Exquisite War Quotes

Roosevelt was a genius at mass communications, and his speechwriters deferred to his reviews of their drafts, not so much because he was the president, but because when a text required the perfect word, the exquisite or incisive phrase, or exactly the right tone, he was the best. And when it came to delivery, he had no peer.

Rough year, he almost said. Because that beautiful face was indeed pale, thinner than it had been before the war, her lips bloodless, and those eyes… Cold and sharp, like a winter morning. No joy, no laughter, in any plane of her exquisite face.

(He) was in love with the idea of revolution. Men like that, even when they turn their backs on their party and their comrades, can never let go of the idea: it's the secret god that rules their hearts. It is what makes them come alive; they revel in the danger, the exquisite pain. It is to them what childbirth is to a woman, or war to a mercenary.

In the City Market is the Meet Café. Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war... A place where the unknown past and the emergent future meet in a vibrating soundless hum... Larval entities waiting for a Live One...

Beauty is one of the great facts of the world, like sunlight,or springtime, or the reflection in dark waters of that silver shell we call the moon. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you...Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed...Ah! realise your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless, or giving away your life to the ignorant, the common, and the vulgar...Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing...The world belongs to you for a season...how tragic it would be if you were wasted. For there is such a little time that your youth will last. The common hillflowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty, becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to...Youth! Youth! There is absolutely nothing in the world but youth.

It was essential that someone, somewhere, even if it was only the fairy folk, should know that the human race had produced more than wars, catastrophes, and ultimately its own slow and painful self-destruction. It had produced things of exquisite and lasting beauty as well.

No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile. . . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible. . . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism-- that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!

Prince Andrei was one of the best dancers of his day. Natasha danced exquisitely. Her little feet in their satin dancing shoes performed their role swiftly, lightly, as if they had wings, while her face was radiant and ecstatic with happiness.

This private estate was far enough away from the explosion so that its bamboos, pines, laurel, and maples were still alive, and the green place invited refugees—partly because they believed that if the Americans came back, they would bomb only buildings; partly because the foliage seemed a center of coolness and life, and the estate’s exquisitely precise rock gardens, with their quiet pools and arching bridges, were very Japanese, normal, secure; and also partly (according to some who were there) because of an irresistible, atavistic urge to hide under leaves.

We read Charlotte Bronte not for exquisite observation of character, not for comedy, not for a philosophic view of life, but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that . . . they only have to open the door to make themselves felt. There is in them some untamed ferocity perpetually at war with the accepted order of things

Ah, sweet torture.   This was the part I dreaded the most.   When our eyes clashed, and everything, every horrible, wonderful, painful, ugly, beautiful, torturous, ruinous, gory bit of us came back to me.   It was bad enough when I didn’t have to look at him.   But when I did—exquisite torment, with a touch of pleasure so concentrated, so brutally pure it had ruined my life.   Broken my heart.   Eviscerated my soul.  I’d scraped what was left of that pathetic soul out myself, sawed it into little pieces and left it somewhere far behind.

. . . In all parts of our globe, fanatics have cut each other's throats, publicly burnt each other, committed without a scruple and even as a duty, the greatest crimes, and shed torrents of blood . . . Savage and furious nations, perpetually at war, adore, under divers names, some God, conformable to their ideas, that is to say, cruel, carnivorous, selfish, blood-thirsty. We find, in all the religions, 'a God of armies,' a 'jealous God,' an 'avenging God,' a 'destroying God,' a 'God,' who is pleased with carnage, and whom his worshippers consider it a duty to serve. Lambs, bulls, children, men, and women, are sacrificed to him. Zealous servants of this barbarous God think themselves obliged even to offer up themselves as a sacrifice to him. Madmen may everywhere be seen, who, after meditating upon their terrible God, imagine that to please him they must inflict on themselves, the most exquisite torments. The gloomy ideas formed of the deity, far from consoling them, have every where disquieted their minds, and prejudiced follies destructive to happiness.

You have to remember, Kanai, she said at length, that as a young man Nirmal was in love with the idea of revolution. Men like that, even when they turn their backs on their party and their comrades, can never let go of the idea: it's the secret god that rules their hearts. It is what makes them come alive; they revel in the danger, the exquisite pain. It is to them what childbirth is to a woman, or war to mercenary.

In April war was declared with Germany. Wilson and his cabinet—a cabinet that in its lack of distinction was strangely reminiscent of the twelve apostles—let loose the carefully starved dogs of war, and the press began to whoop hysterically against the sinister morals, sinister philosophy, and sinister music produced by the Teutonic temperament. Those who fancied themselves particularly broad-minded made the exquisite distinction that it was only the German Government which aroused them to hysteria; the rest were worked up to a condition of retching indecency. Any song which contained the word "mother" and the word "kaiser" was assured of a tremendous success. At last every one had something to talk about—and almost every one fully enjoyed it, as though they had been cast for parts in a sombre and romantic play.

Followers of obsolete unthinkable trades, doodling in Etruscan, addicts of drugs not yet synthesized, black marketeers of World War III, excisors of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, officials of unconstituted police states, brokers of exquisite dreams and nostalgias tested on the sensitized cells of junk sickness and bartered for raw materials of the will, drinkers of the Heavy Fluid sealed in translucent amber of dreams.

You sometimes hear people say, with a certain pride in their clerical resistance to the myth, that the nineteenth century really ended not in 1900 but in 1914. But there are different ways of measuring an epoch. 1914 has obvious qualifications; but if you wanted to defend the neater, more mythical date, you could do very well. In 1900 Nietzsche died; Freud published The Interpretation of Dreams; 1900 was the date of Husserl Logic, and of Russell's Critical Exposition of the Philosophy of Leibniz. With an exquisite sense of timing Planck published his quantum hypothesis in the very last days of the century, December 1900. Thus, within a few months, were published works which transformed or transvalued spirituality, the relation of language to knowing, and the very locus of human uncertainty, henceforth to be thought of not as an imperfection of the human apparatus but part of the nature of things, a condition of what we may know. 1900, like 1400 and 1600 and 1000, has the look of a year that ends a saeculum. The mood of fin de siècle is confronted by a harsh historical finis saeculi. There is something satisfying about it, some confirmation of the rightness of the patterns we impose. But as Focillon observed, the anxiety reflected by the fin de siècle is perpetual, and people don't wait for centuries to end before they express it. Any date can be justified on some calculation or other. And of course we have it now, the sense of an ending. It has not diminished, and is as endemic to what we call modernism as apocalyptic utopianism is to political revolution. When we live in the mood of end-dominated crisis, certain now-familiar patterns of assumption become evident. Yeats will help me to illustrate them. For Yeats, an age would end in 1927; the year passed without apocalypse, as end-years do; but this is hardly material. 'When I was writing A Vision,' he said, 'I had constantly the word "terror" impressed upon me, and once the old Stoic prophecy of earthquake, fire and flood at the end of an age, but this I did not take literally.' Yeats is certainly an apocalyptic poet, but he does not take it literally, and this, I think, is characteristic of the attitude not only of modern poets but of the modern literary public to the apocalyptic elements. All the same, like us, he believed them in some fashion, and associated apocalypse with war. At the turning point of time he filled his poems with images of decadence, and praised war because he saw in it, ignorantly we may think, the means of renewal. 'The danger is that there will be no war.... Love war because of its horror, that belief may be changed, civilization renewed.' He saw his time as a time of transition, the last moment before a new annunciation, a new gyre. There was horror to come: 'thunder of feet, tumult of images.' But out of a desolate reality would come renewal. In short, we can find in Yeats all the elements of the apocalyptic paradigm that concern us.

