“
Hey, all the cool kids are sleeping with stuffed animals these days.
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
This is the Wilderness School. 'Where the Kids are animals
”
”
Rick Riordan
“
Peanut was a hamster. He was furry, had four legs, a big tummy and his favourite food was, you guessed it, peanuts
”
”
Molly Arbuthnott (Peanut the Hamster)
“
I wish someone had just told me the truth right up front, as soon as I was old enough to understand it. I wish someone had just said: “Here’s the deal, Wade. You’re something called a ‘human being.’ That’s a really smart kind of animal. Like every other animal on this planet, we’re descended from a single-celled organism that lived millions of years ago. This happened by a process called evolution, and you’ll learn more about it But trust me, that’s really how we all got here. There’s proof of it everywhere, buried in the rocks. That story you heard? About how we were all created by a super-powerful dude named God who lives up in the sky? Total bullshit. The whole God thing is actually an ancient fairy tale that people have been telling one another for thousands of years. We made it all up. Like Santa Claus and the Easter Bunny. “Oh, and by the way … there’s no Santa Claus or Easter Bunny. Also bullshit. Sorry, kid Deal with it.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
The very least you can do in your life is to figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof. What I want is so simple I almost can’t say it: elementary kindness. Enough to eat, enough to go around. The possibility that kids might one day grow up to be neither the destroyers nor the destroyed. That’s about it. Right now I'm living in that hope, running down its hallway and touching the walls on both sides.
”
”
Barbara Kingsolver (Animal Dreams)
“
We were alone and starved for love. Kids that lived in a world full of hate.
”
”
Masashi Kishimoto
“
My mother tells me
that when I meet someone I like,
I have to ask them three questions:
1. what are you afraid of?
2. do you like dogs?
3. what do you do when it rains?
of those three, she says the first one is the most important.
“They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of.
“spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.”
I asked you if you liked dogs.
“I have three.”
I asked you what you do when it rains.
“sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.”
he smiled like he knew.
like his mom told him the same
thing.
“how about you?”
me?
I’m scared of everything.
of the hole in the o-zone layer,
of the lady next door who never
smiles at her dog,
and especially of all the secrets
the government must be breaking
it’s back trying to keep from us.
I love dogs so much, you have no idea.
I sleep when it rains.
I want to tell everyone I love them.
I want to find every stray animal and bring them home.
I want to wake up in your hair
and make you shitty coffee
and kiss your neck
and draw silly stick figures of us.
I never want to ask anyone else
these questions
ever again.
”
”
Caitlyn Siehl (What We Buried)
“
Give me a cat over a kid any day. You can open up a bag of Meow Mix, plop it down on the floor next to a bucket of water, go on vacation for a week, and come home to an animal that is so busy licking it’s own ass that it has no idea you were even gone. You can’t do that with a kid. Well, I guess you could, but I’m sure it’s frowned upon in most circles. And if my kid could lick his own ass, I’d have saved a shit load of money on diapers, I can tell you that.
”
”
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
“
When you're used to having electricity and then all of a sudden it's taken away, you're basically just one step from being a wild animal.
”
”
Jeff Kinney
“
We were
a mob
a gang
ghetto
a pack of wolves
animals
thugs
hoodlums
men
They were
kids
having fun
home
loved
supported
protected
full of potential
boys
”
”
Ibi Zoboi (Punching the Air)
“
We hit and we kept on hitting; we were allowed to be what we were, frightened and vengeful — little animals, clawing at what we needed.
”
”
Justin Torres (We the Animals)
“
people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model”
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
”
”
Sarah Kay
“
Why does that kid think so highly of himself?"
"Kids that think they're so smart.They're everywhere! Destroy is self-esteem!"
"Yes...I really do think highly of myself.People like me should get a taste of the ups and downs of life! Sorry I'm so envious.I will reflect upon this. Please don't be angry.
"Ah..um.."
"There, I said it now. Are you satisfied?"
........
"Bye bye!"
Beat him.....Beat him until he reaches heaven...!!!
-random people and Hiro-chan
”
”
Natsuki Takaya (Fruits Basket, Vol. 7)
“
I recognized it instantly. It was a made-up story, a fantasy, the tale of four kids who went through a magic wardrobe and found themselves in a strange new world. I'd read it more times than I could remember, and although I sneered at the thought of a magical land with friendly, talking animals, there were times when I wished, in my most secret moments, that I could find a hidden door that would take us allout of this place.
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
No, I don’t have to tell a soul about this, I promised myself. When you are a kid, you don’t know yet that a secret, like an animal, can evolve. Like an animal, a secret can develop a self-preserving intelligence. Shaglike, mute and thick, a knowledge with a fur: your secret.
”
”
Karen Russell (Swamplandia!)
“
[Mouse is] with us. The dog is a handicap-assist animal."
The kid lifted his eyebrows.
"My mouth is partially paralyzed," I said. "It makes it hard for me to read. He's here to help me with the big words. Tell me if I'm supposed to push or pull on doors, that kind of thing.
”
”
Jim Butcher (White Night (The Dresden Files, #9))
“
Beneath her cheek, his heart was thumping steadily. Definitely faster than his usual near-hibernation beat. Lifting her head, she flashed him a tight smile. “I get to you.”
“Are you kidding? You own me,” he said, his voice running over her like silk.
”
”
Jill Shalvis (Animal Magnetism (Animal Magnetism, #1))
“
Do you like manga?" she asked after a minute. "Anime?"
"Anime's cool. I'm not really into it, but 1 like Japanese movies,
animated or not."
"Well, I'm into it. I watch the shows, read the books, chat on the boards, and all that. But this girl I know, she's
completely into it. She spends most of her allowance on the books and DVDs. She can recite dialogue from
them." She caught my gaze. "So would you say she belongs here?"
"No. Most kids are that way about something, right? With me, it's
movies. Like knowing who directed a sci-fi movie made before I was born.
”
”
Kelley Armstrong (The Summoning (Darkest Powers, #1))
“
The pathetic thing I wanted to say to him on the phone – but didn’t – was this: When you're a little kid, you have something. Maybe it's a blanket or a stuffed animal or whatever. For me, it was this stuffed prairie dog that I got one Christmas when I was like three. I don't even know where they found a stuffed prairie dog, but whatever, it sat up on its hind legs and I called him Marvin, and I dragged Marvin around by his prairie dog ears until I was about ten.
And then at some point, it was nothing personal against Marvin, but he started spending more time in the closet with my other toys, and then more time, until finally Marvin became a full-time resident of the closet.
But for many years afterward, sometimes I would get Marvin out of the closet and just hang out with him for a while – not for me, but for Marvin. I realized it was crazy, but I still did it.
And the thing I wanted to say to Tiny is that sometimes, I feel like his Marvin.
”
”
John Green (Will Grayson, Will Grayson)
“
I snuggle closer to him in my sleep and my whimpering subsides to a contented sigh. It almost hurts to see Raffe closing his eyes and holding me the way a kid might hold a stuffed animal for comfort. I reach out my phantom hand to stroke his face. But of course, I can’t feel him. I can only feel what the sword remembers. I run my hand along the lines of his neck and the muscles of his shoulder, anyway. Imagining the smooth warmth of him. Remembering the feeling of being held in his arms.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
I always hated those classic kid movies like Old Yeller or The Yearling where the beloved pet dies. What would be so wrong with having those damn kids learn their lessons about mortality from watching Grandpa kick? Then at least the dog would be around to comfort them.
