Eye Socket Quotes

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You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.
Ocean Vuong (On Earth We're Briefly Gorgeous)
I hate cats." Death's face became a little stiffer, if that were possible. The blue glow in his eye sockets flickered red for an instant. "I SEE," he said. The tone suggested that death was too good for cat haters.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
He picked up the skull and knocked an onion ring out of its eye socket. "I see Sophie has been busy again. Couldn't you have restrained her, my friend?" The skull yattered its teeth at him. Howl put it down rather hastily.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
All right. Tell me what I'm looking at." From the improvised Rolling Stones T-shirt bag tied to my sash, Bob the Skull said, in his most caustic voice, "A giant pair of cartoon lips." I muttered a curse and fumbled with the shirt until one of the skull's glowing orange eye sockets was visible. A big goofy magic nerd!" Bob said.
Jim Butcher (Changes (The Dresden Files, #12))
Kaz heard Wylan retching. He tossed the eyeball overboard and jammed his spit-soaked handkerchief into the socket where Oomen's eye had been. Then he grabbed Oomen's jaw, his gloves leaving red smears on the enforcer's chin. His actions were smooth, precise, as if he were dealing cards at the Crow Club or picking an easy lock, but his rage felt hot and mad and unfamiliar. Something within him had torn loose.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
His face held a certain impassivity; you see it in all waiters and valets. They might want to jam a knife through your left eye socket, but you'd never know it from their expression. Working retail, I've acquired a similar look myself.
Ann Aguirre (Blue Diablo (Corine Solomon, #1))
What if people really did that - sent their love through the mail to get rid of it? What would it be that they sent? A box of chocolates with centers like the yolks of turkey eggs. A mud doll with hollow eye sockets. A heap of roses slightly more fragrant than rotten. A package wrapped in bloody newspaper that nobody would want to open.
Alice Munro (The Love of a Good Woman)
I’m amazed this guy manages to get out of bed in the morning without working himself into a panic attack over the chance that he might trip on the bath mat and stab himself through the eye socket with his toothbrush and be left with a permanent twitch that’ll ruin his chances of landing an airplane safely if the pilot has a heart attack and doom hundreds to a fiery death.
Tana French (The Trespasser (Dublin Murder Squad, #6))
If someone burns out your eye I will take your socket and use it for an ashtray.
Anne Sexton (Transformations)
Want a closer look? (Tate) Like a screwdriver through my eye socket. Sure, let’s have a look-see. (Simone) Ooo, welcome back, Ms. Snark. I’ve missed you. (Tate)
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
When you lost your brother, was there someone to comfort you?" "Yes," said Laurent. "In a way." "Then I'm glad," said Damen. "I'm glad that you weren't alone." Laurent pushed himself away, up into a sitting position, and for a moment he sat, without speaking. He pushed his palms into his eye sockets. "What is it?" "It's nothing," said Laurent.
C.S. Pacat (Kings Rising (Captive Prince, #3))
How easily Neverland is corrupted into the deserted island of Lord of the Flies. How quickly Tinkerbell regresses to being one of the flies pestering the gouged eye sockets of the pig that the lost boys butcher.
Gregory Maguire (Lost)
Damn it all to hell," he muttered, banging his socket wrench on the metal cart behind him. "Because," he began, shifting his eyes over at me, "because you took his word over mine.
Nicole Williams (Crash (Crash, #1))
I meeped something to the affirmative, and then flew out into the hall. My entire body was flaming as I pressed one hand against my still-tingling lips and the image of Zayne's behind emblazoned itself into my eye sockets. He had a great ass. And from what I'd seen, he wasn't hurting in any other department either.
Jennifer L. Armentrout (Stone Cold Touch (The Dark Elements, #2))
The quickest way to a man`s heart,' said the instructor, 'is proverbially through his stomach. But if you want to get into his brain, I recommend the eye-socket.
K.J. Parker (Devices and Desires (Engineer Trilogy, #1))
Oh yeah, that’s the one who kept watching me as if she was waiting for me to grow fangs and try to eat her. I couldn’t help it—I used my claws to scratch my nose. Her eyes almost popped out of their sockets.
Nalini Singh (Tangle of Need (Psy-Changeling, #11))
Lucifer's breath was like fire upon his skin. His eyes bulged from their sockets and he fought hard to breathe.
Shane K.P. O'Neill (Bound By Blood: Volume 1 (Bound By Blood, #1) (The Dracula Chronicles, #6))
Great love, you believe, carries the seeds of great sorrow. Well, perhaps you are right. Perhaps the wise spurn one to remain safe from the other, but I should rather choose to have my eyes burnt in their sockets than to have been born without.
Anne Fortier (Juliet)
Andrius turned. His eyes found mine. "I'll see you," he said. My face didn't wrinkle. I didn't utter a sound. But for the first time in months, I cried. Tears popped from their dry sockets and sailed down my cheeks in one quick stream. I looked away. The NKVD called the bald man's name. "Look at me," whispered Andrius, moving close. "I'll see you," he said. "Just think about that. Just think about me bringing you your drawings. Picture it, because I'll be there." I nodded. "Vilkas," the NKVD called. We walked toward the truck and climbed inside. I looked down at Andrius. He raked through his hair with his fingers. The engine turned and roared. I raised my hand in a wave good-bye. His lips formed the words "I'll see you." He nodded in confirmation. I nodded back. The back gate slammed and I sat down. The truck lurched forward. Wind began to blow against my face. I pulled my coat closed and put my hands in my pockets. That's when I felt it. The stone. Andrius had slipped it into my pocket. I stood up to let him know I had found it. He was gone.
Ruta Sepetys (Between Shades of Gray)
Rin had dealt with verbal abuse from the Fangs for years. Hearing insults from this boy hardly fazed her. But slandering Tutor Feyrik, the man who had delivered her from Tikany, who had saved her from a miserable future in a forced marriage . . . that was unforgivable. Rin took two steps toward the boy and punched him in the face. Her fist connected with his eye socket with a pleasant popping noise. The boy staggered backward into the students behind him, nearly toppling to the ground. “You bitch!” he screeched. He righted himself and rushed at her. She shrank back, fists raised.
R.F. Kuang (The Poppy War (The Poppy War, #1))
There are two events in everybody’s life that nobody remembers. Two moments experienced by every living thing. Yet no one remembers anything about them. Nobody remembers being born and nobody remembers dying. Is that why we always stare into the eye sockets of a skull? Because we’re asking, “What was it like?” “Does it hurt?” “Are you still scared?”.
