Everything Will Be Fine Quotes

We've searched our database for all the quotes and captions related to Everything Will Be Fine. Here they are! All 100 of them:

The Doctor: 'You know when grown-ups tell you everything's going to be fine, but you really think they're lying to make you feel better?' Amelia: 'Yeah...' The Doctor: 'Everything's going to be fine.
Steven Moffat
Warning: If you are reading this then this warning is for you. Every word you read of this useless fine print is another second off your life. Don't you have other things to do? Is your life so empty that you honestly can't think of a better way to spend these moments? Or are you so impressed with authority that you give respect and credence to all that claim it? Do you read everything you're supposed to read? Do you think every thing you're supposed to think? Buy what you're told to want? Get out of your apartment. Meet a member of the opposite sex. Stop the excessive shopping and masturbation. Quit your job. Start a fight. Prove you're alive. If you don't claim your humanity you will become a statistic. You have been warned.
Chuck Palahniuk (Fight Club)
To love someone is like moving into a house," Sonja used to say. "At first you fall in love in everything new, you wonder every morning that this is one's own, as if they are afraid that someone will suddenly come tumbling through the door and say that there has been a serious mistake and that it simply was not meant to would live so fine. But as the years go by, the facade worn, the wood cracks here and there, and you start to love this house not so much for all the ways it is perfect in that for all the ways it is not. You become familiar with all its nooks and crannies. How to avoid that the key gets stuck in the lock if it is cold outside. Which floorboards have some give when you step on them, and exactly how to open the doors for them not to creak. That's it, all the little secrets that make it your home.
Fredrik Backman (A Man Called Ove)
When you don't know everything that you could know, it's a fine time to shut your fucking noisemaker and be polite.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
I was a little excited but mostly blorft. "Blorft" is an adjective I just made up that means 'Completely overwhelmed but proceeding as if everything is fine and reacting to the stress with the torpor of a possum.' I have been blorft every day for the past seven years.
Tina Fey (Bossypants)
It is a slightly arresting notion that if you were to pick yourself apart with tweezers, one atom at a time, you would produce a mound of fine atomic dust, none of which had ever been alive but all of which had once been you.
Bill Bryson (A Short History of Nearly Everything)
One day everything will be well, that is our hope. Everything's fine today, that is our illusion
Voltaire
I have been used to consider poetry as "the food of love" said Darcy. "Of a fine, stout, healthy love it may. Everything nourishes what is strong already. But if it be only a slight, thin sort of inclination, I am convinced that one good sonnet will starve it entirely away.
Jane Austen (Pride and Prejudice)
Try patting them on the back or shoulder and telling them everything is going to be fine. Lots of times when girls cry, they don't want you to fix the problem, they just want to be consoled.
Kiera Cass (The Selection (The Selection, #1))
She's far happier thinking her sister is normal, even if she has a lot of problems, than she is having an abnormal sister for whom everything is fine.
Sayaka Murata (コンビニ人間 [Konbini ningen])
Everything is going to be fine in the end. If it's not fine it's not the end.
Oscar Wilde
It’s all fine to say, “Time will heal everything, this too shall pass away. People will forget”—and things like that when you are not involved, but when you are there is no passage of time, people do not forget and you are in the middle of something that does not change.
John Steinbeck (Cannery Row (Cannery Row, #1))
I don't think that God says, "Go to church and pray all day and everything will be fine." No. For me God says, "Go out and make the changes that need to be made, and I'll be there to help you.
Elvia Alvarado (Don't Be Afraid, Gringo)
...we all must admit that everything is fine and there's no need in the world to worry, and in fact we should realize what it would mean to us to UNDERSTAND that we're not REALLY worried about ANYTHING.
Jack Kerouac (On the Road)
He grabbed my arm. "Wait. You're mad?" I yanked my coat from his grip. "You know...I don't even know why I'm surprised." His eyebrows pulled in. "I can't win with you. I can't win with you! You say you're done...I'm fucking miserable over here! I had to break my phone into a million pieces to keep from calling you every minute of the damn day-I've had to play it off like everything is just fine at school so you can be happy...and you're fucking mad at me? You broke my fuckin' heart!" His last words echoed into the night.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I'm sorry, Heather, but everything was not just fine before I got here. You know how I know that? Because you're dead. Okay? You are dead. Dead people don't have lockers, or best friends, or boyfriends. You know why? Because they're dead.-Suze Simon
Meg Cabot (Shadowland (The Mediator, #1))
The evil in the world comes almost always from ignorance, and goodwill can cause as much damage as ill-will if it is not enlightened. People are more often good than bad, though in fact that is not the question. But they are more or less ignorant and this is what one calls vice or virtue, the most appalling vice being the ignorance that thinks it knows everything and which consequently authorizes itself to kill. The murderer's soul is blind, and there is no true goodness or fine love without the greatest possible degree of clear-sightedness.
Albert Camus (The Plague)
The Doctor: You know how adults tell you everything's going to be fine, just to make you feel better? Amelia: Yes. Doctor: Well.....everything's going to be fine.
Steven Moffat
I cannot have a man who is afraid of everything, I don't have the time to soothe insecurities and fears, I cannot have a man who is standing on a stone by a creek, watching for the fish to swim by and every time he sees a fish he says "Oh look, this fish scares me, I wonder what this fish means, this fish might mean- this, or this fish might mean- that" for God's sake, they are just fish, and they don't mean anything! Such a sad thing, so many fine, strong men standing on top of little stones, pointing at fish all the time! Such a waste! Such a waste of time! I can only have a man who will leap into the water, not minding the damn fish and whatever other little things that scare him. I need to have someone who is braver than me; if I am a pirate, he has to be the pirate Captain, if I am a pirate Captain he has to be the flying dragon.
C. JoyBell C.
Everything is broken and messed up and completely fine. That is what life is. It's only the ratios that change. usually on their own.
