all vestiges of the old Jenny, even the girl who had met him at the train that morning. Silently, as the night hours went by, he molded her over into an image of love - an image that would endure as long as love itself, or even longer - not to perish till he could say, 'I never really loved her.

And it was such a perfect tragedy, wasn’t it? An age-old story, parricide. The Greeks loved parricide, Mr Chester had been fond of saying; they loved it for its infinite narrative potential, its invocations of legacy, pride, honour, and dominance. They loved the way it struck every possible emotion because it so deviously inverted the most basic tenet of human existence. One being creates another, moulds and influences it in its own image. The son becomes, then replaces, the father; Kronos destroys Ouranos, Zeus destroys Kronos and, eventually, becomes him. But Robin had never envied his father, never wanted anything of his except his recognition, and he hated to see himself reflected in that cold, dead face.

A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater. "No, mama." "Excuse me?" "No, I don't want to wear that sweater, it makes me look fat." "What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater." She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less. The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides. Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt. Grace and Bella, will you have any idea how lovely you are when you try? Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean." My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.

And it took me a long time and a lot of struggle to finally figure out why: I didn’t actually want it. I was in love with the result—the image of me on stage, people cheering, me rocking out, pouring my heart into what I was playing—but I wasn’t in love with the process.

Anyway', Anthony said ushering them away, 'that's Literature. One of the worst applications of Babel education, if you ask me.' 'You don't approve?' Robin asked. He shared Victoire's delight; a life spent on the fourth floor would be wonderful. 'Me? No.', Anthony chuckled, 'I'm here for silver-working. I think the Literature Department are an indulgent lot, as Vimal knows. See, the sad thing is they could be they could be the most dangerous scholars of them all, because they are the ones who really understand languages - know how they live and breathe or how they can make our blood pump, our skin prickle with just a turn of a phrase. But they are just too obsessed fiddling with their lovely images to bother with how all that living energy might be channelled into something far more powerful. I mean, of course, silver.

That the Old Testament represents God chiefly as angry Judge and vicious Warrior is a false stereotype. While these images are not absent, they are more than balanced by striking portrayals of God as Lover or Husband, infatuated with Israel beyond all reason or deserving. God is not too proud to grieve terribly over Israel's unfaithfulness, nor to be giddy over her return home. ... [This covenant's] primary quality is love at the highest pitch of intensity.

An age-old story, parricide. The Greeks loved parricide, Mr. Chester had been fond of saying; they loved it for its infinite narrative potential, its invocations of legacy, pride, honour, and dominance. They loved the way it struck every possible emotion because it so deviously inverted the most basic tenet of human existence. One being creates another, moulds and influences it in its own image. The son becomes, then replaces, the fater; Kronos destroys Ouranos, Zeus destroys Kronos and, eventually, becomes him.

...The premise that birthing, by nature, had to be a painful ordeal was totally unacceptable to me. I could not believe that a God who had created the body with such perfection could have designed a system of procreation that was flawed. So many questions prevented me from accepting the concept of pain in birthing. Why are the two sets of muscles of the uterus the only muscles that do not perform well under normal conditions? Why are the lesser animals blessed with smooth, easy birthing while we, the very highest of creatures, made in the image and likeness of God, are destined to suffer? And why are women in the some cultures able to have gentle, comfortable births? Are we women in the Western world less loved, less indulged, less blessed than they? It didn't make sense to me logically or physiologically." "Even more importantly, I could not believe that a loving God would commit so cruel a hoax as to make us sexual beings so that we would come together in love to conceive and then make the means through which we would birth our children so excruciatingly painful." "Dr. Christiane Northrup, author of Women's Bodies, Women's Wisdom, sums it up well with this challenge to all birthing mothers: Imagine what might happen if the majority of women emerged from their labor beds with a renewed sense of the strength and power of their bodies, and of their capacity for ecstasy through giving birth. When enough women realize that birth is a time of great opportunity to get in touch with their true power, and when they are willing to assume responsibility for this, we will reclaim the power of birth and help move technology where it belongs - in the women, not as their master.