Steven Moffat
AND NOW THERE REMAINS ONLY ONE FINAL QUESTION, he said. He raised his hands, and seemed to grow. Light flared in his eye sockets. When he spoke next, avalanches fell in the mountains. HAVE YOU BEEN NAUGHTY…OR NICE? HO. HO. HO.
Terry Pratchett (Hogfather (Discworld, #20))
Death’s face became a little stiffer, if that were possible. The blue glow in his eye sockets flickered red for an instant. I SEE, he said. The tone suggested that death was too good for cat-haters. YOU LIKE GREAT BIG DOGS, I IMAGINE.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches #2))
His eyes were these bleak and empty abysses, like sockets. There was nothing there. The boy I thought I knew so well was gone. He looked so lost sitting there. I felt that old lurch, that gravitational pull, that desire to inhabit him—like wherever he was in this world, I would know where to find him, and I would do it. I would find him and take him home. I would take care of him, just like Susannah wanted.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Over and over, I ran at the sea, beating it until I was so tired I could barely stand. And then the next time I fell down, I just lay there and let the waves wash over me, and I wondered what would happen if I stopped trying to get back up. Just let my body go. Would I be washed out to sea? The sharks would eat my limbs and organs. Little fish would feed on my fingertips. My beautiful white bones would fall to the bottom of the ocean, where anemones would grow upon them like flowers. Pearls would rest in my eye sockets.
Ruth Ozeki (A Tale for the Time Being)
It had to be Death. No-one else went around with empty eye sockets and, of course, the scythe over one shoulder was another clue.
Terry Pratchett (The Colour of Magic (Discworld, #1))
the abandoned traffic lights stare at us like empty eye sockets. Fields have gone to weed. There’s a little town of houses that have been haphazardly repaired by boards and scraps of metal.
Lauren DeStefano (Sever (The Chemical Garden, #3))
Susan stared at him. The blue glow in Death’s eyes gradually faded, and as the light died it sucked at her gaze so that it was dragged into the eye sockets and into the darkness beyond… …which went on and on, for ever. There was no word for it. Even eternity was a human idea. Giving it a name gave it a length; admittedly, a very long one. But this darkness was what was left when eternity had given up. It was where Death lived. Alone.
Terry Pratchett
Andrius turned. His eyes found mine. I'll see you he said. My face didn't wrinkle. I didn't utter a sound. But for the first time in months I cried. Tears popped from their dry sockets and sailed down my cheeks in one quick stream. I looked away. The NKVD called the bald man's name. Look at me wispered Andrius moving close. I'll see you he said. Just think about that. Just think about me bringing you your drawings. Picture it because I'll be there.
Ruta Sepetys
At the age of three and a half the Taung Child was eaten by an eagle. The evidence is that damage marks to the eye sockets of the fossil are identical to marks made by modern eagles on modern monkeys as they rip out their eyes. Poor little Taung Child, shrieking on the wind as you were borne aloft by the aquiline fury, you would have found no comfort in your destined fame, two and a half million years on, as the type specimen of Australopithecus africanus.
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
This was crazy, the world was upside down. He had to think of something to get the upper hand. After all, who was in command of this ship? He was going to have to pull out all the stops and show this halfling who was in charge. Using all his energy, he turned transparent, his skin sliding off, leaving him a skeleton, his eye sockets empty but for worms. It was no use. The imp of Satan was snoring softly.
Michael Phillip Cash (The After House)
Where his eyes should’ve been, there was only fire, empty sockets glowing with miniature nuclear explosions.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Pulpy red slop seeped, then spewed from her eye sockets so forcefully that her eyeballs were propelled from her face like cannonballs blasting from a cannon.
Scott Cawthon (The Puppet Carver: An AFK Book (Five Nights at Freddy’s: Fazbear Frights #9) (Five Nights At Freddy's))
Why should I give up revenge? On behalf of what? Moral principles? And what of the higher order of things, in which evil deeds are punished? For you, a philosopher and ethicist, an act of revenge is bad, disgraceful, unethical and illegal. But I ask: where is the punishment for evil? Who has it and grants access? The Gods, in which you do not believe? The great demiurge-creator, which you decided to replace the gods with? Or maybe the law? [...] I know what evil is afraid of. Not your ethics, Vysogota, not your preaching or moral treaties on the life of dignity. Evil is afraid of pain, mutilation, suffering and at the end of the day, death! The dog howls when it is badly wounded! Writhing on the ground and growls, watching the blood flow from its veins and arteries, seeing the bone that sticks out from a stump, watching its guts escape its open belly, feeling the cold as death is about to take them. Then and only then will evil begin to beg, 'Have mercy! I regret my sins! I'll be good, I swear! Just save me, do not let me waste away!'. Yes, hermit. That is the way to fight evil! When evil wants to harm you, inflict pain - anticipate them, it's best if evil does not expect it. But if you fail to prevent evil, if you have been hurt by evil, then avenge him! It is best when they have already forgotten, when they feel safe. Then pay them in double. In triple. An eye for an eye? No! Both eyes for an eye! A tooth for a tooth? No! All their teeth for a tooth! Repay evil! Make it wail in pain, howling until their eyes pop from their sockets. And then, you can look under your feet and boldly declare that what is there cannot endanger anyone, cannot hurt anyone. How can someone be a danger, when they have no eyes? How can someone hurt when they have no hands? They can only wait until they bleed to death.
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
I look down at the city again. From here the city resembles a severed head, incinerated and discarded by the side of the river; its cavernous eye sockets are empty, bundles of dead nerves dangle from its neck, its shattered mouth gapes, a few desolate wires hang from its stark, scorched skull and, suddenly and incomprehensibly and so foreign to my body I could weep, I feel my heart expand with what I can only describe as a sensation of hope. Is there a word for that? Hope in the face of grand calamity.
