“
It’s dark because you are trying too hard.
Lightly child, lightly. Learn to do everything lightly.
Yes, feel lightly even though you’re feeling deeply.
Just lightly let things happen and lightly cope with them.
I was so preposterously serious in those days, such a humorless little prig.
Lightly, lightly – it’s the best advice ever given me.
When it comes to dying even. Nothing ponderous, or portentous, or emphatic.
No rhetoric, no tremolos,
no self conscious persona putting on its celebrated imitation of Christ or Little Nell.
And of course, no theology, no metaphysics.
Just the fact of dying and the fact of the clear light.
So throw away your baggage and go forward.
There are quicksands all about you, sucking at your feet,
trying to suck you down into fear and self-pity and despair.
That’s why you must walk so lightly.
Lightly my darling,
on tiptoes and no luggage,
not even a sponge bag,
completely unencumbered.
”
”
Aldous Huxley (Island)
“
As I often tell my students, the two most important phrases in therapy, as in yoga, are “Notice that” and “What happens next?” Once you start approaching your body with curiosity rather than with fear, everything shifts.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
Don't exist.
Live.
Get out, explore.
Thrive.
Challenge authority. Challenge yourself.
Evolve.
Change forever.
Become who you say you always will. Keep moving. Don't stop. Start the revolution. Become a freedom fighter. Become a superhero. Just because everyone doesn't know your name doesn't mean you dont matter.
Are you happy? Have you ever been happy? What have you done today to matter? Did you exist or did you live? How did you thrive?
Become a chameleon-fit in anywhere. Be a rockstar-stand out everywhere. Do nothing, do everything. Forget everything, remember everyone. Care, don't just pretend to. Listen to everyone. Love everyone and nothing at the same time. Its impossible to be everything,but you can't stop trying to do it all.
All I know is that I have no idea where I am right now. I feel like I am in training for something, making progress with every step I take. I fear standing still. It is my greatest weakness.
I talk big, but often don't follow through. That's my biggest problem. I don't even know what to think right now. It's about time I start to take a jump. Fuck starting to take. Just jump-over everything. Leap.
It's time to be aggressive. You've started to speak your mind, now keep going with it, but not with the intention of sparking controversy or picking a germane fight. Get your gloves on, it's time for rebirth. There IS no room for the nice guys in the history books.
THIS IS THE START OF A REVOLUTION. THE REVOLUTION IS YOUR LIFE. THE GOAL IS IMMORTALITY. LET'S LIVE, BABY. LET'S FEEL ALIVE AT ALL TIMES. TAKE NO PRISONERS. HOLD NO SOUL UNACCOUNTABLE, ESPECIALLY NOT YOUR OWN. IF SOMETHING DOESN'T HAPPEN, IT'S YOUR FAULT.
Make this moment your reckoning. Your head has been held under water for too long and now it is time to rise up and take your first true breath.
Do everything with exact calculation, nothing without meaning. Do not make careful your words, but make no excuses for what you say. Fuck em' all. Set a goal for everyday and never be tired.
”
”
Brian Krans (A Constant Suicide)
“
When you come out of the grips of a depression there is an incredible relief, but not one you feel allowed to celebrate. Instead, the feeling of victory is replaced with anxiety that it will happen again, and with shame and vulnerability when you see how your illness affected your family, your work, everything left untouched while you struggled to survive. We come back to life thinner, paler, weaker … but as survivors. Survivors who don’t get pats on the back from coworkers who congratulate them on making it. Survivors who wake to more work than before because their friends and family are exhausted from helping them fight a battle they may not even understand. I hope to one day see a sea of people all wearing silver ribbons as a sign that they understand the secret battle, and as a celebration of the victories made each day as we individually pull ourselves up out of our foxholes to see our scars heal, and to remember what the sun looks like.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?"
Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do.
You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
”
”
Anaïs Nin
“
As I began to love myself I found that anguish and emotional suffering are only warning signs that I was living against my own truth. Today, I know, this is “AUTHENTICITY”.
As I began to love myself I understood how much it can offend somebody if I try to force my desires on this person, even though I knew the time was not right and the person was not ready for it, and even though this person was me. Today I call it “RESPECT”.
As I began to love myself I stopped craving for a different life, and I could see that everything that surrounded me was inviting me to grow. Today I call it “MATURITY”.
As I began to love myself I understood that at any circumstance, I am in the right place at the right time, and everything happens at the exactly right moment. So I could be calm. Today I call it “SELF-CONFIDENCE”.
As I began to love myself I quit stealing my own time, and I stopped designing huge projects for the future. Today, I only do what brings me joy and happiness, things I love to do and that make my heart cheer, and I do them in my own way and in my own rhythm. Today I call it “SIMPLICITY”.
As I began to love myself I freed myself of anything that is no good for my health – food, people, things, situations, and everything that drew me down and away from myself. At first I called this attitude a healthy egoism. Today I know it is “LOVE OF ONESELF”.
As I began to love myself I quit trying to always be right, and ever since I was wrong less of the time. Today I discovered that is “MODESTY”.
As I began to love myself I refused to go on living in the past and worrying about the future. Now, I only live for the moment, where everything is happening. Today I live each day, day by day, and I call it “FULFILLMENT”.
As I began to love myself I recognized that my mind can disturb me and it can make me sick. But as I connected it to my heart, my mind became a valuable ally. Today I call this connection “WISDOM OF THE HEART”.
We no longer need to fear arguments, confrontations or any kind of problems with ourselves or others. Even stars collide, and out of their crashing new worlds are born. Today I know “THAT IS LIFE”!
”
”
Charlie Chaplin
“
I'd still thought that everything I thought about that night-the shame, the fear-would fade in time. But that hadn't happened. Instead, the things that I remembered, these little details, seemed to grow stronger, to the point where I could feel their weight in my chest. Nothing, however stuck with me more than the memory of stepping into that dark room and what I found there, and how the light then took that nightmare and made it real.
”
”
Sarah Dessen (Just Listen)
“
I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again ... the future is just going to be a vast, conforming suburb of the soul
”
”
J.G. Ballard
“
Suddenly we’re not kids anymore, and it feels like it happened overnight, so fast I didn’t have time to notice, to let go of everything that used to matter so much, to see that the old wounds that once felt like gut-level lacerations have faded to small white scars, mixed in among the stretch marks and sunspots and little divots where time has grazed against my body.
I’ve put so much time and distance between myself and that lonely girl, and what does it matter? Here is a piece of my past, right in front of me, miles away from home. You can’t outrun yourself. Not your history, not your fears, not the parts of yourself you’re worried are wrong.
”
”
Emily Henry (People We Meet on Vacation)
“
Okay. Enough." I got out of the closet, brushing myself off, then turned around to face her. "This is happening. So you need to go downstairs, face your fears, and make the best of it, and everything will be okay."
She narrowed her eyes at me. "When did you suddenly become so positive?"
"Just get out of there.
”
”
Sarah Dessen (Lock and Key)
“
Everything might scatter. You might be right. I suppose it's something we can't easily get away from. People need to feel they belong. To a nation, to a race. Otherwise, who knows what might happen? This civilisation of ours, perhaps it'll just collapse. And everything scatter, as you put it.
”
”
Kazuo Ishiguro (When We Were Orphans)
“
You can’t re-create the first time you promise to love someone or the first time you feel loved by another. You cannot relive the sensation of fear, admiration, self-consciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again. It will never feel as intense as the first time. At least, that’s the way I remember it. That’s why my mother always said we memorialize our past. Everything seems better in a memory.
”
”
Renee Carlino (Before We Were Strangers)
“
I always get so overwhelmed trying to do everything perfectly. I can't do a job and not put everything I have into it. I need to be the best employee, the best co-worker, the best whatever. I need everyone to like me and I just burn out bending over backward to make that happen. Having people be mad at me is my worst fear. I can't stand it. There is this crazy fear I have of being rejected by anyone - even people I don't really care about. It's always better to leave them first, cut all ties, and disappear. They can't hurt me that way - no one can.
”
”
Nic Sheff (Tweak: Growing Up On Methamphetamines)
“
I actually attack the concept of happiness. The idea that - I don’t mind people being happy - but the idea that everything we do is part of the pursuit of happiness seems to me a really dangerous idea and has led to a contemporary disease in Western society, which is fear of sadness. It’s a really odd thing that we’re now seeing people saying “write down 3 things that made you happy today before you go to sleep”, and “cheer up” and “happiness is our birthright” and so on. We’re kind of teaching our kids that happiness is the default position - it’s rubbish. Wholeness is what we ought to be striving for and part of that is sadness, disappointment, frustration, failure; all of those things which make us who we are. Happiness and victory and fulfillment are nice little things that also happen to us, but they don’t teach us much. Everyone says we grow through pain and then as soon as they experience pain they say “Quick! Move on! Cheer up!” I’d like just for a year to have a moratorium on the word “happiness” and to replace it with the word “wholeness”. Ask yourself “is this contributing to my wholeness?” and if you’re having a bad day, it is.
”
”
Hugh Mackay
“
By my love for you. I realized I loved you more than life itself, and I would rather give myself into your power than live without you. Nothing the magic could do to me could be worse than living without you. I was willing to give it all over to you. I offered the power everything I have. All of my love for you. Once I realized how much I loved you, I was willing to be yours on any terms. I understood that there could be nothing for the magic to harm. I’m already devoted to you; it didn’t need to change me. I was protected, because I have already been untouched by your love. I had utter faith that you felt the same, and had no fear of what would happen. Had I had any doubt, the magic would have latched on to that crack and taken me, but I had no doubt. My love for you is smooth and seamless. My love for you protected me from the magic.
”
”
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
“
But now that I am old, moving every year closer to the end of my life, I also feel closer to the beginning. And I remember everything that happened that day becasue it has happened many times in my life. The same innocence, trust, and restlessness; the wonder, fear, and lonliness. How I lost myself.
I remember all these things. And tonight, on the fifteenth day of the eighth moon, I also remember what I asked the Moon Lady so long ago. I wished to be found.
”
”
Amy Tan (The Joy Luck Club)
“
The more truthful I am with myself and others, the more my conscience is clear and tranquil. Thus, I can more thoroughly and unequivocally inhabit the present moment and accept everything that happens without fear, knowing that what goes around comes around (the law of karma). Ethical morality and self-discipline represent the good ground, or stable basis. Mindful awareness is the skillful and efficacious grow-path, or way. Wisdom and compassion constitute the fruit, or result. This is the essence of Buddhism [...]
”
”
Surya Das (Buddha Is as Buddha Does: The Ten Original Practices for Enlightened Living)
“
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
”
”
S.E. Hinton (The Outsiders)
“
I know now why caring about another person is so damn scary. It’s not that they won’t care about you back, because that either happens or it doesn’t. You live with it or you do everything you can to change it. The really scary thing is the moment you realize that for the rest of your life, you’ll feel twice the pain, twice the joy, twice the fear.
Twice as helpless to control it all, too.
”
”
Cora Carmack (All Broke Down (Rusk University, #2))
“
Being near Tom and Doug at night kept me from having to say to myself I am not afraid whenever I heard a branch snap in the dark or the wind shook so fiercely it seemed something bad was about to happen. But I wasn't out here to keep myself from having to say I am not afraid. I'd come, I'd realized, to stare that fear down, to stare everything down, really -- all that I'd done to myself and all that had been done to me. I couldn't do that while tagging along with someone else.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I also wonder fearfully what will happen when the only friend I have ever had, the only one who knows everything without ever having to ask, leaves behind her this woman whom no one knows, enshrouding her in oblivion.
”
”
Muriel Barbery
“
A pledge,” I say again. “To drive fear into those who will confront us.”
Violetta hesitates—only for a moment. “To bind us together.”
“I pledge myself to the Rose Society,” I begin. “Until the end of my days.” One by one, the others call out the same thing, murmurs at first that turn into firm words.
“To use my eyes to see all that happens,” says Sergio.
“My tongue to woo others to our side,” says Magiano, with his savage smile.
“My ears to hear every secret,” Violetta continues.
“My hands,” I finish. “To crush my enemies.”
“I will do everything in my power to destroy all who stand in my way.” Right now, what I want is the throne. Enzo’s power. A perfect revenge. And all the Inquisitors, queens, and Daggers in the world won’t be able to stop me.
”
”
Marie Lu
“
How ... how fragile situations are. But not tenuous. Delicate, but not flimsy, not indulgent. Delicate, that's why they keep breaking, they must break and you must get the pieces together and show it before it breaks again, or put them aside for a moment when something else breaks and turn to that, and all this keeps going on. That's why most writing now, if you read it they go on one two three four and tell you what happened like newspaper accounts, no adjectives, no long sentences, no tricks they pretend, and they finally believe that they really believe that the way they saw it is the way it is ... it never takes your breath away, telling you things you already know, laying everything out flat, as though the terms and the time, and the nature and the movement of everything were secrets of the same magnitude. They write for people who read with the surface of their minds, people with reading habits that make the smallest demands on them, people brought up reading for facts, who know what's going to come next and want to know what's coming next, and get angry at surprises. Clarity's essential, and detail, no fake mysticism, the facts are bad enough. But we're embarrassed for people who tell too much, and tell it without surprise. How does he know what happened? unless it's one unshaven man alone in a boat, changing I to he, and how often do you get a man alone in a boat, in all this ... all this ... Listen, there are so many delicate fixtures, moving toward you, you'll see. Like a man going into a dark room, holding his hands down guarding his parts for fear of a table corner, and ... Why, all this around us is for people who can keep their balance only in the light, where they move as though nothing were fragile, nothing tempered by possibility, and all of a sudden bang! something breaks. Then you have to stop and put the pieces together again. But you never can put them back together quite the same way. You stop when you can and expose things, and leave them within reach, and others come on by themselves, and they break, and even then you may put the pieces aside just out of reach until you can bring them back and show them, put together slightly different, maybe a little more enduring, until you've broken it and picked up the pieces enough times, and you have the whole thing in all its dimensions. But the discipline, the detail, it's just ... sometimes the accumulation is too much to bear.
”
”
William Gaddis (The Recognitions)
“
His fingers caressed the column of my tense throat. I shivered in fear. I hated not being able to see what was happening, it forced me to feel everything.
”
”
C.J. Roberts
“
I want people to know me, but if anyone could look inside of me, if they saw that everything I feel is not what it's supposed to be, I don't know what would happen.
”
”
Ava Dellaira (Love Letters to the Dead)
“
I'm not a fool, I knew from the beginning
what couldn't happen. What couldn't happen
didn't. The enterprise is abandoned.
But half our life is
dreams, delirium, everything that underlies
that feeds
that keeps alive the illusion of sanity, semi-
sanity, we allow
others to see. The half of me that feeds the rest
is in mourning. Mourns. Each time we must
mourn, we fear this is the final mourning, this time
mourning never will lift.
”
”
Frank Bidart (Metaphysical Dog)
“
But I think that she was capable of anything because everything had already happened to her. She was fearless because she'd already suffered what the rest of us live in fear of.
”
”
Parini Shroff (The Bandit Queens)
“
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
”
”
pleasefindthis (I Wrote This For You)
“
My Sabine,
I just left your room. You were so beautiful lying there sound asleep that I couldn’t bear to wake you. But I’m not feeling so great and there are things I promised to tell you that I fear I may not get the chance to.
I know you had once hoped that I would be the one to pass on your letters to Maddie once you were gone. But, as it turns out, I think it is going to be me who ends up leaving the letters behind.
Be mad at me. You should. But after that try to understand that I did what I thought was best. I wanted to tell you. So many times I snuck down to your room planning on telling you everything, but I just couldn’t.
Partly it was for you – yes. You needed time and I didn’t want to influence your choices, even once I realised what was happening between us, even more so then. Falling in love with you only made those choices more complicated and I feared that you might choose to stay for me and then, after I was gone, change your mind. I couldn’t let that happen.
Partly the choice was selfish, and for that I am sorry. For so long now people have been trying to fix me, but where they failed, you succeeded. You’ve given me more life in the last couple of weeks that I’ve had in years. Being with you, loving you, making memories with you, fearing for you, wanting to show you the beauty of life instead of the terror – it was bittersweet, but more importantly Sabine, it was real.
I know this is the part when I beg you to go on, live your life and be happy. But I don’t need to say those things. I know you. Your lives will be extraordinary. You certainly made mine feel that way.
Please find it in your heart to forgive me one day. I wish we had more time, but I want to thank you – for giving me life in my time of death.
My love for you is eternal.
Ethan.
”
”
Jessica Shirvington (Between the Lives)
“
As Harold took a bite of Bavarian sugar cookie, he finally felt as if everything was going to be ok. Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy, we can thank God for Bavarian sugar cookies. And, fortunately, when there aren't any cookies, we can still find reassurance in a familiar hand on our skin, or a kind and loving gesture, or subtle encouragement, or a loving embrace, or an offer of comfort, not to mention hospital gurneys and nose plugs, an uneaten Danish, soft-spoken secrets, and Fender Stratocasters, and maybe the occasional piece of fiction. And we must remember that all these things, the nuances, the anomalies, the subtleties, which we assume only accessorize our days, are effective for a much larger and nobler cause. They are here to save our lives. I know the idea seems strange, but I also know that it just so happens to be true.
”
”
Zach Helm (Stranger Than Fiction: The Shooting Script)
“
Our destination isn't clear. All I know is that I want to get there together. The Unknown is scary. I'll always have some fear about what's going to happen next. The thing is, the unknown can also be exciting. Your life could change in an instant anytime. But sometimes, that change is the best thing that will ever happen to you. Maybe I dont' have to know what my fate is to know that everything will be okay. Maybe the not knowing is how we move forward. Wherever I'm headed, I know it's exactly where I'm supposed to be.
”
”
Susane Colasanti (Something Like Fate)
“
It doesn't matter what the manifest problem was in our childhood family. In a home where a child is emotionally deprived for one reason or another that child will take some personal emotional confusion into his or her adult life. We may spin our spiritual wheels in trying to make up for childhood's personal losses, looking for compensation in the wrong places and despairing that we can find it. But the significance of spiritual rebirth through Jesus Christ is that we can mature spiritually under His parenting and receive healing compensation for these childhood deprivations. Three emotions that often grow all out of proportion in the emotionally deprived child are fear, guilt, and anger. The fear grows out of the child's awareness of the uncontrollable nature of her fearful environment, of overwhelming negative forces around her. Her guilt, her profound feelings of inadequacy, intensify when she is unable to put right what is wrong, either in the environment or in another person, no matter how hard she tries to be good. If only she could try harder or be better, she could correct what is wrong, she thinks. She may carry this guilt all her life, not knowing where it comes from, but just always feeling guilty. She often feels too sorry for something she has done that was really not all that serious. Her anger comes from her frustration, perceived deprivation, and the resultant self-pity. She has picked up an anger habit and doesn't know how much trouble it is causing her. A fourth problem often follows in the wake of the big three: the need to control others and manipulate events in order to feel secure in her own world, to hold her world together- to make happen what she wants to happen. She thinks she has to run everything. She may enter adulthood with an illusion of power and a sense of authority to put other people right, though she has had little success with it. She thinks that all she has to do is try harder, be worthier, and then she can change, perfect, and save other people. But she is in the dark about what really needs changing."I thought I would drown in guilt and wanted to fix all the people that I had affected so negatively. But I learned that I had to focus on getting well and leave off trying to cure anyone around me." Many of those around - might indeed get better too, since we seldom see how much we are a key part of a negative relationship pattern. I have learned it is a true principle that I need to fix myself before I can begin to be truly helpful to anyone else. I used to think that if I were worthy enough and worked hard enough, and exercised enough anxiety (which is not the same thing as faith), I could change anything. My power and my control are illusions. To survive emotionally, I have to turn my life over to the care of that tender Heavenly Father who was really in charge. It is my own spiritual superficiality that makes me sick, and that only profound repentance, that real change of heart, would ultimately heal me. My Savior is much closer than I imagine and is willing to take over the direction of my life: "I am the vine, ye are the branches: He that abideth in me, and I in him, the same bringeth forth much fruit: for without me, ye can do nothing." (John 15:5). As old foundations crumble, we feel terribly vulnerable. Humility, prayer and flexibility are the keys to passing through this corridor of healthy change while we experiment with truer ways of dealing with life. Godly knowledge, lovingly imparted, begins deep healing, gives tools to live by and new ways to understand the gospel.
”
”
M. Catherine Thomas
“
And that's how it was with Garrett. Because he understood me, the me I wanted so desperately to be. Think about your best friend - how you tell them everything, how they're the person who knows you best, all your deepest fears and insecurities. They're the one you call when something amazing happens or when everything falls apart and you need someone to come over and watch movies and tell you that everything's going to be OK. It's not like family, who are obligated to love you and even then sometimes fail to be everything they're supposed to be. Your true friend has chosen you, and you them, and that's a different kind of bond.
That's Garrett to me. I'm used to talking to him all the time, about the most meaningless stuff. To have him gone feels like a loss, an absence haunting me every day. Without him, there's just the empty space that used to be filled with laughter and friendship and comfort.
Can you really blame me for finding it so hard to let go?
”
”
Abby McDonald (Getting Over Garrett Delaney)
“
I shook my head, trying to make sense out of what had happened. As before, no sense came. I completely lost every sense of right and wrong and good and bad. I became this black, suffocating thing, everything I feared in others. I became Javier. I became my father.
”
”
Karina Halle (Shooting Scars (The Artists Trilogy, #2))
“
I missed you, Kitten,” he growled. Then his mouth crushed over mine, his kiss more filled with raw need than romantic welcome. That was fine; I felt the same way. Aside from my compulsive urge to run my hands over him to assure myself that he was really here, relief, happiness, and the most profound feeling of rightness zoomed through me, settling all the way to my core. I hadn’t realized how deeply I’d missed Bones until that very moment, hadn’t let myself acknowledge how everything felt off when I was apart from him. On some levels, it was frightening how much a part of me he’d become. It let me know just how much I’d crumble if anything happened to him. “Why didn’t you answer your mobile earlier?” Bones murmured once he lifted his head. “I tried you several times. Tried Mencheres, too. Even Tepesh. None of you answered. Scared the wits out of me, so I stowed away on a FedEx plane to make sure you were all right.” “You came all the way from Ohio because I didn’t answer the phone?” I was torn between laughter and disbelief. “God, Bones, that’s a little crazy.” And it was, except the part of me that had had images of his tombstone dancing in my head because he hadn’t answered his phone earlier was nodding in complete understanding. Despite all our protestations, we were so alike when it came to fear over the other’s safety, and I doubted we’d ever change. “Crazy,” I repeated, my voice roughening with the surge of emotion in me. “And have I told you lately. that your crazy side . . . is your sexiest side?” He chuckled before his mouth swooped back over mine in another dizzying kiss. Then he picked me up, brushing past Vlad and Mencheres without even a hello, though I doubted either of them was surprised.
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
I don’t believe in safety. I wish I did. I am not brave. I simply know what to be scared of; I know to be scared of everything. There is freedom in that fear. That freedom makes it easier to appear fearless—to say and do what I want. I have been broken, so I am prepared should that happen again. I have, at times, put myself in dangerous situations. I have thought, You have no idea what I can take.
”
”
Roxane Gay (Bad Feminist: Essays)
“
It's dark because you're trying too hard," said Susila. "Dark because you want it to be light. Remember what you used to tell me when I was a little girl. 'Lightly, child, lightly. You've got to learn to do everything lightly. Think lightly, act lightly, feel lightly. Yes, feel lightly, even though you're feeling deeply. Just lightly let things happen and lightly cope with them.' I was so preposterously serious in those days, such a humorless little prig. Lightly, lightly—it was the best advice ever given me. Well, now I'm going to say the same thing to you, Lakshmi . . . Lightly, my darling, lightly. Even when it comes to dying. Nothing ponderous, or portentous, or emphatic. No rhetoric, no tremolos, no self-conscious persona putting on its celebrated imitation of Christ or Goethe or Little Nell. And, of course, no theology, no metaphysics. Just the fact of dying and the fact of the Clear Light. So throw away all your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That's why you must walk so lightly. Lightly, my darling. On tiptoes; and no luggage, not even a sponge bag. Completely unencumbered.