You’re so much stronger than I am,” said Altan. Then he let her go. She shook her head frantically. “No, I’m not, it’s you, I need you—”“Someone’s got to destroy that research facility, Rin.”He stepped away from her. Arms stretched forward, he walked towardthe fleet.“No,” Rin begged. “No!”Altan took off at a run.A hail of arrows erupted from the Federation force.At the same moment Altan lit up like a torch.He called the Phoenix and the Phoenix came; enveloping him, embracinghim, loving him, bringing him back into the fold.Altan was a silhouette in the light, a shadow of a man. She thought shesaw him look back toward her. She thought she saw him smile.She thought she heard a bird’s cackle.Rin saw in the flames the image of Mai’rinnen Tearza. She was weeping.The fire doesn’t give, the fire takes, and takes, and takes

[F]or when you get in love you are made all over again. The person who loves you has picked you out of the great mass of uncreated clay which is humanity to make something out of, and the poor lumpish clay which is you wants to find out what it has been made into. But at the same time, you, in the act of loving somebody, become real, cease to be a part of the continuum of the uncreated clay and get the breath of life in you and rise up. So you create yourself by creating another person, who, however, has also created you, picked up the you-chunk of clay out of the mass. So there are two you's, the one you create by loving and the one the beloved creates by loving you. The farther those two you's are apart the more the world grinds and grudges on its axis. But if you loved and were loved perfectly then there wouldn't be any difference between the two you's or any distance between them. They would coincide perfectly, there would be perfect focus, as when a stereoscope gets the twin images on the card into perfect alignment.” ― Robert Penn Warren, All the King's Men

The Ten Commandments EXODUS 20  z And  a God spoke all these words, saying, 2 b “I am the LORD your God, who brought you out of the land of Egypt, out of the house of slavery. 3 c “You shall have no other gods before [1] me. 4 d “You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth. 5 e You shall not bow down to them or serve them, for I the LORD your God am  f a jealous God,  g visiting the iniquity of the fathers on the children to the third and the fourth generation of those who hate me, 6but showing steadfast love to thousands [2] of those who love me and keep my commandments. 7 h “You shall not take the name of the LORD your God in vain, for the LORD will not hold him guiltless who takes his name in vain. 8 i “Remember the Sabbath day, to keep it holy. 9 j Six days you shall labor, and do all your work, 10but the  k seventh day is a Sabbath to the LORD your God. On it you shall not do any work, you, or your son, or your daughter, your male servant, or your female servant, or your livestock, or the  l sojourner who is within your gates. 11For  m in six days the LORD made heaven and earth, the sea, and all that is in them, and rested on the seventh day. Therefore the LORD blessed the Sabbath day and made it holy. 12 n “Honor your father and your mother,  o that your days may be long in the land that the LORD your God is giving you. 13 p “You shall not murder. [3] 14 q “You shall not commit adultery. 15 r “You shall not steal. 16 s “You shall not bear false witness against your neighbor. 17 t “You shall not covet  u your neighbor’s house;  v you shall not covet your neighbor’s wife, or his male servant, or his female servant, or his ox, or his donkey, or anything that is your neighbor’s.

In the end, Lewis enjoyed a long and productive period at Cambridge, until ill health finally forced him to resign his chair with effect from October 1963. By my reckoning, Lewis wrote thirteen books and forty-four articles during his Cambridge years, not to mention numerous book reviews and several poems, and he edited three collections of essays. There were controversies, of course, perhaps most significantly the 1960 debate with F. R. Leavis and his supporters over the merits of literary criticism. Nevertheless, Lewis’s Cambridge period—while not being anything like Bunyan’s “Plain called Ease”—was certainly an oasis of creativity, resulting in some of his most significant works, including Till We Have Faces (1956), Reflections on the Psalms (1958), The Four Loves (1960), An Experiment in Criticism (1961), and The Discarded Image (published posthumously in 1964). Yet Lewis’s Cambridge period was dominated by an event in his personal life, which had a significant impact on his writings during this time. Lewis found a new—but rather demanding—literary stimulus: Helen Joy Davidman.

You shall have no other gods before4 me. “You shall not make for yourself an image in the form of anything in heaven above or on the earth beneath or in the waters below. You shall not bow down to them or worship them; for I, the LORD your God, am a jealous God, punishing the children for the sin of the parents to the third and fourth generation of those who hate me, but showing love to a thousand generations of those who love me and keep my commandments.

Daisy wasn’t certain why the notion that Matthew Swift could be in love with her should set her entire world upside-down. But it did. “If he is,” she asked Evie unsteadily, “then why is he so determined to pawn me off on Lord Llandrindon? It would be so easy for him to fall in with my father’s plans. And he would be richly rewarded. If on top of that he actually cares for me in the bargain, what could be holding him back?” “Maybe he wants to find out if you love him in return?” “No, Mr. Swift’s mind doesn’t work that way, any more than my father’s does. They’re men of business. Predators. If Mr. Swift wanted me, he wouldn’t stop to ask for my permission any more than a lion would stop and politely ask an antelope if he would mind being eaten for lunch.” “I think the two of you should have a forthright conversation,” Evie declared. “Oh, Mr. Swift would only evade and prevaricate, exactly as he has done so far. Unless…” “Unless?” “…I could find some way to make him let his guard down. And force him to be honest about whether he feels anything for me or not.” “How will you do that?” “I don’t know. Hang it, Evie, you know a hundred times more about men than I do. You’re married to one. You’re surrounded by them at the club. In your informed opinion, what is the quickest way to drive a man to the limits of his sanity and make him admit something he doesn’t want to?” Seeming pleased by the image of herself as a worldly woman, Evie contemplated the question. “Make him jealous, I suppose. I’ve seen civilized men fight like dogs in the alley behind the club over the f-favors of a particular lady.” “Hmm. I wonder if Mr. Swift could be provoked to jealousy.” “I should think so,” Evie said. “He’s a man, after all.

