Exit Birthday Quotes

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SELF-HELP FOR FELLOW REFUGEES If your name suggests a country where bells might have been used for entertainment, or to announce the entrances and exits of the seasons and the birthdays of gods and demons, it's probably best to dress in plain clothes when you arrive in the United States. And try not to talk too loud. If you happen to have watched armed men beat and drag your father out the front door of your house and into the back of an idling truck, before your mother jerked you from the threshold and buried your face in her skirt folds, try not to judge your mother too harshly. Don't ask her what she thought she was doing, turning a child's eyes away from history and toward that place all human aching starts. And if you meet someone in your adopted country and think you see in the other's face an open sky, some promise of a new beginning, it probably means you're standing too far. Or if you think you read in the other, as in a book whose first and last pages are missing, the story of your own birthplace, a country twice erased, once by fire, once by forgetfulness, it probably means you're standing too close. In any case, try not to let another carry the burden of your own nostalgia or hope. And if you're one of those whose left side of the face doesn't match the right, it might be a clue looking the other way was a habit your predecessors found useful for survival. Don't lament not being beautiful. Get used to seeing while not seeing. Get busy remembering while forgetting. Dying to live while not wanting to go on. Very likely, your ancestors decorated their bells of every shape and size with elaborate calendars and diagrams of distant star systems, but with no maps for scattered descendants. And I bet you can't say what language your father spoke when he shouted to your mother from the back of the truck, "Let the boy see!" Maybe it wasn't the language you used at home. Maybe it was a forbidden language. Or maybe there was too much screaming and weeping and the noise of guns in the streets. It doesn't matter. What matters is this: The kingdom of heaven is good. But heaven on earth is better. Thinking is good. But living is better. Alone in your favorite chair with a book you enjoy is fine. But spooning is even better.
Li-Young Lee (Behind My Eyes: Poems)
have a list of my negotiations.” “Your what?” Her eyes narrowed—green, perhaps hazel? It was hard to tell from the street light that filtered through the window. “One, no anal.” “Oh, here we go. Get out of my car.” “Fine, anal, but only on your birthday.” “I’m not interested in…that…on my birthday, or any other day of the year.” She gasped out a relieved sound and put a check mark on a piece of paper she held clutched in her hand. “I like that. Exit only, am I right?
T.S. Joyce (Lumberman Werebear (Saw Bears #7))
The cardboard that he stopped at had been written on in February, 1938. The handwriting, in blue-lead pencil, was his brother Seymour's: My twenty-first birthday. Presents, presents, presents. Zooey and the baby, as usual, shopped lower Broadway. They gave me a fine supply of itching powder and a box of three stink bombs. I'm to drop the bombs in the elevator at Columbia or ‘someplace very crowded’ as soon as I get a good chance. Several acts of vaudeville tonight for my entertainment. Les and Bessie did a lovely soft-shoe on sand swiped by Boo Boo from the urn in the lobby. When they were finished, B. and Boo Boo did a pretty funny imitation of them. Les nearly in tears. The baby sang ‘Abdul Abulbul Amir.’ Z. did the Will Mahoney exit Les taught him, ran smack into the bookcase, and was furious. The twins did B.'s and my old Buck & Bubbles imitation. But to perfection. Marvellous. In the middle of it, the doorman called up on the housephone and asked if anybody was dancing up there. A Mr. Seligman, on the fourth—
J.D. Salinger (Franny and Zooey)
One Multicolored strands of lights twinkled from every surface around the dining room of the Big Texan Steak Ranch, even from the antlers of mounted deer heads and the ears of one embarrassed-looking coyote. Only the buffalo head maintained its dignity. Well, he and the giant fiberglass Santa guarding the exit door. I’d wanted to come here ever since my rodeo-cowboy father ran off before my promised seventeenth-birthday dinner, but, in light of the news I’d just received, all of the decorations were suddenly a little too much. I cradled my iPhone between my ear and shoulder, one hand clutching the neck of my poncho and the other slinging my purse straps over my other shoulder. “Come on,” I whispered to Jack, my boss—a man
Pamela Fagan Hutchins (Earth to Emily (What Doesn't Kill You, #6))
Yessssss. I-5 is backed up, a secret relief. It means more time to prepare myself for the maelstrom, not to mention to enjoy the BMW John surprised me with on my birthday last year. I’ve always appreciated a nice car, but I was never a car person until I drove this one for the first time. Maybe this is how it feels when a woman who never cared much for babies meets her baby and falls in love at first sight. It’s just so heavy and solid and safe, like having a really good dad.
Kristi Coulter (Exit Interview: The Life and Death of My Ambitious Career)
Each day, I wake to my eternal castigation, stuck aboard a plane to nowhere with seven passengers from seven different planets, all pretending we are one happy, dysfunctional family. If you board a puddle-jumper that takes you from one remote destination to another, you expect to spend an appropriate amount of time with an amalgam of random passengers. But imagine that you’ve been thrust into a reality TV show where you are forced to board a plane. Once you are safely off the ground—imprisoned without an exit parachute—the show’s host emerges from the cockpit to inform you that you get to spend the rest of your waking life with these arbitrary passengers. They are now a permanent fixture in the worst parts of your daily monotony. Now you get to eat cake with them on their birthdays and shop for their Secret-Santa gifts.
Pete Beebe (Dream Fisher: A Metaphysical Work of Contemporary Fiction)