”
”
Aldous Huxley (Island)
“
My mother's suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother's unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me.
At the age of twelve, before I had one year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering.
At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful.
It made me want to drive coldly to the heart of every question and it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men's souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
”
”
Richard Wright (Black Boy (American Hunger))
“
But as I sit and wait and fear
and watch the hours go—
Everything that happened here
happened long ago.
”
”
Lang Leav (Lullabies)
“
When people call it [depression] I always get pissed off because I always think depression sounds like you just get like really sad, you get quiet and melancholy and just like sit quietly by the window sighing or just lying around. A state of not caring about anything. A kind of blue kind of peaceful state … Well this - isn’t a state. This is a feeling. I feel it all over. In my arms and legs … All over. My head, throat, butt. In my stomach. It’s all over everywhere. I don’t know what to call it. It’s like I can’t get enough outside it to call it anything. It’s like horror more than sadness. It’s more like horror. It’s like something horrible is about to happen, the most horrible thing you imagine – no, worse than you can imagine because there’s the feeling that there’s something you have to do right away to stop it but you don’t know what it is you have to do, and then it’s happening, too, the whole horrible time, it’s about to happen and also it’s happening, all at the same time. … Everything gets horrible. Everything you see gets ugly. Lurid is the word. … That’s the right word for it. And everything sounds harsh, spiny and harsh-sounding, like every sound you hear all of a sudden has teeth. And smelling like I smell bad even after I just got out of the shower. It’s like what’s the point of washing if everything smells like I need another shower.
”
”
David Foster Wallace (Infinite Jest)
“
This seemed to be happening more and more lately out in Greater Los Angeles, among gatherings of carefree youth and happy dopers, where Doc had begun to notice older men, there and not there, rigid, unsmiling, that he knew he'd seen before, not the faces necessarily but a defiant posture, an unwillingness to blur out, like everyone else at the psychedelic events of those days, beyond official envelopes of skin. Like the operatives who'd dragged away Coy Harlingen the other night at that rally at the Century Plaza. Doc Knew these people, he'd seen enough of them in the course of business. They went out to collect cash debts, they broke rib cages, they got people fired, they kept an unforgiving eye on anything that might become a threat. If everything in this dream of prerevolution was in fact doomed to end and the faithless money-driven world to reassert its control over all the lives it felt entitled to touch, fondle, and molest, it would be agents like these, dutiful and silent, out doing the shitwork, who'd make it happen.
Was it possible, that at every gathering--concert, peace rally, love-in, be-in, and freak-in, here, up north, back east, wherever--those dark crews had been busy all along, reclaiming the music, the resistance to power, the sexual desire from epic to everyday, all they could sweep up, for the ancient forces of greed and fear?
'Gee,' he said to himself out loud, 'I dunno...
”
”
Thomas Pynchon (Inherent Vice)
“
As if I feared that the scope of what I could feel and imagine was being quietly limited by the world within a world, the internet. The things outside of the web were becoming further from me, and everything inside it seemed piercingly relevant. The blogs of strangers had to be read daily, and people nearby who had no web presence were becoming almost cartoonlike, as if they were missing a dimension.
It was just happening, like time, like geography. The web seemed so inherently endless that it didn't occur to me what wasn't there. My appetite for pictures and videos and news and music was so gigantic now that if something was shrinking, something immesurable, how would I notice?
...Most of life is offline, and I think it always will be; eating and aching and sleeping and loving happen in the body. But it's not impossible to imagine loosing my appetite for those things; they aren't always easy, and they take so much time.
”
”
Miranda July (It Chooses You)
“
You have to take risks. We will only understand the miracle of life fully when we allow the unexpected to happen.
Every day, God gives us the sun - and also one moment when we have the ability to change everything that makes us unhappy. Every day, we try to pretend that we haven't perceived that moment, that it doesn't exist - that today is the same as yesterday and will be the same as tomorrow. But if people really pay attention to their everyday lives, they will discover that magic moment. It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us. But that moment exists - a moment when all the power of the stars becomes a part of us and enables us to perform miracles.
Joy is sometimes a blessing, but it is often a conquest. Our magic moment helps us to change and sends us off in search of our dreams. Yes, we are going to suffer, we will have difficult times, and we will experience many disappointments - but all of these are transitory; it leaves no permanent mark. And one day we will look back with pride and faith at the journey we have taken.
Pitiful is the person who is afraid of taking risks. Perhaps, this person would never be disappointed or disillusioned; perhaps she won't suffer the way people do when they have a dream to follow. But when the person looks back - she will never hear her heart saying 'What have you done with the miracles that God planted in your days? What have you done with the talents God has bestowed upon you? You buried yourself in a cave because you were fearful of losing those talents. So this is your heritage, the certainty that you wasted your life.'
Pitiful are the people who must realize this. Because when they are finally able to believe in miracles, their life's magic moments will have already passed them by.
”
”
Paulo Coelho (By the River Piedra I Sat Down and Wept)
“
My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . .
Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week.
My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations.
When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love.
What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.
”
”
Vladimir Nabokov (Letters to Vera)
“
You want what you can’t have. I see it in your eyes. The pain that fills your nights is because of my pack of lies. I’ve opened up the door for you
to walk away. There’s a better path for you even though I want you to stay. I’ve broken the rules, I’ve veered from the path but when I met you I
knew to save you was worth the wrath. Let me leave now before it’s too late. Let me leave now before you know what I am and your love becomes
hate.
Walk away from me before I break down and take you with me. You can’t go where I’m going you can’t walk through my Hell. Walk away from me
before I break down and take you with me. My path is meant for only me. There is no way to take you too. I’ve given you life when it was in my
hands to give you death. Walk away from me.
112
Existence
I watch the life I know you will lead without me here. It’s what you deserve it is where you belong it is everything I want but everything I fear. Once I
met you I knew I had to save you but you saved me. Now I’m turning away and letting you run free. Not one moment will I forget there is a fire
inside me that you lit with your touch. Hurting you wasn’t the plan but it must happen by my hand.
Walk away from me before I break down and take you with me. You can’t go where I’m going you can’t walk through my Hell. Walk away from me
before I break down and take you with me. My path is meant for only me. There is no way to take you too. I’ve given you life when it was in my
hands to give you death. Walk away from me.
”
”
Abbi Glines (Existence (Existence, #1))
“
All I know is that every time I've been faced with a tough decision, there's only one thing that outweighs every other concern. One thing that will make you give up on everything you thought you knew, every instinct, every rational calculation. Love.
No matter what happens, you gotta forget about all the other stuff. You gotta forget about logic and fear and doubt. You just gotta do everything you can to get to the one woman who's gonna make all this worth it. At the end of the day, you gotta jump.
”
”
Jim Halpert
“
The hard part is that I lost myself. In the midst of life happening all around me, I lost the ability to be okay, I lost the ability to trust. I lost the ability to love myself, and when that happens, you lose everything. And when the one person in the entire world who loves you unconditionally is gone, then you start wondering who will love you? And then when you start wondering, you get scared that you have to even ask that question. But since you have already asked yourself that, you can’t ignore it. Who will love you now? Who could possibly love everything about you, now that the only person in the world who could, is gone? Hell, you don’t even love yourself. Why would someone else? And then when you realize that, the relationship you’re in seems pointless. Because you start believing that they won’t ever be able to withstand your problems and craziness. And then that snowballs to even more insecurities and fear, and you feel trapped in this broken body that can’t ever be healed. And then you feel lost, torn, broken, unfixable, damaged, and like nothing in the entire world could ever possibly be okay again. Because you know from the past, that even when everything seems okay, another devastating blow comes around again and knocks you back down. So you feel even smaller, even weaker. By that point you’re at the bottom, you’re looking up in tears, ready to scream for help. But you’re not sure who’s going to be there, and if the person who does show up, is going to be the person you need, the person who’s going to pick you up, and help you heal. And then you realize again, that you lost yourself. That in the midst of life happening all around you, you lost ability to be okay.
”
”
Sabrina K
“
Bold prayers honor God, and God honors bold prayers. God isn’t offended by your biggest dreams or boldest prayers. He is offended by anything less. If your prayers aren’t impossible to you, they are insulting to God.
Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life.
The greatest tragedy in life is the prayers that go unanswered because they go unasked.
God does not answer vague prayers. The more specific your prayers are, the more glory God receives.
Most of us don’t get what we want because we quit praying. We give up too easily. We give up too soon. We quit praying right before the miracle happens.
If you don’t take the risk, you forfeit the miracle.
Take a step of faith when God gives you a vision because you trust that the One who gave you the vision is going to make provision. And for the record, if the vision is from God, it will most definitely be beyond your means.
We shouldn’t seek answers as much as we should seek God. If you seek answers you won’t find them, but if you seek God, the answers will find you.
If your plans aren’t birthed in prayer and bathed in prayer, they won’t succeed.
Are your problems bigger than God, or is God bigger than your problems? Our biggest problem is our small view of God. That is the cause of all lesser evils. And it’s a high view of God that is the solution to all other problems.
Because you know He can, you can pray with holy confidence.
Persistence is the magic bullet. The only way you can fail is if you stop praying. 100 percent of the prayers I don’t pray won’t get answered.
Where are you most proficient, most sufficient? Maybe that is precisely where God wants you to trust Him to do something beyond your ability.
What we perceive as unanswered prayers are often the greatest answers. Our heavenly Father is far too wise and loves us far too much to give us everything we ask for. Someday we’ll thank God for the prayers He didn’t answer as much or more than the ones He did.
You can’t pray for open doors if you aren’t willing accept closed doors, because one leads to the other.
Just as our greatest successes often come on the heels of our greatest failures, our greatest answers often come on the heels of our longest and most boring prayers.
The biggest difference between success and failure, both spiritually and occupationally, is your waking-up time on your alarm clock. We won’t remember the things that came easy; we’ll remember the things that came hard.
It’s not just where you end up that’s important; it’s how you get there. Goal setting begins and ends with prayer.
The more you have to circle something in prayer, the more satisfying it is spiritually. And, often, the more glory God gets.
I don’t want easy answers or quick answers because I have a tendency to mishandle the blessings that come too easily or too quickly. I take the credit or take them for granted. So now I pray that it will take long enough and be hard enough for God to receive all of the glory. Change your prayer approach from as soon as possible to as long as it takes.
Go home. Lock yourself in your room. Kneel down in the middle of the floor, and with a piece of chalk draw a circle around yourself. There, on your knees, pray fervently and brokenly that God would start a revival within that chalk circle.
”
”
Mark Batterson (The Circle Maker: Praying Circles Around Your Biggest Dreams and Greatest Fears)
“
I think about everything; good and bad. I think about the pain Ive experienced, the fear, the love, the passion, the kisses, the friendships. The way it feels when Alex touches me. I think about what it took to get there and I think about how briefly it stayed before it vanished. Its a moment in my life that Ill remember forever, yet, I wont. Because itll never actually happen. All I do is nod, but its enough that he understands.
”
”
Jessica Sorensen (The Evanescence (Fallen Souls, #2))
“
God will not be tolerated. He instructs us to worship and fear Him.
In our world, where hundreds of things distract us from God, we have to intentionally and consistently remind ourselves of Him.
Because we don’t often think about the reality of who God is, we quickly forget that He is worthy to be worshiped and loved. We are to fear Him.
The answer to each of these questions is simply this: because He’s God. He has more of a right to ask us why so many people are starving. As much as we want God to explain himself to us, His creation, we are in no place to demand that He give an account to us.
Can you worship a God who isn’t obligated to explain His actions to you? Could it be your arrogance that makes you think God owes you an explanation?
If God is truly the greatest good on this earth, would He be loving us if He didn’t draw us toward what is best for us (even if that happens to be Himself)? Doesn’t His courting, luring, pushing, calling, and even “threatening” demonstrate His love? If He didn’t do all of that, wouldn’t we accuse Him of being unloving in the end, when all things are revealed?
Has your relationship with God actually changed the way you live? Do you see evidence of God’s kingdom in your life? Or are you choking it out slowly by spending too much time, energy, money, and thought on the things of this world?
Christians who did most for the present world were precisely those who thought most of the next.
Jesus’ call to commitment is clear: He wants all or nothing.
Our greatest fear as individuals and as a church should not be of failure but of succeeding at things in life that don’t really matter.
If life is a river, then pursuing Christ requires swimming upstream. When we stop swimming, or actively following Him, we automatically begin to be swept downstream.
How could we think for even a second that something on this puny little earth compares to the Creator and Sustainer and Savior of it all?
True faith means holding nothing back; it bets everything on the hope of eternity.
When you are truly in love, you go to great lengths to be with the one you love. You’ll drive for hours to be together, even if it’s only for a short while. You don’t mind staying up late to talk. Walking in the rain is romantic, not annoying. You’ll willingly spend a small fortune on the one you’re crazy about. When you are apart from each other, it’s painful, even miserable. He or she is all you think about; you jump at any chance to be together.
There is nothing better than giving up everything and stepping into a passionate love relationship with God, the God of the universe who made galaxies, leaves, laughter, and me and you.
Do you recognize the foolishness of seeking fulfillment outside of Him?
Are you ready and willing to make yourself nothing? To take the very nature of a servant? To be obedient unto death?
True love requires sacrifice.
What are you doing right now that requires faith?
God doesn’t call us to be comfortable.
If one person “wastes” away his day by spending hours connecting with God, and the other person believes he is too busy or has better things to do than worship the Creator and Sustainer, who is the crazy one?
Am I loving my neighbor and my God by living where I live, by driving what I drive, by talking how I talk?”
If I stop pursuing Christ, I am letting our relationship deteriorate.
The way we live out our days is the way we will live our lives.
What will people say about your life in heaven? Will people speak of God’s work and glory through you? And even more important, how will you answer the King when He says, “What did you do with what I gave you?
”
”
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
“
I used to think that if only I could make everything perfect, then I could relax and have fun. If I could just eliminate all mistakes, my life would settle into place - click! - and my mind would rest. If I'm being truthful, I have to acknowledge that on some unchangeable, deep-down level, there's still a part of me that thinks that. I'm still a first grader at a spelling bee, thinking that what matters more than anything is that I get every word right.
But by now, I've built up a crowd of selves who can set that little girl at ease. It's okay, they tell her. Mistakes will happen - they have happened - and it's not the end of the world. They get her to loosen up a little bit. They help her see that doing things wrong is part of doing life right. They show her that joy is bigger than fear. It can even be funny when things go haywire.
”
”
Mary Laura Philpott (I Miss You When I Blink: Essays)
“
Remembering what his daemon friend Bruno had written in the sixteenth century, I quoted it again. “‘Desire urges me on, as fear bridles me.’ Doesn’t that explain everything that happens in the world?
”
”
Deborah Harkness (A Discovery of Witches (All Souls, #1))
“
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
”
”
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
“
Insta-love isn’t something that happens in real life. It
happens in the books I read, but not in the world I live. Though here
stands this beautiful, sexy, funny, sweet and amazing guy who has
done everything short of professing love at first sight to me and I’m
still standing here like a pair of lungs suffocating, needing him in
order to breathe.
”
”
Kathryn Perez
“
When I fall in love with someone, then that doesn’t “just” happen… When I love someone’s character, over time I’ll see that personality, I love so much, shining through their eyes and fusing with their appearance, turning them in the most beautiful girl in the world. It’s not about appearance, it’s about someone’s beautiful, amazing, wonderful, fantastic personality, you’ll see every time you look at her. It’s about the fact that when you look in her eyes, you just feel home… You forget all your problems, all your fears, you just feel safe, you feel like you’ve finally found a place where you belong… A place you can spend an eternity, where you will spend an eternity, cause those enchanting, beautiful eyes will slow down time and make every second; looking in her beautiful eyes, right into her amazing personality, last more than a lifetime.
It’s about the fact that the whole world, the whole universe just looks so much more beautiful!! All of a sudden everything looks different and your heart will just start smiling. That’s what love is all about… the moment someone you only “liked” before, changes into the most aesthetically pleasing girl in the world. The moment you realize how blind you’ve been all those days, how you were living in a fake universe, never knowing that the only thing your life is all about, the only thing that keeps you smiling, was all the time right next to you.
”
”
Tom Hiddleston
“
There was another crashing sound, this time coming from directly overhead, and a chorus of excited bellows from the onlookers caused the walls to tremble. Above it all, the innkeeper could be heard complaining shrilly that his building would soon be reduced to matchsticks.
“Mr. Hunt,” Lillian exclaimed, “I do wish that you would try to be of some use to Lord Westcliff!”
Hunt’s brows lifted into mocking crescents. “You don’t actually fear that St. Vincent is getting the better of him?”
“The question is not whether I have sufficient confidence in Lord Westcliff’s fighting ability,” Lillian replied impatiently. “The fact is, I have too much confidence in it. And I would rather not have to bear witness at a murder trial on top of everything else.”
“You have a point.” Standing, Hunt refolded his handkerchief and placed it in his coat pocket. He headed to the stairs with a short sigh, grumbling, “I’ve spent most of the day trying to stop him from killing people.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Sixth grade, I remembermy best friend Wendy
whose parents were fighting, harshly, loudly,
and we sat on the curb outside so she wouldn't have to hear it,
and she cried, believing her world was falling apart.
I made up a kind-of game:
to everything she would say, I would respond
'Is that a fact or an opinion?'
and she had to figure it out and say it outloud--
we played it for hours,
ending up laughing
but she also began to separate
what was actually happening inside the house
from her feelings about it
and her fears.
I feel like I'm still playing 'Fact or Opinion'
in my writing,
in the world--
with family, friends,
and, of course, myself.
Wish I could play it with our governmental representatives,
our institutions,
our courts.
”
”
Shellen Lubin
“
Sixth grade, I remembermy best friend Wendy
whose parents were fighting, harshly, loudly,
and we sat on the curb outside so she wouldn't have to hear it,
and she cried, believing her world was falling apart.
I made up a kind-of game:
to everything she would say, I would respond
"Is that a fact or an opinion?"
and she had to figure it out and say it outloud--
we played it for hours,
ending up laughing
but she also began to separate
what was actually happening inside the house
from her feelings about it
and her fears.
I feel like I'm still playing "Fact or Opinion"
in my writing,
in the world--
with family, friends,
and, of course, myself.
Wish I could play it with our governmental representatives,
our institutions,
our courts.
”
”
Shellen Lubin
“
It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
”
”
Matt Haig (The Midnight Library (The Midnight World, #1))
“
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt.
He opens his mouth but then closes it swallowing.
“Pike, Jesus—”
“The day you left,” he blurts out, and I stop.
I wait, listening as a look of fear crosses his eyes.
“The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.”
A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out.
“But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.”
My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms.
He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.”
His tone grows thick, and I see his eyes water.
“I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.”
My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him.
“I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.”
A tear spills over, gliding down my cheek.
“Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.”
My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him.
His arms are around me in a second, and he hugs me from behind, burying his face in my neck.
“I’m sorry I took so long,” he whispers in my ear.
”
”
Penelope Douglas (Birthday Girl)
“
And if, indeed, there is nothing beyond the corner? Who can affirm if beyond so-called ‘reality’ anything exists at all? Beyond a reality that I have probably created? As long as I’m steeped in this reality up to my neck, as long as it is sufficient for me—everything is tolerable. But what would happen if I wanted one day to lean out of my safe environment and glance beyond its borders?
”
”
Stefan Grabiński (The Dark Domain)
“
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget
…But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you
Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night.
The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next
At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist
Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain
True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break
Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before
The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night
He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities.
Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing.
I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be
The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything
Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told
You were nothing more than a speck of dust, good-looking dust, but dust all the same
Some people needed saving
She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last
Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move?
At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more
She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
”
”
Alice Hoffman (Blue Diary)
“
Paths of the mirror"
I
And above all else, to look with innocence. As if nothing was happening, which is true.
II
But you, I want to look at you until your face escapes from my fear like a bird from the sharp
edge of the night.
III
Like a girl made of pink chalk on a very old wall that is suddenly washed away by the rain.
IV
Like when a flower blooms and reveals the heart that isn’t there.
V
Every gesture of my body and my voice to make myself into the offering,
the bouquet that is abandoned by
the wind on the porch.
VI
Cover the memory of your face with the mask of who you will be and scare the girl you once were.
VII
The night of us both scattered with the fog. It’s the season of cold foods.
VIII
And the thirst, my memory is of the thirst, me underneath, at the bottom, in the hole,
I drank, I remember.
IX
To fall like a wounded animal in a place that was meant to be for revelations.
X
As if it meant nothing. No thing. Mouth zipped. Eyelids sewn. I forgot.
Inside, the wind. Everything closed and the wind inside.
XI
Under the black sun of the silence the words burned slowly.
XII
But the silence is true. That’s why I write. I’m alone and I write. No, I’m not alone.
There’s somebody here shivering.
XIII
Even if I say sun and moon and star I’m talking about things that happen to me. And what did I wish for? I wished for a perfect silence.
That’s why I speak.
XIV
The night is shaped like a wolf’s scream.
XV
Delight of losing one-self in the presaged image. I rose from my corpse, I went looking for who I am.
Migrant of myself, I’ve gone towards the one who sleeps in a country of wind.
XVI
My endless falling into my endless falling where nobody waited for me –because when I saw who was waiting for me I saw no one but myself.
XVII
Something was falling in the silence. My last word was “I” but I was talking about the luminiscent dawn.
XVIII
Yellow flowers constellate a circle of blue earth. The water trembles full of wind.
XIX
The blinding of day, yellow birds in the morning. A hand untangles the darkness, a hand drags
the hair of a drowned woman that never stops going through the mirror. To return to the memory of the body,
I have to return to my mourning bones, I have to understand what my voice is saying.
”
”
Alejandra Pizarnik (Extracting the Stone of Madness: Poems 1962 - 1972)
“
Every challenge we take on has the power to knock us to our knees. But what’s even more disconcerting than the jolt itself is our fear that we won’t withstand it. When we feel the ground beneath us shifting, we panic. We forget everything we know and allow fear to freeze us. Just the thought of what could happen is enough to throw us off balance. What I know for sure is that the only way to endure the quake is to adjust your stance. You can’t avoid the daily tremors. They come with being alive. But I believe these experiences are gifts that force us to step to the right or left in search of a new center of gravity. Don’t fight them. Let them help you adjust your footing.
”
”
Oprah Winfrey (What I Know For Sure)
“
He pulled my skirt up. I began to worry. Everyone knew he had broken in girls before and I didn't want it to happen to me. I said, 'No. Get off, please.' He pulled me down the alley and pushed me to the ground. As I lay on my back worrying about my new blue coat, he pushed his fingers up between my legs — and rammed himself into me.
I was crying. His lips were pressed against mine but I was motionless, like a small corpse. He grunted and I knew it was over. He got up, I just lay there on the ground, my tights round my ankles. The clock was striking twelve.
As he walked away, he turned and said, 'I've always wanted to do it to you. I like your mouth'.
When I got in, my mum said, 'Tracey, what's wrong with you?' I showed her my coat, the dirt and the stains, and told her 'I'm not a virgin any more.'
She didn't call the police or make any fuss. She just washed my coat and everything carried on as normal, as though nothing had happened.
But for me, my childhood was over, I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both.
