Eyeliner Quotes

We've searched our database for all the quotes and captions related to Eyeliner. Here they are! All 100 of them:

Who cares about pretty? I'm going for noticeable.
Veronica Roth (Divergent (Divergent, #1))
So people keep asking me what this badge is for... this badge makes me the sheriff, the sheriff of Emo town, so get your straight irons and eyeliner ready!
Gerard Way
Dad, she's just going to freak. And probably come here and get me, and then you guys will start yelling at each other, and I'll have to act out by wearing lots of eyeliner and doing the drugs
Rachel Hawkins (Demonglass (Hex Hall, #2))
live your eyeliner, breathe your lipstick, and kill for each other -Lady Gaga via twitter
Lady Gaga
Clary widened her eyes, which was good for keeping herself from crying. "Isabelle, can I ask you something?" "Sure," said Isabelle, wielding the eyeliner expertly. "Is Alec gay?" Isabelle's wrist jerked. The eyeliner skidded, inking a long line of black from the corner of Clary's eye to her hairline. "Oh hell," Isabelle said, putting the pen down.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
She wondered why she’d ever thought trusting someone who wore that much eyeliner was a good idea.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
But it's writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe.
Stephen King (On Writing: A Memoir of the Craft)
I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe. There she goes, backpack on, headed for the subway or the airport. She did her best with her eyeliner. She learned a new word she wants to try out on you. She is ambling along. She is looking for it.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
She has enough black eyeliner on to outline a corpse, and her skin's so pale she looks like she's just broken dawn.
John Green (Will Grayson, Will Grayson)
A woman puts on a new dress eyeliner lip gloss to please others. A woman paints her toes to please herself. And if there was one thing I was familiar with it was pleasing...There's no way to finish that sentence without embarrassing myself.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
This woman is Pocahontas. She is Athena and Hera. Lying in this messy, unmade bed, eyes closed, this is Juliet Capulet. Blanche DuBois. Scarlett O'Hara. With ministrations of lipstick and eyeliner I give birth to Ophelia. To Marie Antoinette. Over the next trip of the larger hand around the face of the bedside clock, I give form to Lucrezia Borgia. Taking shape at my fingertips, my touches of foundation and blush, here is Jocasta. Lying here, Lady Windermere. Opening her eyes, Cleopatra. Given flesh, a smile, swinging her sculpted legs off one side of the bed, this is Helen of Troy. Yawning and stretching, here is every beautiful woman across history.
Chuck Palahniuk (Tell-All)
And then I get why Wes can’t stop smiling, even though it looks silly with his eyeliner and jet-black hair and hard jaw and scars. I am not alone. The words dance in my mind and in his eyes and against our rings and our keys, and now I smile too.
Victoria Schwab (The Archived (The Archived, #1))
She wore too much eyeliner then, at age thirteen, and now, at eighteen, she wears so much black under her eyes, she looks like a slutty linebacker raccoon.
A.S. King (Please Ignore Vera Dietz)
For the love of God, unless you’re prepping for Rigoletto at the Met, go easy on the eyeliner.
Cheryl Cory
She straightens her hair, puts on eyeliner, glosses her lips and takes one last look in the mirror, all for the boy who doesn't care.
Frank Ocean
Failed relationships can be described as so much wasted makeup. Forget the laughs, forget the fights, forget the sex, forget the jealousy. But take off your hat and observe a moment's silence for the legions of unknown tubes of foundation, mascara, eyeliner, blusher and lipstick who died that it might all have been possible. But who died in vain.
Marian Keyes (Watermelon (Walsh Family, #1))
Seriously? That's what you think I should be relegating my brain space to? Looking nice? Like, if I don't make the effort to look beautiful, my entire existence is nullified? Nothing else matters-not my intellect, not my personality or my accomplishments; my hopes and dreams mean nothing if I'm not wearing eyeliner?
Sandhya Menon (When Dimple Met Rishi (Dimple and Rishi, #1))
I created Punk for this day and age. Do you see Britney walking around wearing ties and singing punk? Hell no. That's what I do. I'm like a Sid Vicious for a new generation.
Avril Lavigne
Do vampyres play chess? Were there vampyre dorks? How about Barbie-like vampyre cheerleaders? Did any vampyres play in the band? Were there vampyre Emos with their guy-wearing-girl’s-pants weirdness and those awful bangs that cover half their faces? Or were they all those freaky Goth kids who didn’t like to bathe much? Was I going to turn into a Goth kid? Or worse, an Emo? I didn’t particularly like wearing black, at least not exclusively, and I wasn’t feeling a sudden and unfortunate aversion to soap and water, nor did I have an obsessive desire to change my hairstyle and wear too much eyeliner.
Kristin Cast (Marked (House of Night, #1))
Kieran will you sod off with that mascara and eyeliner before I end up looking like a bloody panda!