Meg Mason (Sorrow and Bliss)
Screw caution," Tori said. "I'm outta here." We looked at her. "Well, I am. As long as someone comes with me." We kept looking at her. She sighed. "Fine, but when everything goes to hell, just remember, I get to blame you guys, because I wanted to leave right away.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
I tried to concentrate on the angel's voice instead. "Bella, please! Bella, listen to me, please, please, please, Bella, please!" he begged. Yes, I wanted to say. Anything. But I couldn't find my lips. "Carlisle!" the angel called, agony in his perfect voice. "Bella, Bella, no, oh please, no, no!" And the angel was sobbing tearless, broken sobs. The angel shouldn't weep, it was wrong. I tried to find him, to tell him everything was fine, but the water was so deep, it was pressing on me, and I couldn't breathe.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
Perhaps it’s just easier to smile and pretend everything is fine, rather than admit my heart’s a little swollen from losing something that wasn’t even mine.
Courtney Peppernell (Pillow Thoughts)
His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness. She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
This book probably makes it seem like I hate myself and everything I do. But that's not totally true. I mostly just hate every person I've ever been. I'm actually fine with myself right now.
Jesse Andrews (Me and Earl and the Dying Girl)
Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?" Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do. You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
Anaïs Nin
You can plan all you want to. You can lie in your morning bed and fill whole notebooks with schemes and intentions. But within a single afternoon, within hours or minutes, everything you plan and everything you have fought to make yourself can be undone as a slug is undone when salt is poured on him. And right up to the moment when you find yourself dissolving into foam you can still believe you are doing fine.
Wallace Stegner (Crossing to Safety)
Zahra’s it for me. I know it with everything in me, and my intuition has never been wrong before. There’s nothing in the world I’ll find more beautiful than her. Not the sun. Not the moon. Not even the entire galaxy compares to the light she radiates wherever she goes.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
In the beginning, some people try to appear that everything about them is "in black and white," until later their true colors come out.
Anthony Liccione
He's not the most popular guy in school. He's not the hottest guy to ever live. But to me, he's everything.
Chelsea Fine (Sophie & Carter)
All my life one of my greatest desires has been to travel-to see and touch unknown countries, to swim in unknown seas, to circle the globe, observing new lands, seas, people, and ideas with insatiable appetite, to see everything for the first time and for the last time, casting a slow, prolonged glance, then to close my eyes and feel the riches deposit themselves inside me calmly or stormily according to their pleasure, until time passes them at last through its fine sieve, straining the quintessence out of all the joys and sorrows.
Nikos Kazantzakis (Report to Greco)
I've come to realize that however blue my circumstances, if after finishing a chapter of a Dickens novel I feel a miss-my-stop-on-the-train sort of compulsion to read on, then everything is probably going to be just fine.
Amor Towles (Rules of Civility)
None of us is ever OK, but we all get through everything just fine.
Pema Chödrön (Start Where You Are: A Guide to Compassionate Living)
What do you think?" shouted Razumihin, louder than ever, "you think I am attacking them for talking nonsense? Not a bit! I like them to talk nonsense. That's man's one privilege over all creation. Through error you come to the truth! I am a man because I err! You never reach any truth without making fourteen mistakes and very likely a hundred and fourteen. And a fine thing, too, in its way; but we can't even make mistakes on our own account! Talk nonsense, but talk your own nonsense, and I'll kiss you for it. To go wrong in one's own way is better than to go right in someone else's. In the first case you are a man, in the second you're no better than a bird. Truth won't escape you, but life can be cramped. There have been examples. And what are we doing now? In science, development, thought, invention, ideals, aims, liberalism, judgment, experience and everything, everything, everything, we are still in the preparatory class at school. We prefer to live on other people's ideas, it's what we are used to! Am I right, am I right?" cried Razumihin, pressing and shaking the two ladies' hands.
Fyodor Dostoevsky (Crime and Punishment)
Katy I always had this plan for the off chance I was around for the end of the world. I’d climb up on my roof top, turn up the radio, blast R.E.M.’s It’s The End of The World, and watch it all go down from my lofty perch. Except real life rarely turned out that cool. And it was really happening—it was the end of the world as we knew it, and I sure as hell didn’t feel fine. Everything had changed and we had been the catalyst for it all.
Jennifer L. Armentrout (Opposition (Lux, #5))
Everything's fine today, that is our illusion.
Voltaire
Eliza: The problem with YOU is that you don't take the RESPONSIBILITY for anything@ You think you can just run around, doing whatever you want to whoever you want, and that it's going to be fine. That everything is just going to be TAKE CARE of for you, with no consequences. Cooper: No. I don't, and I have had consequences from what happened with me and you. Eliza: Yeah? Like what? Cooper: I lost you, that was my consequence.
Lauren Barnholdt (One Night That Changes Everything (One Night That Changes Everything, #1))
When I first learned the truth, I thought Sebastian's life would be ruined. But seeing you, I realized everything would be fine. Because someone still loved him.
Jen Wang (The Prince and the Dressmaker)
Everything is perfect. Everything is fine. The rules of life are made up. The rules only exist in your mind. Of course there may be courtesies And closures and laws to abide, But the zeal with which you play Relies on where YOU draw the line
Jason Mraz
In books, the truth makes everything good and fine. The good prevail. The wicked are punished. There is happiness. But it's not like that really, is it?" "No," I say. "I suppose it only makes everything known.
Libba Bray
The room was very quiet. I walked over to the TV set and turned it on to a dead channel-white noise at maximum decibels, a fine sound for sleeping, a powerful continuous hiss to drown out everything strange.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
As far as where you belong…” He put a hand over his heart. “Right here. Always. In life and death and everything in between.” He paused. “Never question it.
Chelsea Fine (Avow (The Archers of Avalon, #3))
The yard was full of tomato plants about to ripen, and mint, mint, everything smelling of mint, and one fine old tree that I loved to sit under on those cool perfect starry California October nights unmatched anywhere in the world.
