Eye Lag Quotes

I exult in the fact I can see everywhere with a flexible eye; the very notion of home is foreign to me, as the state of foreignness is the closest thing I know to home.

The parental eye shed no tears when the time for leave-taking came; a half-rouble in copper coins was given to the boy by way of pocket-money and for sweets, and what is more important, the following admonition: "Mind now, Pavlusha, be diligent, don't fool or gad about, and above all please your teachers and superiors. If you please your superiors, then you will be popular and get ahead of everyone even if you lag behind in knowledge and talent. Don't be too friendly with the other boys, they will teach you no good; but if you do make friends, cultivate those who are better off and might be useful. Don't invite or treat anyone, but conduct yourself in such a way as to be treated yourself, and above all, take care of and save your pennies, that is the most reliable of all things. A comrade or friend will cheat you and be the first to put all the blame on you when in a fix, but the pennies won't betray you in any difficulty. With money you can do anything in the world." Having admonished his son thus, the father took leave of him and trundled off home on his 'magpie'. Though from that day the son never set eyes on him more, his words and admonitions had sunk deep into his soul.

...I'm momentarily transfixed, torn between curiosity and fear. I can pull it up the gently sloping mud bank, but then what? Already thought is lagging behind events, as the blotchy brown mass slides up wet mud toward me, its amorphous margins flowing into the craters left by retreating feet. In the center of the yard-wide disc is a raised turret where two eyes open and close, flashing black. And it's bellowing. A loud rhythmic sound that is at first inexplicable until I realize that those blinking eyes are its spiracles, now sucking in air instead of water, which it is pumping out via gill slits on its underside. And all the while it brandishes that blade, stabbing the air like a scorpion...

Your internal time is produced by your own body clock. It varies from individual to individual just as body height, eye color, or personality varies, and it interacts with sun time and social time. In spite of internal time being probably the most important to our health and well-being--more important than sun time and certainly more important than social time--it has been thoroughly neglected.

Why can’t I have normal friends?’ Stonny demanded. ‘Ones without tiger stripes and cat eyes? Ones without a hundred thousand souls riding their backs? Here comes a rider from that other lagging company – maybe he’s normal! Hood knows, he’s dressed like a farmer and looks inbred enough to manage only simple sentences. A perfect man! Hey! You! No, what are you hesitating for? Come to us, then! Please!

So tired am I, so weary of to-day, So unrefreshed from foregone weariness, So overburdened by foreseen distress, So lagging and so stumbling on my way, I scarce can rouse myself to watch or pray, To hope, or aim, or toil for more or less,-- Ah, always less and less, even while I press Forward and toil and aim as best I may. Half-starved of soul and heartsick utterly, Yet lift I up my heart and soul and eyes Which fail in looking upward

And here is the thing about them men they was Australians they knew full well the terror of the unyielding law the historic memory of UNFAIRNESS were in their blood and a man might be a bank clerk or an overseer he might never have been lagged for nothing but still he knew in his heart what it were to be forced to wear the white hood in prison he knew what it were to be lashed for looking a warder in the eye and even a posh fellow like the Moth had breathed that air so the knowledge of unfairness were deep in his bone and marrow.

Repetitive, forceful corrections had taught this gentle dog that at a specific spot the handler would always yank the lead. Thus, each time the Newf arrived at that point, she'd freeze for a beat and close her eyes in anticipation of the impending blow. This caused her to lag, which led to another correction, which resulted in more lagging, another correction, ad infinitum. It was a classic example of canine learned helplessness, whereby a dog learns to accept abuse as a natural, inevitable consequence of living with humans. Repeated corrections had only frightened and confused the animal, and she was trying to protect herself in the only way she knew how.

Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.

I imagine this midnight moment's forest: Something else is alive Besides the clock's loneliness And this blank page where my fingers move. Through the window I see no star: Something more near Though deeper within darkness Is entering the loneliness: Cold, delicately as the dark snow, A fox's nose touches twig, leaf; Two eyes serve a movement, that now And again now, and now, and now Sets neat prints into the snow Between trees, and warily a lame Shadow lags by stump and in hollow Of a body that is bold to come Across clearings, an eye, A widening deepening greenness, Brilliantly, concentratedly, Coming about its own business Till, with sudden sharp hot stink of fox It enters the dark hole of the head. The window is starless still; the clock ticks, The page is printed.

