Exit West Quotes

We've searched our database for all the quotes and captions related to Exit West. Here they are! All 100 of them:

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We are all migrants through time.
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Mohsin Hamid (Exit West)
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To love is to enter into the inevitability of one day not being able to protect what is most valuable to you.
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Mohsin Hamid (Exit West)
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when we migrate, we murder from our lives those we leave behind.
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Mohsin Hamid (Exit West)
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And so their memories took on potential, which is of course how our greatest nostalgias are born.
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Mohsin Hamid (Exit West)
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In this group, everyone was foreign, and so, in a sense, no one was.
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Mohsin Hamid (Exit West)
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and when she went out it seemed to her that she too had migrated, that everyone migrates, even if we stay in the same houses our whole lives, because we can’t help it. We are all migrants through time.
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Mohsin Hamid (Exit West)
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Every time a couple moves they begin, if their attention is still drawn to one another, to see each other differently, for personalities are not a single immutable color, like white or blue, but rather illuminated screens, and the shades we reflect depend much on what is around us.
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Mohsin Hamid (Exit West)
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The end of the world can be cozy at times.
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Mohsin Hamid (Exit West)
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It might seem odd that in cities teetering at the edge of the abyss young people still go to classβ€”in this case an evening class on corporate identity and product brandingβ€”but that is the way of things, with cities as with life, for one moment we are pottering about our errands as usual and the next we are dying, and our eternally impending ending does not put a stop to our transient beginnings and middles until the instant when it does.
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Mohsin Hamid (Exit West)
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but that is the way of things, for when we migrate, we murder from our lives those we leave behind.
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Mohsin Hamid (Exit West)
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...he prayed fundamentally as a gesture of love for what had gone and would go and could be loved in no other way. When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity's potential for building a better world, so he prayed as a lament, as a consolation, and as a hope....
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Mohsin Hamid (Exit West)
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While they wished to look out for each other, and to keep tabs on each other, staying in touch took a toll on them, serving as an unsettling reminder of a life not lived, and also they grew less worried each for the other, less worried that the other would need them to be happy, and eventually a month went by without any contact, and then a year, and then a lifetime.
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Mohsin Hamid (Exit West)
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we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another,
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Mohsin Hamid (Exit West)
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She had the bizarre feeling of time bending all around her, as though she was from the past reading about the future, or from the future reading about the past.
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Mohsin Hamid (Exit West)
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the end of a couple is like a death, and the notion of death, of temporariness, can remind us of the value of things,
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Mohsin Hamid (Exit West)
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It has been said that depression is a failure to imagine a plausible desirable future for oneself,
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Mohsin Hamid (Exit West)
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It has been said that depression is a failure to imagine a plausible desirable future for oneself, and, not just in Marin, but in the whole region, in the Bay Area, and in many other places too, places both near and far, the apocalypse appeared to have arrived and yet it was not apocalyptic, which is to say that while the changes were jarring they were not the end, and life went on, and people found things to do and ways to be and people to be with, and plausible desirable futures began to emerge, unimaginable previously, but not unimaginable now, and the result was something not unlike relief.
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Mohsin Hamid (Exit West)
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Location, location, location, the realtors say. Geography is destiny, respond the historians.
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Mohsin Hamid (Exit West)
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with cities as with life, for one moment we are pottering about our errands as usual and the next we are dying, and our eternally impending ending does not put a stop to our transient beginnings and middles until the instant when it does.
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Mohsin Hamid (Exit West)
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The news in those days was full of war and migrants and nativists, and it was full of fracturing too, of regions pulling away from nations, and cities pulling away from hinterlands, and it seemed that as everyone was coming together everyone was also moving apart. Without borders nations appeared to be becoming somewhat illusory, and people were questioning what role they had to play.
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Mohsin Hamid (Exit West)
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But mostly there was little to report, just the day-to-day goings-on of countless people working and living and aging and falling in and out of love, as is the case everywhere, and so not deemed worthy of headline billing or thought to be of much interest to anyone but those directly involved.