Jack Kerouac (The Dharma Bums)
Tell me when it's over " Thalia said. Her eyes were shut tight. The statue was holding on to us so we couldn't fall but still Thalia clutched his arm like it was the most important thing in the world. "Everything's fine " I promised. "Are... are we very high " I looked down. Below us a range of snowy mountains zipped by. I stretched out my foot and kicked snow off one of the peaks. "Nah " I said. "Not that high.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Let me say no more. Words do no justice to the hidden meaning. Everything immediately becomes slightly different when it is expressed in words, a little bit distorted, a little foolish...It is perfectly fine with me that what for one man is precious wisdom for another sounds like foolery.
Hermann Hesse (Siddhartha)
Please don't go." He let out an uneven breath. "You'll be fine without me. You always have been." Maybe once, but not now. "How can I convince you to stay?" "You can't." She threw down the torch. "Do you want me to beg, is that it?" "No-never." "Then tell me-" "What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.” “But why? Why can’t you let it go?” He grabbed her shoulders and shook her. “Because I love you!” Her mouth fell open. “I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.” The only sounds were their breathing, an uneven beat against the rushing of the sewer river. “You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you." And then she kissed him.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
You are everything good and straight and fine and true—and I see that so clearly now, in the way you’ve carried yourself and listened to your own heart. You’ve changed me more than you know, and will always be a part of everything I am. That’s one thing I’ve learned from this. No one you love is ever truly lost.
Paula McLain (The Paris Wife)
...In books there's always somebody standing by ready to say hey, the world's in danger, evil's on the rise, but if you're really quick and take this ring and put it in that volcano over there everything will be fine. "But in real life that guy never turns up. He's never there. He's busy handing out advice in the next universe over. In our world no one ever knows what to do, and everyone's just as clueless and full of crap as everyone else, and you have to figure it all out by yourself. And even after you've figured it out and done it, you'll never know whether you were right or wrong. You'll never know if you put the ring in the right volcano, or if things might have gone better if you hadn't. There's no answers in the back of the book.
Lev Grossman (The Magician's Land (The Magicians, #3))
Growing up is never straight forward. There are moments when everything is fine, and other moments where you realize that there are certain memories that you'll never get back, and certain people that are going to change, and the hardest part is knowing that there's nothing you can do except watch them.
Alden Nowlan
Ronan crossed his arms to wait, just looking. At Adam’s fine cheekbones, his furrowed fair eyebrows, his beautiful hands, everything washed out by the furious light. He had memorized the shape of Adam’s hands in particular: the way his thumb jutted awkwardly, boyishly; the roads of the prominent veins; the large knuckles that punctuated his long fingers. In dreams Ronan put them to his mouth.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Yes, it feels great to plan your life when you believe everything can turn out fine. But what about when you're shown, again and again, how little control you have over anything? No matter what I do to try to fix my future, it doesn't work.
Jay Asher (The Future of Us)
The father hesitated only a moment. He felt the vague pain in his chest. If I run, he thought, what will happen? Is Death important? No. Everything that happens before Death is what counts. And we've done fine tonight. Even Death can't spoil it.
Ray Bradbury (Something Wicked This Way Comes)
Everything that comes to us is a blessing or a test. That’s all you need to know in this life…just the certainty that God’s got His eye on you, that He knows what you are made of, what you need to grow on. Why,questioning’s a sin, it’s pointless. He will show you your path in His own good time. And long as I remember that, I’m fine.
Dorothy Allison (Bastard Out of Carolina)
What is it about hairdressers? You tell them 'not too short' and some part of their hairdresser brain hears this as 'whack the shit out of it.' If you never say, 'not too short,' everything is fine. You say it, & it's a guarantee you'll come out ready for the military>
Deb Caletti (The Six Rules of Maybe)
Challenge a person's beliefs, and you challenge his dignity, standing, and power. And when those beliefs are based on nothing but faith, they are chronically fragile. No one gets upset about the belief that rocks fall down as opposed to up, because all sane people can see it with their own eyes. Not so for the belief that babies are born with original sin or that God exists in three persons or that Ali is the second-most divinely inspired man after Muhammad. When people organize their lives around these beliefs, and then learn of other people who seem to be doing just fine without them--or worse, who credibly rebut them--they are in danger of looking like fools. Since one cannot defend a belief based on faith by persuading skeptics it is true, the faithful are apt to react to unbelief with rage, and may try to eliminate that affront to everything that makes their lives meaningful.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
Sylvia Plath (Ariel)
I know absolutely nothing about where I'm going. I'm fine with that. I'm happy about it. Before, I had nothing. I had no life, no friends, and no family really, and I didn't really care. I had nothing, and nothing to lose, and then I knew loss. What I cared about was gone; it was all lost. Now I have everything to gain; everything is a clean slate. It's all blank pages waiting to be written on. It's all about going forward. It's all about uncertainty and possibilities.
Gregory Galloway (As Simple as Snow)
Damon: I wanted to apologize. Elena: Good. Damon: Let me finish. I said I wanted to. And then I realized, I’m not sorry. Elena: You would rather die than be human, and you expect me to be okay with that? Damon: I didn’t say you were supposed to be okay with it, I just said I’m not sorry. But you know what I really am? Selfish, because I make bad choices that hurt you. Yes, I would rather have died than be human. I’d rather die right now than spend a handful of years with you, only to lose you when I’m too old and sick and miserable and you’re still you. I’d rather die right now than spend my last final years remembering how good I had it and how happy I was, because that’s who I am, Elena, and I’m not gonna change. And there’s no apology in the world that encompasses all the reasons that I’m wrong for you. Elena: Fine, then I’m not sorry either. I’m not sorry that I met you. I’m not sorry that knowing you has made me question everything, that in death you’re the one that made me feel most alive. You’ve been a terrible person, you’ve made all the wrong choices, and of all the choices that I’ve made this will prove to be the worst one. But I am not sorry that I’m in love with you. I love you, Damon. I love you.
L.J. Smith
I.. I.. I love you." "Ano ka ba. Bakit ba masyado kang nagiging seryoso? Okay ka lang ba?" "Because I am serious. Seryoso ako sa mga sinabi ko.. sa nafifeel ko. I love you Kenji." "Yung binitawan mong salita, parang katumbas sa pag sabing hindi ka na makahinga. Alam mo ba yun? Sige na umuwi ka na. Goodnight." "You know what? Fine. Just forget everything that I have said. It meant nothing naman diba, kasi I was too serious. Sorry for feeling this way. Goodnight." "Athena.. Athena wait... I.. I.. I can't breathe.