Nick Cave (The Sick Bag Song)
So it went. Bob was increasingly cynical, leery, uneasy; Jesse was increasingly cavalier, merry, moody, fey, unpredictable. If his gross anatomy suggested a strong smith in his twenties, his actual physical constitution was that of a man who was incrementally dying. He was sick with rheums and aches and lung congestions, he tilted against chairs and counters and walls, in cold weather he limped with a cane. He coughed incessantly when lying down, his clever mind was often in conflict, insomnia stained his eye sockets like soot, he seemed in a state of mourning. He counteracted the smell of neglected teeth with licorice and candies, he browned his graying hair with dye, he camouflaged his depressions and derangements with masquerades of extreme cordiality, courtesy, and good will toward others.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
Sometimes when I get up and emerge from the mists of slumber, my whole room hurts, my whole bedroom, the view from the window hurts, kids go to school, people go shopping, everybody knows where to go, only I don't know where I want to go, I get dressed, blearily, stumbling, hopping about to pull on my trousers, I go and shave with my electric razor - for years now, whenever I shave, I've avoided looking at myself in the mirror, I shave in the dark or round the corner, sitting on a chair in the passage, with the socket in the bathroom, I don't like looking at myself any more, I'm scared by my own face in the bathroom, I'm hurt even by my own appearance, I see yesterday's drunkenness in my eyes, I don't even have breakfast any more, or if I do, only coffee and a cigarette, I sit at the table, sometimes my hands give way under me and several times I repeat to myself, Hrabal, Hrabal, Bohumil Hrabal, you've victoried yourself away, you've reached the peak of emptiness, as my Lao Tzu taught me, I've reached the peak of emptiness and everything hurts, even the walk to the bus-stop hurts, and the whole bus hurts as well, I lower my guilty-looking eyes, I'm afraid of looking people in the eye, sometimes I cross my palms and extend my wrists, I hold out my hands so that people can arrest me and hand me over to the cops, because I feel guilty even about this once too loud a solitude which isn't loud any longer, because I'm hurt not only by the escalator which takes me down to the infernal regions below, I'm hurt even by the looks of the people travelling up, each of them has somewhere to go, while I've reached the peak of emptiness and don't know where I want to go.
Bohumil Hrabal (Total Fears: Selected Letters to Dubenka)
If anything is horrible, if there is a reality that surpasses our worst dreams, it is this: to live, to see the sun, to be in full possession of manly vigor, to have health and joy, to laugh heartily, to rush toward a glory that lures you on, to feel lungs that breathe, a heart that beats, a mind that thinks, to speak, to hope, to love; to have mother, wife, children, to have sunlight, and suddenly, in less time than it takes to cry out, to plunge into an abyss, to fall, to roll, to crush, to be crushed, to see the heads of grain, the flowers, the leaves, the branches, unable to catch hold of anything, to feel your sword useless, men under you, horses over you, to struggle in vain, your bones broken by some kick in the darkness, to feel a heel gouging your eyes out of their sockets, raging at the horseshoe between your teeth, to stifle, to howl, to twist, to be under all this, and to say, ‘Just then I was a living man!
Victor Hugo
Zacharias’s study bore the marks of his predecessors, whose taste had run decidedly stoicheiotical. They had had a fondness for skulls with burning lights in their eye sockets, crystal balls in which mysterious shapes came and went, and dark velvet window curtains traced with obscure runes.
Zen Cho (Sorcerer to the Crown (Sorcerer Royal, #1))
We're so old that the winds of age echo along our ribs and pick at our eye sockets. We could be gone tomorrow. A chill, say, or a little slip on the cliff side. I feel as fragile as a dried flower. I rattle a little in the moving air, but I'm only coherent dust-a shape of what once was. My essence is going.
Sheri S. Tepper (The Revenants)
Tied to my reading lamp was a single balloon. Filled with helium, it floated in a morning sunray which slanted in through one of the high windows. On it was a picture of my face, the eyes gone, blood running down from the ragged sockets, a scream distorting the mouth on the balloon's thin and bulging rubber skin. I looked at it and I screamed.
Stephen King (It)
Everything that’s happening, is happening inside the self. And whatever the self is, it is not William Harding the movie actor or the adulterer. Whatever the self is will not die when your body has worms crawling through your eye sockets.
Ethan Hawke (A Bright Ray of Darkness)
From his vantage, three steps back and to the right, Tallow could see Rosato's eye a good five inches outside Rosato's head and still attached to his eye socket by a mess of red worms. In that single second, Tallow abstractedly realized that in his last moment of life, James Rosato could see his killer from two different angles.
Warren Ellis (Gun Machine)
The religion of the flag promptly replaced the cult of heaven, an old cloud which had already been deflated by the Reformation and reduced to a network of episcopal money boxes. In olden times the fanatical fashion was: 'Long live Jesus! Burn the heretics!' . . . But heretics, after all, were few and voluntary . . . Whereas today vast hordes of men are fired with aim and purpose by cries of ‘Hang the limp turnips! The juiceless lemons! The innocent readers! By the millions, eyes right!’ If anybody doesn’t want to fight or murder, grab ‘em, tear ‘em to pieces! Kill them in thirteen juicy ways. For a starter, to teach them how to live, rip their guts out of their bodies, their eyes out of their sockets, and the years out of their filthy slobbering lives!
Louis-Ferdinand Céline (Journey to the End of the Night)
You wanted Death? This is it. Dirt and decay, nothing more. Death translates us all into earth.” He frowned at me, his cheeks puffing slightly. “Are you disappointed? Did you want a man in black robes? I’m sure I’ve a set somewhere. A dour, thin face with bony hands? I’ve more bones in this house than you could ever count. You’ve been moping over half the world looking for Death as though that word meant anything but cold bodies and mushrooms growing out of young girls’ eye-sockets. What an exceptionally stupid child!” Suddenly he moved very fast, like a turtle after a spider—such unexpected movement from a thing so languid and round. He clapped my throat in his hand, squeezing until I could not breathe…I whistled and wheezed, beating at his chest, and my vision blurred, thick as blood. “You want Death?” he hissed. “I am Death. I will break your neck and cover you with my jar of dirt. When you kill, you become Death, and so Death wears a thousand faces, a thousand robes, a thousand gazes.” He loosened his grip. “But you can be Death, too. You can wear that face and that gaze. Would you like to be Death? Would you like to live in this house and learn his trade?
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
I am his tomb. The earth is nothing. Dead. Staves and orchards issue from my mouth. His. Perfume my chest, which is wide, wide open. A greengage plum swells his silence. The bees escape from his eyes, from his sockets where the liquid pupils have flowed from under the flaccid eyelids. To eat a youngster shot on the barricades, to devour a young hero, is no easy thing. We all love the sun. My mouth is bloody. So are my fingers. I tore the flesh to shreds with my teeth. Corpses do not usually bleed. His did.
Jean Genet (Funeral Rites)
Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries. It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism. The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Giulietta pressed the letter against her heart. "I know what you are thinking. You wish to protect me...And you think Romeo will cause me pain. Great love, you believe, carries the seeds of great sorrow. Well, perhaps you are right...but I should rather choose to have my eyes burnt in their sockets than to have been born without.