Even though I was born and grew up in a country far removed from the horrors of the Holocaust, I have lived with its images for my entire life. My mother, Lilly (Frischmann) Kellermann, was a fully functioning and loving mother, and told me very little about her traumatic experiences. But her Holocaust trauma has painfully permeated my inner life. Imagining the Holocaust comes almost automatically to me. It’s as if I have been there and have seen that before. Gruesome Holocaust associations fill my waking, and sleeping life and human suffering is a constant companion. As have so many other children of survivors, I have apparently absorbed some of the psychological burdens of my parents and share their grief and terror as if I have experienced it myself. It is no coincidence that I became a psychologist and a psychodramatist and that much of my professional interest has focused on individual (Kellermann & Hudgins, 2000) and collective trauma (Kellermann, 2007). Because, like a nuclear bomb that disperses its radioactive fallout in distant places even a long time after the actual explosion, any major psychological trauma continues to contaminate those who were exposed to it in one way or another in the first, second, and subsequent generations.

Japanese tragedy illustrates this aspect of the Trinity better than Greek tragedy, Kitamori taught, because it is based on the feeling expressed by the word tsurasa. This is the peculiar pain felt when someone dies in behalf of another. yet the term implies neither bitterness nor sadness. Nor is tsurasa burdened with the dialectical tension in the struggle with fate that is emphasized in Greek drama, since dialectic is a concept foreign to Japan. Tsurasa is pain with resignation and acceptance. Kitamori called our attention to a Kabuki play, The Village School. The feudal lord of a retainer named Matsuo is defeated in battle and forced into exile. Matsuo feigns allegiance to the victor but remains loyal to his vanquished lord. When he learns that his lord's son and heir, Kan Shusai, has been traced to a village school and marked for execution, Matsuo resolves to save the boy's life. The only way to do this, he realizes, is to substitute a look-alike who can pass for Kan Shusai and be mistakenly killed in his place. Only one substitute will likely pass: Matsuo's own son. So when the enemy lord orders the schoolmaster to produce the head of Kan Shusai, Matsuo's son consents to be beheaded instead. The plot succeeds: the enemy is convinced that the proffered head is that of Kan Shusai. Afterwards, in a deeply emotional scene, the schoolmaster tells Matsuo and his wife that their son died like a true samurai to save the life of the other boy. The parents burst into tears of tsurasa. 'Rejoice my dear,' Matsuo says consolingly to his wife. 'Our son has been of service to our lord.' Tsurasa is also expressed in a Noh drama, The Valley Rite. A fatherless boy named Matsuwaka is befriended by the leader of a band of ascetics, who invites him to accompany the band on a pilgrimage up a sacred mountain. On the way, tragically, Matsuwaka falls ill. According to an ancient and inflexible rule of the ascetics, anyone who falls ill on a pilgrimage must be put to death. The band's leader is stricken with sorrow; he cannot bear to sacrifice the boy he has come to love as his own son. He wishes that 'he could die and the boy live.' But the ascetics follow the rule. They hurl the boy into a ravine, then fling stones and clods of dirt to bury him. The distressed leader then asks to be thrown into the ravine after the boy. His plea so moves the ascetics that they pray for Matsuwaka to be restored to life. Their prayer is answered, and mourning turns to celebration. So it was with God's sacrifice of his Son. The Son's obedience to the Father, the Father's pain in the suffering and death of the Son, the Father's joy in the resurrection - these expressions of a deep personal relationship enrich our understanding of the triune God. Indeed, the God of dynamic relationships within himself is also involved with us his creatures. No impassive God, he interacts with the society of persons he has made in his own image. He expresses his love to us. He shares in our joys and sorrows. This is true of the Holy Spirit as well as the Father and Son... Unity, mystery, relationship - these are the principles of Noh that inform our understanding of the on God as Father, Son, and Spirit; or as Parent, Child, and Spirit; or as Creator, Redeemer, Sanctifier...this amazing doctrine inspires warm adoration, not cold analysis. It calls for doxology, not definition.