Bianca B. Bernardino (She's Dating the Gangster)
I only have two kinds of dreams: the bad and the terrible. Bad dreams I can cope with. They're just nightmares, and they end eventually. I wake up. The terrible dreams are the good dreams. In my terrible dreams, everything is fine. I am still with the company. I still look like me. None of the last five years ever happened. Sometimes I'm married. Once I even had kids. I even knew their names. Everything's wonderful and normal and fine. And then I wake up, and I'm still me. And I'm still here. And that is truly terrible.
Neil Gaiman (The Sandman, Vol. 3: Dream Country)
I can't win with you. I can't win with you! You say you're done...I'm fucking miserable over here! I had to break my phone into a million pieces to keep from calling you every minute of the damn day--I've had to play it off like everything is just fine at school so you can be happy...and you're fucking mad at me? You broke my fuckin' heart!
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Are you kidding?" She looked at me as if I'd just dropped from the moon. Her cheeks were bright red. "What's the problem now?" I demanded. "Me, go with you to the...the 'Thrill Ride of Love'? How embarrassing is that? What if somebody saw me?" "Who's going to see you?" But my face was burning now, too. Leave it to a girl to make everything complicated. "Fine," I told her. "I'll do it myself." But when I started down the side of the pool, she followed me, muttering about how boys always messed things up.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
You forget what it was like. You'd swear on your life you never will, but year by year it falls away. How your temperature ran off the mercury, your heart galloped flat-out and never needed to rest, everything was pitched on the edge of shattering glass. How wanting something was like dying of thirst. How your skin was too fine to keep out any of the million things flooding by; every color boiled bright enough to scald you, any second of any day could send you soaring or rip you to bloody shreds.
Tana French (The Secret Place (Dublin Murder Squad, #5))
She's an ugly little thing. No child should look like that. Pale and sour, like a glass of milk that's turned." "And so skinny!" the cook replied. "Never finishes her supper." Crouched beside the girl, the boy turned to her and whispered, "Why don't you eat?" "Because everything she cooks tastes like mud." "Tastes fine to me." "You'll eat anything." They bent their ears back to the crack in the cupboard doors. A moment later the boy whispered, "I don't think you're ugly." "Shhhh!" the girl hissed. But hidden by the deep shadows of the cupboard, she smiled.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
I waited for him to say something more, but he was quiet. "Was there something you wanted?" I asked. He didn't answer right away, but I could feel him struggling, so I waited. "If I asked you something, would you tell me the truth?" It was my turn to hesitate. "I don't know everything," I hedged. "You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right." Melanie was suddenly very in my head. Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean." Melanie sighed. I said nothing to either of them. "I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest. "Does it, Wanda?" "Why won't you answer me?" Jamie was really crying now but trying to muffle the sound. I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck. "Is Melanie still alive, Wanda? Please?" He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses. Jamie's body shook beside me. Melanie cried. She battered ineffectually at my control. But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now. "She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?" Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel." "She loves you, too. She's so happy that you're here and safe." He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
Stephenie Meyer (The Host (The Host, #1))
However, he wrote some verses on her, and very pretty they were.” “And so ended his affection,” said Elizabeth impatiently. “There has been many a one, I fancy, overcome in the same way. I wonder who first discovered the efficacy of poetry in driving away love!” “I have been used to consider poetry as the food of love,” said Darcy. “Of a fine, stout, healthy love it may. Everything nourishes what is strong already. But if it be only a slight, thin sort of inclination, I am convinced that one good sonnet will starve it entirely away.
Jane Austen (Pride and Prejudice)
Some people think they can find satisfaction in good food, fine clothes, lively music, and sexual pleasure. However, when they have all these things, they are not satisfied. They realize happiness is not simply having their material needs met. Thus, society has set up a system of rewards that go beyond material goods. These include titles, social recognition, status, and political power, all wrapped up in a package called self-fulfillment. Attracted by these prizes and goaded on by social pressure, people spend their short lives tiring body and mind to chase after these goals. Perhaps this gives them the feeling that they have achieved something in their lives, but in reality they have sacrificed a lot in life. They can no longer see, hear, act, feel, or think from their hearts. Everything they do is dictated by whether it can get them social gains. In the end, they've spent their lives following other people's demands and never lived a life of their own. How different is this from the life of a slave or a prisoner?
Liezi (Lieh-tzu: A Taoist Guide to Practical Living (Shambhala Dragon Editions))
Sometimes it's not catastrophic. Sometimes you only come to the bottom of your coffee cup. Sometimes you have a good day. No one wants to know. No one wants to tell you about theirs either. You might somehow take it. Turn it against them. See the flaw. You always tell them the whole thing sucks. It keeps you alive. They figure if you're out there having a rotten time, everything's fine and you're doing your part. No one will ever try to take your bad times away from you but they'll come swarming for your happiness.
Henry Rollins (Roomanitarian)
No, I’m surprised he didn’t say goodbye.” “Well, of course he didn’t say goodbye.” Heather put down her mug. “You would have convinced him to stay.” “That’s not true.” “Oh, please.” Heather rolled her eyes. “You would have been like Oh, Tristan, please don’t go. Stay with me so I can crush on you and giggle at everything you say.” Heather nodded. “That’s what it would have been like. In that high-pitched voice and everything.