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Mohsin Hamid (Exit West)
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Young men pray for different things, of course, but some young men pray to honor the goodness of the men who raised them,
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Mohsin Hamid (Exit West)
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Perhaps they had decided they did not have it in them to do what would have needed to be done, to corral and bloody and where necessary slaughter the migrants, and had determined that some other way would have to be found. Perhaps they had grasped that the doors could not be closed, and new doors would continue to open, and they had understood that the denial of coexistence would have required one party to cease to exist, and the extinguishing party too would have been transformed in the process, and too many native parents would not after have been able to look their children in the eye, to speak with head held high of what their generation had done.
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Mohsin Hamid (Exit West)
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All their doors remained simple doors, on/off switches in the flow between two adjacent places, binarily either open or closed, but each of their doors, regarded thus with a twinge of irrational possibility, became partially animate as well, an object with a subtle power to mock, to mock the desires of those who desired to go far away, whispering silently from its door frame that such dreams were the dreams of fools.
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Mohsin Hamid (Exit West)
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The fury of those nativists advocating wholesale slaughter was what struck Nadia most, and it struck her because it seemed so familiar, so much like the fury of the militants in her own city. She wondered whether she and Saeed had done anything by moving, whether the faces and buildings had changed but the basic reality of their predicament had not.
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Mohsin Hamid (Exit West)
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for personalities are not a single immutable colour, like white or blue, but rather illuminated screens, and the shades we reflect depend much on what is around us.
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Mohsin Hamid (Exit West)
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Saeed wanted to feel for Nadia what he had always felt for Nadia, and the potential loss of this feeling left him unmoored, adrift in a world where one could go anywhere but still find nothing.
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Mohsin Hamid (Exit West)
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Saeed and Nadia knew what the buildup to conflict felt like, and so the feeling that hung over London was not new to them, and they faced it not with bravery, exactly, and not with panic either, not mostly, but instead with a resignation shot through with moments of tension, with tension ebbing and flowing, and when the tension receded there was calm, the calm that is called the calm before the storm, but is in reality the foundation of a human life, waiting there for us between the steps of our march to our mortality, when we are compelled to pause and not act but be.
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Mohsin Hamid (Exit West)
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A third layer of nativeness was composed of those whom others thought directly descended, even the tiniest fraction of their genes, from the human beings who had been brought from Africa centuries ago as slaves. While this layer of nativeness was not vast in proportion of the rest, it had vast importance, for society had been shaped in reaction to it. An unspeakable violence had occurred in relation to it, and yet it endured, fertile, a stratum of soil that perhaps made possible all future transplanted soils.
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Mohsin Hamid (Exit West)
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When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity's potential for building a better world, and so he prayed as a lament, as a consolation, and as a hope.
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Mohsin Hamid (Exit West)
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But while fear was part of what kept them together for those first few months in Marin, more powerful than fear was the desire that each see the other find firmer footing before they let go, and thus in the end their relationship did in some senses come to resemble that of siblings, in that friendship was its strongest element, and unlike many passions, theirs managed to cool slowly, without curdling into its reverse, anger, except intermittently. Of this, in later years, both were glad, and both would also wonder if this meant that they had made a mistake, that if they had but waited and watched their relationship would have flowered again, and so their memories took on a potential, which is of course how our greatest nostalgias are born.
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Mohsin Hamid (Exit West)
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She thought she mattered little to him, but in this she was mistaken, as the musician was quite smitten, and not nearly so unattached to her as she supposed, but pride, and also fear, and also style, kept him from asking more of her than she offered up.
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Mohsin Hamid (Exit West)
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...and when the tension receded there was calm, the calm that is called before the storm, but is in reality the foundation of a human life, waiting there for us between the steps of our march to our mortality, when we are compelled to pause and not act but be.
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Mohsin Hamid (Exit West)
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To flee forever is beyond the capacity of most: at some point even a hunted animal will stop, exhausted, and awaits its fate, if only for a while.
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Mohsin Hamid (Exit West)
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a beautiful memory one knows has already commenced to fade. β€’
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Mohsin Hamid (Exit West)
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our eternally impending ending does not put a stop to our transient beginnings and middles until the instant when it does.
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Mohsin Hamid (Exit West)
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courage is demanded not to attack when afraid,
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Mohsin Hamid (Exit West)
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if he understood, at some level, that to love is to enter into the inevitability of one day not being able to protect what is most valuable to you.