She did not respond, only clung harder to my embrace, and I held her with all the afflictions of a man torn by love. What a miracle she was, what a truly exquisite paragon of beauty and virtue so incredibly combined. And all perhaps wrenched from my grasp because of a war I had no real interest in nor knowledge of. In that moment I did not care who won, if only it would end and I could be with her. I would accept the whole responsibility of defeat if I had to, if only it meant a life with her by my side. I just wanted her. Needed her. As simply and clearly as one needs food and oxygen and light, I needed her in my life. And above us, flittering tranquilly in the trees above, the finches and skylarks continued to sing peacefully into the fading sun.

Their faith may be described as childlike, but the end it serves is often sinister. It may, indeed, “keep them happy”—a phrase carrying the inescapable inference that the way of life imposed on Negroes makes them quite actively unhappy—but also, and much more significantly, religion operates here as a complete and exquisite fantasy revenge: white people own the earth and commit all manner of abomination and injustice on it; the bad will be punished and the good rewarded, for God is not sleeping, the judgment is not far off. It does not require a spectacular degree of perception to realize that bitterness is here neither dead nor sleeping, and that the white man, believing what he wishes to believe, has misread the symbols. Quite often the Negro preacher descends to levels less abstract and leaves no doubt as to what is on his mind: the pressure of life in Harlem, the conduct of the Italian-Ethiopian war, racial injustice during the recent war, and the terrible possibility of yet another very soon. All these topics provide excellent springboards for sermons thinly coated with spirituality but designed mainly to illustrate the injustice of the white American and anticipate his certain and long overdue punishment.

Josiah James McCauley,” Jeremy said softly. He kissed Christa’s forehead. “Thank you. And thank you for my son. He is exquisite! Like his mother.

All we seem to be left with now is paranoid gibberish about a War on Terror whose whole purpose is to expand the War, increase the Terror, and obfuscate the fact that the wars of today are not aberrations but systemic, logical exercises to preserve a way of life whose delicate pleasures and exquisite comforts can only be delivered to the chosen few by a continuous, protracted war for hegemony--Lifestyle Wars.

Tatsächlich war das Mädchen von exquisiter Schönheit. Es gehörte jenem schwerblütigen Typ von Frauen an, die wie aus dunklem Honig sind, glatt und süss und ungeheuer klebrig; die mit einer zähflüssigen Geste, einem Haarwurf, einem einzigen langsamen Peitschenschwung ihres Blickes den Raum beherrschen und dabei ruhig wie im Zentrum eines Wirbelsturms stehen, der eigenen Gravitationskraft scheinbar unbewusst, mit der sie Sehnsüchtige und Seelen von Männern wie von Frauen unwiderstehlich an sich reissen.

In my land, they tell legends of range-wars between the ranchers and the sheep-farmers,” he said. “Because, it was told, the sheep ate the grass too close. Took even the roots, you ken, so it wouldn’t grow back again.” “That’s plain silly, beg your pardon,” Overholser said. “Sheep do crop grass close, aye, but then we send the cows over it to water. The manure they drop is full of seed.” “Ah,” Eddie said. He couldn’t think of anything else. Put that way, the whole idea of range-wars seemed exquisitely stupid.

EGGS BENEDICT It is made up of a poached egg, cheese, bacon and other ingredients on top of a muffin and seasoned with tangy hollandaise. It is one of the more traditional breakfast dishes served in North America. However, Eggs Benedict alone can hardly be called an original dish. Where's the surprise? Still, faced with such beauty... ... I can't help but want to take a bite. AAAH! A perfectly poached egg so soft it melts on the tongue. The refined tang of high-quality hollandaise sauce. Crispy, salty bacon and a sweet, soft muffin! All of these together wrap the tongue in an exquisite harmony of deliciousness! Wait, no. That isn't all. There is a greater depth to the flavor than that. But from what? Hm? What is that golden powder I see? AH! Karasumi! You've sprinkled karasumi on the muffin! *Karasumi: Dried mullet roe. It is considered a delicacy in Japan* I see! Karasumi is made of roe, which are fish eggs! It was the salty delicacy of the karasumi mixed with the richness of the egg yolk... ... that created such a deep and robust flavor!

Scipio asked Hannibal, “Whom he thought the greatest captain?” The latter answered, “Alexander . . . because with a small force he defeated armies whose numbers were beyond reckoning, and because he had overrun the remotest regions, merely to visit which was a thing above human aspirations.” Scipio then asked, “ To whom he gave the second place ? ” and Hannibal replied, “To Pyrrhus, for he first taught the method of encamping, and besides, no one ever showed such exquisite judgment in choosing his ground and disposing his posts; while he also possessed the art of conciliating mankind to himself to such a degree that the natives of Italy wished him, though a foreign prince, to hold the sovereignty among them, rather than the Roman people. . . .” On Scipio proceeding to ask, “Whom he esteemed the third? ” Hannibal replied, “Myself, beyond doubt.” On this Scipio laughed, and added, “What would you have said if you had conquered me? ” “Then I would have placed Hannibal not only before Alexander and Pyrrhus, but before all other commanders.

When the world is so fraught and full of fire-- hearts and minds and countries burning up burning down-- going in may be the escape urge-- as if it's no longer there-- but it's all still there all the time-- reading news or not-- outside looking at seasonal lights store window displays children's cherry-cheeked faces or not-- even when heads are buried in pillows. Take a break to breathe. The frenzy and furor continue. Take a break to weep. The exquisite beauty is still there. All continues on and will be there upon return.

have a war memorial of my own at Greenway. In the library, which was their mess-room, an artist has done a fresco round the top of the walls. It depicts all the places where that flotilla went, starting at Key West, Bermuda, Nassau, Morocco, and so on, finally ending with a slightly glorified exaggeration of the woods of Greenway and the white house showing through the trees. Beyond that again is an exquisite nymph, not quite finished–a pin-up girl in the nude–which I have always supposed to represent the hopes of houris at journey’s end when the

Their faith may be described as childlike, but the end it serves is often sinister. It may, indeed, “keep them happy”—a phrase carrying the inescapable inference that the way of life imposed on Negroes makes them quite actively unhappy—but also, and much more significantly, religion operates here as a complete and exquisite fantasy revenge: white people own the earth and commit all manner of abomination and injustice on it; the bad will be punished and the good rewarded, for God is not sleeping, the judgment is not far off. It does not require a spectacular degree of perception to realize that bitterness is here neither dead nor sleeping, and that the white man, believing what he wishes to believe, has misread the symbols. Quite often the Negro preacher descends to levels less abstract and leaves no doubt as to what is on his mind: the pressure of life in Harlem, the conduct of the Italian-Ethiopian war, racial injustice during the recent war, and the terrible possibility of yet another very soon. All these topics provide excellent springboards for sermons thinly coated with spirituality but designed mainly to illustrate the injustice of the white American and

The story of the “exquisite cadavers” is as follows. In the aftermath of the First World War, a collection of surrealist poets—which included André Breton, their pope, Paul Eluard, and others—got together in cafés and tried the following exercise (modern literary critics attribute the exercise to the depressed mood after the war and the need to escape reality). On a folded piece of paper, in turn, each one of them would write a predetermined part of a sentence, not knowing the others’ choice. The first would pick an adjective, the second a noun, the third a verb, the fourth an adjective, and the fifth a noun. The first publicized exercise of such random (and collective) arrangement produced the following poetic sentence: The exquisite cadavers shall drink the new wine. (Les cadavres exquis boiront le vin nouveau.) Impressive? It sounds even more poetic in the native French. Quite impressive poetry has been produced in such a manner, sometimes with the aid of a computer. But poetry has never been truly taken seriously outside of the beauty of its associations, whether they have been produced by the random ranting of one or more disorganized brains, or the more elaborate constructions of one conscious creator.

