Exhibitionist Quotes

As some find picking on people a treasured entertainment, ‘recreational bullying’ has become their devious tool, to satisfy an exhibitionist urge to outdo themselves, by dredging up acerbic stories for score-settling and airing dirty laundry. ("On a doggy day")

The woman rolled her eyes. “DarkRiver males are damn possessive and complete exhibitionists during the mating dance.” Sascha ran through her dictionary of changeling terminology and could find no fit. “Mating dance?” Mercy whistled. Dorian winced. Tamsyn suddenly got interested in her dough. Clay and Vaughn mysteriously disappeared. Behind her, Lucas’s body was a hard wall of heat. “I think we need to discuss this upstairs.

God, what a ghastly enterprise to be in, though--and what an odd way to achieve success. I'm an exhibitionist who wants to hide, but is unsuccessful at hiding; therefore, somehow I succeed.

We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea. The naked woman on the ledge outside the window on the sixteenth floor is a victim of accidie, or the naked woman is an exhibitionist, and it would be 'interesting' to know which. We tell ourselves that it makes some difference whether the naked woman is about to commit a mortal sin or is about to register a political protest or is about to be, the Aristophanic view, snatched back to the human condition by the fireman in priest's clothing just visible in the window behind her, the one smiling at the telephoto lens. We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely... by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria — which is our actual experience.

All right, Mortensen, last chance. Are you ready to make the switch from voyeur to exhibitionist?” He inclined his head toward me curiously. “Are we still talking about dancing?” “Well, that depends, I suppose. I heard someone once say that men dance the same way they have sex. So, if you want everyone here to think you’re the kind of guy who just sits around and—” He stood up. “Let’s dance.

Every writer, without exception, is a masochist, a sadist, a peeping Tom, an exhibitionist, a narcissist, an 'injustice collector' and a depressed person constantly haunted by fears of unproductivity.

...simply moderate giftedness has been made worthless by the printing press and radio and television and satellites and all that. A moderately gifted person who would have been a community treasure a thousand years ago has to give up, has to go into some other line of work, since modern communications put him or her into daily competition with nothing but world's champions.... A moderately gifted person has to keep his or her gifts all bottled up until, in a manner of speaking, he or she gets drunk at a wedding and tap-dances on the coffee table like Fred Astaire or Ginger Rogers. We have a name for him or her. We call him or her an "exhibitionist." How do we reward such an exhibitionist? We say to him or her the next morning, "Wow! Were you ever drunk last night!

I am not an exhibitionist anymore. I don't need to show of my beautiful body to anyone. I'm sexy and I know it, and I don't give a shit if anyone else knows it.  

In a world ordered by sexual imbalance, pleasure in looking has been split between active/male and passive/female. The determining male gaze projects its phantasy on to the female form which is styled accordingly. In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness.

Appalling numbers of youth have been led into a cynical ultra-sophisticated attitude which regards drinking as a badge of social aptitude, which makes a fetish of sport and professes eroticism as a way of life. A perverted and insane pictorial art, lewd exhibitionistic dancing and jungle music form the spiritual norm of this sector of America's youth.

We skipped over the part where we just accept and respect that some women like to seem exhibitionistic and lickerish, and decided instead that everyone who is sexually liberated ought to be imitating strippers and porn stars.

Women's liberation and empowerment are terms feminists started using to talk about casting off the limitations imposed upon women and demanding equality. We have perverted these words. The freedom to be sexually provocative or promiscuous is not enough freedom; it is not the only 'women's issue' worth paying attention to. And we are not even free in the sexual arena. We have simply adopted a new norm, a new role to play: lusty, busty exhibitionist. There are other choices. If we are really going to be sexually liberated, we need to make room for a range of options as wide as the variety of human desire. We need to allow ourselves the freedom to figure out what we internally want from sex instead of mimicking whatever popular culture holds up to us as sexy. That would be liberation.

Nick was still looking at him sideways, but a flush began to appear on his cheeks. Kelly swallowed hard, growing warmer. “You remember that night?” “Yeah, I do.” “You . . . you were, um . . . impressive.” “I knew you were watching,” Nick murmured. “Exhibitionist.” “Voyeur.

She pulled away from Eric's grasp, knelt before Brian and looked up at him. "Let me suck you off," she said. "Please.

Exhibitionists have no friends, no friends at all.

