Exterior Angle Quotes

My biggest trouble is that people look at me and think that no serious trouble has ever troubled my little head. They seldom realize the chaos that seethes behind my exterior. As for the who Am I, what am I angle...that will preoccupy me till the day I die.

It is often said that what most immediately sets English apart from other languages is the richness of its vocabulary. Webster’s Third New International Dictionary lists 450,000 words, and the revised Oxford English Dictionary has 615,000, but that is only part of the total. Technical and scientific terms would add millions more. Altogether, about 200,000 English words are in common use, more than in German (184,000) and far more than in French (a mere 100,000). The richness of the English vocabulary, and the wealth of available synonyms, means that English speakers can often draw shades of distinction unavailable to non-English speakers. The French, for instance, cannot distinguish between house and home, between mind and brain, between man and gentleman, between “I wrote” and “I have written.” The Spanish cannot differentiate a chairman from a president, and the Italians have no equivalent of wishful thinking. In Russia there are no native words for efficiency, challenge, engagement ring, have fun, or take care [all cited in The New York Times, June 18, 1989]. English, as Charlton Laird has noted, is the only language that has, or needs, books of synonyms like Roget’s Thesaurus. “Most speakers of other languages are not aware that such books exist” [The Miracle of Language, page 54]. On the other hand, other languages have facilities we lack. Both French and German can distinguish between knowledge that results from recognition (respectively connaître and kennen) and knowledge that results from understanding (savoir and wissen). Portuguese has words that differentiate between an interior angle and an exterior one. All the Romance languages can distinguish between something that leaks into and something that leaks out of. The Italians even have a word for the mark left on a table by a moist glass (culacino) while the Gaelic speakers of Scotland, not to be outdone, have a word for the itchiness that overcomes the upper lip just before taking a sip of whiskey. (Wouldn’t they just?) It’s sgriob. And we have nothing in English to match the Danish hygge (meaning “instantly satisfying and cozy”), the French sang-froid, the Russian glasnost, or the Spanish macho, so we must borrow the term from them or do without the sentiment. At the same time, some languages have words that we may be pleased to do without. The existence in German of a word like schadenfreude (taking delight in the misfortune of others) perhaps tells us as much about Teutonic sensitivity as it does about their neologistic versatility. Much the same could be said about the curious and monumentally unpronounceable Highland Scottish word sgiomlaireachd, which means “the habit of dropping in at mealtimes.” That surely conveys a world of information about the hazards of Highland life—not to mention the hazards of Highland orthography. Of

The fact is, nobody would have known from looking. An outsider walking past my cubicle that morning would have seen a petite woman of thirty-four with long, light brown hair pulled back in a barrette, neat and orderly-looking. Closer inspection would have suggested a perfectionistic, polished exterior, a careful attention to detail: a young woman with well-manicured nails and black leggings and Italian shoes; a daily list of things to do sitting on the desk, written in perfect print, several items already neatly ticked off; a workspace so compulsively tidy that one of my staff writers used to say you could fly a plane over my desk and it would look like a map of the Midwest, everything at perfect right angles. Colleagues saw me as smart and introspective, a little reserved maybe, and a paragon of efficiency at work: organized, professional, productive.

Torn grain Torn grain occurs when the unsupported fibers of the wood are lifted away from the surface and ripped off or pulled out. You can usually see this effect on the exterior of a cross-grain bowl at the end grain area. The trailing edge of the end grain cuts well and the leading edge does not since the fibers are unsupported. (Drawings 8 and 9) There are many causes of torn grain: dull tools, pushing the tool too hard or too fast, turning at a lathe speed that is too slow, the tendency of some soft-fiber wood to easily fray, and just bad luck. 7. Support the scrapers on top of your arm to assure the safest cutting angle. 8. The trailing edge of the end grain with supported fibers being cut. 9. The unsupported leading edge of the end grain leads to potential tear out. Addressing torn grain issues Sanding is not a solution to torn grain; recutting the torn grain area with adjustments must be done. •Resharpen your tool and take a lighter cut with a faster lathe speed. •Use a smaller diameter gouge to bring the cutting edge closer to the supporting bevel. •Change the tool geometry to allow the bevel to move closer to the cutting edge providing more support to the cut. Try shortening the bevel length by grinding some of the heel away. •Stiffen the fibers to hold them in place while the tool cuts by applying a coat of shellac before the final cut. •If possible, reverse the lathe direction and recut with the opposite rotation. This may or may not help, as now the grain in the opposite direction is a risk!