(describing childhood rape)
”
”
Tracey Emin (Strangeland)
“
...each day I sit down in purposeful concentration to write in a notebook, some sentences on a buried truth, an unnamed reality, things that happened but are denied. It is hard to describe the stillness it takes, the difficulty of this act. It requires an almost perfect concentration which I am trying to learn and there is no way to learn it that is spelled out anywhere or so I can understand it but I have a sense that it's completely simply, on the order of being able to sit still and keep your mind dead center in you without apology or fear. I squirm after some time but it ain't boredom, it's fear of what's possible, how much you can know if you can be quiet enough and simple enough. I move around, my mind wanders, I lose the ability to take words and roll them through my brain, move with them into their interiors, feel their colors, touch what's under them, where they come from long ago and way back. I get frightened seeing what's in my own mind if words get put to it. There's a light there, it's bright, it's wide, it could make you blind if you look direct into it and so I turn away, afraid; I get frightened and I run and the only way to run is to abandon the process altogether or compromise it beyond recognition. I think about Celine sitting with his shit, for instance; I don't know why he didn't run, he should've. It's a quality you have to have of being near mad and at the same time so quiet in your heart that you could pass for a spiritual warrior; you could probably break things with the power in your mind. You got to be able to stand it, because it's a powerful and disturbing light, not something easy and kind, it comes through your head to make its way onto the page and you get fucking scared so your mind runs away, it wanders, it gets distracted, it buckles, it deserts, it takes a Goddamn freight train if it can find one, it wants calming agents and sporifics, and you mask that you are betraying the brightest and the best light you will ever see, you are betraying the mind that can be host to it...
...Your mind does stupid tricks to mask that you are betraying something of grave importance. It wanders so you won't notice that you are deserting your own life, abandoning it to triviality and garbage, how you are too fucking afraid to use your own brain for what it's for, which is to be a host to the light, to use it, to focus it; let it shine and carry the burden of what is illuminated, everything buried there; the light's scarier than anything it shows, the pure, direct experience of it in you as if your mind ain't the vegetable thing it's generally conceived to be or the nightmare thing you know it to be but a capacity you barely imagined, real; overwhelming and real, pushing you out to the edge of ecstasy and knowing and then do you fall or do you jump or do you fly?
”
”
Andrea Dworkin (Mercy)
“
were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay. Chapter 7
”
”
S.E. Hinton (The Outsiders)
“
But don’t you remember being a child?” he said. “How much simpler and clearer everything was? Sometimes I think they’re smarter than any of us when it comes to love. They don’t doubt it. Not for a second. And they don’t doubt that they’re loved in return. Something happens to us when we grow up. Misfortune tramples us. We forget how it feels to simply love without throwing the whole mess of life into the stew. We trade love for fear. I’m not willing to do that anymore.
”
”
Martha Brockenbrough (The Game of Love and Death)
“
I’ve learned that the bad doesn’t necessarily disappear once you’ve become accustomed to the good, but it sure does help drown it out. Still, there are times when the darkness shadows the light, and you fall back into the pit of despair that you’ve only recently climbed out of. For me, that happens when I’m the happiest, when I’m full of so much love, pride, and excitement that the fear of losing everything becomes a weight too heavy to bear, forcing me back into my protective shell.
”
”
Hannah Cowan (Between Periods (Swift Hat-Trick Trilogy, #1.5))
“
I know “professional” historians like to talk about how Yonkers represented a “catastrophic failure of the modern military apparatus,” how it proved the old adage that armies perfect the art of fighting the last war just in time for the next one. Personally, I think that’s a big ’ole sack of it. Sure, we were unprepared, our tools, our training, everything I just talked about, all one class-A, gold-standard clusterfuck, but the weapon that really failed wasn’t something that rolled off an assembly line. It’s as old as…I don’t know, I guess as old as war. It’s fear, dude, just fear and you don’t have to be Sun freakin Tzu to know that real fighting isn’t about killing or even hurting the other guy, it’s about scaring him enough to call it a day. Break their spirit, that’s what every successful army goes for, from tribal face paint to the “blitzkrieg” to…what did we call the first round of Gulf War Two, “Shock and Awe”? Perfect name, “Shock and Awe”! But what if the enemy can’t be shocked and awed? Not just won’t, but biologically can’t! That’s what happened that day outside New York City, that’s the failure that almost lost us the whole damn war. The fact that we couldn’t shock and awe Zack boomeranged right back in our faces and actually allowed Zack to shock and awe us! They’re not afraid! No matter what we do, no matter how many we kill, they will never, ever be afraid!
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
I am a fearful person who likes to control everything - I mean everything. How otehr people feel, what is going to happen next year, how to keep everyone happy and liking me.
”
”
Zara Phillips (Mother Me)
“
And though it has been in no way a romantic evening, she embraces me and this time emanates a warmth I’m not familiar with. I am so used to imagining everything happening the way it occurs in movies, visualizing things falling somehow into the shape of events on a screen, that I almost hear the swelling of an orchestra, can almost hallucinate the camera panning low around us, fireworks bursting in slow motion overhead, the seventy-millimeter image of her lips parting and the subsequent murmur of “I want you” in Dolby sound. But my embrace is frozen and I realize, at first distantly and they with greater clarity, that the havoc raging inside me is gradually subsiding and she is kissing me on the mouth and this jars me back into some kind of reality and I lightly push her away. She glances up at me fearfully.
“Listen, I’ve got to go,” I say, checking my Rolex. “I don’t want to miss… Stupid Pet Tricks.
”
”
Bret Easton Ellis (American Psycho)
“
He took fear off the table. I’m not even sure how it happened… but I think the extreme uncertainty of my life finally made it very clear. Fear isn’t an option. It’s like He drew a line and said fear or ME. And I didn’t choose fear. And it was one of those fundamental changes where I know it’s just not an option. Everything can be taken away, and I trust Him. Period.
”
”
Sara Frankl
“
The weight of his words settled in the pit of my stomach. Old fears and worries stirred in the depths of my thoughts. How I wanted to believe him, to trust him, to love him. But the flip side of the wild desire to give him everything was the chilling knowledge of what usually happened when I followed my heart, or my body — both of which wanted to surrender to Julian utterly.
”
”
Gwen Mitchell (Cloak of Deceit (Alex Moore #1))
“
I like blank paper. To meet people I find interesting. Writing puts me into a world that has not been written yet. I spend much of my time contemplating love and death. When I am writing a surge of complete happiness takes over. To make readers hear the sound of their own heartbeats, that sound that whispers up to us: you are alive. When I manage to turn pages and pages of crap into a little bit of art, I feel like that girl in the Diamonds Are Forever ad. Writing gives me permission to be a child and to play with words the way that children play with blocks or twigs or mud. Writing makes me a god, each new page enabling me to create and destroy as many worlds as I please. It allows me to spy on my neighbors. It’s the only socially acceptable way to be a compulsive liar. I want to cleanse the past. To discover, to express, to celebrate, to acknowledge, to witness, to remember who I am. I find out what might have been, what should have happened, and what I fear will happen. It’s a means of asking questions, though the answers may be as puzzling as a rune. This question drives me crazy. There is nothing else I want to do more. My soul will not be still until the words are written on paper. Because I can. Because I must. I can’t not. If I don’t I will explode. I want to be good at something and I’ve tried everything else.
”
”
Alexander Steele (Gotham Writers' Workshop Writing Fiction: The Practical Guide From New York's Acclaimed Creative Writing School)
“
My best advice about writer’s block is: the reason you’re having a hard time writing is because of a conflict between the GOAL of writing well and the FEAR of writing badly. By default, our instinct is to conquer the fear, but our feelings are much, much, less within our control than the goals we set, and since it’s the conflict BETWEEN the two forces blocking you, if you simply change your goal from “writing well” to “writing badly,” you will be a veritable fucking fountain of material, because guess what, man, we don’t like to admit it, because we’re raised to think lack of confidence is synonymous with paralysis, but, let’s just be honest with ourselves and each other: we can only hope to be good writers. We can only ever hope and wish that will ever happen, that’s a bird in the bush. The one in the hand is: we suck. We are terrified we suck, and that terror is oppressive and pervasive because we can VERY WELL see the possibility that we suck. We are well acquainted with it. We know how we suck like the backs of our shitty, untalented hands. We could write a fucking book on how bad a book would be if we just wrote one instead of sitting at a desk scratching our dumb heads trying to figure out how, by some miracle, the next thing we type is going to be brilliant. It isn’t going to be brilliant. You stink. Prove it. It will go faster. And then, after you write something incredibly shitty in about six hours, it’s no problem making it better in passes, because in addition to being absolutely untalented, you are also a mean, petty CRITIC. You know how you suck and you know how everything sucks and when you see something that sucks, you know exactly how to fix it, because you’re an asshole. So that is my advice about getting unblocked. Switch from team “I will one day write something good” to team “I have no choice but to write a piece of shit” and then take off your “bad writer” hat and replace it with a “petty critic” hat and go to town on that poor hack’s draft and that’s your second draft. Fifteen drafts later, or whenever someone paying you starts yelling at you, who knows, maybe the piece of shit will be good enough or maybe everyone in the world will turn out to be so hopelessly stupid that they think bad things are good and in any case, you get to spend so much less time at a keyboard and so much more at a bar where you really belong because medicine because childhood trauma because the Supreme Court didn’t make abortion an option until your unwanted ass was in its third trimester. Happy hunting and pecking!
”
”
Dan Harmon
“
Going through all that, taught me that you get to choose your response when you are afraid. You might not be able to control everything that happens to you but you do get to control how you respond to it.
”
”
Tiffany Haddish (I Curse You With Joy)
“
He stalks toward me, close enough that I can feel his breath stirring my hair. ¨Are you commanding me?¨
¨No¨ I say, startled and unable to meet his gaze. ¨Of course not.¨ His fingers come to my chin, tilting my head so I am looking up into his black eyes, the rage in them as hot as coals. ¨You just think I ought to. That I can. That i be good at it. Very well, Jude. Tell me how its done. Do you think she´d like it if i came to her like this, if i looked deeply into her eyes?¨ My whole body is alert, alive with sick desire, embarassing in its intensity. He knows. I know he knows. ¨Probably,¨ I say, my voice coming out a little shakily. ¨Whatever it is you usually do.¨ ¨Oh, come now,¨ he says, his voice full of barely controlled fury. ¨If you want me to play the bawd, at least give me the benefit on your advice.¨ His beringed fingers trace over my cheek, trace the line of my lip and down my throat. I feel dizzy and overwhelmed. ¨Should I touch her like this?¨ he asks, lashes lowered. The shadows limn his face, casting his cheekbones into stark relief. ¨I dont know,¨ I say, but my voice betrays me. It´s all wrong, high and breathless. He presses his mouth to my ear, kissing me there. His hands skim over my shoulders, making me shiver. ¨And then like this? Is this how I ought to seduce her? I can feel his mouth shape the light words against my skin. ¨Do you think it would work?¨ I dig my fingernails into the meat of my palm to keep from moving against him. My whole body is trembling with tension. ¨Yes.¨ Then his mouth is against mine, and my lips part. I close my eyes against what im about to do. My fingers reach up to tangle in the black curls of his hair. He doesnt kiss me as though hes angry; his kiss is soft, yearning. Everything slows, goes liquid and hot. I can barely think. Ive wanted this and feared it, and now its happening, I dont know how i will ever want anything else. We stumble back to the low couch. He leans me against the cushions, and I pull him down over me. His expression mirrors my own, suprise and a little horror.
Page 143-144
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
Fear of the Dark I’ve always been prone to worry and anxiety, but after I became a mother, negotiating joy, gratitude, and scarcity felt like a full-time job. For years, my fear of something terrible happening to my children actually prevented me from fully embracing joy and gratitude. Every time I came too close to softening into sheer joyfulness about my children and how much I love them, I’d picture something terrible happening; I’d picture losing everything in a flash. At first I thought I was crazy. Was I the only person in the world who did this? As my therapist and I started working on it, I realized that “my too good to be true” was totally related to fear, scarcity, and vulnerability. Knowing that those are pretty universal emotions, I gathered up the courage to talk about my experiences with a group of five hundred parents who had come to one of my parenting lectures. I gave an example of standing over my daughter watching her sleep, feeling totally engulfed in gratitude, then being ripped out of that joy and gratitude by images of something bad happening to her. You could have heard a pin drop. I thought, Oh, God. I’m crazy and now they’re all sitting there like, “She’s a nut. How do we get out of here?” Then all of the sudden I heard the sound of a woman toward the back starting to cry. Not sniffle cry, but sob cry. That sound was followed by someone from the front shouting out, “Oh my God! Why do we do that? What does it mean?” The auditorium erupted in some kind of crazy parent revival. As I had suspected, I was not alone.
”
”
Brené Brown (The Gifts of Imperfection)
“
I actually attack the concept of happiness. The idea that—I don't mind people being happy—but the idea that everything we do is part of the pursuit of happiness seems to me a really dangerous idea and has led to a contemporary disease in Western society, which is fear of sadness. It's a really odd thing that we're now seeing people saying "write down three things that made you happy today before you go to sleep" and "cheer up" and "happiness is our birthright" and so on. We're kind of teaching our kids that happiness is the default position. It's rubbish. Wholeness is what we ought to be striving for and part of that is sadness, disappointment, frustration, failure; all of those things which make us who we are. Happiness and victory and fulfillment are nice little things that also happen to us, but they don't teach us much. Everyone says we grow through pain and then as soon as they experience pain they say, "Quick! Move on! Cheer up!" I'd like just for a year to have a moratorium on the word "happiness" and to replace it with the word "wholeness." Ask yourself, "Is this contributing to my wholeness?" and if you're having a bad day, it is.
”
”
Hugh Mackay (The Good Life)
“
Sure. I’m a monster. But there are monsters living inside your head, Vivienne. They tell you that everything that’s happened to you is all your fault. If you stay, I’ll make sure they’re too afraid of me to ever tell you that again.
”
”
Lilith Vincent (Fear Me, Love Me (Deadly Hearts, #1))
“
Are you persuaded of what you do or not? Do you need something to happen or not in order to do what you do? Do you need the correlations to coincide always, because the end is never in what you do, even if what you do is vast and distant but is always in your continuation? Do you say you are persuaded of what you do, no matter what? Yes? Then I tell you: tomorrow you will certainly be dead. It doesn't matter? Are you thinking about fame? About your family? But your memory dies with you,with you your family is dead. Are you thinking about your ideals? You want to make a will? You want a headstone? But tomorrow those too are dead, dead. All men die with you. Your death is an unwavering comet. Do you turn to god? There is no god, god dies with you. The kingdom of heaven crumbles with you, tomorrow you are dead, dead. Tomorrow everything is finished—your body, family, friends, country, what you’re doing now, what you might do in the future, the good, the bad, the true, the false, your ideas, your little part, god and his kingdom, paradise, hell, everything, everything, everything. Tomorrow everything is over—in twenty four hours is death.
Well, then the god of today is no longer yesterday’s, no longer the country, the good, the bad, friends, or family. You want to eat? No, you cannot. The taste of food is no longer the same; honey is bitter, milk is sour, meat nauseating, and the odor, the odor sickens you: it reeks of the dead. You want a woman to comfort you in your last moments? No, worse: it is dead flesh. You want to enjoy the sun, air, light, sky? Enjoy?! The sun is a rotten orange, the light extinguished, the air suffocating. The sky is a low, oppressive arc. . . .No, everything is closed and dark now. But the sun shines, the air is pure, everything is like before, and yet you speak like a man buried alive, describing his tomb. And persuasion? You are not even persuaded of the sunlight; you cannot move a finger, cannot remain standing. The god who kept you standing,made your day clear and your food sweet, gave you family, country, paradise—he betrays you now and abandons you because the thread of your philopsychia is broken.
The meaning of things, the taste of the world, is only for continuation’s sake. Being born is nothing but wanting to go on on: men live in order to live, in order not to die. Their persuasion is the fear of death. Being born is nothing but fearing death, so that, if death becomes certain in a certain future, they are already dead in the present. All that they do and say with fixed persuasion, a clear purpose, and evident reason is nothing but fear of death– ‘indeed, believing one is wise without being wise is nothing but fearing death.
”
”
Carlo Michelstaedter (Persuasion and Rhetoric)
“
Until… Chase stood. The restaurant, which had been a loud rumble, suddenly quieted. Everything after that happened in slow motion. All of our family and friends faded away as the man I love got down on one knee. I heard and saw nothing but him. “I had this whole thing to say planned out in my head, but the minute I saw your face, I completely forgot every word. So I’m just going to wing it here. Reese Elizabeth Annesley, since the first time I laid eyes on you on that bus in middle school, I’ve been crazy about you.” I smiled and shook my head. “You got the crazy part right.” Chase took my hand, and it was then I noticed his was shaking. My cocky, always-confident bossman was nervous. If it was possible, I fell a little more in love with him in that moment. I squeezed his hand, offering reassurance, and he steadied. That’s what we did for each other. I was the balance to his unsteadiness. He was the courage to my fear. He continued. “Maybe it wasn’t a school bus or middle school, but I fell hard for you in the hall, that much I’m sure of. From the moment I saw your beautiful face light up that dark hallway a year ago, I was done. I didn’t even care that we were both on dates with other people, I just needed to be closer to you any way I could. Since then, you’ve distracted me every day whether you’re near me or not. You brought me back to life, and there’s nothing I want to do more than build that life with you. I want to be the man to look under your bed every night and wake up next to you in it every morning. You’ve changed me. When I’m with you, I’m myself, only a better version, because you make me want to be a better man. I want to spend the rest of my life with you, and I want it to start yesterday. So, please tell me you’ll be my wife because I’ve already been waiting for you my entire life, and I don’t want to wait any more.” I pressed my forehead to his as tears streamed down my face. “You know I’m going to be even crazier once we live together, and probably even worse when we have our own family. Three locks might turn to seven, and doing my check in that big house of yours is going to take a long time. It might get old and tiring. I don’t know if I’ll ever be able to change any of that.” Chase reached behind me and bunched my hair into his hand, cupping it along with the nape of my neck. “I don’t want you to change. Not any of it. I love everything about you. There’s not a single thing I’d change if I could. Well, except your last name.
”
”
Vi Keeland (Bossman)
“
You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in its brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness
”
”
Béla Tarr
“
Sometimes, life can kinda be like a rollercoaster ride. It's like you're going along and everything seems cool. And it's not like you're looking down, but you're not necessarily looking up to see who's really in control. When I was little, I used to be so scared of rollercoasters, but eventually, you have to face your fears. Obviously, it's no big secret that my life has always been kinda like a rollercoaster. I've had my ups and downs and I've had moments when it felt like I was being twisted and turned, when my life seemed to be upside down and inside out and every which way. And just when I thought the scariest part was over, something even more horrifying would happen. But then, after all the hysteria, everything stopped. There was a moment of peace. I had gained a deeper kind of faith and I knew it was all part of God's bigger plan for me. So, if whatever doesn't kill you makes you stronger, I guess I'm strong. It's kinda like being on a rollercoaster. If you don't get on the ride, you won't experience the adventure.
”
”
Mariah Carey
“
There's this thing that writers talk about--where the characters take on a life of their own and they run away with the story, taking it off to places the author never intended to go. That's what happened here.
Except, that's not what really happens. That's one of the stories that writers tell about storytelling.
What really happened was that I sat and wrote and had a conversation with myself--a conversation that wasn't possible, unless I let part of myself pretend it was someone else--a disembodied voice in the typewriter. And so I typed. I typed everything I felt and feared and worried about, everything I thought I knew, and everything else as well, the much larger domain of what I didn't know and didn't know how to figure out.
Because this, at last, was a place where I could talk to somebody about it all--and if that somebody was really me, that was okay too, because I was the guy who had to figure it out anyway. So I had all these conversations with myself--and these different parts of me talked into the keyboard. And talked and talked and talked.
”
”
David Gerrold (The Martian Child: A Novel About a Single Father Adopting a Son)
“
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
”
”
Armistead Maupin (More Tales of the City (Tales of the City, #2))
“
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
”
”
Katie Klein (Cross My Heart (Cross My Heart, #1))
“
April 9th. Hope is almost as difficult as the other. But one is simply more used to hoping and fearing than to find oneself in the middle of what one had hoped or feared.
What I have learned: that there is no real escape from life.
One can only postpone the decision with cunning and cleverness. But there is no way out. It is a totally closed system, and at the exit there is only death. And that naturally is no exit at all.
I am a body. Nothing but a body. Everything which has to be done, which can be done, must happen within this body.
(The Yellow Book IV:2)
”
”
Lars Gustafsson (The Death of a Beekeeper)
“
It's dark because you're trying too hard. Dark because you want it to be light. Remember what you used to tell me when I was a little girl. 'Lightly, child, lightly. You've got to learn to do everything lightly. Think lightly, act lightly, feel lightly. Yes, feel lightly, even though you're feeling deeply. Just lightly let things happen and lightly cope with them.' [...] So throw away all your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That's why you must walk so lightly.
”
”
Aldous Huxley (Island)
“
There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one's marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends' faces are replaced by fear and concern. Everything previously moving with the grain is now against--you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew these caves were there. It will never end, for madness carves its own reality.
It goes on and on, and finally there are only others' recollections of your behavior--your bizarre, frenetic, aimless behaviors--for mania has at least some grace in partially obliterating memories. What then, after the medications, psychiatrist, despair, depression, and overdose? All those incredible feelings to sort through. Who is being to polite to say what? Who knows what? What did I do? Why? And most hauntingly, when will it happen again? Then, too, are the bitter reminders--medicine to take, resent, forget, take, resent, and forget, but always take....And always, when will it happen again? Which of my feelings are real? Which of the me's is me?
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
There will come a point where every hing falls into place. Everything makes sense. Why this didn't happen, why that did. Every past experience, moment, and memory is just that: in the past. And you won't look back. You'll be too busy living in the present world enjoying your beautiful life without hesitations or fear of anything. You'll catch yourself smiling for no apparent reason except the realization that this is your life and you are here for it.
It might seem absurd to you right now. It might not. Maybe the world is weighing down on you; you feel like you're drowning and there is no way to make it stop. No way to reach the light in whatever dark void you've found yourself. Maybe you haven't even found yourself at all.
Your time is coming.
I remember feeling empty, alone, scared of the world and what it had in store for me. I remember having these fears of judgement and failure and letting these drive my actions each day. I remember my late nights, the ones where I would spend hours sitting in darkness thinking "Is this how the rest of my life will be? What if it doesn't change?" Even worse: "What if I keep believing it will and then it never does?
”
”
Makenzie Campbell (2am thoughts)
“
His fingers come to my chin, tilting my head so I am looking up into his black eyes, the rage in them as hot as coals. 'You just think I ought to. That I can. That's I'd be good at it. Very well, Jude. Tell me how it's done. Do you think she'd like it if I came to her like this, if I looked deeply in to her eyes?'
My whole body is alert, alive with sick desire, embarrassing in its intensity.
He knows, I know he knows.
'Probably,' I say, my voice coming out a little shakily. 'Whatever it is you usually do.'
'Oh, come now,' he says, his voice full of barely controlled fury. 'If you want me to play the bawd, at least give me the benefit of your advice.'
His beringed fingers trace over my cheek, trace the line of my lip and down my throat. I feel dizzy and overwhelmed. 'Should I took her like this?' he asks, lashes lowered. The shadows limn his face, casting his cheekbones in to stark relief.
'I don't know,' I say, but my voice betrays me. It's all wrong, high and breathless.
He presses his mouth to my ear, kissing me there. His hands skim over my shoulders, making me shiver. 'And then like this? Is this how I ought to seduce her?' I can feel his mouth shape the light words against my skin. 'Do you think it would work?'
I dig my fingernails in to the meat of my palm to keep from moving against him. My whole body is trembling with tension. 'Yes.'
Then his mouth is against mine, and my lips part. I close my eyes against what I'm about to do. My fingers reach up to tangle in the black curls of his hair. He doesn't kiss me as though he's angry; his kiss is soft, yearning.
Everything slows, goes liquid and hot. I can barely think.
I've wanted this and feared it, and now that it's happening, I don't know how I will ever want anything else.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
Kissing Carter feels like I'm right where I need to be. Like everything happened just so that I could end up here, free of lies and fear and guilt, with friends who understand and respect me, and a boy who isn't perfect, but who's patient and whose light shines all over my darkness. Like finally.