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Mohsin Hamid (Exit West)
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He was drawn to people from their country, both in the labor camp and online. It seemed to Nadia that the farther they moved from the city of their birth, through space and through time, the more he sought to strengthen his connection to it, tying ropes to the air of an era that for her was unambiguously gone.
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Mohsin Hamid (Exit West)
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But even now the city's freewheeling virtual world stood in stark contrast to the day-to-day lives of most people, to those of young men, and especially of young women, and above all of children who went to sleep unfed but could see on some small screen people in foreign lands preparing and consuming and even conducting food fights with feasts of such opulence that the very fact of their existence boggled the mind.
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Mohsin Hamid (Exit West)
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What she was doing, what she had just done, was for her not about frivolity, it was about the essential, about being human, living as a human being, reminding oneself of what one was, and so it mattered, and if necessary was worth a fight.
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Mohsin Hamid (Exit West)
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In their phones were antennas, and these antennas sniffed out an invisible world, as if by magic, a world that was all around them, and also nowhere, transporting them to places distant and near, and to places that had never been and would never be.
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Mohsin Hamid (Exit West)
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All sorts of strange people were around, people who looked more at home than she was, even the homeless ones who spoke no English, more at home maybe because they were younger, and when she went out it seemed to her that she too had migrated, that everyone migrates, even if we stay in the same houses our whole lives, because we can't help it. We are all migrants through time.
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Mohsin Hamid (Exit West)
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...the way of things, with cities as with life, for one moment we are pottering about our errands as usual and the next we are dying, and our eternally impending ending does not put a stop to our transient beginnings and middles until the instant when it does.
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Mohsin Hamid (Exit West)
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……., and in any case Nadia had taken one look at Saeed’s father and felt him like a father, for he was so gentle, and evoked in her a protective caring, as if for one’s own child, or for a puppy, or for a beautiful memory one knows has already commenced to fade.
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Mohsin Hamid (Exit West)
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but that is the way of things, with cities as with life, for one moment we are pottering about our errands as usual and the next we are dying, and our eternally impending ending does not put a stop to our transient beginnings and middles until the instant when it does. Saeed
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Mohsin Hamid (Exit West)
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It has been said that depression is a failure to imagine a plausible desirable future for oneself, (...), and life went on, and people found things to do and ways to be and people to be with, and plausible desirable futures began to emerge, unimaginable previously, but not unimaginable now, and the result was something not unlike relief.
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Mohsin Hamid (Exit West)
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Neither much enjoyed catching unexpected glimpses of their former lover's new existence online, and so they distanced themselves from each other on social networks, and while they wished to look out for each other, and to keep tabs on each other, staying in touch took a toll on them, serving as an unsettling reminder of a life not lived, and also they grew less worried each for the other, less worried that the other would need them to be happy, and eventually a month went by without any contact, and then a year, and then a lifetime.
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Mohsin Hamid (Exit West)
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Young men pray for different things, of course, but some young men pray to honour the goodness of the men who raised them, and Saeed was very much a young man of this mould.
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Mohsin Hamid (Exit West)
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for when we migrate, we murder from our lives those we leave behind.
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Mohsin Hamid (Exit West)
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In times of violence, there is always that first acquaintance or intimate of ours, who, when they are touched, makes what had seemed like a bad dream suddenly, evisceratingly real.
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Mohsin Hamid (Exit West)
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VALENE: Father Walsh, now... COLEMAN: Father Walsh, Father Walsh... WELSH (exiting, screaming): Me name's Welsh!!!
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Martin McDonagh (The Lonesome West (Acting Edition for Theater Productions))
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... and when she went out it seemed to her that she too had migrated, that everyone migrates, even if we stay in the same houses our whole lives, because we can't help it. We are all migrants through time.
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Mohsin Hamid (Exit West)
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Perhaps he had been selfish, his notion of helping the youth and the country through teaching and research merely an expression of vanity, and the far more decent path would have been to pursue wealth at all costs.
