“
Someone's going to be very pleased to see you."
"I don't think the Elector will be as excited as you think."
"I wasn't talking about the Elector."
My heart jumps at that.
”
”
Marie Lu (Champion (Legend, #3))
“
While a common reaction to seeing a thing of beauty is to want to buy it, our real desire may be not so much to own what we find beautiful as to lay permanent claim to the inner qualities it embodies.
Owning such an object may help us realise our ambition of absorbing the virtues to which it alludes, but we ought not to presume that those virtues will automatically or effortlessly begin to rub off on us through tenure. Endeavouring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.
What we seek, at the deepest level, is inwardly to resemble, rather than physically possess, the objects and places that touch us through their beauty.
”
”
Alain de Botton (The Architecture of Happiness)
“
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too.
Dawson: That's not true.
Amanda: But it is. Honeymoons always come to an end.
Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right.
Amanda: We're not that young anymore-
Dawson: But we are. We still have the rest of our lives.
Amanda: I know. That's why I need you to do something for me.
Dawson: Anything.
Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
”
”
Nicholas Sparks (The Best of Me)
“
MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT'S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON'T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON'T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE - TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT'S SO EASY!; I THINK THAT'S WHY THERE ARE SO MANY ENGLISH MAJORS!
”
”
John Irving (A Prayer for Owen Meany)
“
Who do you hang out with?" Natalia asks, looking over my shoulder. She's always done that. Wherever you are, whoever you are, she'll always look over your shoulder to see if there's someone more exciting to speak to. It used to make me feel paranoid.
”
”
Melina Marchetta (Saving Francesca)
“
Behind us, the man laughed. "Looks like we aren't the only ones looking for a little diversion. There's an empty office right over there, guys."
Marsten raised his hand in thanks. The couple moved on. I let the kiss continue for five more seconds, then pulled away.
"They're gone," I said.
Marsten frowned, as if surprised-and disappointed-that I'd noticed. I tugged my hair from his hands.
"Okay, coast clear," I said. "Let's go."
He let out a small laugh. "I see I need to brush up on my kissing."
"No, you have that down pat."
"She says with all the excitement of a teacher grading a math quiz..."
"A-plus. Now let's move. Before someone else comes along.
”
”
Kelley Armstrong (Chaotic (Otherworld Stories, #5.2))
“
A businessman is someone who buys at ten and is happy to get out at twelve. The other kind of man buys at ten, sees it rise to eighteen and does nothing. He is waiting for it to get to twenty. The beauty of numbers. When it drops to ten again he waits for it to get back to eighteen. When it drops to two he waits for it to get back to ten. Well, it gets back there. But he has wasted a quarter of his life. And all he's got out of his money is a little mathematical excitement.
”
”
V.S. Naipaul (A Bend in the River)
“
If you can’t feel the dream in your heart and see it in your mind’s eye, then it may not be your dream. It may be someone else’s. Your dream should excite and entice you. It should make all the hard work and potential struggle you are going to have to put into it worth it, because it is all yours.
”
”
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
“
I was flirting. Me. Flirting.
It feels so good to flirt. No one ever talks about that. But in that moment, I felt like flirting was the very thing that made the world go around.
The excitement of wondering what the other person will say next. The thrill of knowing someone is looking at you, liking what they see. The rush of looking at someone and liking what you see in them. Flirting is probably just as much about falling in love with yourself as it is with someone else.
It’s about seeing yourself through someone’s eyes and realizing there is plenty to like about yourself, plenty of reasons someone might hang on your every word.
”
”
Taylor Jenkins Reid (One True Loves)
“
I'm sorry," she says. "Did we make it a big deal?"
"Oh my God. Seriously? You guys make everything a big deal."
"Really?" she says.
"When I started drinking coffee. When I started shaving . When I got a girlfriend."
"That stuff is exciting," she says.
"It's not that exciting," I say. "It's like—I don't even know. You guys are so freaking obsessed with everything I do. It's like I can't change my socks without someone mentioning it."
"Ah," says my dad. "So, what you're trying to say is that we're really creepy."
"Yes," I say.
My mom laughs. "See, but you're not a parent yet, so you can't understand. It's like—you have this baby, and eventually, he starts doing stuff. And I used to be able to see every tiny change, and it was so fascinating." She smiles sadly. "And now I'm missing stuff. The little things. And it's hard to let go of that.
”
”
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
“
In the Russian Orthodox Church there is the concept of the Holy Fool. It means someone who is a fool to the ways of the world, but wise to the ways of God. I think that Ted, from the moment he saw the baby, knew that he could not possibly be the father. ...Perhaps he saw in that moment that if he so much as questioned the baby's fatherhood, it would mean humiliation for the child and might jeopardize his entire future. ...Perhaps he understood that he could not reasonably expect an independent and energetic spirit like Winnie to find him sexually exciting and fulfilling.
...And so he decided upon the most unexpected, and yet the simplest course of all. He chose to be such a Fool that he couldn't see the obvious.
”
”
Jennifer Worth (The Midwife: A Memoir of Birth, Joy, and Hard Times)
“
Maybe I was just flattering myself, thinking I'd be worth some sort of risk. Not that I'd wish that on anyone!" he clarified. "I don't mean that. It just...I don't know. Don't you all see everything I'm risking?"
"Umm, no. You're here with your family to give you advice, and we all live around your schedule. Everything about your life stays the same, and ours changed overnight. What in the world could you possibly be risking?"
Maxon looked shocked.
"America, I might have my family, but imagine how embarrassing it is to have your parents watch as you attempt to date for the first time. And not just your parents-the whole country! Worse than that, it's not even a normal style of dating.
"And living around my schedule? When I'm not with you all, I'm organizing troops, making laws, perfecting budgets...and all on my own these days, while my father watches me stumble in my own stupidity because I have none of his experience. And then, when I inevitably do things in a way he wouldn't, he goes and corrects my mistakes. And while I'm trying to do all this work, you-the girls, I mean-are all I can think about. I'm excited and terrified by the lot of you!"
He was using his hands more than I'd ever seen, whipping them in the air and running them through his hair.
"And you think my life isn't changing? What do you think my chances might be of finding a soul mate in the group of you? I'll be lucky if I can just find someone who'll be able to stand me for the rest of our lives. What if I've already sent her home because I was relying on some sort of spark I didn't feel? What if she's waiting to leave me at the first sign of adversity? What if I don't find anyone at all? What do I do then, America?"
His speech had started out angered and impassioned, but by the end his questions weren't rhetorical anymore. He really wanted to know: What was he going to do if no one here was even close to being someone he could love? Though that didn't even seem to be his main concern; he was more worried that no one would love him.
"Actually, Maxon, I think you will find your soul mate here. Honestly."
"Really?" His voice charged with hope at my prediction.
"Absolutely." I put a hand on his shoulder. He seemed to be comforted by that touch alone. I wondered how often people simply touched him. "If your life is as upside down as you say it is, then she has to be here somewhere. In my experience, true love is usually the most inconvenient kind.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
when someone hatches an original idea, it may be ungainly and poorly defined, but it is also the opposite of established and entrenched—and that is precisely what is most exciting about it. If, while in this vulnerable state, it is exposed to naysayers who fail to see its potential or lack the patience to let it evolve, it could be destroyed.
”
”
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
“
And I felt an incredible excitement at being able to witness the love reemerge inside her, because it was a total, prime-of-life love. The kind that could only be possible in someone who was going to die at some point in the future, and also someone who had lived enough to know that loving and being loved back was a hard thing to get right, but when you managed it, you could see forever. Two mirrors, opposite and facing each other at perfectly parallel angles, viewing themselves through the other, the view as deep as infinity.
”
”
Matt Haig (The Humans)
“
Life is like the big wheel at Luna Park. You pay five francs and go into a room with tiers of seats all around, and in the centre the floor is made of a great disc of polished wood that revolves quickly. At first you sit down and watch the others. They are all trying to sit in the wheel, and they keep getting flung off, and that makes them laugh too. It's great fun.
You see, the nearer you can get to the hub of the wheel the slower it is moving and the easier it is to stay on. There's generally someone in the centre who stands up and sometimes does a sort of dance. Often he's paid by the management, though, or, at any rate, he's allowed in free. Of course at the very centre there's a point completely at rest, if one could only find it; I'm not very near that point myself. Of course the professional men get in the way. Lots of people just enjoy scrambling on and being whisked off and scrambling on again. How they all shriek and giggle! Then there are others, like Margot, who sit as far out as they can and hold on for dear life and enjoy that. But the whole point about the wheel is that you needn't get on it at all, if you don't want to. People get hold of ideas about life, and that makes them think they've got to join in the game, even if they don't enjoy it. It doesn't suit everyone.
People don't see that when they say "life" they mean two different things. They can mean simply existence, with its physiological implications of growth and organic change. They can't escape that - even by death, but because that's inevitable they think the other idea of life is too - the scrambling and excitement and bumps and the effort to get to the middle, and when we do get to the middle, it's just as if we never started. It's so odd.
Now you're a person who was clearly meant to stay in the seats and sit still and if you get bored watch the others. Somehow you got on to the wheel, and you got thrown off again at once with a hard bump. It's all right for Margot, who can cling on, and for me, at the centre, but you're static. Instead of this absurd division into sexes they ought to class people as static and dynamic. There's a real distinction there, though I can't tell you how it comes. I think we're probably two quite different species spiritually.
”
”
Evelyn Waugh (Decline and Fall)
“
I especially loved the Old Testament. Even as a kid I had a sense of it being slightly illicit. As though someone had slipped an R-rated action movie into a pile of Disney DVDs. For starters Adam and Eve were naked on the first page. I was fascinated by Eve's ability to always stand in the Garden of Eden so that a tree branch or leaf was covering her private areas like some kind of organic bakini.
But it was the Bible's murder and mayhem that really got my attention. When I started reading the real Bible I spent most of my time in Genesis Exodus 1 and 2 Samuel and 1 and 2 Kings. Talk about violent. Cain killed Abel. The Egyptians fed babies to alligators. Moses killed an Egyptian. God killed thousands of Egyptians in the Red Sea. David killed Goliath and won a girl by bringing a bag of two hundred Philistine foreskins to his future father-in-law. I couldn't believe that Mom was so happy about my spending time each morning reading about gruesome battles prostitutes fratricide murder and adultery. What a way to have a "quiet time."
While I grew up with a fairly solid grasp of Bible stories I didn't have a clear idea of how the Bible fit together or what it was all about. I certainly didn't understand how the exciting stories of the Old Testament connected to the rather less-exciting New Testament and the story of Jesus.
This concept of the Bible as a bunch of disconnected stories sprinkled with wise advice and capped off with the inspirational life of Jesus seems fairly common among Christians. That is so unfortunate because to see the Bible as one book with one author and all about one main character is to see it in its breathtaking beauty.
”
”
Joshua Harris (Dug Down Deep: Unearthing What I Believe and Why It Matters)
“
Let's say you get a present and open it and it's a fabulous diamond necklace. Initially, you're delirious with happiness, jumping up and down, you're so excited. The next day, the necklace still makes you happy, but less so. After a year, you see the necklace and you think, Oh, that old thing. It's the same for negative emotions. Let's say you get a crack in your windshield and you're really upset. Oh no, my windshield, it's ruined, I can hardly see out of it, this is a tragedy! But you don't have enough money to fix it, so you drive with it. In a month, someone asks you what happened to your windshield, and you say, What do you mean? Because your brain has discounted it.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . .
Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week.
My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations.
When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love.
What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.
”
”
Vladimir Nabokov (Letters to Vera)
“
A pandemic-like crisis is an excellent time for you to serve your neighbors, as prudently and safely as possible, because no matter how bad you may have it, someone else has it worse. Crises also allow us to reflect on what truly matters and to put aside the trivial. Leave behind grudges and reconcile. Forgive the relative who slighted you, be the bigger person and reach out to see if they need help. If your marriage has fizzled, spice it up. Relight the passion. This is the perfect time to take toll and fix things that may have needed fixing for a long time.
”
”
Art Rios (Let's Talk: ...About Making Your Life Exciting, Easier, And Exceptional)
“
I didn’t bat an eye before answering, “I made out with one other girl while I was with my girlfriend.” Excitement filled her eyes. “I was setting her up to take the fall for my girlfriend. Some other asshole wanted to hurt someone I cared about.” Seeing Matteo and Drew come through the doors, I stood. “I gave him someone else that I gave no shits about.
”
”
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
“
Upon seeing Evie, her friends rushed toward her with unladylike squeals, and Evie let out her own laughing shriek as they collided in a circle of tightly hugging arms and exuberant kisses. In their shared excitement, the three young women continued to exclaim and scream, until someone burst into the room.
It was Cam, his eyes wide, his breathing fast, as if he had come at a dead run. His alert gaze flashed across the room, taking in the situation. Slowly his lean frame relaxed. "Damn," he muttered. "I thought something was wrong."
"Everything is fine, Cam," Evie said with a smile, while Annabelle kept an arm around her shoulders. "My friends are here, that's all."
Glancing at Sebastian, Cam remarked sourly, "I've heard less noise form the hogs at slaughter time."
There was a sudden suspicious tension around Sebastian's jaw, as if he were fighting to suppress a grin. "Mrs. Hunt, Miss Bowman, this is Mr. Rohan. You must pardon his lack of tact, as he is..."
"A ruffian?" Daisy suggested innocently.
This time Sebastian could not prevent a smile. "I was going to say 'unused to the presence of ladies at the club.'"
"Is that what the are?" Cam asked, casting a dubious glance at the visitors, his attention lingering for a moment on Daisy's small face.
Pointedly ignoring Cam, Daisy spoke to Annabelle. "I've always heard that Gypsies are known for their charm. An unfounded myth, it seems."
Cam's golden eyes narrowed into tigerish slits.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
FORM IS ECSTATIC
There is a shimmering excitement in being sentient and shaped. The
caravan master sees his camels lost in it, nose to tail, as he himself is,
his friend, and the stranger coming toward them. A gardener watches the
sky break into song, cloud wobbly with what it is. Bud, thorn, the same.
Wind, water, wandering this essential state. Fire, ground, gone. That's
how it is with the outside. Form is ecstatic. Now imagine the inner:
soul, intelligence, the secret worlds!
And don't think the garden loses its
ecstasy in winter. It's quiet, but the roots are down there rioutous.
If someone bumps you in the street, don't be angry. Everyone careens
about in this surprise. Respond in kind. Let the knots untie, turbans
be given away. Someone drunk on this could drink a donkeyload a night.
Believer, unbeliever, cynic, lover, all combine in the spirit-form we are,
but no one yet is awake like Shams.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
“
Three things make people want to change. One is that they hurt sufficiently. They have beat their heads against the same wall so long that they decide they have had enough. They have invested in the same slot machines without a pay-off for so long that they finally are willing either to stop playing, or to move on to others. Their migraines hurt, their ulcers bleed. They are alcoholic. They have hit the bottom. They beg for relief. They want to change.
Another thing that makes people want to change is a slow type of despair called ennui, or boredom. This is what the person has who goes through life saying, "So what?" until he finally asks the ultimate big "So What?" He is ready to change.
A third thing that makes people want to change is the sudden discovery that they can. This has been an observable effect of Transactional Analysis. Many people who have shown no particular desire to change have been exposed to Transactional Analysis through lectures or by hearing about it from someone else. This knowledge has produced an excitement about new possibilities, which has led to their further inquiry and a growing desire to change. There is also the type of patient who, although suffering from disabling symptoms, still does not really want to change. His treatment contract reads, "I'll promise to let you help me if I don't have to get well." This negative attitude changes, however, as the patient begins to see that there is indeed another way to live. A working knowledge of P-A-C makes it possible for the Adult to explore new and exciting frontiers of life, a desire which has been there all along but has been buried under the burden of the NOT OK.
”
”
Thomas A. Harris (I'm OK - You're OK)
“
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites.
"No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation.
"Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing.
Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green.
Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case.
Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her.
I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away.
I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
I also see courage in myself when I'm willing to risk being vulnerable and disappointed. For many years, if I really wanted something to happen-an invitation to speak at a special conference, a promotion, a radio interview-I pretended that it didn't matter that much. If a friend or colleague would ask, "Are you excited about that television interview?" I'd shrug it off and say, "I'm not sure. It's not that big of a deal." Of course, in reality, I was praying that it would happen.
It's only in the last few years that I've learned that playing down the exciting stuff doesn't' take the pain away when it doesn't happen. It also creates a lot of isolation. Once you've diminished the importance of something, your friends are not likely to call and say, "I'm sorry that didn't work out. I know you were excited about it."
Now when someone asks me about the potential opportunity that I'm excited about, I'm more likely to practice courage and say, "I'm so excited about the possibility. I'm trying to stay realistic, but I really hope it happens." When things haven't panned out, it's been comforting to be able to call a supportive friend and say, "Remember that event I told you about? It's not going to happen, and I'm so bummed.
”
”
Brené Brown (The Gifts of Imperfection)
“
You know what I think?”
Touching him feels so good, so strangely uncomplicated, like he’s the exception to every rule. “What?”
“I think you love your job,” he says softly. “I think you work that hard because you care ten times more than the average person.”
“About work,” I say.
“About everything.” His arms tighten around me. “Your sister. Your clients. Their books. You don’t do anything you’re not going to do one hundred percent. You don’t start anything you can’t finish.
“You’re not the person who buys the stationary bike as part of a New Year’s resolution, then uses it as a coatrack for three years. You’re not the kind of woman who only works hard when it feels good, or only shows up when it’s convenient. If someone insults one of your clients, those fancy kid gloves of yours come off, and you carry your own pen at all times, because if you’re going to have to write anything, it might as well look good. You read the last page of books first—don’t make that face, Stephens.” He cracks a smile in one corner of his mouth. “I’ve seen you—even when you’re shelving, you sometimes check the last page, like you’re constantly looking for all the information, trying to make the absolute best decisions.”
“And by you’ve seen me,” I say, “you mean you’ve watched me.”
“Of course I fucking do,” he says in a low, rough voice. “I can’t stop. I’m always aware of where you are, even if I don’t look, but it’s impossible not to. I want to see your face get stern when you’re emailing a client’s editor, being a hard-ass, and I want to see your legs when you’re so excited about something you just read that you can’t stop crossing and uncrossing them. And when someone pisses you off, you get these red splotches.” His fingers brush my throat. “Right here.”
“You’re a fighter,” he says. “When you care about something, you won’t let anything fucking touch it. I’ve never met anyone who cares as much as you do. Do you know what most people would give to have someone like that in their life?” His eyes are dark, probing, his heartbeat fast. “Do you know how fucking lucky anyone you care about is? You know . . .
”
”
Emily Henry (Book Lovers)
“
I could see that she was eager to please and impress me, and I was excited to see someone so excited to try to excite me. In all the excitement I forgot where I was, who I was, and why I was trying to kill her.
”
”
Jarod Kintz (This Book is Not for Sale)
“
It’s even more awkward when we’re face to face with people. It used to be exciting to make plans with friends because you could sit and catch up and talk about what’s been going on in your lives. Now when you see someone there’s nothing left to say. You’ve already seen the pictures from their trip to Rio on Facebook. You’ve read their tweets about the latest diet they’re on. And they already texted you about the pregnancy scare. So you end up just sitting and staring at each other until you both start texting other people.
”
”
Ellen DeGeneres
“
If your soulmate can't teach you a few things then what is the point of having one? I don't need someone to tell me I am right. I don't need someone to tell me I didn't screw up. I don't need someone to not push me to reach for my dreams. I don't need someone to not take an interest in making me better. I need a team mate, a best friend and someone that allows me enough room to have off days. I am allowed to be as silly, corny, upset at times, excited, scared and a million emotions, but still loved. I need someone that will be that way for me, also. I don't want perfection. I don't want to build my world around what other people think. I want to build it around positive experiences, spiritual growth, and adventure. That requires something deeper than just acting the way someone requires. It means finding someone imperfect that I have the ability to help and someone that sees my imperfectness and is willing to help me. If a soulmate is anything, it better be useful. Otherwise, it is simply a made up fantasy that has no place in God's plan for me.
”
”
Shannon L. Alder
“
James climbed into the transport vehicle, and the moment Felicity’s eyes met his was practically charged with electricity, the attraction was so strong. Her smile was just the balm he needed.
“Here I am, Captain, alive and well, never better. I think I even lost a few pounds in my enforced confinement!”
“Felicity, good to see you. You look great as always. But I have to ask, do you usually resort to such extreme measures when you want to stand up a partner for a dinner date?”
He saw the tease in her eyes as she smiled at him. “Only in exceptional circumstances—or when someone leaves me no option.
”
”
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
“
It’s all about gaining trust, seeing how well you can achieve that. About getting a dog not inclined to listen to you initially onside by making it clear to them that you are someone exciting to be with, worth spending time with or at least checking you out.
”
”
Dave Wardell (Fabulous Finn: The Brave Police Dog Who Came Back from the Brink)
“
May you live in interesting times.’ –Chinese curse
If you ask me ‘What’s new?’, I have nothing to say
Except that the garden is growing.
I had a slight cold but it’s better today.
I’m content with the way things are going.
Yes, he is the same as he usually is,
Still eating and sleeping and snoring.
I get on with my work. He gets on with his.
I know this is all very boring.
There was drama enough in my turbulent past:
Tears and passion – I’ve used up a tankful.
No news is good news, and long may it last.
If nothing much happens, I’m thankful.
A happier cabbage you never did see,
My vegetable spirits are soaring.
If you’re after excitement, steer well clear of me.
I want to go on being boring.
I don’t go to parties. Well, what are they for,
If you don’t need to find a new lover?
You drink and you listen and drink a bit more
And you take the next day to recover.
Someone to stay home with was all my desire
And, now that I’ve found a safe mooring,
I’ve just one ambition in life: I aspire
To go on and on being boring.
”
”
Wendy Cope
“
It’s hard to remember what you fall in love with. Usually it is an expression in the eyes, an exchange, or a gesture or the sound of a voice, a word spoken. Those things can get blended with the atmosphere around you at the time — a fragrance in the air, a play of light, even music — so that they become almost one with each other and when you see or smell or hear the memories of a place you feel the love again, but as a pang of loss. Sometimes the feelings get connected so deeply to your body that even your own skin, your own eyes in the mirror remind you of what you no longer have. Sometimes it only takes a few things for someone to attach the way I did — enough hunger, enough loneliness, enough loss, someone who will feed you and touch you and listen. Sometimes attachment — call it love — is more complex than that. When you are in the state I was in, love can be tied up with other things, like excitement and danger, and the desire to know what really happened, what actually took place.
”
”
Francesca Lia Block (The Elementals)
“
You’re wonderful. You’re the reason for the word wonderful. It really shouldn’t be used for anything else. You make me want to see the best in everyone. You’re the person I want to be with when everything’s going wrong, instead of just wanting to skip over those times entirely. I love that you’re so present that you always forget to keep track of your phone, and I love that when you’re late, you never make excuses but you always have a good reason. “You’re the most generous person I’ve ever met, even to people who’ve given you no reason to be generous, and you always come through for the people you care about. I honestly can’t totally figure out why someone as good as you would love me, when I can be kind of a pessimistic asshole. But I do feel like the luckiest person in the world, to be who you want. Because I want you too. I love you too. I love you in a way that feels brand-new. You make every single thing that went wrong feel like it was just a step in the right direction, and it—it makes me excited. For life to keep surprising me. “You aren’t what I pictured,” I say. “You are so, so, so much better than what my cynical little brain could’ve ever come up with.
”
”
Emily Henry (Funny Story)
“
Ambushed by my emotions, I now found myself caught up in an unexpected whirlwind of confusion, embarrassment, hope, and excitement... Was this love? Is this how it felt when you loved someone? A thousand thoughts and impressions a second, with no time or ability to focus on a single one, because the only thing I could see was her.
Cassie.
Whatever else I knew or wanted, would now--and always--be overshadowed by her. In my head, this sounded extreme, but at the same time, I knew it was true. The center of my world had shifted in what felt like a single second and I realized it was too late for me. There was no way back from here.
”
”
Melanie Cusick-Jones (The Rainbow Maker's Tale (The Ambrosia Sequence, #1.5))
“
We welcome into our homes the machines that vacuum the thoughts out of our heads and pump in someone else's. John Berger in Ways of Seeing said that television advertisers succeeded by persuading viewers to envy themselves as they would be if they bought the product. These programmes do something similar, by persuading the viewer to envy himself as he would be if his life were that little bit more exciting and melodramatic than it actually is. They can make things seem normal that are not.
”
”
Peter Hitchens (The Abolition of Britain: From Winston Churchill to Princess Diana)
“
He’d never encountered beauty of such magnitude and intensity. It was not allure, but grace, like the sight of land to a shipwrecked man. And he, who hadn’t been on a capsized vessel since he was six—and that had only been an overturned canoe—suddenly felt as if he’d been adrift in the open ocean his entire life.
Someone spoke to him. He couldn’t make out a single word.
There was something elemental to her beauty, like a mile-high thunderhead, a gathering avalanche, or a Bengal tiger prowling the darkness of the jungle. A phenomenon of inherent danger and overwhelming perfection.
He felt a sharp, sweet ache in his chest: His life would never again be complete without her. But he felt no fear, only excitement, wonder, and desire.
Christian's thoughts upon seeing Venetia for the first time (Beguiling the Beauty, Fitzhugh Trilogy 1, by Sherry Thomas)
”
”
Sherry Thomas
“
Keep note of the times when they give up things, and when they are excited for someone else’s success. Sundar notes that “sometimes decisions come up and people have to give up things. I overindex on those signals when people give something up.* And also when someone is excited because something else is working well in the company. It isn’t related to them, but they are excited. I watch for that. Like when you see a player on the bench cheering for someone else on the team, like Steph Curry jumping up and down when Kevin Durant hits a big shot. You can’t fake that.
”
”
Eric Schmidt (Trillion Dollar Coach: The Leadership Playbook of Silicon Valley's Bill Campbell)
“
He looked up. She was standing a few feet away from him. He noticed that she was wearing a black beret at a rakish angle and that she looked exciting and mysterious like someone you see driving by abroad, alone in an open car, someone unattainable and more desirable than anyone you have ever known. Someone who is on her way to make love to somebody else. Someone who is not for you.
”
”
Ian Fleming (Moonraker (James Bond, #3))
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Miya could imagine what Therak’s appearance somewhere caused – and she wasn’t talking about excitement at seeing a sword-wielding naked Apollo. When Therak came for someone, it spelled death for them. Until her.
For Miya, he had brought death to anyone and anything standing in his way to her. When darkness had fallen, he had descended in its depths to rescue his sapphire and bring her back to the light.
”
”
Marian Pattechat (When Darkness Falls)
“
To know India and her peoples, one has to know the monsoon. one has to know the monsoon. It is not enough to read about it in books, or see it on the cinema screen, or hear someone talk about it. It has to be a personal experience because nothing short of living through it can fully convey all it means to a people for whom it is not only the source of life, but also their most exciting impact with nature.
”
”
Khushwant Singh (I Shall Not Hear the Nightingale)
“
It's not important whether someone is a gourmet. Everyone wants to eat and knows that food is crucial to live. But everyone has his own special reaction toward food. One person can become so excited about a certain dish that his eyes sparkle and his muscles harden, while someone else shovels in the same dish without paying any thought to what he's eating. A gourmet appreciates beauty. Gourmets eat slowly and thoughtfully experience taste—they don't rush through a meal and leave the table as soon as they're done. People who are not gourmets don't see cooking as an art. Gourmandism is an interested in everything that can be eaten, and this deep affection for food birthed the art of cooking. Other animals have limited tastes, some eating only plants and others subsisting solely on but, but humans are omnivores. They can eat everything. Love for delicious food is the first emotion gourmets feel. Sometimes that love can't be thwarted, not by anything.