”
”
Merrill Markoe (Walking in Circles Before Lying Down)
“
I cast a glance in my new admirer's direction. "You may call me Your Highness," I said. "Or Empress Beauty."
He chuckled. I wasn't kidding.
”
”
Gena Showalter (Animal Instincts)
“
I love animals, sometimes more than people, because they don't judge. All they want is love.
”
”
H.J. Lawson (War Kids (War Kids, #1))
“
The only difference between kids and jungle animals is pants. Kids wear them. Jungle animals don't.
”
”
Denis Leary (Why We Suck: A Feel Good Guide to Staying Fat, Loud, Lazy and Stupid)
“
Married pixy, I told myself, forcing my eyes back to the shelf of ceramic animals. Fifty-four kids. Beautiful wife, sweet as sugar, who would kill me in my sleep while apologizing for it.
”
”
Kim Harrison (A Fistful of Charms (The Hollows, #4))
“
And you plan to do this alone? You think a lot of yourself, don’t you animal? (Stone)
Oh, punk, please. Believe me, when dealing with wusses like you who have to gang up on a kid to feel powerful, I don’t need any help. (Fang)
”
”
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
“
I'm not really sure what makes a book a "classic" to begin with, but I think it has to be at least fifty years old and some person or animal has to die at the end.
”
”
Jeff Kinney (Dog Days (Diary of a Wimpy Kid, #4))
“
If there is one thing developmental psychologists have learned over the years, it is that parents don’t have to be brilliant psychologists to succeed. They don’t have to be supremely gifted teachers. Most of the stuff parents do with flashcards and special drills and tutorials to hone their kids into perfect achievement machines don’t have any effect at all. Instead, parents just have to be good enough. They have to provide their kids with stable and predictable rhythms. They need to be able to fall in tune with their kids’ needs, combining warmth and discipline. They need to establish the secure emotional bonds that kids can fall back upon in the face of stress. They need to be there to provide living examples of how to cope with the problems of the world so that their children can develop unconscious models in their heads.
”
”
David Brooks (The Social Animal: The Hidden Sources of Love, Character, and Achievement)
“
CUSTOMER: These books are really stupid, aren’t they?
BOOKSELLER: Which ones?
CUSTOMER: You know, the ones where animals like cats and mice are best friends.
BOOKSELLER: I suppose they’re not very realistic, but then that’s fiction.
CUSTOMER: They’re more than unrealistic; they’re really stupid.
BOOKSELLER: Well, writers use that kind of thing to teach kids about accepting people different to themselves, you know?
CUSTOMER: Yeah, well, books shouldn’t pretend that different people get on like that and that everything is ‘la de da’ and wonderful, should they? Kids should learn that life’s a bitch, and the sooner the better.
”
”
Jen Campbell (Weird Things Customers Say in Bookshops)
“
So, I was looking through websites about animal sacrifice on the Internet," Kami announced to distract herself. "Apparently it's a feature in Satanic rituals."
"Wow," Rusty remarked, his voice slightly muffled. "I sure hope this conversation continues over dinner."
"Wait," Angela said, expertly twisting Rusty's arm. "I thought we were dealing with kids? Are we talking about twelve-year-old Satanists?" She paused. "Actually, that makes a lot of sense. I suspect those kids from the cricket club.
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
Q: What do you get when you cross Bambi with an umbrella? A: You get a rain-deer (reindeer).
”
”
Rob Elliott (Laugh-Out-Loud Animal Jokes for Kids (Laugh-Out-Loud Jokes for Kids))
“
Cooking without remuneration" and "slaving over a hot stove" are activities separated mostly by a frame of mind. The distinction is crucial. Career women in many countries still routinely apply passion to their cooking, heading straight from work to the market to search out the freshest ingredients, feeding their loved ones with aplomb. [...] Full-time homemaking may not be an option for those of us delivered without trust funds into the modern era. But approaching mealtimes as a creative opportunity, rather than a chore, is an option. Required participation from spouse and kids is an element of the equation. An obsession with spotless collars, ironing, and kitchen floors you can eat off of---not so much. We've earned the right to forget about stupefying household busywork. But kitchens where food is cooked and eaten, those were really a good idea. We threw that baby out with the bathwater. It may be advisable to grab her by her slippery foot and haul her back in here before it's too late.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
I had seen other stop-motion animated features, and they were either not engaging or they're just too bizarre. There was one I liked when I was a kid called Mad Monster Party. People thought Nightmare was the first stop-motion animated monster musical, but that was.
”
”
Tim Burton (Burton on Burton)
“
I don't know what rituals my kids will carry into adulthood, whether they'll grow up attached to homemade pizza on Friday nights, or the scent of peppers roasting over a fire, or what. I do know that flavors work their own ways under the skin, into the heart of longing. Where my kids are concerned I find myself hoping for the simplest things: that if someday they crave orchards where their kids can climb into the branches and steal apples, the world will have trees enough with arms to receive them.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
As for Sadie, she didn’t appear interested in strategy. She leaped from puddle to puddle in her combat boots. She hummed to herself, twirled like a little kid and occasionally pulled random things out of her backpack: wax animal figurines, some string, a piece of chalk, a bright yellow bag of candy.
She reminded me of someone …
Then it occurred to me. She looked like a younger version of Annabeth, but her fidgeting and hyperness reminded me of … well, me. If Annabeth and I ever had a daughter, she might be a lot like Sadie.
Whoa.
It’s not like I’d never dreamed about kids before. I mean, you date someone for over a year, the idea is going to be in the back of your mind somewhere, right? But still – I’m barely seventeen. I’m not ready to think too seriously about stuff like that. Also, I’m a demigod. On a day-to-day basis, I’m busy just trying to stay alive.
Yet, looking at Sadie, I could imagine that someday maybe I’d have a little girl who looked like Annabeth and acted like me – a cute little hellion of a demigod, stomping through puddles and flattening monsters with magic camels.
”
”
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
“
I need a kid like I need a bad heart. A pretty kid is a ticket to trouble... and I'm too old to ask for that. Shit, I haven't even booked Tommy the Face in two years. I'm turning into a jack-off idiot.
”
”
Edward Bunker (The Animal Factory)
“
That's the trouble with the world we live in. It's full of people just doing their job and ignoring what's really going on. Care about the rainforest until they get a couple of kids and enough money for a gas guzzling car, or some hardwood dining furniture. Watch all those wildlife programmes and coo over the furry animals, but still eat meat and poultry that was raised in conditions of unbelievable cruelty.
”
”
Robert Muchamore
“
In the midst of the vagaries of life, they provide us a trip to the land of goodness and fairies, of imaginations and possibilities.
A childhood that wasn't spent watching cartoons or reading comic strips, no wonder, seems too dull to imagine.
”
”
Sanhita Baruah
“
Then to give the kids a historical perspective, Chacko told them about the earth woman. He made them imagine that the earth - 4600 million years old - was a 46 year old woman- as old as Aleyamma teaacher, who gave them Malayalam lessons. It had taken the whole of earth woman’s life for the earth to become what it was. For the oceans to part. For the mountains to rise. The earth woman was 11 yrs old when the first single celled organisms appeared. The first animals, creatures like worms and jellyfish, appeared only when she was forty. She was over forty five - just 8 months ago - when dinosaurs roamed the earth. The whole of human civilization as we know it, began only 2 hrs ago in the earth woman’s life…
”
”
Arundhati Roy (The God of Small Things)
“
Why
Just ask the donkey in me
To speak to the donkey in you,
When I have so many other beautiful animals
And brilliant colored birds inside
That are longing to say something wonderful
And exciting to your heart?