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Mohsin Hamid (Exit West)
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when it would be squarely in the path of heavy machine-gun and rocket fire as fighters advanced into this part of town: a view like staring down the barrel of a rifle. Location, location, location, the realtors say. Geography
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Mohsin Hamid (Exit West)
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On September 16, in defiance of the cease-fire, Ariel Sharon’s army circled the refugee camps of Sabra and Shatila, where Fatima and Falasteen slept defenselessly without Yousef. Israeli soldiers set up checkpoints, barring the exit of refugees, and allowed their Lebanese Phalange allies into the camp. Israeli soldiers, perched on rooftops, watched through their binoculars during the day and at night lit the sky with flares to guide the path of the Phalange, who went from shelter to shelter in the refugee camps. Two days later, the first western journalists entered the camp and bore witness. Robert Fisk wrote of it in Pity the Nation: They were everywhere, in the road, the laneways, in the back yards and broken rooms, beneath crumpled masonry and across the top of garbage tips. When we had seen a hundred bodies, we stopped counting. Down every alleyway, there were corpsesβ€”women, young men, babies and grandparentsβ€”lying together in lazy and terrible profusion where they had been knifed or machine-gunned to death. Each corridor through the rubble produced more bodies. The patients at the Palestinian hospital had disappeared after gunmen ordered the doctors to leave. Everywhere, we found signs of hastily dug mass graves. Even while we were there, amid the evidence of such savagery, we could see the Israelis watching us. From the top of the tower block to the west, we could see them staring at us through field-glasses, scanning back and forth across the streets of corpses, the lenses of the binoculars sometimes flashing in the sun as their gaze ranged through the camp. Loren Jenkins [of the Washington Post] cursed a lot. Jenkins immediately realized that the Israeli defense minister would have to bear some responsibility for this horror. β€œSharon!” he shouted. β€œThat fucker [Ariel] Sharon! This is Deir Yassin all over again.
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Susan Abulhawa (Mornings in Jenin)
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In the past, one would have been arrested for wanting to leave. Now that nobody was stopping us from emigrating, we were no longer welcome on the other side. The only thing that had changed was the color of the police uniforms. We risked being arrested not in the name of our own government but in the name of other states, those same governments who had urged us to break free. The West had spent decades criticizing the East for its closed borders, funding campaigns to demand freedom of movement, condemning the immorality of states committed to restricting the right to exit. Our exiles used to be received as heroes. Now they were treated as criminals. Perhaps freedom of movement had never really mattered. It was easy to defend it when someone else was doing the dirty work of imprisonment. But what value does the right to exit have if there is no right to enter? Were borders and walls reprehensible only when they served to keep people in, as opposed to keeping them out? The border guards, the patrol boats, the detention and repression of immigrants that were pioneered in southern Europe for the first time in those years [1990s] would become standard practice over the coming decades. The West, initially unprepared for the arrival of thousands of people wanting a different future, would soon perfect a system for excluding the most vulnerable and attracting the more skilled, all the while defending borders to "protect our way of life." And yet, those who sought to emigrate did so because they were attracted to that way of life. Far from posing a threat to the system, they were its most ardent supporters.
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Lea Ypi (Free: A Child and a Country at the End of History)
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But Saeed’s father was thinking also of the future, even though he did not say this to Saeed, for he feared that if he said this to his son that his son might not go, and he knew above all else that his son must go, and what he did not say was that he had come to that point in a parent’s life when, if a flood arrives, one knows one must let go of one’s child, contrary to all the instincts one had when one was younger, because holding on can no longer offer the child protection, it can only pull the child down, and threaten them with drowning, for the child is now stronger than the parent, and the circumstances are such that the utmost of strength is required, and the arc of a child’s life only appears for a while to match the arc of a parent’s, in reality one sits atop the other, a hill atop a hill, a curve atop a curve, and Saeed’s father’s arc now needed to curve lower, while his son’s still curved higher, for with an old man hampering them these two young people were simply less likely to survive.
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Mohsin Hamid (Exit West)
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Saeed was certain he was in love. Nadia was not certain what exactly she was feeling, but she was certain it had force. Dramatic circumstances, such as those in which they and other new lovers in the city now found themselves, have a habit of creating dramatic emotions, and furthermore the curfew served to conjure up an effect similar to that of a long-distance relationship, and long-distance relationships are well known for their potential to heighten passion, at least for a while, just as fasting is well known to heighten one’s appreciation for food.