”
”
Kyung-ran Jo (Tongue)
“
In 90% of cases, you can start with one of the two most effective ways to open a speech: ask a question or start with a story.
Our brain doesn’t remember what we hear. It remembers only what we “see” or imagine while we listen.
You can remember stories. Everything else is quickly forgotten.
Smell is the most powerful sense out of 4 to immerse audience members into a scene.
Every sentence either helps to drive your point home, or it detracts from clarity. There is no middle point.
If you don’t have a foundational phrase in your speech, it means that your message is not clear enough to you, and if it’s not clear to you, there is no way it will be clear to your audience.
Share your failures first. Show your audience members that you are not any better, smarter or more talented than they are.
You are not an actor, you are a speaker. The main skill of an actor is to play a role; to be someone else. Your main skill as a speaker is to be yourself.
People will forgive you for anything except for being boring. Speaking without passion is boring. If you are not excited about what you are talking about, how can you expect your audience to be excited?
Never hide behind a lectern or a table. Your audience needs to see 100% of your body.
Speak slowly and people will consider you to be a thoughtful and clever person.
Leaders don’t talk much, but each word holds a lot of meaning and value.
You always speak to only one person. Have a conversation directly with one person, look him or her in the eye. After you have logically completed one idea, which usually is 10-20 seconds, scan the audience and then stop your eyes on another person. Repeat this process again.
Cover the entire room with eye contact.
When you scan the audience and pick people for eye contact, pick positive people more often.
When you pause, your audience thinks about your message and reflects. Pausing builds an audiences’ confidence. If you don’t pause, your audience doesn’t have time to digest what you've told them and hence, they will not remember a word of what you've said.
Pause before and after you make an important point and stand still. During this pause, people think about your words and your message sinks in.
After you make an important point and stand still. During this pause, people think about your words and your message sinks in.
Speakers use filler words when they don’t know what to say, but they feel uncomfortable with silence.
Have you ever seen a speaker who went on stage with a piece of paper and notes? Have you ever been one of these speakers? When people see you with paper in your hands, they instantly think, “This speaker is not sincere. He has a script and will talk according to the script.”
The best speeches are not written, they are rewritten.
Bad speakers create a 10 minutes speech and deliver it in 7 minutes. Great speakers create a 5 minute speech and deliver it in 7 minutes.
Explain your ideas in a simple manner, so that the average 12-year-old child can understand the concept.
Good speakers and experts can always explain the most complex ideas with very simple words.
Stories evoke emotions. Factual information conveys logic. Emotions are far more important in a speech than logic.
If you're considering whether to use statistics or a story, use a story.
PowerPoint is for pictures not for words. Use as few words on the slide as possible.
Never learn your speech word for word. Just rehearse it enough times to internalize the flow.
If you watch a video of your speech, you can triple the pace of your development as a speaker. Make videos a habit.
Meaningless words and clichés neither convey value nor information. Avoid them.
Never apologize on stage.
If people need to put in a lot of effort to understand you they simply won’t listen. On the other hand if you use very simple language you will connect with the audience and your speech will be remembered.
”
”
Andrii Sedniev (Magic of Public Speaking: A Complete System to Become a World Class Speaker)
“
He checked her face first to see if she was all right, then dropped his eyes to the keyboard. It was like someone had plugged him in. His eyes widened, his mouth dropped open, and he stretched his fingers.
“Will you play it, Blake? Will you?” Livia almost jumped with excitement.
Blake covered his smile. He nodded. Livia plopped the keyboard on the kitchen table, which was still moist from where he’d wiped it with the kitchen sponge.
Blake kissed her and then spoke solemnly. “I’ll play it for you.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
What is a creative person? It is someone who is willing to see the whole of life as an adventure, filled to the brim with exciting possibilities. He or she is willing where necessary to set aside old boundaries and to discover a new way of looking at things.
”
”
Ursula Markham (The Elements of Visualization)
“
I'm glad being shipwrecked appeals to you."
"Captain Walken made a point of avoiding that word."
"Well, he was trying to keep everyone jolly, wasn't he. It's no good having everyone running around screaming and eating each other."
"I wouldn't run around screaming," she said. "I can see eating someone in a pinch, though. If it really came down to it, I mean."
"I don't doubt it."
"Come on, Matt Cruse, don't you find it just a bit exciting, being here?"
"No."
She looked at me as if I'd suggested we stop breathing for a few hours.
”
”
Kenneth Oppel (Airborn (Matt Cruse, #1))
“
Two young men drinking beer on the steps of a closed bookstore across the street fixed their eyes on Savannah. Even from that distance Gregori could see their instant fixation, the obsession she so easily produced in men.It was in the way she moved, her flowing hair and enormous eyes, her aura, at once innocent and sexy. There as no hope that they would not recognize her. She embodied magic and fantasy.
Gregori sighed heavily,his gut tightening. She was going to drive him crazy and maybe get some innocent drunk killed. The two men had risen, whispering excitedly, working up their courage to approach her. He could hear them pumping each other up. He fixed his silver eyes on them and concentrated briefly. He wiped their thoughts away and planted in them an urgency to leave the area immediately.
"Do me a favor,cherie. Try to look plain and uninteresting."
Savannah laughed softly in spite of her growing sense of dread. "Get over it already," she suggested.
"You are more than disrespectful, woman. I cannot remember a single time in my existence when anyone spoke to me as you do."
She rubbed her cheek along his shoulder in a small caress. Gregori's breath seemed to still in his throat. "That's why I do it.You need someone to give you a little trouble." Her teasing tone slid over him, into him, the tiny threads that tied them together multiplying every moment.
"I would not mind a little trouble. You are big trouble.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
YOU DON’T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON’T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE—TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT’S SO EASY; I THINK THAT’S WHY THERE ARE SO MANY ENGLISH MAJORS
”
”
John Irving (A Prayer for Owen Meany)
“
5. When Begging Ends I love the idea of Divine Source. It reminds us that everything, the fulfillment of every need, always emanates from the One. So if you learn how to keep your vibration high and attuned to That, whatever is needed to sustain you can always occur, often in surprising and delightful ways. Your Source is never a particular person, place, or thing, but God Herself. You never have to beg. Furthermore, Divine Source says that whatever resonates with you will always find you. That which does not, will fall away. It’s that simple. When Outrageous Openness first came out, I experienced this as I took the book around—some stores were simply not drawn to it. But knowing about Divine Source and resonance, I didn’t care. I remember taking it to a spiritual bookstore in downtown San Francisco. The desultory manager sort of half-growled, “Oh, we have a long, long wait here. You can leave a copy for our ‘pile’ in the back room. Then you could call a ton and plead with us. If you get lucky, maybe one day we’ll stock it. Just keep hoping.” “Oh, my God, no!” I shuddered. “Why would I keep twisting your arm? It’ll go easily to the places that are right. You never have to convince someone. The people who are right will just know.” He looked stunned when I thanked him, smiling, and left. And sure enough, other store clerks were so excited, even from the cover alone. They nearly ripped the book out of my hands as I walked in. When I brought it to the main bookstore in San Francisco’s Castro district, I noticed the manager striding toward me was wearing a baseball cap with an image of the goddess Lakshmi. “Great sign,” I mused. He held the book for a second without even cracking it open, then showed the cover to a coworker, yelling, “Hey, let’s give this baby a coming-out party!” So a few weeks later, they did. Sake, fortune cookies, and all. Because you see, what’s meant for you will always, always find you. You never have to be bothered by the people who aren’t meant to understand. And anyway, sometimes years later, they are ready . . . and they do. Change me Divine Beloved into One who knows that You alone are my Source. Let me trust that You fling open every door at the right time. Free me from the illusion of rejection, competition, and scarcity. Fill me with confidence and faith, knowing I never have to beg, just gratefully receive.
”
”
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
“
You won’t bully or threaten me into the life you want me to live.” Drew went on. “I wish you could see how happy I am, how excited. I wish when you looked at Trent, you saw the man I did. A man who is passionate about business, who is loyal to his friends, and who feels more deeply in his little finger than you do in your entire body. You might be disgusted that I love him, but I’m proud. I’m proud to love someone who loves me enough to walk into this house and take the abuse you’ve so casually thrown at him. You want to make me choose? I choose him. I choose my life over the life you want me to have.
”
”
Cambria Hebert (#Rev (GearShark, #2))
“
I’m sorry, did you just say your boyfriend ditched you to go shoe shopping?” my mom asks her.
Charlotte sighs and crosses her arms in front of her. “He didn’t ditch me. I told him he could go because I was tired.”
“You don’t really mean shoe shopping right? You meant to say shopping for sports equipment or a new surround sound system, right?” Aunt Liz asks.
“He told us his favorite book of all time was Under the Rainbow: The Real Liza Minnelli. I’m pretty sure shoe shopping would be right up his alley,” Mom reminds her.
“Has Rocco gotten the memo yet that he’s gay?” Aunt Liz questions her.
Tyler starts laughing hysterically and reaches his hand up to fist-bump my aunt.
“Seriously, Mom? Are you judging him? That’s really low,” Charlotte complains.
“I’m not judging him. Some of the best people I’ve ever met are gay. I just don’t particularly want my daughter dating someone who’s gay.”
Charlotte stomps her foot and growls at Liz, and I have to tell myself not to get too excited. I love seeing her get fired up. Her cheeks turn pink and her eyes sparkle. Now is NOT the time to get a boner.
“He is NOT gay! He’s just … he’s in touch with his feminine side.”
Tyler snorts and Charlotte shoots an angry look in his direction.
“Honey, he doesn’t have a feminine side. He has a vagina,” Aunt Liz informs her.
”
”
Tara Sivec (Love and Lists (Chocoholics, #1))
“
A good children's book, written by someone aware of the responsibilities, tries to follow the pattern of the mind when it is working properly. Very early on it will say "what if?" and proceed with enjoyment and wonder to run through the possibilities resulting from that. It may go to surprising lengths here, and there will be things half heard and only hinted at, possibly, as people's minds have the built-in tendency to respond with excitement to mystery. The "what if" often (though not invariably) entails fantasy, and it is over the element of fantasy that many writers, not only those who say imagination drives you mad, get the wrong idea. They assume that because a thing is "made up' it is unreal or untrue (disregarding the fact that any kind of story except the most factual biography is always "made up"). They see a child reading a fairy story, or constructing his or her own fantasy, and they at once conclude that the child is retreating into make-believe simply to get comfort in a melancholy situation
”
”
Diana Wynne Jones (Reflections: On the Magic of Writing)
“
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.”
This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued:
“Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me.
“A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.”
I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising.
“If you were a negro you’d find that even existing would provide more excitement than you’d care for.”
He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark.
“I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?”
As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything.
“Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?”
“That’s rather unlikely,” I replied. “I have had no training as a teacher.”
“Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.”
“Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?”
“Why not? They need teachers desperately.”
“It is said that they also need technicians desperately.”
“Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.”
“I’ve tried that method before. It didn’t work.”
“Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.”
“Why especially the East End of London?”
“From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.”
“And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten.
“Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
”
”
E.R. Braithwaite (To Sir, With Love)
“
For twenty-seven years I was told and believed it to be true, that if you really liked someone, you'd wish her/him to 'stay the way s/he is'.
Today I know that I was not wrong, but my view was limited. If I really like someone today, I don't want them to merely stay that way, I want them to grow, to discover their potential, and am excited to see who they choose to become.
”
”
Akilnathan Logeswaran
“
I can’t read Tess of the d’Urbervilles!” I cried. “It’s too hard!” “YOU MEAN IT’S HARD TO MAKE YOURSELF READ IT, YOU MEAN IT’S HARD TO MAKE YOURSELF PAY ATTENTION,” he said. “BUT IT’S NOT TESS OF THE D’URBERVILLES THAT’S HARD. THOMAS HARDY MAY BORE YOU BUT HE’S VERY EASY TO UNDERSTAND—HE’S OBVIOUS, HE TELLS YOU EVERYTHING YOU HAVE TO KNOW.” “He tells me more than I want to know!” I cried. “YOUR BOREDOM IS YOUR PROBLEM,” said Owen Meany. “IT’S YOUR LACK OF IMAGINATION THAT BORES YOU. HARDY HAS THE WORLD FIGURED OUT. TESS IS DOOMED. FATE HAS IT IN FOR HER. SHE’S A VICTIM; IF YOU’RE A VICTIM, THE WORLD WILL USE YOU. WHY SHOULD SOMEONE WHO’S GOT SUCH A WORKED-OUT WAY OF SEEING THE WORLD BORE YOU? WHY SHOULDN’T YOU BE INTERESTED IN SOMEONE WHO’S WORKED OUT A WAY TO SEE THE WORLD? THAT’S WHAT MAKES WRITERS INTERESTING! MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT’S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON’T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON’T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE—TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT’S SO EASY; I THINK THAT’S WHY THERE ARE SO MANY ENGLISH MAJORS.” “It’s not easy for me!” I cried. “I hate reading this book!” “DO YOU HATE TO READ MOST BOOKS?” Owen asked me. “Yes!” I said. “DO YOU SEE THAT THE PROBLEM IS NOT TESS?” he asked me. “Yes,” I admitted. “NOW WE’RE GETTING SOMEWHERE,” said Owen Meany—my friend, my teacher. Standing on the sidewalk with Mrs.
”
”
John Irving (A Prayer for Owen Meany)
“
And I felt an incredible excitement at being able to witness the love reemerge inside her, because it was a total, prime-of-life love. The kind that could only be possible in someone who was going to die at some point in the future, and also someone who had lived enough to know that loving and being loved back was a hard thing to get right, but when you managed it, you could see forever.
”
”
Matt Haig (The Humans)
“
My father and I used to watch a ton of old horror movies when I was growing up. ’The Creature from the Black Lagoon‘ was one of my father’s favorites and he was very excited for me to see the film. But after the movie was over, I told him that I was kind of bored. I said to him, ‘I’m sorry, Daddy, but I saw the zipper in the back of the monster’s costume. From that point on, I was really never scared at all. The point I’m trying to make is that I don’t believe someone intentionally tipped off the target. And I maintain that no one made some horrendous mistake, which I’m now trying to cover up. I believe what really happened with the operation was that our target ended up seeing the zipper. Orlo Kharms realized something around him wasn’t… real. And he was able to avoid the trap we had laid out for him.
”
”
Richard Finney (Black Mariah - "A Calling")
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
This was before I knew that we all live on this planet, driving in the cars of our own little minds, our own self-contained worlds. Yes, this was before I knew that, when I thought that I mattered, when I thought that people saw me, deep into me, saw all my love and excitement at being alive, saw the very glistening, running-overness of my aliveness. But we only matter when we do something awful. Then, someone sees us and only then.
”
”
Paula Bomer (Inside Madeleine)
“
I, for one. You’re welcome to your Sturm und Drang, darling—I’ll take someone who’s a bit easier to manage.”
“What is Sturm und Drang?”
“Ah…I see that I’ll have to introduce you to the finer points of German literature. It means passionate turmoil—literally translated, ‘storm and stress.’ ”
“Yes, well, there is nothing quite as exciting as a storm, is there?” Aline asked ruefully.
Adam grinned as he drew her to a nearby bench. “Only when one is viewing it from inside a nice, cozy house.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
The decision to create a book trailer is entirely up to you. I can remember when "video killed the radio star" on MTV and how excited I was with some music videos (the ones that lived up to or exceeded my imagined vision of the song) and the ones I disliked so much, I even stopped listening to the song (the imagery just ruined it for me!) Some people argue that in a visual landscape, a book trailer is a must, while others stand firm that books should be read and not seen; unless of course it gets made into a screenplay and then a film. The most practical advice is to trust your instinct. You know what you want to say with your book and if it aligns congruently with your brand, then for a non-fiction book it may be a strategic move. On the other hand, it may come off as too "salesy" and go in the opposite direction. As you can see, I still have a love / hate relationship with matching someone else's images to my own imagination. No matter what you decide, remember to keep it aligned with your brand.
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Kytka Hilmar-Jezek (Book Power: A Platform for Writing, Branding, Positioning & Publishing)
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I felt like flirting was the very thing that made the world go around.
The excitement of wondering what the other person will say next. The thrill of knowing someone is looking at you, liking what they see. The rush of looking at someone and liking what you see in them. Flirting is probably just as much about falling in love with yourself as it is with someone else.
It’s about seeing yourself through someone’s eyes and realizing there is plenty to like about yourself, plenty of reasons someone might hang on your every word.
”
”
Taylor Jenkins Reid (One True Loves)
“
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage.
God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way.
“Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.”
And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her.
“I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.”
Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her.
That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her.
“The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.”
She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah.
“I’d need to change clothes.”
His gaze flickered over her short jeans skirt, her T-shirt.
“That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.”
No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers.
“Bare legs and motorcycles don’t exactly go together,” she pointed out.
He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.”
She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him.
“Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup?
He looked around. “I haven’t seen a pickup.”
“It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.”
He grinned. He was so proud of that damned pickup.
“Where did something so little come up with a truck that big?” he teased her then.
She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening.
“You drive it?”
“All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.”
Did he swallow tighter?
“It’s pinged then?”
She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?”
Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror.
The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
”
”
Lora Leigh (Wild Card (Elite Ops, #1))
“
Sorry, traffic was a nightmare. I'd just come off the highway..."
Sheryl cuts her off and, in front of her colleagues, gives her a dressing down about blaming the traffic rather than accepting responsibility for not anticipating traffic. She asks how many times she's driven this particular road, why she hadn't considered the needs of her coworkers in deciding when to leave her house, what time might have been more appropriate to set off from San Francisco to reach Menlo Park. She vents that Debbie has wasted her coworkers' time (mak-ing no mention of her own decision to waste our time with this perform-ance).
By now I know there's probably no specific reason for this outburst. Debbie's not in the habit of being late. I'd be shocked if she had been underperforming in the days or weeks before this. It's just Sheryl, in an arbitrary flex of power. That seems to be how she operates, unpredictable, keeping us all on edge. Never quite knowing when she'll strike, so we're never tempted to push any boundaries, even the simplest ones. Strict rules, selectively enforced and the baseline of ever-present fear. It ensures we obey in advance. Why does someone need to be so mean to the people helping her? I've been at Facebook for a few years now, and I've hit a point like the phase of a romance where you still see everything great that attracted you to the person in the first place. You're still excited by the future you're building together. But you've spent enough time together that you also see their flaws. And wonder how deep they run. I don't know if Sheryl's outbursts are an occasional thing-which I can cope with—or if that's who she is. And I'm nervous it's the latter.
”
”
Sarah Wynn-Williams (Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism)
“
I began to think that you wouldn’t play someone you couldn’t beat,” said Arin.
Kestrel looked up from her piano to see him standing by the doors she had left open, then glanced at the Bite and Sting set lying on a table by the garden windows.
“Not at all,” said Kestrel. “I have been busy.”
His gaze flicked to the piano. “So I’ve heard.”
Kestrel moved to sit at the table and said, “I’m intrigued by your choice of room.”
He hesitated, and she thought he was ready to deny any responsibility of choice, to pretend that a ghost had left that tile on the piano. Then he shut the doors behind him. The room, though large, felt suddenly small. Arin crossed the room to join her at the table. He said, “I didn’t like playing in your suite.”
She decided not to take offense. She had asked him to be honest. Kestrel mixed the tiles, but when she set a box of matches on the table, he said, “Let’s play for something else.”
Kestrel didn’t move her hand from the box’s lid. Again she wondered what he could offer her, what he could gamble, and she could think of nothing.
Arin said, “If I win, I will ask a question, and you will answer.”
She felt a nervous flutter. “I could lie. People lie.”
“I’m willing to risk it.”
“If those are your stakes, then I assume my prize would be the same.”
“If you win.”
She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably.
“Whereas matches make the perfect ante, and are so exciting to win and lose.”
“Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound.
Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win.
She didn’t.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Don’t you routinely push yourself into absurd plot twists? Aren’t you often lured into someone else’s drama? It’s hard to resist getting hooked. You believe the premise of their story, whatever it is, and sign on to the madness. It happens. Kids use their amazing imaginations for fun. For them, it’s great to be in an imagined world and to believe in it completely. In the company of other excited kids, they can take a thrilling ride. But staying too long in a fantasy is exhausting, even for a child. After an afternoon of pretending, children are relieved to be called home for supper and to collapse into a warm bed. We adults, too, need to be called home to ourselves. Young or old, no one wants to be locked in a tower forever, however magical it might have seemed at first. I’m asking you to notice where you put your faith, and make changes when you need to. Common sense says to put your faith in you. Don’t lie to yourself for the sake of an idyllic notion. It’s not enough to admit to the fantasy, you need to wake yourself up. See where a bad story is taking you, and alter your course. Say no to the drama. Win the war over fear. Protect yourself from your own abuses, no one can do it for you.
”
”
Miguel Ruiz (The Actor: How to Live an Authentic Life (Mystery School Series Book 1))
“
In “Halloween,” Buffy hopes to please Angel by dressing as a noblewoman after seeing a sketch of one in a Watcher’s Diary about him. After their misadventures, they debrief:
Angel: “I don’t get it, Buffy. Why did you think I’d like you better dressed that way?”
Buffy: “I—I just wanted to be a real girl, for once. The kind of fancy girl you liked when you were my age—what?”
Angel: “I hated the girls back then. Especially the noblewomen.”
Buffy: “You did?”
Angel: “They were just incredibly dull. Simpering morons, the lot of them. I always wished I could meet someone…exciting. Interesting.”
—“HALLOWEEN”
”
”
Christopher Golden (Buffy the Vampire Slayer: The Watcher's Guide, Volume 1)
“
It feels so good to flirt. No one ever talks about that. But in that moment, I felt like flirting was the very thing that made the world go around. The excitement of wondering what the other person will say next. The thrill of knowing someone is looking at you, liking what they see. The rush of looking at someone and liking what you see in them. Flirting is probably just as much about falling in love with yourself as it is with someone else. It's about seeing yourself through someone's eyes and realizing there is plenty to like about yourself, plenty of reasons someone might hang on your every word (114).
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”
Taylor Jenkins Reid (One True Loves)
“
But there’s never been anyone? Really?”
Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.”
I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?”
I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above.
“He was captain of the chess team.”
I cover my eyes with my hand.
“His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.”
“You’re messing with me, right?”
She shakes her head.
“Argyle socks, Sarah? I am so disappointed in you right now.”
“He was nice,” she chides. “You leave my Davey alone.”
Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite.
“So what happened to old Davey boy?”
“I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.”
I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it.
“And then before he could finish the question, I . . .”
I don’t realize I’m leaning toward her until she stops talking and I almost fall over.
“You . . . what?”
Sarah hides behind her hands.
“I threw up on him.”
And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes.
“Christ almighty.”
“And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.”
“Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.”
“Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.”
“Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.”
She smiles so brightly at me, her cheeks maroon and round like two shiny apples.
“I think that’s the nicest thing anyone’s ever said to me.”
I wiggle my eyebrows. “I’m all about the compliments.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
TESS IS DOOMED. FATE HAS IT IN FOR HER. SHE’S A VICTIM; IF YOU’RE A VICTIM, THE WORLD WILL USE YOU. WHY SHOULD SOMEONE WHO’S GOT SUCH A WORKED-OUT WAY OF SEEING THE WORLD BORE YOU? WHY SHOULDN’T YOU BE INTERESTED IN SOMEONE WHO’S WORKED OUT A WAY TO SEE THE WORLD? THAT’S WHAT MAKES WRITERS INTERESTING! MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT’S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON’T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON’T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE—TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY.
”
”
John Irving (A Prayer for Owen Meany)
“
The person who really writes the minor work is a secret writer who accepts only the dictates of a masterpiece.
Our good craftsman writes. He’s absorbed in what takes shape well or badly on the page. His wife, though he doesn’t know it, is watching him. It really is he who’s writing. But if his wife had X-ray vision she would see that instead of being present at an exercise of literary creation, she’s witnessing a session of hypnosis. There’s nothing inside the man who sits there writing. Nothing of himself, I mean. How much better off the poor man would be if he devoted himself to reading. Reading is pleasure and happiness to be alive or sadness to be alive and above all it’s knowledge and questions. Writing, meanwhile, is almost always empty. There’s nothing in the guts of the man who sits there writing. Nothing, I mean to say, that his wife, at a given moment, might recognize. He writes like someone taking dictation. His novel or book of poems, decent, adequate, arises not from an exercise of style or will, as the poor unfortunate believes, but as the result of an exercise of concealment. There must be many books, many lovely pines, to shield from hungry eyes the book that really matters, the wretched cave of our misfortune, the magic flower of winter!
Excuse the metaphors. Sometimes, in my excitement, I wax romantic. But listen. Every work that isn’t a masterpiece is, in a sense, a part of a vast camouflage. You’ve been a soldier, I imagine, and you know what I mean. Every book that isn’t a masterpiece is cannon fodder, a slogging foot soldier, a piece to be sacrificed, since in multiple ways it mimics the design of the masterpiece. When I came to this realization, I gave up writing. Still, my mind didn’t stop working. In fact, it worked better when I wasn’t writing. I asked myself: why does a masterpiece need to be hidden? what strange forces wreath it in secrecy and mystery?
”
”
Roberto Bolaño (2666)
“
If people want happiness so badly, why don’t they attempt to understand their false beliefs? First, because it never occurs to them to see them as false or even as beliefs. They see them as facts and reality, so deeply have they been programmed. Second, because they are scared to lose the only world they know—the world of desires, attachments, fears, social pressures, tensions, ambitions, worries, and guilt with occasional flashes of pleasure and relief and excitement. It’s like someone that is afraid to let go of a nightmare because, after all, it is the only world he knows. There you have a picture of yourself and of other people.
”
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Anthony de Mello (Stop Fixing Yourself: Wake Up, All Is Well (The Anthony De Mello Legacy Library))
“
He looked for commitment, to the cause and not just to their own success. Team First! You need to find... people who put the company first...
But how do you know when you have found such a person? Keep note of the times when they give up things, and when they are excited for someone else's success. Sundar notes that "sometimes decisions come up and people have to give up things. I overindex [pay a lot of attention to] on those signals when people give something up. Also when someone is excited because something else is working well in the company. It isn't related to them but they are excited. I watch for that. Like when you see a player on the bench cheering for someone else on the team p117-18
”
”
Eric Schmidt (Trillion Dollar Coach: The Leadership Playbook of Silicon Valley's Bill Campbell)
“
Then the Yogi suddenly fell silent, and when I looked puzzled he shrugged and said: ‘Don’t you see yourself where the fault lies?’ But I could not see it. At this point he recapitulated with astonishing exactness everything he had learned from me by his questioning. He went back to the first signs of fatigue, repugnance, and intellectual constipation, and showed me that this could have happened only to someone who had submerged himself disproportionately in his studies and that it was high time for me to recover my self-control, and to regain my energy with outside help. Since I had taken the liberty of discontinuing my regular meditation exercises, he pointed out, I should at least have realized what was wrong as soon as the first evil consequences appeared, and should have resumed meditation. He was perfectly right. I had omitted meditating for quite a while on the grounds that I had no time, was too distracted or out of spirits, or too busy and excited with my studies. Moreover, as time went on I had completely lost all awareness of my continuous sin of omission. Even now, when I was desperate and had almost run aground, it had taken an outsider to remind me of it. As a matter of fact, I was to have the greatest difficulty snapping out of this state of neglect. I had to return to the training routines and beginners’ exercises in meditation in order gradually to relearn the art of composing myself and sinking into contemplation.” With a small sigh the Magister ceased pacing the room. “That is what happened to me, and to this day I am still a little ashamed to talk about it. But the fact is, Joseph, that the more we demand of ourselves, or the more our task at any given time demands of us, the more dependant we are on meditation as a wellspring of energy, as the ever-renewing concord of mind and soul. And – I could if I wished give you quite a few more examples of this – the more intensively a task requires our energies, arousing and exalting us at one time, tiring and depressing us at another, the more easily we may come to neglect this wellspring, just as when we are carried away by some intellectual work we easily forget to attend to the body. The really great men in the history of the world have all either known how to meditate or have unconsciously found their way to the place to which meditation leads us. Even the most vigorous and gifted among the others all failed and were defeated in the end because their task or their ambitious dream seized hold of them, made them into persons so possessed that they lost the capacity for liberating themselves from present things, and attaining perspective. Well, you know all this; it’s taught during the first exercises, of course. But it is inexorably true. How inexorably true it is, one realizes only after having gone astray.