Let's open all the locked doors upon our eyes
That keep us from knowing the Intelligence
That begets love
And a more lively and satisfying conversation
With the Friend.
Let's turn loose our golden falcons
So that they can meet in the sky
Where our spirits belong--
Necking like two
Hot kids.
Let's hold hands and get drunk near the sun
And sing sweet songs to God
Until He joins us with a few notes
From his own sublime lute and drum.
If you have a better idea
Of how to pass a lonely night
After your glands may have performed
All their little magic
Then speak up sweethearts, speak up,
For Hafiz and all the world will listen.
Why just bring your donkey to me
Asking for stale hay
And a boring conference with the idiot
In regards to this precious matter--
Such a precious matter as love,
When I have so many other divine animals
And brilliant colored birds inside
That are all longing
To so sweetly
Greet
You!
”
”
Hafez (The Gift)
“
I like eggs and bacon,” George tells me. “But”—his face clouds—“do you know that bacon is”—tears leap to his eyes—“Wilbur?” Mrs. Garrett sits down next to him immediately. “George, we’ve been through this. Remember? Wilbur did not get made into bacon.” “That’s right.” I bend down too as wetness overflows George’s lashes. “Charlotte the spider saved him. He lived a long and happy life—with Charlotte’s daughters, um, Nelly and Urania and—” “Joy,” Mrs. Garrett concludes. “You, Samantha, are a keeper. I hope you don’t shoplift.”I start to cough. “No. Never.” “Then is bacon Babe, Mom? Is it Babe?”“No, no, Babe’s still herding sheep. Bacon is not Babe. Bacon is only made from really mean pigs,George.” Mrs. Garrett strokes his hair, then brushes his tears away.“Bad pigs,” I clarify.“There are bad pigs?” George looks nervous. Oops.“Well, pigs with, um, no soul.” That doesn’t sound good either. I cast around for a good explanation. “Like the animals that don’t talk in Narnia.” Dumb. George is four. Would he know Narnia yet? He’s still at Curious George.But understanding lights his face. “Oh. That’s okay then. ’Cause I really like bacon.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
When I was a little girl,' I said, sitting down, 'the wallpaper in my room had pictures of Noah's story.' [...]
You know what's weird though? It's weird that the ark would be such a kids' story, you know? I mean, it's...really a story about death. Every person who isn't in Noah's family? They die. Every animal, apart from two of each on the boat? They die. They all die in the flood. Billions of creatures. It's the worst tragedy ever,' I finished, my voice tied off by a knot in my chest.[...] 'What the hell,'I said, 'pardon my language, was that doing on my wallpaper?
”
”
Adam Rex (The True Meaning of Smekday)
“
The Easter egg which was not found
contained a letter from the hen who laid it,
saying "Fuck your kids,
What about mine?
”
”
Shay Caroline (My Mad Love)
“
Q: What is the difference between a cat and a frog? A: A cat has nine lives but a frog croaks every day.
”
”
Rob Elliott (Laugh-Out-Loud Animal Jokes for Kids (Laugh-Out-Loud Jokes for Kids))
“
You can make it if you try. Don't give up or quit the fight. If you believe, you will see, you can do it.
”
”
Robert Karl Hanson (Bluey and The Great Spirit Moon)
“
I’m not sure why Setne didn’t just magic himself away. I suppose even a powerful magician can succumb to panic. When you’re free-falling, you forget to think rationally: Gee, I have spells and stuff. Instead your animal brain takes over and you think: OH MY GOD THIS KID IS HOLDING ON TO ME AND I’M TRAPPED AND FALLING AND I’M GOING TO DIE!
”
”
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
“
You're thinking of revolution as a great all-or-nothing. I think of it as one more morning in a muggy cotton field, checking the undersides of leaves to see what's been there, figuring out what to do that won't clear a path for worse problems next week. Right now that's what I do. You ask why I'm not afraid of loving and losing, and that's my answer. Wars and elections are both too big and too small to matter in the long run. The daily work--that goes on, it adds up. It goes into the ground, into crops, into children's bellies and their bright eyes. Good things don't get lost.
Codi, here's what I've decided: the very least you can do in you life is to figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof. What I want is so simple I almost can't say it: elementary kindness. Enough to eat, enough to go around. The possibility that kids might one day grow up to be neither the destroyer nor the destroyed.
”
”
Barbara Kingsolver (Animal Dreams)
“
But: all journeys were return journeys. The farther one traveled, the nakeder one got, until, towards the end, ceasing to be animated by any scene, one was most oneself, a man in a bed surrounded by empty bottles. The man who says, "I've got a wife and kids" is far from home; at home he speaks of Japan. But he does not know - how could he? - that the scenes changing in the train window from Victoria Station to Tokyo Central are nothing compared to the change in himself; and travel writing, which cannot but be droll at the outset, moves from journalism to fiction, arriving promptly as the Kodama Echo at autobiography. From there any further travel makes a beeline to confession, the embarrassed monologue in a deserted bazaar. The anonymous hotel room in a strange city...
”
”
Paul Theroux (The Great Railway Bazaar: By Train Through Asia)
“
It's the big kids who get everything! They push you out of line at the show... They grab all the cake and ice cream at parties..."
"I guess that's just the way life is..."
"In the animal kingdom, we call it, 'survival of the fattest'!
”
”
Charles M. Schulz (The Complete Peanuts, 1963-1964 (The Complete Peanuts, #7))
“
Je suis ce que je suis.” – Death
“Is that a spell?” – Nick
“It’s French, Nick. Means ‘I am what I am.’ Sheez, kid. Get educated. Read a book. I promise you it’s not painful.” – Death
“I would definitely argue that. Have you seen my summer reading list? It’s nothing but girl books about them getting body parts and girl things I don’t want to discuss in class with my female English teacher. Maybe in the boys’ locker room and maybe with a coach, but not with a woman teacher in front of other girls who already won’t go out with me. Or worse, they’re about how bad all of us men reek and how we need to be taken out and shot ‘cause we’re an affront to all social and natural orders. Again – thanks, Teach. Give the girls even more reason to kick us down when we talk to one. Not like it’s not hard enough to get up the nerve to ask one out. Can you say inappropriate content? And then they tell me my manga’s bad. Riiight…Is it too much to ask that we have one book, just one, on the required reading list that says, ‘Hey, girls. Guys are fun and we’re okay. Really. We’re not all mean psycho-killing, bloodsucking animals. Most of us are pretty darn decent, and if you’ll just give us a chance, you’ll find out we’re not so bad.’” – Nick
”
”
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
“
Now The Head Lines
How do you like your truth?
Gently spoken on breakfast TV
By a man and a woman who sit comfortably
Saying riots, and murder, when will it end?
As they struggle to act as if they are good friends.
How do you like your truth?
Bite-sized in sound bites cut easy to chew, With a talking head saying the victim's like you
And when you've digested the horrors you've seen
You find good, you find evil, and no in-between.
How do you like your truth?
Fantastic, sensational, printed in bold,
Today it's exclusive, tomorrow it's old,
All on the surface with nothin too deep
With a story about animals to help you to sleep
How do you like your youth?