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Mohsin Hamid (Exit West)
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The effect doors had on people altered as well. Rumors had begun to circulate of doors that could take you elsewhere, often to places far away, well removed from this death trap of a country. Some people claimed to know people who knew people who had been through such doors. A normal door, they said, could become a special door, and it could happen without warning, to any door at all. Most people thought these rumors to be nonsense, the superstitions of the feeble-minded. But most people began to gaze at their own doors a little differently nonetheless. Nadia
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Mohsin Hamid (Exit West)
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I can understand it,” she said. β€œImagine if you lived here. And millions of people from all over the world suddenly arrived.” β€œMillions arrived in our country,” Saeed replied. β€œWhen there were wars nearby.” β€œThat was different. Our country was poor. We didn’t feel we had as much to lose.
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Mohsin Hamid (Exit West)
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...Saeed's father wept only when he was alone in his room, silently, without tears, his body seized as though by a stutter, or a shiver, that would not let go, for his sense of loss was boundless, and his sense of the benevolence of the universe was shaken, and his wife had been his best friend.
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Mohsin Hamid (Exit West)
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In the past, one would have been arrested for wanting to leave. Now that nobody was stopping us from emigrating, we were no longer welcome on the other side. The only thing that had changed was the colour of the police uniforms. We risked being arrested not in the name of our own government but in the name of other states, those same governments who used to urge us to break free. The West had spent decades criticizing the East for its closed borders, funding campaigns to demand freedom of movement, condemning the immorality of states committed to restricting the right to exit. Our exiles used to be received as heroes. Now they were treated like criminals.
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Lea Ypi (Free: Coming of Age at the End of History)
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Once as Nadia sat on the steps of a building reading the news on her phone across the street from a detachment of troops and a tank, she thought she saw online a photograph of herself sitting on the steps of a building reading the news on her phone across the street from a detachment of troops and a tank, and she was startled and wondered how this could be. How she could both read this news and be this news. And how the newspaper could have published this instantaneously, and she looked about for a photographer, and she had the bizarre feeling of time bending all around her, as though she were from the past reading about the future, or from the future reading about the past.
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Mohsin Hamid (Exit West)
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Soon a rhythm was established, and it was thereafter rare that more than a few waking hours would pass without contact between them, and they found themselves in those early days of their romance growing hungry, touching each other, but without bodily adjacency, without release. They had begun, each of them, to be penetrated, but they had not yet kissed.
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Mohsin Hamid (Exit West)
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We are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another.
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Mohsin Hamid (Exit West)
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Saeed went with his father to pray on the first Friday after the curfew's commencement, and Saeed prayer for peace and Saeed's father prayed for Saeed and the preacher in his sermon urged all the congregants to pry for the righteous to emerge victorious in the war but carefully refrained from specifying on which side of the conflict he thought the righteous to be.
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Mohsin Hamid (Exit West)
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Perhaps they had decided they did not have it in them to do what would have needed to be done, to corral and bloody and where necessary slaughter the migrants, and had determined that some other way would have to be found. Perhaps they had grasped that the doors could not be closed, and new doors would continue to open, and they had understood that the denial of coexistence would have required one party to cease to exist, and the extinguishing party too would have been transformed in the process, and too many native parents would not after have been able to look their children in the eye, to speak with head held high of what their generation had done. Or perhaps the sheer number of places where there were now doors had made it useless to fight in any one.
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Mohsin Hamid (Exit West)
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If you don’t pray,” he said, lowering his voice, β€œwhy do you wear it?” They were sitting at a table for two by a window, overlooking snarled traffic on the street below. Their phones rested screens-down between them, like the weapons of desperadoes at a parley. She smiled. Took a sip. And spoke, the lower half of her face obscured by her cup. β€œSo men don’t fuck with me,” she said.
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Mohsin Hamid (Exit West)
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(...) and all sorts of strange people were around, people who looked more at home than she was, even the homeless ones who spoke no English, more at home maybe because they were younger, and when she went out it seemed to her that she too had migrated, that everyone migrates, even if we stay in the same houses our whole lives, because we can't help it. We are all migrants through time.
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Mohsin Hamid (Exit West)
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They finished their coffees. Nadia asked if Saeed had been to the deserts of Chile an seen the stars an was it all he had imagined it would be. He nodded and said if she had an evening free he would take her, it was a sight worth seeing in this lie, and she shut her eyes and said she would like that very much, and they rose and embraced and parted and did not know, then, if that evening would ever come.