Christopher’s anti-God campaign was based on a fundamental error reflected in the subtitle of his book: How Religion Poisons Everything. On the contrary, since religion, as practiced, is a human activity, the reverse is true. Human beings poison religion, imposing their prejudices, superstitions, and corruptions onto its rituals and texts, not the other way around. “Pascal Is a Fraud!” When I first became acquainted with Christopher’s crusade, I immediately thought of the seventeenth-century scientist and mathematician, Blaise Pascal. In addition to major contributions to scientific knowledge, Pascal produced exquisite reflections on religious themes: When I consider the short duration of my life, swallowed up in the eternity before and after, the space which I fill, and even can see, engulfed in the infinite immensity of spaces of which I am ignorant and which know me not, I am frightened and astonished at being here rather than there; for there is no reason why here rather than there, why now rather than then. Who has put me here?4 These are the questions that only a religious faith can attempt to answer. There is no science of the why of our existence, no scientific counsel or solace for our human longings, loneliness, and fear. Without a God to make sense of our existence, Pascal wrote, human life is intolerable: This is what I see and what troubles me. I look on all sides, and I see only darkness everywhere. Nature presents to me nothing which is not a matter of doubt and concern. If I saw nothing there that revealed a Divinity, I would come to a negative conclusion; if I saw everywhere the signs of a Creator, I would remain peacefully in faith. But seeing too much to deny and too little to be sure, I am in a state to be pitied. . . .5 To resolve this dilemma, Pascal devised his famous “wager,” which, simply stated, is that since we cannot know whether there is a God or not, it is better to wager that there is one, rather than that there is not.

Galen doesn’t get truly nervous until he senses the size of the Syrena mass coming toward them. Up until this point, he’d been worried about Emma. What she thought about all this. Her mother’s reunion with Grom. What she planned to do while they were gone. Whether or not she was going to keep her promise and stay out of the water. And…his thoughts keep wandering back to their kiss between the sand dunes. It was an exquisite torture, the way she tasted like a mixture of salt water and herself. A combination of two things he’s come to cherish. Water and land. Syrena world and human world. Love for his kind and love for Emma. Only now, as the party of Syrena approaches, its presence seems to encroach on Galen’s options. For some reason, it feels like a choice between water or land, Syrena world or human world, love for his kind or love for Emma. According to the law, there never was a choice. But that was before Emma. And Galen has the feeling that the time for truly deciding between the two is closing in on him. But haven’t I already made that decision? He steals a glance at Toraf, who’s been wearing the same grim expression since they left Emma’s house. Toraf is never grim. Since they were fingerlings, he’s always had a special talent for finding the positive in a situation, and if not the positive, then he can certainly find mischief in a situation. But not now. Now he’s keeping to himself. Toraf never keeps to himself. Even Grom, the usual sealed-up clam, has become boisterous and enlivened while he and Nalia chatter to each other, laughing and whispering and holding hands, all the while speculating over the events that separated them so long ago. But Toraf seems oblivious to the chatter and to Galen’s internal war of emotions and to the swarm of jellyfish he just narrowly avoided. Galen had thought Toraf might have been anxious about leaving Rayna behind. Usually, though, he comforts himself by talking about her until Galen wishes he’d had a twin brother instead of a twin sister. No, what’s troubling Toraf has nothing to do with leaving Rayna behind. He even persuaded her to stay. Which means he thinks it’s safer for her on land right now. Toraf’s motives are always simple: do what’s best for Rayna, in spite of Rayna.

All is one. Don't let me forget this, don't let the bastards divide me again. Our tragedy is fragmentation. It begins as a state of mind and ends up as destiny. It is the tragedy of our family of nations who hobble across this great peninsula, this exquisitely set Earth, like an army of blind soldiers a thousand years old looking for a place to rest. Let them rest. Forgive them, forgive me, forgive us. Our fear drove us insane and melancholy.

Let us go and sit in the shade," said Lord Henry. "Parker has brought out the drinks, and if you stay any longer in this glare, you will be quite spoiled, and Basil will never paint you again. You really must not allow yourself to become sunburnt. It would be unbecoming." "What can it matter?" cried Dorian Gray, laughing, as he sat down on the seat at the end of the garden. "It should matter everything to you, Mr. Gray." "Why?" "Because you have the most marvellous youth, and youth is the one thing worth having." "I don't feel that, Lord Henry." "No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!

When will you ever, Peace, wild wooddove, shy wings shut, Your round me roaming end, and under be my boughs? When, when, Peace, will you, Peace? I’ll not play hypocrite To own my heart: I yield you do come sometimes; but That piecemeal peace is poor peace. What pure peace allows Alarms of wars, the daunting wars, the death of it? O surely, reaving Peace, my Lord should leave in lieu Some good! And so he does leave Patience exquisite, That plumes to Peace thereafter. And when Peace here does house He comes with work to do, he does not come to coo, He comes to brood and sit.

Ah! This isn't raw egg at all! The egg white is actually a thinned seawater gelée (jelly)... ... and the yolk is salmon roe firmed in a gelatin! The salmon roe pop crisply, filling the mouth with a rich saltiness... ... that is wrapped up in the mild smoothness of the gelée!" "Oh! This looks like it's just a hard-boiled egg... but the egg white is really a white asparagus mousse! And the yolk is hollandaise sauce made from real egg yolks! The heavy richness of the hollandaise is perfectly balanced with the mild bitterness of the asparagus for an exquisite flavor!" "Then what is this? It looks like an egg in its shell...." "Oh, this?" "She punctured it!" "It's a milkshake. You drink it through the straw, like this. Once I removed the inside of the egg, I filled it with a milkshake made with milk, eggs and caramel." "Mm!It's delicious! Its mellow sweetness and clean aftertaste bring to mind the freshness of an early morning!" "And that is everything! All together, I call it... ..."The Three-Faces of-an-Egg Breakfast."" What an utterly surprising dish! Each piece has an exquisite taste completely unlike what you would expect! On this one plate... ... are miniature representations of... ... the flavors of the ocean, the forest and the earth