Suzanne Wright (From Rags)
I was, after the breakup, what you call a complete wreck. For the first time in my life, my pain had a focus. Any I just couldn't help myself. I didn't care what anyone thought, I didn't care that all the girls in school would say, See, he finally got wise, I didn't care how stupid I would look with teary mascara stains and purple eyeliner tracks down my cheeks, I didn't care about anything except how this was the worst pain ever. I used to weep for never having anything worth losing, but now I was simply resplendent--puffy, red, hysterical-- with a loss I could identify completely. I felt justified in my sorrow and I couldn't stand the way everything about Zachary seemed to be everywhere: Every staircase we'd necked on and lounge chair we'd chatted on between classes was redolent with memories of him. My God, even the lint that gathered on my clothing and still hadn't come out in the wash reminded me of Zachary. I would burst into tears in class and not bother to excuse myself. I cried on the subway. One day, I got mugged walking to the subway, and figured it was as good an excuse as any to go home and stay there.
Elizabeth Wurtzel (Prozac Nation)
Some days life just wasn't worth the trouble of chewing through the leather straps on the straitjacket.
Katie Maxwell
Goddamnit I've never been the "pretty friend..." She's the one who wears the perfect eyeliner, it never gathers like a crowd in her tear ducts to create a grapefruit-size ebony eye booger. The one who can wear a bodysuit, sit down in it, and not have rolls of fat cascading over her belt. The one who can eat a sandwich or hamburger and not wind up with lipstick on the bun or on her chin. The one who can actually eat in front of other people and not have food, like coleslaw, hanging from her lip or shooting out of her mouth, landing on the plates of other diners. She never spits when she talks. She sleeps with her mouth shut and never drools. She doesn't pick at her face. And she never, ever has to take a shit.
Laurie Notaro (The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life)
a women puts on a new dress, eyeliner, lip gloss to please others. A women paints her toes to please herself. And if there was one thing I was familiar with, it was pleasing . . . There's no way to finish that sentence without embarrassing myself
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
She straightens her hair, puts on eyeliner, glosses her lips, and takes one last look in the mirror, all for the boy who will never care
Frank Ocean
But if you want to know who the scariest person in the group is, look for the one who’s been fighting zombies without smearing her eyeliner.
Mira Grant (Feedback (Newsflesh, #4))
I don't need any words or looks or comments from a man to believe I'm visible; to believe I'm here. don't need to run away from discomfort and into a male eyeliner. That's not where I come alive.
Dolly Alderton (Everything I Know About Love)
Clary was trying not to think about the fact that it had been three days since she'd seen Magnus, and he'd sent no word at all. Or the fact that there was really nothing stopping him from taking the Book of the White and disappearing into the ether, never to be heard from again. She wondered why she'd ever thought trusting who wore that much eye-liner was a good idea.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Her eyes are shockingly black—shocking not because black eyes are particularly rare, but because she’s wearing smoky gray eyeshadow and dark eyeliner to accentuate them further. Makeup, while the world is ending. You don’t know whether to be awed or affronted by that.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
Put a man in leather pants and eyeliner and a lot of sins could be forgiven.
Jen DeLuca (Well Matched (Well Met, #3))
I want to wear black all the time and learn to do wild eyeliner not only because that aesthetic is lovely to me, but also because I wish to instill fear in everyone around me.
The Porg
I didn't process it then, but I look back now in awe that this man wearing eyeliner, heels, and ladies’ perfume somehow managed to be more masculine than the burly bodyguard.
Mayte Garcia (The Most Beautiful: My Life with Prince)
I want to tell her to wipe off the lipstick and eyeliner, to stay in that safe childhood space for a while longer.
Lucy Foley (The Guest List)
We never understood the tendency to underestimate us, we who had been baptized and delivered through pain, who grinned and bore agonies while managing to draw on wing-tipped eyeliner with a surgically steady hand. We plucked our eyebrows, waxed our upper lips, got razor burn on our crotches, held blades to the cups of our armpits. Shoes tore holes in the skin of our heels and crippled the balls of our feet. We endured labor and childbirth and C-sections, during which doctors literally set our intestines on a table next to our bodies while we were awake. We got acid facials. We punctured our foreheads with Botox and filled our lips and our breasts. We pierced our ears and wore pants that were too tight. We got too much sun. We punished our bodies in spin class. All these tiny sacrifices to make us appear more lithe and ladylike—the female of the species. The weaker sex. Secretly, they toughened our hides, sharpened our edges. We were tougher than we looked. The only difference was that now we were finally letting on.
Chandler Baker (Whisper Network)
Strike noticed that, in spite of Duffield's air of disorientation and distress, he had made a good job of applying his eyeliner.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
I whipped and whepped as my blody eyeliner streammed down my cheeks and made cool tears down my feces.
Tara Gilesbie (My Immortal)
Sophie, I have to tell your mother about what happened." I suppressed a groan. I'd known this was coming, but I was hoping we could put it off until after Dad got back. I had a lot going on, and the last thing I wanted was a worried mom on top of all of that. "Dad,she's just going to freak. And probably come here and get me, and then you guys will start yelling at each other, and I'll have to act out by wearing lots of eyeliner and doing drugs. Do you really want to deal with that?