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Mohsin Hamid (Exit West)
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...and so neither talked much of drifting apart, not wanting to inflict a fear of abandonment, while also themselves quietly feeling that fear, the fear of the severing of their tie, the end of the world they had built together, a world of shared experiences in which no one else would share, and a shared intimate language that was unique to them, and a sense that what they might break was special and likely irreplaceable.
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Mohsin Hamid (Exit West)
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It might seem odd that in cities teetering at the edge of the abyss young people still go to classβ€”in this case an evening class on corporate identity and product brandingβ€”but that is the way of things, with cities as with life, for one moment we are pottering about our errands as usual and the next we are dying, and our eternally impending ending does not put a stop to our transient beginnings and middles until the instant when it does. Saeed
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Mohsin Hamid (Exit West)
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Our room swallowed light whole. Even in summer when sunlight glared through the windows, it was somehow dim inside. Now it was only Easter morning, and the muted sky of early spring offered scant relief to our tenebrous room. On our side of the house a gnarled and ancient oak tree spread its reach across the back facade of the house as if to shade and protect us. One of the massive branches of its principal fork reached invitingly right up to our window to offer to take us wherever we wanted to go. This great limb, with circumference grander than both of us together, was our stairway to heaven and our secret exit to the ground; it was our biplane in the Great War of our imaginations and a magic carpet to Araby; it was our lookout post and the clubhouse of our most secret fraternal order; it was our secret passageway through the imaginary castle we made of our house. It was our escape from the darkness into the light.
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Mason West
β€œ
Saeed prayed a great deal, and so did his father, and so did their guests, and some of them wept, but Saeed had wept only once, when he first saw his mother's corpse and screamed, and Saeed's father wept only when he was alone in his room, silently, without tears, his body seized as though by a stutter, or a shiver, that would not let go, for his sense of loss was boundless, and his sense of the benevolence of the universe was shaken, and his wife had been his best friend.
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Mohsin Hamid (Exit West)
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One's relationship to windows now changed in the city. A window was the border through which death was possibly most likely to come. Windows could not stop even the most flagging round of ammunition: any spot indoors with a view of the outside was a spot potentially in the crossfire. Moreover the pane of a window could itself become shrapnel so easily, shattered by a nearby blast, and everyone had heard of someone or other who had bled out after being lacerated by shards of flying glass.
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Mohsin Hamid (Exit West)
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Saeed for his part wished he could do something for Nadia, could protect her from what would come, even if he understood, at some level, that to love is to enter into the inevitability of one day not being able to protect what is most valuable to you. He thought she deserved better than this, but he could see no way out, for they had decided not to run, not to play roulette with yet another departure. To flee forever is beyond the capacity of most: at some point even a hunted animal will stop, exhausted, and await its fate, if only for a while.
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Mohsin Hamid (Exit West)
β€œ
Saeed and Nadia knew what the buildup to conflict felt like, and so the feeling that hung over London in those days was not new to them, and they faced it not with bravery, exactly, and not with panic either, not mostly, but instead with a resignation shot through with moments of tension, with tension ebbing and flowing, and when the tension receded there was calm, the calm that is called the calm before the storm, but is in reality the foundation of a human life, waiting there for us between the steps of our march to our mortality, when we are compelled to pause and not act but be.
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Mohsin Hamid (Exit West)
β€œ
When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity's potential for building a better world . . .
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Mohsin Hamid (Exit West)
β€œ
We have been weathering this hurricane wall of doubt and violence for so long, and now, more crystalline than ever, we have an enemy and a mandate. We have the smirking apotheosis of our oppression sliming, paw-first, toward our genitals. We have the popular vote. We have proof, in exit polls, that white women will pawn their humanity for the safety of white supremacy. We have abortion pills to stockpile and neighbors to protect and children to teach. We have the right woman to find. We have local elections in a year. The fact that we lost doesn’t make us wrong; the fact that they don’t believe in us doesn’t make us disappear. Progress
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Lindy West (Shrill: Notes from a Loud Woman)
β€œ
had tall windows and a usable, if narrow, balcony, with a view down an alley and straight up a boulevard to a dry fountain that once gushed and sparkled in the sunlight. It was the sort of view that might command a slight premium during gentler, more prosperous times, but would be most undesirable in times of conflict, when it would be squarely in the path of heavy machine-gun and rocket fire as fighters advanced into this part of town: a view like staring down the barrel of a rifle. Location, location, location, the realtors say. Geography is destiny, respond the historians. War would soon erode the facade of their building as though it had accelerated time itself, a day’s toll outpacing that of a decade.
