Exquisite Corpse Quotes

It was like discovering that your innermost fires and terrors, the things you believed no one else could fathom, were in fact the basis of a recognized philosophy. Some part of you felt intimately invaded, threatened; some other part fell to its knees and sobbed in gratitude that it was no longer alone.

I'm your nightmare. Did you think you were done with nightmares, now you've become one?

I press my hands against my chest, wishing I could somehow be even closer to him. I hate skin; I hate bones and bodies. I want to curl up inside of him and be carried there forever.

Horror is the badge of humanity, worn proudly, self-righteously, and often falsely.

Never relinquish your terrors. That's when they catch you.

But if I die without trying again, I'm a coward. I don't mind having regrets about stuff I've done. It's the regrets about stuff I haven't done that bother me.

And what was I if not death's ghostwriter?

Ah, relationships. If he was lucky, Luke thought, he would never have another one.

Stay with me.’ His eyes shone. ‘Play with me.

I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be linked unto a system of gears where teeth have been filed off at random. Such snaggle-toothed thought machine, driven by a standard or even by a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. 'You're completely crazy,' he said. Jones wasn't completely crazy. The dismaying thing about classic totalitarian mind is that any given gear, thought mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell - keeping perfect time for eight minutes and twenty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The wilful filling off a gear teeth, the wilful doing without certain obvious pieces of information - That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony - That was how my father-in-law could contain in one mind an indifference toward slave women and love fora a blue vase - That was how Rudolf Hess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers - That was how Nazi Germany sense no important difference between civilization and hydrophobia - That is the closest I can come to explaining the legions, the nations of lunatics I've seen in my time.

The exquisite corpse will drink the young wine. (Le cadavre exquis boira le vin nouveau.)

So what do I do with the rest of my time? he thought. Live rent-free with my parents, write in my notebooks, go out dancing, catch a buzz, get laid? It doesn't sound so bad. But what if I only have, say, five more years to live?

I’d say to myself, Andrew Compton, you’ve sucked their cold mouths and cocks; you’ve licked their blood from your hands by the bucketful; you’ve boiled the flesh off their skulls, then used the same pot to make curry. Why not just fry up a few tender bits and see what it’s like—perhaps with a nice egg?

Jay stopped and unlocked an iron gate with finals wrought in the shape of pineapples.

I'd like him to have a good life... but all I can wish him now is a decent death.

They may hate us for sucking cock, but at least they can't accuse of making more little cocksuckers.

His face was a red slick, featureless, blind. He was nothing but particles now, if he had ever been anything more. I had only altered the speed at which his particles were vibrating. Nothing in the universe had been disturbed.

And what was I if not death’s ghostwriter?

It is becoming exquisite corpse. It is remade. It is without artist. And in its wake, as its wan precision is replaced by that stochastic rigor, that self-dreamed dream, the buildings that it saw into twee perfection are less perfect again. They quiver. Their colors bleed. They are too saturated, their lines are wrong again. They remember their cracks. And then with breaths of stone-dust they are back to ruination, or are not there, or are battered by age, scarred with the stuff of history, again. Paris is Paris

I suspected later that I might actually saved lives by killing some of them.

They may hate us for sucking cock, but at least they can’t accuse us of making more little cocksuckers.

Any time someone is afraid of you, you can use it to your own advantage.

I'm Lush Rimbaud, and I refuse to shut up or die.

That chap looks as if he ate a girl's kidney last night.

Like someone trying to gargle boiling water.

All the stone and iron of Painswick Prison was nothing but vibrations. Had I known, I could have begun vibrating at a different frequency and gone right between the bars.

The gravedigger knew a fine trick. When the worms looked unhappy he would leave his place in the mausoleum and go up into the sunshine. He would go empty-handed, but when he returned, with him came a most exquisite corpse. The worms would rejoice, and they would feast upon the corpse until they were fat and could feast no more. The young would come with the old to see this trick and glory in it. No worm knew where the gravedigger got his corpses, but they were always succulent and nourishing. They praised the gravedigger’s generosity. -- From "Worms

Impossible. Sunk on its haunches in a predatory pose, a creature spread its long, curled fingers over the tiles on the roof, sniffing them. Its mottled, olive-grey skin winked in the uncertain March sunlight. Truly, a thing that didn’t belong here in ordinary suburbia, overlooking a garden that burst with beauty and life.

Let us see what words can do. Will you understand me, for a start, if I tell you that I have never known what I am? My vices, my virtues, are under my nose, but I can’t see them, nor stand far enough back to view myself as a whole. I seem to be a sort of flabby mass in which words are engulfed; no sooner do I name myself than what is named is merged in him who names, and one gets no farther. I have often wanted to hate myself and, as you know, had good reasons for so doing. But my attempted hatred of myself was absorbed into my insubstantiality and was nothing but a recollection. I could not love myself either, I am sure, though I have never tried to. But I was eternally compelled to be myself; I was my own burden, but never burdensome enough, Mathieu. For one instant, on that June evening when I elected to confess to you, I thought I had encountered myself in your bewildered eyes. You saw me, in your eyes I was solid and predictable; my acts and moods were the actual consequences of a definite entity. And through me you knew that entity. I described it to you in my words, I revealed to you facts unknown to you, which had helped you to visualize it. And yet you saw it, I merely saw you seeing it. For one instant you were the heaven-sent mediator between me and myself, you perceived that compact and solid entity which I was and wanted to be in just as simple and ordinary a way as I perceived you. For, after all, I exist, I am, though I have no sense of being; and it is an exquisite torment to discover in oneself such utterly unfounded certainty, such unsubstantiated pride. I then understood that one could not reach oneself except through another’s judgment, another’s hatred. And also through another’s love perhaps; but there is here no question of that. For this revelation I am not ungrateful to you. I do not know how you would describe our present relations. Not goodwill, nor wholly hatred. Put it that there is a corpse between us. My corpse.