We got us a good sergeant, is what I’m saying.’ Maybe nodded, and glanced back at Crump. ‘You listening, soldier? Don’t mess it up.’ The tall, long-faced man with the strangely wide-spaced eyes blinked confusedly. ‘They stepped on my cussers,’ he said. ‘Now I ain’t got any more.’ ‘Can you use that sword on your belt, sapper?’ ‘What? This? No, why would I want to do that? We’re just marching.’ Lagging behind, breath coming in harsh gasps, Limp said, ‘Crump had a bag of munitions. Stuck his brain in there, too. For, uh, safekeeping. It all went up, throwing Nah’ruk everywhere. He’s just an empty skull now, Maybe.’ ‘So he can’t fight? What about using a crossbow?’ ‘Never seen him try one of those. But fight? Crump fights, don’t worry about that.’ ‘Well, with what, then? That stupid bush knife?’ ‘He uses his hands, Maybe.’ ‘Well, that’s just great then.’ ‘We’re just marching,’ said Crump again, and then he laughed.

Here, where an immense country lies about me, over which the winds pass coming from the seas, here I feel that no human being anywhere can answer for you those questions and feelings that deep within them have a life of their own; for even the best err in words when they are meant to mean most delicate and almost inexpressible things. But I believe nevertheless that you will not have to remain without a solution if you will hold to objects that are similar to those from which my eyes now draw refreshment. If you will cling to Nature, to the simple in Nature, to the little things that hardly anyone sees, and that can so unexpectedly become big and beyond measuring; if you have this love of inconsiderable things and seek quite simply, as one who serves, to win the confidence of what seems poor: then everything will become easier, more coherent and somehow more conciliatory for you, not in your intellect, perhaps, which lags marveling behind, but in your inmost consciousness, waking and cognizance. You are so young, so before all beginning, and I want to beg you, as much as I can, dear sir, to be patient toward all that is unsolved in your heart and to try to love the questions themselves like locked rooms and like books that are written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer. Perhaps you do carry within yourself the possibility of shaping and forming as a particularly happy and pure way of living; train yourself to it—but take whatever comes with great trust, and if only it comes out of your own will, out of some need of your inmost being, take it upon yourself and hate nothing.

An hour after they’d left the clearing, a heavy layer of fog filled the valley like a moist blanket. The trees grew into amorphous shapes, mountains gone. Ash stopped dead in his tracks. He stared into the forest with wide eyes. “Whoa! D’you see that?!” Vale jerked to a stop. “What? Where?!” “There in the trees.” He pointed into the forest to where the rainy undergrowth grew thick with a hazy veil of grey-white mist. “The haze.” “What about it?” “Looks like game lag. But like… real lag. Real life lag.” Ash grinned at her, his brown eyes sparkling. “Like the forest is supposed to be there, but it’s not totally loaded by the computer yet.” “That’s going to be trouble.” “Why?” Vale nodded to where Ash knew the mountaintops should be, but were no longer visible, caught in an otherworldly lag. “It means we can’t see the mountains.” “So?” “So we can’t see where we are going anymore.” Ash frowned. “Er… yeah.” “C’mon. Let’s keep walking.

One of the unsettling things about my journey, mentally, physically, and emotionally, was that I wasn’t sure when or where it was going to end. I didn’t know what I was going to do with my life. I felt that I was starting over and over again. I was always on the move, always going somewhere. While we walked, I sometimes lagged behind, thinking about these things. To survive each passing day was my goal in life. At villages where we managed to find some happiness by being treated to food or fresh water, I knew that it was temporary and that we were only passing through. So I couldn’t bring myself to be completely happy. It was much easier to be sad than to go back and forth between emotions, and this gave me the determination I needed to keep moving. I was never disappointed, since I always expected the worst to happen. There were nights when I couldn’t sleep but stared into the darkest night until my eyes could see clearly through it. I thought about where my family was and whether they were alive.