Oh doors of your body There are nine and I have opened them all Oh doors of your body There are nine and for me they have all closed again At the first door Clear Reason has died It was do you remember? the first day in Nice Your left eye like a snake slides Even my heart And let the door of your left gaze open again At the second door All my strength has died It was do you remember? in a hostel in Cagnes Your right eye was beating like my heart Your eyelids throbbed like flowers beat in the breeze And let the door of your right gaze open again At the third door Hear the aorta beat And all my arteries swollen from your only love And let the door of your left ear be reopened At the fourth gate They escort me every spring And listening listening to the beautiful forest Upload this song of love and nests So sad for the soldiers who are at war And let the door of your right ear reopen At the fifth gate It is my life that I bring you It was do you remember? on the train returning from Grasse And in the shade, very close, very short Your mouth told me Words of damnation so wicked and so tender What do I ask of my wounded soul How could I hear them without dying Oh words so sweet so strong that when I think about it I seem to touch them And let the door of your mouth open again At the sixth gate Your gestation of putrefaction oh War is aborting Behold all the springs with their flowers Here are the cathedrals with their incense Here are your armpits with their divine smell And your perfumed letters that I smell During hours And let the door on the left side of your nose be reopened At the seventh gate Oh perfumes of the past that the current of air carries away The saline effluvia gave your lips the taste of the sea Marine smell smell of love under our windows the sea was dying And the smell of the orange trees enveloped you with love While in my arms you cuddled Still and quiet And let the door on the right side of your nose be reopened At the eighth gate Two chubby angels care for the trembling roses they bear The exquisite sky of your elastic waist And here I am armed with a whip made of moonbeams Hyacinth-crowned loves arrive in droves. And let the door of your soul open again With the ninth gate Love itself must come out Life of my life I join you for eternity And for the perfect love without anger We will come to pure and wicked passion According to what we want To know everything to see everything to hear I gave up in the deep secret of your love Oh shady gate oh living coral gate Between two columns of perfection And let the door open again that your hands know how to open so well

What the most advanced researchers and theoreticians in all of science now comprehend is that the Newtonian concept of a universe driven by mass force is out of touch with reality, for it fails to account for both observable phenomena and theoretical conundrums that can be explained only by quantum physics: A quantum view explains the success of small efforts quite differently. Acting locally allows us to be inside the movement and flow of the system, participating in all those complex events occurring simultaneously. We are more likely to be sensitive to the dynamics of this system, and thus more effective. However, changes in small places also affect the global system, not through incrementalism, but because every small system participates in an unbroken wholeness. Activities in one part of the whole create effects that appear in distant places. Because of these unseen connections, there is potential value in working anywhere in the system. We never know how our small activities will affect others through the invisible fabric of our connectedness. In what Wheatley calls “this exquisitely connected world,” the real engine of change is never “critical mass”; dramatic and systemic change always begins with “critical connections.”14 So by now the crux of our preliminary needs should be apparent. We must open our hearts to new beacons of Hope. We must expand our minds to new modes of thought. We must equip our hands with new methods of organizing. And we must build on all of the humanity-stretching movements of the past half century: the Montgomery Bus Boycott; the civil rights movement; the Free Speech movement; the anti–Vietnam War movement; the Asian American, Native American, and Chicano movements; the women’s movement; the gay and lesbian movement; the disability rights/pride movement; and the ecological and environmental justice movements. We must find ourselves amid the fifty million people who as activists or as supporters have engaged in the many-sided struggles to create the new democratic and life-affirming values that are needed to civilize U.S. society.

But most of all, where did this deeply complex sweetness come from?! It's far too nuanced to be solely brown sugar!" "Oh, the answer to that is in the flavoring I used." "Soy sauce?!" "Oh my gosh, she added soy sauce to a dessert?!" "I used it at the very end of the recipe. To make the whipped-cream filling, I used heavy cream, vanilla extract, light brown sugar and a dash of soy sauce. Once the cakes were baked, I spread the whipped cream on top, rolled them up and chilled them in the fridge for a few minutes. All of that made the brown sugar in the cake both taste and look even cuter than it did before." "Aah, I see. The concept is similar to that of salted caramels. Add salt to something sweet.. ... and by comparison the sweetness will stand out on the tongue even more strongly. She's created a new and unique dessert topping- Soy Sauce Whipped Cream!" "Soy sauce whipped cream, eh? I see! So that's how it works!" Since it isn't as refined as white sugar, brown sugar retains trace amounts of minerals, like iron and sodium. The unique layered flavor these minerals give to it matches beautifully with the salty body of soy sauce! "Without brown sugar as the main component, this exquisite deliciousness would not be possible!" "It tastes even yummier if you try some of the various fruits in between each bite of cake. The candy sculptures are totally edible too. If you break one up into crumbs and crunch on it while taking a bite of the cake, it's super yummy." How wonderfully surprising! Each and every bite... ... is an invitation to a land of dreams!

The moment I put it in my mouth and bit down... ... an exquisite and entirely unexpected flavor exploded in my mouth! It burst across my tongue, rushed up through my nose... ... and rose all the way up to my brain!" "No! It can't be!" "How is that possible?! Anyone with eyes can see there's nothing special to that dish! Its fragrance was entirely inferior to Asahi's dish from the get-go!" "That there. That's what it is. I knew something wasn't right." "Asahi?" "Something felt off the instant the cloche was removed. His dish is fried rice. It uses tons of butter, soy sauce and spices. Yet it hardly had any aroma!" "Good catch. The secret is in one of the five grand cuisine dishes I melded together... A slightly atypical take on the French Oeuf Mayonnaise. ." "Ouef Mayonnaise, or eggs and mayonnaise, is an appetizer you can find in any French bistro. Hard-boiled eggs are sliced, coated with a house-blend mayo and garnished with vegetables. Though, in your dish, I can tell you chose very soft-boiled eggs instead. Hm. Very interesting, Soma Yukihira. He took those soft-boiled eggs and some homemade mayo and blended them into a sauce...... which he then poured over his steamed rice and tossed until each and every grain was coated, its flavor sealed inside! To cook them so that each individual grain is completely covered... ... takes incredibly fast and precise wok handling over extremely high heat! No average chef could manage that feat!" " Whaaa?! Ah! It's so thin I didn't notice it at first glance, but there it is, a very slight glaze! That makes each of these grains of rice a miniature, self-contained Omurice! The moment you bite into them, that eggy coating is broken... ... releasing all the flavors and aromas of the dish onto your palate in one explosive rush!" No wonder! That's what entranced the judges. That sudden, powerful explosion of flavor! "Yep! Even when it's served, my dish still hides its fangs. Only when you bite into it does it bite back with all it's got. I call it my Odorless Fried Rice.

Eat, woman,” he bellowed, leaning over her, prepared to force the remainder of her meal into her opened mouth. “I would,” she said in a strained voice, “But there is a giant attached to my chin. Perhaps if he would be so gracious as to remove the cured pork from my pack, I would share it with him.” Rautu’s eyes blazed in senseless joy. He released his companion and hastened toward her effects, rummaging through them with great anticipation. He found a small brown parchment parcel and assumed that this was the source of his happiness. He sniffed the outside of the paper and hummed in delight for the exquisite scent. He tore open the barrier between him and his prize and he was compelled to smile when remarking the numerous slices of meat in his hands. He began eating them immediately, leaving no time between one slice and the next to savour that which he had longed to again taste. The superior fare of Frewyn had been the chief of his consolation during the war, and if he was to remain on the islands with all its splendor, all its comforting familiarity, all its temperate climate, and all its horrendous food, he would relish this last ember of bliss before being made to suffer a diet of steamed grains again. “I did say share,” the commander called out. “I am responsible for securing your life,” he replied with a full mouth and without turning around. “And I thanked you accordingly.” The commander’s remonstrations were unanswered, and she scoffed in aversion as she watched the voracious beast consume nearly all the provisions she had been saving for the return journey. “I know you shall not be satisfied until you have all the tribute in the world, but that pork does belong to me, Rau.” “You are not permitted to have meat while taking our medicines,” he said, dismissively. She peered at him in circumspection. “I don’t recall you mentioning that stipulation before. I find it convenient that you should care to do so now.” The giant paused, his cheeks filled with pork. “And?” he said, shoving another slice into his mouth. “And,” she laughed, “You’re going to allow me to starve on your inedible bread while you skulk off with something that was meant for both of us?” “Perhaps.” “Savior, indeed,” the commander fleered. “You have saved me from one means of death only to plunge me into another.