I was obviously born to draw better than most people, just as the widow Berman and Paul Slazinger were obviously born to tell stories better than most people can. Other people are obviously born to sing and dance or explain the stars in the sky or do magic tricks or be great leaders or athletes, and so on. I think that could go back to the time when people had to live in small groups of relatives -- maybe fifty or a hundred people at the most. And evolution or God or whatever arranged things genetically to keep the little families going, to cheer them up, so that they could all have somebody to tell stories around the campfire at night, and somebody else to paint pictures on the walls of the caves, and somebody else who wasn't afraid of anything and so on. That's what I think. And of course a scheme like that doesn't make sense anymore, because simply moderate giftedness has been made worthless by the printing press and radio and television and satellites and all that. A moderately gifted person who would have been a community treasure a thousand years ago has to give up, has to go into some other line of work, since modern communications put him or her into daily competition with nothing but the world's champions. The entire planet can get along nicely now with maybe a dozen champion performers in each area of human giftedness. A moderately gifted person has to keep his or her gifts all bottled up until, in a manner of speaking, he or she gets drunk at a wedding and tapdances on the coffee table like Fred Astair or Ginger Rogers. We have a name for him or her. We call him or her an 'exhibitionist.' How do we reward such an exhibitionist? We say to him or her the next morning, 'Wow! Were you ever _drunk_ last night!

There's the imperative to keep secrets, and the imperative to have them known. How do you know that you're a person, distinct from other people? By keeping certain things to yourself. You guard them inside you, because, if you don't, there's no distinction between inside and outside. Secrets are the way you know you even have an inside. A radical exhibitionist is a person who has forfeited his identity. But identity in a vacuum is also meaningless. Sooner or later, the inside of you needs a witness. Otherwise you're just a cow, a cat, a stone, a thing in the world, trapped in your thingness. To have an identity, you have to believe that other identities equally exist. You need closeness with other people. And how is closeness built? By sharing secrets. . . . Your identity exists at the intersection of these lines of trust.

Ohmigod,” I moan, clutching my stomach. I’m sure I’m going to be sick. I’m going to become an exhibitionist vomiter. My heart is back to beating—racing, actually—as a new level beyond mortification slams into me. I sounded just like the actress in that awful video of Ben’s that Kacey made me watch over the summer. Literally. I accidently walked in on those weirdos watching it one night. Kacey took that as an opportunity to pin me down on the couch while Trent, Dan, and Ben howled with laughter at my flaming cheeks and horrified shrieks. My sister is the Antichrist. This is all her fault. Hers and Stayner’s. And those stupid Jell-O shooters.

I don't want to be looked at and grab attention, that's exhibitionism.. I would rather be seen more for my intelligence, for my elegance, for not being just another girl seeking attention. I don't want to catch someone's eyes because those kind of attention spans are short and easily shifted to the next exhibitionist, I would rather stay in the memory as someone who refused to be a performer yet made an impact.

When we image borders, we fail at imaging God.

you’re a writer when we (I) know what you truly are: a performer, an exhibitionist.

Tessa was sincere but shallow; she was loving but mercurial; she was an exhibitionist without enough confidence to be an actor. While Fiona displayed all the characteristics of elder children: stability, confidence, intellect in abundance, and that cold reserve with which to judge all the shortcomings of the world.

So what if sometimes Sam was an emotional exhibitionist, going up and down all the time? She could be a storm. But she could be a soft candle lighting up a dark room. So what if she made me a little crazy? All of it—​all her emotional stuff, her ever-changing moods and tones of voice—​it made her seem so incredibly alive.

Often, her mate is the child of a narcissist, already indoctrinated to regard exploitation and disregard as love. Others lured by the narcissistic aura are those in whom healthy childhood exhibitionism has been repressed. . . . If the parent puts the child to shame for showing off, the need for attention gets repressed into the unconscious. Repression means that the need is not satisfied and continues to press for expression in the adult without her being aware of it. The repressed adult may select an exhibitionistic mate to achieve vicarious satisfaction.

Scientists became “moral exhibitionists” in the lecture hall as they demonized fellow scientists and urged their students to evaluate ideas not for their truth but for their consistency with progressive ideals such as racial and gender equality.14

Like my maestro, Juan Ribero, she believed that photography and painting are not competing arts but basically different: the painter interpets reality, and the camera captures it. In the former everything is fiction, while the second is the sum of the real plus the sensibility of the photographer. Ribero never allowed me sentimental or exhibitionist tricks-none of this arranging objects or models to look like paintings. He was the enemy of artificial compostion; he did not let me manipulate negatives or prints, and in general he scorned effects of spots or diffuse lighting: he wanted the honest and simple image, although clear in the most minute details.