From perfect families with parents thet care,
Or in perfect families but still in despair,
Ten out of ten parents say they'd not choose
To have bad kids like those in the news.
”
”
Benjamin Zephaniah (Teacher's Dead: Nelson Thornes Page Turners)
“
You have a lot of predictors for serial killer behavior, I know—in fact, I think you have more predictors than I've ever seen in one person. But you have to remember that predictors are just that— they predict what might happen, they don't prophesy what will happen. Ninety five percent of serial killers wet their beds and light fires and hurt animals, but that doesn't mean that ninety-five percent of kids who do those things will become serial killers. You are always in control of your own destiny, and you are always the one who makes your own choices—no one else.
”
”
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
“
Q: What do you get when sheep do karate? A: Lamb chops.
”
”
Rob Elliott (Laugh-Out-Loud Animal Jokes for Kids (Laugh-Out-Loud Jokes for Kids))
“
Spike Spiegel: Hey, Jet, did you know that there are three things that I hate?
Jet Black: Whatever...
Spike Spiegel: Kids... animals... and women with atitude.
Jet Black: Oh?
Spike Spiegel: So why do we have all three neatly gathered on our ship!
”
”
Keiko Nobumoto
“
We aren't fighting right now." I blurted out.
He gave me a sidelong look. "Do you want to fight?"
"No. I hate fighting with you. Verbally, I mean. I don't mind in the gym."
I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either."
Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love.
The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them.
"You should take it."
He flinched. "What?"
"Tasha's offer. You should take her up on it. It's a really great chance."
I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them.
"I never expected to hear you say anything like that," he told me, voice tight. "Especially after-"
"What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy."
Silence yet again. I noticed then that my chest hurt.
Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said.
It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with.
Dimitri might run off with Tasha, but I would still love him. I would probably always love him.
I cared about Mason. But I would probably never love him.
I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had.
Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease.
"Where you going?" he asked.
"To break someone's heart," I replied.
I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
I’ll take care of you, baby,” he said. “I’ll keep you in finery and smoothies.” He hugged me around the middle like a kid hugging a stuffed animal. I laughed, put a hand on his. It had been a long year, for me and for us, but we hung in there. Later, when I decided some of that reporting would make its way into a book, I’d send him a draft, and put in a question, right on this page: “Marriage?” On the moon or even here on earth. He read the draft, and found the proposal here, and said, “Sure.
”
”
Ronan Farrow (Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators)
“
Many bright people are really in the dark about vegetable life. Biology teachers face kids in classrooms who may not even believe in the metamorphosis of bud to flower to fruit and seed, but rather, some continuum of pansies becoming petunias becoming chrysanthemums; that's the only reality they witness as landscapers come to campuses and city parks and surreptitiously yank out one flower before it fades from its prime, replacing it with another. The same disconnection from natural processes may be at the heart of our country's shift away from believing in evolution. In the past, principles of natural selection and change over time made sense to kids who'd watched it all unfold. Whether or not they knew the terms, farm families understood the processes well enough to imitate them: culling, selecting, and improving their herds and crops. For modern kids who intuitively believe in the spontaneous generation of fruits and vegetables in the produce section, trying to get their minds around the slow speciation of the plant kingdom may be a stretch.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
Give me a cat over a kid any day. You can open up a bag of Meow Mix, plop it down on the floor next to a bucket of water, go on vacation for a week, and come home to an animal that is so busy licking it’s own ass that it has no idea you were even gone.
”
”
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
“
This is Poyo. Poyo was exposed to a near-lethal amount of radiation as an egg, during the first stages of a government experiment to create mutant super soldiers--trained in exotic martial arts technique by Tibetan Kung Fu fightin' monks--and given strange bio-enhancements during a rash of farm animal abductions by extra-terrestrials. Nah, just kidding. None of that shit is true. Poyo is just really, really bad ass.
”
”
John Layman (Chew, Vol. 4: Flambé)
“
Just because a man is dressed in a clean white robe does not mean his heart and hands are clean. Any man who neglects his conscience is a dangerous animal. Never judge a man by his image. Images can be bought or produced by any Hollywood producer, marketing team or fleet of stylists. Even kids know how to wear amazing costumes for Halloween. Always judge a man by the coloring of his heart and only his heart. Truth can be found in his record of actions, not intentions.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
What really got to me was not the fact that animal cruelty could predict violent behavior—it's that up until I read about it, I never thought that it was wrong. I was killing animals and taking them apart, and I had all the emotional reaction of a kid playing with Legos. It's like they weren't real to me —they were just toys to play with. Things.
”
”
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
“
My mother tells me
that when I meet someone I like,
I have to ask them three questions:
1. what are you afraid of?
2. do you like dogs?
3. what do you do when it rains?
of those three, she says the first one is the most important.
“They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”
I asked you what you were afraid of.
“spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.”
I asked you if you liked dogs.
“I have three.”
I asked you what you do when it rains.
“sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.”
he smiled like he knew.
like his mom told him the same
thing.
“how about you?”
me?
I’m scared of everything.
of the hole in the o-zone layer,
of the lady next door who never
smiles at her dog,
and especially of all the secrets
the government must be breaking
it’s back trying to keep from us.
I love dogs so much, you have no idea.
I sleep when it rains.
I want to tell everyone I love them.
I want to find every stray animal and bring them home.
I want to wake up in your hair
and make you shitty coffee
and kiss your neck
and draw silly stick figures of us.
I never want to ask anyone else
these questions
ever again.
”
”
Caitlyn Siehl (What We Buried)
“
She had lived in that house fourteen years, and every year she had demanded of John that she be given a pet of some strange exotic breed. Not that she did not have enough animals. She had collected several wild and broken animals that, in a way, had become exotic by their breaking. Their roof would have collapsed from the number of birds who might have lived there if the desert hadn't killed three- quarters of those that tried to cross it. Still every animal that came within a certain radius of that house was given a welcome--the tame, the half born, the wild, the wounded.
”
”
Michael Ondaatje (The Collected Works of Billy the Kid)
“
We're a nation with an eating disorder, and we know it. The multiple maladies caused by bad eating are taking a dire toll on our health--most tragically for our kids, who are predicted to be this country's first generation to have a shorter life expectancy than their parents. That alone is a stunning enough fact to give us pause. So is a government policy that advises us to eat more fruits and vegetables, while doling out subsidies not to fruit and vegetable farmers, but to commodity crops destined to become soda pop and cheap burgers. The Farm Bill, as of this writing, could aptly be called the Farm Kill, both for its effects on small farmers and for what it does to us, the consumers who are financing it.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
We are designed to feel that the next great goal will bring bliss, and the bliss is designed to evaporate shortly after we get there. Natural selection has a malicious sense of humor; it leads us along with a series of promises and then keeps saying “Just kidding.
”
”
Robert Wright (The Moral Animal: Why We Are the Way We Are - The New Science of Evolutionary Psychology)
“
Instead, parents just have to be good enough. They have to provide their kids with stable and predictable rhythms. They need to be able to fall in tune with their kids’ needs, combining warmth and discipline. They need to establish the secure emotional bonds that kids can fall back upon in the face of stress. They need to be there to provide living examples of how to cope with the problems of the world so that their children can develop unconscious models in their heads.
”
”
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
“
Nevertheless, it bothered Vimes, even though he'd got really good at the noises and would go up against any man in his rendition of the HRUUUGH! But is this a book for a city kid? When would he ever hear these noises? In the city, the only sound those animals would make was "sizzle." But the nursery was full of the conspiracy with bah-lambs and teddy bears and fluffy ducklings everywhere he looked.