Many times we fail to sense God’s love because our hearts are burdened with false guilt over past mistakes we have made. However, once we pray and ask God to forgive us, He does. He never brings up our sin again. He will not point His finger at us and say, “Remember when you sinned here or failed to keep My commandment there?” This is what the devil does to prevent us from growing in our love and devotion to God. He accuses us and seeks to discourage us so we will want to run away from the Lord. Condemnation is not from God (Rom. 8:1); it is from the enemy of our souls. The Lord knows we are not perfect. However, He wants us to submit our lives to Him so that He can mold and shape us into the image of His Son.

TO EXHIBIT THE Fruit of the Spirit The fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control.—GALATIANS 5: 22–23 Father, how grateful I am that You desire to live Your life through me. Thank You for conforming me to the image of Jesus and helping me be more like You in every way. You change my desires, needs, habits, innermost goals, and even the patterns by which I operate as I walk with You. Thank You that even though it takes time and intentional effort to change the thinking and behaviors that are ingrained within me, You never give up. Lord, when I read about the fruit of Your Spirit and Your commands about how to relate to others, I am aware of how often I fall short. I want to be as loving, joyful, peaceful, patient, kind, good, faithful, gentle, and self-controlled as You are. I realize these aren’t response patterns I can change on my own but that require Your supernatural intervention because they are counter to who I am in my flesh. Only You can transform me inside out so that these attributes can flow through me. Therefore, Jesus, I set my heart to cooperate with You. You said, “I am the vine, you are the branches; he who abides in Me and I in him, he bears much fruit, for apart from Me you can do nothing” (John 15: 5). I affirm that, Lord Jesus. Your life pouring into me is what enables me to live the Christian life and bear the hallmarks of character that are the fruit of Your Spirit. So teach me to abide in You so that Your fruit can always be produced through me to Your glory. Show me if there is any ungodliness in me, that I may repent and walk in Your ways. Thank You, Lord Jesus, for giving me Your Holy Spirit to help me. Thank You not only for conferring Your holiness to me through the cross but also for transforming me into a vessel of that holy life and enabling me to live it. I submit myself to You. To You be all honor, glory, power, and praise forever. In Jesus’s name I pray. Amen.

was in love with the result—the image of me on stage, people cheering, me rocking out, pouring my heart into what I was playing—but I wasn’t in love with the process. And because of that, I failed at it.

I was in love with the result—the image of me on stage, people cheering, me rocking out, pouring my heart into what I was playing—but I wasn’t in love with the process.

I was in love with the result—the image of me on stage, people cheering, me rocking out, pouring my heart into what I was playing—but I wasn’t in love with the process. And because of that, I failed at it. Repeatedly. Hell, I didn’t even try hard enough to fail at it. I hardly tried at all. The daily drudgery of practicing, the logistics of finding a group and rehearsing, the pain of finding gigs and actually getting people to show up and give a shit, the broken strings, the blown tube amp, hauling forty pounds of gear to and from rehearsals with no car. It’s a mountain of a dream and a mile-high climb to the top. And what it took me a long time to discover is that I didn’t like to climb much. I just liked to imagine the summit. The common cultural narratives would tell me that I somehow failed myself, that I’m a quitter or a loser, that I just didn’t “have it,” that I gave up on my dream and that maybe I let myself succumb to the pressures of society. But the truth is far less interesting than any of these explanations. The truth is, I thought I wanted something, but it turns out I didn’t. End of story. I wanted the reward and not the struggle. I wanted the result and not the process. I was in love with not the fight but only the victory. And life doesn’t work that way. Who you are is defined by what you’re willing to struggle for. People who enjoy the struggles of a gym are the ones who run triathlons and have chiseled abs and can bench-press a small house. People who enjoy long workweeks and the politics of the corporate ladder are the ones who fly to the top of it. People who enjoy the stresses and uncertainties of the starving artist lifestyle are ultimately the ones who live it and make it. This is not about willpower or grit. This is not another admonishment of “no pain, no gain.” This is the most simple and basic component of life: our struggles determine our successes. Our problems birth our happiness, along with slightly better, slightly upgraded problems. See: it’s a never-ending upward spiral. And if you think at any point you’re allowed to stop climbing, I’m afraid you’re missing the point. Because the joy is in the climb itself.

Bad Faith Experiences Trust is broken through a variety of bad faith experiences. They can be grouped into four general categories: -Insensitivity. Spiritual leaders, or people in a faith community, lack the emotional intelligence to treat you thoughtfully and with the basic kindness reflected by the love of God. -Toxic Faith. Spiritual leaders teach a theologically incorrect message, often involving a legalistic, performance-based belief system, which distorts one’s relationship with God and people. -Spiritual Abuse. Spiritual leaders use their authority to manipulate and control people for their personal gain and to the detriment of the believer. -Mind-Control. Spiritual leaders strip people of their identity and reshape them into their own image.

His companion grandiose self-image felt good, unique, or special when he received perfect wisdom, direction, and knowledge from the omnipotent mother and father, which he equated with love.