”
”
Hermann Hesse (The Glass Bead Game (Vintage Classics))
“
You see,” continued the minister, bowing thankfully to the duke, “Dictionopolis is the place where all the words in the world come from. They’re grown right here in our orchards.” “I didn’t know that words grew on trees,” said Milo timidly. “Where did you think they grew?” shouted the earl irritably. A small crowd began to gather to see the little boy who didn’t know that letters grew on trees. “I didn’t know they grew at all,” admitted Milo even more timidly. Several people shook their heads sadly. “Well, money doesn’t grow on trees, does it?” demanded the count. “I’ve heard not,” said Milo. “Then something must. Why not words?” exclaimed the undersecretary triumphantly. The crowd cheered his display of logic and continued about its business. “To continue,” continued the minister impatiently. “Once a week by royal proclamation the word market is held here in the great square and people come from everywhere to buy the words they need or trade in the words they haven’t used.” “Our job,” said the count, “is to see that all the words sold are proper ones, for it wouldn’t do to sell someone a word that had no meaning or didn’t exist at all. For instance, if you bought a word like ghlbtsk, where would you use it?” “It would be difficult,” thought Milo—but there were so many words that were difficult, and he knew hardly any of them. “But we never choose which ones to use,” explained the earl as they walked toward the market stalls, “for as long as they mean what they mean to mean we don’t care if they make sense or nonsense.” “Innocence or magnificence,” added the count. “Reticence or common sense,” said the undersecretary. “That seems simple enough,” said Milo, trying to be polite. “Easy as falling off a log,” cried the earl, falling off a log with a loud thump. “Must you be so clumsy?” shouted the duke. “All I said was——” began the earl, rubbing his head. “We heard you,” said the minister angrily, “and you’ll have to find an expression that’s less dangerous.” The earl dusted himself off as the others snickered audibly. “You see,” cautioned the count, “you must pick your words very carefully and be sure to say just what you intend to say. And now we must leave to make preparations for the Royal Banquet.” “You’ll be there, of course,” said the minister. But before Milo had a chance to say anything, they were rushing off across the square as fast as they had come. “Enjoy yourself in the market,” shouted back the undersecretary. “Market,” recited the duke: “an open space or covered building in which——” And that was the last Milo heard as they disappeared into the crowd. “I never knew words could be so confusing,” Milo said to Tock as he bent down to scratch the dog’s ear. “Only when you use a lot to say a little,” answered Tock. Milo thought this was quite the wisest thing he’d heard all day. “Come,” he shouted, “let’s see the market. It looks very exciting.
”
”
Norton Juster (The Phantom Tollbooth)
“
Have you ever heard that the brain is a discounting mechanism?’ ‘No.’ ‘Let’s say you get a present and open it and it’s a fabulous diamond necklace. Initially, you’re delirious with happiness, jumping up and down, you’re so excited. The next day, the necklace still makes you happy, but less so. After a year, you see the necklace, and you think, Oh, that old thing. It’s the same for negative emotions. Let’s say you get a crack in your windshield and you’re really upset. Oh no, my windshield, it’s ruined, I can hardly see out of it, this is a tragedy! But you don’t have enough money to fix it, so you drive with it. In a month, someone asks you what happened to your windshield, and you say, What do you mean? Because your brain has discounted it.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
A little drop of Native American blood was exciting and unique. But a full-blooded Native American…she was horrified.”
Cecily’s opinion of the legendary Maureen dropped eighty points. She ground her teeth together. She couldn’t imagine anyone being ashamed of such a proud heritage.
He looked down at her and laughed despite himself. “I can hear you boiling over. No, you wouldn’t be ashamed of me. But you’re unique. You help, however you can. You see the poverty around you, and you don’t stick your nose up at it. You roll up your sleeves and do what you can to help alleviate it. You’ve made me ashamed, Cecily.”
“Ashamed? But, why?”
“Because you see beauty and hope where I see hopelessness.” He rubbed his artificial arm, as if it hurt him. “I’ve got about half as much as Tate has in foreign banks. I’m going to start using some of it for something besides exotic liquor. One person can make a difference. I didn’t know that, until you came along.”
She smiled and touched his arm gently. “I’m glad.”
“You could marry me,” he ventured, looking down at her with a smile. “I’m no bargain, but I’d be good to you. I’d never even drink a beer again.”
“You need someone to love you, Colby. I can’t.”
He grimaced. “I could say the same thing to you. But I could love you, I think, given time.”
“You’d never be Tate.”
He drew in a long breath. “Life is never simple. It’s like a puzzle. Just when we think we’ve got it solved, pieces of it fly in all directions.”
“When you get philosophical, it’s time to go in. Tomorrow, we have to talk about what’s going on around here. There’s something very shady. Leta and I need you to help us find out what it is.”
“What are friends for?” he asked affectionately.
“I’ll do the same for you one day.”
He didn’t answer her. Cecily had no idea at all how strongly her pert remark about being intimate with Colby had affected Tate. The black-eyed, almost homicidal man who’d come to his door last night had hardly been recognizable as his friend and colleague of many years. Tate had barely been coherent, and both men were exhausted and bloody by the time the fight ended in a draw. Maybe Tate didn’t want to marry Cecily, but Colby knew stark jealousy when he saw it. That hadn’t been any outdated attempt to avenge Cecily’s chastity. It had been revenge, because he thought Colby had slept with her and he wanted to make him pay. It had been jealousy, not protectiveness, the jealousy of a man who was passionately in love; and didn’t even know it.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“
“No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told.
“No further questions!”
“Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.”
Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?”
“Yes, I do,” Elizabeth emphatically declared.
“My dear, poor woman, could you tell us-all of us-some examples of his cruelty?”
“Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst.
“Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?”
“Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.”
“You were afraid he would beat you for it?”
“No, I was afraid he wouldn’t give me more until next quarter!”
Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.”
“And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?”
“Yes, I believe it was!”
“Why were you weeping, Lady Thornton?”
The galleries tipped further toward her.
“I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed.
Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?”
“Goodness, I don’t know what you are supposed to believe. I only know I did it.”
“Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?”
Elizabeth gave him a vacuous look. “I liked my emeralds.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
One of the people working with Rutherford was a mild and affable young Dane named Niels Bohr. In 1913, while puzzling over the structure of the atom, Bohr had an idea so exciting that he postponed his honeymoon to write what became a landmark paper. Because physicists couldn’t see anything so small as an atom, they had to try to work out its structure from how it behaved when they did things to it, as Rutherford had done by firing alpha particles at foil. Sometimes, not surprisingly, the results of these experiments were puzzling. One puzzle that had been around for a long time had to do with spectrum readings of the wavelengths of hydrogen. These produced patterns showing that hydrogen atoms emitted energy at certain wavelengths but not others. It was rather as if someone under surveillance kept turning up at particular locations but was never observed traveling between them. No one could understand why this should be.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
So what do you guys want to do first?” Claire asked excitedly from the backseat.
“Oh my God, Claire. I don’t know, but maybe you should ask us again in five minutes. We haven’t had enough time to think about it since the last time you asked.” Chelsea’s mood had gone downhill quickly during the car ride into the mountains, and she had lost her patience for everyone-including Claire-who was usually safe from her temper.
“Effin’-A, Chels, I was just asking.” Claire’s lips drew together tightly as she crossed her arms in front of her. It was as close to swearing as Claire ever got. Claire must have really been tired of Chelsea’s snippy tone.
Chelsea didn’t apologize; instead she closed her eyes and took another deep breath, leaning her head back against her seat.
“Do you want me to pull over again?” Jay asked, glancing anxiously at Chelsea in his rearview mirror. He shot a nervous look at Violet, and Violet knew exactly what he was thinking.
He didn’t want Chelsea to puke…in his car.
Chelsea sighed with annoyance. “Why, Jay? So I can walk around in the cold again, talking about how fucking-yeah, that’s right, Claire, I said fucking-sick I feel? No, thank you. Just keep driving. The sooner we get there, the sooner I get out of this hellhole.”
“No offense taken. Right, Jay?” Mike laughed, hitting Jay’s headrest playfully. Apparently he thought he was safe from Chelsea’s caustic remarks.
He wasn’t.
“That’s too bad,” Chelsea shot back without opening her eyes. “Maybe someone should take offense. Maybe it’s not the car making me sick, maybe it’s the driving.”
Violet started to laugh but caught herself, just barely, in time to stop the sound from actually escaping her lips. She covered her mouth with her hand so that only those with their eyes open could see her.
Ha-ha, Jay mouthed, when she glanced sideways in his direction, making it even harder to contain herself.
Sorry, she mouthed back to him, when she finally felt like she had enough control not to laugh.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
When did my heart turn away from its willingness to die if need be in order to kill d’Albret?
Perhaps once I escaped, once I was no longer in his orbit or infected with the bleak despair that enveloped me while I was in his household. Or mayhap my short time away from him has reminded me that there are things worth living for. There are good people in this world, in this duchy. Those who mean to do all they can to stop d’Albret. Living inside his walls, it was all too easy to forget that.
There is the thrill of a fast horse, and the sun and wind in your face. The rare—and all the more precious for it—moments of laughter to be had. The excitement of seeing Mortain’s marque and knowing the hunt is about to begin. The look in someone’s eye when he truly see you—not just your face and hair, but the very essence of your soul.
It is a raw and uncomfortable realization that Beast is partly behind this newfound will to live. Not for him, but because he reminded me of what life has to offer. He lives life so joyously—it is impossible not to want that joy for oneself.
”
”
Robin LaFevers (Dark Triumph (His Fair Assassin, #2))
“
The strength of Us/Them-ing is shown by its emergence in kids. By age three to four, kids already group people by race and gender, have more negative views of such Thems, and perceive other-race faces as being angrier than same-race faces.8 And even earlier. Infants learn same-race faces better than other-race. (How can you tell? Show an infant a picture of someone repeatedly; she looks at it less each time. Now show a different face—if she can’t tell the two apart, she barely glances at it. But if it’s recognized as being new, there’s excitement, and longer looking).9 Four important thoughts about kids dichotomizing: Are children learning these prejudices from their parents? Not necessarily. Kids grow in environments whose nonrandom stimuli tacitly pave the way for dichotomizing. If an infant sees faces of only one skin color, the salient thing about the first face with a different skin color will be the skin color. Racial dichotomies are formed during a crucial developmental period. As evidence, children adopted before age eight by someone of a different race develop the expertise at face recognition of the adoptive parent’s race.10
”
”
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
“
Of this...this p-pathetic excuse for a life. I'm sick of it. I'm sick of being unhappy, but doing nothing to try and be ha-happy. I'm sick of crying out for help and then rejecting anyone who t-tries to help me. I'm sick of w-wanting things and doing nothing to get them. I'm sick of feeling dis-disappointed, and I'm sick of being a disappointment. I'm sick of not feeling passionate, or excited, or f-fucking anything about anything. I'm sick of being angry, and af-afraid, and sad. I'm sick of pretending that I'm okay. I'm sick of pretending that I un-understand. I'm just s-sick of it all, because all of it's nothing. And it's my fault it's nothing."
"It's like...my life is this c-cage, and from my cage I can see you all being happy, and living, and just being...n-normal. I just sit in my cage and watch you...wondering what it's like. And every now and then, someone will hand me a k-key to unlock my cage, but I never do. Because it's
cage. Even though I detest it, it's mine. And people keep giving me keys, and I keep throwing...throwing them away. I'll always throw them away, and I don't even know why." He coughed, spraying blood across Blaise's shirt. "Th-there's your speech, arseholes.
”
”
Bex-chan (Isolation)
“
FUCK IT, I’M BORED.”
“Here he comes.” Theo didn’t even look up when Miles rounded the corner and tossed his notebook onto the counter. “I don’t think cursing is going to help,” she told him.
“Maybe it fucking will.” Miles seethed. “I hate everyone in that gym. Pick someone.”
“No, I don’t want to play.”
“It won’t take that long.”
“That’s why I don’t want to play.”
“Can I do one?” I raised my hand. “It might actually take you more than five questions, too.”
Miles quirked his eyebrow. “Oh, you think so?”
“If you get this in five, I’ll be thoroughly impressed.”
He leaned over the counter, looking eager. Weirdly, weirdly eager. Not like he wanted to rub my face into the floor. Not like he knew he was going to beat me. Just . . . excited. “Okay,” he said. “Are you fictional?”
Broad question. He didn’t know me as well as he knew Theo, so it was to be expected.
“No,” I said.
“Are you still alive?”
“No.”
“Are you a leader?”
“Yes.”
“Was your civilization conquered by a European nation?”
“Yes.”
“Are you . . . a leader of the Olmec?”
“How’d you get there?” Theo blurted out, but Miles ignored her.
“No,” I said, trying not to let him see how close he’d come. “And the Olmec weren’t conquered by the Europeans. They died out.”
Miles frowned. “Mayan?”
“No.”
“Incan.”
“No.”
“Aztec.”
“Yes.”
The corners of his lips twisted up, but he said, “Shouldn’t have taken so many guesses for that one.” Then he said, “Did you found the Tlatocan?”
“No.”
“Did you reign after 1500?”
“No.”
Theo watched the conversation like a tennis match.
“Are you Ahuitzotl?”
“No.” I smiled. This kid knew his history.
“Tizoc?”
“No.”
“Axayacatl?”
“No.”
“Moctezuma I?”
“Nope.”
“Itzcoatl?”
“No.”
“Chimalpopoca?”
“No.”
“Huitzilihuitl?”
“What the hell are you saying?” Theo cried.
He’d cut off a chunk of the Aztec emperors and whittled them down until there was only one remaining. But now he had three questions left—two he didn’t need.
Why hadn’t he cut it down again? Surely he could have shortened his options and not guessed his way through all the emperors. Was this some kind of test? Or was . . . was he showing off?
“You’re Acamapichtli.”
There was a fanatical gleam in his eye, another smile playing on his lips. Both were gone as soon as I said, “Almost twenty. Not quite, but I almost had you.”
“I’m never playing this game again,” said Theo, sighing and returning to her homework.
”
”
Francesca Zappia (Made You Up)
“
So many synapses,' Drisana said. 'Ten trillion synapses in the cortex alone.'
Danlo made a fist and asked, 'What do the synapses look like?'
'They're modelled as points of light. Ten trillion points of light.' She didn't explain how neurotransmitters diffuse across the synapses, causing the individual neurons to fire. Danlo knew nothing of chemistry or electricity. Instead, she tried to give him some idea of how the heaume's computer stored and imprinted language. 'The computer remembers the synapse configuration of other brains, brains that hold a particular language. This memory is a simulation of that language. And then in your brain, Danlo, select synapses are excited directly and strengthened. The computer speeds up the synapses' natural evolution.'
Danlo tapped the bridge of his nose; his eyes were dark and intent upon a certain sequence of thought. 'The synapses are not allowed to grow naturally, yes?'
'Certainly not. Otherwise imprinting would be impossible.'
'And the synapse configuration – this is really the learning, the essence of another's mind, yes?'
'Yes, Danlo.'
'And not just the learning – isn't this so? You imply that anything in the mind of another could be imprinted in my mind?'
'Almost anything.'
'What about dreams? Could dreams be imprinted?'
'Certainly.'
'And nightmares?'
Drisana squeezed his hand and reassured him. 'No one would imprint a nightmare into another.'
'But it is possible, yes?'
Drisana nodded her head.
'And the emotions ... the fears or loneliness or rage?'
'Those things, too. Some imprimaturs – certainly they're the dregs of the City – some do such things.'
Danlo let his breath out slowly. 'Then how can I know what is real and what is unreal? Is it possible to imprint false memories? Things or events that never happened? Insanity? Could I remember ice as hot or see red as blue? If someone else looked at the world through shaida eyes, would I be infected with this way of seeing things?'
Drisana wrung her hands together, sighed, and looked helplessly at Old Father.
'Oh ho, the boy is difficult, and his questions cut like a sarsara!' Old Father stood up and painfully limped over to Danlo. Both his eyes were open, and he spoke clearly. 'All ideas are infectious, Danlo. Most things learned early in life, we do not choose to learn. Ah, and much that comes later. So, it's so: the two wisdoms. The first wisdom: as best we can, we must choose what to put into our brains. And the second wisdom: the healthy brain creates its own ecology; the vital thoughts and ideas eventually drive out the stupid, the malignant and the parasitical.
”
”
David Zindell (The Broken God (A Requiem for Homo Sapiens, #1))
“
Dear Jon,
A real Dear Jon letter, how perfect is that?! Who knew you’d get dumped twice in the same amount of months. See, I’m one paragraph in and I’ve already fucked this.
I’m writing this because I can’t say any of this to you face-to-face. I’ve spent the last few months questioning a lot of my friendships and wondering what their purpose is, if not to work through big emotional things together. But I now realize: I don’t want that. And I know you’ve all been there for me in other ways. Maybe not in the literal sense, but I know you all would have done anything to fix me other than listening to me talk and allowing me to be sad without solutions. And now I am writing this letter rather than picking up the phone and talking to you because, despite every thing I know, I just don’t want to, and I don’t think you want me to either.
I lost my mind when Jen broke up with me. I’m pretty sure it’s been the subject of a few of your WhatsApp conversations and more power to you, because I would need to vent about me if I’d been friends with me for the last six months. I don’t want it to have been in vain, and I wanted to tell you what I’ve learnt.
If you do a high-fat, high-protein, low-carb diet and join a gym, it will be a good distraction for a while and you will lose fat and gain muscle, but you will run out of steam and eat normally again and put all the weight back on. So maybe don’t bother. Drunkenness is another idea. I was in blackout for most of the first two months and I think that’s fine, it got me through the evenings (and the occasional afternoon). You’ll have to do a lot of it on your own, though, because no one is free to meet up any more. I think that’s fine for a bit. It was for me until someone walked past me drinking from a whisky miniature while I waited for a night bus, put five quid in my hand and told me to keep warm. You’re the only person I’ve ever told this story.
None of your mates will be excited that you’re single again. I’m probably your only single mate and even I’m not that excited. Generally the experience of being single at thirty-five will feel different to any other time you’ve been single and that’s no bad thing.
When your ex moves on, you might become obsessed with the bloke in a way that is almost sexual. Don’t worry, you don’t want to fuck him, even though it will feel a bit like you do sometimes.
If you open up to me or one of the other boys, it will feel good in the moment and then you’ll get an emotional hangover the next day. You’ll wish you could take it all back. You may even feel like we’ve enjoyed seeing you so low. Or that we feel smug because we’re winning at something and you’re losing. Remember that none of us feel that.
You may become obsessed with working out why exactly she broke up with you and you are likely to go fully, fully nuts in your bid to find a satisfying answer. I can save you a lot of time by letting you know that you may well never work it out. And even if you did work it out, what’s the purpose of it? Soon enough, some girl is going to be crazy about you for some undefinable reason and you’re not going to be interested in her for some undefinable reason. It’s all so random and unfair – the people we want to be with don’t want to be with us and the people who want to be with us are not the people we want to be with.
Really, the thing that’s going to hurt a lot is the fact that someone doesn’t want to be with you any more. Feeling the absence of someone’s company and the absence of their love are two different things. I wish I’d known that earlier. I wish I’d known that it isn’t anybody’s job to stay in a relationship they don’t want to be in just so someone else doesn’t feel bad about themselves.
Anyway. That’s all. You’re going to be okay, mate.
Andy
”
”
Dolly Alderton (Good Material)
“
There is a difference between being in a secure connection with someone and having a securely attached relationship. Secure connections are with people or partners who we don’t have daily or regular contact with, but with whom we know that when we reach out it will feel as if a moment hasn’t passed. We are secure in the bond that we have with such people, and this bond might be immensely meaningful, special and important to us, but it’s not necessarily a relationship that requires us to invest regular maintenance and attention. In CNM, these might be the partners we refer to as comets, satellites or casual. They’re the people who we see at special events a few times a year or our less-involved long-distance relationships. Securely attached relationships are based on consistency and reliability. These are the people who are there for each other in responsive and attuned ways more times than not. They are our “go-to” people who have our back and to whom we can turn when we feel hurt or threatened and or need support, comfort or reassurance. They’re the people we are excited to share our latest news or discoveries with. Sue Johnson simplifies what we are looking for in our attachment relationships through the three questions: are you available, are you responsive, are you emotionally engaged?61
”
”
Jessica Fern (Polysecure: Attachment, Trauma and Consensual Nonmonogamy)
“
Twenty years? No kidding: twenty years? It’s hard to believe. Twenty years ago, I was—well, I was much younger. My parents were still alive. Two of my grandchildren had not yet been born, and another one, now in college, was an infant. Twenty years ago I didn’t own a cell phone. I didn’t know what quinoa was and I doubt if I had ever tasted kale. There had recently been a war. Now we refer to that one as the First Gulf War, but back then, mercifully, we didn’t know there would be another. Maybe a lot of us weren’t even thinking about the future then. But I was. And I’m a writer. I wrote The Giver on a big machine that had recently taken the place of my much-loved typewriter, and after I printed the pages, very noisily, I had to tear them apart, one by one, at the perforated edges. (When I referred to it as my computer, someone more knowledgeable pointed out that my machine was not a computer. It was a dedicated word processor. “Oh, okay then,” I said, as if I understood the difference.) As I carefully separated those two hundred or so pages, I glanced again at the words on them. I could see that I had written a complete book. It had all the elements of the seventeen or so books I had written before, the same things students of writing list on school quizzes: characters, plot, setting, tension, climax. (Though I didn’t reply as he had hoped to a student who emailed me some years later with the request “Please list all the similes and metaphors in The Giver,” I’m sure it contained those as well.) I had typed THE END after the intentionally ambiguous final paragraphs. But I was aware that this book was different from the many I had already written. My editor, when I gave him the manuscript, realized the same thing. If I had drawn a cartoon of him reading those pages, it would have had a text balloon over his head. The text would have said, simply: Gulp. But that was twenty years ago. If I had written The Giver this year, there would have been no gulp. Maybe a yawn, at most. Ho-hum. In so many recent dystopian novels (and there are exactly that: so many), societies battle and characters die hideously and whole civilizations crumble. None of that in The Giver. It was introspective. Quiet. Short on action. “Introspective, quiet, and short on action” translates to “tough to film.” Katniss Everdeen gets to kill off countless adolescent competitors in various ways during The Hunger Games; that’s exciting movie fare. It sells popcorn. Jonas, riding a bike and musing about his future? Not so much. Although the film rights to The Giver were snapped up early on, it moved forward in spurts and stops for years, as screenplay after screenplay—none of them by me—was
”
”
Lois Lowry (The Giver (Giver Quartet Book 1))
“
Western culture has endlessly represented the ways in which love miraculously erupts in people’s lives, the mythical moment in which one knows someone is destined to us; the feverish waiting for a phone call or an email, the thrill that runs our spine at the mere thought of him or her. To be in love is to become an adept of Plato, to see through a person an Idea, perfect and complete.2 Endless novels, poems, or movies teach us the art of becoming Plato’s disciples, loving the perfection manifested by the beloved. Yet, a culture that has so much to say about love is far more silent on the no-less-mysterious moment when we avoid falling in love, where we fall out of love, when the one who kept us awake at night now leaves us indifferent, when we hurry away from those who excited us a few months or even a few hours ago. This silence is all the more puzzling as the number of relationships that dissolve soon after their beginning or at some point down along their emotional line is staggering.Perhaps our culture does not know how to represent or think about this because we live in and through stories and dramas, and “unloving” is not a plot with a clear structure. More often than not it does not start with an inaugural moment, a revelation. On the contrary, some relationships fade or evaporate before or soon after they properly started, while others end with slow and incomprehensible death.
”
”
Eva Illouz (El fin del amor: Una sociología de las relaciones negativas)
“
And for the first time she has a feeling: too late, toil has exhausted her youth, the war has taken it away. Something must have snapped inside her, and men seem to sense it, for she isn't really being pursued by any of them, even though her delicate blond profile has an aristocratic look among the coarse faces, round and red like apples, of the village girls. But these postwar seventeen-and eighteen-year-old aren't waiting quietly and patiently, waiting for someone to want them and take them.
They're demanding pleasure as their right, demanding it as impetuously a though it's not just their own young lives that they're living but the lives of the hundred thousand dead and buried too. With a kind of horror, Christine now twenty six watches how they act, these newcomers, these young ones, sees their self-assurance and covetousness, their knowing and impudent eyes, the provocation in their hips, how unmistakably they laugh on matter how boldly the boys embrace them and how shamelessly they take the men off into the woods_she sees them on her way home. It disgusts her, Surrounded by this coarse and lustful postwar generation she feels ancient, tired, useless and overwhelmed, unwilling and unable to compete.
No more struggling, no more striving, that's the main thing! Breathe calmly, daydream quietly, do your work, water the flowers in the window, ask not, want not,. No more asking for anything, nothing new, nothing exciting. The war stole her decade of youth.
She has no courage, no strength left even for happiness.
”
”
Stefan Zweig (The Post-Office Girl)
“
Familiar things, their touch and sight and sound, had become an ache of heart—all encompassing—which filled the waking day and penetrated sleep. Strangely—and in a way it shamed her at the time—there were never nightmares; only the steady procession of events as they had been that memorable day at Madison airport. She had been there to see her family leave for Europe: her mother, gay and excited, wearing the bon voyage orchid which a friend had telegraphed; her father, relaxed and amiably complacent that for a month the real and imagined ailments of his patients would be someone else’s concern. He had been puffing a pipe which he knocked out on his shoe when the flight was called. Babs, her elder sister, had embraced Christine; and even Tony, two years younger and hating public affection, consented to be kissed. “So long, Ham!” Babs and Tony had called back, and Christine smiled at the use of the silly, affectionate name they gave her because she was the middle of their trio sandwich. And they had all promised to write, even though she would join them in Paris two weeks later when term ended. At the last her mother had held Chris tightly, and told her to take care. And a few minutes later the big prop-jet had taxied out and taken off with a roar, majestically, though it barely cleared the runway before it fell back, one wing low, becoming a whirling, somersaulting Catherine wheel, and for a moment a dust cloud, and then a torch, and finally a silent pile of fragments—machinery and what was left of human flesh. It was five years ago. A few weeks after, she left Wisconsin and had never returned.
”
”
Arthur Hailey (Hotel)
“
According to Freud here, it is only by inhibiting or prohibiting sexual satisfaction that a more enduring investment can be made in someone. When real sexual satisfactions are thwarted, sexual desire for that person gives rise to a kind of symbolic idealization of him or her, leading to an affectionate current which is secondary, not primary. Idealization of the partner and affectionate love itself (we perhaps see the fullest expression of idealization in courtly love, as we shall see in Chapter 7) thus involve endless deferral and sublimation of the sexual drives. Affectionate love, which earlier in his work was either anaclitic or narcissistic (we shall turn to the latter of these in the second part of this book), here seems to involve idealization of the object, attention being paid to its spiritual merits as opposed to its sensual merits.
Love is not considered here to precede sexual desire, but rather to result from the inhibition of sexual satisfaction. It leads to far greater excitement about the potential sexual partner than would have existed without such inhibition. In other words, restricted sexual access to the partner intensifies sexual excitation, ultimately leading to greater sexual satisfaction than would have been possible otherwise.