That's how it is: even in the throes of death, man is always on stage. And even 'the plainest' of them, the least exhibitionist, because it's not always the man himself who climbs on stage. If he doesn't do it, someone will put him there. That is his fate as a man.

Is it the part of the police department to harass me when this city is a flagrant vice capital of the civilized world?" Ignatius bellowed over the crowd in front of the store. "This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians, all of whom are only too well protected by graft. If you have a moment, I shall endeavor to discuss the crime problems with you, but don't make the mistake of bothering me.

Since most sexual abuse begins well before puberty, preventive education, if it is to have any effect at all, should begin early in grade school. Ideally, information on sexual abuse should be integrated into a general curriculum of sex education. In those communities where the experiment has been tried, it has been shown conclusively that children can learn what they most need to know about sexual abuse, without becoming unduly frightened or developing generally negative sexual attitudes. In Minneapolis, Minnesota, for example, the Hennepin County Attorney's office developed an education program on sexual assault for elementary school children. The program was presented to all age groups in four different schools, some eight hundred children in all. The presentation opened with a performance by a children’s theater group, illustrating the difference between affectionate touching, and exploitative touching. The children’s responses to the skits indicated that they understood the distinction very well indeed. Following the presentation, about one child in six disclosed a sexual experience with an adult, ranging from an encounter with an exhibitionist to involvement in incest. Most of the children, both boys and girls, had not told anyone prior to the classroom discussion. In addition to basic information on sexual relations and sexual assault, children need to know that they have the right to their own bodily integity.

You are always afraid that somebody may think you a fool. You are afraid that if others think you to be a fool, you will start suspecting it. If so many people think you a fool your self-confidence will be lost. And if everybody goes on repeating that you are a fool, sooner or later you will come to believe it. Only a wise man cannot be deceived, he can appear as a fool. Have you observed yourself? You are always trying to exhibit your wisdom, always in search of a victim to whom you can show your knowledge, just searching, hunting for somebody weaker than you – then you will jump in and you will show your wisdom. A wise man need not be an exhibitionist. Whatsoever is, is. He is not aware of it, he is not in any hurry to show it. If you want to find it, you will have to make efforts. If you have to know whether he is gentle or not, that is going to be your discovery.

Think of this: Hundreds of people today are doing things that not a single one of the them would have dared to do at the beginning of the Seventies. We are now living in a truly new and different situation. This is not because the government has become more tolerant; it simply had to get used to the new situation. It has had to yield to continuing pressure from below, which means pressure from all those apparently suicidal or exhibitionistic civic acts.

It's not just the kind of work you do; I wouldn't care, if you were an exhibitionist who's being different as a stunt, as a lark, just to attract attention to himself. It's a smart racket, to oppose the crowd and amuse it and collect admission to the side show. If you did that, I wouldn't worry. But it's not that. You love your work. God help you, you love it! And that's the curse. That's the brand on your forehead for all of them to see. You love it, and they know it, and they know they have you. Do you ever look at the people in the street? Aren't you afraid of them? I am. They move past you and they wear hats and they carry bundles. But that's not the substance of them. The substance of them is hatred for any man who loves his work. That's the only kind they fear.

I am many things, but an exhibitionist is not one of them.” He gestures at a recess down the hall that I’m starting to recognize as a ship door. “This is where our mess is. Come. You can eat and I can tell you all about how I won’t touch you without your permission.” “You keep adding that ‘your permission’ thing,” I point out. He glances down at me, and his eyes are warm, his smile inviting. “That is because, my sweet Fran, I plan on having your permission. Just not today.

He wasn’t an exhibitionist. He was a sadist, and the only thing better than causing someone physical pain was causing emotional discomfort.

In a threesome, there are always two exhibitionists and a voyeur.

I don't want to be looked at and grab attention, that's exhibitionism. I would rather be seen more for my intelligence, for my elegance, for not being just another girl seeking attention. I don't want to catch someone's eyes because those kind of attention spans are short and easily shifted to the next exhibitionist, I would rather stay in the memory as someone who refused to be a performer yet made an impact.