Perhaps we underestimated your mother,” he said. “I can’t imagine she would have made it so easy for anyone to find.” “A World War isn’t enough of a hurdle?” Etta asked, rubbing her hand over her face. “Okay, okay…we just have to think this through.…” “I do have an idea, but I’m afraid it’s terrible,” Nicholas said, surveying the lock on the gate and giving it another hard tug. “A bad idea is better than no idea,” Etta said. “I’m glad you feel that way, because this is an exquisitely bad one.” He turned toward her. “We can go around the back of the museum and I can lift you over the gate. You can then slip into the museum and hold any guards or curators inside hostage, until they give up the information about the location of the statues.” “Hold them hostage?” she repeated. “Don’t you know? That’s how real pirates like Blackbeard made most of their money. He ransomed whole cities,” he said. “I’ll even teach you how to use the revolver.” Despite herself, Etta smiled. “I really appreciate the faith you have in my criminal abilities. But even if I find someone in there, I doubt they’ll be good for anything other than calling the police to pick me up. It seems like the kind of information people would do anything to protect

If anything, it made his appointment all the more exquisite. In the fading light, Inspector Thompson saw tears begin to slip down Churchill’s cheeks. Thompson, too, found himself near tears. — LATE THAT NIGHT CHURCHILL lay in bed, alive with a thrilling sense of challenge and opportunity. “In my long political experience,” he wrote, “I had held most of the great offices of State, but I readily admit that the post which had now fallen to me was the one I liked the best.” Coveting power for power’s sake was a “base” pursuit, he wrote, adding, “But power in a national crisis, when a man believes he knows what orders should be given, is a blessing.” He felt great relief. “At last I had the authority to give directions over the whole scene. I felt as if I were walking with destiny, and that all my past life had been but a preparation for this hour and for this trial….Although impatient for the morning I slept soundly and had no need for cheering dreams. Facts are better than dreams.” Despite the doubts he had expressed to Inspector Thompson, Churchill brought to No. 10 Downing Street a naked confidence that under his leadership Britain would win the war, even though any objective appraisal would have said he did not have a chance. Churchill

The spicy tingle that prickles at the nose is from the alkaloid piperine that's present in abundance in black pepper! Together with the pyrazine that develops when paprika powder is heated, the two aromas meld together and form the strong base of the dish's overall scent! The primary herbs used to ameliorate the gamy smell of the bear meat is thyme! The strong, herby scent of thymol- the active component of thyme- beautifully erases any stink the meat had! Then, uh... there's the cayenne and the oregano... and... uh... The oregano, and... "Aaaah! I can't! I just can't! Anytime I try to think, my mind just screams that it wants more!" Exquisite! Every last wisp of the bear meat's scent has been transformed into a powerfully savory flavor! The delicate complexity of the fragrance and the deep layers of the umami flavor... there is no denying it. "This dish... surpasses Soma Yukihira's." "I rubbed the bear meat with salt, my Cajun spice blend and other spices. I made sure to wrap it in a nice, thick coat of batter when I fried it up too. Plus, when I marinated it before battering it, I used plenty of juniper berries in the marinade. I ground them in a spice grinder first to really bring out their scent. Waves of juicy flavor so rich and refined that they even have a hint of sweetness to them should gush out of the bear meat with every bite.

No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!

When we are sold perfume, we are accustomed to also being sold the idea of a life we will never have. Coty's Chypre enabled Guerlain to create Mitsouko; Coty's Emeraude of 1921 was the bedrock on which Shalimar was built and Coty's L'Origan become the godmother of L'heure bleue, also by Guerlain. Some people dedicate themselves to making life beautiful. With instinctual good taste, magpie tendencies and a flair for color, they weave painfully exquisite tableaux, defining the look of an era. Paul Poiret was one such person. After his success, he went bust in 1929 and had to sell his leftover clothing stock as rags. Swept out of the picture by a new generation of designers, his style too ornate and Aladdinesque, Poiret ended his days as a street painter and died in poverty. It was Poiret who saw that symbolic nomenclature could turn us into frenzied followers, transforming our desire to own a perfume into desperation. The beauty industry has always been brilliant at turning insecurities into commercial opportunities. Readers could buy the cologne to relax during times of anxiety or revive themselves from strain. Particularly in the 1930s, releases came thick and fast, intended to give the impression of bounty, the provision of beauty to all women in the nation. Giving perfumes as a gift even came under the Soviet definition of kulturnost or "cultured behavior", including to aunts and teachers on International Women's Day. Mitsouko is a heartening scent to war when alone or rather, when not wanting to feel lonely. Using fragrance as part of a considered daily ritual, the territorial marking of our possessions and because it offers us a retrospective sense of naughtiness. You can never tell who is going to be a Nr. 5 wearer. No. 5 has the precision of well-cut clothes and that special appeal which comes from a clean, bare room free of the knick-knacks that would otherwise give away its age. Its versatility may well be connected to its abstraction. Gardenia perfumes are not usually the more esoteric or intellectual on the shelves but exist for those times when we demand simply to smell gorgeous. You can depend on the perfume industry to make light of the world's woes. No matter how bad things get, few obstacles can block the shimmer and glitz of a new fragrance. Perfume became so fashionable as a means of reinvention and recovery that the neurology department at Columbia University experimented with the administration of jasmine and tuberose perfumes, in conjunction with symphony music, to treat anxiety, hysteria and nightmares. Scent enthusiasts cared less for the nuances of a composition and more for the impact a scent would have in society. In Ancient Rome, the Stoics were concerned about the use of fragrance by women as a mask for seducing men or as a vehicle of deception. The Roman satirist Juvenal talked of women buying scent with adultery in mind and such fears were still around in the 1940s and they are here with us today. Similarly, in crime fiction, fragrance is often the thing that gives the perpetrator away. Specifically in film noir, scent gets associated with misdemeanors. With Opium, the drugs tag was simply the bait. What YSL was really marketing, with some genius, was perfume as me time: a daily opportunity to get languid and to care sod-all about anything or anyone else.