Beyond those somewhat anchored fantasy settings are the wild-eyed and the wahoo worlds. This is by no means pejorative, as these include some of my personal favorites, but it is meant to show that there are high-concept, love-’em-or-hate-’em sorts of settings. Call them worlds of pure chaos, places where anything goes and where the usual rules do not apply. They are not meant to be realistic, and indeed that is their appeal. They are settings unmoored from reality and operating by rules of your design—but these settings do have rules. To provide some examples, think of places like China Mieville’s Bas Lag, Pratchett’s Disc World, Frank Baum’s Oz, David “Zeb” Cook’s Dark Sun and Planescape, Keith Baker’s Eberron, Jim Ward’s Gamma World, NCSoft’s Guild Wars, Andrew Leker’s Jorune, Michael Moorcock’s Melnibone, Jeff Grubb’s Spelljammer, and Blizzard’s World of Warcraft. These are places where truly Weird Shit happens, with different rules of physics, alien landscapes, magical wastelands, alien gods, mutants, and cosmologies. It’s fun to go out on the edge, and fantasy is always exploring strange places like this. These are the high-wire acts of worldbuilding. They take creative risks, not always successfully, and they endure a higher degree of mockery than the real fantasies or anchored fantasies do because of those creative risks. They also attract a loyal following who love that particular flavor of weird. Just ask any Planescape fan.

This will result in your being witnesses to them. (Luke 21:13) Life is a steep climb, and it is always encouraging to have those ahead of us “call back” and cheerfully summon us to higher ground. We all climb together, so we should help one another. The mountain climbing of life is serious, but glorious, business; it takes strength and steadiness to reach the summit. And as our view becomes better as we gain altitude, and as we discover things of importance, we should “call back” our encouragement to others. If you have gone a little way ahead of me, call back— It will cheer my heart and help my feet along the stony track; And if, perhaps, Faith’s light is dim, because the oil is low, Your call will guide my lagging course as wearily I go. Call back, and tell me that He went with you into the storm; Call back, and say He kept you when the forest’s roots were torn; That, when the heavens thunder and the earthquake shook the hill, He bore you up and held you where the lofty air was still. O friend, call back, and tell me for I cannot see your face; They say it glows with triumph, and your feet sprint in the race; But there are mists between us and my spirit eyes are dim, And I cannot see the glory, though I long for word of Him. But if you’ll say He heard you when your prayer was but a cry, And if you’ll say He saw you through the night’s sin-darkened sky— If you have gone a little way ahead, O friend, call back— It will cheer my heart and help my feet along the stony track.

I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.

Tim bid us good-bye after helping us carry in my three-hundred-pound suitcase, and Marlboro Man and I looked around our quiet house, which was spick-and-span and smelled of fresh paint and leather cowboy boots, which lined the wall near the front door. The entry glowed with the light of the setting sun coming in the window, and I reached down to grab one of my bags so I could carry it to the bedroom. But before my hand made it to the handle, Marlboro Man grabbed me tightly around the waist and carried me over to the leather sofa, where we fell together in a tired heap of jet lag, emotional exhaustion, and--ironically, given the week we’d just endured--a sudden burst of lust. “Welcome home,” he said, nuzzling his face into my neck. Mmmm. This was a familiar feeling. “Thank you,” I said, closing my eyes and savoring every second. As his lips made their way across my neck, I could hear the sweet and reassuring sound of cows in the pasture east of our house. We were home. “You feel so good,” he said, moving his hands to the zipper of my casual black jacket. “You do, too,” I said, stroking the back of his closely cut hair as his arms wrapped more and more tightly around my waist. “But…uh…” I paused. My black jacket was by now on the floor. “I…uh…,” I continued. “I think I need to take a shower.” And I did. I couldn’t do the precise calculation of what it had meant for my hygiene to cross back over the international date line, but as far as I was concerned, I hadn’t showered in a decade. I couldn’t imagine christening our house in such a state. I needed to smell like lilac and lavender and Dove soap on the first night in our little house together. Not airline fuel. Not airports. Not clothes I’d worn for two days straight. Marlboro Man chuckled--the first one I’d heard in many days--and as he’d done so many times during our months of courtship, he touched his forehead to mine. “I need one, too,” he said, a hint of mischief in his voice. And with that, we accompanied each other to the shower, where, with a mix of herbal potions, rural water, and determination, we washed our honeymoon down the drain.