The magic here is not spectacular courage in one or two battles but the glamour of commitment to death at the peak of youth and beauty: the poignancy of the exhib-itionistic narcissism of youth determined once and for all on magnificent expenditure rather than slow wasting and remorseless physical deterioration.

Introducing these people to our friends and family is, in a way, more heedlessly exhibitionistic than posting nude photos or sex tapes of ourselves online; it’s like letting everyone watch our uncensored dreams.

There's the imperative to keep secrets, and the imperative to have them known. How do you know that you're a person, distinct from other people? By keeping certain things to yourself. You guard them inside you, because, if you don't, there's no distinction between inside and outside. Secrets are the way you know you even have an inside. A radical exhibitionist is a person who has forfeited his identity. But identity in a vacuum is also meaningless. Sooner or later, the inside of you needs a witness. Otherwise you're just a cow, a cat, a stone, a thing in the world, trapped in your thingness. To have an identity, you have to believe that other identities equally exist. You need closeness with other people. And how is closeness built? By sharing secrets. Colleen knows what you secretly think of Willow. You know what Colleen secretly thinks of Flor. Your identity exists at the intersection of these lines of trust.

The settler-native relationship is a mass relationship. The settler pits brute force against the weight of numbers. He is an exhibitionist. His preoccupation with security makes him remind the native that there he alone is the master.

Bands of Apollonian lightness and Dionysian darkness fill my inscrutable chamber. Apollo represents harmony, progress, clarity, and logic, whereas Dionysus represents disorder, intoxication, emotion, and ecstasy. Manchurian opposites of good and evil tug at me. My lifelong state of confusion manufactured a gray fog that engulfs me. Multilayers of misgiving line my impenetrable soul. Secret tunnels, coagulation’s of light and dense waves of incomprehensible silence, wend through me. I am constantly surprised to see slivers of myself. At times, I am utterly devoid of ambition. At other times, radical surges of energy convulse within me. Guilt, pleasure, anger, joy, impulsivity, watchfulness, sensual longings, and exhibitionist tendencies tumble within.

But now, when the shameless fools and the advocates of Communism try to hold pacifist meetings — why, my friends, in the past five months, since January first, no less than seventy-six such exhibitionistic orgies have been raided by their fellow students,

Despite its dislike of fame and its evasiveness, the Chronicler's virtual persona was loved on the psychic network. The Champions Alter-ego was an exhibitionist personality who fearlessly put its wits to the test against rather bizarre creatures, calling themselves human, in a form of combat based on interview with the contestants.

The general conception that all actors are born exhibitionists is far from the truth. They are quite the opposite. They are shy, frightened people in hiding from themselves- people who have found a way of concealing their secret by footlights, make up and the parts they play. Their own self rejection is what has made most of them actors.

Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.

Beauty, brains and a brazen attitude, she was everything he'd never realized he was looking for until he'd found her.

Jesus helps us to see when people break the second and third commandments.

BEAUTY. The visionary authority of Childs’s work resides, in part, in its lack of rhetoric. Her strict avoidance of cliché, and of anything that would make the work disjunctive, fragmented. The refusal of humor, self-mockery, flirtation with the audience, cult of personality. The distaste for the exhibitionistic: movement calling attention to itself, isolatable “effects.” Beauty as, first of all, an art of refusal.

My fiction is not autobiography. I am not an exhibitionist. I do not show myself. I am not asking for forgiveness. I do not want to confess. But I have used everything I know—my life—to show what I believe must be shown so that it can be faced. The imperative at the heart of my writing—what must be done—comes directly from my life. But I do not show my life directly, in full view; nor even look at it while others watch.

As he teased her lips with his tongue, she palmed his erection. “Want to do something about this while we wait for the cleanup crew to arrive?” She sure as hell did. She didn’t know if it was the adrenaline still coursing through her veins or just knowing that he wanted her, but she was already wet for him, her body tingling and desperate for his touch. “That depends ,” he whispered against her lips, leaning into her. “How do you feel about making love in front of an audience?” “That’s not my thing either,” she admitted. She had never been an exhibitionist. A throat cleared. “Then you might want to step away from my brother,” Richart drawled behind them, “so I won’t get an eyeful.” Krysta yanked her hand away so fast you’d think Étienne’s crotch had caught fire. Spinning around, she found Richart standing there with one eyebrow raised.