Education or socialization channels the sexual drives so extensively into narrow pathways that they reach a feverish pitch and the sexual act becomes, in a certain sense, overvalued – this, Freud believes, is especially true of men. The idea here seems to be that the more a certain activity is inhibited or restricted, the more intense our desire for it becomes. As I have put it elsewhere, “prohibition eroticizes.
”
”
Bruce Fink (Lacan on Love: An Exploration of Lacan's Seminar VIII, Transference)
“
Strong underneath, though!’ decided Julian. ‘There’s no softness there, if you ask me. I think Emma’s got authority but it’s the best sort. It’s quiet authority . . .’ ‘Rita wasn’t exactly loud, Martin!’ Elizabeth pointed out, rather impatiently. ‘I bet Rita was very like Emma before she was elected head girl. Was she, Belinda? You must have been at Whyteleafe then.’ Belinda had been at Whyteleafe longer than the others. She had joined in the junior class. She frowned now, deep in thought. ‘Why, Elizabeth, I do believe you’re right! I remember overhearing some of the teachers say that Rita was a bit too young and as quiet as a mouse and might not be able to keep order! But they were proved wrong. Rita was nervous at the first Meeting or two. But after that she was such a success she stayed on as head girl for two years running.’ ‘There, Martin!’ said Elizabeth. ‘Lucky the teachers don’t have any say in it then, isn’t it?’ laughed Julian. ‘I think all schools should be run by the pupils, the way ours is.’ ‘What about Nora?’ asked Jenny, suddenly. ‘She wouldn’t be nervous of going on the platform.’ ‘She’d be good in some ways,’ said Belinda, her mind now made up, ‘but I don’t think she’d be as good as Emma . . .’ They discussed it further. By the end, Elizabeth felt well satisfied. Everyone seemed to agree that Thomas was the right choice for head boy. And apart from Martin, who didn’t know who he wanted, and Jenny, who still favoured Nora, everyone seemed to agree with her about Emma. Because of the way that Whyteleafe School was run, in Elizabeth’s opinion it was extremely important to get the right head boy and head girl. And she’d set her heart on Thomas and Emma. She felt that this discussion was a promising start. Then suddenly, near the end of the train journey, Belinda raised something which made Elizabeth’s scalp prickle with excitement. ‘We haven’t even talked about our own election! For a monitor to replace Susan. Now she’s going up into the third form, we’ll need someone new. We’ve got Joan, of course, but the second form always has two.’ She was looking straight at Elizabeth! ‘We all think you should be the other monitor, Elizabeth,’ explained Jenny. ‘We talked amongst ourselves at the end of last term and everyone agreed. Would you be willing to stand?’ ‘I – I—’ Elizabeth was quite lost for words. Speechless with pleasure! She had already been a monitor once and William and Rita had promised that her chance to be a monitor would surely come again. But she’d never expected it to come so soon! ‘You see, Elizabeth,’ Joan said gently, having been in on the secret, ‘everyone thinks it was very fine the way you stood down in favour of Susan last term. And that it’s only fair you should take her place now she’s going up.’ ‘Not to mention all the things you’ve done for the school. Even if we do always think of you as the Naughtiest Girl!’ laughed Kathleen. ‘We were really proud of you last term, Elizabeth. We were proud that you were in our form!’ ‘So would you be willing to stand?’ repeated Jenny. ‘Oh, yes, please!’ exclaimed Elizabeth, glancing across at Joan in delight. Their classmates wanted her to be a monitor again, with her best friend Joan! The two of them would be second form monitors together. ‘There’s nothing I’d like better!’ she added. What a wonderful surprise. What a marvellous term this was going to be! They all piled off at the station and watched their luggage being loaded on to the school coach. Julian gave Elizabeth’s back a pat. There was an amused gleam in his eyes. ‘Well, well. It looks as though the Naughtiest Girl is going to be made a monitor again. At the first Meeting. When will that be? This Saturday? Can she last that long without misbehaving?’ ‘Of course I can, Julian,’ replied Elizabeth, refusing to be amused. ‘I’m going to jolly well make certain of that!’ That, at least, was her intention.
”
”
Enid Blyton (Naughtiest Girl Wants to Win)
“
I’ve heard a lot of ladies say they want a guy who is good in bed (No, I don’t mean a guy who doesn’t snore), but I’m talking about a guy with sexual skills. I asked myself why skill is so important and the realization I came to was that it is proportional to sensuality. Essentially, skill predetermines the quality of both the journey and the destination, if you know what I mean.
Many people have a desire for MORE or to go DEEPER, but their biggest limitation is in the area of skill. This reminds me of a story I heard of a boy who was sitting by the piano trying to create some music. He became frustrated with himself as he couldn’t play, but the desire to play and create music was there burning strong within him. Someone saw him in a dejected spirit and asked why he was distressed. The boy replied, “I can feel music in me but when I try to play it on the piano, I can’t get my hands right.”
You see, there was a lot of sensual energy burning inside the boy, but his skill level was not proportional to that sensual energy. This confirms one of my usual sayings: when you know you were designed to be sensual, YOUR POTENTIAL HAUNTS YOU. And that’s the dilemma most people are facing in life and in their relationships today. Our sensuality is haunting us because it wants to fully express itself through our bodies, gifts and talents, but our skills are underdeveloped.
One guy asked me, so does it mean we should go out there and sleep with as many girls as possible so we can develop our sexual skills? I responded, “There’s a huge difference between gaining sexual skills and gaining sensual skills.” Most people are obsessed with gaining sexual skills. That’s why porn is a billion dollar industry. But porn, in my opinion, doesn’t teach sensuality, not even a little bit. If anything, it teaches anti-sensuality.
GAINING SEXUAL SKILLS IS NOT THE SOLUTION TO THE QUEST FOR “MORENESS.” (Read that again). Some people assume my business is sexual. It’s not. My business is sensual. I call people into a sensual space which is a far more exciting than any sexual skill they can ever acquire.
”
”
Lebo Grand
“
And all I can think about is that it's not over and I'm tired and I'm ready to go but I'm still here. And I have to do it again and again and again." He leaned back in his chair.
"You think about that before you tell me I've got it easy."
I stayed silent a while before speaking. "So why don't you end it?"
"Suicide?"
"If your life is such a hell," I asked, "why bother? Why go through it again and again and all those times?"
"Because of..." He stopped and looked at the ceiling. After a moment he shrugged.
"Because of children," he said, "because of smiles and sunshine and ice cream."
"You've got to be kidding."
"You don't like ice cream?" Elijah shook his head, "It's the best. Imagine how excited I was when someone finally invented it. "
"Sunshine and smiles don't make all that other stuff go away." I said, "This isn't a fairy land."
"No," he said. "It's the real world. And the real world is the most amazing thing any of us will ever experience. Have you ever climbed a mountain? Walked through a garden? Played with a child? This isn't exactly a revelation John. People have been praising the simple pleasures since even before I was born, and that's a very long time."
"You don't do any of those things."
"But I have my memories," Said Elijah. "And I have even simpler things. Music. Food. Everybody likes bacon."
"I'm a vegetarian."
"Asparagus then," said Elijah, "roasted in pan. A little olive oil and a little salt - you the get the most incredible flavor - almost like a nut. But deep and rich and the textures just perfect..."
"I've tried it."
"The world is more than sadness," said Elijah, "i have a hundred thousand memories in my head. I can't remember all of them, or maybe even most of them, but they are so much happier than sad. For every dead mother or brother or child there are a hundred breezes, a hundred sunsets, a hundred memories of falling in love. Have you ever kissed anyone, John?"
"I don't see how that's any of your business."
"A first kiss is important. Most people only get one. But I can remember a hundred thousand of them. How could I give that up?" he shook his dead, smiling for the first time. "The world never gets old, John.
”
”
Dan Wells (The Devil's Only Friend (John Cleaver, #4))
“
After dinner Karamenaios would drop in. We had about fifty words with which to make lingual currency. We didn't even need that many, as I soon discovered. There are a thousand ways of talking and words don't help if the spirit is absent. Karamenaios and I were eager to talk. lt made little difference to me whether we talked about the war or about knives and forks. Sometimes we discovered that a word or phrase which we had been using for days, he in English or I in Greek, meant something entirely different than we had thought it to mean. It made no difference. We understood one another even with the wrong words. I could learn five new words in an evening and forget six or eight during my sleep. The important thing was the warm handclasp, the light in the eyes, the grapes which we devoured in common, the glass we raised to our lips in sign of friendship. Now and then I would get excited and, using a melange of English, Greek, German, French, Choctaw, Eskimo, Swahili or any other tongue I felt would serve the purpose, using the chair, the table, the spoon, the lamp, the bread knife, I would enact for him a fragment of my life in New York, Paris, London, Chula Vista, Canarsie, Hackensack or in some place I had never been or some place I had been in a dream or when lying asleep on the operating table. Sometimes I felt so good, so versatile and acrobatic, that I would stand on the table and sing in some unknown language or hop from the table to the commode and from the commode to the staircase or swing from the rafters, anything to entertain him, keep him amused, make him roll from side to side with laughter. I was considered an old man in the village because of my bald pate and fringe of white hair. Nobody had ever seen an old man cut up the way I did. "The old man is going for a swim," they would say. "The old man is taking the boat out." Always "the old man." If a storm came up and they knew I was out in the middle of the pond they would send someone out to see that "the old man" got in safely. If I decided to take a jaunt through the hills Karamenaios would offer to accompany me so that no harm would come to me. If I got stranded somewhere I had only to announce that I was an American and at once a dozen hands were ready to help me.
”
”
Henry Miller (The Colossus of Maroussi)
“
Where is Albert?"
"He'll be here momentarily. I asked our housekeeper to fetch him."
Christopher blinked. "She's not afraid of him?"
"Of Albert? Heavens, no, everyone adores him."
The concept of someone, anyone, adoring his belligerent pet was difficult to grasp. Having expected to receive an inventory of all the damage Albert had caused, Christopher gave her a blank look.
And then the housekeeper returned with an obedient and well-groomed dog trotting by her side.
"Albert?" Christopher said.
The dog looked at him, ears twitching. His whiskered face changed, eyes brightening with excitement. Without hesitating, Albert launched forward with a happy yelp. Christopher knelt on the floor, gathering up an armful of joyfully wriggling canine. Albert strained to lick him, and whimpered and dove against him repeatedly.
Christopher was overwhelmed by feelings of kinship and relief. Grabbing the warm, compact body close, Christopher murmured his name and petted him roughly, and Albert whined and trembled.
"I missed you, Albert. Good boy. There's my boy." Unable to help himself, Christopher pressed his face against the rough fur. He was undone by guilt, humbled by the fact that even though he had abandoned Albert for the summer, the dog showed nothing but eager welcome. "I was away too long," Christopher murmured, looking into the soulful brown eyes. "I won't leave you again." He dragged his gaze up to Beatrix's. "It was a mistake to leave him," he said gruffly.
She was smiling at him. "Albert won't hold it against you. To err is human, to forgive, canine."
To his disbelief, Christopher felt an answering smile tug at the corners of his lips. He continued to pet the dog, who was fit and sleek. "You've taken good care of him."
"He's much better behaved than before," she said. "You can take him anywhere now."
Rising to his feet, Christopher looked down at her. "Why did you do it?" he asked softly.
"He's very much worth saving. Anyone could see that."
The awareness between them became unbearably aware. Christopher's heart worked in hard, uneven beats. How pretty she was in the white dress. She radiated a healthy female physicality that was very different from the fashionable frailty of London women. He wondered what it would be like to bed her, if she would be as direct in her passions as she was in everything else.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Remind yourself where you come from.
I spent the majority of my life running away from Utah, from the life I led there, from the memories I associated with those early years. It felt very someone-else-ago to me. London changed me profoundly.
When we were dancing on DWTS together, Jennifer Grey called me one night. She was having trouble with her back and wanted to see a physiotherapist. “Can you come with me?” she asked. She drove us through a residential section of Beverly Hills. We pulled into a house with a shed out back. Oddly, it didn’t look like a doctor’s office. There was a couch and incense burning. An Australian guy with a white beard came in : “Hey, mates.” I looked at Jen and she winked at me. This was no physical therapy. She’d signed us up for some bizarre couples therapy!
The guy spoke to us for a while, then he asked Jennifer if she wouldn’t mind leaving us to chat. I thought the whole thing was pretty out there, but I didn’t think I could make a run for it.
“So, Derek,” he said. “Tell me about your childhood.” I laid it all out for him--I talked for almost two hours--and he nodded. “You can go pick him up now.”
I raised an eyebrow. “Pick who up?”
The therapist smiled. “That younger boy, that self you left in Utah. You left him there while you’ve been on a mission moving forward so vigorously. Now you can go get him back.”
I sat there, utterly stunned and speechless. It was beyond powerful and enlightening. Had I really left that part of me behind? Had I lost that fun-loving, wide-eyed kid and all his creative exuberance?
When I came out of my therapy session, Jennifer was waiting for me. “If I’d told you this was where we were going, you wouldn’t have come,” she said. She was right. She had to blindside me to get me to grapple with this. She’s a very spiritual person, and she saw how I was struggling, how I seemed to be in some kind of emotional rut. Just visualizing myself taking the old Derek by the hand was an incredible exercise. I think we often tuck our younger selves away for safekeeping. In my case, I associated my early years with painful memories. I wanted to keep young Derek at a distance. But what I forgot was all the good I experienced with him as well: the joy, the hope, the excitement, the wonder. I forgot what a great kid Derek was. I gave myself permission to reconnect with that little boy, to see the world through his eyes again. It was the kick in the butt I needed.
Jennifer would say, “Told ya so.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain.
An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively.
What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully?
Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul.
But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden?
Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth.
One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant.
Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium.
The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man.
("The Poison Garden")
”
”
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
“
The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?
”
”
Philip Roth (The Human Stain (The American Trilogy, #3))
“
Jackaby was still engrossed in his examination when I came back inside. “Books. Books. Just books,” he was muttering. Jenny was hovering by the window. I joined her.
“How did you manage it, by the way?” I asked. “All those Bibles, all across town? It is a remarkable feat.”
“It looks more impressive than it is,” she said, still not meeting my eyes. “I borrowed Jackaby’s special satchel, the one that holds anything. The whole pile took just one trip. The real trick was keeping myself solid all the way home. That’s the bit I’m really proud of—” She turned to face me. “Oh, Abigail, it was amazing. People saw me!”
“People saw you?”
“I was in disguise, of course. I wore my long coat and gloves, and I had that floppy white hat on, so they didn’t see much, but still—people saw me and they didn’t gasp or make a scene. Someone even mumbled Good day to me as I was crossing the footbridge! It was exhilarating! I have never been so excited to have somebody see me—actually see me—and not care at all!” She glanced at Jackaby. “Although you would think I would be used to it by now.”
“Jenny, that is absolutely amazing!” I said.
“It is, isn’t it?” she said wistfully. “Just a little bit, at least? Oh, Abigail, I’m exhausted, I’m not ashamed to tell you. I had planned on setting my spoils out in nice triumphant rows when I got back, but it was all I could do to hold myself intact by then. Solidity is sort of like flexing a muscle, except the muscle is in your mind, and your mind is really just an abstract concept. I was basically flexing my entire body into existence the whole way home. But did it merit so much as a Good job, Jenny from that infuriating man?”
Jackaby surfaced from his perusal and looked up at last. His cloud gray eyes found focus on Jenny. From his expression, I couldn’t tell if he had been following our conversation or not. “Completely unexceptional,” he said. “Nothing at all in this batch. We will need to scrutinize them more closely, of course, just to be sure. Oh, and Miss Cavanaugh . . .”
She raised an eyebrow skeptically.
“You performed . . . quite adequately,” he said, “despite expectations.”
Jenny opened her mouth to reply, but then closed it again. Her face fluttered through a series of potential reactions. Finally she just threw up her hands and vanished from sight with a muffled whuph of air closing into the space where she suddenly wasn’t.
“What in heaven’s name was all that?” said Jackaby.
“Exquisite frustration, I believe, sir.”
“Ah. Right.” He slumped into the desk chair and began to fidget absently with the spine of one of the Bibles. “Miss Cavanaugh is a singular and exceptional spirit, you know.”
“Only a suggestion, sir, but that is precisely the sort of thing you might consider saying when she is still present and corporeal.
”
”
William Ritter (The Dire King (Jackaby, #4))
“
Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home.
We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner.
We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together.
This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west.
If that defined his criteria for a life partner, I was definitely the woman for the job.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Making the most of an experience: Living fully is extolled everywhere in popular culture. I have only to turn on the television at random to be assailed with the following messages: “It’s the best a man can get.” “It’s like having an angel by your side.” “Every move is smooth, every word is cool. I never want to lose that feeling.” “You look, they smile. You win, they go home.” What is being sold here? A fantasy of total sensory pleasure, social status, sexual attraction, and the self-image of a winner. As it happens, all these phrases come from the same commercial for razor blades, but living life fully is part of almost any ad campaign. What is left out, however, is the reality of what it actually means to fully experience something. Instead of looking for sensory overload that lasts forever, you’ll find that the experiences need to be engaged at the level of meaning and emotion. Meaning is essential. If this moment truly matters to you, you will experience it fully. Emotion brings in the dimension of bonding or tuning in: An experience that touches your heart makes the meaning that much more personal. Pure physical sensation, social status, sexual attraction, and feeling like a winner are generally superficial, which is why people hunger for them repeatedly. If you spend time with athletes who have won hundreds of games or with sexually active singles who have slept with hundreds of partners, you’ll find out two things very quickly: (1) Numbers don’t count very much. The athlete usually doesn’t feel like a winner deep down; the sexual conqueror doesn’t usually feel deeply attractive or worthy. (2) Each experience brings diminishing returns; the thrill of winning or going to bed becomes less and less exciting and lasts a shorter time. To experience this moment, or any moment, fully means to engage fully. Meeting a stranger can be totally fleeting and meaningless, for example, unless you enter the individual’s world by finding out at least one thing that is meaningful to his or her life and exchange at least one genuine feeling. Tuning in to others is a circular flow: You send yourself out toward people; you receive them as they respond to you. Notice how often you don’t do that. You stand back and insulate yourself, sending out only the most superficial signals and receive little or nothing back. The same circle must be present even when someone else isn’t involved. Consider the way three people might observe the same sunset. The first person is obsessing over a business deal and doesn’t even see the sunset, even though his eyes are registering the photons that fall on their retinas. The second person thinks, “Nice sunset. We haven’t had one in a while.” The third person is an artist who immediately begins a sketch of the scene. The differences among the three are that the first person sent nothing out and received nothing back; the second allowed his awareness to receive the sunset but had no awareness to give back to it—his response was rote; the third person was the only one to complete the circle: He took in the sunset and turned it into a creative response that sent his awareness back out into the world with something to give. If you want to fully experience life, you must close the circle.
”
”
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
“
Unconditional Love - Love Without Condition
I love you as you are, as you seek to find your own special way to relate to the world.
I honour your choices to learn in the way you feel is right for you.
I know it is important that you are the person you want to be and not someone that I or others think you "should" be. I realise that I cannot know what is best for you, although perhaps sometimes I think I do.
I have not been where you have been, viewing life from the angle you have. I do not know what you have chosen to learn, how you have chosen to learn it, with whom or in what time period. I have not walked life looking through your eyes, so how can I know what you need.
I allow you to be in the world without a thought or word of judgement from me about the deeds you undertake. I see no error in the things you say and do. In this place where I am, I see that there are many ways to perceive and experience the different facets of our world. I allow without reservation the choices you make in each moment. I make no judgement of this, for if I would deny your right to your evolution, then I would deny that right for myself and all others.
To those who would choose a way I cannot walk, whilst I may not choose to add my power and my energy to this way, I will never deny you the gift of love that God has bestowed within me, for all creation. As I love you, so I shall be loved. As I sow, so shall I reap.
I allow you the Universal right of Free Will to walk your own path, creating steps or to sit awhile if that is what is right for you. I will make no judgement that these steps are large or small, nor light or heavy or that they lead up or down, for this is just my viewpoint. I may see you do nothing and judge it to be unworthy and yet it may be that you bring great healing as you stand blessed by the Light of God. I cannot always see the higher picture of Divine Order.
For it is the inalienable right of all life to choose their own evolution and with great Love I acknowledge your right to determine your future. In humility I bow to the realisation that the way I see as best for me does not have to mean it is also right for you. I know that you are led as I am, following the inner excitement to know your own path.
I know that the many races, religions, customs, nationalities and beliefs within our world bring us great richness and allow us the benefit and teachings of such diverseness. I know we each learn in our own unique way in order to bring that Love and Wisdom back to the whole. I know that if there were only one way to do something, there would need only be one person.
I will not only love you if you behave in a way I think you should, or believe in those things I believe in. I understand you are truly my brother and my sister, though you may have been born in a different place and believe in another God than I.
The love I feel is for all of God's world. I know that every living thing is a part of God and I feel a Love deep within for every person, animal, tree and flower, every bird, river and ocean and for all the creatures in all the world.
I live my life in loving service, being the best me I can, becoming wiser in the perfection of Divine Truth, becoming happier in the joy of ...
Unconditional Love
”
”
Sandy Stevenson
“
One: A Book Is A Universe and the Universe is a Book. Inside a book, any Physiks or Magical Laws or Manners or Histories may hold sway. A book is its own universe and while in it, you must play by their rules. More or less. Some of the more modern novels are lenient on this point and have very few policemen to spare. This is why sometimes, when you finish a book, you feel strange and woozy, as though you have just woken up. Your body is getting used to the rules and your own universe again. And your own universe is just the biggest and longest and most complicated book ever written—except for all the other ones. This is also why books along the walls make a place feel different—all those universes, crammed into one spot! Things are bound to shift and warp and hatch schemes!
Two: Books Are People. Some are easy to get along with and some are shy, some are full of things to say and some are quiet, some are fanciful and some are plainspoken, some you will feel as though you've known forever the moment you open the cover, and some will take years to grow into. Just like people, you must be introduced properly and sit down together with a cup of something so that you can sniff at each other like tomcats but lately acquainted. Listen to their troubles and share their joys. They will have their tempers and you will have yours, and sometimes you will not understand a book, nor will it understand you—you can't love all books any more than you can love every stranger you meet. But you can love a lot of them. And the love of a book is a precious, subtle, strange thing, well worth earning, And just like people, you are never really done with a book—some part of it will stay with you, gently changing the way you see and speak and know.
Three: People Are Books. This has two meanings. The first is: Every person is a story. They have a beginning and a middle and an end (though some may have sequels and series).They have motifs and narrative tricks and plot twists and daring escapes and love lost and love won. The rules of books are the rules of life because a book must be written by a person alive, and an alive person will usually try to tell the truth about the world, even if they dress it up in spangles and feathers.
The other meaning is: When you read a book, it is not only a story. It is never only a story. Exciting plots may occur, characters suffer and triumph, yes, It is a story. But it is also a person speaking to you, directly to you. A person far away, perhaps in time, perhaps in space, perhaps both. A person who wanted to say something so loud that everyone could hear it. A book is a time-travelling teleportation machine. And there's millions and millions of them! When you read a book, you have a conversation with the person who wrote it. And that conversation is never quite the same twice. Every single reader has a different chat, because they are different people with different histories and ideas in their heads. Why, you cannot even have the same conversation with the same book twice! If you read a book as a child, and again as a Grown-Up, it will be something altogether other. New things will have happened to you, new folk will have come into your life and taught you wild and wonderful notions you never thought of before. You will not be the same person—and neither will the book. When you read, know that someone somewhere wrote those very words just for you, in hopes that you would find something there to take with you in your own travels through time and space.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)—
SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon.
God bless the children of this picture, this bookmovie.
I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
ever. Amen. Thank God for self-help books. No wonder the business is booming. It reminds me of junior high school, where everybody was afraid of the really cool kids because they knew the latest, most potent putdowns, and were not afraid to use them. Dah! But there must be another reason that one of the best-selling books in the history of the world is Men Are From Mars, Women Are From Venus by John Gray. Could it be that our culture is oh so eager for a quick fix? What a relief it must be for some people to think “Oh, that’s why we fight like cats and dogs, it is because he’s from Mars and I am from Venus. I thought it was just because we’re messed up in the head.” Can you imagine Calvin Consumer’s excitement and relief to get the video on “The Secret to her Sexual Satisfaction” with Dr. GraySpot, a picture chart, a big pointer, and an X marking the spot. Could that “G” be for “giggle” rather than Dr. “Graffenberg?” Perhaps we are always looking for the secret, the gold mine, the G-spot because we are afraid of the real G-word: Growth—and the energy it requires of us. I am worried that just becoming more educated or well-read is chopping at the leaves of ignorance but is not cutting at the roots. Take my own example: I used to be a lowly busboy at 12 East Restaurant in Florida. One Christmas Eve the manager fired me for eating on the job. As I slunk away I muttered under my breath, “Scrooge!” Years later, after obtaining a Masters Degree in Psychology and getting a California license to practice psychotherapy, I was fired by the clinical director of a psychiatric institute for being unorthodox. This time I knew just what to say. This time I was much more assertive and articulate. As I left I told the director “You obviously have a narcissistic pseudo-neurotic paranoia of anything that does not fit your myopic Procrustean paradigm.” Thank God for higher education. No wonder colleges are packed. What if there was a language designed not to put down or control each other, but nurture and release each other to grow? What if you could develop a consciousness of expressing your feelings and needs fully and completely without having any intention of blaming, attacking, intimidating, begging, punishing, coercing or disrespecting the other person? What if there was a language that kept us focused in the present, and prevented us from speaking like moralistic mini-gods? There is: The name of one such language is Nonviolent Communication. Marshall Rosenberg’s Nonviolent Communication provides a wealth of simple principles and effective techniques to maintain a laser focus on the human heart and innocent child within the other person, even when they have lost contact with that part of themselves. You know how it is when you are hurt or scared: suddenly you become cold and critical, or aloof and analytical. Would it not be wonderful if someone could see through the mask, and warmly meet your need for understanding or reassurance? What I am presenting are some tools for staying locked onto the other person’s humanness, even when they have become an alien monster. Remember that episode of Star Trek where Captain Kirk was turned into a Klingon, and Bones was freaking out? (I felt sorry for Bones because I’ve had friends turn into Cling-ons too.) But then Spock, in his cool, Vulcan way, performed a mind meld to determine that James T. Kirk was trapped inside the alien form. And finally Scotty was able to put some dilithium crystals into his phaser and destroy the alien cloaking device, freeing the captain from his Klingon form. Oh, how I wish that, in my youth or childhood,
”
”
Kelly Bryson (Don't Be Nice, Be Real)
“
She tilts her head to the side after taking a sip of her tea, studying us. “You know, I can’t get over how beautiful you two are together. One of those couples you love to follow on Instagram, you know, the really cute ones that are so sickening in love that you can’t get enough of them.”
Way to drop the love bomb, Mom.
Jesus.
Thankfully Emory doesn’t show any kind of hatred for the term but instead says, “Like Jennifer Lopez and A-Rod?”
“Yes,” my mom answers with excitement. “Oh my gosh, I’m obsessed with watching their stories. The little videos they do together, I just can’t get enough of them. J-Rod,” my mom says dreamily. “Oh gosh, what would your couple name be?” She thinks about it for a second. “Emox . . . or Knemory. Oh I love Knemory. Sounds so poetic.”
“Knemory does have a nice ring to it,” I add.
“I don’t know, what about Emorox?”
“Ohhh, that sounds like a name that belongs in The Game of Thrones.” Taking on a more masculine voice, my mom says, “Look out, Jon, Emorox is coming over the hill, with her fire-spitting dragons, Knemory and George.”