Rachel Hawkins (Demonglass (Hex Hall, #2))
he did not drink or do drugs or smoke cigarettes or wear black eyeliner or stay out late or get bad grades or pierce his tongue or have the words "KATHERINE LUVA 4 LIFE" tattoed across his back.
John Green (An Abundance of Katherines)
She's got a man's nightshirt on and stockings with holes in them. Somebody else's tie, a gold and green chevroned number, hangs around her neck and just at this moment it looks like a king's mantle draped over her shoulders. Her hair's all loose, her lipstick and eyeliner gone a-roving. She's got a cigar in one hand and a jar full of gin in the other, and she's laughing, laughing like for once that damned chicken crossed the road for something really good.
Catherynne M. Valente (Speak Easy)
Reagan wore eyeliner all the way around her eyes. Like a hard-ass Kate Middleton. And even though she was bigger than most girls-big hips, big chest, wide shoulders-she carried herself like she was exactly the same size everyone wanted to be. And everyone went along with it.
Rainbow Rowell (Fangirl)
Her décor style matches her schizophrenic personality to perfection. A combination of Barbie meets Marilyn Manson. She’s the only person I know who can pull off pink combat boots, black nail polish, and dark black smoky eyeliner with a pink sundress and have it look adorably sexy.
Randi Cooley Wilson (Revelation (The Revelation, #1))
Levi had him flat on his back with a hand around his neck, his face right over Will’s. “If you finish or act on that threat I will politely remind you that there’s more to me than a feather boa and eyeliner. You got me, Slayer?
Mercy Celeste (Offside Chance (Southern Scrimmage, #3))
Life is long, people change, I would never be foolish enough to think otherwise. But no matter what, nothing can ever be as it was. Everything has changed in a way that sounds trite and borderline offensive when recounted over coffee. I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe. There she goes, backpack on, headed for the subway or the airport. She did her best with her eyeliner. She learned a new word she wants to try out on you. She is ambling along. She is looking for it.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
For example today I was wearing a black corset with matching lace around it and a black leather miniskirt, pink fishnets and black combat boots. I was wearing black lipstick, white foundation, black eyeliner and red eye shadow. I was walking outside Hogwarts. It was snowing and raining so there was no sun, which I was very happy about. A lot of preps stared at me. I put up my middle finger at them.
Tara Gilesbie (My Immortal)
Welcome to Lorelei's." A saleslady glided up to us. She had white foundation pancaked skin, and went heavy on the eyeliner and red lipstick. She wore a corset that barely contained...I'm gonna say it...her swelling bosom. If she had to sneeze, I was covering my eyes because even a slight cough could pop one of those suckers free.
Kim Harrington (Perception (Clarity, #2))
With a room of his own, a room at the top, he could proffer a temporary refuge to some lovely, fatigued, world-weary, sophisticated, black-turtlenecked, heavily-eyelinered girl he might lure up the stairs into his newspaper-strewn boudoir and onto his Indian-bedspreaded bed with the promise of artistic talk about the craft of writing, and the throes and torments of creation, and the need for integrity, and the temptations of selling out, and the nobility of resisting such temptations, and so forth. A promise offered with a hint of self-mockery in case such a girl might think he was pompous and cocksure and full of himself. Which he was, because at that age you have to be that way in order to crawl out of bed in the morning and sustain your faith in your own illusory potential for the next twelve hours of being awake.
Margaret Atwood (Stone Mattress)
I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.” As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.” Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.” “I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.” “Again, thanks,” he gritted. He wants us! Stupid demon. William grinned. “Maybe we can make out later. I know you want me.” Tell him yes! Not another word out of you, or— “Paris? Warrior?” Zacharel said. “Are you listening to me?” “No.” Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.” “Oh, yeah. I definitely have attention deficient demon.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
All my adult life I've hidden behind mascara. And if I'm really insecure, I add eyeliner. (Stephanie, Chapter 10)
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
I inevitably felt like a fetus with eyeliner in comparison.
Mamrie Hart (You Deserve a Drink: Boozy Misadventures and Tales of Debauchery)
When in doubt, always compliment a woman's eyeliner application.
Lindsey Kelk (Always the Bridesmaid)
Eighth grade is like Lord Of The Flies but with eyeliner.
Holly Brown (Don't Try to Find Me)
Sinjin was sitting bare-chested with Petra’s blue feather boa wrapped around his neck and draped over his shoulder. His long dark curls had been teased and sprayed into a sexy mane. Heavy black eyeliner rimmed his eyes. “Am I not gorgeous? I want to snog myself. I’m like a postmodern Lord Byron.” “You put the ironic in Byronic,” Petra quipped. “Well said, luv.