Chelsea Fine (Awry (The Archers of Avalon, #2))
That was the real secret of the Tarahumara: they'd never forgotten what it felt like to love running. They remembered that running was mankind's first fine art, our original act of inspired creation. Way before we were scratching pictures on caves or beating rhythms on hollow trees, we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain. And when our ancestors finally did make their first cave paintings, what were the first designs? A downward slash, lightning bolts through the bottom and middle--behold, the Running Man. Distance running was revered because it was indispensable; it was the way we survived and thrived and spread across the planet. You ran to eat and to avoid being eaten; you ran to find a mate and impress her, and with her you ran off to start a new life together. You had to love running, or you wouldn't live to love anything else. And like everyhing else we ove--everything we sentimentally call our 'passions' and 'desires' it's really an encoded ancestral necessity. We were born to run; we were born because we run. We're all Running People, as the Tarahumara have always known.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
As an atheist, I see nothing “wrong” in believing in a God. I don’t think there is a God, but belief in him does no harm. If it helps you in any way, then that’s fine with me. It’s when belief starts infringing on other people’s rights when it worries me. I would never deny your right to believe in a God. I would just rather you didn’t kill people who believe in a different God, say. Or stone someone to death because your rulebook says their sexuality is immoral. It’s strange that anyone who believes that an all-powerful all-knowing, omniscient power responsible for everything that happens, would also want to judge and punish people for what they are.
Ricky Gervais
Nothing is so easy as to deceive one’s self when one does not lack wit and is familiar with all the niceties of language. Language is a prostitute queen who descends and rises to all roles. Disguises herself, arrays herself in fine apparel, hides her head and effaces herself; an advocate who has an answer for everything, who has always foreseen everything, and who assumes a thousand forms in order to be right. The most honorable of men is he who thinks best and acts best, but the most powerful is he who is best able to talk and write
George Sand (Indiana)
I always think incipent miracles surround us, waiting only to see if our faith is strong enough. We won't have to understand it; it will just work, like a beating heart, like love. Really, no matter how frightened and discouraged I may become about the future, I look forward to it. In spite of everything I see all around me every day, I have a shaky assurance that everything will turn out fine. I don't think I'm the only one. Why else would the phrase "everything's all right" ease a deep and troubled place in so many of us? We just don't know, we never know so much, yet we have such faith. We hold our hands over our hurts and lean forward, full of yearning and forgiveness. It is how we keep on, this kind of hope.
Elizabeth Berg (Talk Before Sleep)
Nope.' He sat back. 'Just been there, done that. Done that getting hauled to the police station thing because of it, too.I appreciate your quest and everything, but I have to draw the line somewhere.' 'Wait,' I said, holding up my hand. 'My quest?' He turned to look at me. We were at a red light, no other cars were anywhere in sight. 'Yeah,' he said. 'You know, like in Lord of the Rings, or Star Wars. You're searching for something you lost or need. It's a quest.' I just looked at him. 'Maybe it's a guy thing,' he said. 'Fine, don't call it a quest. Call it chicken salad, I don't care. My point is, I'm in, but within reason. That's all I'm saying.
Sarah Dessen (Along for the Ride)
Well, yes, ma'am, I do... I mean, I got everything I need right here with me. I got air in my lungs, a few blank sheets of paper. I mean, I love waking up in the morning not knowing what's gonna happen or, who I'm gonna meet, where I'm gonna wind up. Just the other night I was sleeping under a bridge and now here I am on the grandest ship in the world having champagne with you fine people. I figure life's a gift and I don't intend on wasting it. You don't know what hand you're gonna get dealt next. You learn to take life as it comes at you... to make each day count.
Jack Dawson
We have a knowledge of harmony, anchored deep within. It is this knowledge that enables us, at every instant, to apprehend quality in our lives and, on the rare occasions when everything is in perfect harmony, to appreciate it with the apposite intensity. And I am not referring to the sort of beauty that is the exclusive preserve of Art. Those who feel inspired, as I do, by the greatness of small things will pursue them to the very heart of the inessential where, cloaked in everyday attire, this greatness will emerge from within a certain ordering of ordinary things and from the certainty that all is as it should be, the conviction that it is fine this way.
Muriel Barbery (The Elegance of the Hedgehog)
The clue to everything a man should love and fear in her was there right from the start in the ironic smile that primed and swelled the archery of her full lips. There was pride in that smile and confidence in the set of her fine nose. Without understanding why I knew beyond question that a lot of people would mistake her pride for arrogance and confuse her confidence with impassivity. I didn't make that mistake. My eyes were lost swimming floating free in the shimmering lagoon of her steady even stare. Her eyes were large and spectacularly green. It was the green that trees are in vivid dreams. It was the green that the sea would be if the sea were perfect.
Gregory David Roberts (Shantaram)
All my life and all my experience, the events that have befallen me, the people I have known, all my memories, dreams, fantasies, everything I have ever read, all of that has been chucked onto the compost heap, where over time it has rotted down to a dark, rich, organic mulch. The process of cellular breakdown makes it unrecognizable. Other people call it the imagination. I think of it as a compost heap. Every so often I take an idea, plant it in the compost, and wait. It feeds on the black stuff that used to be a life, takes its energy for its own. It germinates,. Takes root. Produces shoots. And so on and so forth, until one fine day I have a story, or a novel....Readers are fools. They believe all writing is autobiographical. And so it is, but not in the way they think. The writer's life needs time to rot away before it can be used to nourish a work of fiction. It must be allowed to decay.
Diane Setterfield (The Thirteenth Tale)
Striving is fine, as long as it’s tempered by the realization that, in an entropic universe, the final outcome is out of your control. If you don’t waste your energy on variables you cannot influence, you can focus much more effectively on those you can. When you are wisely ambitious, you do everything you can to succeed, but you are not attached to the outcome—so that if you fail, you will be maximally resilient, able to get up, dust yourself off, and get back in the fray. That, to use a loaded term, is enlightened self-interest.
Dan Harris (10% Happier)
Martha,” he said afterwards, lying next to me. “Everything is broken and messed up and completely fine. That is what life is. It’s only the ratios that change. Usually on their own. As soon as you think that’s it, it’s going to be like this forever, they change again.” That is what life was, and how it continued for three years after that. The ratios changing on their own, broken, completely fine, a holiday, a leaking pipe, new sheets, happy birthday, a technician between nine and three, a bird flew into the window, I want to die, please, I can’t breathe, I think it’s a lunch thing, I love you, I can’t do this anymore, both of us thinking it would be like that forever.