“George?” Emory laughs out loud, covering her mouth. “Why George?”
“Well, look at the names they have in that show? They’re all exotic names you’ve never heard before—Cersei, Gregor, Arya—and then in waltzes good old Jon Snow. It’s only fair that the dragons have a lemon in the bunch as well.”
“Uh, Jon is anything but a lemon, Mom,” I defend. “He was raised from the dead.”
My mom’s mouth drops, pure and utter shock in her face. “Jon Snow dies?”
Shit.
Emory elbows my stomach. “Where the hell is your GOT etiquette? You never talk about the facts of the show until the air is cleared about how far someone is in watching. You are one of those people who spoils everything for someone just catching up to the trend.”
*Ahem*
“I mean . . . uh . . . he doesn’t die.”
“You just said he is raised from the dead,” my mom says.
Feeling guilty, I reply, “Well, at least he’s still alive, right?”
She slumps against the cushion of the couch and mutters, “Unbelievable.”
“I’m sorry, Mrs. Gentry, that your son is a barbarian and broke your GOT trust.”
Pressing her hand against her forehead, my mom says, “You know, I blame myself. I thought I taught him a shred of decorum, I guess not.”
“Don’t blame yourself,” Emory coos. “You did everything right. It comes down to the hooligans he hangs out with. There’s only so much you can control after they leave the nest.”
“You’re absolutely right,” my mom agrees and leans across the couch to smack me in the back of the head.
“Hey,” I complain while rubbing the sore spot. I look between the two women in my life and I say, “I don’t like this ganging up on me shit.”
“You wanted us to get along, right?” Emory asks. “Well, I happen to like your mom, especially since she complimented my bosom.”
“Ah, I see.” I continue to look between the two of them. “You’re okay with my mom catching you with your shirt off now, moved past the embarrassment?”
Emory’s eyes narrow. “With that kind of attitude, it might be the very last time you see me topless.”
My mom raises her fist to the air, as if to say, “Girl Power.” And then she says, “You tell him, Emory. Don’t let him push you around.”
“I wasn’t pushing her around—”
“You keep that beautiful bosom under lock and key, and if you have a temptation to show anyone, just flash me.”
“Mom, do you realize how wrong that is?”
“Want to go to the bathroom right now, Mrs. Gentry?”
“I would be delighted to.”
They both stand but before they can make a move, I pull on Emory’s hand, bringing her back down to my lap. “No way in hell is that happening. Jesus, what is wrong with you?
”
”
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
“
… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!
”
”
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
“
sometimes decisions come up and people have to give up things. I overindex on those signals when people give something up.fn3 And also when someone is excited because something else is working well in the company. It isn’t related to them, but they are excited. I watch for that. Like when you see a player on the bench cheering for someone else on the team, like Steph Curry jumping up and down when Kevin Durant hits a big shot. You can’t fake that.”fn4
”
”
Eric Schmidt (Trillion Dollar Coach: The Leadership Handbook of Silicon Valley's Bill Campbell)
“
Excited: When someone is in an overzealous or frenetic mood, I usually respond by matching their excitement. Otherwise, you might come across as overly guarded or judgmental. People tend to want to be in the same mood as those around them. Try to see whatever positivity they’re seeing, and they’ll feel like you’re
”
”
Tracy Tutor (Fear Is Just a Four-Letter Word: How to Develop the Unstoppable Confidence to Own Any Room)
“
Fae of the match,” she said and I flinched in surprise as her voice rang out over the whole stadium. “Goes to Geraldine Grus.”
I could finally let my smile free as I looked around to see Geraldine leaping out of her spot in the line up, her eyes glimmering with emotion.
“Oh sweet onion balls!” she gasped as she rushed towards us.
“Congratulations!” I said enthusiastically as I placed the medal over her head.
She crushed me in an embrace, lifting me clean off of my feet as she celebrated. Darcy wrapped her arms around us too and we laughed as Geraldine descended into happy tears.
“And congratulations to the winners of the match: Starlight Academy!” Nova added loudly when we didn’t seem likely to break free of Geraldine any time soon.
The crowd from Starlight went crazy, their applause deafening as the team jumped up and down in ecstatic celebration.
A low growl caught my attention and I glanced to my right where Darius stood almost close enough to touch. His jaw was locked tight, his spine rigid and his eyes burning with rage. I looked away from him quickly, though I couldn’t help but feel glad that this was upsetting him.
Poor little Darius lost his favourite game. Imagine how bad you’d feel if someone tried to drown you though? Not that I’m bitter at all...
Nova passed Darcy a bunch of flowers and gave me a medal on a green ribbon as the Starlight Airstriker stepped up to claim them.
The guy pulled both of us into an exuberant hug as he claimed his prizes and I couldn’t help but feel a bit pleased for the team as we worked our way through the line, handing over flowers and medals to each of them as they approached. I imagined beating a team filled with the Celestial Heirs was something that none of them would ever forget.
I could feel heat radiating off of Darius beside me as he fought to maintain his composure while the line worked its way past us but I didn’t look his way again.
The last Starlight player to approach us was the Captain, Quentin. He smiled widely as he accepted the flowers from Darcy, tossing her a wink. As I placed the medal around his neck he pulled me into a tight hug, his hand skimming my ass less than accidentally. I pushed him off with a laugh, his excitement infectious in a way that made me think he was a Siren but it didn’t feel invasive like the way it always did with Max. Maybe because he wasn’t trying to force any emotions onto me, just sharing his own.
“Why don’t you two girls come back and party with us at Starlight tonight?” he offered and I didn’t miss his suggestive tone.
“Why don’t you fuck off while you’ve still got some teeth left?” Darius said before we could respond.
I frowned at him but his gaze was locked on Quentin.
To my surprise, Quentin laughed tauntingly. “And to think, we were worried about facing off against the Celestial Heirs,” he said, aiming his comments at me and Darcy. “Turns out they really aren’t that impressive after all. It would be a shame if Solaria ended up in their loser hands. Maybe the two of you should reconsider the idea of taking up your crown?”
I laughed at his brazen behaviour, wondering how much more it would take for Darius to snap.
“Yeah,” I replied jokingly. “Maybe we should take our crowns back after all.”
Darcy laughed too, flicking her long hair. “Oh yeah,” she agreed. “I think a crown would suit me actually.”
Quentin yelled out in surprise as a shot of heated energy slammed into him like a freight train and he was catapulted halfway across the pitch before falling into a heap on the ground.
Before I could react in any way, I found a severely pissed off Dragon Shifter snarling in my face. My breath caught in my lungs and I blinked up at him as he growled at me.
Seth moved in on Darcy beside me, his face set with the same enraged scowl while the other two drew close behind them.
“Do you want to say that again?” Darius asked, his voice low, the threat in it sending a tremor right through my core.
(tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
She was like a mother to me, Jae. After everything I put her through, I wanted her to see she was right and that her struggles with me weren’t wasted.” His breath shuddered. “She revived my heart, gave me unconditional love, and promised that one day I would learn to accept it. I was excited to show her I found someone who could love me, one who showed me how to love in return.
”
”
Adam A. Fox (A Sinful Sacrifice)
“
If you find yourself at a red light, then think, It’ll be green soon because—that is the best you can do—the best anyone can do. And I see you—someone who’ll succeed if you follow excitement in your heart.
”
”
Briggs (The Acid Actor: Volume 1)
“
We are in the indie age of “don’t love ideas of people,” but ideas of people are all we have when they’re old and gray and forgetful and smelly," said Miguel. "It isn’t fair to punish someone for loving an idea when everything around us is an idea, the only difference is people change ideas, and I, quite frankly, am excited to see what certain people could change to. I love their intervals and their points.
”
”
Kristian Ventura (The Goodbye Song)
“
The positive element is the flash of pleasure and excitement, the thrill that you experience when you get what you are attached to. The negative element is the sense of threat and tension that always accompanies the attachment. Think of someone gobbling up food in a concentration camp. With one hand, he brings the food to his mouth; with the other hand, he protects it from neighbors who will grab it from him the moment he lowers his guard. There you have the perfect image of the attached person. Do you have any attachments to people or things that you falsely believe you could not be happy without? Make a list of them right now. Spend some time seeing each thing you cling to for what it really is—a nightmare that causes you excitement and pleasure on the one hand but also worry, insecurity, tension, anxiety, fear, and unhappiness on the other. Father and mother? Nightmare. Wife and children, brothers and sisters? Nightmare. All your possessions? Nightmare. Your life as it is now? Nightmare. Every single thing you cling to and have convinced yourself you cannot live without? Nightmare.
”
”
Anthony de Mello (Stop Fixing Yourself: Wake Up, All Is Well (The Anthony De Mello Legacy Library))
“
Maybe Kim would, maybe he wouldn’t: Will could wait and see. In the meantime, he still had his right hand and someone to think about, plus a sense of exciting possibilities that he hadn’t felt in so long he’d almost forgotten what it was like. A fuck, a fight, a friendship: he’d take any or all.
”
”
K.J. Charles (Slippery Creatures (The Will Darling Adventures, #1))
“
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”
”
Jana Ann Couture Bridal
“
We're going out again," I announced at my final session with Evan. "But it's weird, because I don't feel the way I'm used to feeling. There was no chemistry, but I'm really looking forward to seeing him again."
Evan smiled. "Isn't that chemistry?" he asked. "If you're excited to see someone again?
”
”
Lori Gottlieb (Marry Him: The Case for Settling for Mr. Good Enough)
“
And I felt an incredible excitement at being able to witness the love re-emerge inside her, because it was a total, prime-of-life love. The kind that could only be possible in someone who was going to die at some point in the future, and also someone who had lived enough to know that loving and being loved back was a hard thing to get right, but when you manage it you could see forever.
Two mirrors, opposite and facing each other at perfectly parallel angles, viewing themselves through the other, the view as deep as infinity.
Yes, that was what love was for. (I may not have understood marriage, but I understood love, I was sure of it.)
Love was a way to live forever in a single moment, and it was also a way to see yourself as you had never seen yourself, and made you realise - having done so - that this view was a more meaningful one than any of your previous self-perceptions and self-deceptions.
”
”
Matt Haig (The Humans)
“
What inspires or motivates anyone to become an entrepreneur? The stories here suggest two ingredients go into the decision to start a company. Someone sees herself filling a need for others with a new product or service. Making something new to which the market responds, being the first to do so, entering into an unknown world by starting a company that could fail or make her wealthy, all suggest challenges that excite every entrepreneur. All these entrepreneurs were at moments in their careers at which they could consider new life plans and take on the challenges of starting companies. All implicitly weighed their circumstances, and the possibilities that awaited them if they let the entrepreneurial moment pass. Some had secure employment, mortgages, family obligations, or pending job offers. While such considerations hold others back, entrepreneurs choose the path of adventure. They set out to make the new, and in the process to make a different life for themselves. Some, as we will see shortly, can’t help themselves.
”
”
Carl J. Schramm (Burn the Business Plan: What Great Entrepreneurs Really Do)
“
life is short and when you meet someone who makes you feel excited to be alive, who you can talk to about anything, who makes you laugh, who makes you want to get up in the morning just because there’s a chance you might get to see them that day? I reckon you should tell them how you feel.
”
”
Lindsey Kelk (In Case You Missed It)
“
There Are Five Hallmark Symptoms of ADD Short attention span, for regular, routine, everyday tasks. People with ADD have a difficult time with boring tasks and need stimulation or excitement in order to stay engaged. Many people with ADD can pay attention just fine for things that are new, novel, interesting, highly stimulating, or frightening. Distractibility. People with ADD tend to notice more in their environment than others, which makes them easily distracted by outside stimuli, such as light, sounds, smells, certain tastes, or even the clothes they wear. Their keen sensitivity causes them to get easily off task. Disorganization. Most people with ADD tend to struggle with organization of time and space. They tend to be late and have trouble completing tasks on time. Many things get done at the last moment or even later. They also tend to struggle keeping their spaces tidy, especially their rooms, book bags, filing cabinets, drawers, closets, and paperwork. Procrastination. Tasks and duties get put off until the last moment. Things tend not to get done until there are deadlines or someone else is mad at them for not doing it. Poor internal supervision. Many people with ADD have issues with judgment and impulse control, and struggle not to say or do things without fully thinking them through. They also have a harder time learning from their mistakes.
”
”
Daniel G. Amen (Healing ADD: The Breakthrough Program that Allows You to See and Heal the 7 Types of ADD)
“
That he didn’t matter as much to me.” “That if you were happy, you couldn’t also be sad.” “Exactly.” He looks away. “I still feel that way.” “What if it’s both?” I say. “What if your sadness—your grief—is what allowed you to love Ruby with so much joy when you first saw her?” I remember a woman I treated whose husband had died. When she fell in love a year later—a love all the more sweet because of the loss of her husband—she worried that others would judge her. (So soon? Didn’t you love your husband of thirty years?) In fact, her friends and family were excited for her. It wasn’t their judgment she was hearing—it was her own. What if her happiness was an insult to her husband’s memory? It took her a while to see that her happiness didn’t diminish her love for her husband—it honored it.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
There’s a charge to being around Duncan, like one of those light bulbs you touch in the science museum that make your hair stand up, and we hadn’t stopped talking—urgently—since I arrived. We bounced from topic to topic, frantically, like fast friends excited to find someone else who also wanted to talk about religion, mysticism, sex, ghosts, and drugs. We sat down next to the incense like two kids in a dorm room trying to mask illegal aromas, and Duncan hit Record. I told him I wasn’t used to things getting so deep and so interesting so quickly. “That’s what happens when you’re with cool people,” Duncan said. “You end up getting in great conversations.” I wondered in this moment if Duncan knew how unique he was. I wondered if he knew how bored and dismissive people can be when you try to talk about dreams, or out-of-body experiences, or the afterlife, or if you suggest that the physical world is only just a small piece of what’s really going on here. “The plague of the world is that so many people allow themselves to be surrounded by vampires,” Duncan said, using the classiest monster as a word to describe all the what-you-see-is-what-you-get people, the ones who are busy cockblocking the curious weirdos from tripping out on their basic wonder. “Their whole life is one shit conversation to the next to the next to the next until they’re on their deathbed, and that’s the one real conversation they have. They finally say, ‘I love you so much!’ And then they die.” This is Duncan, the opposite of a vampire. He doesn’t drain life from people, he infuses them, resuscitating their awe and bringing color back to their cheeks. The vampires, he warned, “will keep you stuck in the harbor of sorrows. They’ll try to keep your fucking anchor down.” I cackled with laughter. Duncan is one of those rare people who remind you that we’re all here, stuck in our human bodies, confused and curious since we all emerged from the interdimensional space portal commonly known as a vagina. He wants to get into it; he wants to touch, taste, scream, laugh, and sing his way toward enlightenment, and as I sat with him that day, he made me think he just might bring me along with him.
”
”
Pete Holmes (Comedy Sex God)
“
I find myself by the tunnel as the guys head for the locker room. I’ve just tucked away my cameras so I can grab some water when Jake and I make eye contact as he trots by. I’m so caught up in the excitement of the game, I run up to him and leap up into his arms to kiss him. “Great game! You’re killing it.” “Thanks, cupcake.” He laughs, kisses me again, before he pats my ass and rejoins the team. I touch my lips, which pull up in a huge smile. Life has never felt so good. Coming to Lone Star was the best decision I ever made. I’m busy thanking my lucky stars for Jake and our new school and all of the blessings we’ve had when I pause. Did someone just call my name? There it is again. It came from the stands. I grab my camera bag and look up, still smiling. Splash. That’s when I’m doused with a huge container of soda. I flinch as the cold liquid and ice hits my face and shoulders, but the debris keeps coming. More soda and some food. A hot dog with mustard and relish smacks my shirt and slowly slides to the ground. I gasp, afraid more crap will rain down on me. Someone must have tripped and accidentally dumped their food over the railing. When I look up, though, there are two girls in the stands, glaring down at me. I have a hard time making out their faces because they’re covered in face paint, but one yells, “Hey, skank! How does it feel to get Dakota’s sloppy seconds?” Horrified, I’m frozen stiff. I don’t see the soda can until it’s too late. 36 JAKE When we make it back onto the field, there’s a weird energy on the sidelines.
”
”
Lex Martin (Second Down Darling (Varsity Dads #4))
“
Mick had become uncertain, had started second-guessing his own talent—that seemed, ironically, to be at the root of the self-inflation. For many years through the ’60s, Mick was incredibly charming and humorous. He was natural. It was electrifying the way he could work those small spaces, as a singer and as a dancer; fascinating to watch and work with—the spins, the moves. He never thought about it. That performance was exciting without him appearing to do anything. And he’s still good, even though to my mind it’s dissipated on the big stages. That’s what people have wanted to see: spectacle. But it’s not necessarily what he’s best at. Somewhere, though, he got unnatural. He forgot how good he was in that small spot. He forgot his natural rhythm. I know he disagrees with me. What somebody else was doing was far more interesting to him than what he was doing. He even began to act as if he wanted to be someone else. Mick is quite competitive, and he started to get competitive about other bands. He watched what David Bowie was doing and wanted to do it. Bowie was a major, major attraction. Somebody had taken Mick on in the costume and bizarreness department. But the fact is, Mick could deliver ten times more than Bowie in just a T-shirt and a pair of jeans, singing “I’m a Man.” Why would you want to be anything else if you’re Mick Jagger? Is being the greatest entertainer in show business not enough? He forgot that it was he who was new, who created and set the trends in the first place, for years. It’s fascinating. I can’t figure it out. It’s almost as if Mick was aspiring to be Mick Jagger, chasing his own phantom. And getting design consultants to help him do it. No one taught him to dance, until he took dance lessons. Charlie and Ronnie and I quite often chuckle when we see Mick out there doing a move that we know some dance instructor just laid on him, instead of being himself. We know the minute he’s going plastic. Shit, Charlie and I have been watching that ass for forty-odd years; we know when the moneymaker’s shaking and when it’s being told what to do. Mick’s taken up singing lessons, but that may be to preserve his voice.
”
”
Keith Richards (Life)
“
When bored, many people seek excitement and turn to dramatic news headlines. When we feel overly stressed we seek calm, perhaps finding relief in sites like Pinterest. When we feel lonely, destinations like Facebook and Twitter provide instant social connections. To ameliorate the sensation of uncertainty, Google is just a click away. Email, perhaps the mother of all habit-forming technology, is a go-to solution for many of our daily agitations, from validating our importance (or even, simply our existence) by checking to see if someone needs us, to providing an escape from life's more mundane moments.
”
”
Nir Eyal (Hooked: How to Build Habit-Forming Products)
“
Simone Simmons
Simone Simmons works as an energy healer, helping her patients through empowering them rather than creating a dependency on the healer. She specializes in absent healing, mainly with sufferers of cancer and AIDS. She met Diana four years before her death when the Princess came to her for healing, and they became close friends. In 2005, Simone wrote a book titled Diana: The Last Word.
I realized Diana had been born with an extraordinary ability, which had only been waiting to be released. By 1996, when she was fully in control of her life for the first time, she was able to give a great deal of consolation and encouragement to so many people. She received scant attention for this at the time. Everyone seemed to concentrate on the negative aspects. Instead of seeing how genuinely caring she was, they accused her of doing it for the publicity. That was utterly untrue. I often joined her when she returned from a day’s work, and she would be so exhausted, she found relief in crying. She was anxious about what she had seen and experienced and was determined to find something she could do to help.
Her late-night visits to hospitals were supposed to be private. She knew how frustrating it is to be alone in a hospital; the staff and patients were always very surprised and pleased to see her. She used to make light of it and say, “I just came round to see if anyone else couldn’t sleep!” Although Diana saw the benefits of the formal visits she also made, and she did get excited when money poured in for her charities, she much preferred these unofficial occasions. They allowed her to talk to people and find out more about their illness and how they were feeling about themselves, in a down-to-earth way without a horde of people noting her every word. She wasn’t trying to fill a void or to make herself feel better. To her, it was not a therapy to help other people: It was a commitment born of selflessness.
Diana was forever on the lookout for new projects that might benefit from her involvement. Her attention was caught by child abuse and forced prostitution in Asia. We had both seen a television program showing how little children were being kidnapped and then forced to sell themselves for sex. Diana told me she wanted to do everything she could to eradicate this wicked exploitation taking place in India, Pakistan, and most prevalently in Thailand. As it turned out, it was one of her final wishes. She didn’t have any idea of exactly how she was going to do it, and hadn’t got as far as formulating a plan, but she would have found a way. When Diana put her mind to something, nothing was allowed to stand in her way. As she said, “Because I’ve been given the gift to shine a light into the dark corners of this world, and get the media to follow me there, I have to use it,” and use it she did--to draw attention to a problem and in a very practical way to apply her incredible healing gifts to the victims. In her fight against land mines, she did exactly that.
If anyone ever doubted her heartfelt concern for the welfare of others, this cause must surely have dispelled it. It needed someone of her fame and celebrity to bring the matter to the world’s attention, and her work required an immense amount of personal bravery. She faced physical peril and endured public ridicule, but Diana would have seen the campaign to get land mines banned as her greatest legacy.
Helping others was her calling in life--right to the very end.
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
Ken Wharfe
In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV.
My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy.
Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized.
Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour.
The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement.
And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May.
As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see.
Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
Anne tried to dazzle him with her high spirits and her beauty. She kept her temper with him, though he was sour and dull. She danced, she gambled, she laughed, she skated, she was all joy, all light. She threw Jane Seymour into the background, no man ever had eyes for another woman when Anne was in radiant mood. Not even the king could look away from her as she went through the dancing court, her head high, that turn of the neck as someone spoke to her, surrounded by men who wrote poems to her beauty, musicians playing songs for her, the very center of the excitement of the court at play. The king could not take his eyes off her, but his gaze was no longer entranced. He stared at her as if he would understand something about her, as if he would unravel her charm so that he might see her unwoven, robbed of everything that had made her once so lovely to him. He stared at her like a man might stare at a tapestry that has cost him a fortune and that he suddenly sees one morning as valueless, and wants to unknot. He stared at her as if he could not believe that she had cost him so dear, and repaid him so little. And not even Anne’s charm and vivacity could make him think that the bargain was a good one. While
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
“
Qualcomm is putting these sensor clips on all forty-eight buildings in San Diego. Suddenly the building maintenance guys “got converted to data engineers, which is exciting for them,” added Tipirneni. They made sure the data was “distilled in a way that is easy for them to understand and be actionable. In the old days, when a facilities manager looked at a building, he would say: “If there is a leak someone will call me or I will see it.” They were reactive. Now, says Tipirneni, “We trained them to look at signals and data that will point them to a leak before it happens and causes destruction. They did not know what data to look at, so our challenge was [to] make sensor data easy for them to make sense of, so we don’t overwhelm them with too much data and just say ‘You figure it out.’ Our goal was, ‘We will give you information you can use.
”
”
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
“
I am excited! I stay focused on all the good things I have to be excited about. I am excited about my career, my opportunities and my challenges. My excitement drives me to do everything with energy and enthusiasm. My mind is focused fully on what I am doing and I am able to get things done by telling myself to “DO IT NOW”. I am excited and act enthusiastic and everyone around me catches it. Every time I see someone I know or meet someone new I am excited and enthusiastic about seeing them. By being enthusiastic, excited and full of energy I am a more valuable person. Energy and enthusiasm guarantees my success as a highly paid professional sales person. Energy, passion and enthusiasm will attract customers and sales to me. This energy will be like a magnet and attract bigger customers and larger commissions to me. I am going to give everything I have to everything I do.
”
”
Bob Oros (29 Reasons You Don't Make the Sale and a Solution for All of Them)
“
You see, this is the true heart of Jesus. He wants people to repent and believe in what He has done for them on the cross. True followers of our Lord should have the same heart. We should want to seek and to save those who are lost. We should be excited when someone expresses true biblical repentance and puts true biblical faith in the Lord Jesus Christ. I came not to call the righteous, but sinners to repentance. Luke 5:32 In verse 7 of our chapter’s passage, there is a hint of irony when Jesus mentions the ninety-nine just people who need no repentance. Jesus knows everyone needs to repent and believe. He knows they all need forgiveness. But certain righteous people, like the Scribes and Pharisees, didn’t think they needed repentance. They thought they were already righteous. I have heard people say they haven’t asked God for forgiveness because they didn’t think they needed to be forgiven of anything! Think about that for a second. Isn’t that the crux of the problem? We either trust in ourselves and good works to get to Heaven, or we realize our sin and place our trust in God’s great sacrifice on the cross for salvation. One or the other. That’s the choice. Sadly, the Pharisees trusted in themselves. They needed repentance but did not seek it or want it. You never, ever want to reach that point in your life.
”
”
Mark Cahill (Ten Questions from the King)
“
Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student.
The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day.
She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what.
The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter.
“Wow. Thanks! This is the coolest!”
“I didn’t think anyone even noticed me!”
“Someone thinks I’m beautiful?”
Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful.
About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them.
Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes.
Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.”
Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home.
”
”
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
“
Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student.
The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day.
She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what.
The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter.
“Wow. Thanks! This is the coolest!”
“I didn’t think anyone even noticed me!”
“Someone thinks I’m beautiful?”
Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful.
About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them.
Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes.
Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.”
Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home.
Helen the teacher was a “people builder.” She instinctively found ways to build up her students. Being a people builder means you consistently find ways to invest in and bring out the best in others. You give without asking for anything in return. You offer advice, speak faith into them, build their confidence, and challenge them to go higher.
I’ve found that all most people need is a boost. All they need is a little push, a little encouragement, to become what God has created them to be. The fact is, none of us will reach our highest potential by ourselves. We need one another. You can be the one to tip the scales for someone else. You can be the one to stir up their seeds of greatness.
”
”
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
“
One day, when you’re not looking for anything, you meet someone that changes things. Makes you see things a little bit differently … You get excited when you know you’re going to see them. You think of future things. You accept them for all the good and bad shit they got going on.
”
”
Christine Zolendz (Searching for Love (Behind Blue Lines, #2))
“
Live in amazement
We all have seen God’s goodness in some way. God opened a door, gave you a promotion, protected you on the freeway, and caused you to meet someone who has been a blessing. It was His hand of favor.
Don’t let it become ordinary. We should live in amazing at what God has done. When I look at my children I think, “God, you’re amazing.” When I see Victoria, I think, “God, you’ve been good to me.” Driving up to my house, I think, “Lord, thank you for your favor.”
Don’t let your miracles become so common that they don’t excite you anymore. I read about this famous surgeon who continued to go to work every day even into his late eighties. He loved medicine. His staff tried to get him to retire and take it easy, but he wouldn’t do it. He had invented a certain procedure that he had performed over ten thousand times. It seemed so routine and so ordinary. He’d done it again and again.
The surgeon was asked in an interview if he ever grew tired of performing his procedure and if it ever got old. He said, “No, because I act like every operation is my very first one.”
He was saying, “I don’t take for granted what God has allowed me to do. I don’t let it become so ordinary that I lose the awe.”
What has God done for you? Do you have healthy children? Do you have people to love? Do you have a place to work? Do you realize your gifts and talents come from God? Do you recognize what seemed like a lucky break was God directing your steps?
There are miracles all around us. Don’t take them for granted. Don’t lose the amazement of God’s works. Fan your flames. Stir up your gifts.
Sometimes we hold back, thinking we’ll get excited when the next big thing comes along. Only then will we allow that spring back in our step. But I’ve learned if you aren’t happy where you are, you won’t get where you want to be.
You need to sow a seed. Maybe nothing exciting is going on; perhaps you’re facing big challenges. You could easily grow discouraged and give up on your dreams. But when you go to work with a smile, give it your best, offer kindness to others, you are sowing a seed.