One evening, after a trying day, he'd tried the Vimes street version:
Where's my daddy?
Is that my daddy?
He goes "Bugrit! Millennium hand and shrimp!"
He is Foul Ol' Ron!
No, that's not my daddy!
It had been going really well when Vimes heard a meaningful little cough from the doorway, wherein stood Sybil. Next day, Young Sam, with a child's unerring instinct for this sort of thing, said "Buglit!" to Purity. And that, although Sybil never raised the subject even when they were alone, was that. From then on Sam stuck rigidly to the authorized version.
”
”
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
“
Most people of my grandparents' generation had an intuitive sense of agricultural basics ... This knowledge has vanished from our culture.
We also have largely convinced ourselves it wasn't too important. Consider how many Americans might respond to a proposal that agriculture was to become a mandatory subject in all schools ... A fair number of parents would get hot under the collar to see their kids' attention being pulled away from the essentials of grammar, the all-important trigonometry, to make room for down-on-the-farm stuff. The baby boom psyche embraces a powerful presumption that education is a key to moving away from manual labor and dirt--two undeniable ingredients of farming. It's good enough for us that somebody, somewhere, knows food production well enough to serve the rest of us with all we need to eat, each day of our lives.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
Logan licked a glob of strawberry jelly from her lower lip and smiled up
at Odin. Only one comment seemed to perfectly fit her current situation. “I
see dead people.”
He leaned forward, hands on his hips. “Me, too. It’s the only explanation
for what’s standing in front of me. Unless some high school kids broke into
the anatomy closet and stole the classroom skeleton, stretched some cadaver
skin over that bitch then cast an ancient ritual to animate it.
”
”
Jennifer Turner (Eternal Seduction (A Darkness Within, #1))
“
Assumption Two: God only cares about spiritual things. To be honest, I don't even know what this means, but those elusive spiritual things have been helping Christians cop out of true holiness for centuries.
We are all like accountants with wizard-like abilities, funneling our choices and goals and actions through shell corporations and off-shore banks of unrighteousness. God only cares about spiritual things? His kingdom is a spiritual kingdom? Are you kidding me? God only cares how we emote at him?
That's part of it, sure, but I was pretty sure that He made physical animals and a physical man and gave him a physical job. I was pretty sure that He made a physical tree with physical fruit and told that physical man not to eat it or he would physically die. He physically ate it anyway and now we physically go into the physical ground, physically rot, and become physical plant and physical worm food.
And because of this incredibly physical problem, He made things even more clear when His own Son took on physical flesh to lead a physical life that lead to a physical cross where He physically absorbed our curse, was physically tortured, and bought you and bought me and bought this whole physical world with His physical blood. If He'd wanted a spiritual kingdom, He could have saved Himself a huge amount of trouble (to say nothing of making the Greek philosophers and medieval gnostics a lot happier), by just skipping Christmas and the Crucifixion.
”
”
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
“
I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid's mind to tell an adult to fuck off. There was plenty of bad there, I don't forget that, but we all knew exactly where we stood and we didn't break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero.
Sometime since then, we started turning feral. Wild got into the air like a virus, and it's spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can't have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone.
”
”
Tana French (Broken Harbour (Dublin Murder Squad, #4))
“
Jacob made Laban agree to sacrifice two fat lambs and a kid to the god of his father, as thanks for the bounty. Leah baked raised cakes from the precious stock of wheat for the sacrifice, too, which was carried out as Jacob directed. In the manner of his fathers, he burned entire loaves and all the choice parts of the animals rather than a few portions. The women muttered among themselves at the waste.
”
”
Anita Diamant (The Red Tent)
“
Like you?” My face twisted in abhorrence, spitting the words like they were revolting. Her eyes widened. I shook my head, a dark chuckle on my lips. “You think I fucking like you? Are you kidding me here? I don’t like you. I love you. Even that’s an under-fucking-statement. I live for you. I breathe for you. I will die for you. It. Has. Always. Been. You. Ever since I saw your sorry ass for the first time on that threshold and you fucking poked me in the chest like I was a toy. We’ve been apart for ten years, Rose LeBlanc, and not even one day has passed without me thinking of you. And not just in passing. You know, the occasional she-could-have-been-a-g reat-fuck. I mean really taking my time to think about you. Wondering what you looked like. Where youwere. What you were doing. Who you were with. I stalked you on Facebook. And Twitter—which, by the way, you need to deactivate because you never once bothered to tweet—but you aren’t exactly a social media animal. I asked about you. Every time I was in town. And once I realized you were in New York with Millie…” “Rosie, I bought a new penthouse in TriBeca a few months before you moved into our building.”
“Why are you telling me this?” She blinked away her tears, but fresh ones rolled down to replace them time. “Because I had to sell it and lost a shit-ton of money the moment I realized you were going to be my neighbor if I stayed in my current place. Real talk, Rosie, you are all I ever wanted. Even when you wanted me to be with your sister. She was a comforting candle. You were the dazzling sun. I’d lived in the dark—for your selfish ass. And if you think I’m going to settle for something , you’re dead wrong. I am taking everything . We will have kids, Rose LeBlanc. We will have a wedding. And we will have joy and vacations and days where we just fuck and days where we just fight and days where we just live. Because this is life, Baby LeBlanc, and I love the fuck out of you, so I’m going to give you the best one there is. Got it?
”
”
L.J. Shen (Ruckus (Sinners of Saint, #2))
“
In one hallway, the floor gleaming parquet and the ceiling festooned with golden cherubs, there was a boy in a grumpy cat mask and biker boots, not involved in any sexual activity, legs crossed and leaning against the wall. As a bevy of faeries passed the boy, giggling and groping, the boy scooted away.
Alec remembered being younger, and how overwhelming large groups of people had seemed. He came over and leaned against the wall beside the boy. He saw the boy texting, PARTIES WERE INVENTED TO ANNOY ME. THEY FEATURE MY LEAST FAVORITE THING: PEOPLE, ALL INTENT ON MY LEAST FAVORITE ACTIVITY: SOCIAL INTERACTION.
“I don’t really like parties either,” Alec said sympathetically.
“No hablo italiano,” the boy mumbled without looking up.
“Er,” said Alec. “This conversation is happening in English.”
“No hablo ingles,” he said without missing a beat.
“Oh, come on. Really?”
“Worth a shot,” said the boy.
Alec considered going away. The boy wrote another text to a contact he had saved as RF. Alec could not help but notice that the conversation was entirely one-sided, the boy sending text after text with no response. The last text read VENICE SMELLS LIKE A TOILET. AS A NEW YORKER, I DO NOT SAY THIS LIGHTLY.
The weird coincidence emboldened Alec to try again.
“I get shy when there are strangers too,” Alec told the kid.
“I’m not shy,” the boy sneered. “I just hate everyone around me and everything that is happening.”
“Well.” Alec shrugged. “Those feel like similar things sometimes.”
The boy lifted his curly head, pushing the grumpy cat mask off his face, and froze. Alec froze too, at the twin shock of fangs and familiarity. This was a vampire, and Alec knew him.
“Raphael?” he asked. “Raphael Santiago?”
He wondered what the second-in-command of the New York clan was doing here. Downworlders might be flooding in from all over the world, but Raphael had never struck Alec as a party animal.
Of course, he was not exactly coming off as a party animal now.