Then I’ll sing, though that will likely have the child holding his ears and you running from the room.” This, incongruously, had her lips quirking up. “My father isn’t very musical. You hold the baby, I’ll sing.” She took the rocking chair by the hearth. Vim settled the child in his arms and started blowing out candles as he paced the room. “He shall feed his flock, like a shepherd…” More Handel, the lilting, lyrical contralto portion of the aria, a sweet, comforting melody if ever one had been written. And the baby was comforted, sighing in Vim’s arms and going still. Not deathly still, just exhausted still. Sophie sang on, her voice unbearably lovely. “And He shall gather the lambs in his arm… and gently lead those that are with young.” Vim liked music, he enjoyed it a great deal in fact—he just wasn’t any good at making it. Sophie was damned good. She had superb control, managing to sing quietly even as she shifted to the soprano verse, her voice lifting gently into the higher register. By the second time through, Vim’s eyes were heavy and his steps lagging. “He’s asleep,” he whispered as the last notes died away. “And my God, you can sing, Sophie Windham.” “I had good teachers.” She’d sung some of the tension and worry out too, if her more peaceful expression was any guide. “If you want to go back to your room, I can take him now.” He didn’t want to leave. He didn’t want to leave her alone with the fussy baby; he didn’t want to go back to his big, cold bed down the dark, cold hallway. “Go to bed, Sophie. I’ll stay for a while.” She frowned then went to the window and parted the curtain slightly. “I think it’s stopped snowing, but there is such a wind it’s hard to tell.” He didn’t dare join her at the window for fear a chilly draft might wake the child. “Come away from there, Sophie, and why haven’t you any socks or slippers on your feet?” She glanced down at her bare feet and wiggled long, elegant toes. “I forgot. Kit started crying, and I was out of bed before I quite woke up.” They shared a look, one likely common to parents of infants the world over. “My Lord Baby has a loyal and devoted court,” Vim said. “Get into bed before your toes freeze off.” She gave him a particularly unreadable perusal but climbed into her bed and did not draw the curtains. “Vim?” “Hmm?” He took the rocker, the lyrical triple meter of the aria still in his head. “Thank you.” He

The emotional equivalent of jet lag is the end of a love affair and yet you, foolish and besotted lover, won’t let go. You’re still keeping time by his sun and moon, waking when he wakes, and sleeping only when he closes his eyes.

The first oversees tour Then it was make-or-break time for me. We went to [Australia] New Zealand, Alice Springs. This was the real hard crunch, the hard end of being the Princess of Wales. There were thousands of press following us. We were away six weeks and the first day we went to this school in Alice Springs. It was hot, I was jet-lagged, being sick. I was too thin. The whole world was focusing on me every day. I was in the front of the papers. I thought that this was just so appalling, I hadn’t done something specific like climb Everest or done something wonderful like that. However, I came back from this engagement and I went to my lady-in-waiting, cried my eyes out and said: ‘Anne, I’ve got to go home, I can’t cope with this.’ She was devastated, too, because it was her first job. So that first week was such a traumatic week for me, I learned to be royal in inverted commas in one week. I was thrown into the deep end. Now I prefer it that way. Nobody ever helped me at all. They’d be there to criticize me, but never there to say ‘Well done.

The first eye-opener came in the 1970s, when DARPA, the Pentagon’s research arm, organized the first large-scale speech recognition project. To everyone’s surprise, a simple sequential learner of the type Chomsky derided handily beat a sophisticated knowledge-based system. Learners like it are now used in just about every speech recognizer, including Siri. Fred Jelinek, head of the speech group at IBM, famously quipped that “every time I fire a linguist, the recognizer’s performance goes up.” Stuck in the knowledge-engineering mire, computational linguistics had a near-death experience in the late 1980s. Since then, learning-based methods have swept the field, to the point where it’s hard to find a paper devoid of learning in a computational linguistics conference. Statistical parsers analyze language with accuracy close to that of humans, where hand-coded ones lagged far behind. Machine translation, spelling correction, part-of-speech tagging, word sense disambiguation, question answering, dialogue, summarization: the best systems in these areas all use learning. Watson, the Jeopardy! computer champion, would not have been possible without it.