How delicious! Layer upon layer of exquisitely delicate sweetness blooms in the mouth like the unfurling petals of a flower! And it's different from the cake Sarge presented in one very distinct way!" ?! The flavors explode not like a bomb but a firecracker! What a silky-smooth, mild sweetness! "How were you able to create such a uniquely beautiful flavor?" "See, for the cake, I used Colza oil, flour, baking powder... and a secret ingredient... Mashed Japanese mountain yam! That gave the batter some mild sweetness along with a thick creaminess. Simply mashing it instead of pureeing it gave the cake's texture some soft body as well. Then there're the two different frostings I used! The white cream I made by blending into a smooth paste banana, avocado, soy milk, rice syrup and some puffed rice I found at the convenience store. I used this for the filling. *Rice syrup, also called rice malt, is a sweetener made by transforming the starch in rice into sugars. A centuries-old condiment, it's known for being gentle on the stomach. * I made the dark cream I used to frost the cake by adding cocoa powder to the white cream." "I see. How astonishing. This cake uses no dairy or added sugar. Instead, it combines and maximizes the natural sweetness of its ingredients to create a light and wonderfully delicious cake!" "What?!" "He didn't put in any sugar at all?!" "But why go to all that time and effort?!" "For the people patiently waiting to eat it, of course. This cake was made especially for these people and for this season. When it's hot and humid out... even if it's a Christmas Cake, I figured you'd all prefer one that's lighter and softer instead of something rich and heavy. I mean, that's the kind of cake I'd want in this weather.

Nothing like a good war to forget a night of exquisite soul-killing humiliation.

But then, war always had been a chance for great powers to play with their most exquisite toys.

Not good, but sometimes necessary when people try to make you believe you are secondary or that you shouldn't even exist. Why do you think we study wars in history class? How many months do we spend on World War II alone? When someone evil crosses that line - like Hitler or Mussolini or Tojo or more they teach us. So why is it okay for our government to drop bombs on people and kill with guns, but we aren't supposed to use our fists to protect ourselves? This country was founded on and by violence.

He took in her exquisite blue eyes, her perfectly symmetrical face, her silky blonde hair, and most of all, her sweetness. She was perfect in every way,

His white hands were smooth as wax, only blemished by the brown spots of age,” wrote Faubion Bowers, a major who often rode guard in the front seat. “His fingers were exquisitely manicured, as if lacquered with polish. He held them in his lap, peacefully. His profile, which I knew better than his full face, was granitic. He was always immaculately clean-shaven, and I never saw a nick on him. He had large bones, an oversize jaw that jutted a little. From face to walk, from gesture to speech, he shone with good breeding….He was really very beautiful, like fine ore, a splendid rock, a boulder.

Whoever had painted this had talent, capturing the somber expressions of Ione, Rhahar, and then Rhain, the God of Common Men and Endings often depicted in Atlantia. The red hair of Aios, the Goddess of Love, Fertility, and Beauty, was as vibrant as fire, not having faded in the years since the ceiling was painted. Penellaphe, the Goddess of Wisdom, Loyalty, and Duty, appeared peaceful and serene, while Bele, the Goddess of the Hunt, looked as I imagined she would if awake: like she was about to whack someone across the head with her bow. Even the different shades of skin, from the rich-brown-hued Theon, the God of Accord and War, and his twin, Lailah, the Goddess of Peace and Vengeance, to the deeper, cooler black skin of Saion, the God of Sky and Soil, were rendered with exquisite detail.

She turned around holding a long, curved, burgundy sheath. Then she slowly withdrew one of the most exquisite blades I had ever seen. It was long and delicately curved, with an angled, pointed tip. But most strikingly, it was made out of two shades of metal, gold and platinum twining together in a wild, organic dance, like the roots of two trees tangling underground. In a few gaps between the two, I could see that the center was hollow — offering veins that would accommodate magic, like mine did.

unrelieved black set off her pale skin and exquisite bone structure. Her

She was exquisite, and he feared that he was blinded to everything else, that he was drawn to her by weakness, that his passion for her was incomplete. Know ing all too well the deeply religious love of the Italian poets for women they had merely seen on the street, he feared that his infatuation for Lia could never be compared to the elemental union that can occur between men and women when God is present and light surrounds them.

That she intended to swim alone, and had ridden alone to such a deserted place, puzzled him. Though the countryside around Rome was neither Sicily nor Calabria, it was not safe for an unaccompanied woman, it never had been, and it never would be. He turned almost blue with the thought that she might have—indeed, must have—met a lover on the road, in which case his triple race would have been for nothing, and his shame would drive him to emigrate to Argentina. He began to think about Argentina, and it was not unpleasant, but before he left he would stand by the stream that flowed into the sea and watch as Lia and her lover emerged from the dunes. What an exquisite look he would give them. His expression would be that of a spurned horseman on foot in a Budapest cafe, who, about to shoot himself in the head, would glance at the woman he loved, and smile. All was forgiven, if only because everything was so magnificently bittersweet.

Paula had never tired of the road and its secrets: the petrol stations manned by friendly country folk, the sugary treasures hidden in milk bars, the deserted public toilets attached to grassy picnic areas in quiet, shady gullies. Meat pies and cream buns, Big Ms and barley sugar. Her father’s tuneless whistling accompanying Bing Crosby cassettes, the relaxed look on her mother’s face, Jamie’s endless backseat tournaments of I-Spy, Twenty Questions and Thumb Wars. The back aches, the bursting bladders, the bush wees. The exquisite limbo of transit, the mysteries of dirt roads in indeterminate locations. The feelings of optimism and anticipation on departure, rivalled only by the tedium of the return trip.

There is not a single part of you or your body that I do not find exquisite. Not a single thing that I wouldn’t happily drown in. I have kissed every inch of your body before, and I will do it again. Over and over for the remainder of my existence. Because you are mine. Those scars are nothing but a reminder of how strong you are. How resilient and powerful you have become. Regardless of the outcome of this war, you are my queen. From now until my dying breath.

History tells lies. It is important to understand this to understand the ARCW. A particularly harmful lie is that the United States of America was founded as a Christian nation. The traitors truly believe this because it has been taught them since they colored pilgrims with crayons in church nursery school while their parents were in the sanctuary learning to be more judgmental. As the young bigots grew into adultery [sic], they accepted this teaching uncritically, just as they accepted that everything in the Bible is true, and that science is wrong, if not evil, when it proves that humans have evolved from non-human life forms. The traitors should, in fairness, be permitted to prove the intensity of this mental abuse in their defense at the ARCW war crimes trials.         America was not established as a Christian nation. To the contrary, it was intentionally set up as a godless nation. That’s why no god or religion of any kind is mentioned in our Constitution. This was so important that it was memorialized in the first words of the first amendment to our Constitution, to wit, “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof....” The people who started this country knew what religious war and holy terror was, and they wanted to be very clear that America was a democracy set up under human law, not religious authority or rule. This was made exquisitely clear when, in a treaty with Tripoli, signed by President John Adams on June 10, 1797, the United States Senate unanimously declared, “...the government of the United States of America is not in any sense founded on the Christian Religion.” That’s that, said the grammarian. People who don’t like the American way, and think church and state should not be separated, really ought to move to Serbia where they can kill and rape non-believers with impunity.

But then, before I could bring the sword down, I was blinded. Blinded by fire — real fire, the kind that seared the hairs from the tips of my nose, the kind that embraced me with such vivid heat that it sent my body staggering back against the wall. At first, I didn’t know what I was looking at. It took a moment for my eyes to adjust, and to realize that the fire was moving, and fast. Not moving like flames, but like a creature. Reshaye’s delighted smile spread slowly across my lips. And my heart stopped. It was a serpent. A massive serpent that wove through the air and the crowd, its body made of flames that ran together like water, sparks glinting as scales on its skin. It had no wings and no legs, but it moved uninhibited all the same. It lurched through the air in movements that were at once exquisitely graceful and wildly untamed, as if it, too, struggled to fully control its body.