“Oh no, it’s you,” said Raphael. “The twelve-year-old idiot.”
Alec was not keen on vampires. They were, after all, people who had died. Alec had seen too much death to want reminders of it.
He understood that they were immortal, but there was no need to show off about it.
“We just fought a war together. I was with you in the graveyard when Simon came back as a vampire. You’ve seen me multiple times since I was twelve.”
“The thought of you at twelve haunts me,” Raphael said darkly.
“Okay,” Alec said, humoring him. “So have you seen a guy called Mori Shu anywhere around here?”
“I am trying not to make eye contact with anyone here,” said Raphael. “And I’m not a snitch for Shadowhunters. Or a fan of talking to people, of any kind, in any place.”
Alec rolled his eyes.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
Well, you were sad about the kids for a while, for a month, two months, three months. You’re sad about the kids, sad about the animals, you don’t do the women, you don’t kill the animals, but after that you realize this is a war zone and everybody here lives in it. You don’t care whether these people live or die tomorrow, you don’t care whether you yourself live or die tomorrow, you kick the children aside, you do the women, you shoot the animals.
”
”
Denis Johnson (Tree of Smoke)
“
Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me.
"But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay."
I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this.
I put the speech down picked up the microphone and came out from behind the podium.
"Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined.
"I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years.
"I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people."
....
"A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
In this image-driven age, wildlife filmmakers carry a heavy responsibility. They can influence how we think and behave when we’re in nature. They can even influence how we raise our kids, how we vote and volunteer in our communities, as well as the future of our wildlands and wildlife. If the stories they create are misleading or false in some way, viewers will misunderstand the issues and react in inappropriate ways. People who consume a heavy diet of wildlife films filled with staged violence and aggression, for example, are likely to think about nature as a circus or a freak show. They certainly won’t form the same positive connections to the natural world as people who watch more thoughtful, authentic, and conservation-oriented films.
”
”
Chris Palmer (Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom)
“
When adults can’t speak to their discontent, when they can’t quite figure out what it is they’re wanting, they will try anything. They drink or commit adultery or quit their jobs or run away or live vicariously through their kids or stonewall their husbands. They knock things off the counter just to feel some control. They burn down their own house to escape it, without really knowing where else to go. This is the tragedy of being an animal with a mind. We are punching the walls to stop the ache in our chest.
”
”
Jedidiah Jenkins (Like Streams to the Ocean: Notes on Ego, Love, and the Things That Make Us Who We Are)
“
In the old days, people told their kids stories about the big, bad wolf, and men who were especially cruel and horrible were said to be like animals, maybe werewolves. But the things ordinary men do every day are a million times worse than anything a wolf would do. A wolf would never torture another animal to death, or lock it up. They kill out of instinct, in order to survive, because they have to - not because they just feel like it, not because they're evil. Not like us. Man is the scariest animal on the planet, but from the beginning of time, the wolf has gotten the bad rap. We've tried to pretend that evil is out there, lurking inside animals beyond the campfire, and not where it really is, in here.' He [Cody] tapped his chest.
”
”
Lisa Tuttle (Songs of Love and Death: All-Original Tales of Star-Crossed Love)
“
In all these assaults on the senses there is a great wisdom — not only about the addictiveness of pleasures but about their ephemerality. The essence of addiction, after all, is that pleasure tends to desperate and leave the mind agitated, hungry for more. The idea that just one more dollar, one more dalliance, one more rung on the ladder will leave us feeling sated reflects a misunderstanding about human nature — a misunderstanding, moreover, that is built into human nature; we are designed to feel that the next great goal will bring bliss, and the bliss is designed to evaporate shortly after we get there. Natural selection has a malicious sense of humor; it leads us along with a series of promises and then keeps saying ‘Just kidding.’ As the Bible puts it, ‘All the labour of man is for his mouth, and yet the appetite is not filled.’ Remarkably, we go our whole lives without ever really catching on.
The advice of the sages — that we refuse to play this game — is nothing less than an incitement to mutiny, to rebel against our creator. Sensual pleasures are the whip natural selection uses to control us to keep us in the thrall of its warped value system. To cultivate some indifference to them is one plausible route to liberation. While few of us can claim to have traveled far on this route, the proliferation of this scriptural advice suggests it has been followed some distance with some success.
”
”
Robert Wright (The Moral Animal: Why We Are the Way We Are - The New Science of Evolutionary Psychology)
“
Jennifer Lynn Barnes, a YA author tweeted: One time, I was at a Q&A with Nora Roberts, and someone asked her how to balance writing and kids, and she said that the key to juggling is to know that some of the balls you have in the air are made of plastic & some are made of glass. When you are struggling to function, it’s important to identify what are your glass balls. Feeding yourself, caring for your children or animals, taking your medication, and addressing your mental health are all examples of glass balls. Dropping them would have devastating consequences and likely cause you to drop all the balls. Recycling, veganism, shopping local, and avoiding fast fashion are plastic balls. They may be important, but they will not shatter your life if you drop them in the way the glass balls will. Plastic balls will fall to the floor and stay intact so you can pick them up again. Glass balls will not.
”
”
K.C. Davis (How to Keep House While Drowning: 31 Days of Compassionate Help)
“
Why are entire flocks of industrial birds dying at once? And what about the people eating those birds? Just the other day, one of the local pediatricians was telling me he's seeing all kinds of illnesses that he never used to see. Not only juvenile diabetes, but inflammatory and autoimmune diseases that a lot of the docs don't even know what to call. And girls are going through puberty much earlier; and kids are allergic to just about everything, and asthma is out of control. Everyone knows it's our foods... Kids today are the first generation to grow up on this stuff...
”
”
Jonathan Safran Foer (Eating Animals)
“
So while I drove my little and planned his fantasy night of how I was going to give Otter the key to my soul (his words, not mine), I silently panicked and wrote lines of bad poetry. Normally, I am quite adept at writing poems and lyrics to songs I'l never sing, but this stuff was just atrocious. For example:
I love you
You love me
Thank God for that
I'm so happy
And Ty's personal favorite (which he helped me on):
Otter! Otter! Otter!
Don't lead cows to slaughter
I love you and I know
I should've told you soon-a
But you didn't buy the dolphin-safe tuna!
TY asked me if I got the hidden message in his poem. I told him it was loud and clear.
”
”
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
“
But humans have a built-in weakness for fats and sugar. We evolved in lean environments where it was a big plus for survival to gorge on calorie-dense foods whenever we found them. Whether or not they understand the biology, food marketers know the weakness and have exploited it without mercy. Obesity is generally viewed as a failure of personal resolve, with no acknowledgement of the genuine conspiracy in this historical scheme. People actually did sit in strategy meetings discussing ways to get all those surplus calories into people who neither needed nor wished to consume them. Children have been targeted especially; food companies spend over $10 billion a year selling food brands to kids, and it isn't broccoli they're pushing. Overweight children are a demographic in many ways similar to minors addicted to cigarettes, with one notable exception: their parents are usually their suppliers. We all subsidize the cheap calories with our tax dollars, the strategists make fortunes, and the overweight consumers get blamed for the violation. The perfect crime.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
Here’s the deal, Wade. You’re something called a ‘human being.’ That’s a really smart kind of animal. Like every other animal on this planet, we’re descended from a single-celled organism that lived millions of years ago. This happened by a process called evolution, and you’ll learn more about it later. But trust me, that’s really how we all got here. There’s proof of it everywhere, buried in the rocks. That story you heard? About how we were all created by a super-powerful dude named God who lives up in the sky? Total bullshit. The whole God thing is actually an ancient fairy tale that people have been telling one another for thousands of years. We made it all up. Like Santa Claus and the Easter Bunny. “Oh, and by the way … there’s no Santa Claus or Easter Bunny. Also bullshit. Sorry, kid. Deal with it.