Anne Fortier (Juliet)
In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?
Thomas Pynchon (The Crying of Lot 49)
This week in live current events: your eyes. All power can be dangerous: Direct or alternating, you, socket to me. Plugged in and the grid is humming, this electricity, molecule-deep desire: particular friction, a charge strong enough to stop a heart or start it again; volt, re-volt-- I shudder, I stutter, I start to life. I've got my ion you, copper-top, so watch how you conduct yourself. Here's today's newsflash: a battery of rolling blackouts in California, sudden, like lightning kisses: sudden, whitehot darkness and you're here, fumbling for that small switch with an urgent surge strong enough to kill lesser machines. Static makes hair raise, makes things cling, makes things rise like a gathering storm charging outside our darkened house and here I am: tempest, pouring out mouthfulls of tsunami on the ground, I've got that rain-soaked kite, that drenched key. You know what it's for, circuit-breaker, you know how to kiss until it's hertz.
Daphne Gottlieb (Why Things Burn)
Once he inserted a bodkin – a long needle of the sort used for sewing leather – into his eye socket and rubbed it around ‘betwixt my eye and the bone4 as near to [the] backside of my eye as I could’ just to see what would happen. What happened, miraculously, was nothing – at least, nothing lasting.
Bill Bryson (A Short History of Nearly Everything)
The Death of the Disc was a traditionalist who prided himself on his personal service and spent most of the time being depressed because this was not appreciated. He would point out that no one feared death itself, just pain and separation and oblivion, and that it was quite unreasonable to take against someone just because he had empty eye sockets and a quiet pride in his work. He still used a scythe, he'd point out, while the Deaths of other worlds had long ago invested in combine harvesters.
Terry Pratchett
I was there when the first dreams came off the assembly line. I was there when the corrupted visions that had congealed in the vats were pincered up and hosed off and carried down the line to be dropped onto the rolling belts. I was there when the first workmen dropped their faceplates and turned on their welding torches. I was there when they began welding the foul things into their armor, when they began soldering the antennae, bolting on the wheels, pouring in the eye-socket jelly. I was there when they turned the juice on them and I was there when the things began to twitch.
Harlan Ellison
If there is anything terrible, if there exists a reality which surpasses dreams, it is this: to live, to see the sun, to be in full possession of viral force; to possess health and joy; to laugh valiantly; to rush toward a glory which one sees dazzling in front of one; to feel in ones's breast lounges which breath, a heart which beats, a will which reasons; to speak, think, hope, love; to have a mother, to have a wife, to have children, to have the light - and all at once, in the space of a shout, in less than a minute, to sink into an abyss; to fall, to roll, to crush, to be crushed,to see ears of wheat, flowers, leaves, branches; not to be able to catch hold of anything; to feel one's sword useless, men beneath one, horses on top of one; to struggle in vain, since ones bones have been broken by some kick in the darkness; to feel a heel which makes ones's eyes start from their sockets; to bite horses' shoes in one's rage,; to stifle. to yell, to writhe; to be beneath, and to say to one's self, "But just a little while ago I was a living man!
Victor Hugo (Les Misérables)
I roll over and wince. “Oh God,” I whisper as I put the heel of my hands into my eye sockets. “My head is pounding.” “Like my dick,” Nathan says dryly. I look over at him in question. “Your dick is pounding?” “Uh-huh.” He gives me the side-eye. “Some crazy bitch, tiny kitty, drunk on sangria, thought she might like to squeeze the fuck out of him.
T.L. Swan (Our Way)
MY BOSS SENDS me home because of all the dried blood on my pants, and I am overjoyed. The hole punched through my cheek doesn’t ever heal. I’m going to work, and my punched-out eye sockets are two swollen-up black bagels around the little piss holes I have left to see through. Until today, it really pissed me off that I’d become this totally centered Zen Master and nobody had noticed. Still, I’m doing the little FAX thing. I write little HAIKU things and FAX them around to everyone. When I pass people in the hall at work, I get totally ZEN right in everyone’s hostile little FACE. Worker bees can leave Even drones can fly away The queen is their slave You give up all your worldly possessions and your car and go live in a rented house in the toxic waste part of town where late at night, you can hear Marla and Tyler in his room, calling each other hum; butt wipe. Take it, human butt wipe. Do it, butt wipe. Choke it down. Keep it down, baby. Just by contrast, this makes me the calm little center of the world. Me, with my punched-out eyes and dried blood in big black crusty stains on my pants, I’m saying HELLO to everybody at work. HELLO! Look at me. HELLO! I am so ZEN. This is BLOOD. This is NOTHING. Hello. Everything is nothing, and it’s so cool to be ENLIGHTENED. Like me. Sigh. Look. Outside the window. A bird. My boss asked if the blood was my blood. The bird flies downwind. I’m writing a little haiku in my head. Without just one nest A bird can call the world home Life is your career I’m counting on my fingers: five, seven, five. The blood, is it mine? Yeah, I say. Some of it. This is a wrong answer.
Chuck Palahniuk (Fight Club)
She Looked doubtful."If you insist." "I do." "Very well." With barely a moment for either of them to prepare, she drew back and let fly.Before James had any idea what was happening, he was sprawled on the ground, and his right eye socket was throbbing. Elizabeth, rather than displaying any sort of worry or concern over his health, was jumping up and down,squealing with glee. "I did it! I really did it! Did you see it? Did you see it?" "No," he muttered, "but I felt it".
Julia Quinn (How to Marry a Marquis (Agents of the Crown, #2))
And I had the most disconcerting sensation: that in my memory she would look up from that game of solitaire and the sockets of her eyes would be empty.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The next moment I was chained to my chair again,--the fires were lit, the bells rang out, the litanies were sung;--my feet were scorched to a cinder,--my muscles cracked, my blood and marrow hissed, my flesh consumed like shrinking leather,--the bones of my legs hung two black withering and moveless sticks in the ascending blaze;--it ascended, caught my hair,--I was crowned with fire,--my head was a ball of molten metal, my eyes flashed and melted in their sockets;--I opened my mouth, it drank fire,--I closed it, the fire was within,...and we burned, and burned! I was a cinder body and soul in my dream.
