Exclusive Fairytale Quotes

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There are those few unique females who are genetically missing the fairytale-dream gene. That’s the rare and exclusive group to which I belong.
Jewel E. Ann (Undeniably You)
She no longer wanted to sit quietly at the end of a story. She wanted to keep stepping into new ones. She wanted to love, to discover, and to feel. She wanted a life that felt like running through a field of wildflowers and then finding a gate at the end that led into an enchanted unknown. And she wanted to do it all with Jacks by her side. (Indigo Exclusive Edition bonus chapter).
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
the fact that so many women writers are drawn to fairy-tale material is also part of a long and honorable historic tradition: folk tales and magical tales (like other largely anonymous arts) have long been associated with women. As Alison Lurie has pointed out (in her essay “Once Upon a Time”): “Throughout Europe (except in Ireland), the storytellers from whom the Grimm Brothers and their followers collected their material were most often women; in some areas they were all women. For hundreds of years, while written literature was almost exclusively the province of men, these tales were being invented and passed on orally by women.” For centuries, fairy tales have been the voice of disenfranchised populations: not only women, but also the old, the poor, and social outcasts (such as the Gypsies—famed throughout the world for their wealth of magical tales). Fairy tales speak covertly, symbolically, about the hard realities of life; and these symbols are proving as potent to artists today as in centuries past.
Ellen Datlow (Silver Birch, Blood Moon)
It is only recently that fairy tale, fantasy, myth, have been thought of as being exclusively for children... These so-called children's stories are aware of what many adults have forgotten- that the daily, time-bound world of provable fact is the secondary world, the shadow world, and it is story, painting, song, which give us our glimpses of reality.
Madeleine L'Engle (The Rock That Is Higher: Story as Truth)
Letter to the Fundamentalist (Sonnet 1800) You may be a fundamentalist nut, but I'm a bigger nut than you. You are nuts about one religion, I hold all religions equally true. You are nuts about one single religion and culture, I am nuts about a world full of religions and cultures. Problem is not that you believe in myths, but that honor of myths trumps honor of life. Every time you put fairytale before people, you perpetuate a jungle tradition of lies. You claim truth as one religion's franchise, I recognize the good in all walks of faith. I pity those who claim exclusive prosperity, True holiness begins at the end of all hate.
Abhijit Naskar (The Humanitarian Dictator)
Although Diana has successfully shaken off the traditional image of the fairy-tale princess concerned exclusively with shopping and fashion it still colours the preconceptions of those she meets for the first time. She is used to being patronized. As she tells close friends: “It happens a lot. It’s interesting to see people’s reactions to me. They have one impression in mind and then, as they talk to me, I can see it changing.” At the same time her struggles within the royal family have made her realize that she must not hide behind the conventional mask of monarchy. The spontaneity, the tactile compassion and the generosity of spirit she displays in public are very genuine. It is not an act for public consumption. The Princess, who appreciates how the royal world anaesthetizes individuals from reality, is fiercely determined that her boys are prepared for the outside world in a way unknown to previous royal generations. Normally royal children are trained to hide their feelings and emotions from others, constructing a shield to deflect intrusive inquiry. Diana believes that William and Harry should be open and honest to the possibilities within themselves and the variety of approaches to understanding life. As she says: “I want to bring them up with security. I hug my children to death and get into bed with them at night. I always feed them love and affection, it’s so important.
Andrew Morton (Diana: Her True Story in Her Own Words)