”
”
Ernest Cline (Ready Player One)
“
It's interesting that penny-pinching is an accepted defense for toxic food habits, when frugality so rarely rules other consumer domains. The majority of Americans buy bottled drinking water, for example, even though water runs from the faucets at home for a fraction of the cost, and government quality standards are stricter for tap water than for bottled. At any income level, we can be relied upon for categorically unnecessary purchases: portable-earplug music instead of the radio; extra-fast Internet for leisure use; heavy vehicles to transport light loads; name-brand clothing instead of plainer gear. "Economizing," as applied to clothing, generally means looking for discount name brands instead of wearing last year's clothes again. The dread of rearing unfashionable children is understandable. But as a priority, "makes me look cool" has passed up "keeps arteries functional" and left the kids huffing and puffing (fashionably) in the dust.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
We are the last generation that can experience true wilderness. Already the world has shrunk dramatically. To a Frenchman, the Pyrenees are “wild.” To a kid living in a New York City ghetto, Central Park is “wilderness,” the way Griffith Park in Burbank was to me when I was a kid. Even travelers in Patagonia forget that its giant, wild-looking estancias are really just overgrazed sheep farms. New Zealand and Scotland were once forested and populated with long-forgotten animals. The place in the lower forty-eight states that is farthest away from a road or habitation is at the headwaters of the Snake River in Wyoming, and it’s still only twenty-five miles. So if you define wilderness as a place that is more than a day’s walk from civilization, there is no true wilderness left in North America, except in parts of Alaska and Canada. In a true Earth-radical group, concern for wilderness preservation must be the keystone. The idea of wilderness, after all, is the most radical in human thought—more radical than Paine, than Marx, than Mao. Wilderness says: Human beings are not paramount, Earth is not for Homo sapiens alone, human life is but one life form on the planet and has no right to take exclusive possession. Yes, wilderness for its own sake, without any need to justify it for human benefit. Wilderness for wilderness. For bears and whales and titmice and rattlesnakes and stink bugs. And…wilderness for human beings…. Because it is home. —Dave Foreman, Confessions of an Eco-Warrior We need to protect these areas of unaltered wildness and diversity to have a baseline, so we never forget what the real world is like—in perfect balance, the way nature intended the earth to be. This is the model we need to keep in mind on our way toward sustainability.
”
”
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman)
“
Only one comment seemed to perfectly fit her current situation. “I see dead people.”
He leaned forward hands on his hips. “Me too. It’s the only explanation for what’s standing in front of me. Unless some high school kids broke into the anatomy closet and stole the classroom skeleton, stretched some cadaver skin over that bitch then cast an ancient ritual to animate it.” She laughed. For as much as she now disliked the bastard she had to admit he was amusing. “Did they do the same to that shit you’re wearing? You do realize it’s 2008 right?” She raised a hand. “Wait let me see if I can reach you using your own language. You do ken ‘tis year of our Lord two thousand and eight aye?
”
”
Jennifer Turner (Eternal Seduction (A Darkness Within, #1))
“
The younger pushed a thumb-sucking baby in a stroller with little animals dangling—including a baby elephant. The kid’s eyes looked glassy with pleasure as it snacked on its own thumb. “What do they get out of that?” Eve wondered as they stepped into the vacated elevator. “How good could your own thumb taste?” “It’s not the taste, it’s the sucking action. Oral satisfaction and comfort.” “So, basically, they’re giving themselves a blow job?” For a couple of seconds, Peabody’s mouth worked silently. “I … I can’t possibly answer that without feeling really dirty and weirded.
”
”
J.D. Robb (Leverage in Death (In Death, #47))
“
Coz it’s big business, baby,
and its smile is hideous.
Top-down violence.
Structural viciousness.
Your kids are doped up
on prescriptions and sedatives.
But don’t worry 'bout that, man,
Worry 'bout
terrorists.
The water level's rising!
The water level's rising!
The animals -
the polar bears
the elephants are dying.
STOP CRYING START BUYING!!
But what about the oil spill?
Shh.
No one likes a party-pooping spoilsport.
Massacres massacres massacres/new shoes
ghettoised children murdered in daylight
by those employed to protect them.
Porn live-streamed to your pre-teens bedrooms.
Glass ceiling. No headroom.
Half a generation live beneath the breadline -
oh but it's Happy Hour on
the high street!
- Europe is Lost
”
”
Kae Tempest (Let Them Eat Chaos)
“
If I could tell you how many times Noah lost his temper as a kid and set his parents’ house on fire—they were uncountable.” He shook his head. “Hell, Bella, the first time I shape-shifted it took me a week to figure out how to switch back.”
That made her release a soft, watery laugh.
“Oh, it gets better. Ask me what my first choice of animal was.”
“Nooo . . .”
“A pig. Not just any pig, mind you,” he said, talking over her startled laugh. “A huge, slobbery, grunting warthod. I had seen one at the zoo, and the next I knew . . .” Bella was laughing against her fists, trying to smother it with her fingers. “My father loved to tell the story for years about how he had to kidnap his own son from the zoo, a son who was so upset he squealed loudly the entire time his father was trying to smuggle him out. My father was a Demon of the Body, so he had no way of transforming me into a less conspicuous form of matter. He never let me live it down. Can you imagine? Centuries of being reminded of the most ridiculous moment of my life.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
It was the same book, every day. The pages of said book were rounded and soft where Young Sam had chewed them, but to one person in this nursery this was the book of books, the greatest story ever told. Vimes didn't need to read it any more. He knew it by heart.
It was called Where's My Cow?
The unidentified complainant had lost their cow. That was the story, really.
Page one started promisingly:
Where's my cow?
Is that my cow?
It goes, "Baa!"
It is a sheep! That's not my cow!
Then the author began to get to grips with their material:
Where's my cow?
Is that my cow?
It goes, "Neigh!"
It is a horse! That's not my cow!
At this point the author had reached an agony of creation and was writing from the racked depths of their soul.
Where's my cow?
Is that my cow?
It goes, "Hruuugh!"
It is a hippopotamus! That's not my cow!
This was a good evening. Young Sam was already grinning widely and crowing along with the plot.
Eventually, the cow would be found. It was that much of a pageturner. Of course, some suspense was lent by the fact that all other animals were presented in some way that could have confused a kitten, who perhaps had been raised in a darkened room. The horse was standing in front of a hatstand, as they so often did, and the hippo was eating at a trough against which was an upturned pitchfork. Seen from the wrong direction, the tableau might look for just one second like a cow ...
Young Sam loved it, anyway. It must have been the most cuddled book in the world.
Nevertheless, it bothered Vimes, even though he'd got really good at the noises and would go up against any man in his rendition of the "Hruuugh!" But was this a book for a city kid? When would he ever hear these noises? In the city the only sound those animals would make was "sizzle" But the nursery was full of the conspiracy, with baa-lambs and teddy bears and fluffy ducklings everywhere he looked.