Libba Bray (Beauty Queens)
It’s funny because I’ve never really been into that before. Eyeliner looks good on you though. Not as though that matters.” He shrugged, but it mattered to Rod. He was so incredibly fucked.
Riley Hart (Shifting Gears (Crossroads, #2))
Pirates?' Lara gasped. 'But we're not at sea. How can they be pirates?' Weren't pirates supposed to wear eye-patches, feather earrings and lots of black eye-liner, and say 'arrrrr' a lot? Or was that just Johnny Depp? Lara was confused.
Lola Salt (The Extraordinary Life of Lara Craft (not Croft))
And despite the eyeliner, and the lipstick that defines her lips, she has a face now that a passerby's gaze will engage and then bounce from, as it would a street sign or a mailbox number. ...this is what aging is...
Khaled Hosseini (And the Mountains Echoed)
Her next words took me by surprise. I lay as still as I could, barely breathing, afraid that if I moved she would stop speaking her heart. “My mom wanted six children. She only got me, and that sucks for her because I was a total weirdo.” “You were not,” I said. She twisted her head up to look at me. “I used to line my lips in black eyeliner and sit cross-legged on the kitchen table … meditating.” “Not that bad,” I said. “Crying out for attention.” “Okay, when I was twelve I started writing letters to my birth mother because I wanted to be adopted.” I shook my head. “Your childhood sucked, you wanted a new reality.” She snorted air through her nose. “I thought a mermaid lived in my shower drain, and I used to call her Sarah and talk to her.” “Active imagination,” I countered. She was becoming more insistent, her little body wriggling in my grip. “I used to make paper out of dryer lint.” “Nerdy.” “I wanted to be one with nature, so I started boiling grass and drinking it with a little bit of dirt for sugar.” I paused. “Okay, that’s weird.” “Thank you!” she said. Then, she got serious again. “My mom just loved me through all of it.
Tarryn Fisher (Thief (Love Me with Lies, #3))
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Lenora was a different breed of chick entirely, Her wardrobe consisted of black shit only. She wore a lot of eyeliner and had a septum piercing. If you'd told me she'd lost her virginity in a satanic ritual on someone's grave, I wouldn't bet against it. Seemed legit. What worked for Lenny was the fact that she was small and pretty, so she looked cute more then scary – like something Tim Burton would keep as a pet.
L.J. Shen (Broken Knight (All Saints High, #2))
Her name was Susi, which seemed to indicate a worrying lack of judgment. Why didn’t she call herself Susan? “Susi” sounded like a pole dancer. The other problem with Susi was that she appeared to be about twelve years old, and quite naturally, being twelve, she didn’t know how to apply eyeliner properly. It was
Liane Moriarty (Big Little Lies)
Simi rolled back and forth and spun around on Ash’s wheeled desk chair. Dressed in a neon pink lab coat and black and white striped leggings with thigh high laced platform boots that went all the way up to her black lace miniskirt, she was adorable. Her face was mostly covered by a black surgical mask with a matching pink skull and crossbones on the right side of it. Her glowing red eyes were emphasized by her solid jet-black pigtails and dark purple eyeliner. She’d been so excited about the impending birth of the baby, that she’d been dressed that way for a month and shadowing Tory’s every step. If Tory so much as hiccuped, Simi had whipped out a black baseball glove and asked, “is it time yet? The Simi’s gots her glove all ready to catch it if it is, ’cause sometimes they come out flying.”’ – Simi
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
When Amy returned to London she told me excitedly about some of the Hispanic women she’d seen in Miami, and how she wanted to blend their look – thick eyebrows, heavy eye-liner, bright red lipstick – with her passion for the sixties ‘beehive’.
Mitch Winehouse
Only stupid Indians brush past a bunch of hard-handed white dudes, each of them sure that seat you had in the bar, it should have, by right, been theirs. They’re cool with the Chief among them being the chain monkey, but when it comes down to who has an eyeline on the white woman, well, that’s another thing altogether, isn’t it?
Stephen Graham Jones (The Only Good Indians)
So do you guys go to Warren?” I ask, downing the rest of my punch. They look at each other. One of them, Lars I think, coughs in my face. Then, Beowulf says wistfully, “Your beauty is nuanced and labyrinthine like a sentence by Proust.” I laugh, but Beowulf looks dead serious. He raises his glass to me. I notice his punch is in a plastic sippy cup. That he’s wearing black leather gloves. “Melanie Shingler is a whore compared to you,” says the boy next to him. Blake. “Pigeon-toed. Bad eyeliner. I couldn’t see it then because I was a fool but I have since developed my perception.” He too solemnly raises his sippy cup to me. He’s also wearing black leather gloves, I see. They all are.
Mona Awad (Bunny)
You can only get so many belly laughs out of nihilism and the price of black eyeliner.
Alan Russell (Guardians of the Night (Gideon and Sirius, #2))
Expertly smudging on eyeliner and a bright slash of scarlet lipstick, Isabella studied her reflection and decided she would do.