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Mohsin Hamid (Exit West)
β€œ
When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity’s potential for building a better world, and so he prayed as a lament, as a consolation, and as a hope, but he felt that he could not express this to Nadia,
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Mohsin Hamid (Exit West)
β€œ
Saeed’s father encountered each day objects that had belonged to his wife and so would sweep his consciousness out of the current others referred to as the present, a photograph or an earring or a particular shawl worn on a particular occasion, and Nadia encountered each day objects that took her into Saeed’s past, a book or a music collection or a sticker on the inside of a drawer, and evoked emotions from her own childhood, and jagged musings on the fate of her parents and her sister, and Saeed, for his part, was inhabiting a chamber that had been his only briefly, years ago, when relatives from afar or abroad used to come to visit, and being billeted here again conjured up for him echoes of a better era, and so in these several ways these three people sharing this one apartment splashed and intersected with each other across varied and multiple streams of time.
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Mohsin Hamid (Exit West)
β€œ
As he sat he felt the outside of her thigh, firm, against his, and she felt the outside of his, likewise firm, against hers. She said, β€œAren’t you going to take that off?” She meant the black robe, which he had forgotten he was wearing, and he looked down at himself and over at her, and smiled, and answered, β€œYou first.” She laughed. β€œTogether, then.” β€œTogether.” They stood and pulled off their robes, facing each other, and underneath both were wearing jeans and sweaters, there being a nip in the air tonight, and his sweater was brown and loose and hers was beige and clung to her torso like a soft second skin. He attempted chivalrously not to take in the sweep of her body, his eyes holding hers, but of course, as we know often happens in such circumstances, he was unsure as to whether or not he had succeeded, one’s gaze being less than entirely conscious a phenomenon. They sat back down and she placed her fist on her thigh, palm up, and opened it. β€œHave you ever done psychedelic mushrooms?” she asked.
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Mohsin Hamid (Exit West)
β€œ
With Mary standing in the hall, Kate and Anthony exited out the doorway and headed west on Milner Street. β€œI usually stay to the smaller streets and make my way up to Brompton Road,” Kate explained, thinking that he might not be very familiar with this area of town, β€œthen take that to Hyde Park. But we can walk straight up Sloane Street, if you prefer.” β€œWhatever you wish,” he demurred. β€œI shall follow your direction.” β€œVery well,” Kate replied, marching determinedly up Milner Street toward Lenox Gardens. Maybe if she kept her eyes ahead of her and moved briskly, he’d be discouraged from conversation. Her daily walks with Newton were supposed to be her time for personal reflection. She did not appreciate having to drag him along. Her strategy worked quite well for several minutes. They walked in silence all the way to the corner of Hans Crescent and Brompton Road, and then he quite suddenly said, β€œMy brother played us for fools last night.” That stopped her in her tracks. β€œI beg your pardon?” β€œDo you know what he told me about you before he introduced us?” Kate stumbled a step before shaking her head, no. Newton hadn’t stopped in his tracks, and he was tugging on the lead like mad. β€œHe told me you couldn’t say enough about me.” β€œWellll,” Kate stalled, β€œif one doesn’t want to put too fine a point on it, that’s not entirely untrue.” β€œHe implied,” Anthony added, β€œthat you could not say enough good about me.” She shouldn’t have smiled. β€œThat’s not true.” He probably shouldn’t have smiled, either, but Kate was glad he did. β€œI didn’t think so,” he replied. They turned up Brompton Road toward Knightsbridge and Hyde Park, and Kate asked, β€œWhy would he do such a thing?” Anthony shot her a sideways look. β€œYou don’t have a brother, do you?” β€œNo, just Edwina, I’m afraid, and she’s decidedly female.” β€œHe did it,” Anthony explained, β€œpurely to torture me.” β€œA noble pursuit,” Kate said under her breath. β€œI heard that.” β€œI rather thought you would,” she added. β€œAnd I expect,” he continued, β€œthat he wanted to torture you as well.” β€œMe?” she exclaimed. β€œWhyever? What could I possibly have done to him?” β€œYou might have provoked him ever so slightly by denigrating his beloved brother,” he suggested. Her brows arched. β€œBeloved?” β€œMuch-admired?” he tried. She shook her head. β€œThat one doesn’t wash, either.” Anthony grinned.