Charles Robert Maturin
Teenager Me—a teenager? If she suddenly stood, here, now, before me, would I need to treat her as near and dear, although she's strange to me, and distant? Shed a tear, kiss her brow for the simple reason that we share a birthdate? So many dissimilarities between us that only the bones are likely still the same, the cranial vault, the eye sockets. Since her eyes seem a little larger, her eyelashes are longer, she's taller, and the whole body is tightly sheathed in smooth, unblemished skin. Relatives and friends still link us, it is true, but in her world nearly all are living, while in mine almost no one survives from that shared circle. We differ so profoundly, talk and think about completely different things. She knows next to nothing— but with a doggedness deserving better causes. I know much more— but not for sure. She shows me poems, written in a clear and careful script I haven't used for years. I read the poems, read them. Well, maybe that one if it were shorter and touched up in a couple of places. The rest do not bode well. The conversation stumbles. On her pathetic watch time is still cheap and unsteady. On mine it's far more precious and precise. Nothing in parting, a fixed smile and no emotion. Only when she vanishes, leaving her scarf in her haste. A scarf of genuine wool, in colored stripes crocheted for her by our mother. I've still got it.
Wisława Szymborska (Here)
There is also the ceaseless outpouring of books on toilet training, separating one sibling's fist from another sibling's eye socket, expressing breast milk while reading a legal brief, helping preschoolers to "own" their feelings, getting Joshua to do his homework, and raising teenage boys so they become Sensitive New Age Guys instead of rooftop snipers or Chippendale dancers. Over eight hundred books on motherhood were published between 1970 and 2000; only twenty-seven of these came out between 1970 and 1980, so the real avalanch happened in the past twenty years. We've learned about the perils of "the hurried child" and "hyperparenting," in which we schedule our kids with so many enriching activities that they make the secretary of state look like a couch spud. But the unhurried child probably plays too much Nintendo and is out in the garage building pipe bombs, so you can't underschedule them either. Then there's the Martha Stewartization of America, in which we are meant to sculpt the carrots we put in our kids' lunches into the shape of peonies and build funhouses for them in the backyard; this has raised the bar to even more ridiculous levels than during the June Cleaver era.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors. p.116
Cormac McCarthy (The Passenger (The Passenger #1))
But I hate being a grandfather. It's indecent. In my mind's eye, I'm still twenty-five. Thirty-three max. Certainly not sixty-seven, reeking of decay and dashed hopes. My breath sour. My limbs in dire need of a lube job. And now that I've been blessed with a plastic hip-socket replacement, I'm no longer even biodegradable. Environmentalists will protest my burial.
Mordecai Richler (Barney's Version)
That's him!" he said. "That's the one!" "Is it, indeed?" Inspector Hewitt asked, as he lifted the cap from my head and took the gown from my shoulders with the gentle deference of a valet. The little man's pale blue eyes bulged visibly in their sockets. "Why, it's only a girl!" he said. I could have slapped his face.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
The girl lies by the black canal, her face turned upwards to the sky like a stargazer. But she will never see the stars again. Her eyes have been torn out. The rain fills the empty sockets until they brim over, spilling bloody tears down her cold white cheeks.
Adam Slater (Hunted (The Shadowing, #1))
Hold him,” he told Jesper and the Fjerdan. Kaz flicked his coat sleeve, and an oyster shucking knife appeared in his hand. At any given time he had at least two knives stashed somewhere in his clothes. He didn’t even count this one, really—a tidy, wicked little blade. He made a neat slash across Oomen’s eye—from brow to cheekbone—and before Oomen could draw breath to cry out, he made a second cut in the opposite direction, a nearly perfect X. Now Oomen was screaming. Kaz wiped the knife clean, returned it to his sleeve, and drove his gloved fingers into Oomen’s eye socket. He shrieked and twitched as Kaz yanked out his eyeball, its base trailing a bloody root. Blood gushed over his face. Kaz
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The passageway smelled of smoke: burning wood, a torch, acrid. His head ached. Blood was wet and sticky upon his arm and on his fingers, and the orange glow of torchlight played from behind his back and over the corridor walls, leaping like a bonfire. There was a strange familiarity to it: the narrow walls in around him. And when he came to a wooden door set in the wall, he put his hand upon it and pushed it open. There was a room, and a pallet inside it; a small torch burned low in a socket upon the wall. A man lay upon the cot, his face bruised and battered, his hands curled against his chest bloody: and Laurence knew him; knew him and knew himself. He remembered another door opening, in Bristol, three years before, and a voice asking him to come outside his prison, in a Britain under siege. “Tenzing,” Laurence said, and, as Tharkay opened feverish eyes, went to help him stand.
Naomi Novik (Blood of Tyrants (Temeraire, #8))
Isabel's infamous tweets ranged from the cartoonish and impossible: Im going to pull ur tongue out of ur mouth wrap it around ur neck n strangle u w it so hard ur eyes will pop out. i will pee in the sockets. To the quaint: Get ur fcking hands off him bitch i will cut u. #RupertLIsMine To the cryptically disturbing: I watch u in your sleep. I would never condone Isabel's scary tweets, but you had to give the girl credit for managing to stay under 140 characters every time.
Goldy Moldavsky (Kill the Boy Band)
Her eyes bothered him most.  Unlike the Kai, hers were layers of opaque white, blue ringed in gray and black pinpoint centers that expanded or contracted with the light.  The first time he’d witnessed that reaction in a human, all the hairs on his nape stood straight up.  That, and the way the contrasting colors made it easy to see the eyes move in their sockets gave the impression they weren’t body parts but entities unto themselves living as parasites inside their hosts’ skulls. He was used to seeing the frantic eye-rolling in a frightened horse but not a person.  If the parasite impression didn’t repulse him so much, he’d think humans lived in a constant state of hysterical terror.
Grace Draven (Radiance (Wraith Kings, #1))
He was reminded of TV ads for plug-in air fresheners where some woman would stick the little plastic thing in a socket and animated fumes would waft out and everyone would lift their faces, close their eyes, breathe in deeply and go ‘Aaaaaah’. Like they were taking some kind of drug rather than inhaling chemicals.
Charlie Higson (The Dead (The Enemy #2))
If there is anything terrible, if there exists a reality which surpasses dreams, it is this: to live, to see the sun; to be in full possession of virile force; to possess health and joy; to laugh valiantly; to rush towards a glory which one sees dazzling in front of one; to feel in one’s breast lungs which breathe, a heart which beats, a will which reasons; to speak, think, hope, love; to have a mother, to have a wife, to have children; to have the light—and all at once, in the space of a shout, in less than a minute, to sink into an abyss; to fall, to roll, to crush, to be crushed; to see ears of wheat, flowers, leaves, branches; not to be able to catch hold of anything; to feel one’s sword useless, men beneath one, horses on top of one; to struggle in vain, since one’s bones have been broken by some kick in the darkness; to feel a heel which makes one’s eyes start from their sockets; to bite horses’ shoes in one’s rage; to stifle, to yell, to writhe; to be beneath, and to say to one’s self, “But just a little while ago I was a living man!