Julia Blake (Kiss & Tell (Blackwood Family #4))
Just winging it. My motto for life and eyeliner.” I laughed to myself. She really did have the most corny captions.
Jenny Mollen (City of Likes)
It’s writing, damn it, not washing the car or putting on eyeliner.
Stephen King (On Writing: A Memoir of the Craft)
If I cared about what others thought, I would have applied more makeup to hide the dark circles under my eyes. But since I didn’t care, I just played with the eyeliner and mascara as usual.
Sarra Cannon (Midnight Kiss: A Collection of Four New Adult Paranormal Romances)
Reagan wore eyeliner all the way around her eyes. Like a hard-ass Kate Middleton. And even though she was bigger than most girls—big hips, big chest, wide shoulders—she carried herself like she was exactly the size everyone else wanted to be. And everyone else went along with it—including Levi, and all the other guys who hung out in their room while Reagan finished getting ready.
Rainbow Rowell (Fangirl)
the dreary soon-to-be radiologists and urologists in half an inch of eyeliner bursting into gleeful song—was to see what they might have done with their lives had their lives belonged only to them.
Ann Patchett (The Dutch House)
The ridge sloped nice and easy down to the flat and I kept that smoke in eye-line. It went out a’ my way, few miles west, but the promise of a good meal and warm fire, maybe news a’ my folks, was worth it.
Beth Lewis (The Wolf Road)
He wore eyeliner and gauged his ears and bought intentionally offensive t-shirts off the internet, which he would then wear to the shop, betting Jack that today was the day he’d get punched in the mouth by a swamper.
Ania Ahlborn (Seed)
But they always just laugh off everything I say, when really I want absolutely nothing more than to destroy the world they live in and to watch them suffer, alone and miserable, trying to live in my world for a change!
Daniel Clowes (Caricature)
Ma si tratta di scrivere, dannazione, non lavare la macchina o mettersi l'eyeliner. Se sapete prenderlo sul serio, abbiamo da fare insieme. Se non potete o volete, è ora che chiudiate il libro e vi dedichiate a qualcos'altro
Stephen King (On Writing: A Memoir of the Craft)
I'm not asking you to come reverently or unquestioningly; I'm not asking you to be politically correct or cast aside your sense of humor (please God you have one). This isn't a popularity contest, it's not the moral Olympics, and it's not church. But it's Writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe.
Stephen King
I've nothing against eye make-up and lipstick. But the fact is we're actually living on a planet in space. For me that's an extraordinary thought. It's mind-boggling just to think about the existence of space at all. But there are girls who can't see the universe for eye-liner. And there are probably boys whose eyes are never raised above the horizon because of football. There can be quite a chasm between a small make-up mirror and a proper mirror telescope! I think it's what they call a 'matter of perspective'. Perhaps it could also be called an 'eye-opener' as well. It's never too late to experience an eye-opener. But many people live their entire lives without realizing that they're floating through empty space. There's too much going on down here. It's hard enough thinking about your looks. We belong on this earth. I'm not trying to dispute it. We're part of nature's life on this planet. Monkeys and reptiles have shown us how we breed, and I have no quarrel with that. In different natural surroundings everything might have been very different, but here we are. And I repeat: I'm not denying it. I just don't think that prevent us from trying to see a little beyond the ends of our noses.
Jostein Gaarder (The Orange Girl)
If I ran the country there'd be courses in things that you'd actually use your whole life. Like: How to do eyeliner. How to fill in a tax return. What to do when your loo blocks and your dad isn't answering the phone and you're about to have a party.
Sophie Kinsella (My Not So Perfect Life)
Are you even listening to me?” Tim asks in an annoyed tone. No. Nope. Not a bit. I’m staring at Bree’s long bare legs. I don’t mean to be, but damn, she looks killer tonight. She looks killer every single night, but right now, she’s making herself stand out in this skintight sparkling dress, hair long and wild but also somehow perfectly styled. And her eyes…wow. I don’t think I’ve ever seen her wear eyeliner before, and it makes her already vibrant eyes practically grab me by the collar of my suit and demand that I empty my pockets and give her everything I’ve got. You can take it all, Bree.
Sarah Adams (The Cheat Sheet)
smokey eye eyeliner as defiance. eyeliner as a statement, a declaration, a fuck you to a society that shames people for expressing themselves the way they feel the most at home, the same society that labels everything from toys to toothbrushes “boy” and “girl” rather than letting individuals cultivate their own identities. eyeliner as a call to arms. eyeliner as a weapon, a raised fist, a shield from judgmental expressions and microaggressions disguised as questions, from the insults and slurs shot out of car windows like bullets in a drive-by because i dare exist in a way they don’t and refuse to understand.