The basic principles of evolutionary biology would seem to dictate that any natural phenomenon as prominent in our lives as our experience of consciousness must necessarily have some discernible and quantifiable effect in order for it to exist, and to persist, in nature at all. It must, in other words, confer some selective advantage. And that raises an obvious question: What possible selective advantage could consciousness offer if it is only a functionless phantasm? How could consciousness ever have evolved in the first place if, in and of itself, it does nothing? Why, in short, did nature bother to produce beings capable of self-awareness and subjective inner experience? True, evolutionary biologists can trot out many examples of traits that have been carried along on the river of evolution although not specifically selected for (the evolutionary biologists Stephen Jay Gould and Richard Lewontin called such traits spandrels, the architectural term for the elements between the exterior curve of an arch and the right angle of the walls around it, which were not intentionally built but were instead formed by two architectural traits that were "selected for"). But consciousness seems like an awfully prominent trait not to have been the target of some selection pressure. As James put it, "The conclusion that [consciousness] is useful is...quite justifiable. But if it is useful, it must be so through its causal efficaciousness.

In light of the well’s legendary status,” Swift said, “I’d hate to overlook a good opportunity.” He reached into a pocket, rummaged briefly and pulled out a large silver coin. It had been forever since Daisy had seen American money. “You’re supposed to throw in a pin,” she said. “I don’t have a pin.” “That’s a five-dollar piece,” Daisy said in disbelief. “You’re not going to throw that away, are you?” “I’m not throwing it away. I’m making an investment. You’d better tell me the proper procedure for making wishes—it’s a lot of money to waste.” “You’re mocking me.” “I’m in deadly earnest. And since I’ve never done this before, some advice would be welcome.” He waited for her reply, and when it became evident that none was forthcoming, a touch of humor lurked in one corner of his mouth. “I’m going to toss the coin in regardless.” Daisy cursed herself. Even though it was obvious he was mocking her, she could not resist. A wish was not something that should be wasted, especially a five-dollar wish. Drat! She approached the well and said curtly, “First hold the coin in your palm until it’s warm from your hand.” Swift came to stand beside her. “And then?” “Close your eyes and concentrate on the thing you want most.” She let a scornful note enter her voice. “And it has to be a personal wish. It can’t be about something like mergers or banking trusts.” “I do think about things other than business affairs.” Daisy gave him a skeptical glance, and he astonished her with a brief smile. Had she ever seen him smile before? Perhaps once or twice. She had a vague past memory of such an occasion, when his face had been so gaunt that all she had received was an impression of white teeth fixed in a grimace that owed little to any feeling of good cheer. But this smile was just a bit off-center, which made it disarming and tantalizing…a flash of warmth that made her wonder exactly what kind of man lurked behind his sober exterior. Daisy was profoundly relieved when the smile disappeared and he was back to his usual stone-faced self. “Close your eyes,” she reminded him. “Put everything out of your mind except the wish.” His heavy lashes fell shut, giving her the chance to stare at him without having him stare back. It was not the sort of face a boy could wear comfortably…the features were too strong-boned, the nose too long, the jaw obstinate. But Swift had finally grown into his looks. The austere angles of his face had been softened by extravagant sweeps of black lashes and a wide mouth that hinted of sensuality. “What now?” he murmured, his eyes still closed. Staring at him, Daisy was horrified by the impulse that surged through her…to step nearer and explore the tanned skin of his cheeks with her fingertips. “When an image is fixed in your mind,” she managed to say, “open your eyes and toss the coin into the well.” His lashes lifted to reveal eyes as bright as fire trapped in blue glass. Without glancing at the well, he threw the coin right into the center of it.