God will take that seed and grow it to bring something exciting into your life. The scripture tells us God will take us from glory to glory and from victory to victory. You may be in between victories right now, but keep your passion and hold on to your enthusiasm. The good news is another victory is on its way, another level of glory and another level of God’s favor.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
The thing creators have to remember is that to a very real extent they are fictional characters to their fans—and that what fans want (the product they like, they way they like it, served up by someone who they often see as being just like them, only more interesting/exciting/successful/etc) isn’t always going to conform to what they actually need in their lives. Additionally, fans will construct narratives to justify whatever behavior a creator dishes up…as long as the end result is more of what they want. Enabling! It’s a thing.
”
”
John Scalzi (Don't Live for Your Obituary: Advice, Commentary and Personal Observations on Writing, 2008-2017)
“
My heart wasn’t where Mike Seaver’s was—or the bulk of the male population’s. I never got a DUI because I didn’t drink. The only thing I ever smoked was a ham for Thanksgiving. Maybe I would have had more free time to get into trouble with girls if I wasn’t so busy killing rats to feed my snakes. All I wanted was to find one girl and be with her for life. July 25, 1987 I really wish that I will meet someone that is so special, and wants to be with me as much as I want to be with her and who will be excited for me about my career and will not be interested in Kirk Cameron the actor, star of Growing Pains. I’m looking for someone who could be my best friend. Someone who is not the least bit phony but who is just so honest and open about her feelings and who genuinely cares about mine and wants to share her feelings with me. Not too long after I wrote that journal entry, I met a girl on the set. She came in for a quick guest role, and we began seeing each other off set. I grew very fond of her and her family—especially her father, who later became very instrumental in answering my questions about God. Within a year, my immaturity had made a royal mess of that relationship and left that sweet girl heartbroken and confused. She was the last girl I went out with until the most breathtaking woman in the world entered my life.
”
”
Kirk Cameron (Still Growing: An Autobiography)
“
Why aren’t you betrothed to anyone?” he asked with startling directness. “You’ve been out in society for two, three years?” “Three,” Poppy said, feeling more than a little defensive. “Your family is one of means—one would assume you have a generous dowry on the table. Your brother is a viscount—another advantage. Why haven’t you married?” “Do you always ask such personal questions of people you’ve just met?” Poppy asked in amazement. “Not always. But I find you . . . interesting.” She considered the question he had put to her, and shrugged. “I wouldn’t want any of the gentlemen I’ve met during the past three years. None of them are remotely appealing.” “What kind of man appeals to you?” “Someone with whom I could share a quiet, ordinary life.” “Most young women dream of excitement and romance.” She smiled wryly. “I suppose I have a great appreciation for the mundane.” “Has it occurred to you that London is the wrong place to seek a quiet, ordinary life?” “Of course. But I’m not in a position to look in the right places.” She should have stopped there. There was no need to explain more. But it was one of Poppy’s failings that she loved conversation, and like Dodger facing a drawer full of garters, she couldn’t resist indulging. “The problem began when my brother, Lord Ramsay, inherited the title.” The stranger’s brows lifted. “That was a problem?” “Oh, yes,” Poppy said earnestly. “You see, none of the Hathaways were prepared for it. We were distant cousins of the previous Lord Ramsay. The title only came to Leo because of a series of untimely deaths. The Hathaways had no knowledge of etiquette—we knew nothing of the ways of the upper classes. We were happy in Primrose Place.” She paused to sort through the comforting memories of her childhood: the cheerful cottage with its thatched roof, the flower garden where her father had tended his prized Apothecary’s Roses, the pair of lop-eared Belgian rabbits who had lived in a hutch near the back doorstep, the piles of books in every corner. Now the abandoned cottage was in ruins and the garden lay fallow. “But there’s never any going back, is there,” she said rather than asked.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
He was waiting in the reception hall, a lone figure lost in the vast, vaulted chamber. The Herrani representative was an elderly man whose thin frame leaned heavily on his walking stick.
Kestrel faltered. She approached more slowly. She couldn’t help looking over his shoulder for Arin.
He wasn’t there.
“I thought the barbarian days of the Valorian empire were over,” the man said dryly.
“What?” said Kestrel.
“You’re barefoot.”
She glanced down, and only then realized that her feet were freezing, that she’d forgotten even the existence of shoes when she’d left her dressing chamber and hurtled through the palace for all to see, for the Valorian guards flanking the reception hall to see right now.
“Who are you?” Kestrel demanded.
“Tensen, the Herrani minister of agriculture.”
“And the governor? Where is he?”
“Not coming.”
“Not…” Kestrel pressed a palm to her forehead. “The emperor issued a summons. To a state function. And Arin declines?” Her anger was folding onto itself in as many layers as her ball gown--anger at Arin, at the way he was committing political suicide.
Anger at herself. At her own bare feet and how they were proof--pure, naked, cold proof--of her hope, her very need to see someone that she was supposed to forget.
Arin had not come.
“I get that disappointed look all the time,” Tensen said in a cheerful tone. “No one is ever excited to meet the minister of agriculture.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
If love means thinking about someone all the time and feeling special whenever you're with them, if it means little buzzes of electricity making you shiver when you kiss, if it meant listening to every word they say with hyper-awareness so you can replay the whole conversation when you're on your own, then I was in love. If love means caring about someone so much that it makes you want to cry when they're not smiling, feeling sick with excitement in the morning becauses because you're going to see them at college, feeling like half a person when you're not together, then I was completely and absolutely and utterly in love with Theo.
”
”
Keren David (This Is Not a Love Story)
“
There are so many balls here I don’t know where to look first,” Donovan mutters excitedly. “And here I thought baseball pants were where it’s at. Compared to these singlets, they might as well be wearing diapers out there. I’ve slipped into my fantasy.” “Would you please stop?” I laugh. “Stop staring at everyone’s balls.” “I can’t help it.” He holds his hand out as if he’s presenting someone with a platter. “They’re literally right there. See? Balls.
”
”
Sara Ney (The Learning Hours (How to Date a Douchebag, #3))
“
With little else to do I rode my Vesper motor scooter from Harbel to Roberts Field. Perhaps there might be some excitement around the airport, but no such luck. Eric Reeves the Station Master and Air Traffic Controller was in the tower and was in communications with the incoming airliner. Everything was quiet in anticipation of a Pan American Clipper's arrival. On the ground floor all was quiet except for a solitary passenger in the terminal. Apparently he was waiting for the next flight out, which wasn't due for another two hours. As I approached him, I could see that he looked familiar…. I immediately recognized him as a world class trumpet player and gravel voiced singer from New Orleans. He must have seen the look on my face and broke the ice by introducing himself as Louie Armstrong. "Hi," I answered, "I'm Hank Bracker, Captain Hank Bracker." I noticed that he was apparently alone sitting there with a mountain of belongings which obviously included musical instruments. Here was Louis Armstrong, the famous Louie Armstrong, all alone in this dusty, hot terminal, and yes he had a big white handkerchief! He volunteered that the others in his party were at the club looking for something to eat. With no one else around, we talked about New Orleans, his music and how someone named King Oliver, a person I had never heard of, was his mentor. At the time I didn't know much about Dixie Land music or the Blues, but talking to Louie Armstrong was a thrill I'll never forget. In retrospect it’s amazing to find out that you don’t know what you didn’t know. I found out that he actually lived in Queens, NY at that time, not too far from where my aunt and uncle lived. I also found out that he was the Good Will Ambassador at Large and represented the United States on a tour that included Europe and Africa, but now he was just a friendly person I had the good fortune to meet, under these most unusual circumstances. His destination was Ghana where he, his wife and his band the All Stars group were scheduled to perform a concert in the capitol city of Accra. Little did I know that the tour he was on was scheduled by Edward R. Murrow, who would later be my neighbor in Pawling, New York. Although our time together was limited, it was obvious that he had compassion for the people of the "Third World Nations," and wanted to help them. Although after our short time together, I never saw Louie again but I just know that he did. He seemed to be the type of person that could bring sunshine with him wherever he went.…
”
”
Hank Bracker
“
Gentile’s office in downtown Las Vegas, I got on the elevator and turned around and there was a TV camera. It was just the two of us in the little box, me and the man with the big machine on his shoulder. He was filming me as I stood there silent. “Turn the camera off,” I said. He didn’t. I tried to move away from him in the elevator, and somehow in the maneuvering he bumped my chin with the black plastic end of his machine and I snapped. I slugged him, or actually I slugged the camera. He turned it off. The maids case was like a county fair compared with the Silverman disappearance, which had happened in the media capital of the world. It had happened within blocks of the studios of the three major networks and the New York Times. The tabloids reveled in the rich narrative of the case, and Mom and Kenny became notorious throughout the Western Hemisphere. Most crimes are pedestrian and tawdry. Though each perpetrator has his own rap sheet and motivation and banged-up psyche, the crime blotter is very repetitive. A wife beater kills his wife. A crack addict uses a gun to get money for his habit. Liquor-store holdups, domestic abuse, drug dealer shoot-outs, DWIs, and so on. This one had a story line you could reduce to a movie pitch. Mother/Son Grifters Held in Millionaire’s Disappearance! My mother’s over-the-top persona, Kenny’s shady polish, and the ridiculous rumors of mother-son incest gave the media a narrative it couldn’t resist. Mom and Kenny were the smart, interesting, evil criminals with the elaborate, diabolical plan who exist in fiction and rarely in real life. The media landed on my life with elephant feet. I was under siege as soon as I returned to my office after my family’s excursion to Newport Beach. The deluge started at 10 A.M. on July 8, 1998. I kept a list in a drawer of the media outlets that called or dropped by our little one-story L-shaped office building on Decatur. It was a tabloid clusterfuck. Every network, newspaper, local news station, and wire service sent troops. Dateline and 20/20 competed to see who could get a Kimes segment on-air first. Dateline did two shows about Mom and Kenny. I developed a strategy for dealing with reporters. My unusual training in the media arts as the son of Sante, and as a de facto paralegal in the maids case, meant that I had a better idea of how to deal with reporters than my staff did. They might find it exciting that someone wanted to talk to them, and forget to stop at “No comment.” I knew better. So I hid from the camera crews in a back room, so there’d be no pictures, and I handled the calls myself. I told my secretary not to bother asking who was on the line and to transfer all comers back to me. I would get the name and affiliation of the reporter, write down the info on my roster, and
”
”
Kent Walker (Son of a Grifter: The Twisted Tale of Sante and Kenny Kimes, the Most Notorious Con Artists in America (True Crime (Avon Books)))
“
We see this same process at work within this life as well. For one day, notice how many different worlds you create in your mind, riding the roller coaster of continually changing moods, emotions, and thoughts. You become happy when you think about your family, frustrated at work, excited about some future plans, angry at someone who’s being difficult, depressed about the state of the world, calm from your meditation … The play of the mind goes on and on. Samsara: perpetual wandering through the rounds of existence.
”
”
Joseph Goldstein (One Dharma: The Emerging Western Buddhism)
“
Snacks? What kind of snacks?” I asked. “Something called chips, which are made from potatoes, and different kinds of candies.” “Oh, you’re gonna sell candy, too?” “Yeah, but totally different from the candy shop.” “I see.” “I hope you’ll come by for the grand opening.” “When is it?” “Hopefully, next week. I’ll let you know.” I nodded. “Okay, I’ll try to make it, Tes.” “Cool. Thank you. Alright, I’m going to get some more food,” he said and left. A few minutes later, Maky got on the microphone and announced that the dancing portion of the night was going to start soon. “Woohoo! It’s dancing time,” said Arthur excitedly. “You know who I’m going to ask to dance with me?” “Who?” I asked. “Autumn,” answered Pierce. “Yup! Hopefully, she’ll agree.” “What about you, Pierce? Are you gonna ask anyone to dance?” “Um, I don’t know. Maybe I’ll just dance by myself or with a group of friends,” the knight answered. “Cool…” I said sadly because I felt a little bit left out. “Or you know, maybe I’ll just hang out with you.” “Naw, I’m fine. You don’t have to keep me company.” Then suddenly, music started playing from the speakers that were set up at all the four corners of the city square. “Oh, here we go! I’ll be back later,” said Arthur as he took off to find Autumn. As the music played, I looked around for Maky’s band, but they were nowhere in sight. “Hm. This music must be coming from the jukebox,” I said. “Yeah, I don’t think Maky is playing tonight,” said Pierce. “She’s not? Why not? They’re super good.” “I don’t know, Steve.” “Hm. Oh, look. People are starting to take to the dance floor.” Slowly, a couple of villagers made their way toward the center of the city square. They were nervous about being the first ones, but soon after, many others followed their lead. Before I knew it, there were a ton of villagers in the middle, jumping up and down and dancing to the music. “That looks like fun…” I said. “Yeah…” said Pierce. “You should go join them.” “N-nah. I like sitting here.” Right when Pierce said that, someone came by and grabbed his hand and pulled him to the dance floor. “Come on, Pierce, let’s show them how it’s done,” said Leila. “B-but I’m not that good!” said Pierce. I tried my best to smile and said, “Have fun…” With my fake smile on, I watched as Pierce was dragged into the middle. Leila had stolen my only company away from me, and that made me feel super left out. I sighed and thought to myself, I wish I was out of this chair already. But I knew I didn’t have a choice, so I just sat in my chair and nodded along to the music. A few minutes later, the first song ended and the next one came on. I just continued sitting there while watching my friends have fun. In the middle, I could see Arthur dancing with Autumn, Cindy dancing with Arceus, and Leila dancing with Pierce. Shortly after, someone came by to talk to me. “Hey, Steve! How ya doing?” Maky asked while breathing hard. “Maky? Why aren’t you playing tonight?” I asked. “Oh, because I wanted to dance and have fun tonight. I mean, playing my instrument is fun, too, but dancing is a different kind of fun.” “I see.” “So, what are you doing over here? You don’t want to join the fun?” “Uh, there’s not much fun to be had when I’m stuck in a wheel chair.” “Oh, that’s nonsense!” Then she ran behind my chair, tilted it slightly backwards and pushed me off toward the middle of the dance floor. “Whoa! What are you doing?!” “We’re going to dance!” “Huh?!
”
”
Steve the Noob (Diary of Steve the Noob 35 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
“
My grandmother wanted desperately to see me, but Mom wouldn’t let me see her. So my grandmother kept calling my father and pleading with him to bring me to see her. He did. I was very excited about it. I was about 7. I didn’t know it was supposed to be a secret so I told my mom. She was so upset that she wouldn’t let me see my dad for years and wouldn’t let me stay all night at his house till I was about 13. From then on, I never told my mom anything important. Those years I couldn’t see him were horrible for me because visiting my dad was the best thing in my life. With him I was safe from being hurt. Also, he noticed me. He looked at me. He talked to me. He didn’t use me. I became very attached to his wives, trying to bond with someone, I guess. Also, I talked to my dad through them.
”
”
Anne Katherine (Boundaries Where You End And I Begin: How To Recognize And Set Healthy Boundaries)
“
When I advocate for protecting the new, then, I am using the word somewhat differently. I am saying that when someone hatches an original idea, it may be ungainly and poorly defined, but it is also the opposite of established and entrenched—and that is precisely what is most exciting about it. If, while in this vulnerable state, it is exposed to naysayers who fail to see its potential or lack the patience to let it evolve, it could be destroyed. Part of our job is to protect the new from people who don’t understand that in order for greatness to emerge, there must be phases of not-so-greatness.
”
”
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
“
Gil, for once, looked like he was not going to drop off to sleep at any moment. “Interesting,” he said. “I’ve been studying artifacts and reading archaeological journals for years. No one ever mentioned anything like this.”
“That’s what makes it such a great discovery,” I said, getting excited all over again. “It’s totally brand-new. It will put my name in the history books, and yours too, if you care to translate. My mother will love it. My dad will come right back to be in on the celebration.”
“Oh, my,” said Gil. “You’re expecting to get quite a bit out of this one discovery. We may have a problem here.”
“I know what problems are,” I said, feeling a little bit uneasy. “This is not a problem. This discovery is everything. It’s more exciting than a petrified rhinoceros. That island will be better known than Atlantis. Now I just need a little help getting that bowl across the Snake River.”
Gil looked at Henny. “Is he always like this?” he asked. “Maybe he’s been touched by the sun. Someone should throw him in the river and see if he comes to his senses, yet.”
I thanked Henny for his kind support.
”
”
Brenda Z. Guiberson (Turtle People)
“
Create Your Love of Life List How do you know what you like? Well, if someone describes an experience and you get excited or you see something happen that makes you smile, this is a sign that you want to have a similar experience. Write down the signs and your desired experiences. Research how you could make it happen. Keep a journal of all your ideas and mark them off one by one as you do them! Such experiences are food for the soul. Begin to taste the richness of life. Your favorite experiences may be something as simple as taking a walk with your loved ones, playing a board game, listening to old music, and eating together with your family at the dinner table more often than just on holidays. Remember, we all need nourishment of the spirit as much as, if not even more than, we need food. Have you been starving your soul? You can gain access to everything you are searching for and need if you are clear, consistent, and persistent. You may think, “Well, those ideas are nice, Christy, but I could never afford to do this or that.” So I am here to tell you that you are exactly right! Whatever you confirm, you get in your world. Period. This means, if you want something, you have to ask the right questions to get the answer about how to go and get it! These are mind-opening questions like, “What would it cost for me to take a cruise and have my partner with me?” Write down a question about one of the items in your love of life list and then let it go! There are only a couple of tricks in this process. It’s amazing what often unfolds when we follow these three guidelines. Do not put a time limit on when you will experience what you want. It will come once you allow God to work out the right plan to bring it to you. Believe that your desire will come into existence and do not put parameters on how. Move toward your objective by listening carefully to the whispers of God that come your way and acting on them as soon as you can. This is spirit giving you a little help. Without any further hesitation, I want you to put this book down, grab your journal or a piece of paper and a pen, or a dry erase marker so you can write on your bathroom mirror. Immediately put down your ideas for your love of life list. Keep writing until you feel you have nothing to write anymore. No idea is too silly, too strange, or too expensive to put on your list. Write your list and then pick up this book again later to learn more about loving your life out loud!
”
”
Christy Dreiling (LOL: From Homeless to Multimillion-dollar Global Business Leader)
“
It takes someone coming along who has the means to unbolt those shutters and let the light in. Someone who will not be overwhelmed by the amount of work it will take to restore, but who be moved with excitement and passion to create something marvelous out of something destitute. Do you have the means to do this for your own heart? Do you even see the value in that? These are the questions that determine whether you are one who is going to stand up and fight.
”
”
Amy Venezia (WOO DAT!)
“
Everything is better when you share it, I think. That flow of ideas between different people, the chaos of it all, makes life so exciting. And when someone new comes in, the chemistry changes and you see things in people you hadn’t seen before.
”
”
Liza Klaussmann (Villa America)
“
From the Bridge” by Captain Hank Bracker
Appreciation!
Appreciation…. One of the nicer things we can get or give is appreciation. It makes what we do worthwhile! It inspires us to work harder, do better and above all, makes us feel better about ourselves. I feel appreciated when someone says thank you…. It’s as simple as that! Of course it’s also nice to receive an award for something I wrote. I recently won two awards for The Exciting Story of Cuba and it made my day! It felt even better to share the moment with my crew because they deserved it and I certainly appreciate them and their contribution, for the effort I got credit for. It’s really very nice when we appreciate people for what they have done for us and remember that it is better to give than receive.
Now here is an existential thought that I’ll run past you. You might have heard the ancient chestnut.… “Does a tree make a noise when it falls in a forest with no one around to hear it?” The answer is debatable, with no definitive answer that everyone accepts. Now let’s take this thought one step further by contemplating life itself. Is there really anything, if there is no one to appreciate it? Could this account for our existence? Do we really have to exist at this time and place, within this sphere of infinity, to appreciate everything we are aware of including the universe? To me it’s an interesting thought, since philosophically “I am!” More interesting is that so are you and everyone else. Without us, would there be universe? And if so, would it make any difference, because there would be no one to know. What makes the difference is that we are here and we know that we are here! Therefore, we can appreciate it!
I’m not a philosopher. I’m really just another “id” that is contemplating my existence, but what I want to impart is the importance of sharing this existence with others by appreciating them. The English poet John Donne said, “No man is an Island.” I guess the original content is found in prose, not poetry; however it’s the thought that counts. Sigmund Freud's psychoanalytical theory of personality states that, “The id is the personality component made up of unconscious psychic energy that works to satisfy basic urges, needs and desires.” Now the way I see it, is that the reason that we are here is to appreciate each other and our wondrous surroundings. I might even take things a step further by getting religion into the mix. If we are made in our creator’s image, could that mean that our creator, like us, desires the appreciation of his creation and we are here to appreciate what he, or she, has created?
The way we as a people are polarized causes me to wonder, if we are not all acting like a bunch of spoiled brats. Has our generation been so spoiled that we all insist on getting things our way, without understanding that we are interdependent. Seeing as how we all inhabit this one planet, and that everything we possess, need, aspire to and love, is right here on this rock floating in space; we should take stock and care for each other and, above all, appreciate what we have, as well as each other.
So much from me…. I’ve been busy trying to get Suppressed I Rise – Revised Edition and Seawater One…. Going To Sea!, published before the holidays. It’s been a long time in coming, but I’m hoping that with just a little extra effort, these books will be available at your favorite book dealer in time to find a place under your Christmas tree or Hanukkah bush. That’s right! Just look at your calendar and you’ll see its October and that the holidays are almost here again!
Take care, appreciate each other and have a good week. It’s later than you think….
”
”
Hank Bracker
“
From the Bridge” by Captain Hank Bracker
Behind “The Exciting Story of Cuba”
It was on a rainy evening in January of 2013, after Captain Hank and his wife Ursula returned by ship from a cruise in the Mediterranean, that Captain Hank was pondering on how to market his book, Seawater One. Some years prior he had published the book “Suppressed I Rise.” But lacking a good marketing plan the book floundered. Locally it was well received and the newspapers gave it great reviews, but Ursula was battling allergies and, unfortunately, the timing was off, as was the economy.
Captain Hank has the ability to see sunshine when it’s raining and he’s not one easily deterred. Perhaps the timing was off for a novel or a textbook, like the Scramble Book he wrote years before computers made the scene. The history of West Africa was an option, however such a book would have limited public interest and besides, he had written a section regarding this topic for the second Seawater book. No, what he was embarking on would have to be steeped in history and be intertwined with true-life adventures that people could identify with.
Out of the blue, his friend Jorge suggested that he write about Cuba. “You were there prior to the Revolution when Fidel Castro was in jail,” he ventured. Laughing, Captain Hank told a story of Mardi Gras in Havana. “Half of the Miami Police Department was there and the Coca-Cola cost more than the rum. Havana was one hell of a place!” Hank said. “I’ll tell you what I could do. I could write a pamphlet about the history of the island. It doesn’t have to be very long… 25 to 30 pages would do it.” His idea was to test the waters for public interest and then later add it to his book Seawater One.
Writing is a passion surpassed only by his love for telling stories. It is true that Captain Hank had visited Cuba prior to the Revolution, but back then he was interested more in the beauty of the Latino girls than the history or politics of the country. “You don’t have to be Greek to appreciate Greek history,” Hank once said. “History is not owned solely by historians. It is a part of everyone’s heritage.” And so it was that he started to write about Cuba. When asked about why he wasn’t footnoting his work, he replied that the pamphlet, which grew into a book over 600 pages long, was a book for the people. “I’m not writing this to be a history book or an academic paper. I’m writing this book, so that by knowing Cuba’s past, people would understand it’s present.” He added that unless you lived it, you got it from somewhere else anyway, and footnoting just identifies where it came from.
Aside from having been a ship’s captain and harbor pilot, Captain Hank was a high school math and science teacher and was once awarded the status of “Teacher of the Month” by the Connecticut State Board of Education. He has done extensive graduate work, was a union leader and the attendance officer at a vocational technical school. He was also an officer in the Naval Reserve and an officer in the U.S. Army for a total of over 40 years. He once said that “Life is to be lived,” and he certainly has. Active with Military Intelligence he returned to Europe, and when I asked what he did there, he jokingly said that if he had told me he would have to kill me.
The Exciting Story of Cuba has the exhilaration of a novel. It is packed full of interesting details and, with the normalizing of the United States and Cuba, it belongs on everyone’s bookshelf, or at least in the bathroom if that’s where you do your reading. Captain Hank is not someone you can hold down and after having read a Proof Copy I know that it will be universally received as the book to go to, if you want to know anything about Cuba!
Excerpts from a conversation with Chief Warrant Officer Peter Rommel, USA Retired, Military Intelligence Corps, Winter of 2014.
”
”
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
“
Well, why doesn’t Thomas play the part?” Nigel said, eyeing the strapping young man. “He’s certainly imposing enough for it.” “That’s entirely the problem,” Lucy said. “He’s too big. When he tried on the robe, it started to rip across the shoulders.” “Surely there’s someone else…” Nigel trailed off at the look on Lucy’s face. “Good Gad, no,” he exclaimed. “You cannot begin to think—” “Of course!” Amelia’s face lit up as she grabbed his arm. With the small portion of his mind not taken up with the horror of Lucy’s plan to make a complete fool out of him, he noted that Amelia did seem to be touching him rather a lot this evening. Now she was also bouncing up and down in her pretty white and gold spangled shoes. “You’d make a splendid Father Christmas, Mr. Dash, because you have such an easy way with children. I’m sure the robe will fit, and we can adjust the wreath in an instant.” “The wreath?” Nigel repeated in a hollow voice. He fastened his appalled gaze on Philbert, who nodded in masculine sympathy “Well, Father Christmas must wear his crown of mistletoe, Nigel,” Lucy said in coaxing voice. “He wouldn’t look authentic without it.” “Surely, there must be someone else,” Nigel said, trying not to sound as desperate as he felt. “One of the other servants, perhaps.” Lucy shook her head. “The footmen are too big and the scullery boy is too small.” When the corner of her mouth quirked up, Nigel had the sneaking suspicion she was beginning to enjoy the absurdity of the situation. Lucy knew he disdained costume balls and masquerades as undignified romps and refused to step foot in them. “I know it’s a lot to ask, Nigel, my dear, but you are certainly the best candidate to replace Philbert.” Amelia was still clutching his sleeve, but now she brought her pleading gaze to bear on him as well. “Please, Mr. Dash, it would mean so much to the children. I would be enormously grateful if you would be so kind as to play the part of Father Christmas.” Her beautiful brown eyes, full of concern for her younger siblings, pleaded with him. Blast it, the young ones had probably been looking forward to the treat for days, and would be sorely disappointed if it failed to materialize. And he had a feeling Amelia had been looking forward to it too, if for no other reason than to see the excitement on the children’s faces. With a mental sigh, Nigel consigned his dashing new persona to the dust heap. Life, it would seem, had consigned him to play only one role—that of dependable old Nigel Dash, always ready to take on whatever necessary task fate and the ladies of the beau monde decreed for him. “Of course, Miss Easton,” he said. “I am only too happy to help.