Parker Lee (Masquerade)
I remember the ecstasy of first going to a nightclub wearing eyeliner. Drenched in hairspray and glitter, dancing to Lou Reed records. I felt as if I was living on the outside, in a realm that most people could never enter. For so long I had felt completely alone, but makeup made my isolation feel special. The world came to life – the streets were no longer grey and cold, they sparkled with sordid possibility. But the most resonant pleasures in our lives are always individually defined. When you expect the world to appreciate them they simply expose their own bland uniformity. I learnt that the more unusual you are, the more personalised pleasures the world reveals to you.
Guy Mankowski (The Intimates)
I'd learned that you couldn't talk to kids about death or show them music videos of of men who sing in eyeliner. I possibly had turned one kid into an obsessive-compulsive with the urge to murder, and another kid gay. I'm not equating being a murderer with being gay, but from what I understand, either can be a difficult thing to admit to your family.
Jen Kirkman (I Can Barely Take Care of Myself: Tales From a Happy Life Without Kids)
It was the first time I discovered that some girls actually sneak out of the house during slumber parties and meet up with boys. I would’ve never known if I hadn’t gone to the bathroom at midnight and caught Macy and Adrienne climbing through the bathroom window. They had on eyeliner, perfume, and cut-off shorts. Their only goodbye a glare that promised retribution if I didn’t keep my mouth shut.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
Deep down, Story Easton knew what would happen if she attempted to off herself—she would fail It was a matter of probability. This was not a new thing, failure. She was, had always been, a failure of fairy-tale proportion. Quitting wasn’t Story’s problem. She had tried, really tried, lots of things during different stages of her life—Girl Scours, the viola, gardening, Tommy Andres from senior year American Lit—but zero cookie sales, four broken strings, two withered azalea bushes, and one uniquely humiliating breakup later, Story still had not tasted success, and with a shriveled-up writing career as her latest disappointment, she realized no magic slippers or fairy dust was going to rescue her from her Anti-Midas Touch. No Happily Ever After was coming. So she had learned to find a certain comfort in failure. In addition to her own screw-ups, others’ mistakes became cozy blankets to cuddle, and she snuggled up to famous failures like most people embrace triumph. The Battle of Little Bighorn—a thing of beauty. The Bay of Pigs—delicious debacle. The Y2K Bug—gorgeously disappointing fuck-up. Geraldo’s anti-climactic Al Capone exhumation—oops! Jaws III—heaven on film. Tattooed eyeliner—eyelids everywhere, revolting. Really revolting. Fat-free potato chips—good Lord, makes anyone feel successful.
Elizabeth Leiknes (The Understory)
Prayers For Rain' begins like practically every Cure song, with an introduction that's longer than most Bo Diddley singles. Never mind the omnipresent chill, why does Robert Smith write such interminable intros? I can put on 'Prayers For Rain,' then cook an omelette in the time it takes him to start singing. He seems to have a rule that the creepier the song, the longer the wait before it actually starts. I'm not sure if Smith spends the intro time applying eye-liner or manually reducing his serotonin level, but one must endure a lot of doom-filled guitar patterns, cathedral-reverb drums and modal string synth wanderings during the opening of 'Prayers for Rain.
Tom Reynolds (I Hate Myself and Want to Die: The 52 Most Depressing Songs You've Ever Heard)
And later, over a glass of wine -- because you drink wine now, because you are grown -- you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Are you sure you’re okay, Taylor? Say something . . . normal.” He gently tucked a lock of hair behind her ear, being careful to avoid the bump on her head. Taylor stared up into Jason’s amazing blue eyes. He really was the most gorgeous man she had ever seen. With great effort, she pulled herself out of the dreamy depths of the Sexiest Eyes Alive and somehow managed a casual smile. She knew she should at least thank him for coming for her. But then she noticed something she had somehow missed earlier. She peered more closely at Jason. “Wait a second—are you wearing makeup?” Oh yes, there it was—a little trace of powder dusted across his face. And was that a smudge of eyeliner along his bottom lid . . . ? This was too precious. Taylor raised an eyebrow teasingly. “Gee, Jason, it’s just a hospital—you really didn’t need to get all gussied up.” And with that, Jason smiled. He turned to the doctor, finally satisfied. “Okay. She’s fine.
Julie James (Just the Sexiest Man Alive)
I top it off with the sort of makeup that his mother would call “unseemly” or “unbecoming.” My lips are the color of fresh blood, making my mouth more eye-catching than the Babadook’s. My eyeliner is a thick swoop of black that extends way past its cue, and my eyelids glitter all the way up to my eyebrows like a pageant contestant. It’s not enough. I add pounds of blush and bronzer until my face is indistinguishable from a Mardi Gras float. I have bypassed “unseemly” and cannonballed head-first into Deborah’s nightmare.
Sarah Hogle (You Deserve Each Other)
Chrissy felt tiny between the two gladiators flanking her. But while most women, or even men, would be intimidated by them, she wasn’t. These were the same guys who when they were fifteen had used Mrs. Daniels’s expensive eyeliner to paint lines under their eyes as camouflage before they went to toilet-paper the neighbor’s house. Within five minutes they had been caught and brought home to face the wrath of her dad and Mr. Daniels. All that camouflage on their faces, yet they’d worn yellow T-shirts and white shorts: Tweedledee and Tweedledum.