”
”
Joya Goffney (Excuse Me While I Ugly Cry)
“
Sometimes I am dizzy with the fear of losing everything – the sea, the sky, all living creatures, forests, estuaries: we trade so much to know the virtual we scarcely register the drift and tug of other bodies scarcely apprehend the moment as it happens: shifts of light and weather and the quiet, local forms of history:
”
”
William Sieghart (100 Prized Poems: Twenty-five years of the Forward Books (Kindle Single))
“
I was sent here to be alive. To breathe and sweat and thirst and sometimes cry. And everything that happened to me, everything both great and small, was something I had to learn! There was room for it in the infinite mind of the Lord and I had to seek the lesson in it, no matter how hard it was to find. I almost laughed. It was so simple, so beautiful. If only I could keep it in my mind, this understanding, this moment—never forget it as one day followed another, never forget it no matter what happened, never forget it no matter what came to pass. Oh, yes, I would grow up, and there would come a time when I would leave Nazareth, surely. I would go out into the world and do what it was I was meant to do. Yes. But for now? All was clear. My fear was gone. It seemed the whole world was holding me. Why had I ever thought I was alone? I was in the embrace of the earth, of those who loved me no matter what they thought or understood, of the very stars. “Father,” I said. “I am your child.
”
”
Anne Rice (Out of Egypt (Christ the Lord, #1))
“
For no obvious reason, I began to look closely at the women on the stradone. Suddenly it seemed to me that I had lived with a sort of limited gaze: as if my focus had been only on us girls, Ada, Gigliola, Carmela, Marisa, Pinuccia, Lila, me, my schoolmates, and I had never really paid attention to Melina’s body, Giuseppina Pelusi’s, Nunzia Cerullo’s, Maria Carracci’s. The only woman’s body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swollen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings? Would Lila be misshapen like Nunzia? Would Fernando leap from her delicate face, would her elegant walk become Rino’s, legs wide, arms pushed out by his chest? And would my body, too, one day be ruined by the emergence of not only my mother’s body but my father’s? And would all that I was learning at school dissolve, would the neighborhood prevail again, the cadences, the manners, everything be confounded in a black mire, Anaximander and my father, Folgóre and Don Achille, valences and the ponds, aorists, Hesiod, and the insolent vulgar language of the Solaras, as, over the millenniums, had happened to the chaotic, debased city itself? I
”
”
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
“
You seem disappointed that I am not more responsive to your interest in "spiritual direction". Actually, I am more than a little ambivalent about the term, particularly in the ways it is being used so loosely without any sense of knowledge of the church's traditions in these matters.
If by spiritual direction you mean entering into a friendship with another person in which an awareness and responsiveness to God's Spirit in the everydayness of your life is cultivated, fine. Then why call in an awkward term like "spiritual direction"? Why not just "friend"?
Spiritual direction strikes me as pretentious in these circumstances, as if there were some expertise that can be acquired more or less on its own and then dispensed on demand.
The other reason for my lack of enthusiasm is my well-founded fear of professionalism in any and all matters of the Christian life. Or maybe the right label for my fear is "functionalism". The moment an aspect of Christian living (human life, for that matter) is defined as a role, it is distorted, debased - and eventually destroyed. We are brothers and sisters with one another, friends and lovers, saints and sinners.
The irony here is that the rise of interest in spiritual direction almost certainly comes from the proliferation of role-defined activism in our culture. We are sick and tired of being slotted into a function and then manipulated with Scripture and prayer to do what someone has decided (often with the help of some psychological testing) that we should be doing to bring glory to some religious enterprise or other. And so when people begin to show up who are interested in us just as we are - our souls - we are ready to be paid attention to in this prayerful, listening, non-manipulative, nonfunctional way. Spiritual direction.
But then it begins to develop a culture and language and hierarchy all its own. It becomes first a special interest, and then a specialization. That is what seems to be happening in the circles you are frequenting. I seriously doubt that it is a healthy (holy) line to be pursuing.
Instead, why don't you look over the congregation on Sundays and pick someone who appears to be mature and congenial. Ask her or him if you can meet together every month or so - you feel the need to talk about your life in the company of someone who believes that Jesus is present and active in everything you are doing. Reassure the person that he or she doesn't have to say anything "wise". You only want them to be there for you to listen and be prayerful in the listening. After three or four such meetings, write to me what has transpired, and we'll discuss it further.
I've had a number of men and women who have served me in this way over the years - none carried the title "spiritual director", although that is what they have been. Some had never heard of such a term. When I moved to Canada a few years ago and had to leave a long-term relationship of this sort, I looked around for someone whom I could be with in this way. I picked a man whom I knew to be a person of integrity and prayer, with seasoned Christian wisdom in his bones. I anticipated that he would disqualify himself. So I pre-composed my rebuttal: "All I want you to do is two things: show up and shut up. Can you do that? Meet with me every six weeks or so, and just be there - an honest, prayerful presence with no responsibility to be anything other than what you have become in your obedient lifetime." And it worked. If that is what you mean by "spiritual director," okay. But I still prefer "friend".
You can see now from my comments that my gut feeling is that the most mature and reliable Christian guidance and understanding comes out of the most immediate and local of settings. The ordinary way. We have to break this cultural habit of sending out for an expert every time we feel we need some assistance. Wisdom is not a matter of expertise.
The peace of the Lord,
Eugene
”
”
Eugene H. Peterson (The Wisdom of Each Other (Growing Deeper))
“
Benedict, it is true I cannot accept any future you have offered me. We both know why.” Except he didn’t, but he said nothing and she continued. “But I would be lying if I told you that I didn’t still…think of you. Of us.”
He stared. Was this happening? Was she truly saying these things after three years of polite distance and pretending to be friends? “You do,” he said, flat and emotionless for he feared revealing too much.
She nodded. “It seems there is unfinished business between us. On both sides. And since everything is about to change, I wonder if we should resolve that business, if only so it won’t haunt us.”
“What are you saying?” he asked softly. She swallowed and her voice trembled as she whispered, “Be with me again.
”
”
Jess Michaels (Her Perfect Match (Mistress Matchmaker, #3))
“
I think you grow up twice, The first time happens automatically. Everyone passes from childhood to adulthood, and this transition is marked as much by the moment when the weight of the world overshadows the wonder of the world as it is by the passage of years. Usually you don't get to choose when it happens. But if the triumph of this weight over wonder makes the first passage into adulthood, the second is the rediscovery of that wonder despite sickness, evil, fear, sadness, suffering-despite everything. And this second passage doesn't happen on its own. It's a choice, not an inevitability. It is something you have to deliberately find, and value, and protect.And you can't just do it once and keep it forever. You have to keep looking.
”
”
Nate Staniforth (Here Is Real Magic: A Magician's Search for Wonder in the Modern World)
“
This is not about how hot you are. That doesn’t make someone any more or any less desirable. I believe there is a soul mate for everyone because I found mine. Attraction is only the smallest part of when it happens to you. It may be the initiating factor, but it isn’t what seals you to them. There is a deep, sad part of you that opens showing what you are all about inside and out. First, you are afraid. Then, that fear and sadness gets pushed out by an overwhelming urge to give everything of yourself. Yet, you still hold back. At some point, you come to reality and it hits you who you’re with. It’s the one you’ve been waiting for. The one who can break you into a thousand pieces with one look. One word. One action. Cas can destroy me if he really wanted to.
”
”
Cyndi Goodgame (The Shadow Queen (Marked Like Me, #5))
“
when I feel an incredible desire for where I want my life to go, I know that if I were to pursue it aggressively, this would only cause me to fight against universal energy. The more effort I have to put into trying to attain it, the more I know that I am doing something wrong. Allowing, on the other hand, doesn’t require effort. It feels more like a release, because it means realizing that since everything is One, that which I intend to get is already mine. The process of allowing happens by first trusting, and then by always being true to who I am. In this way, I will only attract that which is truly mine, and it all happens at the rate I’m comfortable with. I can keep focusing on what worries me or what I think I need or find lacking, and my life won’t move toward what I’d like to experience. It will just stay the way it is now, because I’m paying attention to my fears and what upsets me or leaves me feeling unfulfilled, instead of expanding my awareness by trusting and allowing new experiences. So I can let the picture materialize slower or faster, depending on how quickly I want to let go of my worries and relax into the process.
”
”
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
“
It felt like I was living in two worlds. There was one world which was a daylight world and another dark world (though I'm not saying that everything bad happened in darkness because it didn't). In the daylight world, life had a veneer of normality - my mum was a bit violent, my dad was a bit distant, my big brother was in hospital somewhere, my little brother was always with Mum, and I had an uncle who was very loving and caring and did nice things for me. In this daylight world, I went to church and learned about Jesus. I was told about innocence and how He loves children.
Then there was the other side, the dark world, which was almost a mirror image. But what I was getting taught there was all of the opposites.
It was almost the reverse of Christianity. They would say that the Christian teachings were rubbish, and everything in the Kirk was right. they would sing a hymn - not like 'All Things Bright and Beautiful' but something about being strong. The hymns were quite Germanic, with harsh, aggressive chanting. They were always about power and strength and right. When they were singing I would be standing or sitting with whoever had taken me.
”
”
Laurie Matthew (Groomed)
“
We’re in a period right now where nobody asks any questions about psychology. No one has any feeling for human motivation. No one talks about sexuality in terms of emotional needs and symbolism and the legacy of childhood. Sexuality has been politicized--“Don’t ask any questions!” "No discussion!" “Gay is exactly equivalent to straight!” And thus in this period of psychological blindness or inertness, our art has become dull. There’s nothing interesting being written--in fiction or plays or movies. Everything is boring because of our failure to ask psychological questions.
So I say there is a big parallel between Bill Cosby and Bill Clinton--aside from their initials! Young feminists need to understand that this abusive behavior by powerful men signifies their sense that female power is much bigger than they are! These two people, Clinton and Cosby, are emotionally infantile--they're engaged in a war with female power. It has something to do with their early sense of being smothered by female power--and this pathetic, abusive and criminal behavior is the result of their sense of inadequacy.
Now, in order to understand that, people would have to read my first book, "Sexual Personae"--which of course is far too complex for the ordinary feminist or academic mind! It’s too complex because it requires a sense of the ambivalence of human life. Everything is not black and white, for heaven's sake! We are formed by all kinds of strange or vague memories from childhood. That kind of understanding is needed to see that Cosby was involved in a symbiotic, push-pull thing with his wife, where he went out and did these awful things to assert his own independence. But for that, he required the women to be inert. He needed them to be dead! Cosby is actually a necrophiliac--a style that was popular in the late Victorian period in the nineteenth-century.
It's hard to believe now, but you had men digging up corpses from graveyards, stealing the bodies, hiding them under their beds, and then having sex with them. So that’s exactly what’s happening here: to give a woman a drug, to make her inert, to make her dead is the man saying that I need her to be dead for me to function. She’s too powerful for me as a living woman. And this is what is also going on in those barbaric fraternity orgies, where women are sexually assaulted while lying unconscious. And women don’t understand this! They have no idea why any men would find it arousing to have sex with a young woman who’s passed out at a fraternity house. But it’s necrophilia--this fear and envy of a woman’s power.
And it’s the same thing with Bill Clinton: to find the answer, you have to look at his relationship to his flamboyant mother. He felt smothered by her in some way. But let's be clear--I’m not trying to blame the mother! What I’m saying is that male sexuality is extremely complicated, and the formation of male identity is very tentative and sensitive--but feminist rhetoric doesn’t allow for it. This is why women are having so much trouble dealing with men in the feminist era. They don’t understand men, and they demonize men.
”
”
Camille Paglia
“
Sometimes maybe you need an experience. The experience can be a person or it can be a drug. The experience opens a door that was there all the time but you never saw it. Or maybe it blasts you into outer space...All that negative stuff. All the pain...It just floted away from me, I just floated away from it...up and away...” ― Melvin Burgess, Smack
“You can do anything you want. You don't believe me. You think, she's out of her head. Yeah, I'm out of my head- on being me. What are you on? On being them. You don't even know. I bet you were never given a chance to know. ....Listen. You can be anything you want to be. Be careful. It's a spell. It's magic. Listen to the words.... You are anything...everyone, anyone. ...You listen to them, teachers, parents, politicians. They're always saying, if you steal you're a thief, if you sleep aroung you're a slut, if you take drugs you're a junkie. They want to get inside your head and control you with their fear. ...Don't play their game. Nothing can touch you; you stay beautiful.” ― Melvin Burgess, Smack
“Try it. You don't have to do it ever again if you don't want to. But try it once. Try everything once.” ― Melvin Burgess
“The only thing that isn't free is you. You do as you're told. You sit in your seat until they say 'Stand'. You stay put til they say 'Go'. Maybe that's the way you like it. It's easy. It's all there. You don't have to think about. You don't even have to feel it.” ― Melvin Burgess, Smac
“That's her secret, I suppose. Everything that happens to her she's proud of. She makes it special by it happening to her.”
“She didn't have to be offered anything; it was already hers. She was more herself than anyone else ever was and as soon as I clapped eyes on her I knew I wanted to be myself just as much as she was herself.”
“I've done everything. All of it. You think it, I've done it. All the things yo never dared, all the things you dream about, all the things you were curious about and then forgot because you knew you never would. I did'em, I did em yesterday while you were still in bed. What about you? When's it gonna be your turn?” ― Melvin Burgess, Smack
”
”
Melvin Burgess
“
I was a king for a while. I wasn't a very good one. I wanted all kinds of things. I wanted, well, you know. Power. Glory. To be feared. All that good stuff. But you know what? When the gaiaphage did it to me, when she made me cry and grovel and beg for mercy, I realized: There's no end to this for me. There's no end to the FAYZ. If we get out alive, there's still no end. And what happens to me out there in the world?"
"No, you're wrong they can't blame you for everything that happened."
He laughed. "Yeah, well, actually, they can. A king, warrior, whatever I was, I want to go out in a blaze of glory. I've risen as high as I'm ever going to. And if I survive, I'm just going to end up as prisoner number three-one-two-whatever. You coming to see me on visiting days."
"But I will come see you. And I will wait for you."
"No," he said firmly. "I get my big finish. And you get your life. Move on, Diana.
”
”
Michael Grant (Light (Gone, #6))
“
Nothing calmer than that, a visible circle of calm-and yet, something that immediately made me see something else, not so calm, a calm not soothed, shivering, as though it hadn’t reached the point from which there is no longer any return, as though it wasn’t free, yet, from all faces, still desired one, feared being separated from it: sometimes giving me the feeling of wandering desperately around the face, sometimes the hope of drawing near it, the certainty of recapturing it, of having recaptured it, an unforgettable impression of its unity with the face, even though the face itself remains invisible, a marvelous unity, sensed as a happiness, a piece of luck that dispersed shadows, that went beyond the day, something for which one was prepared to sacrifice everything, a thrilling resemblance, the thrill of the unique, a force of a desire that again and again and again recaptures what it once held-but what is happening? resemblance does not cease to be present behind everything, it even imposes itself, becomes more majestic, I divine it as I have never seen it, it is the moving reflection of all space, and the smile also affirms its immensity, affirms the majesty of this resemblance which is almost too vast, the smile seems to lose itself in the resemblance and through the smile the resemblance seems to become a resemblance that strays, without resemblance.
”
”
Maurice Blanchot (The One Who Was Standing Apart from Me)
“
But now that I am old, moving every year closer to the end of my life, I also feel closer to the beginning. And I remember everything that happened that day because it has happened many times in my life. The same innocence, trust, and restlessness, the wonder, fear, and loneliness. How I lost myself. I remember all these things. And tonight, on the fifteenth day of the eighth moon, I also remember what I asked the Moon Lady so long ago. I wished to be found.
”
”
Amy Tan (The Joy Luck Club)
“
That’s it: That does it. I whirl around, furious,
something deep and black and old rising inside of
me. “Of course I’m scared. And I’m right to be
scared. And if you’re not scared it’s just because
you have the perfect little life, and the perfect little
family, and for you everything is perfect, perfect,
perfect. You don’t see. You don’t know.”
“Perfect? That’s what you think? You think my life
is perfect?” Her voice is quiet but full of anger.
I’m tempted to move away from her but force
myself to stay put. “Yeah. I do.”
Again she lets out a barking laugh, a quick
explosion. “So you think this is it, huh? As good as
it gets?” She turns a full circle, arms extended, like
she’s embracing the room, the house, everything.
Her question startles me. “What else is there?”
“Everything, Lena.” She shakes her head. “Listen,
I’m not going to apologize. I know you have your
reasons for being scared. What happened to your
mom was terrible—
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
I don't know what's happening to me," she says, blinking through a veil of tears as she looks everywhere but at me. "I don't think I can do this anymore."
My heart plummets inside my chest, my lips still hovering over hers, my hands on her waist "do what anymore?" I don't want the answer, don't want to hear what follows my question, don't want to lose her.
"Fight it." Tears are still flowing from her eyes, but I think she stop crying. She sucks and several breaths when she looks at me, her eyes are clear that I anticipated. She's scared shitless - that's clear - but it's like she stop fighting the fear, giving into it instead.
Her lips apart and I'm a stop whatever she's about to say, silence her with my lips, but I don't, forcing myself to hear, needing to know what's got all worked up.
"I think I'm in love with you," she says, her chest heaving with every ravenous breath she takes, yet her voice is astonishingly even and she manages to maintain my gaze.
My voice however is the exact opposite of even, coming out all high-pitched like I'm a thirteen year old and going through puberty all over again. "What?"
She sucks and a breath, then releases is slowly, the fear in her eyes subsiding, as if she just won it. "I think I'm in love with you..." She bites on your lips and shakes her head. "No...I don't think. I know."
I gradually process her words and the full extent of what she's saying. I think I'd honestly believed that she might never say them, that this love thing was going to be a one-way street. Hearing her say it... I don't even know how to describe it. It's like my entire life of associated the word with hatred. Every time my mother said it, it felt like she was trying to take something from me and it made me hate her and myself-Love equaled hate for me. But hearing it from Violet's lips, seeing that look in her eyes, the one I've never seen from anyone, is so different. She's not taking something for me right now, she's giving me something.
She's giving me everything.
”
”
Jessica Sorensen (The Certainty of Violet & Luke (The Coincidence, #5))
“
Quote from Father Tim during a sermon given after the former priest was found after a suicide attempt.
" 'Father Talbot has charged me to tell you that he is deeply repentant for not serving you as God appointed him to do, and as you hoped and needed him to do.
'He wished very much to bring you this message himself, but he could not. He bids you goodbye with a love he confesses he never felt toward you...until this day. He asks--and I quote him--that you might find it in your hearts to forgive him his manifold sins against God and this parish.'
He felt the tears on his face before he knew he was weeping, and realized instinctively that he would have no control over the display. He could not effectively carry on, no even turn his face away or flee the pulpit. He was in the grip of a wild grief that paralyzed everything but itself.
He wept face forward, then, into the gale of those aghast at what was happening, wept for the wounds of any clergy gone out into a darkness of self-loathing and beguilement; for the loss and sorrow of those who could not believe, or who had once believed but lost all sense of shield and buckler and any notion of God's radical tenderness, for the ceaseless besettings of the flesh, for the worthless idols of his own and of others; for those sidetracked, stumped, frozen, flung away, for those both false and true, the just and the unjust, the quick and the dead.
He wept for himself, for the pain of the long years and the exquisite satisfactions of the faith, for the holiness of the mundane, for the thrashing exhaustions and the endless dyings and resurrectings that malign the soul incarnate.
It had come to this, a thing he had subtly feared for more than forty years--that he would weep before the many--and he saw that his wife would not try to talk him down from this precipice, she would trust him to come down himself without falling or leaping.
And people wept with him, most of them. Some turned away, and a few got up and left in a hurry, fearful of the swift and astounding movement of the Holy Spirit among them, and he, too, was afraid--of crying aloud in a kind of ancient howl and humiliating himself still further. But the cry burned out somewhere inside and he swallowed down what remained and the organ began to play, softly, piously. He wished it to be loud and gregarious, at the top of its lungs--Bach or Beethoven, and not the saccharine pipe that summoned the vagabond sins of thought, word, and deed to the altar, though come to think of it, the rail was the very place to be right now, at once, as he, they, all were desperate for the salve of the cup, the Bread of Heaven.
And then it was over. He reached into the pocket of his alb and wondered again how so many manage to make in this world without carrying a handkerchief. And he drew it out and wiped his eyes and blew his nose as he might at home, and said, 'Amen.'
And the people said, 'Amen.
”
”
Jan Karon
“
Anxiety isn’t an attack that explodes out of me; it’s not a volcano that lies dormant until it’s triggered by an earth-shattering event. It’s a constant companion. Like a blowfly that gets into the house in the middle of summer, flying around and around. You can hear it buzzing, but you can’t see it, can’t capture it, can’t let it out. My anxiety is invisible to others, but often it’s the focal point of my mind. Everything that happens on a day-to-day basis is filtered through a lens colored by anxiety. That nervousness that makes your palms sweat and your heart race before you get up and make a speech in front of an audience? That’s what I feel in a normal conversation at a dinner table. Or just thinking about having a conversation at a dinner table. The fear that other people feel on rare occasions, reserved only for when they jump out of a plane or hear a strange noise in the middle of the night—that’s my normal. That’s what I feel when the phone rings. When someone knocks on my door. When I go outside. When I’m alone. When I’m in line at a store. Everything feels like I’m on a stage, spotlight on me, all eyes on me, watching, judging. Like I’m one second away from total disaster. It’s invisible, it’s irrational, it’s never-ending. I could be standing there, smiling and chatting like everything is totally fine, while secretly wanting to scream and cry and run away. No one would ever know. In my mind, no one can hear me scream. I hide it because I know it’s not understood or acceptable—because I’m not understood or acceptable.
”
”
Jen Wilde (Queens of Geek)
“
There’s a psychological mechanism, I’ve come to believe, that prevents most of us from imagining the moment of our own death. For if it were possible to imagine fully that instant of passing from consciousness to nonexistence, with all the attendant fear and humiliation of absolute helplessness, it would be very hard to live, as it would be unbearably obvious that death is inscribed in everything that constitutes life, that any moment of our existence is a breath away from being the last one. We would be continuously devastated by the magnitude of that inescapable moment, so our minds wisely refuse to consider it. Still, as we mature into mortality, we gingerly dip our horror-tingling toes in the void, hoping that the mind will somehow ease itself into dying, that God or some other soothing opiate will remain available as we venture deeper into the darkness of nonbeing.
But how can you possibly ease yourself into the death of your child? For one thing, it is supposed to happen well after your own dissolution into nothingness. Your children are supposed to outlive you by several decades, in the course of which they’ll live their lives, happily devoid of the burden of your presence, eventually completing the same mortal trajectory as their parents: oblivion, denial, fear, the end. They’re supposed to handle their own mortality, and no help in that regard (other than forcing them to confront death by way of your dying) can come from you—death ain’t a science project. And even if you could imagine your child’s death, why would you?
”
”
Aleksandar Hemon (The Book of My Lives)
“
Layla!" Don bounded into her sight. The door behind her was still bolted. Where had he come from?
The starshot tumbled from her hands and clattered to the floor. She snatched it up and slipped it back inside her dress. Bill was gone.But Don was-Daniel was right where she wanted him to be.
"What are you doing here?" Her voice broke with the force of having to act surprised to see him.
He didn't seem to hear it.He rushed toward her and wrapped her in his arms. "Saving your life."
"How did you get in?"
"Don't worry about that.No mortal man, no slab of stone can obstruct a love as true as ours. I will always find you."
In his bare, bronzed arms, it was Luce's instinct to feel comforted. But she couldn't right then.Her heart felt ragged and cold.This easy happiness, these feelings of complete trust, every one of the lovely emotions Daniel had shown her how to feel in every life-they were torture to her now.