Sometimes your eyes see something so unexpected your understanding lags behind. Figures

by Luci Shaw To the Edge: for Madeleine L'Engle Be with her now. She faces the ocean of unknowing, losing the sense of what her life has been, and soon will be no longer as she knew it, as we knew it with her. Lagging behind, we cannot join her on this nameless shore. Knots in her bones, flesh flaccid, the skin like paper, pigment gathering like ashes driven by a random wind, a heart that may still sing, interiorly - we cannot know - have pulled her far ahead of us, our pioneer. As we embrace her, her inner eyes embrace the universe.. She recognizes heaven with its innumerable stars - but not our faces. Be with her now, as you have sometimes been - a flare that blazes, then dulls, leaving only a bright blur in the memory. Hold her in the mystery that no one can describe but Lazarus, though he was dumb and didn't speak of it. Fog has rolled in, erasing definition at the edge. Walking to meet it, she hopes soon to see where the shore ends. She listens as the ocean breathes in and out in waves. She hears no other sound.

..technologies are being created to help us beat jet lag. Researchers at the University of Michigan are developing an app called Entrain, which uses sophisticated math and data analysis to tell users how and when to utilize light to more quickly shift their sleep cycle in a new location. And then there is Re-Timer, an eyeglasses-like piece of headwear that can be used not just by travelers but also by shift workers who need to make regular adjustments to their circadian rhythm, especially in the winter. Worn over the eyes, it exposes the wearer to a simulation of outdoor light, which, when used in the morning, can help reset our body clock so that we can fall asleep at the right bedtime.

A PRAYER Unbound by time or place or gravity, you go ahead of us into an unknown future. You walk toward us with love in your eyes. You stand beside us when we find ourselves in unsure places. You sit next to us in silence and in joy. You watch behind us to protect our minds from regret. You live within us and lead from a quiet place. When you speak with gentleness, we won’t ignore you. When you direct with nudges, we move with ease. When you declare your love for us, we refuse to squirm away. When you offer good gifts, we receive them with gratitude. When you delay the answers, we wait with hope. We resist the urge to sprint ahead in a hurry or lag behind in fear. Let us keep company with you at a walking pace, moving forward together one step at a time. Help us to know the difference between being pushed by fear and led by love.

In the eyes of economists, long-term unemployment causes “hysteresis,” a word derived from the Greek term for lagging behind.

Twice a day, at eleven and six, the old fellow takes his dog for a walk, and for eight years that walk has never varied. You can see them in the rue de Lyon, the dog pulling his master along as hard as he can, till finally the old chap misses a step and nearly falls. Then he beats his dog and calls it names. The dog cowers and lags behind, and it's his master's turn to drag him along. Presently the dog forgets, starts tugging at the leash again, gets another hiding and more abuse. Then they halt on the pavement, the pair of them, and glare at each other; the dog with terror and the man with hatred in his eyes. Every time they're out, this happens. When the dog wants to stop at a lamppost, the old boy won't let him, and drags him on, and the wretched spaniel leaves behind him a trail of little drops. But, if he does it in the room, it means another hiding.

I see you my planet, I see your exact rotation now on my floor—I will not close these eyes in this my planet... I don’t want the moon and the stars, I want to lie here arms spread on your almost eternal turn and on the matter the turn takes-on as it is turned by that matter—Earth—as my mind lags yet is always on you, how huge you carrying me are—and there is never hurry— and nothing will posit you as you carry the positors—as you carry the bottom of the river and its top and the clouds on its top, watery, weak, and the clouds one looks up to to see as they too turn—

ALTERATION IN VOCAL PATTERNS, unnatural stillness, timing lag between verbal statements and physical expression, distancing language, linear left eye drift, abnormal gesticulation, extraneous overexplanation, pupil dilation, swallowing, grooming gestures, head canting, pulse rapidity, irregular blinking. These are some of the most obvious symptoms of lying

Cold, delicately as the dark snow, A fox’s nose touches twig, leaf; Two eyes serve a movement, that now And again now, and now, and now Sets neat prints into the snow Between trees, and warily a lame Shadow lags by stump and in hollow Of a body that is bold to come Across clearings, an eye, A widening deepening greenness, Brilliantly, concentratedly, Coming about its own business Till, with a sudden sharp hot stink of fox It enters the dark hole of the head. The window is starless still; the clock ticks, The page is printed.