There was a chill in the air, to be sure, a damp cool vapour drifting round corners and rising from drains. But I had just come from London, where November vapours were like ill-intentioned hands sliding beneath your collar to encircle your coat-chafed, chicken-skinned throat, where November winds cut more deeply than my stolen scalpel ever did.

This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.

This once-proud country of ours is falling Into the hands of the wrong people,' said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. 'And, before it gets back on the right track,' said Jones, 'some heads are going to roll.' I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be likened unto a system of gears whose teeth have been filed off at random. Such a snaggle-toothed thought machine, driven by a standard or even a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. 'You're completely crazy,' he said. Jones wasn't completely crazy. The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell — keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The willful filing off of gear teeth, the willful doing without certain obvious pieces of information — That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuebrer Krapptauer, and the Black Fuehrer could exist in relative harmony — That was how my father-in-law could contain in one mind an indifference toward slave women and love for a blue vase — That was how Rudolf Hoess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers — That was how Nazi Germany could sense no important differences between civilization and hydrophobia —

This once-proud country of ours is falling into the hands of the wrong people,” said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. “And, before it gets back on the right track,” said Jones, “some heads are going to roll.” I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be likened unto a system of gears whose teeth have been filed off at random. Such a snaggle-toothed thought machine, driven by a standard or even a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. “You’re completely crazy,” he said. Jones wasn’t completely crazy. The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell—keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The willful filing off of gear teeth, the willful doing without certain obvious pieces of information— That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony— That was how my father-in-law could contain in one mind an indifference toward slave women and love for a blue vase— That was how Rudolf Hoess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers— That was how Nazi Germany could sense no important differences between civilization and hydrophobia— That is the closest I can come to explaining the legions, the nations of lunatics I’ve seen in my time. And for me to attempt such a mechanical explanation is perhaps a reflection of the father whose son I was. Am. When I pause to think about it, which is rarely, I am, after all, the son of an engineer. Since there is no one else to praise me, I will praise myself—will say that I have never tampered with a single tooth in my thought machine, such as it is. There are teeth missing, God knows—some I was born without, teeth that will never grow. And other teeth have been stripped by the clutchless shifts of history— But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, “This fact I can do without.” Howard W. Campbell, Jr., praises himself. There’s life in the old boy yet! And, where there’s life— There is life.

In 2017, researchers reconstructed the diets of Neanderthals, cousins of modern humans who went extinct approximately 50,000 years ago. They found that an individual with a dental abscess had been eating a type of fungus – a penicillin-producing mould – implying knowledge of its antibiotic properties. There are other less ancient examples, including the Iceman, an exquisitely well-preserved Neolithic corpse found in glacial ice, dating from around 5,000 years ago. On the day he died, the Iceman was carrying a pouch stuffed with wads of the tinder fungus (Fomes fomentarius) that he almost certainly used to make fire, and carefully prepared fragments of the birch polypore mushroom (Fomitopsis betulina) most probably used as a medicine. The indigenous peoples of Australia treated wounds with moulds harvested from the shaded side of eucalyptus trees. Ancient Egyptian papyruses from 1500 BCE refer to the curative properties of mould, and in 1640, the King’s herbalist in London, John Parkinson, described the use of moulds to treat wounds.

This brings to my mind an artistic mode called Exquisite Corpse that’s absolutely banned by Mandate censors because it’s basically sketchbook randomness and promotes indiscipline. You draw a thing, fold over the paper, then pass it on to the next person who takes up from the trailing lines you’ve left them.

I met his gaze steadily as I slammed his head into the wall, trying not to let my face contort, trying not to look angry or cruel. Most likely he was past the point of knowing anything. But if he could still see me, I wanted him to know I wasn't doing this because I hated him. Quite the contrary. Before, I had only seen him as a means to an end. But in these final moments of his life, I loved him.

When Edgar Allan Poe’s love, Annabel Lee, is taken by the chill of death and entombed, the lovelorn Poe cannot stay away. He goes to “lie down by the side, of my darling—my darling—my life and my bride, in her sepulchre there by the sea, in her tomb by the sounding sea.” The exquisite, alabaster corpse of Annabel Lee. No mention of the ravages of decomposition that would have made lying down next to her a rancid embrace for the brokenhearted Poe. It wasn’t just Padma.

أين بقية الغبارة؟ هل داستها السيارة؟ والحاكم بأمر الله كان يقتل بلا حساب، ولما آمن بأنه إله حرم على الناس الملوخية. لماذا أذعنت للخروج معهم؟ هكذا توجت قاتلا، الفتل والسرعه الجنوينة والهرب، والمناقشة المدببه وأخذ الأصوات في ديموقراطية دامية. وبعثت الزوجة والبنت ثم ماتتا من جديد. ولن ينام الليلة إلا الميتون. والصرخة التي هزئت من كامل الأفلاك. مجهول من مجهول إلى مجهول. متى يرحم العقل نفسة ويستسلم للنوم؟ وصعد الحاكم بأمر الله إلى قمة القبل ليمارس أسراره العلوية، ولم يعد، حتى اليوم لم يعد، ولم يعثر له على أثر، وحتى الساعة لم يتوقف البحث عنه. لذلك أقول إنه حي، وقد رآه رجل أعمى ولكن احدًا لم يصدقة، وغير بعيد أن يتجلى للمساطيل في ليلة القدر. أما الإنسان المجول فقد قُتل كما قُتل النوم.