"Fear not," he whispered. "Let me tell you, my love, what happens after this life.You come back,you rise again. Your rebirth is beautiful and real.You come back to me,again and again-"
The light from the lamp flickered and made his violet eyes sparkle.His body was so warm against hers.
"But I die again and again."
"What?" He tilted his head.Even when his physique looked exotic to her, she knew his expressions so well-that bemused adoration when she expressed something he hadn't expected her to understand. "How do you-Never mind. It doesn't matter.What matters is that we will again be together.We will always find each other,always love each other, no matter what.I will never leave you."
Luce fell to her knees on the stone steps. She hid her face in her hands. "I don't know how you can stand it.Over and over again,the same sadness-"
He lifted her up. "The same ecstasy-"
"The same fire that kills everything-"
"The same passion that ignites it all again.You don't know.You can't remember how wonderful-"
"I've seen it.I do know."
How she had his attention. He didn't seem sure whether or not to believe her, but at least he was listening.
"What if there's no hope of anything ever changing?" she asked.
"There is only hope. One day, you will live through it.That absolute truth is the only thing that keeps me going. I will never give up on you. Even if it takes forever." He wiped away her tears with his thumb. "I'll love you with all my heart,in every life, through every death. I will not be bound by anything but my love for you."
"But it's so hard.Isn't it hard for you? Haven't you ever thought,what if..."
"One day,our love will conquer this dark cycle.That's worth everything to me.
”
”
Lauren Kate (Passion (Fallen, #3))
“
Until my thirtieth year, I lived in a state of almost continuous anxiety interspersed with periods of suicidal depression. It feels now as if I am talking about some past lifetime or somebody else’s life.
One night not long after my twenty-ninth birthday, I woke up in the early hours with a feeling of absolute dread. I had woken up with such a feeling many times before, but this time it was more intense than it had ever been. The silence of the night, the vague outlines of the furniture in the dark room, the distant noise of a passing train – everything felt so alien, so hostile, and so utterly meaningless that it created in me a deep loathing of the world. The most loathsome thing of all, however, was my own existence. What was the point in continuing to live with this burden of misery? Why carry on with this continuous struggle? I could feel that a deep longing for annihilation, for nonexistence, was now becoming much stronger than the instinctive desire to continue to live.
‘I cannot live with myself any longer.’ This was the thought that kept repeating itself in my mind. Then suddenly I became aware of what a peculiar thought it was. ‘Am I one or two? If I cannot live with myself, there must be two of me: the ‘I’ and the ‘self’ that ‘I’ cannot live with.’ ‘Maybe,’ I thought, ‘only one of them is real.’
I was so stunned by this strange realization that my mind stopped. I was fully conscious, but there were no more thoughts. Then I felt drawn into what seemed like a vortex of energy. It was a slow movement at first and then accelerated. I was gripped by an intense fear, and my body started to shake. I heard the words ‘resist nothing,’ as if spoken inside my chest. I could feel myself being sucked into a void. It felt as if the void was inside myself rather than outside. Suddenly, there was no more fear, and I let myself fall into that void. I have no recollection of what happened after that.
I was awakened by the chirping of a bird outside the window. I had never heard such a sound before. My eyes were still closed, and I saw the image of a precious diamond. Yes, if a diamond could make a sound, this is what it would be like. I opened my eyes. The first light of dawn was filtering through the curtains. Without any thought, I felt, I knew, that there is infinitely more to light than we realize. That soft luminosity filtering through the curtains was love itself. Tears came into my eyes. I got up and walked around the room. I recognized the room, and yet I knew that I had never truly seen it before. Everything was fresh and pristine, as if it had just come into existence. I picked up things, a pencil, an empty bottle, marvelling at the beauty and aliveness of it all. That day I walked around the city in utter amazement at the miracle of life on earth, as if I had just been born into this world.
”
”
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
“
We have separated this perfect virtue into its several parts. The desires had to be reined in, fear to be suppressed, proper actions to be arranged, debts to be paid; we therefore included self-restraint, bravery, prudence, and justice – assigning to each quality its special function. How then have we formed the conception of virtue? Virtue has been manifested to us by this man's order, propriety, steadfastness, absolute harmony of action, and a greatness of soul that rises superior to everything. Thence has been derived our conception of the happy life, which flows along with steady course, completely under its own control. 12. How then did we discover this fact? I will tell you: that perfect man, who has attained virtue, never cursed his luck, and never received the results of chance with dejection; he believed that he was citizen and soldier of the universe, accepting his tasks as if they were his orders. Whatever happened, he did not spurn it, as if it were evil and borne in upon him by hazard; he accepted it as if it were assigned to be his duty. "Whatever this may be," he says, "it is my lot; it is rough and it is hard, but I must work diligently at the task.
”
”
Seneca (Moral Letters to Lucilius)
“
Depression is hard to understand, because it is not a consistent state. Depression is rather like a virus, but like a virus, it has its manageable days and its acute, life-threatening flare-ups. You can be in a depression and still laugh at a friend’s joke or have a good night at dinner or manage low-level functioning. You grocery shop and stop to pet a puppy on the corner, talk to friends in a café, maybe write something you don’t hate. When this happens, you might examine your day for clues like reading tea leaves in a cup: Was it the egg for breakfast that made the difference? The three-mile run? You think, well, maybe this thing has moved on now. And you make no sudden moves for fear of attracting its abusive attention again.
But other times…
Other times, it’s as if a hole is opening inside you, wider and wider, pressing against your lungs, pushing your internal organs into unnatural places, and you cannot draw a true breath. You are breaking inside, slowly, and everything that keeps you tethered to your life, all of your normal responses, is being sucked through the hole like an airlock emptying into space. These are the times Holly Golightly called the Mean Reds.
I call it White Knuckling it.
”
”
Libba Bray
“
I have known my whole life that I wanted you. You and no one else. I have loved you from the first moment I saw you."
"We were children," she said.
"But don't you remember being a child?" he said. "How much simpler and clearer everything was? Sometimes I think they're smarter than any of us when it comes to love. They don't doubt it. Not for a second. And they don't doubt that they're loved in return. Something happens when we grow up. Misfortune tramples us. We forget how it feels to simply love without throwing the whole mess of life into the stew. We trade love for fear. I'm not willing to do that anymore.
”
”
Martha Brockenbrough (The Game of Love and Death)
“
When you are in a place of fear, everything in you will want to run, but I challenge you to run to it. It will build your confident trust in Him when you see that the very place that fear is, is the same place that fear will be conquered. Be encouraged by what God did for Moses, Joshua, Daniel… and what He has done for me time and time again. When you let God lead, you might find yourself in some rather scary places, but remain steadfast in Him and confident that He will bring provision and fight on your behalf. It’s in those times that miracles happen and nations change.”-Sadie Robertson
Quote Reading-5/27/18
”
”
Sadie Robertson
“
I need to see Inej," she said, eager to have him gone.
He didn't leave. Instead he said, "Did you think of me at all, Nina? Did I trouble your sleep?"
She shrugged. "A Corporalnik can sleep whenever she likes." Though she couldn't control her dreams.
"Sleep is a luxury at Hellgate. It's a danger. But when I slept, I dreamed of you."
Her head snapped up.
"That's right," he said. "Every time I closed my eyes."
"What happened in the dreams?" she asked, eager for an answer, but fearing it, too.
"Horrible things. The worst kinds of torture. You drowned me slowly. You burned my heart from my chest. You blinded me."
"I was a monster."
"A monster, a maiden, a sylph of the ice. You kissed me, whispered stories in my ear. You sang to me and held me as I slept. Your laugh chased me into waking."
"You always hated my laugh."
"I loved your laugh, Nina. And your fierce warrior's heart. I might have loved you, too."
Might have. Once. Before she had betrayed him. Those words carved an ache into her chest.
She knew she shouldn't speak, but she couldn't help herself. "And what did you do, Matthias? What did you do to me in your dreams?"
The ship listed gently. The lanterns swayed. His eyes were fire blue. "Everything," he said, as he turned to go. "Everything.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Perhaps I don't know enough yet to find the right words for it, but I think I can describe it. It happened again just a moment ago. I don't know how to put it except by saying that I see things in two different ways-everything, ideas included. If I make an effort to find any difference in them, each of them is the same today as it was yesterday, but as soon as I shut my eyes they're suddenly transformed, in a different light. Perhaps I went wrong about the imaginary numbers. If I get to them by going straight along inside mathematics, so to speak, they seem quite natural. It's only if I look at them directly, in all their strangeness, that they seem impossible. But of course I may be all wrong about this, I know too little about it. But I wasn't wrong about Basini. I wasn't wrong when I couldn't turn my ear away from the faint trickling sound in the high wall or my eye from the silent, swirling dust going up in the beam of light from a lamp. No, I wasn't wrong when I talked about things having a second, secret life that nobody takes any notice of! I-I don't mean it literally-it's not that things are alive, it's not that Basini seemed to have two faces-it was more as if I had a sort of second sight and saw all this not with the eyes of reason. Just as I can feel an idea coming to life in my mind, in the same way I feel something alive in me when I look at things and stop thinking. There's something dark in me, deep under all my thoughts, something I can't measure out with thoughts, a sort of life that can't be expressed in words and which is my life, all the same.
“That silent life oppressed me, harassed me. Something kept on making me stare at it. I was tormented by the fear that our whole life might be like that and that I was only finding it out here and there, in bits and pieces. . . . Oh, I was dreadfully afraid! I was out of my mind.. .”
These words and these figures of speech, which were far beyond what was appropriate to Törless's age, flowed easily and naturally from his lips in this state of vast excitement he was in, in this moment of almost poetic inspiration. Then he lowered his voice and, as though moved by his own suffering, he added:
“Now it's all over. I know now I was wrong after all. I'm not afraid of anything any more. I know that things are just things and will probably always be so. And I shall probably go on for ever seeing them sometimes this way and sometimes that, sometimes with the eyes of reason, and sometimes with those other eyes. . . . And I shan't ever try again to compare one with the other. .
”
”
Robert Musil (The Confusions of Young Törless)
“
Why then should I often be unhappy over what happens here? Shouldn't I always be glad, contented and happy, except when I think about her and her companions in distress? I am selfish and cowardly. Why do I always dream and think of the most terrible things- my fear makes me want to scream out loud sometimes. Because still, in spite of everything, I have not enough faith in God. He has given me so much- which I certainly do not deserve- and I still do so much that is wrong every day. If you think of your fellow creatures, then you only want to cry, you could really cry the whole day long. The only thing to do is to pray that God will perform a miracle and save some of them. And I hope that I am doing that enough!
”
”
Anne Frank
“
What do I have to fear from them now that everything is over? Since they can no longer make things any worse for me, they can no longer frighten me. Anxiety and terror are ills from which they have delivered me for ever: this is real relief for me. Real ills have little hold over me; I deal easily with those that I actually experience, but not with those that I fear. My fevered imagination adds them together, turns them over and over, draws them out and increases them. The expectation of them tortures me a hundred times more than their actual presence, and the threat of them is far worse than the blow itself. As soon as they happen, the experience of them strips them of their imagined aura and cuts them down to their true size.
”
”
Jean-Jacques Rousseau
“
The conditions that breed a disorganized attachment adaptation are not specific to CNM by any means, but I have seen a variation that is unique to CNM. There can be something very disorienting that happens for some new CNM couples who were first monogamous together and were accustomed to being each other’s main source of comfort, support and relief from distress. As the relationship opens, a partner’s actions with other people (even ethical ones that were agreed upon) can become a source of distress and pose an emotional threat. Everything that this person is doing with other people can become a source of intense fear and insecurity for their pre-existing partner, catapulting them into the paradoxical disorganized dilemma of wanting comfort and safety from the very same person who is triggering their threat response. Again, the partner may be doing exactly what the couple consented to and acting within their negotiated agreements, but for the pre-existing partner, their primary attachment figure being away, unavailable and potentially sharing levels of intimacy with another person registers as a debilitating threat in the nervous system. As someone in this situation simultaneously wants to move towards and away from one’s partner, the very foundation of their relationship and attachment system can begin to shudder, and people can begin acting out in ways that are destructive to each other and the relationship. When this happens, I recommend working with a professional to re-establish inner and outer safety.
”
”
Jessica Fern (Polysecure: Attachment, Trauma and Consensual Nonmonogamy)
“
On the next floor below are the abdominal and spine cases, head wounds and double amputations. On the right side of the wing are the jaw wounds, wounds in the joints, wounds in the kidneys, wounds in the testicles, wounds in the intestines. Here a man realizes for the first time in how many places a man can get hit. Two fellows die of tetanus. Their skin turns pale, their limbs stiffen, at last only their eyes live—stubbornly. Many of the wounded have their shattered limbs hanging free in the air from a gallows; underneath the wound a basin is placed into which drips the pus. Every two or three hours the vessel is emptied. Other men lie in stretching bandages with heavy weights hanging from the end of the bed. I see intestine wounds that are constantly full of excreta. The surgeon’s clerk shows me X-ray photographs of completely smashed hipbones, knees and shoulders. A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, one single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is. I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things; all my generation is experiencing these things with me. What would our fathers do if we suddenly stood up and came before them and proffered our account? What do they expect of us if a time ever comes when the war is over? Through the years our business has been killing;—it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
As for us, we saw the police as a natural catastrophe— like floods, fires, earthquakes. There was nothing you could do about these things except to try and escape them. We had no analysis, no understanding that society could be changed. We simply tried to survive, as ourselves, as kamp girls, natural rebels. We did not feel that the police might not be entitled to hunt us, but accepted them as inevitable.
I was beaten up for suggesting that a woman ask for a lawyer. It was seem as a stupid— even dangerous— suggestion. Fighting back with threats of lawyers would only make the police even angrier at us. But part of me felt that what was happening was unfair and unjust, though I had no idea how things could ever be different.
Melbourne and Adelaide were exactly the same. The public lesbian scene was dangerous and difficult. There were many other New Zealand lesbians around, too. In spite of everything, I loved it. The “mateship” was amazing and close, important enough for any risk. And the freedom to be ourselves, to be real, to be queer, affirmed us.
There were private, closeted scenes too, but they were hard to find and cliquey. They were fearful of being “sprung” by kamps who were too obvious. They were mainly older middle-class women. I knew some of them, learnt many things from them— like how to behave in a nice restaurant if you are taken to dinner. But they too had no sense of anything being able to change— except for the one strange woman who danced naked to Beethoven and lent me de Beauvoir’s The Second Sex. She sowed some wild ideas, more than a decade too early for them to make any sense.
”
”
Julia Penelope (Finding the Lesbians: Personal Accounts from Around the World)
“
Tobias is standing in the hallway outside the dormitory. I am breathless, and I can feel my heartbeat even in my fingertips; I am overwhelmed, teeming with loss and wonder and anger and longing.
“Tris,” Tobias says, his brow furrowed with concern. “Are you all right?”
I shake my head, still struggling for air, and crush him against the wall with my body, my lips finding his. For a moment he tries to push me away, but then he must decide that he doesn’t care if I’m all right, doesn’t care if he’s all right, doesn’t care. We haven’t been alone together in days. Weeks. Months.
His fingers slide into my hair, and I hold on to his arms to stay steady as we press together like two blades at a stalemate. He is stronger than anyone I know, and warmer than anyone else realizes; he is a secret that I have kept, and will keep, for the rest of my life.
He leans down and kisses my throat, hard, and his hands smooth over me, securing themselves at my waist. I hook my fingers in his belt loops, my eyes closing. In that moment I know exactly what I want; I want to peel away all the layers of clothing between us, strip away everything that separates us, the past and the present and the future.
I hear footsteps and laughter at the end of the hallway, and we break apart. Someone--probably Uriah--whistles, but I barely hear it over the pulsing in my ears.
Tobias’s eyes meet mine, and it’s like the first time I really looked at him during my initiation, after my fear simulation; we stare too long, too intently. “Shut up,” I call out to Uriah, without looking away.
Uriah and Christina walk into the dormitory, and Tobias and I follow them, like nothing happened.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Come on, Bob, kill it!” “I’m trying, Tom. It won’t stop moving.” I looked at Wolf and whispered, “What do you think they are trying to kill?” Wolf shrugged. “Let’s go check it out.” We snuck forward until we could get a visual on what was happening. We saw that there were two large slimes and one baby slime. Judging by the way the large slimes were protecting the baby, I assumed it was their child rather than a random baby slime. The two players were slashing at the large slimes who were trying to defend themselves but failing. Eventually the players chopped the two large slimes into medium slimes, then into small slimes until they had finally killed all the pieces. That left the baby slime all alone. Bob and Tom looked at each other. “I think we should kill it,” said Tom. “Otherwise, it’s going to grow into an adult slime and try to get its revenge on us.” Where have I heard this story before? Bob laughed. “Slimes are stupid. It won’t be able to get revenge because it will be dead.” The players began to move forward to the baby slime. And that’s when something snapped in me. I was reminded of the night my parents sacrificed their lives for me. I couldn’t let this baby slime be killed. I jumped up and rushed to the players. Wolf shout-whispered, “No! Don’t do it!” I didn’t care. I ran up to the two players and without giving them a chance to surrender, mercilessly assassinated them. The baby slime looked at me with fear in its eyes and backed away, fearful that I would kill it too. But I didn’t. I put my sword back into my inventory and reached down and gently picked up the slime. “Can you talk?” I asked. The slime made cooing and booping noises, but apparently was too young to be able to speak yet. “I wish I could talk to you, Child. I would tell you that everything is going to be alright. I’ll be your new guardian.” Wolf arrived by my side a moment later. “It’s not part of the Way to kill players unless the killing falls under a specific rule or arises from self-defense.” I shot a look at Wolf. “I was defending the life of another. Is that not the same as self-defense?” “I guess, but it’s … hurrr … it’s a slime.” “Are you saying a slime has less right to be alive than us?” “I’m not saying that, but now that you mention it….” “Shut up. I’m taking charge of this child.” Wolf shook his head. “You realize that according to the Way, if you take the life of an orphan into your hands you have to protect it and see that it makes it to adulthood, just as I have with you.
”
”
Dr. Block (The Ballad of Winston the Wandering Trader, Book 1 (The Ballad of Winston #1))
“
Conditional love and acceptance means that we are willing to pull away from our connection under certain circumstances. The minute we happen to scare the other person or they scare us; we will be tempted to withhold our love and disconnect. And because disconnection only produces more fear and anxiety, we will widen our distance at an alarming rate. This threat effectively prevents two people from feeling free to be themselves because they instinctively know the connection won’t be strong enough to handle it. In contrast, when we commit to unconditional love and acceptance, we protect each other’s freedom. Everything that we offer to the relationship comes freely from our hearts, not under coercion. Yes, committing to pursue and protect my connection with you means that I will be thinking about how my decisions will affect you while making
”
”
Danny Silk (Keep Your Love On: Connection Communication And Boundaries)
“
I Find That Resentment, Criticism, Guilt, and Fear Cause More Problems Than Anything Else These four things cause the major problems in our bodies and in our lives. These feelings come from blaming others and not taking responsibility for our own experiences. You see, if we are all responsible for everything in our lives, then there is no one to blame. Whatever is happening “out there” is only a mirror of our own inner thinking. I am not condoning other people’s poor behavior, but it is OUR beliefs that attract people who will treat us that way. If you find yourself saying, “Everyone always does such and such to me, criticizes me, is never there for me, uses me like a doormat, abuses me,” then this is YOUR PATTERN. There is some thought in you that attracts people who exhibit this behavior. When you no longer think that way, they will go elsewhere and do that to somebody
”
”
Louise L. Hay (You Can Heal Your Life)
“
I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor."
Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind.
He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then."
"What rabbit?"
"There." He roused himself, straightening.
He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back."
"I see," she whispered.
"I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word."
He could hear her breath, could feel the tremble of her limbs. Did she fear him?
"D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons.
But she was silent, damnable housekeeper.
They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon.
At last she stirred and asked, "What happened to the girl?"
He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
It’s dark because you are trying too hard.
Lightly child, lightly. Learn to do everything lightly.
Yes, feel lightly even though you’re feeling deeply.
Just lightly let things happen and lightly cope with them.
I was so preposterously serious in those days, such a humorless little prig.
Lightly, lightly – it’s the best advice ever given me.
When it comes to dying even. Nothing ponderous, or portentous, or emphatic.
No rhetoric, no tremolos,
no self conscious persona putting on its celebrated imitation of Christ or Little Nell.
And of course, no theology, no metaphysics.
Just the fact of dying and the fact of the clear light.
So throw away your baggage and go forward.
There are quicksands all about you, sucking at your feet,
trying to suck you down into fear and self-pity and despair.
That’s why you must walk so lightly.
Lightly my darling,
on tiptoes and no luggage,
not even a sponge bag,
completely unencumbered.
”
”
Aldous Huxley
“
Some people think that I have “unrealistic expectations” when it comes to relationships and life.
No, I don’t.
My sensuality is what sets my standards.
If people knew how much devotion goes into being in sensual alignment they would refrain from using the expression “You are a perfectionist.” Not that it bothers me when they say it, I just think it’s very shortsighted.
My standards have got nothing to do with perfectionism but everything to do with ALIGNMENT... DEVOTION... SURRENDER... SEEKING GOD.
They also involve breaking boundaries, honing daring, overcoming fear, cultivating divinely-inspired outrageousness and nurturing courage.
Showing up here might seem glamorous (at times), but behind the scenes there’s a lot of mind-body-heart-soul “tuning up” happening.
So, instead of saying “Lebo has unrealistic expectations” or “his standards are too high”, rather say “I wonder how much devotion goes into his private life for him to see life like this.
”
”
Lebo Grand
“
Every challenge we take on has the power to knock us to our knees. But what’s even more disconcerting than the jolt itself is our fear that we won’t withstand it. When we feel the ground beneath us shifting, we panic. We forget everything we know and allow fear to freeze us. Just the thought of what could happen is enough to throw us off balance. What I know for sure is that the only way to endure the quake is to adjust your stance. You can’t avoid the daily tremors. They come with being alive. But I believe these experiences are gifts that force us to step to the right or left in search of a new center of gravity. Don’t fight them. Let them help you adjust your footing. Balance lives in the present. When you feel the earth moving, bring yourself back to the now. You’ll handle whatever shake-up the next moment brings when you get to it. In this moment, you’re still breathing. In this moment, you’ve survived. In this moment, you’re finding a way to step onto higher ground.
”
”
Anonymous
“
And he awoke and rebuked the wind and said to the sea, ‘Peace! Be still!’ And the wind ceased, and there was a great calm. He said to them, ‘Why are you so afraid? Have you still no faith?’” Mark 4:39-40 I know with everything that is happening in our world today it would be easy to live in a state of fear. In fact, Ann Landers once said that of the 10,000 letters she received each month there was one problem that dominated all the others: People are afraid. They are afraid of losing their health, their wealth, and their loved ones. All around us people are living in fear, and worry is the by-product of fear. Many of us are worrying ourselves sick over something that may or may not happen tomorrow. What if this happens? What if that happens? What am I going to do? All of our time and energy is consumed by worrying about a problem, instead of working toward a resolution of the problem. Charles Mayo, the founder of the Mayo Clinic, once said, “You can worry yourself to death, but you cannot worry yourself to longer life.” The
”
”
Mark S. Milwee (Encouragement From the Heart of a Shepherd)
“
This is the main advantage of ether: it makes you behave like the village drunkard in some early Irish novel … total loss of all basic motor skills: blurred vision, no balance, numb tongue—severance of all connection between the body and the brain. Which is interesting, because the brain continues to function more or less normally … you can actually watch yourself behaving in this terrible way, but you can’t control it. You approach the turnstiles leading into the Circus-Circus and you know that when you get there, you have to give the man two dollars or he won’t let you inside … but when you get there, everything goes wrong: you misjudge the distance to the turnstile and slam against it, bounce off and grab hold of an old woman to keep from falling, some angry Rotarian shoves you and you think: What’s happening here? What’s going on? Then you hear yourself mumbling: “Dogs fucked the Pope, no fault of mine. Watch out! … Why money? My name is Brinks; I was born … born? Get sheep over side … women and children to armored car … orders from Captain Zeep.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
She sat back, eyeing the flames now leaping upward to lick at the wooden beams of the ceiling. "If this fire gets out of hand, or if the guards take too long to come, you and I may be in a lot of trouble."