Meg Mason (Sorrow and Bliss)
Here goes. See, my boyfriend and I decided to stay together for the summer, you know, even though he had to go visit some family in nowhereville. At least, that’s what he told me. Anyway, everything was fine at first, because you know, we talked every night, and then boom, he just stopped calling. So I called and texted him like the good girlfriend I am, and it wasn’t stalkerish, I swear, because I stopped after, like, the thirtieth time. A week goes by before he finally hits me back, and he was totally drunk and all, hey, baby, I miss you and what are you wearing, like no time had passed, and I was all, you so do not deserve to know.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
She went to the window. A fine sheen of sugary frost covered everything in sight, and white smoke rose from chimneys in the valley below the resort town. The window opened to a rush of sharp early November air that would have the town in a flurry of activity, anticipating the tourists the colder weather always brought to the high mountains of North Carolina. She stuck her head out and took a deep breath. If she could eat the cold air, she would. She thought cold snaps were like cookies, like gingersnaps. In her mind they were made with white chocolate chunks and had a cool, brittle vanilla frosting. They melted like snow in her mouth, turning creamy and warm.
Sarah Addison Allen (The Sugar Queen)
She heard footsteps thumping from the crew quarters and Jacin appeared in the cargo bay, eyes wide. “What happened? Why is the ship screaming?” “Nothing. Everything’s fine,” Cinder stammered. “No, everything is not fine,” said Iko. “How can they be invited? I’ve never seen a bigger injustice in all my programmed life, and believe me, I have seen some big injustices.” Jacin raised an eyebrow at Cinder. “We just learned that my former guardian received an invitation to the wedding.” She opened the tab beside her stepmother’s name, thinking maybe it was a mistake. But of course not. Linh Adri had been awarded 80,000 univs and an official invitation to the royal wedding as an act of gratitude for her assistance in the ongoing manhunt for her adopted and estranged daughter, Linh Cinder. “Because she sold me out,” she said, sneering. “Figures.” “See? Injustice. Here we are, risking our lives to rescue Kai and this whole planet, and Adri and Pearl get to go to the royal wedding. I’m disgusted. I hope they spill soy sauce on their fancy dresses.” Jacin’s concern turned fast to annoyance. “Your ship has some messed-up priorities, you know that?” “Iko. My name is Iko. If you don’t stop calling me the ‘ship,’ I am going to make sure you never have hot water during your showers again, do you understand me?” “Yeah, hold that thought while I go disable the speaker system.” “What? You can’t mute me. Cinder!
Marissa Meyer (Cress (The Lunar Chronicles, #3))
There’s a huge difference in sex and making love. We have sex with someone who can satisfy us physically, but we make love to someone who can satisfy us soulfully and eternally. Once you realize the fine-line between making love and having sex, you will understand the meaning of life! Life isn’t only about survival, it’s about living and so is making love. We have sex to satisfy our lust and hunger, which is nothing, but survival, but we make love to feed our soul and our mind, to fill a void that is there since a long time, that longs for a partner and that needs someone whom we want to spend the next morning with! When you have sex just for physical pleasure, you are ashamed and guilty at one point of life or another, but when you make love to someone who means everything to you, you are always proud of it. Never in life, not even a single time, you regret that time and the moments spent with that person. You will always rejoice it and remember it with equal passion and joy.
Mehek Bassi
You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer." I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back. "What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?" "Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?" "Because," I said as I felt the familiar twisting in my stomach. "You saw me lose it. You saw me almost go insane." The muscles in his shoulders visibly tensed. "I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us." Noah inhaled and slowly let the air out. His stance softened and so did his voice. "If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I sometimes feel like my head is a computer with too many windows open. Too much clutter on the desktop. There is a metaphorical spinning rainbow wheel inside me. Disabling me. And if only I could find a way to switch off some of the frames, if only I could drag some of the clutter into the trash, then I would be fine. But which frame would I choose, when they all seem so essential? How can I stop my mind being overloaded when the world is overloaded? We can think about anything. And so it makes sense that we end up thinking about everything. We might have to, sometimes, be brave enough to switch the screens off in order to switch ourselves back on. To disconnect in order to reconnect.
Matt Haig (Notes on a Nervous Planet)
You don’t know anyone at the party, so you don’t want to go. You don’t like cottage cheese, so you haven’t eaten it in years. This is your choice, of course, but don’t kid yourself: it’s also the flinch. Your personality is not set in stone. You may think a morning coffee is the most enjoyable thing in the world, but it’s really just a habit. Thirty days without it, and you would be fine. You think you have a soul mate, but in fact you could have had any number of spouses. You would have evolved differently, but been just as happy. You can change what you want about yourself at any time. You see yourself as someone who can’t write or play an instrument, who gives in to temptation or makes bad decisions, but that’s really not you. It’s not ingrained. It’s not your personality. Your personality is something else, something deeper than just preferences, and these details on the surface, you can change anytime you like. If it is useful to do so, you must abandon your identity and start again. Sometimes, it’s the only way. Set fire to your old self. It’s not needed here. It’s too busy shopping, gossiping about others, and watching days go by and asking why you haven’t gotten as far as you’d like. This old self will die and be forgotten by all but family, and replaced by someone who makes a difference. Your new self is not like that. Your new self is the Great Chicago Fire—overwhelming, overpowering, and destroying everything that isn’t necessary.
Julien Smith (The Flinch)
Though recognition's been delayed by its circuitous construction, now the pattern, long concealed, emerges into view. Is it not fine? Is it not simple, and elegant, and severe? How strange, after the long exacting toil of preparation, it takes only the slightest effort and less thought to send this brief, elaborate amusement on its breathless, hurtling race. The merest touch, no more, and everything falls into place. The pieces can't perceive as we the mischief their arrangement tempts. Those stolid law-abiding queues, so pregnant with catastrophe. Insensible before the wave so soon released by callous fate. Affected most, they understand the least, and understanding, when it comes, invariably arrives too late.