Victor Hugo (Les Misérables)
You're wrong, you know," Susan said. "She doesn't belong here. I'm against the death penalty. I don't think the state should be in the business of killing people. I think it's wrong. And it's hypocritical. Mostly, I just think it's mean. Gretchen Lowell ? She is the exception. She deserves to die. If we kill one person, one criminal in the history of the world, it should be her." Susan paused, reconsidering. "And Hitler. Her, and Hitler". Prescott had that shrink look on his face again, passive and unimpressed, and yet somehow judgmental at the same time. Susan continued. "She removed a detective's spleen without anesthesia. She stuck a wire through an old woman's eyeball and then threaded it behind her nose and out through the other eye socket and then she stuck the wire into an outlet." Prescott raised an eyebrow. "And you're arguing that she's sane?
Chelsea Cain (Kill You Twice (Archie Sheridan & Gretchen Lowell, #5))
Water everywhere, falling in thundering cataracts, singular drops, and draping sheets. Kellhus paused next to one of the shining braziers, peered beneath the bronze visage that loomed orange and scowling over his father, watched him lean back into absolute shadow. “You came to the world,” unseen lips said, “and you saw that Men were like children.” Lines of radiance danced across the intervening waters. “It is their nature to believe as their fathers believed,” the darkness continued. “To desire as they desired … Men are like wax poured into moulds: their souls are cast by their circumstances. Why are no Fanim children born to Inrithi parents? Why are no Inrithi children born to Fanim parents? Because these truths are made, cast by the particularities of circumstance. Rear an infant among Fanim and he will become Fanim. Rear him among Inrithi and he will become Inrithi … “Split him in two, and he would murder himself.” Without warning, the face re-emerged, water-garbled, white save the black sockets beneath his brow. The action seemed random, as though his father merely changed posture to relieve some vagrant ache, but it was not. Everything, Kellhus knew, had been premeditated. For all the changes wrought by thirty years in the Wilderness, his father remained Dûnyain … Which meant that Kellhus stood on conditioned ground. “But as obvious as this is,” the blurred face continued, “it escapes them. Because they cannot see what comes before them, they assume nothing comes before them. Nothing. They are numb to the hammers of circumstance, blind to their conditioning. What is branded into them, they think freely chosen. So they thoughtlessly cleave to their intuitions, and curse those who dare question. They make ignorance their foundation. They confuse their narrow conditioning for absolute truth.” He raised a cloth, pressed it into the pits of his eyes. When he withdrew it, two rose-coloured stains marked the pale fabric. The face slipped back into the impenetrable black. “And yet part of them fears. For even unbelievers share the depth of their conviction. Everywhere, all about them, they see examples of their own self-deception … ‘Me!’ everyone cries. ‘I am chosen!’ How could they not fear when they so resemble children stamping their feet in the dust? So they encircle themselves with yea-sayers, and look to the horizon for confirmation, for some higher sign that they are as central to the world as they are to themselves.” He waved his hand out, brought his palm to his bare breast. “And they pay with the coin of their devotion.
R. Scott Bakker (The Thousandfold Thought (The Prince of Nothing, #3))
What're you reading?" "Gertrude Stein." I shook my head. I'd never heard of her. "The poet?" he asked. "You know, 'A rose is a rose is a rose'?" I shook my head again. "During the last year of her life, my mother became obsessed with her," Grant said. "She'd spent most of her life reading the Victorian poets, and when she found Gertrude Stein, she told me she was a comfort." "What does she mean, 'A rose is a rose is a rose'?" I asked. Snapping the biology book shut, I was confronted with the skeleton of a human body. I tapped the empty eye socket. "That things just are what they are," he said. " 'A rose is a rose.' " " 'Is a rose,' " he finished, smiling faintly. I thought about all the roses in the garden below, their varying shades of color and youth. "Except when it's yellow," I said. "Or red, or pink, or unopened, or dying." "That's what I've always thought," said Grant. "But I'm giving Ms. Stein the opportunity to convince me.
Vanessa Diffenbaugh (The Language of Flowers)
Between the sleeping and the waking, it is there. Between the rising and the resting, it is there. It is always there. It gnaws on my heart. It chews on my soul. I turn aside and see it. I stop my ears and hear it. I cover myself and feel it. There are no human words for what I mean. It is the language of the bare bough and the cold stone, pronounced in the fell wind's sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamour of sunlight ripped apart by the canopy and miserly filtered down. It is what the unseeing eye sees. It is what the deaf ear heres. It is the romantic ballad of death's embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; the graceful ballet of maggots twisting in the ruins of God's temple. Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye. Our bones are bleached within our skin; our empty sockets regard the crow. Here in this shadow country, our tiny voices scratch like a fly's wing against unmoving air. Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us.
Rick Yancey
You don’t ever doubt me again,” he said hoarsely before his mouth grazed my nipples, first the left and then the right. His scruffy beard scraped the skin beneath raw as he went back and forth. “I will fucking kill you if you ever doubt me again!” he snarled. My eyes rolled back into their sockets at the weight of his words, the desperation in his voice matching the desperation in my movements. I moaned as he bit my nipple harder, almost chewing it between his teeth. I was trapped underneath him, and even though I knew I could push him away, I also knew I wouldn’t. “You answer me when I’m talking to you! ” he roared. “I won’t,” I breathed, my hands in his short hair. “Oh, God, I won’t.” “You won’t what! ” “I will never doubt you again!” “You’re damn right you won’t.
T.J. Klune (Burn (Elementally Evolved, #1))
I dream of a small room and a man with one eye. Blood seeps like scarlet tears from his empty socket. I turn away and the room becomes a hallway that becomes a stairway that becomes a roof. The wind tugs at my body; the sky tries to wrap me in stars. Below me, a gazebo glows with red light. A line of black cars crawls like cockroaches through the streets. An air conditioner exhaust fan chitters angrily near the roof’s edge, one of its blades bent just enough to scrape against the side of the casing. For a second I let the wind push me close enough to the fan’s razor- sharp blades that a lock of my hair gets snipped and sent out into the night. As it twists and flutters toward the gazebo, I think about just letting go, letting the breeze carry my body into the whirling blades, the wind scattering pieces of me throughout the city. Blood and flesh seeping into the cracked pavement. Flowers blooming wherever I land.