"We are already in a lot of trouble."
"That was my reasoning, too. Of course, if that happens and the fire gets too big before the mighty citizens of Ringhmon stop it, it'll also gut this little palace and destroy everything inside it. Including the enormously expensive Model Six that I just fixed, which they'll be responsible for paying fo, and probably the other Model Six that they openly own." She shrugged, trying to appear unworried. "That'll teach them to kidnap me. But that won't happen. We'll be fine."
"You say that and yet you are frightened."
"Yes, I'm frightened! I admit it! Happy? No, wait, Mages are never happy. Just try not to die, all right? I don't want that to be my fault."
Alain thought through her words. "I will attempt not to die. Your plan appears to be sound, as well as potentially very destructive. I see that it is a mistake to offend you.
”
”
Jack Campbell (The Dragons of Dorcastle (The Pillars of Reality, #1))
“
He lavished on me a friendliness which was as far above that of Saint-Loup as that was above the affability of a mere tradesman. Compared with that of a great artist, the friendliness of a great gentleman, charming as it may be, has the effect of an actor’s playing a part, of being feigned. Saint-Loup sought to please; Elstir loved to give, to give himself. Everything that he possessed, ideas, work, and the rest which he counted for far less, he would have given gladly to anyone who could understand him. But, failing society that was endurable, he lived in an isolation, with a savagery which fashionable people called pose and ill-breeding, public authorities a recalcitrant spirit, his neighbours madness, his family selfishness and pride. And no doubt at first he had thought, even in his solitude, with enjoyment that, thanks to his work, he was addressing, in spite of distance, he was giving a loftier idea of himself, to those who had misunderstood or hurt him. Perhaps, in those days, he lived alone not from indifference but from love of his fellows, and, just as I had renounced Gilberte to appear to her again one day in more attractive colours, dedicated his work to certain people as a way of approaching them again, by which without actually seeing him they would be made to love him, admire him, talk about him; a renunciation is not always complete from the start, when we decide upon it in our original frame of mind and before it has reacted upon us, whether it be the renunciation of an invalid, a monk, an artist or a hero. But if he had wished to produce with certain people in his mind, in producing he had lived for himself, remote from the society to which he had become indifferent; the practice of solitude had given him a love for it, as happens with every big thing which we have begun by fearing, because we knew it to be incompatible with smaller things to which we clung, and of which it does not so much deprive us as it detaches us from them. Before we experience it, our whole preoccupation is to know to what extent we can reconcile it with certain pleasures which cease to be pleasures as soon as we have experienced it.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
I go straight toward the last place where I felt safe: Tobias’s small apartment. The second I reach the door, I feel calmer.
The door is not completely closed. I nudge it open with my foot. He isn’t there, but I don’t leave. I sit on his bed and gather the quilt in my arms, burying my face in the fabric and taking deep breaths of it through my nose. The smell it used to have is almost gone, it’s been so long since he slept on it.
The door opens and Tobias slips in. My arms go limp, and the quilt falls into my lap. How will I explain my presence here? I’m supposed to be angry with him.
He doesn’t scowl, but his mouth is so tense that I know he’s angry with me.
“Don’t be an idiot,” he says.
“An idiot?”
“You were lying. You said you wouldn’t go to Erudite, and you were lying, and going to Erudite would make you an idiot. So don’t.”
I set the blanket down and get up.
“Don’t try to make this simple,” I say. “It’s not. You know as well as I do that this is the right thing to do.”
“You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?”
“What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!”
“You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry.
“I’m not important. Everyone will do just fine without me,” I say.
“Who cares about everyone? What about me?”
He lowers his head into his hand, covering his eyes. His fingers are trembling.
Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
He places me on the concrete floor, expressionless as he studies me. “It’ll be easier next time,” he whispers, “killing on command.” 1352 hunkers in front of me, his brown eyes boring into mine. “They’ll desensitise you through exposure or drive you mad by it. Either way, sooner or later the death will cease to matter to you. All that remains to be seen is if you’ll retain your sanity when that happens.”
“Is that what they did to you?” I snarl at him, my fear of the truth in his admission urging me to anger.
“No,” 1352 answers simply, “they didn’t need to because I’ve been theirs from the moment I woke up.” He rests a palm over my chest, “You though, you still have a heart. You’re not a corpse made animate. They need to kill you before they can possess you but death is not always the stilling of a pulse. Sometimes it takes the more complex task of destroying a soul to kill a person, rather than simply sending it on its way. They need to corrupt you because they need you to behave in a way that overshadows everything you’ve ever stood for previously, only then can they claim you.
”
”
Angela Louise McGurk (Allegiance (The Vampire Alliance, #2))
“
In an unforgettable scene from All Quiet on the Western Front, a young German soldier examines the body of a Frenchman he has just killed: No doubt his wife still thinks of him; she does not know what happened. He looks as if he would have often written to her—she will still be getting mail from him—Tomorrow, in a week’s time—perhaps even a stray letter a month hence. She will read it, and in it he will be speaking to her.... I speak to him and say to him: “. . . Forgive me, comrade.... Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony?” . . . “I will write to your wife,” I say hastily to the dead man. . . . “I will tell her everything I have told you, she shall not suffer, I will help her, and your parents too, and your child—” Irresolutely I take the wallet in my hand. It slips out of my hand and falls open.... There are portraits of a woman and a little girl, small amateur photographs taken against an ivy-clad wall. Along with them are letters.132 Another
”
”
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
“
Let's dispense with the nonsense, Victoria. This isn't a question of suitability, yours or his. You're perfectly capable of accustoming yourself to new circumstances.... and marrying a man of good fortune, though untitled, is not exactly a lordship." Vivien rolled her eyes and sighed. "It is so like you to analyze a situation until you've made it ten times more complicated than it really is! Just as Father used to do."
"Father was a wonderful man," Victoria said, stiffening.
"Yes... a wonderful, virtuous, lonely martyr. After Mama left him, Father retreated into his shell and hid from the world. And you stayed with him and tried to atone for everything that had happened by becoming exactly like him. You've been living in this same damned cottage, poring over the same bloody books. It's morbid, I tell you."
"You don't understand-" Victoria began hotly.
"Don't I?" Vivien interrupted. "I understand your fears better than you do. It's always been safer for you to hide here alone than take the chance of loving someone and have them leave you. *That's* what your real worry is. Mama abandoned you, and now you expect the same of anyone else you might love.
”
”
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
“
How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is. I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things; all my generation is experiencing these things with me. What would our fathers do if we suddenly stood up and came before them and proffered our account? What do they expect of us if a time ever comes when the war is over? Through the years our business has been killing;-it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?
”
”
Erich Maria Remarque (All Quiet on the Western Front (Dead Reckoning))
“
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?”
“What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!”
“You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry.
“I’m not important. Everyone will do just fine without me,” I say.
“Who cares about everyone? What about me?”
He lowers his head into his hand, covering his eyes. His fingers are trembling.
Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to.
I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things.
“You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.”
He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again.
This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do.
But I want to. Oh, I want to.
I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not.
He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye.
He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips.
I can’t stop.
I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder.
I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers.
Stop, I tell myself.
Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much.
He pulls back just enough to look into my eyes, his eyelids lowered.
“Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.”
Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body.
Do this one thing for me. Tobias’s dark eyes plead with me.
But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do.
I feel a stab of pain in my chest as I lie to him. “Okay.”
“Promise,” he says, frowning.
The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I will never forget the sensation that plagued my body as my husband’s business partner told me of Jeff’s fate that day. As his words reached my ears, I found myself in a fog of utter disbelief and paralyzing fear. It was almost as if I was part of a movie. As his business partner was telling me what happened, life began to move in slow motion and I was trying to convince myself that what I was hearing wasn’t true. “Jeff has been in a horrible car accident and has been airlifted to Advocate Christ Hospital,” he said. I couldn’t believe what I was hearing. Not my Jeff. There’s no way. The tears came without warning. It was as if a dam broke on a lake I didn’t know existed. This wasn’t really happening. We were a young couple with two small children living the American dream. We had everything going for us. This couldn’t really be happening to me. To us. To him. I had to force myself to focus on his words, “Wait, where was he taken again?” I asked. He repeated the name, but it didn’t sound any more familiar. “Where is that?” I asked. “In Chicago,” he said. Why Chicago? I wondered. I thanked him and somehow managed to end the conversation without completely losing it. God kept me focused and at peace. I still don’t remember how I got everything done that day.
”
”
Jeff Huxford (Finding Normal: An Uninvited Change, An Unexpected Outcome)
“
Us, you mean.”
I did not reply.
“Let’s see, then—” And before I knew it, he sidled up to me. We were too close, I thought, I’d never been so close to him except in a dream or when he cupped his hand to light my cigarette. If he brought his ear any closer he’d hear my heart. I’d seen it written in novels but never believed it until now. He stared me right in the face, as though he liked my face and wished to study it and to linger on it, then he touched my nether lip with his finger and let it travel left and right and right and left again and again as I lay there, watching him smile in a way that made me fear anything might happen now and there’d be no turning back, that this was his way of asking, and here was my chance to say no or to say something and play for time, so that I might still debate the matter with myself, now that it had reached this point except that I didn’t have any time left, because he brought his lips to my mouth, a warm, conciliatory, I’ll-meet-you-halfway but-no-further kiss till he realized how famished mine was. I wished I knew how to calibrate my kiss the way he did. But passion allows us to hide more, and at that moment on Monet’s berm, if I wished to hide everything about me in this kiss, I was also desperate to forget the kiss by losing myself in it.
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
A Thing I Have Learned (Written By A Nobody Who Has Been Everybody) It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
”
”
Matt Haig (The Midnight Library (The Midnight World, #1))
“
I went into her nightmare,' Rhys peered up at Cassian. 'Why didn't you tell me you attempted a scrying today?'
'It didn't work.' And Nesta's fear and guilt had been so heavy in the room that his chest had ached. He'd left her alone afterward knowing she'd want privacy.
Rhys let out a shuddering breath. 'The scrying was a trip wire. For the memories. I caught that as I went in.' His throat worked, as if he'd heave, but he held it odnw. 'She was dreaming of the Cauldron. Of... of when she went in.' Cassian had never seen Rhys at such a loss for words.
'I saw it,' Rhys whispered. 'Felt it. Everything that happened within the Cauldron. Saw her take its power with her teeth and claws and rage. And I saw... felt... what it took from her.'
Rhys rubbed his face and slowly straightened. He met Cassian's stare unflinchingly, his eyes full of remorse and agony. 'Her trauma is...' Rhys's throat bobbed.
'I know,' Cassian whispered.
'I guessed,' Rhys breathed, 'but it was different to feel it.'
'What is her power?' Azriel asked.
'Death,' Rhys whispered, hands trembling again as he got to his feet and aimed toward the window, which was now repairing itself shard by shard, as if a careful, patient hand worked upon it. He gazed at the female sleeping in the bed, and fear clouded the face of the High Lord of the Night Court. 'Pure death.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
When we finished we sat quietly and watched the endless view. I was slowly realizing that this was one of the Seer’s qualities that I appreciated the most. To be present without words, without expectations and without any judgement. These were the times when I felt that he could communicate his thoughts and visions through his presence alone. Looking out became looking in. It was an undramatic kind of transmission, which would move you almost imperceptibly and silently. At these moments I felt my body relax completely. Each fibre, each muscle and every single cell found its correct place. An empathetic vigilance grew from this relaxed condition, a vigilance, which saw people and things as they were on their own merit. This was not about acceptance any more, since there was nothing to accept. Everything was as it was. It was a long-forgotten language. He showed me how almost all communication between people, the spoken and the written word, is nothing but our desperate attempts to cling to illusory personalities and identities tainted by prejudices, fear and vanity. A language which did not allow any room for listening, which focused on itself, which was excluding and only lived due to its attack and defence system was, according to him, a poor and inhumane one. Although the users of this language were usually very good at repartee and were able to write infinitely, they were really only good at maintaining and communicating limitations without end. It was this maintenance of limitations which was one of the main reasons that the great paradigm change, which all were waiting for, did not happen. He did not judge. He simply looked at and worked for the release of limitations wherever he met them. Not until the dissolution of all mental noise would it be possible to practise the transmission of stillness as a transforming kind of communication between people. It was not possible to enter this condition with a limited attention. The road to the transpersonal and the related level might seem difficult, because it demanded an obligation which included the complete human being. It was not enough to be just a little bit pregnant. You either were or you were not. And the paradoxical difference between the one and the other was the simple fact that the sleeping person decided to open his eyes, to wake up and become conscious of his wakeful condition. The fact that such a seemingly simple decision could appear so difficult lay in the fact that it entailed the release of more or less everything that you have ever learned and gained, and which you erroneously have interpreted as a true realization. He presented all these considerations to me on the mountain. In one single thought, without words, without judgement.
”
”
Lars Muhl (The O Manuscript: The Scandinavian Bestseller)
“
When 9/11 happened, I was an observer. I mourned for the victims and felt for the people as individuals, but this wasn’t my fight. It wasn’t the victims’ fight, either, though. They were caught in the middle as always. The little people suffer for the crimes of few. This fight wasn’t between the people that flew the planes and the people in the towers. We all got played by politics we had nothing to do with. In the aftermath of 9/11, if you tuned in to television stations and watched the debates over the war in Iraq, no one had the backbone to point out the obvious. America, Inc. was running out of gas. We’d squeezed everything we could out of the rest of the world with our foreign policy. The answer was not to go into Iraq. It should have been to look at ourselves, look at our own crumbling policies, and economic mishaps. We should have lowered the debt, regulated the banks, prevented the oncoming mortgage crisis, and reevaluated our foreign policy, but we didn’t. We played on the fear of innocent Americans and spent our resources on a nameless, faceless war that tore apart Iraq, emptied our war chest, and left us with an American infrastructure screaming for help. We didn’t look at ourselves until it was too late. We spent our money on an arms race against ourself, fought an unnecessary war, and neglected the problems we had on this side of the water’s edge.
”
”
Eddie Huang (Fresh Off the Boat)
“
SECTION XI.--The Strength of Simplicity. The soul in the state of abandonment knows how to see God even in the proud who oppose His action. All creatures, good or evil, reveal Him to it. __________________________________________________________________ The whole practice of the simple soul is in the accomplishment of the will of God. This it respects even in those unruly actions by which the proud attempt to depreciate it. The proud soul despises one in whose sight it is as nothing, who beholds only God in it, and in all its actions. Often it imagines that the modesty of the simple soul is a mark of appreciation for itself; when, all the time, it is only a sign of that loving fear of God and of His holy will as shown to it in the person of the proud. No, poor fool, the simple soul fears you not at all. You excite its compassion; it is answering God when you think it is speaking to you: it is with Him that it believes it has to do; it regards you only as one of His slaves, or rather as a mask with which He disguises Himself. Therefore the more you take a high tone, the lower you become in its estimation; and when you think to take it by surprise, it surprises you. Your wiles and violence are just favours from Heaven. The proud soul cannot comprehend itself, but the simple soul, with the light of faith, can very clearly see through it. The finding of the divine action in all that occurs at each moment, in and around us, is true science, a continuous revelation of truth, and an unceasingly renewed intercourse with God. It is a rejoicing with the Spouse, not in secret, nor by stealth, in the cellar, or the vineyard, but openly, and in public, without any human respect. It is a fund of peace, of joy, of love, and of satisfaction with God who is seen, known, or rather, believed in, living and operating in the most perfect manner in everything that happens. It is the beginning of eternal happiness not yet perfectly realised and tasted, except in an incomplete and hidden manner. The Holy Spirit, who arranges all the pieces on the board of life, will, by this fruitful and continual presence of His action, say at the hour of death, "fiat lux," "let there be light" (Gen. i, 14), and then will be seen the treasures which faith hides in this abyss of peace and contentment with God, and which will be found in those things that have been every moment done, or suffered for Him. When God gives Himself thus, all that is common becomes wonderful; and it is on this account that nothing seems to be so, because this way is, in itself, extraordinary. Consequently it is unnecessary to make it full of strange and unsuitable marvels. It is, in itself, a miracle, a revelation, a constant joy even with the prevalence of minor faults. But it is a miracle which, while rendering all common and sensible things wonderful, has nothing in itself that is sensibly marvellous.
”
”
Jean-Pierre de Caussade (Abandonment to Divine Providence)
“
The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion.
Ssh, Potter, he whispered, into the back of my neck. Is only me.
It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children.
And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.
”
”
Donna Tartt (The Goldfinch)
“
I happened to have in my trunk a Bergotte that is very likely unfamiliar to you, I have brought it for you, in the hope that it may help you feel better at a time you find distressful.” I thanked M. de Charlus with all the effusion at my command and told him that my fear had been that Saint-Loup’s words about my disquiet at nightfall might have made him think me more of a fool than I was. “Not at all,” he replied in a gentler voice. “You may well be devoid of personal worth, but in that case you’re like nearly everyone else! However, at least for a time you have youth, and youth is always irresistible. Moreover, young man, it is the height of stupidity to think there is something ridiculous or reprehensible in feelings one does not share. I love the night and you say you dread it. I love the scent of roses, yet I have a friend in whom it sets off a fever. Do you suppose that, for me, that makes him a lesser man than I am? I strive to understand everything and do not allow myself to condemn anything. However! Do not feel too sorry for yourself. Not that I would ever maintain that such dejection as yours is not hard to bear—I know how much one can suffer for things others could never understand. But at least you have your grandmother to whom to entrust your affection. You can see her all the time. And it is a permissible mode of affection, I mean a requited love. There are so many other modes of affection of which one cannot say the same!
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, one single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is. I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things; all my generation is experiencing these things with me. What would our fathers do if we suddenly stood up and came before them and proffered our account? What do they expect of us if a time ever comes when the war is over? Through the years our business has been killing;—it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
She looked thoughtful. “Who knows? Perhaps now is the time to see through the habit. Accidents, illness, healing, they’re all more mysterious than any of us ever imagined. I believe that we have an undiscovered ability to influence what happens to us in the future, including whether we are healthy—although, again, the power has to remain with the individual patient. “There was a reason that I didn’t offer an opinion concerning how badly you were hurt. We in the medical establishment have learned that medical opinions have to be offered very carefully. Over the years the public has developed almost a worship of doctors, and when a physician says something, patients have tended to take these opinions totally to heart. The country doctors of a hundred years ago knew this, and would use this principle to actually paint an overly optimistic picture of any health situation. If the doctor said that the patient would get better, very often the patient would internalize this idea in his or her mind and actually defy all odds to recover. In later years, however, ethical considerations have prevented such distortions, and the establishment has felt that the patient is entitled to a cold scientific assessment of his or her situation. “Unfortunately when this was given, sometimes patients dropped dead right before our eyes, just because they were told their condition was terminal. We know now that we have to be very careful with these assessments, because of the power of our minds. We want to focus this power in a positive direction. The body is capable of miraculous regeneration. Body parts thought of in the past as solid forms are actually energy systems that can transform overnight. Have you read the latest research on prayer? The simple fact that this kind of spiritual visualization is being scientifically proven to work totally undermines our old physical model of healing. We’re having to work out a new model.” She paused and poured more water on the towel around my ankle, then continued, “I believe the first step in the process is to identify the fear with which the medical problem seems to be connected; this opens up the energy block in your body to conscious healing. The next step is to pull in as much energy as possible and focus it at the exact location of the block.” I was about to ask how this was done, but she stopped me. “Go ahead and raise your energy level as much as you can.” Accepting her guidance, I began to observe the beauty around me and to concentrate on a spiritual connection within, evoking a heightened sensation of love. Gradually the colors became more vivid and everything in my awareness increased in presence. I could tell that she was raising her own energy at the same time. When I felt as though my vibration had increased as much as possible, I looked at her. She smiled back at me. “Okay, now you can focus the energy on the block.” “How do I do that?” I asked. “You use the pain. That’s why it’s there, to help you focus.
”
”
James Redfield (The Tenth Insight: Holding the Vision (Celestine Prophecy #2))
“
Sunday, May 7, 1944
I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character!
Monday, May 22, 1944
...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews?
Thursday, May 25, 1944
The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next.
...We're going to be hungry, but nothing's worse than being caught.
Friday, May 26, 1944
...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces.
...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us?
...
...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror.
...
I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything.
Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished.
Tuesday, June 13, 1944
Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike.
It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage!
...Nature is the one thing for which there is no substitute.
”
”
Anne Frank (The Diary Of a Young Girl)
“
There will come a point where every hing falls into place. Everything makes sense. Why this didn't happen, why that did. Every past experience, moment, and memory is just that: in the past. And you won't look back. You'll be too busy living in the present world enjoying your beautiful life without hesitations or fear of anything. You'll catch yourself smiling for no apparent reason except the realization that this is your life and you are here for it.
It might seem absurd to you right now. It might not. Maybe the world is weighing down on you; you feel like you're drowning and there is no way to make it stop. No way to reach the light in whatever dark void you've found yourself. Maybe you haven't even found yourself at all.
Your time is coming.
I remember feeling empty, alone, scared of the world and what it had in store for me. I remember having these fears of judgement and failure and letting these drive my actions each day. I remember my late nights, the ones where I would spend hours sitting in darkness thinking "Is this how the rest of my life will be? What if it doesn't change?" Even worse: "What if I keep believing it will and then it never does?
But it does. I can promise you that. People always say that, I know, but I've experienced this and once you do too you'll understand these words and the power they carry.
These bits and pieces of yourself that you own are soon to fall into place. And you will feel like you are on top of the world. Your entire outlook on life might even change.
How do I know? Well, I'm sitting here writing this and smiling for no apparent reason except the realization that this is my life
and I'm here for it.
”
”
Makenzie Campbell (2am thoughts)
“
In a way, Star Wars could be interpreted as an extended reflection on what might have happened if Jesus had said yes to Satan’s offer. Qui-Gon wants to train Anakin to be a member of the Jedi, a diverse group of humans and other creatures who have a special connection to “the Force” (a kind of cosmic, spiritual energy). He believes that Anakin is “the chosen one,” born to defeat the dark side and restore balance to the Force, but he must convince the Jedi Council. As the council begins to interview Anakin, Yoda (a froglike Jedi with unusual syntax) probes his fear: Yoda: How feel you? Anakin: Cold, sir. Yoda: Afraid are you? Anakin: No, sir. Yoda: See through you we can. Mace Windu: Be mindful of your feelings. Ki-Adi-Mundi: Your thoughts dwell on your mother. Anakin: I miss her. Yoda: Afraid to lose her I think, hmm? Anakin: What has that got to do with anything? Yoda: Everything! Fear is the path to the Dark Side. Fear leads to anger. Anger leads to hate. Hate leads to suffering. I sense much fear in you.20 Yoda’s words foreshadow the path that will lead Anakin to embrace evil and ultimately become Darth Vader. Nonetheless, many on the council believe Anakin to be the chosen one, spoken of by the prophets, and they allow him to train. In Episode II, Anakin’s fear becomes reality as his mother is kidnapped and killed by the sandpeople. Anakin is filled with rage, and he attacks their village, murdering not only the men but women and children as well. This scene augurs a later, even darker moment in Episode III, when Anakin will slay a gathering of children who are being trained as Jedis. As Yoda predicted, Anakin’s fear has multiplied and born fruit in anger, hate, and suffering.