It… I... made a bond." I’d think this new contrite side of him adorable if I did not have a gripping sensation that he just turned the whole rutting world on its ears. "What kind of bond?" "Claiming." "Claiming what? Me? For what?" My head starts to spin. Quinton needs to get to the point. My bite mark heats and tingles as if it knows we are talking about it. Or maybe it is my mind playing tricks on me. "For me." Quinton runs his hands over his face and when he meets my eyes, his again brim with apology. "I claimed you. I bonded us together." "Like… siblings?" The bite mark flares, offended. For stars’ sake,” Quinton snaps. “Mates, Kitterny. I claimed you as a mate.

It occurred to me how clear-headed I felt. The fog of jet lag had finally lifted. I thought of the girl from the café. Her sleeveless denim dress and her clear, blue-grey eyes. I suppose I had her to thank for my slumber.

Then, in a blink of the eye, we invented the modern postindustrial world. Suddenly some of us can take it easy 24/7 in ways unimaginable to earlier generations. Instead of walking, carrying, digging, running, and throwing, we sit for most of the day in ergonomically designed chairs, stare at screens, and press buttons. The only catch is we still inherited our active ancestors’ thrifty genes that rely on physical activity to grow, maintain, and repair our bodies. Incessant sitting combined with modern diets and other novelties thus contributes to evolutionary mismatches, defined as conditions that are more common and severe today than in the past because our bodies are poorly adapted to novel environmental conditions.3 The twenty-first-century world, of course, is not without extraordinary benefits. Today, nearly seven billion of us live longer and healthier lives than most of our Stone Age forebears ever did, many of us enjoying comforts beyond the imaginations of pharaohs and emperors of yore. But just as we never evolved to cope with jet lag or guzzle gallons of soda, we never evolved to be persistently physically inactive.

She dreamed that somebody replaced her nerves with puppet strings. The unseen puppeteer resisted every move she made, and Nina was still ensnared when sunlight tickled her eyes open. For weeks, her actions lagged, leaden, as if cement thickened in her marrow, her skull, and her heart-bearing chest. Later, Nina learned the puppeteer’s name: Depression.

All quiet along the Potomac,” they say, “Except, now and then, a stray picket Is shot as he walks on his beat to and fro, By a rifleman hid in the thicket. ’Tis nothing—a private or two, now and then, Will not count in the news of the battle; Not an officer lost—only one of the men Moaning out, all alone, his death-rattle.” * * * * * * All quiet along the Potomac to-night, Where the soldiers lie peacefully dreaming; Their tents, in the rays of the clear autumn moon Or the light of the watch-fire, are gleaming. A tremulous sigh, as the gentle night-wind Through the forest-leaves softly is creeping; While stars up above, with their glittering eyes, Keep guard—for the army is sleeping. There’s only the sound of the lone sentry’s tread, As he tramps from the rock to the fountain, And thinks of the two in the low trundle-bed Far away in the cot on the mountain. His musket falls slack—his face, dark and grim, Grows gentle with memories tender, As he mutters a prayer for the children asleep— For their mother—may Heaven defend her! The moon seems to shine just as brightly as then, That night, when the love yet unspoken Leaped up to his lips—when low-murmured vows Were pledged to be ever unbroken. Then drawing his sleeve roughly over his eyes, He dashes off tears that are welling, And gathers his gun closer up to its place, As if to keep down the heart-swelling. He passes the fountain, the blasted pine-tree, The footstep is lagging and weary; Yet onward he goes, through the broad belt of light, Toward the shade of the forest so dreary. Hark! was it the night-wind that rustled the leaves? Was it moonlight so suddenly flashing? It looked life a rifle—“Ha! Mary, good-by!” And the life-blood is ebbing and plashing. All quiet along the Potomac to-night, No sound save the rush of the river; While soft falls the dew on the face of the dead— The picket’s off duty forever!

First she saw light, the rising sun reflecting off something at the clearing’s edge. In that moment before she heard the voices, she confusedly thought she was seeing fireflies in the daytime, then realized it was silver brooches catching the light. No one had told her to expect the family, but there they were: Rising Hawk’s uncle, his parents, and assorted cousins, including Dream Teller, who gave Livy a tight smile she took for a peace offering. Rising Hawk lagged behind, carrying a scrawny deer over his shoulders, his eyes focused on the path. The others had the good sense and tact to pass on with a simple greeting, but Buffalo Creek Woman put her hands to Livy’s chest and with a stream of words, finally cut short by Cold Keeper, forgave her everything.