”
”
Anna Campbell (A Grosvenor Square Christmas)
“
My, my, have you ever seen such a nauseatingly tender, sickeningly domestic, scene?" drawled a voice that was, despite the words, ripe with amusement. Turning, Charles saw Lucien, with Gareth, Nerissa, and Juliet standing beside him. "Congratulations. And what will our newest de Montforte be named, eh?" "Mary," said Charles, getting to his feet. "After both our mothers." "Mary Elizabeth," Amy added, gazing at her husband and daughter. "A girl, then," murmured Lucien. "A girl." Charles came forward, holding a fold of the blanket back so that everyone could see his daughter. He was beaming with excitement. Bursting with pride. "Isn't she just beautiful? Have you ever seen anything so precious? Look at her little fingers! Look at that head of black hair! Look how perfect, how sweet, how exquisite she is —" Lucien shook his head, secretly amused that something so tiny could reduce not only a de Montforte, but an army major, to this. With a heavy sigh, he raised a brow and looked at the Wild One. "It would seem, my dear Gareth, that I owe you ten pounds after all," he murmured, with a rueful smile that could not disguise his delight in having yet another niece to spoil. "Though how you knew it would be a girl is beyond me." A sudden gust of wind lashed the window, peppering it with rain. "That's how I knew," said Gareth, handing Gabriel to Juliet and picking up a squirming Charlotte. "With a storm on the make, how could we have expected anything but a female!" Laughter rang around the room at his wry observation. Congratulations and well-wishes were said, and Mary Elizabeth de Montforte was passed around so that all could see her. After inspecting his new niece, Lucien, feeling more than a little smug for his part in getting yet another brother safely married off, moved to the door. "I say, Luce, where are you going?" Charles asked. Lucien smiled. "Well, someone's got to tell Andrew,
”
”
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
“
I always worried that you would find another man to take better care of you. You’re a good-looking woman and I wouldn’t have blamed you. The wife of a SEAL is not an easy job.” The quiet words held brutal honesty. “I wouldn’t have cheated on you. I had opportunities definitely, but that’s not the kind of person I am.” Harper smiled and looked down at his lap. “What?” she asked. His hard silver-grey eyes flicked up to her face, seeming to glow. “Is it wrong that I like knowing men wanted you?” Cat shook her head, laughing. “Really? I profess my commitment to our marriage and you get jacked knowing men were after me?” Harper made a face, looking sheepish. “What can I say? You’ve always turned me on but there’s something about having what another man wants that satisfies the competitive caveman in me.” By the pleasure curling in her stomach it apparently satisfied something in her as well. The desire she had banked all day returned. Cat played with her half empty water glass, swirling the base in the moisture on the table. “It always made me excited when I saw women looking at you as well,” she admitted. “But I worried when you weren’t around.” Harper narrowed his eyes and leaned forward, invading her personal space. “I never cheated. Ever. Were there opportunities? Of course. But I was never tempted. Most of the women that hit on me I couldn’t even stand to listen to.” Some knot of tangled emotion eased in her chest. Harper was a virile man. He had a healthy sex drive. When they’d been together they’d loved almost every day. But in the back of her mind had been the fear that he’d sated those drives with someone else. Tears smarted her eyes as the relief flowed through her. She looked down at her plate, unwilling to let him see. Hard fingers tilted her face up. Anger sparked in his silver eyes. “I would never cheat on you. I take my marriage vows seriously. I always have.” She nodded and a tear dripped down her cheek. “I know you have but a year and a half is a really long time. Longer than any of your deployments. I guess I kind of expected…well, I wouldn’t have blamed you if you had.” “But I would have blamed me and that’s not something I need on my conscience, not along with everything else,” he told her firmly. “Besides, I’ve never been drawn to anyone else since I met you. Did I tell you you look beautiful today? Because you do.” With
”
”
J.M. Madden (Embattled SEAL (Lost and Found #4))
“
I was immediately obsessed with the potential for multiple people to
share such a place, and to achieve a new type of consensus reality, and it
seemed to me that a “social version” of the virtual world would have to be
called virtual reality. This in turn required that people would have bodies in
VR so that they could see each other, and so on, but all that would have to
wait for computers to get better.
I was fifteen years old and vibrating with excitement. I had to tell
someone, anyone. I would find myself running out the library door so that I
didn’t have to keep quiet; rushing up to strangers on the sidewalk out in the
hard New Mexico sunshine.
“You have to look at this! We’ll be able to put each other in dreams
using computers! Anything you can imagine! It’s not just going to be in our
heads anymore!” I’d then wave a picture of a cube in front of a random,
poor soul, and that person would politely navigate around me. Why were
people so blind to the most amazing thing happening in the world?
”
”
Jaron Lanier (Dawn of the New Everything: Encounters with Reality and Virtual Reality)
“
I was immediately obsessed with the potential for multiple people to share such a place, and to achieve a new type of consensus reality, and it seemed to me that a “social version” of the virtual world would have to be called virtual reality. This in turn required that people would have bodies in VR so that they could see each other, and so on, but all that would have to wait for computers to get better.
I was fifteen years old and vibrating with excitement. I had to tell someone, anyone. I would find myself running out the library door so that I didn’t have to keep quiet; rushing up to strangers on the sidewalk out in the hard New Mexico sunshine.
“You have to look at this! We’ll be able to put each other in dreams using computers! Anything you can imagine! It’s not just going to be in our heads anymore!” I’d then wave a picture of a cube in front of a random, poor soul, and that person would politely navigate around me. Why were people so blind to the most amazing thing happening in the world?
”
”
Jaron Lanier (Dawn of the New Everything: Encounters with Reality and Virtual Reality)
“
Oliver looked up into Ralph’s earnest green eyes. He felt bad for feeling so overwhelmed that he couldn’t share in Ralph’s evident excitement. “Why don’t you tell me a bit more about our powers?” he suggested. Ralph brightened again immediately, clearly eager to oblige. “So, we each have a specialism that allows us to manipulate the physical world in order to change the future. I have a biological specialism. I can rearrange matter; make vines grow to tie someone up, or part the trees of a forest to open a pathway through. That’s how I was able to change the leaf before. It’s not a lot but once I’ve trained properly I’ll be strong. Right now I can just about make a petal fall off a buttercup.” “What about the others?” Oliver asked. “What kind of rearranging can they do?” “Well, my friend Simon has a molecular specialism,” Ralph explained. “Liquids to gas, lead to gold, that kind of thing. Hazel has a chemical specialism. She can change someone’s mood from happy to sad, for example. She once helped me digest a rather large burrito. So, I suppose if you want to see your role as some kind of predetermined burden you can. Or you can choose to see it as AWESOME like I do.” “All right, all right,” Oliver said, relenting. “That bit does seem pretty awesome. Messing with molecules
”
”
Morgan Rice (The Magic Factory (Oliver Blue and the School for Seers, #1))
“
Why is it that men will only believe that a woman isn’t interested in them if she has a significant other? A woman should be able to say no and have it mean no. No excuses, no reasons needed. Just an ‘I’m not interested.’ Why do they have to see that she already has someone? Hell, half the time, even that doesn’t work. If she’s with a woman, it’s because she hasn’t met the right man. If she’s married, she must be looking for excitement.” She pointed her finger at me.
”
”
M.S. Parker (Single Malt (The Scottish Billionaires #6))
“
It takes more than Sympathy to Empower a person Let's say you found a person on the streets and you feel he needs help, you walk up to him and offer him money and he refuses it, ..says he is okay. Or you see a poor woman and you kindly offer to sponsor her child to school and she says no. You are a good person. But you may not be one who can see through each person and discern how they want to be empowered. Empowerment is personal. What each person terms empowerment is determined by many factors, and the least is your sympathy or your pity. But that's where many people start. The single woman may need a HUSBAND instead of an HELPER. She may want JUST someone to talk to instead of a SPONSOR. The beggar MAY need TODAY'S food not a A SHOP. How do you know what each person needs? Ask, how excited would this person be if I tried to EMPOWER him this WAY? Ask, how well will he use it? That's why the rich at heart stay rich. And the poor stay poor. It begins with the mind. Empowerment to each is different. To empower the poor, work on their minds first. Start the process in stages. Test. The poor at heart value increments. Bite sized offerings. Besides, they would squander the big offerings and still come back, why give them all at once? When you buy cloth for a lazy man, be sure to dye it He wouldn't value it enough to wash it clean.
”
”
Asuni LadyZeal
“
Being around Yuwa reminds her of how people describe dating: a sense of excitement intertwined with being understood. In just one month, she is beginning to see that true friendship has little to do with how long you’ve known someone and everything to do with faith. The faith that you can expose your rawest thoughts and still be accepted. “It’s the way we’re raised, to always
”
”
Saumya Dave (Well-Behaved Indian Women)
“
Rescue dogs are trained to perform such responses on command, often in repulsive situations, such as fires, that they would normally avoid unless the entrapped individuals are familiar. Training is accomplished with the usual carrot-and stick method. One might think, therefore, that the dogs perform like Skinnerian rats, doing what has been reinforced in the past, partly out of instinct, partly out of a desire for tidbits. If they save human lives, one could argue, they do so for purely selfish reasons.
The image of the rescue dog as a well-behaved robot is hard to maintain, however, in the face of their attitude under trying circumstances with few survivors, such as in the aftermath of the bombing of the Murrah Federal Building in Oklahoma City. When rescue dogs encounter too many dead people, they lose interest in their job regardless of how much praise and goodies they get.
This was discovered by Caroline Hebard, the U.S. pioneer of canine search and rescue, during the Mexico City earthquake of 1985. Hebard recounts how her German shepherd, Aly, reacted to finding corpse after corpse and few survivors. Aly would be all excited and joyful if he detected human life in the rubble, but became depressed by all the death. In Hebard's words, Aly regarded humans as his friends, and he could not stand to be surrounded by so many dead friends: "Aly fervently wanted his stick reward, and equally wanted to please Caroline, but as long as he was uncertain about whether he had found someone alive, he would not even reward himself. Here in this gray area, rules of logic no longer applied."
The logic referred to is that a reward is just a reward: there is no reason for a trained dog to care about the victim's condition. Yet, all dogs on the team became depressed. They required longer and longer resting periods, and their eagerness for the job dropped off dramatically. After a couple of days, Aly clearly had had enough. His big brown eyes were mournful, and he hid behind the bed when Hehard wanted to take him out again. He also refused to eat. All other dogs on the team had lost their appetites as well.
The solution to this motivational problem says a lot about what the dogs wanted. A Mexican veterinarian was invited to act as stand-in survivor. The rescuers hid the volunteer somewhere in a wreckage and let the dogs find him. One after another the dogs were sent in, picked up the man's scent, and happily alerted, thus "saving" his life. Refreshed by this exercise, the dogs were ready to work again.
What this means is that trained dogs rescue people only partly for approval and food rewards. Instead of performing a cheap circus trick, they are emotionally invested. They relish the opportunity to find and save a live person. Doing so also constitutes some sort of reward, but one more in line with what Adam Smith, the Scottish philosopher and father of economics, thought to underlie human sympathy: all that we derive from sympathy, he said, is the pleasure of seeing someone else's fortune. Perhaps this doesn't seem like much, but it means a lot to many people, and apparently also to some bighearted canines.
”
”
Frans de Waal (The Ape and the Sushi Master: Reflections of a Primatologist)
“
You and I are close friends now, reader. So you know how I feel about writing. Writing is the hum. Writing is laying track. Writing is the high. Now imagine that hum, that high, that track to be laid is behind a door. And that door is five miles away. Those five miles are just . . . writing crap and doodling and trying to have an idea and surfing the internet and hoping like hell not to get so distracted that you give up. Worse? Those five miles are lined with brownies and cupcakes and episodes of Game of Thrones and Idris Elba waiting to talk to only you and really good novels to read. Every time I sit down to write, I have to mentally run those five miles past all of that to get to that door. It’s a long, hard five-mile run. Sometimes I am almost dead by the time I reach the door. That’s why I have to keep doing it. The more often I run the five miles, the fitter I become. And the fitter I become, the easier the run begins to feel and the less fresh and exciting all that stuff on the side of the road seems. I mean, how long has it been there? More important, as I get fitter, I can run faster. And the faster I can run, the faster I can get to that door. The faster you can too, writers out there. When you sit down to write every day, it becomes easier and easier to tap into that creative space inside your mind. The faster I can get to that door, the quicker I can get to the good stuff. Behind that door is the good stuff. So when I reach the door and open it . . . that’s when my creativity clicks in and that special spot in my brain starts working and I go from exertion to exultation and suddenly I can write forever and ever and ever and eve— And then someone opens the door and asks me if I want coffee or water and I am FIVE MILES AWAY all over again. I grit my teeth and try to smile and say No thank you, see, I have coffee AND water both already, right here. And then I start running that five miles all over. That happens roughly thirty-five times a day at the office.
”
”
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
“
working identity involves revisiting the basic assumptions we use to evaluate possibilities. To illustrate what basic assumptions are, it is useful to think of our career choices as a pyramid with three levels (see figure 4-1).4 At the top of the pyramid lies what is most visible, to us and to the outside world: what job we hold in what setting. Dan, for example, was an executive in a high-tech company. One level below are the values and motivating factors that hold constant from job to job and company to company. These are what MIT career specialist Edgar Schein calls our “career anchors,” the competencies, preferences, and work-related values that we would be unwilling to give up if forced to make a choice.5 Dan’s experience has led him to value himself professionally as someone who excels at turnarounds—at making troubled companies healthy. He could perform this role on a smaller or larger scale (for example, big company or small start-up), in an advisory or a hands-on role, and as a manager or an owner, but the constant is that managerial challenge is what excites him. Dan’s turmoil over the offer of a “perfect job” that would have again robbed him of his family time, however, belies a conflict between his professional and personal values that is rooted at a deeper level. In his search, therefore, he has to plumb deeper: He must explore the final, bottom level of the pyramid to understand the basic assumptions—our mental maps about how the world works—that truly drive his behavior.
”
”
Herminia Ibarra (Working Identity: Unconventional Strategies for Reinventing Your Career)
“
Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.
”
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Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
“
Don’t over-share. We don’t need to see or hear it all, just the highlights. The selfie is to be avoided. I know it may seem like a good idea and that everyone else is doing it, but stay strong. Something about it reeks of desperation. The likes will not set you free. Keep the bragging to a minimum. Sharing your latest work or even the well-intended subtle flex is okay. Outright boasting will leave your audience wanting less. Hashtags are a no-no. Hashtags serve a purpose for brands, but they should be left off any posts from your personal accounts. They look amateurish. Avoid clogging the feed. Got a lot of exciting content? Stay measured and time-release it. Posting five images in a row will annoy even your biggest fans. Tag someone only when it’s flattering. If you are posting a photo from your trip to Lisbon, make sure all parties look good in the chosen image. If someone has clearly overindulged, think twice before sharing. You would want the same courtesy. Never under any circumstance should you confront someone about unfollowing you. That sort of behavior will make you the talk of the group chat, and not in a good way. No spoilers. Your uncle in Los Angeles works in the industry and sent you a screener of the latest Oscar-worthy film. Watch it and enjoy it. Do not share any information about said film on social media. Your followers will be mad and so will your uncle. Be yourself. With so many available platforms to share on, you might slip into a caricature of yourself. Make sure you always keep it real. Don’t be someone you aren’t—even if you are rewarded with likes and comments. Because self-awareness reigns supreme, online and off. Never take it too seriously. Although social media has become ubiquitous in our modern era, it’s still not exactly real life. Hell, maybe put the phone down and take a stroll.
”
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David Coggins (Men and Manners: Essays, Advice and Considerations)
“
that attraction—the rush of flirtation, the excitement of seeing someone reciprocate your interest—can become compulsion, if left unchecked. A desire that encourages poor decisions.
”
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James Islington (The Will of the Many (Hierarchy, #1))
“
Ultimately, if you protect yourself perfectly, you will never grow. All your habits and idiosyncrasies will stay the same. Life becomes stagnant when people protect their stored issues. People say things like, “You know we don’t talk about that subject around your father.” There are all these rules about things that are not supposed to happen outside because they could cause disturbance inside. Living like this allows for very little spontaneous joy, enthusiasm, and excitement for life. Most people just go from day to day protecting themselves and making sure nothing goes too wrong. At the end of the day, when someone asks, “How was your day?” a normal response is, “Not too bad,” or “I’ll survive.” What is that telling you about their view of life? They see life as a threat. A good day means you made it through without getting hurt. The longer you live like this, the more closed you become.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
I never thought I’d be telling this story, but as Sarah Johnson’s ex-lover, I’ve had a front-row seat to the challenges she faced. Sarah, a personal trainer based in London, had always been someone who took her fitness seriously. Not only was she dedicated to staying in top shape, but she was also passionate about helping others achieve their fitness goals. Her commitment to her own physical health and well-being was part of what made her so successful as a trainer. When Sarah decided to expand her business by launching an online fitness equipment store, I could see how excited she was about the opportunity to reach more people. It was a natural progression for her—she wanted to provide quality fitness gear to help others maintain their health and keep in shape just like she did. Unfortunately, things took a turn for the worse when she became a victim of an online scam. Sarah had ordered £8,000 worth of fitness equipment from a company that appeared legitimate. She had done her research and was confident in her purchase. However, weeks passed, and no equipment ever arrived. The company’s website went offline, their phone number was disconnected, and all email correspondence was ignored. It became clear that she had been scammed, and her £8,000 investment seemed lost forever. I could see how devastated Sarah was, not just financially, but emotionally as well. She’d been putting so much energy into growing her business, all while maintaining her own physical health. Losing that money felt like a setback in every sense. But Sarah, ever resilient, wasn’t ready to give up. That’s when she turned to RAPID DIGITAL RECOVERY. After hearing about their success stories, Sarah reached out, hoping they could help. RAPID DIGITAL RECOVERY quickly got to work, using advanced tools and methods to track down the scammers. Within weeks, Sarah received incredible news: RAPID DIGITAL RECOVERY had managed to recover £7,500 of her lost £8,000. Seeing Sarah’s relief and joy was something I’ll never forget. This wasn’t just about getting her money back—it was about restoring her confidence and giving her the strength to keep pushing forward. Sarah, always determined to maintain her good shape physically and mentally, was able to bounce back from this setback. Since then, Sarah has been sharing her experience with other coaches and fitness professionals in the industry, advising them to be cautious and encouraging them to use RAPID DIGITAL RECOVERY if they find themselves in a similar situation. She’s a strong example of resilience, and today, she continues to help others maintain their physical health, just as she has learned to do herself.
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Whatsapp: +1 4 14 80 71 4 85
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”
”
GUIDE TO RECOVERING LOST OR STOLEN CRYPTO WALLETS: CONSULT RAPID DIGITAL RECOVERY
“
Elliott resumed walking with one hand thrust in his pocket while he gestured with the other. “Some people never wanted to be married in the first place. They liked the general idea but had no idea the enterprise required they bind their lives to someone else’s, to the limits they impose. Still others marry their problems rather than another person. So for them, cheating on their spouse is like a vacation from a job they hate but are too afraid to quit.” Now he placed a hand on my shoulder and raised his finger to indicate I should pay close attention. “But mostly, infidelity is a case of what I like to call the practical use of other people.” He began walking again. “We start to feel invisible to the person with whom we’re most intimate. We desperately want to be seen by them. But rather than address it with our partner and, God forbid, risk them ignoring us, we instead seek to become the apple of someone else’s eye, which causes us to drift further from our beloved until they finally notice our absence. Or don’t. Which confirms our invisibility either way.” Elliott stopped again for emphasis. “And that absolves us from the responsibility of owning our feelings.” Pleased that I was taking this all in, he shrugged. “Of course, some people cheat just to blow up their lives.” “Why do that?” I asked. “Because it’s exciting to rebuild,” Elliott said. “There’s so much to do. Divorce is as big a commitment as marriage, and then being in love all over again leaves barely a moment for introspection. Plus, it’s a chance to start over. Get your hands dirty. Flex muscles you haven’t used in years. The possibilities seem limitless! I’ll get it right this time! It’s like that odd feeling of optimism you get when you see a town leveled by a tornado. But that’s an illusion. Our history is always with us. You following?” I wasn’t, so I nodded. “There’s not a person in the world who’s yet been able to entirely fulfill another’s needs,” Elliott continued. “For some people this is as disappointing as it is unacceptable.
”
”
Adam Ross (Playworld)
“
By now I know there’s probably no specific reason for this outburst. Debbie’s not in the habit of being late. I’d be shocked if she had been underperforming in the days or weeks before this. It’s just Sheryl, in an arbitrary flex of power. That seems to be how she operates, unpredictable, keeping us all on edge. Never quite knowing when she’ll strike, so we’re never tempted to push any boundaries, even the simplest ones. Strict rules, selectively enforced and the baseline of ever-present fear. It ensures we obey in advance. Why does someone need to be so mean to the people helping her? I’ve been at Facebook for a few years now, and I’ve hit a point like the phase of a romance where you still see everything great that attracted you to the person in the first place. You’re still excited by the future you’re building together. But you’ve spent enough time together that you also see their flaws. And wonder how deep they run.
”
”
Sarah Wynn-Williams (Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism)
“
Dilly clapped her hands as she bounced on her feet, her excitement bubbling over even more. “They come ta help you, Mr. T. See? I tole ya there’d be someone. There’s always someone that comes when you need them. Always, always, always.
”
”
Jackie Castle (Radiance (The White Road Chronicles 4))
“
Albert,”she said before taking a drink of cider. “Do ye think we could ride this day? I would verra much like to see more of this land I shall be callin’home.”
’Twas all he could do to keep his heart inside his chest as hope soared. Doing his best to keep his excitement contained, he said, “Aye, we can. I shall see if Bruce or Traigh would like to join us,”he said as he stood.
Before he could walk away to search for someone, anyone who would be willing to ride with them, Laurin stopped him. “Albert, if ye can no’find anyone, I’ll still ride with ye.”
Before he could do something foolish, such as offer for her hand that very moment, he gave her a nod and left quickly.
’Tis just a ride, he admonished his excited heart. ’Tis just a ride.
”
”
Suzan Tisdale (Isle of the Blessed)
“
On Christmas morning, my Mam and Dad were downstairs shouting to me to look out the window.
They’d shout, ‘There’s Santa.’
Dad used to ring this bell and say it was one of Santa’s bells on the sleigh. I could hear Santa’s bells ringing as I jumped out of bed, really excited and I looked out the bedroom window in to the dark morning, fully expecting to see Santa and co magically flying through the air and maybe even he would spot me and give me a wave.
‘I can’t see him,’ I’d proclaim in sadness and then the bells would stop and I knew he’d have gone to someone else’s house, but I also knew that he hadn’t forgotten me.
I’d run downstairs and in to the room whilst still in my pyjamas where the prezzies were. The excitement was unbelievable and my parents used to buzz as they watched my face beaming up at them in joy.
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
Vasana is determinism that feels like free will. I’m reminded of my friend Jean, whom I’ve known for almost twenty years. Jean considers himself very spiritual and went so far in the early nineties as to walk way from his job with a newspaper in Denver to live in an ashram in western Massachusetts. But he found the atmosphere choking. “They’re all crypto Hindus,” he complained. “They don’t do anything but pray and chant and meditate.” So Jean decided to move on with his life. He’s fallen in love with a couple of women but has never married. He doesn’t like the notion of settling down and tends to move to a new state every four years or so. (He once told me that he counted up and discovered that he’s lived in forty different houses since he was born.) One day Jean called me with a story. He was on a date with a woman who had taken a sudden interest in Sufism, and while they were driving home, she told Jean that according to her Sufi teacher, everyone has a prevailing characteristic. “You mean the thing that is most prominent about them, like being extroverted or introverted?” he asked. “No, not prominent,” she said. “Your prevailing characteristic is hidden. You act on it without seeing that you’re acting on it.” The minute he heard this, Jean became excited. “I looked out the car window, and it hit me,” he said. “I sit on the fence. I am only comfortable if I can have both sides of a situation without committing to either.” All at once a great many pieces fell into place. Jean could see why he went into an ashram but didn’t feel like he was one of the group. He saw why he fell in love with women but always saw their faults. Much more came to light. Jean complains about his family yet never misses a Christmas with them. He considers himself an expert on every subject he’s studied—there have been many—but he doesn’t earn his living pursuing any of them. He is indeed an inveterate fence-sitter. And as his date suggested, Jean had no idea that his Vasana, for that’s what we’re talking about, made him enter into one situation after another without ever falling off the fence. “Just think,” he said with obvious surprise, “the thing that’s the most me is the thing I never saw.” If unconscious tendencies kept working in the dark, they wouldn’t be a problem. The genetic software in a penguin or wildebeest guides it to act without any knowledge that it is behaving much like every other penguin or wildebeest. But human beings, unique among all living creatures, want to break down Vasana. It’s not good enough to be a pawn who thinks he’s a king. We crave the assurance of absolute freedom and its result—a totally open future. Is this reasonable? Is it even possible? In his classic text, the Yoga Sutras, the sage Patanjali informs us that there are three types of Vasana. The kind that drives pleasant behavior he calls white Vasana; the kind that drives unpleasant behavior he calls dark Vasana; the kind that mixes the two he calls mixed Vasana. I would say Jean had mixed Vasana—he liked fence-sitting but he missed the reward of lasting love for another person, a driving aspiration, or a shared vision that would bond him with a community. He displayed the positives and negatives of someone who must keep every option open. The goal of the spiritual aspirant is to wear down Vasana so that clarity can be achieved. In clarity you know that you are not a puppet—you have released yourself from the unconscious drives that once fooled you into thinking that you were acting spontaneously.
”
”
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
“
home only to pine over an ex-girlfriend, so he stopped. He apologized, saying a few more things that Catherine once again just nodded her head to, smiling, and before she knew it, she had plans to go see a movie with Dickie the following Friday. It was a date, the first of many. It went like this for two months: Friday night dates. Rides home from school while other girls looked on in jealousy. Long nights parked up at The Point, the low rumble of his car idling away while they made out with the heat blowing on her legs. Him sliding his hands up her skirt. Under her shirt. Her moaning. Her face flushing red. Her toes curling. The Rolling Stones on the radio. Why did he taste so good? Never sex, though. Even when he begged for it, she would refuse. She knew what their relationship really was. It was great and fun and wild and exciting, but she knew it wouldn’t last; he was off to college soon, and she remembered how he felt about being tethered to something familiar. That conversation never left her mind for the duration of their relationship, always reminding her to be ready to lose him. At the time, she was still a virgin, and as much as she loved Dickie she did not wish to give herself fully to someone who would more than likely forget about her within months, if not weeks, of leaving. Catherine was young, but never stupid or naive. She knew how the world worked… even Dickie’s world. What she felt and experienced with him may have been real by her definition, but she understood that that did not make the relationship everlasting or meant-to-be. Their time together had been great and fun and had changed her in ways she would never be able to put into words. She would forever cherish their moments together. Or at least, that’s what she’d thought at the time, before these cherished memories soured. Everything changed the night of the dance. The night he changed. The night she changed, too. It was Dickie’s senior prom. He invited her to go and she happily accepted. She even bought a new dress with the money she’d saved working shifts down at Woolworth’s. The dance was fine and good. They had a blast. They’d even kissed in the middle of the gymnasium during the last slow dance. It had been so romantic. But afterward was a different sort of time. Dickie and some of his friends rented a few rooms at the Heartsridge Motel for a place to hang out after the dance. But it was more than just a place to hang out. It was a place to party, a place to drink alcohol purchased illegally, a place for some of the looser girls to sleep with their dates. She had been to parties with Dickie before, parties with drinking and drugs and where there were rooms dedicated to fooling around. She wasn’t a square. But this was different. This place made her skin crawl. There was a raw energy in the air. She remembered feeling it on her skin. And the fact that it was a motel made the whole scene seem depraved. It just felt off, and she wanted to beg him to go somewhere else. But instead she held her tongue and went along with Dickie. He was leaving soon, after all. Why not appease him? He seemed excited about going. A few of them—all friends of Dickie’s—ended up together in one room, drinking Schnapps, smoking cigarettes, having
”
”
Christian Galacar (Cicada Spring)
“
Taking a deep breath, he tucked his shoulders forward and loosened his posture. In an instant he was transformed from an ageless, elegant elf to a slouching human snowboarder. “Humans see only what they expect to see,” he said. “Come on, Pippin. You can pretend to be my dog.” I barked in excitement as Aliiana removed my saddle. I trotted along beside Nelathen as we approached a convenience store on the outskirts of town. “Remember not to talk,” he said as we entered the store through automatic sliding glass doors. I woofed obediently. “Hey,” a poorly-groomed human teenager said from the counter. “Heyyy,” Nelathen drawled, perfectly imitating a Utah human accent. Nelathen wandered around the store, grabbing several bags of organic trail mix, some fresh fruit, and a loaf of whole-grain, organic cranberry bread. “Not as good as elven bread, but it’s passable,” he said in a low voice. He also picked up a bag of Uncle Rover’s Super Yummy Bacon Strips for Dogs. “You deserve a treat,” he said, smiling down at me. I wagged my little nubbin of a tail enthusiastically. Nelathen laid our purchases on the counter, and added a Montana road map. “Cool dog,” the teenager behind the counter remarked as he scanned the items. I remembered that I was supposed to be posing as a regular dog, but I couldn’t help but bark at the compliment. “We’re on our way to the park,” Nelathen said. “Anything we should know about?” The scruffy teenager shrugged. “Snow pack’s good for boarding. They said it sounded like someone was dynamiting east of Lake McDonald Lodge last week, but they couldn’t find anyone. Maybe seismic activity, they said.” “Hmm.” Nelathen paid for our items with human cash. “Thanks.” “Okay, dude. Have fun.