Sidney Halston (Against the Cage (Worth the Fight, #1))
I’m consumed. This is what it feels like. This is what right feels like. It was always wrong before. Kissing someone. Letting them touch me. I never had that burn low in my belly. I was never hungry. Until her. I sink into her mouth again, kissing, sucking, tasting… At least there’s this. I thought hating her was enough. If I couldn’t have this, at least I had her attention. Even if it was bad. At least I could destroy what I was going to lose anyway in three months when we graduated, and I couldn’t look at her every day anymore. But God, I do hate her. Her smile and her red lips. The way she smudges her dumb eyeliner, making her eyes look smoky and captivating, and her wild hair that always looks like it flew through the wind before she put it up in a ponytail. Her olive skin, how her bracelets make music every time she moves, her chipped, black nail polish, and those stupid biker boots with all the buckles she wears that make her legs so hard not to look at. The way she rolls her skirt up, and I can’t pay attention in calculus. I hate it all. How every part of her looks like it has a taste
Penelope Douglas (Tryst Six Venom)
Some parents have taught their small children, “Go to the manager,” but this poses the same problem of identification as with the policeman: That small name tag is several feet above the child’s eye-line. I don’t believe in teaching inflexible rules because it’s not possible to know they’ll apply in all situations. There is one, however, that reliably enhances safety: Teach children that if they are ever lost, Go to a Woman. Why? First, if your child selects a woman, it’s highly unlikely that the woman will be a sexual predator. Next, as Jan’s story illustrates, a woman approached by a lost child asking for help is likely to stop whatever she is doing, commit to that child, and not rest until the child is safe. A man approached by a small child might say, “Head over there to the manager’s desk,” whereas a woman will get involved and stay involved.
Gavin de Becker (Protecting the Gift: Keeping Children and Teenagers Safe (and Parents Sane))
She looks a little naked without makeup. People always talk about how wearing makeup isn’t natural, how “real” women look better, but that’s bullshit. Marcelina is perfectly lovely with or without makeup, but the “real” Marcelina likes wearing a ton of eyeliner and dark lipstick and sometimes does really incredible things with eyeshadow that I don’t fully understand. She and Maryam spend hours experimenting on each other’s faces, turning each other into mermaids and vampires and starlets. She’s good at makeup and she loves it and if that’s not “real,” I don’t want real.
Sarah Gailey (When We Were Magic)
The film libraries on some of these channels." Elmina said. "I swear. There was one on last night. I couldn't sleep. After I saw, it, I was afraid ro sleep. Have you seen Black Narcissus, 1947?" Eddie, who was enrolled in the graduate film program at SC, let out a scream of recognition. He's been working on his doctoral dissertation, "Deadpasn to Demoniac - Subtextual Uses of Eyeliner in the Cinema," and had just in fact arrived at moment in Black Narcissus where Kathleen Byron, as a demented nun, shows up in civilian gear, including eye makeup good for a year's worth of nighmares.
Thomas Pynchon (Inherent Vice)
That brings us to the third bond,” Elizabeth said, pointing at another set of molecules, “the hydrogen bond—the most fragile, delicate bond of all. I call this the ‘love at first sight’ bond because both parties are drawn to each other based solely on visual information: you like his smile, he likes your hair. But then you talk and discover he’s a closet Nazi and thinks women complain too much. Poof. Just like that the delicate bond is broken. That’s the hydrogen bond for you, ladies—a chemical reminder that if things seem too good to be true, they probably are.” She walked back behind the counter and, exchanging the marker for a knife, took a Paul Bunyan swing at a large yellow onion, cleaving it in two. “It’s chicken pot pie night,” she announced. “Let’s get started.” “See?” a woman in Santa Monica demanded as she turned to her sullen seventeen-year-old daughter, the girl’s eyeliner so thick, it looked as if planes could land there. “What did I tell you? Your bond with that boy is hydrogen only. When are you going to wake up and smell the ions?” “Not this again.” “You could go to college. You could be something!” “He loves me!” “He’s holding you back!” “More after this,” Elizabeth said as the cameraman indicated a commercial break.
Bonnie Garmus (Lessons in Chemistry)
don’t need to run away from discomfort and into a male eyeline. That’s not where I come alive. Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I’m bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers.
Dolly Alderton (Everything I Know About Love: A Memoir)
Terms such as "man bun," "man purse," "guyliner," "meggings," and the new "romp-him" (romper) have entered the American lexicon. These terms refer to new fashion trends involving men wearing garments or using grooming regiments once thought of as exclusive to women. The term metrosexual comes to mind. While they may be amusing to read, and certainly to say out loud, they are dangerous roadblocks preventing the collapse of the binary. That notion might also make you laugh. Think about it. What purpose do these unnecessary labels serve, other than to single out that these stylistic choices go against the grain? Eyeliner is applied to people's eyelids. Leggings are worn by people who have legs. The gendered associations exist solely as social constructs. Men used to wear leggings all the time in the middle ages. Probably would have shopped at Sephora too, if there had been one at the faire.