”
”
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
“
There are two moments in the course of education where a lot of kids fall off the math train. The first comes in the elementary grades, when fractions are introduced. Until that moment, a number is a natural number, one of the figures 0, 1, 2, 3 . . . It is the answer to a question of the form “how many.”* To go from this notion, so primitive that many animals are said to understand it, to the radically broader idea that a number can mean “what portion of,” is a drastic philosophical shift. (“God made the natural numbers,” the nineteenth-century algebraist Leopold Kronecker famously said, “and all the rest is the work of man.”) The second dangerous twist in the track is algebra. Why is it so hard? Because, until algebra shows up, you’re doing numerical computations in a straightforwardly algorithmic way. You dump some numbers into the addition box, or the multiplication box, or even, in traditionally minded schools, the long-division box, you turn the crank, and you report what comes out the other side. Algebra is different. It’s computation backward. When you’re asked to solve
”
”
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
In every way there is, murder is chaos. Our job is simple, when you get down to it: we stand against that, for order. I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid’s mind to tell an adult to fuck off. There was plenty of bad there, I don’t forget that, but we all knew exactly where we stood and we didn’t break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it’s spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can’t have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone. The final step into feral is murder.
”
”
Tana French (Broken Harbor (Dublin Murder Squad, #4))
“
Summer days, and the flat water meadows and the blue hills in the distance, and the willows up the backwater and the pools underneath like a kind of deep green glass. Summer evenings, the fish breaking the water, the nightjars hawking round your head, the smell of nightstocks and latakia. Don’t mistake what I’m talking about. It’s not that I’m trying to put across any of that poetry of childhood stuff. I know that’s all baloney. Old Porteous (a friend of mine, a retired schoolmaster, I’ll tell you about him later) is great on the poetry of childhood. Sometimes he reads me stuff about it out of books. Wordsworth. Lucy Gray. There was a time when meadow, grove, and all that. Needless to say he’s got no kids of his own. The truth is that kids aren’t in any way poetic, they’re merely savage little animals, except that no animal is a quarter as selfish.
A boy isn’t interested in meadows, groves, and so forth. He never looks at a landscape, doesn’tgive a damn for flowers, and unless they affect him in some way, such as being good to eat, he doesn’t know one plant from another. Killing things - that’s about as near to poetry as a boy gets. And yet all the while there’s that peculiar intensity, the power of longing for things as you can’t long when you’re grown up, and the feeling that time stretches out and out in front of you and that whatever you’re doing you could go on for ever.
”
”
George Orwell (Coming up for Air)
“
What about this, then?” The metal surface rippled at his touch, stretching and splitting into a million thin wires that made it look like a giant version of one of those pin art toys Sophie used to play with as a kid. He tapped his fingers in a quick rhythm, and the pins shifted and sank, forming highs and lows and smooth, flat stretches. Sophie couldn’t figure out what she was seeing until he tapped a few additional beats and tiny pricks of light flared at the ends of each wire, bathing the scene in vibrant colors and marking everything with glowing labels. “It’s a map,” she murmured, making a slow circle around the table. And not just any map. A 3-D map of the Lost Cities. She’d never seen her world like that before, with everything spread out across the planet in relation to everything else. Eternalia, the elvin capital that had likely inspired the human myths of Shangri-la, was much closer to the Sanctuary than she’d realized, nestled into one of the valleys of the Himalayas—while the special animal preserve was hidden inside the hollowed-out mountains. Atlantis was deep under the Mediterranean Sea, just like the human legends described, and it looked like Mysterium was somewhere in the Bermuda Triangle. The Gateway to Exile was in the middle of the Sahara desert—though the prison itself was buried in the center of the earth. And Lumenaria… “Wait. Is Lumenaria one of the Channel Islands?” she asked, trying to compare what she was seeing against the maps she’d memorized in her human geography classes. “Yes and no. It’s technically part of the same archipelago. But we’ve kept that particular island hidden, so humans have no idea it exists—well, beyond the convoluted stories we’ve occasionally leaked to cause confusion.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
At the very same time that we witnessed the explosion of white celebrity moms, and the outpouring of advice to a surveillance of middle-class mothers, the welfare mother, trapped in a "cycle of dependency," became ubiquitous in our media landscape, and she came to represent everything wrong with America. She appeared not in the glossy pages of the women's magazines but rather as the subject of news stories about the "crisis" in the American family and the newly declared "war" on welfare mothers. Whatever ailed America--drugs, crime, loss of productivity--was supposedly her fault. She was portrayed as thumbing her nose at intensive mothering. Even worse, she was depicted as bringing her kids into the realm of market values, as putting a price on their heads, by allegedly calculating how much each additional child was worth and then getting pregnant to cash in on them. For middle-class white women in the media, by contrast, their kids were priceless, these media depictions reinforced the divisions between "us" (minivan moms) and "them" (welfare mothers, working-class mothers, teenage mothers), and did so especially along the lines of race. For example, one of the most common sentences used to characterize the welfare mother was, "Tanya, who has_____ children by ______ different men" (you fill in the blanks). Like zoo animals, their lives were reduced to the numbers of successful impregnations by multiple partners. So it's interesting to note that someone like Christie Brinkley, who has exactly the same reproductive MO, was never described this way. Just imagine reading a comparable sentence in Redbook. "Christie B., who has three children by three different men." But she does, you know.
”
”
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
“
Is it true it takes thirteen months for a female to carry and give birth?”
“Minimum.” He said it with such casual dismissal that Bella laughed.
“That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face.
His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm.
“I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat.
“Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon.
“You.”
Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on.
“Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station.
“Because I cannot seem to help myself, lovely little Bella.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Hallie didn't believe she was invulnerable. She was never one of those daredevil types; she knew she could get hurt. What I think she meant was that she was lucky to be on her way to Nicaragua. It was the slowest thing to sink into my head, how happy she was. Happy to be leaving.
We'd had one time of perfect togetherness in our adult lives, the year when we were both in college in Tucson-her first year, my last-and living together for the first time away from Doc Homer. That winter I'd wanted to fail a subject just so I could hang back, stay there with her, the two of us walking around the drafty house in sweatshirts and wool socks and understanding each other precisely. Bringing each other cups of tea without having to ask. So I stayed on in Tucson for medical school, instead of going to Boston as I'd planned, and met Carlo in Parasitology. Hallie, around the same time, befriended some people who ran a safehouse for Central American refugees. After that we'd have strangers in our kitchen every time of night, kids scared senseless, people with all kinds of damage. Our life was never again idyllic.
I should have seen it coming. Once she and I had gone to see a documentary on the Abraham Lincoln Brigade, which was these Americans who volunteered without our government's blessing to fight against Franco and Hitler in the Spanish Civil War. At that point in U.S. history fascism was only maybe wrong, whereas communism was definitely. When we came home from the movie Hallie cried. Not because of the people who gave up life and limb only to lose Spain to Franco, and not for the ones who came back and were harassed for the rest of their lives for being Reds. The tragedy for Hallie was that there might never be a cause worth risking everything for in our lifetime. She was nineteen years old then, and as she lay blowing her nose and sobbing on my bed she told me this. That there were no real causes left.
Now she had one-she was off to Nicaragua, a revolution of co-op farms and literacy crusades-and so I guess she was lucky. Few people know so clearly what they want. Most people can't even think what to hope for when they throw a penny in a fountain. Almost no one really gets the chance to alter the course of human events on purpose, in the exact way they wish for it to be altered.
”
”
Barbara Kingsolver (Animal Dreams)