For each object, just as for each painting in an art gallery, there is an optimal distance from which it asks to be seen--an orientation through which it presents more of itself--beneath or beyond which we merely have a confused perspective due to excess or lack. Hence, we tend toward the maximum of visibility and we seek, just as when using a microscope, a better focus point, which is obtained through a certain equilibrium between the interior and the exterior horizons...The distance between me and the object is not a size that increases or decreases, but rather a tension that oscillates around a norm. The oblique orientation of the object in relation to me is not measured by the angle that it forms with the plane of my face, but rather experienced as a disequilibrium, as an unequal distribution of its influences upon me...If I bring the object closer to me, or if I turn it around in my fingers in order to 'see it better,' this is because every attitude of my body is immediately for me a power for a certain spectacle, because each spectacle is for me what it is within a certain kinesthetic situation, and because, in other words, my body is permanently stationed in front of things in order to perceive them and, inversely, appearances are always enveloped for me within a certain bodily attitude...not through a law or from a formula, but rather insofar as I have a body and insofar as I am, through this body, geared into a world. And just as perceptual attitudes are not known by me individually, but rather implicitly given as stages in the gesture that lead to the optimal attitude, correlatively the perspectives that correspond to them are not thematized before me one after the other and are only presented as pathways toward the thing itself with its size and its form...The system of experience is not spread out before me as if I were God, it is lived by me from a certain point of view; I am not the spectator of it, I am a part of it, and it is my inherence in a point of view that at once makes possible the finitude of my perception and its opening to the total world as the horizon of all perception...In other words, perceptual experiences are linked together, motivate each other, and are involved in each other...The world is an open and indefinite unity in which I am situated.

Wide angles are favored by slow cinema. A tableau, whether exterior or interior, offers multiple points of interest. One can see the action, the surroundings, the people talking, the people listening, the weather, and so on. The frame doesn’t direct the viewer’s gaze; it frees it to wander.

Never discount another man's faith just because it is dressed in another language foreign to your own. Language can be used as a serious weapon in shining and sharing Truth, but can also be used to hide or distort it. For example, do not shun Hinduism because you do not understand it by its exterior, without first opening the Gita and patiently examining its interior. Honorable virtues prized by God are found in the majority of the world's religions. Never listen to another man's opinion of any faith without first truly examining it yourself from every angle, and questioning any possible motives behind those giving their opinion. A kind man would never put down another man's mother just for not liking her dress. So what makes you feel justified in tearing down another man's faith simply because he prefers referring to God using a different title? Or prefers worshiping him in a different mansion? Or prefers taking a different path to reach the same destination? Or for electing to wear a traditional uniform to perform his services or reflect his faith? Never reflect hatred in your speech, or act in superiority over another man, because it only shows to others that it is YOU who really does not understand God and his message. Any man who promotes hatred or violence towards another man is NOT Sikh, Hindu, Muslim, Christian, Jewish or any other God-loving faith on earth. God is LOVE and LIGHT, not hatred and ignorance. Any unbiased religious scholar will tell you that LOVE is God's message in all of the world's religions -- except Satanism.