Paula Stokes (Vicarious (Vicarious, #1))
Whats the Use of a Title?" They don’t make it the beautiful die in flame— suicide pills, rat poison, rope what— ever... they rip their arms off, throw themselves out of windows, they pull their eyes out of the sockets, reject love reject hate reject, reject. they don’t make it the beautiful can’t endure, they are butterflies they are doves they are sparrows, they don’t make it. one tall shot of flame while the old men play checkers in the park one flame, one good flame while the old men play checkers in the park in the sun. the beautiful are found in the edge of a room crumpled into spiders and needles and silence and we can never understand why they left, they were so beautiful. they don’t make it, the beautiful die young and leave the ugly to their ugly lives. lovely and brilliant: life and suicide and death as the old men play checkers in the sun in the park.
Charles Bukowski (Burning in Water, Drowning in Flame)
We’ve upgraded our service, too!” Tempest boasted. I forced myself to focus on her eye sockets. “How?” “You can use our app!” she said. “You don’t have to summon us with gold coins anymore!” She pointed to a sign on the Plexiglas partition. Apparently, I could now link my favorite magic weapon to their cab and pay via virtual drachma using something called GRAY RYYD. I shuddered to think what the Arrow of Dodona might do if I allowed it to make online purchases. If I ever got back to Olympus, I’d find my accounts frozen and my palace in foreclosure because the arrow had bought every known copy of Shakespeare’s First Folio. “Cash is fine,” I said. Wasp grumbled to Anger, “You and your predictions. I told you the app was a stupid idea.” “Stopping for Apollo was stupider,” she muttered back. “That was your prediction.” “You’re both stupid!” snapped Tempest. “That’s my prediction!
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Aiden what have you told this poor child? And let go of her arm, you'll pull it out of the socket like that." The woman admonished. Aiden immediately released her arm. Meryn eyed the woman with new respect, if she had Aiden hopping to, then maybe she could help her get out of here. "She is a menace! She gave Colton a bloody lip, threw a lamp at me, knocked me unconscious with the back of my toilet, kicked me in the back of the head... twice and dented the roof of my trunk!" Meryn noticed that he roared the last grievance, trust a man to be more worried about his car than his possible concussion. "And how did she dent the roof of your trunk?" Meryn heard the edge to the woman's voice and answered quickly hoping to garner sympathy for her situation. "He threw me in the trunk of his car. I was kicking it from the inside trying to escape." She sniffed dramatically and glared at Aiden. She noticed that he had suddenly paled. "Oh, son." The handsome older man covered his face with his hand and the woman stared at them in shock. "You locked her in the trunk?!" "She was kicking me." Aiden protested. "She is human and half your size!" "You don't understand, she is a terrorist!
Alanea Alder (My Commander (Bewitched and Bewildered, #1))
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
Denise would never get over it. She knew that. Tommy's bones at the bottom of the well. She and Henry had spent some time with those bones. When the police had finished testing and tagging and photohgraphing them the funeral parlor had given them time before the burial. She'd clutched them to her chest. Run her fingertips along the smooth sockets that had held his shining eyes. There but not there. Some part of her wanted those bones. Wanted to put the femurs under her pillow at night when she went to sleep. To carry his skull around in her purse so she'd be with him always. She understood now how people went crazy and did crazy things.
Sharon Guskin (The Forgetting Time)
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Don’t read books! Don’t chant poems! When you read books your eyeballs wither away leaving the bare sockets. When you chant poems your heart leaks out slowly with each word. People say reading books is enjoyable. People say chanting poems is fun. But if your lips constantly make a sound like an insect chirping in autumn, you will only turn into a haggard old man. And even if you don’t turn into a haggard old man, it’s annoying for others to have to hear you. It’s so much better to close your eyes, sit in your study, lower the curtains, sweep the floor, burn incense. It’s beautiful to listen to the wind, listen to the rain, take a walk when you feel energetic, and when you’re tired go to sleep.
Yang Wanli
I turned the final page. RATHANAEL THE SCORNED, read the lettering. Above it hung a skeleton twined in a ragged shroud, with two pairs of tattered, crowlike wings. Its fleshless skull grinned out at me, the eye sockets bound behind dark wrappings. It held an iron torch clasped in front of its rib cage, the top spiked like a crown, the flames roaring up, enveloping its body and wings in fire. The silver of its form had a dark, tarnished look like an old mirror, but I couldn’t tell if that was intentional or a result of the gilt flaking with age. Some powerful spirits held objects, like riveners did swords. It represented something important about their nature, but I had no idea what a torch might signify and doubted the revenant did either—only how ironic it was that I’d ended up with the revenant associated with fire. I absorbed its deadly visage, trying and failing to match it with the voice in my head. The revenant had devoured the populations of entire cities; it was also the entity who ordered me to eat my pottage. “I’ll have you know that I’m very good-looking by undead standards,” the revenant remarked.
Margaret Rogerson (Vespertine)
The drug hit him like an express train, a white-hot column of light mounting his spine from the region of his prostate, illuminating the sutures of his skull with x-rays of short-circuited sexual energy. His teeth sang in their individual sockets, each one pitch-perfect and clear as ethanol. His bones, beneath the hazy envelope of flesh, were chromed and polished, the joints lubricated with a film of silicone. Sandstorms raged across the scoured floor of his skull, generating waves of high thin static that broke behind his eyes, spheres of purest crystal, expanding...
William Gibson
The growl that permeated the room was loud enough to rattle the mirror on the wall next to Qhuinn’s head—as well as the silver brush set on the bureau and the crystals on the sconces by the door. At first he was sure it was Phury…except then the Brother’s brows came down hard and the male looked over his shoulder. Layla was out of bed and closing in on the pair of them—and holy fucking shit, the look in her eyes was enough to melt paint off a car door: In spite of the fact that she was not well, her fangs were bared, and her fingers were curled into claws…and the icy draft that preceded her made the back of Qhuinn’s neck prickle in warning. That growl was nothing that should have come out of a male…much less a delicate female of Chosen status. And if anything, her nasty tone of voice was worse: “Let. Him. Go.” She was looking up at Phury as if she were fully prepared to rip the Brother’s arms out of their sockets and beat him with the stumps if he didn’t do exactly what she said. Pronto
J.R. Ward
Attention, God the Judge, God the Father, who Art in Heaven, give me one miracle, please. If You exist as I know You do, even if no one else in the world believes in You, please give me a brain tumor. Please tear my limbs from their sockets and let the backseat and my older sister be totally covered with blood. Please make me dumb and blind and deaf, please make me a martyr, please, dear heavenly Father. Tear my heart right from my chest. Drive spikes into my eyes and let hot lava shoot out of my mouth. Make me silent and thoroughly dead, but please hurry. Before we get home, before we reach the next stoplight, let the only sound be no sound, the silence of my death burning in the empty sky. If You are a mighty and true God, if You are not just a dream I have made up, please, before another hour, another minute passes, let the wire in my bra poke through my heart. Dear Lord, please, please, give me this one miracle. I have begged You every day, every evening, so please, let Your will be done, let Your will be done. Give me a gruesome death as fast as You possibly can. Thank you, God. Amen.