”
”
Scott Bader-Saye (Following Jesus in a Culture of Fear (The Christian Practice of Everyday Life))
“
It’s like lifting—when you’re deep in a set, your arms are shaking and you’re a melting candle of pain that’s burned down to zero; you got nothing left to give. And in that darkest moment you cry out, ‘Lord, I can’t!’ and a voice comes out of the darkness and says, ‘But I can.’ That’s the still, small voice that comes in the night. That’s the sound of something bigger than yourself. That’s God talking. And he says, ‘You are not alone,’ and enfolds you in wings of the eagle, and he carries you up. But first you have to burn away everything that doesn’t matter. You have to burn away leg warmers and New Age crystals, and Madonna, and aerobics, and New Kids on the Block, and the boy you’re sweet on in school. You burn away your parents, and your friends, and everything you ever cared about, and you burn away personal safety, conventional morality. And when all that is gone, when everything is swept away in the fire and everything around you is ash, what you have left is just a tiny nugget, a little kernel of something that is good, and pure, and true. And you pick that pebble up, and you throw it at the fortress this demon has built in your friend’s soul, this leviathan of hatred and fear and oppression, and you throw this tiny pebble and it hits that wall and it goes ping . . . and nothing happens. That’s when you’ll have the hardest doubts you ever had in your life. But never doubt the truth. Never underestimate it. Because a second later, if you’ve been through the fire, you’ll hear the cracks start to spread, and all those mighty walls and iron gates will collapse like a house of cards because you have harrowed yourself until all that’s left is truth. That’s what that pebble is, Abby. It’s our core.
”
”
Grady Hendrix (My Best Friend's Exorcism)
“
Nothing you've been through has been wasted. I know at times you feel you've wasted time, moments, and years over what you can't regain again — a job, a marriage, a relationship, your health, the sacrifices, your time and service, and giving up something you love for God, that broke your heart. You sit back and wonder, "Will I ever be happy again? Was everything I've been through worth the pain, the tears, the sleepless nights, the embarrassment." The Lord is saying, "It's just preparation." Where you are now is no accident.
What has happened to you didn't take God by surprise. He already initiated a plan of escape before you were formed; mistakes, setbacks, disappointments, things outside your control.. The plan was already made! I don't know your story but only you and God know your story. He took you from bad company, He took you from suicide, He took you when you were at your lowest, He took you when nobody wanted you, He took you when your money was low, Why? Because He saw potential in you!
As God as my witness it gets lonely at times. Life can be fearful when you don't know what to expect. When you feel everything has been stripped away...When you feel there's no hope... When you wonder how much longer do I have to wait. Who wants to feel rejection or disappointments.. But it's in those moments when we experience the faithfulness of God!
I want to encourage whoever I'm speaking to, to hold on! Before Joseph became Prime Minister of Egypt he was in prison for years because of his brothers. He wasn't expecting that... In other words what God has for you is something bigger than you've imagined. It's so much greater and better than what you had at first. It's something you never thought about or even prayed for because nothing you've been through has been wasted. Your situation is going change suddenly because all it did was reposition you for a blessing. God is getting ready to move! You're frustrated because you're on the verge. You're restless because you're on the verge. Your moment is coming sooner than you think!
”
”
Susan Samaroo
“
Letty wanted to know every detail of Laura's going. As she asked and listened, her heart beat uncomfortably fast and she felt that, if she did not take care, she would burst into tears. Laura had gone; she had broken away.
'It's not fair! It's not fair!' Letty cried to herself. Laura had got what she wanted; whatever happened to her afterwards she had got, once, what she wanted. She had had the courage to take it.
'Not that I ever wanted to go off with a man,' Letty had thought on the way to Greenbanks with Ambrose. No, she had never seen anyone she wanted to go off with. When she thought of going, it was never with a man. Once she had indulged in wild dreams. For years after she was married she felt that someone would one day come, someone she could love with all her heart, with that high, free elation and that deep satisfaction she could imagine. She would be able to share everything with him; her fears in the night about loneliness, death, the end of things. He would understand, she felt, but he would not explain, for after all there is no explanation. He would laugh, too, at what she laughed at; he would enjoy shop incidents, tram incidents, street incidents - all the queer, funny things that go to make up every day. Letty felt, for years, that someone like this would come before it was too late.
'It's not really me, having the children and living with Ambrose,' she would think in bewilderment. 'This isn't my life really; it will all be different soon. I shall begin to live as I want to - soon.'
But the years went on and now she was over forty and looked for nobody to rescue her as if she were a damsel in distress. She no longer expected to be loved by any man. Men wanted youth and beauty; no matter how old and ugly they were themselves, they felt entitled to youth and beauty in women. She had missed the great love she had dreamed of as a girl, but she thought about it no more. Her wishes had changed as she grew older; she now only wanted to get away by herself, to enjoy life in her own way. [...] She knew what she wanted, but could not have; it was freedom.
”
”
Dorothy Whipple (Greenbanks)
“
There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you’re high it’s tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one’s marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends’faces are replaced by fear and concern. Everything previously moving with the grain is now against—you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality. It goes on and on, and finally there are only others’ recollections of your behavior—your bizarre, frenetic, aimless behaviors—for mania has at least some grace in partially obliterating memories. What then, after the medications, psychiatrist, despair, depression, and overdose? All those incredible feelings to sort through. Who is being too polite to say what? Who knows what? What did I do? Why? And most hauntingly, when will it happen again? Then, too, are the bitter reminders—medicine to take, resent, forget, take, resent, and forget, but always to take. Credit cards revoked, bounced checks to cover, explanations due at work, apologies to make, intermittent memories (what did I do?), friendships gone or drained, a ruined marriage. And always, when will it happen again? Which of my feelings are real? Which of the me’s is me? The wild, impulsive, chaotic, energetic, and crazy one? Or the shy, withdrawn, desperate, suicidal, doomed, and tired one? Probably a bit of both, hopefully much that is neither. Virginia Woolf, in her dives and climbs, said it all: “How far do our feelings take their colour from the dive underground? I mean, what is the reality of any feeling?
”
”
Kay Redfield Jamison (An Unquiet Mind)
“
Q. How can I be certain that what I fear will happen will never really happen?
A. Sadly, the answer is you can't be certain! If you suffer from OCD you probably want a 100 percent guarantee that you will never do anything dangerous or that no harm will ever come to you or your family members. Unfortunately, life does not work like this. If I think about it, I know that there is no guarantee that I won't be hit by a car coming home from work today - but somehow my brain automatically accepts the very small chance of this happening and so permits me to go on living my life.
More than two thousand years ago the Buddha (a great psychologist besides being a religious teacher) warned that one of the key things that makes us suffer is that we always want more than we will actually get - whether what we want is material like gold and jewels, or (my addition) in the case of OCD, more certainty than you will ever achieve. Thus the solution the Buddha might have offered you in northern India those thousands of years ago might have been something like this: "To stop suffering you must learn to accept that you will never achieve as much certainty as you want, no matter how much you pursue it; so it is up to you to choose: Either accept this truth and live your life happily, or fight against this truth and continue to suffer."
Let me say it again for emphasis: you will never be certain that you won't act on the urges you have, or that the terrible things you fear will happen will not actually happen - but I can assure you that the odds of these things actually happening are small enough that it is not worth wasting your life trying (in vain) to get 100 percent certainty. Better to trust in yourself, your religious beliefs, or in evolution having prepared us well for surviving in this world.
If evidence from brain studies better helps to convince you this is true, brain imaging studies of OCD sufferers now suggest that there really is something wrong with their "certainty system"; whatever automatically lets someone without OCD feel that things are OK does not function correctly in the OCD sufferer's brain (who then tries to convince himself that everything is OK, eventually becoming tired and frustrated when he cannot use other brain functions to achieve 100 percent certainty).
”
”
Lee Baer (Getting Control (Revised Edition)
“
You’re like a nuclear missile, you’re dropped somewhere and cause devastation all around. You’ve always been that way. And I figured you’d come here and just fucking destroy everything that stood against me, like you do all the time. I wanted to tell you, I really did, but I couldn’t. I couldn’t risk you saying no, to the whole plan going out the window.” I got off Galahad, who adjusted his suit, but didn’t bother getting back to his feet. “Do you even know what Simon was here for?” “No, although we will. A few years in a dungeon will loosen his tongue a little.” “I never thought you’d be on the receiving end of my anger,” I said softly. “I always thought you’d be honest with me. That you knew how I felt after leaving Merlin, leaving behind the lies and manipulations. But I was wrong. You’re just shittier at it than he was.” “I have more important things to do than lament whatever has broken in our friendship,” he said, anger leaking from every syllable. “I think you should leave this city and this state.” “You’re having me kicked out?” Galahad shook his head. “I’ll be putting Bill Moon in charge of the investigation into what happened here. We’ll make things more palatable for the humans living here, and then we’ll be taking Simon back to Shadow Falls.” “And Rean?” “He has refused my aid and vanished with his remaining colony into the woods. Nine out of twenty-two died today, I doubt he wishes to involve himself with the affairs of anyone other than his colony.” “You lost two allies in space of a day and damaged your reputation as a ruler who takes care of his own. Congrats. You must be very proud.” “I think we’re done here,” he said and got back to his feet once more. I took a step toward him and I noticed something in his expression. Fear. But not fear of me, Galahad would never have been scared of me, but maybe the fear of what had been lost between us, and my anger evaporated, replaced with sadness. “Galahad, you should know something,” I said, gaining his attention as he walked off toward the house. He stopped at the open door and glanced back at me. “What is it?” “I’m not a nuclear bomb, I’m a scalpel. I cut away the tumors and diseased flesh that threatens to consume everything. So, you need to be very careful that during your reign, you don’t become something that requires my utmost attention.” And with that, I turned and walked away.
”
”
Steve McHugh (With Silent Screams (Hellequin Chronicles, #3))
“
Say you’ll marry me, angel. You have to marry me.”
With his tale of heartbreak in her mind, she feared that he wanted this for all the wrong reasons. “You just want to save me from Nathan.”
“Nothing so unselfish, I assure you.” He trailed his mouth down her throat. “I want you. I need you. God, how I need you.”
He spoke of need, but not of love. Then again, he didn’t believe in love. And though that stung, at least he was honest about it. He’d always been perfectly frank about what he wanted.
“You need me in your bed, you mean.”
“Not just there, and you know it.” He drew back, firm resolve sharpening his features. Cupping her head in his large hands, he met her gaze with an intense look. “I’ll prove it. Agree to marry me, and I’ll leave you to sleep alone tonight and every night until we’re joined in matrimony. I’ll behave like a respectable gentleman. And I’ve never done that for anyone.”
Her blood thundered in her ears. She could well believe it. And something beyond desire shone in his face. Or was she just wishing on rainbows?
“I don’t know, Oliver. Until I can find Nathan-“
“Nathan!” A change came over him, dark and tempestuous. “Forget about Nathan. I won’t let him have you.” His eyes smoldered with a passion like the one seething in her own breast. “I won’t.”
He started backing her toward the bed in an unconscious imitation of his blatantly sensual steps in the waltz earlier, and a thrill shot through her. “You said you would leave me to sleep alone.”
“Not so you can think about him and what you owe him. I’ll make love to you before I let that happen. Because one way or the other, I mean to have you as my wife.” Raw determination shone in his harsh features. “Even if I have to ruin you to manage it.”
That errant thrill made her shiver again, no matter how she tried to suppress it. “Then you won’t need to marry me. You’ll have everything you desire from me.”
A ragged laugh escaped his lips. “It will take a lifetime to have everything I desire from you.”
His words gave her pause. Perhaps he really did need her. Perhaps he felt something even more.
“Besides,” he said with a wry smile as he shucked his coat, then his waistcoat, “my family will roast my ballocks on a spit if I ruin you without making an honest woman of you.”
“I haven’t agreed to let you ruin me,” she pointed out.
His black eyes glittered in the candlelight. “Ah, but you will.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Kill Yourself Buddhism argues that your idea of who “you” are is an arbitrary mental construction and that you should let go of the idea that “you” exist at all; that the arbitrary metrics by which you define yourself actually trap you, and thus you’re better off letting go of everything. In a sense, you could say that Buddhism encourages you to not give a fuck. It sounds wonky, but there are some psychological benefits to this approach to life. When we let go of the stories we tell about ourselves, to ourselves, we free ourselves up to actually act (and fail) and grow. When someone admits to herself, “You know, maybe I’m not good at relationships,” then she is suddenly free to act and end her bad marriage. She has no identity to protect by staying in a miserable, crappy marriage just to prove something to herself. When the student admits to himself, “You know, maybe I’m not a rebel; maybe I’m just scared,” then he’s free to be ambitious again. He has no reason to feel threatened by pursuing his academic dreams and maybe failing. When the insurance adjuster admits to himself, “You know, maybe there’s nothing unique or special about my dreams or my job,” then he’s free to give that screenplay an honest go and see what happens. I have both some good news and some bad news for you: there is little that is unique or special about your problems. That’s why letting go is so liberating. There’s a kind of self-absorption that comes with fear based on an irrational certainty. When you assume that your plane is the one that’s going to crash, or that your project idea is the stupid one everyone is going to laugh at, or that you’re the one everyone is going to choose to mock or ignore, you’re implicitly telling yourself, “I’m the exception; I’m unlike everybody else; I’m different and special.” This is narcissism, pure and simple. You feel as though your problems deserve to be treated differently, that your problems have some unique math to them that doesn’t obey the laws of the physical universe. My recommendation: don’t be special; don’t be unique. Redefine your metrics in mundane and broad ways. Choose to measure yourself not as a rising star or an undiscovered genius. Choose to measure yourself not as some horrible victim or dismal failure. Instead, measure yourself by more mundane identities: a student, a partner, a friend, a creator. The narrower and rarer the identity you choose for yourself, the more everything will seem to threaten you. For that reason, define yourself in the simplest and most ordinary ways possible. This often means giving up some grandiose ideas about yourself: that you’re uniquely intelligent, or spectacularly talented, or intimidatingly attractive, or especially victimized in ways other people could never imagine.
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
What would be the natural thing? A man goes to college. He works as he wants to work, he plays as he wants to play, he exercises for the fun of the game, he makes friends where he wants to make them, he is held in by no fear of criticism above, for the class ahead of him has nothing to do with his standing in his own class. Everything he does has the one vital quality: it is spontaneous. That is the flame of youth itself. Now, what really exists?"
"...I say our colleges to-day are business colleges—Yale more so, perhaps, because it is more sensitively American. Let's take up any side of our life here. Begin with athletics. What has become of the natural, spontaneous joy of contest? Instead you have one of the most perfectly organized business systems for achieving a required result—success. Football is driving, slavish work; there isn't one man in twenty who gets any real pleasure out of it. Professional baseball is not more rigorously disciplined and driven than our 'amateur' teams. Add the crew and the track. Play, the fun of the thing itself, doesn't exist; and why? Because we have made a business out of it all, and the college is scoured for material, just as drummers are sent out to bring in business.
"Take another case. A man has a knack at the banjo or guitar, or has a good voice. What is the spontaneous thing? To meet with other kindred spirits in informal gatherings in one another's rooms or at the fence, according to the whim of the moment. Instead what happens? You have our university musical clubs, thoroughly professional organizations. If you are material, you must get out and begin to work for them—coach with a professional coach, make the Apollo clubs, and, working on, some day in junior year reach the varsity organization and go out on a professional tour. Again an organization conceived on business lines.
"The same is true with the competition for our papers: the struggle for existence outside in a business world is not one whit more intense than the struggle to win out in the News or Lit competition. We are like a beef trust, with every by-product organized, down to the last possibility. You come to Yale—what is said to you? 'Be natural, be spontaneous, revel in a certain freedom, enjoy a leisure you'll never get again, browse around, give your imagination a chance, see every one, rub wits with every one, get to know yourself.'
"Is that what's said? No. What are you told, instead? 'Here are twenty great machines that need new bolts and wheels. Get out and work. Work harder than the next man, who is going to try to outwork you. And, in order to succeed, work at only one thing. You don't count—everything for the college.' Regan says the colleges don't represent the nation; I say they don't even represent the individual.
”
”
Owen Johnson (Stover at Yale)
“
You’ll have stopped making sentences in quarantine, In the special ward set aside for sentence making once the outline is finished, The way you were taught in school. Instead, writing becomes intrinsic to the act of thinking, Completely intertwined with it. You’re also learning to trust the ability to work in your head And learning how your mind works, Which is something you may not have noticed before. We’re always hastening to be done writing, But we’re also hastening to get out of the presence of our thoughts. Everything about thinking makes us nervous. We don’t believe there’s much of value to be found there. We don’t know when we’ll come to the end of our thoughts, But we think it may be soon. Why? Your mind is silent yet filled with voices and uncertainty. The uncertainty you feel is one of the places sentences will come from, And experience will make your uncertainty more certain. Stop fearing what you’ll find as you think. Give yourself over to this experiment. Your intentions will diverge from themselves. Your starting point may lead to places you didn’t imagine, Places that ask you to reconsider your starting point. You may feel yourself clinging to your original intention. Why? Because it came first? Why not follow the crosscurrents of your thinking And see where they lead? I don’t mean follow them blindly. Allow your thinking to adjust your intentions in the light of your discoveries. This may mean relinquishing your original intention If you find a better one as you write. The piece you’re writing is simply the one that happens to get written. If you’d begun another way, made a different turn, even started in a different mood, A different piece would have come into being. The writer’s world is full of parallel universes. You discover, word by word, the one you discover. Ten minutes later—another hour of thought—and you would have found your way into a different universe. The piece is permeable to the world around it. It’s responsive to time itself, to the very hour of its creation. This is an immensely freeing thing to understand. It liberates you from the anxiety of sequence, The fear that there’s only one way through your subject, Only one useful approach. Learn to accept the discontinuity between yourself and what you write, The discontinuity between your will, your intention, your plan And the discoveries you make as you work. Abandon the idea of predetermination, The shaping force of your intention, Until you’ve given it up for good. Bring your intentions, by all means, but accept that the language we use Is a language of accidentals, always skewing away from the course we set. This is something not to mourn but to revel in— Not only for the friction and sideslip inherent in the language But for freeing us from the narrowness of our preconceptions.
”
”
Verlyn Klinkenborg (Several Short Sentences About Writing)
“
Am I mistaken to think that even back then, in the vivid present, the fullness of life stirred our emotions to an extraordinary extent? Has anywhere since so engrossed you in its ocean of details? The detail, the immensity of the detail, the force of the detail, the weight of the detail—the rich endlessness of detail surrounding you in your young life like the six feet of dirt that’ll be packed on your grave when you’re dead. Perhaps by definition a neighborhood is the place to which a child spontaneously gives undivided attention; that’s the unfiltered way meaning comes to children, just flowing off the surface of things. Nonetheless, fifty years later, I ask you: has the immersion ever again been so complete as it was in those streets, where every block, every backyard, every house, every floor of every house—the walls, ceilings, doors, and windows of every last friend’s family apartment—came to be so absolutely individualized? Were we ever again to be such keen recording instruments of the microscopic surface of things close at hand, of the minutest gradations of social position conveyed by linoleum and oilcloth, by yahrzeit candles and cooking smells, by Ronson table lighters and Venetian blinds? About one another, we knew who had what kind of lunch in the bag in his locker and who ordered what on his hot dog at Syd’s; we knew one another’s every physical attribute—who walked pigeon-toed and who had breasts, who smelled of hair oil and who oversalivated when he spoke; we knew who among us was belligerent and who was friendly, who was smart and who was dumb; we knew whose mother had the accent and whose father had the mustache, whose mother worked and whose father was dead; somehow we even dimly grasped how every family’s different set of circumstances set each family a distinctive difficult human problem. And, of course, there was the mandatory turbulence born of need, appetite, fantasy, longing, and the fear of disgrace. With only adolescent introspection to light the way, each of us, hopelessly pubescent, alone and in secret, attempted to regulate it—and in an era when chastity was still ascendant, a national cause to be embraced by the young like freedom and democracy. It’s astonishing that everything so immediately visible in our lives as classmates we still remember so precisely. The intensity of feeling that we have seeing one another today is also astonishing. But most astonishing is that we are nearing the age that our grandparents were when we first went off to be freshmen at the annex on February 1, 1946. What is astonishing is that we, who had no idea how anything was going to turn out, now know exactly what happened. That the results are in for the class of January 1950—the unanswerable questions answered, the future revealed—is that not astonishing? To have lived—and in this country, and in our time, and as who we were. Astonishing.
”
”
Philip Roth (American Pastoral (The American Trilogy, #1))
“
Take your hands off him.'
She did.
'Unshackle him.'
Lucien's skin drained of colour as Ianthe obeyed me, her face queerly vacant, pliant. The blue stone shackles thumped to the mossy ground.
Lucien's shirt was askew, the top button on his pants already undone.
The roaring that filled my mind was so loud I could barely hear myself as I said, 'Pick up that rock.'
Lucien remained pressed against that tree. And he watched in silence as Ianthe stopped to pick up a grey, rough rock about the size of an apple.
'Put your right hand on that boulder.'
She obeyed, though a tremor went down her spine.
Her mind thrashed and struggled against me, like a fish snared on a line. I dug my mental talons in deeper, and some inner voice of hers began screaming.
'Smash your hand with the rock as hard as you can until I tell you to stop.'
The hand she'd put on him, on so many others.
Ianthe brought the stone up. The first impact was a muffled, wet thud.
The second was an actual crack.
The third drew blood.
Her arm rose and fell, her body shuddering with the agony.
And I said to her very clearly, 'You will never touch another person against their will. You will never convince yourself that they truly want your advances; that they're playing games. You will never know another's touch unless they initiate, unless it's desired by both sides.'
Thwack; crack; thud.
'You will not remember what happened here. You will tell the others that you fell.'
Her ring finger had shifted in the wrong direction.
'You are allowed to see a healer to set the bones. But not to erase the scarring. And every time you look at that hand, you are going to remember that touching people against their will has consequences, and if you do it again, everything you are will cease to exist. You will live with that terror every day, and never know where it originates. Only the fear of something chasing you, hunting you, waiting for you the instant you let your guard down.'
Silent tears of pain flowed down her face.
'You can stop now.'
The bloodied rock tumbled onto the grass. Her hand was little more than cracked bones wrapped in shredded skin.
'Kneel here until someone finds you.'
Ianthe fell to her knees, her ruined hand leaking blood onto her pale robes.
'I debated slitting your throat this morning,' I told her. 'I debated it all last night while you slept beside me. I've debated it every single day since I learned you sold out my sisters to Hybern.' I smiled a bit. 'But I think this is a better punishment. And I hope you live a long, long life, Ianthe, and never know a moment's peace.'
I stared down at her for a moment longer, tying off the tapestry of words and commands I'd woven into her mind, and turned to Lucien. He'd fixed his pants, his shirt.
His wide eyes slid from her to me, then to the bloodied stone.
'The word you're looking for, Lucien,' crooned a deceptively light female voice, 'is daemati.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
In the course of my discussion with Ravenswood, I tried to get him to tell me how you got your scar, but he wouldn’t. He said I’d have to ask you.”
Jane’s words came suddenly into his head: That’s why you haven’t shared this with your own family? That’s why you keep all of us out? Because you think it was your fault? Oh, my sweet darling, none of it was your fault.
When Dom didn’t answer right away, Tristan went on, “I told Ravenswood you’d always brushed off the question with some nonsense about a fight you got into. But that isn’t true, I assume.”
Dom ventured a glance at his brother and winced to see the hurt on his face. Jane had said, Every time you refuse to reveal your secrets, Dom, I assume that you find me unworthy to hear them. Apparently, that was how he’d made all of them feel. As if he were somehow too important to let them into his life.
Only God could have stopped this disaster, and contrary to what you think, you aren’t God.
When she’d said it, he hadn’t understood why she would accuse him of such a thing. Why she sometimes called him “Dom the Almighty.”