Alan Moore (V for Vendetta)
God! You'll do anything to avoid it.' Avoid what?' my mother said. The past,' Caroline said. 'Our past. I'm tired of acting like nothing ever happened, of pretending he was never here, of not seeing his pictures in the house, or his things Just because you're not able to let yourself grieve.' Don't,' my mother said, her voice low, 'talk to me about grief. You have no idea.' I do, though.' Caroline's voice caught, and she swallowed. 'I'm not trying to hide that I'm sad. I'm not trying to forget. You hide here behind all these plans for houses and townhouses because they're new and perfect and don't remind you of anything.' Stop it,' my mother said. And look at Macy,' Caroline continued, ignoring this.' Do you even know what you're doing to her?' My mother looked at me, and I shrank back, trying to stay out of this. 'Macy is fine,' my mother said. No, she's not. God you always say that, but she's not.' Caroline looked at me, as if she wanted me to jump in, but I just sat there. 'Have you even been paying the least bit of attention to what's going on with her? She's been miserable since Dad died, pushing herself so hard to please you. And then, this summer, she finally finds some friends and something she likes to do. But then one tiny slipup, and you take it all away from her.' That has nothing to do with what we're talking about,' my mother said. It has everything to do with it,' Caroline shot back. 'She was finally getting over what happened. Couldn't you see the change in her? I could, and I was berely here. She was different.' Exactly,' my mother said. 'She was-' Happy,' Caroline finished for her. 'She was starting to live her life again, and it scared you. Just like me redoing the beach house scares you. You think you're so strong becasue you never talk about Dad. Anyone can hide. Facing up to things, working through them, that's what makes you strong.
Sarah Dessen (The Truth About Forever)
To generalize about war is like generalizing about peace. Almost everything is true. Almost nothing is true. At its core, perhaps, war is just another name for death, and yet any soldier will tell you, if he tells the truth, that proximity to death brings with it a corresponding proximity to life. After a firefight, there is always the immense pleasure of aliveness. The trees are alive. The grass, the soil—everything. All around you things are purely living, and you among them, and the aliveness makes you tremble. You feel an intense, out-of-the-skin awareness of your living self—your truest self, the human being you want to be and then become by the force of wanting it. In the midst of evil you want to be a good man. You want decency. You want justice and courtesy and human concord, things you never knew you wanted. There is a kind of largeness to it, a kind of godliness. Though it’s odd, you’re never more alive than when you’re almost dead. You recognize what’s valuable. Freshly, as if for the first time, you love what’s best in yourself and in the world, all that might be lost. At the hour of dusk you sit at your foxhole and look out on a wide river turning pinkish red, and at the mountains beyond, and although in the morning you must cross the river and go into the mountains and do terrible things and maybe die, even so, you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not.
Tim O'Brien (The Things They Carried)
When her blue-black eyes lifted to his, everything disappeared. Their bodies dematerialized. The room they were in ceased to exist. Time became nothing. And in the void, in the wormhold, Wrath's chest opened up sure as if he'd been shot, a piercing pain licking over his nerve endings. He knew then that there are many ways for a heart to break. Sometimes it's from the crowding of life, the compression of responsibility and birthright and burden that just squeezed you until you couldn't breathe anymore. Even though your lungs were working just fine. And sometimes it's from the casual cruelty of a fate that took you far from where you had thought you would end up. And sometimes it's age in the face of youth. Or sickness in the face of health. But sometimes it's just because you're looking into the eyes of your lover, and your gratitude for having them in your life overflows...because you showed them what was on the inside and they didn't run scared or turn away: they accepted you and loved you and held you in the midst of your passion or your fear...or your combination of both. Wrath closed his eyes and focused on the soft pulls at his wrist. God, they were just like the beat of his heart. Which made sense. Because she was the center of his chest. And the center of his world.
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
Try to tell me what I shouldn't do You should know by now, I won't listen to you Walk around with my hands up in the air Cause I don't care Cause I'm alright, I'm fine Just freak out, let it go I'm gonna live my life I can't ever run and hide I won't compromise Cause I'll never know I'm gonna close my eyes I can't watch the time go by I won't keep it inside Freak out, let it go Just freak out, let it go You don't always have to do everything right Stand up for yourself And put up a fight walk around with your hands up in the air Like you don't care Cause I'm alright, I'm fine Just freak out, let it go I'm gonna live my life I can't ever run and hide I won't compromise Cause I'll never know I'm gonna close my eyes I can't watch the time go by I won't keep it inside Freak out, let it go On my own Let it go Yeah, yeah, yeah Just let me live my life I can't ever run and hide I won't compromise Cause I'll never know I'm gonna close my eyes I can't watch the time go by I won't keep it inside Freak out, let it go Gonna freak out, let it go Gonna freak out, let it go
Avril Lavigne (Avril Lavigne: Under My Skin)
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
I stood up angrily. “Look, I’m done talking to you tonight. Will you let me out of this dream? I’m not telling you where I am. And I’m not interested in hearing about how wonderful Avery is and how much better than me she is.” “Avery would never act like a little brat,” he said. “She wouldn’t get so offended that someone actually cares enough to check on her. She wouldn’t deny me the chance to learn more about my magic because she was paranoid someone would ruin her crazy attempt to get over her boyfriend’s death." “Don’t talk to me about being a brat,” I shot back. “You’re as selfish and self-centered as usual. It’s always about you—even this dream is. You hold me against my will, whether I want it or not, because it amuses you.” “Fine,” he said, voice cold. “I’ll end this. And I’ll end everything between us. I won’t be coming back.” “Good. I hope you mean it this time.” His green eyes were the last thing I saw before I woke up in my own bed. I sat up, gasping. My heart felt like it was breaking, and I almost thought I might cry. Adrian was right—I had been a brat. I’d lashed out at him when it wasn’t really deserved. And yet . . . I hadn’t been able to help it. I missed Lissa. I even kind of missed Adrian. And now someone else was taking my place, someone who wouldn’t just walk away like I had. I won’t be coming back. And for the first time ever, I had a feeling he really wouldn’t be.