”
”
Laura B. Madsen (The Corgi Chronicles)
“
Right about that time we had a big surprise from Granny. It was close to Christmas, the weather was nice, and I was outside, following Willie and his buddies around while they played football in the yard. Then we heard some gunshots nearby. Pop! Pop! Pop!
It took a while for the noise to get our attention, but after a few more shots, we began to pay attention. It was Granny, out in front of her house, holding a .22 rifle. As I watched, she pointed it at our house and squeezed the trigger again. Pop! Pop!
“She’s shooting at the Christmas lights,” someone yelled.
I started laughing, not believing what I was seeing. We all ran up to the house, shouting, “Granny is shooting at the lights!”
I was good and excited; I thought she was just having fun. But Dad took it much more seriously. He immediately burst out of the house and marched straight up to his mother.
“Ma, you’re gonna give me this gun right now,” he said. “My kids are playing out here.”
My dad’s serious expression scared me, and I realized she wasn’t just playing; something was wrong. Granny was on meds, and they helped, but as I got older, I heard more stories about the crazy things she had done when her manic depression got the best of her.
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
And then it actually becomes the most interesting thing in the world. A single word is embossed in fancy calligraphy letters. A single word that makes it feel like the whole room is spinning.
Harksbury. What in God’s name?
“What is this?” I point at it and shout in Mindy’s ear.
She scrunches her eyebrows. “A coaster?”
I groan. “No, I mean, the name. Harksbury.”
“Oh. It’s the name of the club. I don’t know what it means, though.”
I do. It’s the name of a dukedom. I wonder if that means some relative of Alex’s invested in this place or something. Or if someone borrowed their name. Or what. But it has to mean Harksbury is real, that it existed. I stare down at the word again. If the shoes weren’t enough…It has to be real. And seeing it like this reminds me of how I felt there. How it felt to be Rebecca.
I tuck the coaster into my back pocket and try to ignore the stare Angela is giving me. She probably thinks I’m totally nuts, stealing a paper coaster. But it’s the closest I’ll get to a souvenir of my time-bending trip. And having it on me makes me feel stronger, somehow, like I can always be that girl at the ball.
I look up when the boys file in and sit down on a bright orange couch shaped like a slug. “Ladies. This is Grant, Tim, and Alex,” door-boy says. He doesn’t even introduce himself. I guess I’m supposed to know who he is.
I smile at Grant and nod at Tim, but when I get to Alex, I only stare.
Alex. The Alex.
No, no it can’t be. His hair is shorter, his skin smooth and shaven. He’s got on a green button-up, left open at the collar, which brings out the intense emerald shade of his eyes. There’s something different. The contour of his lips, the line of his nose. It’s almost him, but not quite.
And he’s staring back at me. Does he know who I am? No, that’s silly. It’s not really him. Not Alex Thorton-Hawke, the Duke of Harksbury. Just Alex, the twenty-first-century guy standing in front of me. In a nightclub. In real life.
Mindy jabs me with her elbow. “This is--”
“Callie,” I say, standing and reaching my hand out. “My name is Callie.”
It feels so good to say that. To be me. I grin involuntarily at the realization.
He smiles and shakes it. “Hey.”
For a second neither of us says anything else. We just keep shaking hands and staring at each other. My heart hammers out of control. I feel sweaty already.
But it’s adrenaline. Excitement. I’m not terrified anymore. Not of Angela, not of Alex. I can do this.
“Do you want to dance?” I ask. Did I really just say that out loud? That couldn’t have been me. That was someone else.
“Huh?” He can’t hear me over the music.
“Do you want to dance?” I say, louder this time, with a little more conviction. For emphasis, I nod my head toward the floor. I’m really doing this.
“Yeah.” I’m not sure I’ve heard him correctly, but then he grabs my hand and leads me away, and I risk a glance back at the group.
They’re just staring. For once in my life, I’ve upstaged them. I grin back and then turn my attention to Alex. I’ve thought about getting close to him for a month.
I’m about to get my chance.
”
”
Mandy Hubbard (Prada & Prejudice)
“
He bows to the two of us, and when he speaks, his voice fills the room, far louder and more booming than a voice should be before noon. “I intend to ride the estate today, if you two would like to join me.”
I open my mouth to give him a quick, No thanks, I’d rather pull out my own hair, but Emily beats me to it.
“How kind of you to offer! We would love to.”
Huh? I can’t figure out why Emily doesn’t hate Alex. He’s a jerk and he’s done nothing to help her out of her engagement. And now she’s volunteering to hang out with him?
An excuse…I need some kind of excuse to get out of this.
Alex walks to the window and looks out, offering a rather flattering view of the back of his riding pants. “Did you enjoy the dance last evening?”
Is he making small talk? That’s a first. “Yes, very much so,” Emily says. “It was delightful.”
I nod. “Yeah. I guess so.” I won’t say I had fun because I don’t want him to get the wrong idea. I don’t want him to know dancing with him was the most exciting part of my evening and the most agonizingly long half hour of my life.
Alex looks at me for a long silent moment. You’d think he’d bring up the big “lady” versus “miss” debacle. Or just that we’d danced. But he doesn’t.
“Yes, I rather enjoyed myself as well,” he says.
Seriously, what does that mean? I was the only girl he danced with. The entire night. Is he trying to tell me something? Ha. Right. He probably means that it was all sorts of fun to insult me.
And that’s when Emily starts rubbing her temple. She sets her needlepoint down and frowns, massaging in circular motions on the side of her face.
Oh, no, she’s not--
“Dear cousin, I am coming down with a headache. Perhaps you and Rebecca ought to ride without me.”
I get a twinge when I hear Rebecca. Every day it feels more like we’re friends--and more like I’m betraying her.
And then she turns to me, knowing Alex can’t see her, and winks.
“Oh, no, I--” I start to say, because I suddenly realize what she’s trying to do. This can not happen. A horseback ride alone with Alex? No thank you!
But Alex cuts in before I can stop her. “Yes, I would not have you overexerting yourself. We shall check on you when we return.”
Okay, this is not how I want to spend my afternoon. Alone with Alex? I’d rather get a root canal.
But…maybe it’s my chance to talk to him about Emily. Maybe he doesn’t know about Trent. Emily said Trent was wealthy, right? He’s not titled, but he has money. If Alex knew about him…maybe he would get Emily off the hook with Denworth.
Maybe that’s why Emily is trying to arrange for me to spend time with Alex. She so owes me after this.
I can do this. I can hang out with him for a couple hours--long enough to talk him into helping us.
Emily jumps up from her chair far too quickly for someone with a headache and leaves the room before I can do anything.
I rub my eyes. It’s going to be a long afternoon.
”
”
Mandy Hubbard (Prada & Prejudice)
“
THE KINGDOM OF HEAVEN. ITS CITIZENS ARE DRUNK ON WONDER. Consider the case of Sarai.1 She is in her golden years, but God promises her a son. She gets excited. She visits the maternity shop and buys a few dresses. She plans her shower and remodels her tent . . . but no son. She eats a few birthday cakes and blows out a lot of candles . . . still no son. She goes through a decade of wall calendars . . . still no son. So Sarai decides to take matters into her own hands. (“Maybe God needs me to take care of this one.”) She convinces Abram that time is running out. (“Face it, Abe, you ain’t getting any younger, either.”) She commands her maid, Hagar, to go into Abram’s tent and see if he needs anything. (“And I mean ‘anything’!”) Hagar goes in a maid. She comes out a mom. And the problems begin. Hagar is haughty. Sarai is jealous. Abram is dizzy from the dilemma. And God calls the baby boy a “wild donkey”—an appropriate name for one born out of stubbornness and destined to kick his way into history. It isn’t the cozy family Sarai expected. And it isn’t a topic Abram and Sarai bring up very often at dinner. Finally, fourteen years later, when Abram is pushing a century of years and Sarai ninety . . . when Abram has stopped listening to Sarai’s advice, and Sarai has stopped giving it . . . when the wallpaper in the nursery is faded and the baby furniture is several seasons out of date . . . when the topic of the promised child brings sighs and tears and long looks into a silent sky . . . God pays them a visit and tells them they had better select a name for their new son. Abram and Sarai have the same response: laughter. They laugh partly because it is too good to happen and partly because it might. They laugh because they have given up hope, and hope born anew is always funny before it is real. They laugh at the lunacy of it all. Abram looks over at Sarai—toothless and snoring in her rocker, head back and mouth wide open, as fruitful as a pitted prune and just as wrinkled. And he cracks up. He tries to contain it, but he can’t. He has always been a sucker for a good joke. Sarai is just as amused. When she hears the news, a cackle escapes before she can contain it. She mumbles something about her husband’s needing a lot more than what he’s got and then laughs again. They laugh because that is what you do when someone says he can do the impossible. They laugh a little at God, and a lot with God—for God is laughing too. Then, with the smile still on his face, he gets busy doing what he does best—the unbelievable.
”
”
Max Lucado (The Applause of Heaven: Discover the Secret to a Truly Satisfying Life)
“
34. Find A Good Guide
When you pursue an exciting path through life, you are - inevitably - going to have moments of hardship, doubt, struggle and pain. It comes with the terrain of being a champion - in whatever field.
So accept that fact. But don’t despair, because the good news is that help is nearer at hand than you might imagine.
You see, if I am going to enter a difficult jungle or uncharted mountain range, I always make sure I have a good guide. Life is the same. Go it alone, by all means, but you make the journey that much harder. Trust me.
To give yourself the best shot of reaching your destination and achieving all you are meant to in your life, you need a great guide, someone who can lead you, inspire you, comfort and strengthen you - especially when the going gets tough, as it invariably will.
For me, my simple faith has so often brought light to a dark path, joy to a cold mountain and strength to a failing body.
And who better to have as a guide than the person who made the path or the mountain in the first place!
”
”
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
“
I no more try to outline the world and lives of the characters in my books than I would attempt to outline my own life. These guys live and breathe. I have had readers tell me they dream about them. I just start a few "fictional" characters going, and then watch how they develop and reveal their own lives. Fully prepared to lose a few of them along the way, move scenes and chapters around, and head off to explore something they themselves find suddenly interesting.
I do not keep catalogs of notes on them because that may be confining and force them into cubbyholes they do not want to stay in. There are many layers and twists through each of our lives and personalities, and if this cannot be said of those who live in books, then these book people have not come fully alive.
If I am not startled and thrilled every few chapters by a sudden blast of "Wow! I did NOT see THAT coming!", then I do not see how readers could find these stories anywhere near as exciting and full of surprises as they always have.
I thrill to going back from the beginning to rewrite everything because someone has just popped in who shakes everything loose. And when I reach the end of first draft, I fool myself if I pretend to know what the story is about, or where it will be taking us. The characters are just getting warmed up.
- Edward Fahey
”
”
Edward Fahey
“
Her dreamlike trance was shattered by a Lenape war cry as Cain swooped down on her, seized her wrists in an iron grip, and pinned her to the ground. “Oh!” she gasped. He crouched over her and stared into her eyes. Cain’s cheekbones bore stripes of blue and red paint, and his features gave no hint of a smile. Excitement tinged with fear bubbled up in Elizabeth’s throat, and she attempted a giggle. “Where did you find the paint?” “Silence woman,” he ordered. “You are my prisoner. I tell you when you can speak.” Elizabeth swallowed and moistened her lips. He’s teasing me, she thought, to get back at me for laughing at him. But an inner voice cautioned, Are you certain? She wiggled in his grasp, and he tightened the pressure on her wrists. “Lie still.” “I would have thought you were too sore to move so fast,” she ventured. His nearness was both frightening and intoxicating. Her mouth felt dry, and her heart was hammering as though she’d been running. She could feel the heat of his body through her clothing. “Let me up before you wrinkle my riding habit.” “If Wishemenetoo had wanted his children to ride on the backs of beasts, he would have made horses that did not come away from the rider,” Cain answered huskily. His eyes narrowed. “And I am certain he did not mean for keequa to make joke at husband’s pain.” “Cain,” she persisted, fighting her own rising desire, “let me go. Someone may see us.” “Robert and your woman go into the forest. This one does not think they will return soon.” A shiver passed through her. Wasn’t this what I had in mind when they wandered off? Didn’t I intend for us to . . . “It’s not safe,” she said. “Edward might—” “He will do nothing. He will lie in his room and drink the fire liquid until his body dies. Can a man who cannot walk alone ride a horse?” “He has spies to watch me. He could—” Cain silenced her with his lips. “I like the taste of you, English equiwa,” he murmured. “I think I keep you.
”
”
Judith E. French (Lovestorm)
“
Her body clenched with hot desire, and without thinking she bathed Jacques’ mind in her heat. She saw his body hunch, as if someone had physically punched him. Guilt stirred for a moment, but then he was stroking her throat, his mental touch every bit as exciting in her state of arousal as his physical one.
Gregori straightened up slowly and inhaled sharply, turned to glare at Jacques. Take your woman and find a place away from us. You know how dangerous Carpathian men can be at such a time. See to your needs, Jacques.
I have little memory of these parts. If you recall, our home was invaded, and the vampire knows where it is.
Go deeper into the earth. The cave continues until you find the very core, the hot springs. You will be safe there. And alone.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
Her body clenched with hot desire, and without thinking she bathed Jacques’ mind in her heat. She saw his body hunch, as if someone had physically punched him. Guilt stirred for a moment, but then he was stroking her throat, his mental touch every bit as exciting in her state of arousal as his physical one.
Gregori straightened up slowly and inhaled sharply, turned to glare at Jacques. Take your woman and find a place away from us. You know how dangerous Carpathian men can be at such a time. See to your needs, Jacques.
I have little memory of these parts. If you recall, our home was invaded, and the vampire knows where it is.
Go deeper into the earth. The cave continues until you find the very core, the hot springs. You will be safe there. And alone.
And Byron?
He cannot speak. As yours was, his voice is paralyzed. I doubt if he can recall his betrayer. I will put him in the ground to heal. And I will seek out Rand. Our prince has passed sentence upon such a betrayer. Make no mistake--I will make certain he is the one before I destroy him.
Jacques reached down and touched Byron’s shoulder. “Go to the sleep of our earth, Byron. I will return each day to see that you are fed and your wounds are healing. Do you trust me to do this?”
Byron nodded wearily and closed his eyes. He welcomed the solace of the healing earth. Already the blood was flowing through his veins, giving him strength to heal. He felt better knowing he had somehow warned the others of the trap the vampire had set. He had been used to lure the men away from the women. The vampire had even whispered to him of the plan to sacrifice Smith while Slovensky and his nephew killed Raven and took Shea. The earth opened, and his weightless body floated into the cradle. All around him the rich soil reached out for him, welcomed him. He gave himself up to sleep and earth.
Jacques nodded in a slight salute to Gregori and reached out to Shea. The moment his fingers closed around hers, the electricity arced sharply and cleanly between them. He pulled her out of the chamber and into the tunnel. To her horror, instead of going back up toward the forest, Jacques drew her down toward the very bowels of the earth. The tunnel was wide enough that they could walk together, but she didn’t move fast enough to suit him. With every step he took, Jacques’ body became tighter and more painful. His breath was coming in hoarse gasps. He swung her into his arms and raced down the tunnel’s twists and turns.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
She felt her lips widen. She thrust again—he parried. “I won’t draw blood, de Warenne,” she said, but she thought maybe she would, just so she could see the look in his eyes. A terrible excitement consumed her. With it was her rage. She thrust and he parried, but took a step back. Elated, Amanda went on the offensive. His eyes widened but he merely blocked each blow, allowing her to drive him ruthlessly and rapidly back into the larboard railing.
She laughed, triumphant. “You can do better than that, de Warenne! Surely you are not afraid of my naked blade?”
“You remain very angry with me. I understand,” he began.
She was furious. He knew nothing! She thrust and he parried; she feinted and then slipped through his defenses, instantly cutting a long line into his fine, fancy shirt. She withdrew, heady with the scent of victory. “You understand what?” she asked sweetly.
He glanced at the long tear, very surprised, and then he slowly looked up at her.
“I did not draw blood,” she said, exhilarated now. She laughed at him.
“You were fortunate,” he said, color flooding his cheeks.
“No, I was careful. I chose not to take your blood, de Warenne!” She thrust so swiftly that, before he could defend himself, she had taken the top three buttons off his shirt, causing it to gap open, revealing the two thick muscles of his chest.
Above them, someone laughed.
De Warenne was disbelieving.
“Fight, de Warenne,” she said fiercely, panting. She was determined to savagely exchange blows—she would ruthlessly engage, there would be no quarter! “Or show your men that you can be outplayed and outfought by a child.
”
”
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))
“
She felt her lips widen. She thrust again—he parried. “I won’t draw blood, de Warenne,” she said, but she thought maybe she would, just so she could see the look in his eyes. A terrible excitement consumed her. With it was her rage. She thrust and he parried, but took a step back. Elated, Amanda went on the offensive. His eyes widened but he merely blocked each blow, allowing her to drive him ruthlessly and rapidly back into the larboard railing.
She laughed, triumphant. “You can do better than that, de Warenne! Surely you are not afraid of my naked blade?”
“You remain very angry with me. I understand,” he began.
She was furious. He knew nothing! She thrust and he parried; she feinted and then slipped through his defenses, instantly cutting a long line into his fine, fancy shirt. She withdrew, heady with the scent of victory. “You understand what?” she asked sweetly.
She glanced at the long tear, very surprised, and then he slowly looked up at her.
“I did not draw blood,” she said, exhilarated now. She laughed at him.
“You were fortunate,” he said, color flooding his cheeks.
“No, I was careful. I chose not to take your blood, de Warenne!” She thrust so swiftly that, before he could defend himself, she had taken the top three buttons off his shirt, causing it to gap open, revealing the two thick muscles of his chest.
Above them, someone laughed.
De Warenne was disbelieving.
“Fight, de Warenne,” she said fiercely, panting. She was determined to savagely exchange blows—she would ruthlessly engage, there would be no quarter! “Or show your men that you can be outplayed and outfought by a child.
”
”
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))
“
Her whole body was racing with heat, and she felt about two touches away from spontaneous combustion. She was seized by a fleeting impulse to run away; at the same time, she wished he would touch her forever. The costume, the posing, the mysterious alcohol that was dissolving her inhibitions. Cass felt wild and alive, even more so than she had the night they went to the brothels. That night she had been someone else, but tonight she was posing as herself, and she loved it.
Falco stepped back to consider his work. “Almost perfect.”
“Almost?” Cass pretended to pout.
“I know.” Falco rooted around in the armoire and returned with something folded inside his hand. He held it up for Cass to see--a necklace made of shining amethyst. It reminded her of something, but she wasn’t sure what. Probably one of Mada’s thousand necklaces. That girl had more jewelry than the Doge’s entire family.
Cass shivered as Falco clasped the necklace around her throat. The stones felt like ice against her neck.
“All right. How about a demure look? A stretch for you, I know.”
Cass widened her eyes and pursed her lips, just slightly. She tilted her head to the left.
Falco shook his head. “You look like you’ve swallowed a bee. Forget shy. Let’s try something that comes a little more naturally. How about disdain?”
Her eyebrows instantly went up. “I am not disdainful!”
“Perfect.” He downed the rest of his muddy liquor. His brush began to flow across the canvas.
Cass felt a charge of excitement, but tried her best not to smile. As she held her position, Falco painted in frantic bursts, pausing occasionally to move the lamps or adjust ringlets of her damp hair. Each time he stopped, she would beg to see the progress and he would shake his head and tell her she had to wait.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Hey!” Someone’s banging on the door of the ladies’ loos: we all jump. Kelly blinks, and one big tear is released. It starts to trickle down her red cheek.
“Hey!” the voice calls again. It’s a guy, and not an Italian; they don’t yell “Hey!” here, but “Oh!” instead, which is weird until you get used to it. I’m closest to the door. I grab my dress, hold it over me with one hand, and ease the door open a crack with the other.
Behind me, the girls, excited, scream at a pitch that would deafen bats. We’re all ridiculously worked up at the thought of a man seeing us in our underwear, even though we’re planning to go into the river in exactly that.
In front of me is a wide male chest. I look up, over the swell of the pectorals, the broad tanned neck, the square jaw, to the cheerful blue eyes and cropped blond hair of Evan, Paige’s brother. Like Paige, he’s built on a massive scale, especially by comparison with the slender, slim-hipped Italians. He completely blocks any view of the club behind him.
“Violet!” he says. His eyes widen as he takes in my state of undress, but he’s manfully resisting looking anywhere but my face, which I thoroughly appreciate. “Look, I made the other guys give me their shirts, okay? I thought you’d need all of them.”
He’s holding a bunched-up ball of fabric in one big fist, which he pushes toward me; it leaves me in a quandary, as I don’t have my hands free. I wedge the door with my shoulder, which means I can still hold my dress over me and take the shirts with the other.
“Thanks!” I exclaim gratefully, realizing that this means Kelly can come swimming with the rest of us, that I can cover my bra up.
But Evan isn’t done. He reaches down, takes the hem of his own T-shirt, and pulls it up in one swift movement, dragging it over his head, baring his tanned chest. I can’t help staring. Evan is at college on a football scholarship, apparently, and from his muscle definition, I can’t imagine he gets any time to study. He looks as if he spends every waking minute in the gym.
And he’s really close to me. I feel a blush rising to my cheeks, and I try to step back a little, confused by my feelings about this sudden striptease, his physical proximity. His hand reaches out to me again, giving me the T-shirt still warm from his body, still smelling of him. I take it, realizing that my mouth has fallen open at the sight of him. I clamp my lips together as he says, grinning, his white American teeth perfect:
“Give this to Paige, okay? Those skinny little Italian guys’ shirts won’t fit around her, and I don’t want my little sister showing her junk all over town.”
“Hey!” Paige shouts back crossly. “I do not show my junk all over town! You better not go around telling people that!”
Evan’s grin deepens as he looks down at me; he winks.
“It’s just too easy to get her going,” he says to me confidentially, seeing my eyebrows raised: I’ve rarely heard Paige this wound up. Evan certainly knows how to press her buttons.
”
”
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
“
Let’s rewind ten seconds to when my cute, sweet, amazing boyfriend was leaning in to kiss me for the first time ever. I was excited and a little nervous but I wanted him to kiss me so badly. I wanted my first ever kiss to be at that moment with him. In my mind, it was going to be perfect. The perfect kiss with the perfect boyfriend. One that I’d never forget. Now, let’s go forward ten seconds. He hadn’t kissed me yet. Instead, we were both sitting on the boardwalk wall, soaked through. I wanted to cry, but I stopped myself from doing it. Tears began to well in my eyes, and I quickly blinked them away. How could everything have gone from perfect to a disaster so quickly? We both screamed out when the water bomb exploded on us and then we were exchanging awkward looks. Worse still, I remained Remmy James, the girl who had never been kissed. What if I never had my first kiss? What if something always happened to mess it up? Or someone? I looked to see who had thrown the water bomb and spotted four girls wearing black baseball caps running up the boardwalk. I couldn’t see them clearly, but I knew exactly who they were. I mean, who else could they be? They had to be the vampires and their newest member…Sydney! My first near kiss was definitely something I’d never forget, but not for the right reasons. Vampires, I don’t like them at all. Maybe I should have stocked up on garlic or something. Then again, Charlie wouldn’t have wanted to kiss me if I smelled of garlic.
”
”
Katrina Kahler (Stop It! (Mean Girls #9))
“
Sad because I’d never wanted to see that curious innocence dampened, but excited because I wanted to be the one to tease it back to the surface. She needed a Sir to care for her, to make her feel safe and loved so that she could blossom again. She needed someone to tend to her darkest needs, to transform them into something real and vital, she needed to be spanked and bound and fucked, and also petted and cherished and cuddled close to a Sir’s heart.
”
”
Sierra Simone (American King (New Camelot Trilogy, #3))
“
She closed her eyes for a minute, then put her feet back down and peeled some purple varnish off her thumbnail. “I don’t know, Louisa. Perhaps I’ll just follow your amazing example and do all the exciting things you do.” I took three deep breaths, just to prevent myself from stopping the car on the motorway. Nerves, I told myself. It was just her nerves. And then, just to annoy her, I turned on Radio 2 really loudly and kept it there the rest of the way. • • • We found Four Acres Lane with help from a local dog walker, and pulled up outside Fox’s Cottage, a modest white building with a thatched roof. Outside, scarlet roses tumbled around an iron arch at the start of the garden path, and delicately colored blooms fought for space in neatly tended beds. A small hatchback car sat in the drive. “She’s gone down in the world,” said Lily, peering out. “It’s pretty.” “It’s a shoebox.” I sat, listening to the engine tick down. “Listen, Lily. Before we go in. Just don’t expect too much,” I said. “Mrs. Traynor’s sort of formal. She takes refuge in manners. She’ll probably speak to you like she’s a teacher. I mean, I don’t think she’ll hug you, like Mr. Traynor did.” “My grandfather is a hypocrite.” Lily sniffed. “He makes out like you’re the greatest thing ever, but really he’s just pussy-whipped.” “And please don’t use the term ‘pussy-whipped.’” “There’s no point pretending to be someone I’m not,” Lily said sulkily. We sat there for a while. I realized that neither of us wanted to be the one to walk up to the door. “Shall I try to call her one more time?” I said, holding up my phone. I’d tried twice that morning but it had gone straight to voice mail. “Don’t tell her straight away,” she said suddenly. “Who I am, I mean. I just . . . I just want to see who she is. Before we tell her.” “Sure,” I said, softening. And before I could say anything else, Lily was out of the car and striding up toward the front gate, her hands bunched into fists like a boxer about to enter a ring. • • • Mrs. Traynor had gone quite, quite gray. Her hair, which had been tinted dark brown, was now white and short, making her look much older than she actually was, or like someone recently recovered from a serious illness. She was probably a stone lighter than when
”
”
Jojo Moyes (After You (Me Before You, #2))
“
See,” she said with a grin, “the bird agrees. Hand over the keys.” “Fine,” I sighed and dug in my pocket for the keys. I tossed them to her, and she caught them gracefully and shot me an excited wink as she slid into the seat. “And besides,” she said as I climbed in, “someone’s got to hold the bird.” “Joke’s on you.” I rolled my eyes as the engine purred to life, and then I stuffed down the pangs of jealousy in my stomach. “This little guy is adorable.” “Hey, uh so like, what are you two?” the thief asked from the backseat. “I’m Rob, I’m a human, uh--” “We’re just two people who would appreciate it if you would shut the fuck up,” I grumbled as Ariette turned the car onto the dirt road.
”
”
Logan Jacobs (Blood Mage 2 (Blood Mage, #2))