One modern academic lists Rousseau’s shortcomings as follows: he was a ‘masochist, exhibitionist, neurasthenic, hypochondriac, onanist, latent homosexual afflicted by the typical urge for repeated displacements, incapable of normal or parental affection, incipient paranoiac, narcissistic introvert rendered unsocial by his illness, filled with guilt feelings, pathologically timid, a kleptomaniac, infantilist, irritable and miserly’.

When you love someone, you have the ability not only to harm their body, but to cut their soul to pieces. And though those cuts may heal, they leave scars behind. With enough scars, you stop feeling anything at all. The skin’s too thick.

Keep your ideals with you and seek help from them. These are useless for me. Your shoe do not fit mine. I am done with the exhibitionist of yours. You are professing of something that is even worthless for you. You are so insecure and coward to accept the truth. Dnt make me as miserable as you are. Let me explore myself. Let me unlearn the lie this world has given to me . Let me just undo al the data which is being engraved on my mind. Let me be a child who is just born.

Coriolanus thought it was quite a display for Arachne, disproportionate to both her life and death, the latter of which could have been avoided if she'd refrained from being such an exhibitionist. So many people had died heroically in the war, with so little recognition, that it grated on him. He was relieved that he was singing instead of having to praise her talents, which, if memory served, were limited to being loud enough to fill the school auditorium without a mic and the ability to balance a spoon on her nose.

Marco, her first boyfriend in LA, called her an exhibitionist, said she should get a job in a strip club if she liked it that much, it paid better. She did like it, but it wasn't what people thought - a sex job. It was the opposite - a statement, personal, frank, without intention to please. Here I am. This is me. My fact. I can do this, can you? Callie with her stretch marks, Frank, who was almost a dwarf. Each body held some truth the baby artists needed to see. Even that of a seventeen-year-old dropout from Bakersfield.

But the high play of witty conversation can degenerate into exhibitionistic banter if it is not tempered by an opposite and perhaps even more important virtue, which is the capacity to hold one's peace, to wait to pause for thought, to consent to shared silence. Words need space. Witty, weighty, well-chosen words need more space than others to be received rightly, reckoned with, and responded to. That space, the silence between words, is as important a part of good conversation as rests are a part of a pleasing, coherent musical line.

How do you know that you're a person, distinct from other people? By keeping certain things to yourself. You guard them inside you, because, if you don't, there's no distinction between inside and outside. Secrets are the way you know you even have an inside. A radical exhibitionist is a person who has forfeited his identity. But identity in a vacuum is also meaningless. Sooner or later, the inside of you needs a witness. Otherwise you're just a cow, a cat, a stone, a thing in the world, trapped in your thingness. To have an identity, you have to believe that other identities equally exist. You need closeness with other people. And how is closeness built? By sharing secrets.

Some of these arrangements involve an exhibitionist Narcissist and a partner who is “in the closet.” The closet Narcissist is an unassuming type who has her feelers out for someone she can idealize. She needs to put the love object on a pedestal in order to hold herself together, because if her partner is wonderful and she can have him, then all the insecurities inside her will go away. In the Narcissist-closet Narcissist couple, it is actually the latter who is in control, feeding the grandiosity of the love object in order to inflate herself via osmosis. These relationships can be quite successful, as long as the idealizations and illusions can be sustained. But when unpleasant reality intrudes, love implodes.

In Jesus, God deals with our bastardisations. The incarnation was the Creator's means of giving us a multisensory, no-holds-barred, tangible experience of the divine nature. God condescended to the limits of our means of knowing reality and truth. We struggle to put our flesh into words, but God's word--God's self-expression--became flesh and dwelled with us, for us. This is nothing short of an act of love, an act of revelation, and act of transferring the fullness of one's self into a vulnerable form so that it can be felt by another. God chooses to step into the range of our grasp, allowing our awareness of the divine to move from abstract imagination to relational discovery. Such a step certainly doesn't remove the mystery of who or what God is. Questions remain. But it does allow us to enter into that mystery with the whole of our beings. We don't have to stop being human to embrace the mystery of God. By God's invitation, we can poke our doubting and enquiring digits into the opened side of the incomprehensible made manifest. As we do so, we can know what God is like; God is like Jesus, and, to use Pastor Brian Zahnd's oft-quoted summary, God has *always* been like Jesus.