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Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
β€œ
even if he understood, at some level, that to love is to enter into the inevitability of one day not being able to protect what is most valuable to you.
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Mohsin Hamid (Exit West)
β€œ
Now, though, in Marin, Saeed prayed even more, several times a day, and he prayed fundamentally as a gesture of love for what had gone and would go and could be loved in no other way. When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity’s potential for building a better world, and so he prayed as a lament, as a consolation, and as a hope, but he felt that he could not express this to Nadia, that he did not know how to express this to Nadia, this mystery that prayer linked him to, and it was so important to express it,
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Mohsin Hamid (Exit West)
β€œ
Saeed went with his father to pray on the first Friday after the curfew's commencement, and Saeed prayed for peace and Saeed's father prayed for Saeed and the preacher in his sermon urged all the congregants to pry for the righteous to emerge victorious in the war but carefully refrained from specifying on which side of the conflict he thought the righteous to be.
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Mohsin Hamid (Exit West)
β€œ
the calm that is called the calm before the storm, but is in reality the foundation of a human life, waiting there for us between the steps of our march to our mortality, when we are compelled to pause and not act but be.
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Mohsin Hamid (Exit West)
β€œ
they faced it not with bravery, exactly, and not with panic either, not mostly, but instead with a resignation shot through with moments of tension, with tension ebbing and flowing, and when the tension receded there was calm, the calm that is called the calm before the storm, but is in reality the foundation of a human life, waiting there for us between the steps of our march to our mortality, when we are compelled to pause and not act but be.
”
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Mohsin Hamid (Exit West)
β€œ
There was also closeness, for the end of a couple is like a death, and the notion of death, of temporariness, can remind us of the value of things.
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Mohsin Hamid (Exit West)
β€œ
He was aware that alone a person is almost nothing.
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Mohsin Hamid (Exit West)
β€œ
and since most people had little to barter with, they usually bartered with a promise of something to eat tomorrow or the next day in exchange for something to eat today, a bartering not so much of different goods, exactly, but of
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Mohsin Hamid (Exit West)
β€œ
The maid was of an age at which men had stopped seeing her. She had had the body of a woman when she was still a girl, when she was married off, so young, and her body had ripened further after she birthed and nursed her child, and men had once paused to look at her, not at her face, but at her figure, and she had often been alarmed by those looks, in part because of the danger in them, and in part because she knew how they changed when she was revealed to be mute, and so the end of being seen was mostly a relief. Mostly, almost entirely, yet not entirely, for life had given the maid no space for the luxuries of vanity, but even so, she was human.
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Mohsin Hamid (Exit West)
β€œ
that to love is to enter into the inevitability of one day not being able to protect what is most valuable to you.
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Mohsin Hamid (Exit West)
β€œ
The island was pretty safe, they were told, except when it was not, which made it like most places.
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Mohsin Hamid (Exit West)
β€œ
The old woman had become a rich woman on paper, the house now worth a fortune, and her children were always pestering her to sell it, saying she didn?t need all that space. But she told them to be patient, it would be theirs when she died, which wouldn?t be long now, and she said this kindly, to sharpen the bite of it, and to remind them how much they were motivated by money
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Mohsin Hamid (Exit West)
β€œ
The old woman had become a rich woman on paper, the house now worth a fortune, and her children were always pestering her to sell it, saying she didn't need all that space. But she told them to be patient, it would be theirs when she died, which wouldn?t be long now, and she said this kindly, to sharpen the bite of it, and to remind them how much they were motivated by money
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Mohsin Hamid (Exit West)
β€œ
and he said if anyone should leave the home they had built it was him. But as he said this he felt he was acting, or if not acting then so confused as to be incapable of gauging his own sincerity.
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Mohsin Hamid (Exit West)
β€œ
and each time she returned she told the maid to come with her, and the maid said no, for she had a sense of the fragility of things, and she felt she was a small plant in a small patch of soil held between the rocks of a dry and windy place
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Mohsin Hamid (Exit West)