I feel some inclination to learn whether you yet sleep in your Shirt-tail, and whether you yet have the extravagant delight of poking and punching a writhing Bedfellow with your long fleshen pole—the exquisite touches of which I have often had the honor of feeling?

Love conquers all,” Aphrodite promised. “Look at Helen and Paris. Did they let anything come between them?” “Didn’t they start the Trojan War and get thousands of people killed?” “Pfft. That’s not the point. Follow your heart.” “But…I don’t know where it’s going. My heart, I mean.” She smiled sympathetically. She really was beautiful. And not just because she had a pretty face or anything. She believed in love so much, it was impossible not to feel giddy when she talked about it. “Not knowing is half the fun,” Aphrodite said. “Exquisitely painful, isn’t it? Not being sure who you love and who loves you? Oh, you kids! It’s so cute I’m going to cry.

Hades wants a look at your spoils of war.” Amusement filters into her dry tone. “Pretty little thing, isn’t she?” “Pretty doesn’t begin to cover it. She’s exquisite.

War is both intensely horrible and exquisitely pleasurable. It is horrible because of the danger and suffering that soldiers and civilians endure, and the unavoidable guilt that comes with killing. It is pleasurable because -like all pleasures- it is something that benefited our ancient ancestors who were victors in the bloddy struggle for resources.

This! That powerful intensely rich flavor is the true greatness of A5 beef!" "And this cut was roasted taking into consideration the angle of the heat! Heating a cut of meat perpendicularly to its grain ensures the meat will heat evenly and that the greatest amount of juice will be produced. First class chefs always read the meat's grain when they cook it!" "Don't forget the rice hiding under the beef petals! Steamed in butter and beef's own grease, this garlic rice is exquisite!

that fearing for our lives is motivating. People get more done when pitted against opposing forces. Wars can bring us together, and pain creates poetry. It would have been better if diligence, exquisite engineering and empathy were what inspired. But I didn’t write the algorithm.

Hainanese Chicken Rice An entire chicken is steeped in broth at sub-boiling temperatures and is then served with rice steamed in the same broth. Originally a Chinese dish, it was spread across Southeast Asia by migrants from the Hainan Province. A well-loved staple, it is also known as Khao Man Tai or Singapore Chicken Rice. *Many restaurants that serve it will also serve chicken soup on the side. "That makes perfect sense! This dish is an excellent choice for emphasizing the unique deliciousness of the Jidori! I already know it can't help but be good!" "That one's yours." "Uh, thanks. I'll dig right in." Delicious! It's too delicious! The tender meat so perfectly steeped! Each bite is sheer decadence! The delicate yet bold umami flavors! But that's not all... Next comes the very best part! As if that one bite wasn't enough, after it's swallowed... ... There's the subtle and sophisticated aftertaste! "Mmm! That decadent flavor lingers in the mouth for so long! Exquisite! Simply exquisite! This dish is the pinnacle of Jidori cooking!" "Don't stop yet. I've made three dipping sauces to go along with it. Chili sauce, ginger sauce and some See Ew Dum." *See Ew Dum is a dark, thick and sweet soy sauce commonly used in Thai cooking. Its viscosity is similar to tamari. "I made the chili sauce by grinding red peppers and adding them to the broth from the steeped chicken. The ginger sauce is fresh ginger mixed with chicken fat I rendered out of the bird.

Mm! Good stuff, good stuff! Wild-game curry, eh? That dish was way more of a masterpiece than I expected!" Really! Who would've thought I'd get to try deep-fried duck cutlets! Their robust, gamey flavor paired exquisitely with the curry sauce! "The strong smelliness of the meat was thoroughly ameliorated by the clever use of turmeric and orange. In French cuisine, duck is traditionally garnished with an orange sauce." "True! I added in bits of orange and grated peel into the roux too! It goes awesome with the special garam masala spice mix I put together!

The third turns in my direction and my heart simply…stops. He’s tall, with windblown black hair and dark brows. The line of his jaw is strong and covered by warm tawny skin and dark stubble, and when he folds his arms across his torso, the muscles in his chest and arms ripple, moving in a way that makes me swallow. And his eyes… His eyes are the shade of gold-flecked onyx. The contrast is startling, jaw-dropping even—everything about him is. His features are so harsh that they look carved, and yet they’re astonishingly perfect, like an artist worked a lifetime sculpting him, and at least a year of that was spent on his mouth. He’s the most exquisite man I’ve ever seen. And living in the war college means I’ve seen a lot of men. Even the diagonal scar that bisects his left eyebrow and marks the top corner of his cheek only makes him hotter. Flaming hot. Scorching hot. Gets-you-into-trouble-and-you-like-it level of hot. Suddenly, I can’t remember exactly why Mira told me not to fuck around outside my year group.

Rohan was battling invisible foes, wielding the large, lancelike weapon she had seen in his hand that first night in the great hall. His long hair flowed around his shoulders, wetted with the sweat that streamed from him and made his body gleam with rippling, raw power. He was bare-chested, wearing only loose black trousers that draped his compact buttocks and muscled thighs gracefully. His bare feet were silent on the flagstones as he lunged, leaped, and spun about, the torchlight flashing crimson on his long, wicked blade. Kate watched, riveted by the play of shadows and gold torchlight that slid over his sweat-slicked body, gliding across the sleekly muscled contours of his back and massive shoulders, his powerful chest and chiseled abdomen as he thrust, swung, jabbed, then spiraled up to parry an imaginary blow, only to gouge again with precision perfectly balanced with killing force. His blade sliced through the air with naught but a deadly whisper, each slashing arc of his weapon, like his honed body, under his exquisite control. In constant motion, he wove through the changing patterns of his regime with a beautiful---an almost otherworldly---prowess, a creature of elegant savagery. He attacked again with a low war cry, but then suddenly went motionless, standing in a sure-footed stance below her, his chest heaving. Slowly, he looked up, as though he had felt her there. Kate found herself looking into the eyes of a predator; she held absolutely still.

My fingers grazed his. Warm and sturdy- patient, as if waiting to see what else I might do. Maybe it was the wind, but I stroked a finger down his. And as I turned to him more fully, something blinding and tinkling slammed into my face. I reeled back, crying out as I bent over, shielding my face against the light that I could still see against my shut eyes. Rhys let out a startled laugh. A laugh. And when I realised that my eyes hadn't been singed out of their sockets, I whirled on him. 'I could have been blinded!' I hissed, shoving him. He took a look at my face and burst out laughing again. Real laughter, open and delighted and lovely. I wiped at my face, and when I pulled my hands down, I gasped. Pale green light- like drops of paint- glowed in flecks on my hand. Splattered star-spirit. I didn't know if I should be horrified or amused. Or disgusted. When I went to rub it off, Rhys caught my hand. 'Don't,' he said, still laughing. 'It looks like your freckles are glowing.' My nostrils flared, and I went to shove him again, not caring if my new strength knocked him off the balcony. He could summon wings; he could deal with it. He sidestepped me, veering toward the balcony rail, but not fast enough to avoid the careening star that collided with the side of his face. He leaped back with a curse. I laughed, the sound rasping out of me. Not a chuckle or snort, but a cackling laugh. And I laughed again, and again, as he lowered his hands from his eyes. The entire left side of his face had been hit. Like heavenly war paint, that's what it looked like. I could see why he didn't want me to wipe mine away. Rhys was examining his hands, covered in the dust, and I stepped toward him, peering at the way it glowed and glittered. He went still as death as I took one of his hands in my own and traced a star shape on the top of his palm, playing with the glimmer and shadows, until it looked like one of the stars that had hit us. His fingers tightened on mine, and I looked up. He was smiling at me. And looked so un-High-Lord-like with the glowing dust on the side of his face that I grinned back. I hadn't even realised what I'd done until his own smile faded,, and his mouth partly slightly. 'Smile again,' he whispered. I hadn't smiled for him. Ever. Or laughed. Under the Mountain, I had never grinned, never chuckled. And afterward... And this male before me... my friend... For all that he had done, I had never given him either. Even when I had just... I had just painted something. On him. For him. I'd- painted again. So I smiled at him, broad and without restraint. 'You're exquisite,' he breathed.