Ian Thomas Malone (The Transgender Manifesto)
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
house, already worrying my car might get stuck and what would happen if my car got stuck. From behind the storm clouds, the late afternoon sun arrived just in time to blind me as I slammed the door shut and walked toward the house, my gut cold. As I neared the front steps, a big momma possum shot out from under the porch, hissing at me. The thing unnerved me, that pointy white face and those black eyes looking like something that should already be dead. Plus momma possums are nasty bitches. It ran to the bushes, and I kicked the steps to make sure there weren’t more, then climbed them. My lopsided right foot swished around in my boot. A dreamcatcher hung near the door, dangling carved animal teeth and feathers. Just as the rain brings out the concrete smells of the city, it had summoned up the smell of soil and manure here. It smelled like home, which wasn’t right. A long, loose pause followed my knock on the door, and then quiet feet approached. Diondra opened the door, decidedly undead. She didn’t even look that different from the photos I’d seen. She’d ditched the spiral perm, but still wore her hair in loose dark waves, still wore thick black eyeliner that made her eyes look Easter-blue, like pieces of candy.
Gillian Flynn (Dark Places)
The boys who have done you harm are surrounded by girls you will choose never to be. girls who are disgusting, who bleed and weep and wail. Girls who spend too much time in the bathroom. Girls who are never ready on time. Girls who titter, who are soft, who wear pretty clothes that are easily dirties, girls in hoop earrings and perfect wings of black eyeliner, girls who don't know what's cool. Girls who read the wrong books, twirl their hair around, are pursued, are hunted. You will remake yourself into something else: a boys' girl, a tough girl, a girl without needs or feelings, a girl who wisecracks and drinks whiskey in the backseat of cars, a girl cool as the first frost in winter, a girl so totally unlike other girls. If you cannot be loved and safe, you will be clever, mean, a girl as vicious as the serrated edge of a hunting knife. If you cannot be pretty, you will disdain beauty and its trappings. If you cannot be heard, you will be silent on purpose. You will find your knights again, a different set of boys, this time united against a common enemy: the softness and fragility of girls, of anything girlish within you, of anything girlish in any other girl. Against girls who are sad and silly and weeping (you don't cry), girls who complain (you protest nothing), girls who make demands (you never ask). This time, however, you will not be queen. Some of these boys will never even know your name.
Sarah McCarry (Here We Are)
this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no
Joe Mynhardt (Tales from The Lake Vol. 1)
I tell Jack by accident. We’re talking on the phone about unprotected sex, how it isn’t good for people with our particular temperament, our anxiety like an incorrigible weed. He asks if I’ve had any sex that was “really stressful,” and out the story comes, before I can even consider how to share it. Jack is upset. Angry, though not at me. I’m crying, even though I don’t want to. It’s not cathartic, or helping me prove my point. I still make joke after joke, but my tears are betraying me, making me appear clear about my pain when I’m not. Jack is in Belgium. It’s late there, he’s so tired, and I’d rather not be having this conversation this way. “It isn’t your fault,” he tells me, thinking it’s what I need to hear. “There’s no version of this where it’s your fault.” I feel like there are fifty ways it’s my fault. I fantasized. I took the big pill and the small pill, stuffed myself with substances to make being out in the world with people my own age a little bit easier. To lessen the space between me and everyone else. I was hungry to be seen. But I also know that at no moment did I consent to being handled that way. I never gave him permission to be rough, to stick himself inside me without a barrier between us. I never gave him permission. In my deepest self I know this, and the knowledge of it has kept me from sinking. I curl up against the wall, wishing I hadn’t told him. “I love you so much,” he says. “I’m so sorry that happened.” Then his voice changes, from pity to something sharper. “I have to tell you something, and I hope you’ll understand.” “Yes?” I squeak. “I can’t wait to fuck you. I hope you know why I’m saying that. Because nothing’s changed. I’m planning how I’m going to do it.” “You’re going to do it?” “All different ways.” I cry harder. “You better.” I have to go put on a denim vest for a promotional appearance at Levi’s Haus of Strauss. I tell Jack I have to hang up now, and he moans “No” like I’m a babysitter wrenching him from the arms of his mother who is all dressed up for a party. He’s sleepy now. I can hear it. Emotions are exhausting to have. “I love you so much,” I tell him, tearing up all over again. I hang up and go to the mirror, prepared to see eyeliner dripping down my face, tracks through my blush and foundation. I’m in LA, so bring it on, universe: I can only expect to go down Lohan style. But I’m surprised to find that my face is intact, dewy even. Makeup is all where it ought to be. I look all right. I look like myself.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")