Joe Meno (The Great Perhaps)
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
As we all know, poodles are a type of curly-haired dog preferred by petit bourgeois retirees, ladies very much on their own who transfer their affection upon their pet, or residential concierges ensconced in their gloomy loges. Poodles come in black or apricot. The apricot ones tend to be crabbier than the black ones, who on the other hand do not smell as nice. Though all poodles bark snappily at the slightest provocation, they are particularly inclined to do so when nothing at all is happening. They follow their master by trotting on their stiff little legs without moving the rest of their sausage-shaped trunk. Above all they have venomous little black eyes set deep in their insignificant eye-sockets. Poodles are ugly and stupid, submissive and boastful. They are poodles, after all
Muriel Barbery (The Elegance of the Hedgehog)
I’d hate to see the look on my face when that mask came down and I saw the face behind it. Thinner than I remember. Paler. The eyes sunk deep into their sockets, kind of glazed over, like he’s sick or hurt, but I recognize it, I know whose face was hidden behind that mask. I just can’t process it. Here, in this place. A thousand years later and a million miles from the halls of George Barnard High School. Here, in the belly of the beast at the bottom of the world, standing right in front of me. Benjamin Thomas Parish. And Cassiopeia Marie Sullivan, having a full-bore out-of-body experience, seeing herself seeing him. The last time she saw him was in their high school gymnasium after the lights went out, and then only the back of his head, and the only times that she’s seen him since happened in her mind, the rational part of which always knew Ben Parish was dead like everyone else.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Cascando" why not merely the despaired of occasion of wordshed is it not better abort than be barren the hours after you are gone are so leaden they will always start dragging too soon the grapples clawing blindly the bed of want bringing up the bones the old loves sockets filled once with eyes like yours all always is it better too soon than never the black want splashing their faces saying again nine days never floated the loved nor nine months nor nine lives saying again if you do not teach me I shall not learn saying again there is a last even of last times last times of begging last times of loving of knowing not knowing pretending a last even of last times of saying if you do not love me I shall not be loved if I do not love you I shall not love the churn of stale words in the heart again love love love thud of the old plunger pestling the unalterable whey of words terrified again of not loving of loving and not you of being loved and not by you of knowing not knowing pretending pretending I and all the others that will love you if they love you unless they love you
Samuel Beckett
Graham and the undertaker's assistants strapped the body to a wide board with a rope that crossed under his right shoulder and again over his groin, then they tilted the man until he was nearly vertical and let the camera lens accept the scene for a minute. The man's eyes were shut, the skin around them was slightly green, and the sockets themselves seemed so cavernous that photographic copies were later repainted with two blue eyes looking serenely at some vista in the middle distance. Likewise missing in the keepsake photographs was the mean contusion over his left eyebrow that wound convince some reporters that it was the gunshot's exit wound and others that it showed the incidence of Bob Ford's smashing the stricken man with a timber. The body's cheeks and chest and belly were somewhat inflated with preservatives, necessitating the removal of the man's thirty-two-inch brown leather belt, and making his weight seem closer to one hundred eighty-five pounds than the one hundred sixty it was. His height was misjudged by four inches, being recorded as six feet or more by those who wrote about him.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
In the moment all is dear to me, dear that in this logic there is no redemption, the city itself being the highest form of madness and each and every part, organic or inorganic, an expression of this same madness. I feel absurdly and humbly great, not as megalomaniac, but as human spore, as the dead sponge of life swollen to saturation. I no longer look into the eyes of the woman I hold in my arms but I swim through, head and arms and legs, and I see that behind the sockets of the eyes there is a region unexplored, the world of futurity, and here there is no logic whatever, just the still germination of events unbroken by night and day, by yesterday and tomorrow. The eye, accustomed to concentration on points in space, now concentrates on points in time; the eye sees forward and backward at will. The eye which was the I of the self no longer exists; this selfless eye neither reveals nor illuminates. It travels along the line of the horizon, a ceaseless, uninformed voyager. Trying to retain the lost body I grew in logic as the city, a point digit in the anatomy of perfection. I grew beyond my own death, spiritually bright and hard. I was divided into endless yesterdays, endless tomorrows, resting only on the cusp of the event, a wall with many windows, but the house gone. I must shatter the walls and windows, the last shell of the lost body, if I am to rejoin the present. That is why I no longer look into the eyes or through the eyes, but by the legerdemain of will swim through the eyes, head and arms and legs to explore the curve of vision. I see around myself as the mother who bore me once saw round the comers of time. I have broken the wall created by birth and the line of voyage is round and unbroken, even as the navel. No form, no image, no architecture, only concentric flights of sheer madness. I am the arrow of the dream's substantiality. I verify by flight. I nullify by dropping to earth.
Henry Miller (Tropic of Capricorn (Tropic, #2))
He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!” “Well, that’s all we’ve got for you!” Anger said. “Now give me the eye, quick. We’re almost at camp!” Panic overcame my shock. If Anger couldn’t stop at our destination, we’d accelerate past the point of no return and vaporize in a colorful streak of plasma across Long Island. And yet that still sounded better than touching the eyeball in my lap. “Meg! Kleenex?” She snorted. “Wimp.” She scooped up the eye with her bare hand and tossed it to Anger. Anger shoved the eye in her socket. She blinked at the road, yelled “YIKES!” and slammed on the brakes so hard my chin hit my sternum.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive. The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky. It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul: “Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!” “Are you afraid that you will change your mind, Christine?” “I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!” “What compels you to go back, Christine?” “If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!” She wrung her hands in anguish, while Raoul pressed her to his heart. “No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!” And he tried to drag her away, then and there. But she stopped him. “No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.” And she gave a sigh to which it seemed to her that another sigh, behind her, replied. “Didn’t you hear?” Her teeth chattered. “No,” said Raoul, “I heard nothing.” - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)