Richelle Mead (Blood Promise (Vampire Academy, #4))
I'm not sure I even believe in marriage," Hadley says and he looks surprised. "Aren't you on your way to a wedding?" "Yeah," she says with a nod. "But that's what I mean." He looks at her blankly. "It shouldn't be this big fuss, where you drag everyone halfway across the world to witness your love. If you want to share your life together, fine. But it's between two people, and that should be enough. Why the big show? Why rub it in everyone's faces?" Oliver runs a hand along his jaw, obviously not quite sure what to think. "It sounds like its weddings you don't believe in," he says finally. "Not marriage." "I'm not such a big fan of either at the moment." "I don't know," he says. "I think they're kind of nice." "They're not," she insists. "They're all for show. You shouldn't need to prove anything if you really mean it. It should be a whole lot simpler than that. It should mean something." "I think it does," Oliver says quietly. "It's a promise." "I guess so," she says, unable to keep the sigh out of her voice. "But not everyone keeps that promise." she looks over toward the woman, still fast asleep. "Not everyone makes it fifty-two years, and if you do, it doesn't matter that you once stood in front of all those people and said that you would. The important part is that you had someone to stick by you all that time. Even when everything sucked.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Life is Beautiful? Beyond all the vicissitudes that are presented to us on this short path within this wild planet, we can say that life is beautiful. No one can ever deny that experiencing the whirlwind of emotions inside this body is a marvel, we grow with these life experiences, we strengthen ourselves and stimulate our feelings every day, in this race where the goal is imminent death sometimes we are winners and many other times we lose and the darkness surprises us and our heart is disconnected from this reality halfway and connects us to the server of the matrix once more, debugging and updating our database, erasing all those experiences within this caracara of flesh and blood, waiting to return to earth again. "Life is beautiful gentlemen" is cruel and has unfair behavior about people who looked like a bundle of light and left this platform for no apparent reason, but its nature is not similar to our consciousness and feelings, she has a script for each of us because it was programmed that way, the architects of the game of life they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels. You can't take a quantum leap and get through the game on your own. inventing a heaven and a hell in order to transcend, that comes from our fears of our imagination not knowing what life has in store for us after life is a dilemma "rather said" the best kept secret of those who control us day by day. We are born, we grow up, we are indoctrinated in the classrooms and in the jobs, we pay our taxes, we reproduce, we enjoy the material goods that it offers us the system the marketing of disinformation, Then we get old, get sick and die. I don't like this story! It looks like a parody of Noam Chomsky, Let's go back to the beautiful description of beautiful life, it sounds better! Let's find meaning in all the nonsense that life offers us, 'Cause one way or another we're doomed to imagine that everything will be fine until the end of matter. It is almost always like that. Sometimes life becomes a real nightmare. A heartbreaking horror that we find impossible to overcome. As we grow up, we learn to know the dark side of life. The terrors that lurk in the shadows, the dangers lurking around every corner. We realize that reality is much harsher and ruthless than we ever imagined. And in those moments, when life becomes a real hell, we can do nothing but cling to our own existence, summon all our might and fight with all our might so as not to be dragged into the abyss. But sometimes, even fighting with all our might is not enough. Sometimes fate is cruel and takes away everything we care about, leaving us with nothing but pain and hopelessness. And in that moment, when all seems lost, we realize the terrible truth: life is a death trap, a macabre game in which we are doomed to lose. And so, as we sink deeper and deeper into the abyss, while the shadows envelop us and terror paralyzes us, we remember the words that once seemed to us so hopeful: life is beautiful. A cruel and heartless lie, that leads us directly to the tragic end that death always awaits us.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
Possibilities I prefer movies. I prefer cats. I prefer the oaks along the Warta. I prefer Dickens to Dostoyevsky. I prefer myself liking people to myself loving mankind. I prefer keeping a needle and thread on hand, just in case. I prefer the color green. I prefer not to maintain that reason is to blame for everything. I prefer exceptions. I prefer to leave early. I prefer talking to doctors about something else. I prefer the old fine-lined illustrations. I prefer the absurdity of writing poems to the absurdity of not writing poems. I prefer, where love's concerned, nonspecific anniversaries that can be celebrated every day. I prefer moralists who promise me nothing. I prefer cunning kindness to the over-trustful kind. I prefer the earth in civvies. I prefer conquered to conquering countries. I prefer having some reservations. I prefer the hell of chaos to the hell of order. I prefer Grimms' fairy tales to the newspapers' front pages. I prefer leaves without flowers to flowers without leaves. I prefer dogs with uncropped tails. I prefer light eyes, since mine are dark. I prefer desk drawers. I prefer many things that I haven't mentioned here to many things I've also left unsaid. I prefer zeroes on the loose to those lined up behind a cipher. I prefer the time of insects to the time of stars. I prefer to knock on wood. I prefer not to ask how much longer and when. I prefer keeping in mind even the possibility that existence has its own reason for being.
Wisława Szymborska
A Brief for the Defense Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafés and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.
Jack Gilbert (Refusing Heaven: Poems)
It seemed to work at first. I tried hard to forget, but there remained inside me a vague knot-of-air kind of thing. And as time went by, the knot began to take on a clear and simple form, a form that I am able to put into words, like this: Death exists, not as the opposite but as a part of life. Translate into words, it's a cliche, but at the time I felt it not as words but as that knot of air inside me. Death exists - in a paperweight, in four red and white balls on a billiard table - and we go on living and breathing it into our lungs like fine dust. Until that time, I had understood death as something entirely separate from and independent of life. The hand of death is bound to take us, I had felt, but until the day it reaches out for us, it leaves us alone. This had seemed to me the simple, logical truth. Life is here, death is over there. I am here, not over there. The night Kizuki died, however, I lost the ability to see death (and life) in such simple terms. Death was not the opposite of life. It was already here, within my being, it had always been here, and no struggle would permit me to forget that... I lived through the following spring...with that kind knot of air in my chest, but I struggled all the while against becoming serious. Becoming serious was not the same thing as approaching truth, I sensed, however vaguely. But death was a fact, a serious fact, no matter how you looked at it. stuck inside this suffocating contradiction, I went on endlessly spinning in circles...In the midst of life, everything revolved around death.
Haruki Murakami (Norwegian Wood)
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)