He practically never talked about his travels. One day, Monsieur Riri asked him what was the most amazing thing he had seen in his life: he replied, a Maharajah sitting at a table all incrusted with ivory, dining with his three lieutenants. No one said anything, and the three fierce men of war seemed, in front of their leader, like little children. Another time, without anyone asking him anything at all, he said that the most beautiful, the most dazzling thing he had seen in the world was a ceiling divided into octagonal sections, decorated in gold and silver, and more exquisitely worked than any jewel.

There is no old age like anxiety,” said one of the monks I met in India. “And there is no freedom from old age like the freedom from anxiety.” In desperate love, we always invent the characters of our partners, demanding that they be what we need of them, and then feeling devastated when they refuse to perform the role we created in the first place. Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that’s not exactly the same thing as quiet enjoyment. The beauty of doing nothing is the goal of all your work, the final accomplishment for which you are most highly congratulated. The more exquisitely and delightfully you can do nothing, the higher your life’s achievement. You don’t necessarily need to be rich in order to experience this, either. I am having a relationship with this pizza, almost an affair. Without seeing Sicily one cannot get a clear idea of what Italy is. “No town can live peacefully, whatever its laws,” Plato wrote, “when its citizens…do nothing but feast and drink and tire themselves out in the cares of love.” In a world of disorder and disaster and fraud, sometimes only beauty can be trusted. Only artistic excellence is incorruptible. Pleasure cannot be bargained down. And sometimes the meal is the only currency that is real. The idea that the appreciation of pleasure can be an anchor of one’s humanity. You should never give yourself a chance to fall apart because, when you do, it becomes a tendency and it happens over and over again. You must practice staying strong, instead. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. They break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life. The Zen masters always say that you cannot see your reflection in running water, only in still water. Your treasure—your perfection—is within you already. But to claim it, you must leave the busy commotion of the mind and abandon the desires of the ego and enter into the silence of the heart. Balinese families are always allowed to eat their own donations to the gods, since the offering is more metaphysical than literal. The way the Balinese see it, God takes what belongs to God—the gesture—while man takes what belongs to man—the food itself.) To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver. Practice tonight at hotel. Not to hurry, not to try too hard. Too serious, you make you sick. You can calling the good energy with a smile. The word paradise, by the way, which comes to us from the Persian, means literally “a walled garden.” The four virtues a person needs in order to be safe and happy in life: intelligence, friendship, strength and (I love this one) poetry. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. Once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it.

By adding vegetables like carrots, potatoes and zucchini, you were able to create seven separate pâtes of different colors. And each pâte has been cooked in a way to maximize the deliciousness of each vegetable. I'm impressed you were able to complete all that work in so little time." "You made two separate sauces too. A sweet and tangy sudachi gelée... ... and a refreshing green herb sauce centered on shiso... and mixed with other fragrant herbs to make a pesto." "Wow! Seasoning a European terrine with distinctly Japanese flavors like sudachi and shiso... what a fresh idea!" "Mmmm! The sautéed zucchini together with the herb sauce is so invigoratingly zesty and tasty! Exquisite!" "The tangy sudachi sauce goes well with the mildly sweet tomatoes too." "Seven different pâtes with two different sauces means there are fourteen flavors to enjoy. I'm already excited to try various combinations!" "Me too. It seems the colorful rainbow stripes aren't only pleasing to the eye... they also manage to be equally pleasing to the palate!

I have brought a beautiful bouquet of flowers for you today, m'lady. Will you do me the honor of accepting them? Though, of course, when held up against your radiant beauty, my princess... ... even lovely flowers such as these... ... are reduced to mere garnishes that only highlight your exquisiteness even more." "Er! I-I-Instructor Suzuki!" "So, yeah! Anyways... staying cooped up inside battling paperwork all day will wear you out. I brought along a handful of snacks... ... so how about we have ourselves a little tea break, hm?" "Ah! I-Instructor Suzuki, please! You must cease coming here every day like this! I-I am the foremost executive and leader of this Institute! I cannot in good conscience accept such personal gifts! Kyaaa!" "Miss Erina!" "Whoops! You okay? Princess... There. You had a cheese stick stuck in your hair.

What an exquisite pike recipe. It was stunning from the very beginning, with the beautiful vision of its chef striding through the silvered moonlight to present his dish. The plating and presentation showed a thorough grasp of modern cooking trends, an important skill for all chefs. Given how the entire crowd was leaning forward in their seats, I can only say that his plan to draw attention to himself and away from his competitors was a rousing success. Most Acqua Pazza recipes involve anchovies in some fashion, but as his used herb butter, he wisely omitted them. Had both ingredients been included, their flavors would have clashed, muddying the overall taste of the dish. That herb butter, in fact, was the keystone upon which the whole dish rested. The butter's mellowness melded with the strong-tasting juices of each individual ingredient, underscoring them with a common flavor and tying them together, while the refreshing scent of the herbs kept the powerful impact of the dish's flavor from lingering too long on the tongue, making it instead a sharp and quick jab. That in turn masterfully accentuated the strong fragrance of the in-season pike. Both the herb butter and the heat-resistant film worked in perfect harmony for the sole purpose of emphasizing the deliciousness of the chosen pike...

So luscious! The dressing is extra-virgin olive oil and wine vinegar exquisitely melded with pureed pike liver. The rich, full-bodied flavor of the liver seeps into the tongue, gracefully underscoring the mild sweetness of the fatty meat. I feel like I'm drowning in a tidal wave of flavor and fragrance! Unbelievable! How many spices must he have mixed to-" "No. The spice used in this dish... ... is allspice alone." "What?!" "I thought Hayama's talent lay in the mixing of varied exotic spices to create the perfect fragrance." "No, his skill is in manipulating fragrance itself. He can do more than just add more spices into his recipes. In fact, this time he subtracted spices instead. In so doing, he accentuated the freshness and flavor of the in-season pike.

To be close to your greatest desire could be an exquisite pain

the history of literature, so full of Fate's exquisite ironies, has nothing more poignantly ironic, and nothing at the same time more beautifully appropriate, than the publication of Rupert Brooke's noble sonnet-sequence, '1914', a few swift weeks before the death they had imagined, and had already made lovely. Each one of these five sonnets faces, in a quiet exultation, the thought of death, of death for England; and understands, as seldom even English poetry has understood, the unspeakable beauty of the thought

For those of you who have had to wait a year for this book I provide a brief note to Book 1, Prince of Fools, so that your memories may be refreshed and I can avoid the exquisite pain of having to have characters tell each other things they already know for your benefit.