What is your opinion of Lady Helen?” he asked as Quincy arranged the meal on the table in front of him. “She is the jewel of the Ravenels,” Quincy said. “A more kind-hearted girl you’ll never meet. Sadly, she’s always been overlooked. Her older brother received the lion’s share of her parents’ interest, and what little was left went to the twins.” Rhys had met the twins a few days earlier, both of them bright-eyed and amusing, asking a score of questions about his department store. He had liked the girls well enough, but neither of them had captured his interest. They were nothing close to Helen, whose reserve was mysterious and alluring. She was like a mother-of-pearl shell that appeared to be one color, but from different angles revealed delicate shimmers of lavender, pink, blue, green. A beautiful exterior that revealed little of its true nature. “Is she aloof with all strangers?” he asked, arranging a napkin on his lap. “Or is it only with me?” “Aloof?” The valet sounded genuinely surprised. Before he could continue, a pair of small black spaniels entered the parlor, panting happily as they bounded up to Rhys. “Good heavens,” he muttered with a frown. Rhys, who happened to like dogs, didn’t mind the interruption. What he found disconcerting, however, was the third animal that trotted into the room after them and sat assertively by his chair. “Quincy,” Rhys asked blankly, “why is there a pig in the parlor?” The valet, who was busy shooing the dogs from the room, said distractedly, “A family pet, sir. They try to keep him in the barn, but he will insist on coming into the house.” “But why--” Rhys broke off, realizing that regardless of the explanation, it would make no sense to him. “Why is it,” he asked instead, “that if I kept livestock in my home, people would say I was ignorant or daft, but if a pig wanders freely in the mansion of an earl, it’s called eccentric?” “There are three things that everyone expects of an aristocrat,” the valet replied, tugging firmly at the pig’s collar. “A country house, and a weak chin, and eccentricity.” He pushed and pulled at the pig with increasing determination, but the creature only sat more heavily. “I vow,” the valet wheezed, budging him only an inch at a time, “I’ll have you turned into sausage and collops by tomorrow’s breakfast!” Ignoring the determined valet, the pig stared up at Rhys with patient, hopeful eyes. “Quincy,” Rhys said, “look sharp.” He picked up a bread roll from his plate and tossed it casually in the air. The valet caught it deftly in a white-gloved hand. “Thank you, sir.” As he walked to the door with the bread in hand, the pig trotted after him. Rhys watched with a faint smile. “Desire,” he said, “is always better motivation than fear. Remember that, Quincy.

center, there’s probably going to be . . .” He trailed off, pointing dramatically through a gap in the trees. “A temple.” Sure enough, another mound rose in the distance. This one was significantly taller than the others around us. It was bedecked with trees and plants, but was obviously a stepped pyramid. “So what’s the plan, exactly?” Murray asked blankly. “We go to the temple and pray that someone rescues us?” Zoe swatted Murray on the back of the head. “No, you idiot. We climb the temple and see how close we are to civilization. Plus, maybe we can spot Erica from up there.” “Oh!” Murray said. “Good thinking.” The ancient road led directly to the pyramid. Lots of trees and brush had grown on the road over the past few centuries, but it was still easy to follow. Now that we’d had plenty of water to drink and were warm again, we were in good shape. Except for my wet shoes squelching on my feet and my wet underwear riding up my butt, I felt better than I had in hours. We reached the base of the pyramid and worked our way up the stepped exterior. Like the other buildings, it was constructed of rough-hewn limestone held together with mortar and covered with centuries of dirt and plant life. There were also dozens of iguanas basking in the sun on it. Everywhere I looked, there was an iguana, many of them the size of lapdogs. It was like a display case for an iguana store. They watched us warily as we climbed past them, but didn’t seem too threatened by us, as they rarely bothered to move out of our way. The pyramid angled up sharply. Murray, being in the best shape, made his way up it the fastest, though the rest of us weren’t far behind. The heat and the humidity, originally so refreshing after our time underground, quickly grew oppressive. I had to stop halfway up the pyramid to catch my breath, taking care not to sit on any iguanas. Zoe

What is your opinion of Lady Helen?" he asked as Quincy arranged the meal on the table in front of him. "She is the jewel of the Ravenels," Quincy said. "A more kind-hearted girl you'll ever meet. Sadly, she's always been overlooked. Her older brother received the lion's share of her parents' interest, and what little was left went to the twins." Rhys had met the twins a few days earlier, both of them bright-eyed and amusing, asking a score of questions about his department store. He had liked the girls well enough, but neither of them had captured his interest. They were nothing close to Helen, whose reserve was mysterious and alluring. She was like a mother-of-pearl shell that appeared to be one color, but from different angles revealed delicate shimmers of lavender, pink, blue, green. A beautiful exterior that revealed little of its true nature.