But he understood now. By shielding his guilt from the world, he’d shut himself off from his family. From her. He’d pushed away the very people he should have embraced.
Having just watched Jane retreat into fear and shut him out, he now knew precisely how painful it could feel to be on the receiving end.
If he wanted to change all that, he would have to start opening his heart, letting his family--and her--see the things he was most ashamed of, most worried about. He would have to trust them to understand, to empathize, to love him in spite of everything.
The only other choice was to keep closing himself up until, as she’d said at that ball last year: One day that church you’re building around yourself shall become your crypt. He didn’t want that.
He took a steadying breath as he and Tristan walked up the steps to Ravenswood’s manor house. “As it happens, I did receive my scar in a fight. But it was a fight against the militia at the Peterloo Massacre.”
When Tristan shot him a startled look, Dom halted at the top of the steps to face him. “If you want to hear the story, I’ll tell you all about it. Right now, if you wish.”
Tristan searched his face, as if not quite sure he believed what he was hearing. “I’d like that very much.” Then he broke into a grin. “But only if we do it over a glass of Ravenswood’s brandy. That’s the best damned brandy I’ve ever tasted.”
“One of the privileges of being a spymaster is that you can get your hands on the good stuff,” Dom said lightly, though his stomach churned at the thought of revealing his most humiliating secret, even to his brother.
Still, as they headed inside, Tristan clapped him on the shoulder, and that reassured him. Telling Tristan about Peterloo represented a beginning of sorts, toward a closer friendship than Dom had allowed himself to have with his brother in recent years.
Jane would be proud.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
Responsibility;...the importance of habits,...- a willingness to fail, a willingness to begin again - that are essential to resilience...the single most important habit to build if you want to e resilient: the habit of taking responsibility for your life...The more responsibility people take, the more resilient they are likely to be. The less responsibility people take - for their actions, for their lives, for their happiness - the more likely it is that life will crush them. At the root of resilience is the willingness to take responsibility for results...Life is unfair. You are not responsible for everything that happens to you. You are responsible for how you react to everything that happens to you...The first word out of the mouth of the complainer is always "they"...as soon as we say "I am responsible for...", we take control of something...acceptance of responsibility is a powerful cure for pain. Even when seemingly powerless, the resilient person finds a way to grab hold of something - no matter how small at first - to be responsible for...If you take responsibility for anything in your life, know that you'll feel fear. That fear will manifest itself in many ways: fear of embarrassment, fear of failure, fear of hurt...Every worthy challenge will inspire some fear...Fear is a cor emotion. A life without fear is an unhealthy life...Proper fear is part of the package of responsible, adult living...Focus not on wiping out your anxiety, but on directing your anxiety to worthy ends. Focus not on reducing your fear, but on building your courage - because, as you take more and more responsibility for your life, you'll need more and more courage...Fear is a motivator. It can propel you...Fear works. Fear can make human beings do amazing things. Fear can help you to see your world clearly in a way that you never have before. Fear become destructive when it drives us to do things that are unwise or unhelpful. Fear becomes destructive when it begins to cloud our vision. But like most emotions, fear is destructive only when it runs wild. Embrace the fear that comes from accepting responsibility, and use it to propel yourself to become the person you choose to be...Excellence is difficult. An excuse is seductive. It promises to end hardship, failure, and embarrassment. Excellence requires pain. An excuse promises that you'll be pain-free...Excuses protect you, but they exact a heavy cost. You can't live a full life while you wear them...People who think you weak will offer you an excuse. People who respect you will offer you a challenge...All of these injuries have a hard truth in common. In the long term, the obstacle that stands between us and healing is often not the injury we have received, but ourselves: our decision to keep the injury alive and open long after it should have become a hard-won scar. It is not things which trouble us, but the judgments we bring to bear upon things...In truth, it's not the trauma that's most harmful. The harm comes when we make trauma an excuse to avoid the activities, the relationships, and the purpose that are its only lasting cure.
”
”
Eric Greitens (Resilience: Hard-Won Wisdom for Living a Better Life)
“
Mor rubbed her face. 'You were right about me, though. You were...' Her hand shook as she lowered it. She gnawed on her lip, throat bobbing. Her eyes at last met mine- bright and fearful and anguished. Her voice broke as she said, 'I don't love Azriel.'
I remained perfectly still. Listening.
'No, that's not true, either. I- I do love him. As my family. And sometimes I wonder if it can be... more, but... I do not love him. Not the way he- he feels for me.' The last words were a trembling whisper.
'Have you ever loved him? That way?'
'No.' She wrapped her arms around herself. 'No, I don't... You see...' I'd never seen her at such a loss for words. She closed her eyes, fingers digging into her skin. 'I can't love him like that.'
'Why?'
'Because I prefer females.'
For a heartbeat, only silence rippled through me. 'But- you sleep with males. You slept with Helion...' And had looked terrible the next day. Tortured and not sated.
Not just because of Azriel, but... because it wasn't what she wanted.
'I do find pleasure in them. In both.' Her hands were shaking so fiercely that she gripped herself even tighter. 'But I've known, since I was little more than a child, that I prefer females. That I'm... attracted to them more over males. That I connect with them, care for them more on that soul-deep level But at the Hewn City... All they care about is breeding their bloodlines, making alliances through marriage. Someone like me... If I were to marry where my heart desired, there would be no offspring. My father's bloodline would have ended with me. I knew it- knew that I could never tell them. Ever. People like me... we're reviled by them. Considered selfish, for not being able to pass on the bloodline. So I never breathed a word of it. And then... then my father betrothed me to Eris, and... And it wasn't just the prospect of marriage to him that scared me. No, I knew I could survive his brutality, his cruelty and coldness. I was- I am stronger than him. It was... It was the idea of being bred like a prize mare, of being forced to give up that one part of me...' Her mouth wobbled, and I reached for her hand, prying it off her arm. I squeezed gently as tears began sliding down her flushed face.
'I slept with Cassian because I knew it would mean little to him, too. Because I knew doing it would buy me a shot at freedom. If I had told my parents that I preferred females... You've met my father. He and Beron would have tied me to that marriage bed for Eris. Literally. But sullied... I knew my shot at freedom lay there. And I saw how Azriel looked at me... knew how he felt. And if I'd chosen him...' She shook her head. 'It wouldn't have been fair to him. So I slept with Cassian, and Azriel though I deemed him unsuitable, and then everything happened and...' Her fingers tightened on mine. 'After Azriel found me with that note nailed to my womb... I tried to explain. But he started to confess what he felt, and I panicked, and... and to get him to stop, to keep him from saying he loved me, I just turned and left, and... and I couldn't face explaining it after that. To Az, to the others.'
She loosed a shuddering breath. 'I sleep with males in part because I enjoy it, but... also to keep people from looking too closely.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
During the season, they saw each other and played together almost every day. At the aunt's request, seconded by Professor Valérius, Daaé consented to give the young viscount some violin lessons. In this way, Raoul learned to love the same airs that had charmed Christine's childhood. They also both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends; and their favorite sport was to go and ask for them at the cottage-doors, like beggars:
"Ma'am..." or, "Kind gentleman... have you a little story to tell us, please?"
And it seldom happened that they did not have one "given" them; for nearly every old Breton grandame has, at least once in her life, seen the "korrigans" dance by moonlight on the heather.
But their great treat was, in the twilight, in the great silence of the evening, after the sun had set in the sea, when Daaé came and sat down by them on the roadside and in a low voice, as though fearing lest he should frighten the ghosts whom he loved, told them the legends of the land of the North. And, the moment he stopped, the children would ask for more.
There was one story that began:
"A king sat in a little boat on one of those deep still lakes that open like a bright eye in the midst of the Norwegian mountains..."
And another:
"Little Lotte thought of everything and nothing. Her hair was golden as the sun's rays and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her little red shoes and her fiddle, but most of all loved, when she went to sleep, to hear the Angel of Music."
While the old man told this story, Raoul looked at Christine's blue eyes and golden hair; and Christine thought that Lotte was very lucky to hear the Angel of Music when she went to sleep. The Angel of Music played a part in all Daddy Daaé's tales; and he maintained that every great musician, every great artist received a visit from the Angel at least once in his life. Sometimes the Angel leans over their cradle, as happened to Lotte, and that is how their are little prodigies who play the fiddle at six better than fifty, which, you must admit, is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And, sometimes, he does not come at all, because the children have a bad heart or a bad conscience.
No one ever sees the Angel; but he is heard by those who are meant to hear him. He often comes when they least expect him, when they are sad or disheartened. Then their ears suddenly perceive celestial harmonies, a divine voice, which they remember all their lives. Persons who are visited by the Angel quiver with a thrill unknown to the rest of mankind. And they can not touch an instrument, or open their mouths to sing, without producing sounds that put all other human sounds to shame. Then people who do not know that the Angel has visited those persons say that they have genius.
Little Christine asked her father if he had heard the Angel of Music. But Daddy Daaé shook his head sadly; and then his eyes lit up, as he said:
"You will hear him one day, my child! When I am in Heaven, I will send him to you!"
Daddy was beginning to cough at that time.
”
”
Gaston Leroux (The Phantom of the Opera)
“
ROUND UP A lot more can be said, but finally, this is your last lesson in this epic 30 -day quest to become a successful conversationalist. For the past 29 days, you’ve been tutored about different techniques to make things happen, and today you’ll kick start a conversation with more confidence and organization, because you are now a professional in the communication world. There are takeaways that you should not forget as you go forth as a small talk professional. You have learnt and practiced many truths about the nature and composition of small talk, but there are certain ones that should be placed next to your heart: Small talk may be seen as a waste of time, but it is actually time well spent; take note of this important point, people might want to convince and confuse you. Small talk with personal meaning orientation will scratch business shop talk off any time. Small talk should now be seen as an effective tool that is available right next to you and can be a gateway to success. You still have the chance to go back to the previous chapters you struggled with, this way, you’ll review and assimilate the important points, no one is an island of knowledge, and so I don’t expect you to have everything registered in your brain already, constant practices will bring out the best in you. Identifying your weakness is just as important as acknowledging your strength. I want to assure you that you’ll definitely excel since you’ve been able to lay hands on this book, and this how you can help others who are still in the position that you were when you started in day one. You’ve been instructed about many secrets of success, as well as the things to exploit and avoid. It’s up to you to make this permanent, and this can only be achieved if you keep following these instructions. You have to make the decision now; whether you would make use of this manual or not, but I would advise that you want it again and again as this is the only way to dedicate your spirit, soul and body to constant improvement. You definitely would have noticed some changes in you, you’re not the same person any more. One important thing is that you shouldn’t give up; try to redouble your efforts and realize that you know everything you’re supposed to know. This shouldn’t end here, endeavour to spread the word to make sure that you impact at least three people per day, this means that you would have impacted about 90 people at the end of the next 30 days and close to about 120 people in just two months. Now, you see how you can make the world a better place? It’s up to you to decide what you want and how you want it to be. Don’t waste this golden opportunity of becoming a professional in communication, you’ll go a long way and definitely be surprised at the rate at which you’ve gone in such a small time. Take time to attend to things that need attention, don’t be too hard on yourself, and don’t go too soft on yourself, you’re one vessel that can’t be manipulated, so you have to be careful and sure about your status on communication skills. On the final note, I would like to congratulate you for reading this to the end, you’ve taken this course because you believe in the powers of small talks, so this shouldn’t be the last time I’m hearing from you. I would look forward to seeing your questions about any confusing aspect in the future. Till then, remain the professional that you are!
”
”
Jack Steel (Communication: Critical Conversation: 30 Days To Master Small Talk With Anyone: Build Unbreakable Confidence, Eliminate Your Fears And Become A Social Powerhouse – PERMANENTLY)
“
Lily understood this feeling too; she knew it all too well, it is just one more thing that just keeps things building up and building up, until the end. I never realized at the time how bad the situation would become until I went through it myself. There is no meaning behind it, which is what gets me. Am I the only one or are there more girls in this hellhole like me, which I do not know about, maybe there is? The bullies harass, it is like they smell their victims or maybe they can smell and taste the blood dripping down from the gash, which they have caused from before, and then it is like you are a wounded animal on Serengeti they come in packs.
Until you have nothing- nothing left… they lick up what is left of your body time and time over, afterward you have to get up and go on with the day, knowing that you have a decision to make. What decision would you make? I know what decision I will make! Like most people my age, I do not drink and drug my brain cells away. I am not senseless or slutty, ‘I feel that being romantic is not dead, and it does exist. You just need to be with the right people, which can show you what real expressions of love are!’ So, are you like me by believing that nothing will ever destroy hope or dreams? On the other hand, are you someone like the clan? Are you going to be praised in the eyes of the fire, or the eyes of the clouds? Just like fallen angels, the ones that have fear of not standing up for what is righteous. Why, because it is more fashionable to live a life of turpitude.
If someone has the light of hope, someone is going to want to dampen the affection. Just like me- when you are single for too long people start thinking, that you are either committed to yourself or that you are a little bit crazy or gay etcetera. I know this… I am not crazy or gay or whatever is said; I just have someone that blocks me out constantly while destroying my reputation. Just think about it. All of you have grown up with the roomers, your parents believed those parents, I do not have parents to fight for me, and the rest is history. So, what she and her clan said becomes known, and that is what was implied to my image.
Is it true?
Hell no, start thinking for yourself people. Just because someone says, something about someone else does not mean that it is factual. Oh, I have tried to fix it… However, it is out of my control, little do you all know that the tower is what prevents everything from happening. It is not my choice; she knew that I was going to be the empress; instead, she made me out to be the fool. She knew that I was one of the brightest stars in the land, and she had to bring that to an end, that was the beginning of the end of holding anyone's hands anymore within the land. The friends and romances were in the retrograde I was dubbed unreachable, she made me a forbidden selection.
I had no choice but to become the hermit in the dwelling of lost and lonely dreams. To look on the bright side, all this has made me a stronger, better, more creative productive person. You cannot stop me now; I will forever shine, and guide others so that they can shine as well. Remember you are the ones listening to slandering voices. My question is why do you listen? Get to know me, and then make your judgments. Yes, it is hard for me to even get things going because the eyes are always watching, and no I am not being paranoid this is part of my true reality. Sure, the opportunity might come knocking down my door, but can you trust them, is it a setup?
”
”
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
“
Have no anxiety about anything,' Paul writes to the Philippians. In one sense it is like telling a woman with a bad head cold not to sniffle and sneeze so much or a lame man to stop dragging his feet. Or maybe it is more like telling a wino to lay off the booze or a compulsive gambler to stay away from the track.
Is anxiety a disease or an addiction? Perhaps it is something of both. Partly, perhaps, because you can't help it, and partly because for some dark reason you choose not to help it, you torment yourself with detailed visions of the worst that can possibly happen. The nagging headache turns out to be a malignant brain tumor. When your teenage son fails to get off the plane you've gone to meet, you see his picture being tacked up in the post office among the missing and his disappearance never accounted for. As the latest mid-East crisis boils, you wait for the TV game show to be interrupted by a special bulletin to the effect that major cities all over the country are being evacuated in anticipation of a nuclear attack. If Woody Allen were to play your part on the screen, you would roll in the aisles with the rest of them, but you're not so much as cracking a smile at the screen inside your own head.
Does the terrible fear of disaster conceal an even more terrible hankering for it? Do the accelerated pulse and the knot in the stomach mean that, beneath whatever their immediate cause, you are acting out some ancient and unresolved drama of childhood? Since the worst things that happen are apt to be the things you don't see coming, do you think there is a kind of magic whereby, if you only can see them coming, you will be able somehow to prevent them from happening? Who knows the answer? In addition to Novocain and indoor plumbing, one of the few advantages of living in the twentieth century is the existence of psychotherapists, and if you can locate a good one, maybe one day you will manage to dig up an answer that helps.
But answer or no answer, the worst things will happen at last even so. 'All life is suffering' says the first and truest of the Buddha's Four Noble Truths, by which he means that sorrow, loss, death await us all and everybody we love. Yet "the Lord is at hand. Have no anxiety about anything," Paul writes, who was evidently in prison at the time and with good reason to be anxious about everything, 'but in everything by prayer and supplication with thanksgiving let your requests be made known to God.'
He does not deny that the worst things will happen finally to all of us, as indeed he must have had a strong suspicion they were soon to happen to him. He does not try to minimize them. He does not try to explain them away as God's will or God's judgment or God's method of testing our spiritual fiber. He simply tells the Philippians that in spite of them—even in the thick of them—they are to keep in constant touch with the One who unimaginably transcends the worst things as he also unimaginably transcends the best.
'In everything,' Paul says, they are to keep on praying. Come Hell or high water, they are to keep on asking, keep on thanking, above all keep on making themselves known. He does not promise them that as a result they will be delivered from the worst things any more than Jesus himself was delivered from them. What he promises them instead is that 'the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus.'
The worst things will surely happen no matter what—that is to be understood—but beyond all our power to understand, he writes, we will have peace both in heart and in mind. We are as sure to be in trouble as the sparks fly upward, but we will also be "in Christ," as he puts it. Ultimately not even sorrow, loss, death can get at us there.
That is the sense in which he dares say without risk of occasioning ironic laughter, "Have no anxiety about anything." Or, as he puts it a few lines earlier, 'Rejoice in the Lord always. I will say, Rejoice!
”
”
Frederick Buechner
“
Real life is so all-absorbing that it doesn’t leave us time to create an imaginary, parallel life.
It’s very hard not to stay in love with or be captivated by someone who makes us laugh and does so even though he often mistreats us; the hardest thing to give up is that companionable laughter, once you’ve met someone and decided to stay with them.
How cast down we are by rejection, and how much power accrues to the person to whom we gave that power, for no one can take power unless it is first given or conferred, unless you’re prepared to adore and fear that person, unless you aspire to being loved by him or to enjoy his unswerving approval, any such ambition is a sign of conceit and that conceit is what weakens and leaves us defenseless: once that ambition remains unsatisfied or unfulfilled, it marks the beginning of our downfall.
Sensations are unstable things, they become transformed in memory, they shift and dance, they can prevail over what was said and heard, over rejection or acceptance. Sometimes, sensations can make us give up and, at others, encourage us to try again.
That Spanish mania for mixing business deals with a semblance of incipient friendship.
In Spain, oddly enough, it’s considered far more prestigious to be known by one’s first name, and this applies to only four or five or six people: “Federico” is always García Lorca, just as “Rubén” is Rubén Darío, “Juan Ramón” is the Nobel Laureate Jiménez, “Ramón” is Gómez de la Serna, “Mossèn Cinto” is Verdaguer and, five centuries on, “Garcilaso” is Garcilaso de la Vega.
In the face of ignorance, one is always free to invent.
“Far too civilized. Airport hub. Business deals by the shedload. No, I don’t like it, I don’t like it all. Tons of visitors. The annual Buchmesse. Money calling to money.
Rumor on the other hand is what lasts, it’s unstoppable, undying, the one thing that endures. I certainly don’t want to give that imbecile the gift of a rumor.
He probably often had such attacks of oral literature.
Whoever he was with and whatever the circumstances, he found it hard not to slip into pedantic, didactic mode.
Like many unhappy, lonely people, he kept a diary.
Curiosity makes us lose all caution.
Unhappy people often insist on trying to uncover the full magnitude of their unhappiness, or choose to investigate other people’s lives as a distraction from their own.
The eyes of the imagination, which are the eyes that best remember a scene and best recall it later.
In the middle of the night everything seems plausible and real.
Desire is a selfish thing too and will do almost anything to achieve satisfaction—lie, flatter, take risks, inveigle, make false promises.
A nostalgia for the life you discarded always lingers on in the inner depths of your being, and, during bad times, you seek refuge in it as you might in a daydream or a fantasy.
I sometimes think that the bonds of deceit and unhappiness are the strongest of all, as are those of error; they may bind even more closely than those of openness, contentment and sincerity.
We do sometimes bring about what we most fear because the only way of freeing ourselves from that fear is for the bad thing actually to have happened, for it to be in the past and not in the future or in the realm of possibilities. For it to remain behind.
”
”
Javier Marías (Así empieza lo malo)
“
In 1968,” he continued, “Stanford University biologist Paul Ehrlich echoed Malthus in many ways in a wildly influential book entitled The Population Bomb, again predicting an inevitable disaster that never came. He later declared with conviction that four billion people worldwide, and sixty-five million Americans, would die of starvation by the year 1990. “In the seventies, many scientists became convinced that the globe was cooling, and raised alarms that a new ice age was just around the corner.” Elias shook his head. “I could provide endless examples of other coming disasters and doomsday scenarios that evoked widespread anxiety, but that were grossly exaggerated. Acid rain and low sperm counts. Y2K, AIDS, Ebola, mad-cow disease, and killer bees. The bird flu and the reversal of Earth’s magnetic poles. Severe shortages of everything under the sun, from oil, to food, to zinc. Black holes created by the Large Hadron Collider, and unstoppable genetically engineered organisms breaking free of the lab. Famine, nuclear war, and asteroid collisions. Oh, yeah, and predictions of the near extinction of all species on Earth, which was supposed to have already occurred. And on and on and on. Esteemed scientists or government experts convinced us to fear all of these coming catastrophes. Most never happened at all. Those that did wreaked only a tiny fraction of the havoc that we were assured was coming.
”
”
Douglas E. Richards (Veracity)
“
Julien, how you misunderstand me and everything that I have done. All these years, I’ve striven to bring us together, to make us strong in number and influence. Do you think I would hurt a child that has your blood? Cortland’s daughter? Oh, Julien, you break my heart. Trust in me, that I know what I do, that I have done everything right for our family. Trust in me, please, Julien, don’t die in agitation and fear. Don’t let this happen to you. Don’t let the last hours be ugly with fear. I’ll sit with you night and day if I have to. Die calm. We are the Mayfair family…a million leagues from where we were at Riverbend so long ago. Trust that we shall prevail.
”
”
Anne Rice (Lasher (Lives of the Mayfair Witches, #2))
“
Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.”
“You can’t,” Lillian said with weary certainty. “The key is in St. Vincent’s pocket, and I’ve run out of hairpins.”
Sitting beside her, Hunt took her manacled wrist, regarded it thoughtfully, and said with what she thought was rather inappropriate satisfaction, “How fortunate. A pair of Higby-Dumfries number thirty.”
Lillian gave him a sardonic glance. “I take it you are a handcuff enthusiast?”
His lips twitched. “No, but I do have a friend or two in law enforcement. And these were once given as standard issue to the New Police, until a design flaw was discovered. Now one may find a dozen pair of Higby-Dumfries in any London pawnshop.”
“What design flaw?”
For answer, Hunt adjusted the locked cuff on her wrist, with the hinge and lock facing downward. He paused at the sound of more furniture breaking from upstairs, and grinned at Lillian’s gathering scowl. “I’ll go,” he said mildly. “But first…” He withdrew a handkerchief from his pocket with one hand, inserting it between her wrist and the steel cuff as a makeshift inner padding. “There. That may help to cushion the force of the blow.”
“Blow? What blow?”
“Hold still.”
Lillian squeaked in dismay as she felt him lift her manacled wrist high over the desk and bring it down sharply on the bottom of the hinge. The whack served to jar the lever mechanism inside the lock, and the cuff snapped open as if by magic. Stunned, Lillian regarded Hunt with a half smile as she rubbed her bare wrist. “Thank you. I—”
There was another crashing sound, this time coming from directly overhead, and a chorus of excited bellows from the onlookers caused the walls to tremble. Above it all, the innkeeper could be heard complaining shrilly that his building would soon be reduced to matchsticks.
“Mr. Hunt,” Lillian exclaimed, “I do wish that you would try to be of some use to Lord Westcliff!”
Hunt’s brows lifted into mocking crescents. “You don’t actually fear that St. Vincent is getting the better of him?”
“The question is not whether I have sufficient confidence in Lord Westcliff’s fighting ability,” Lillian replied impatiently. “The fact is, I have too much confidence in it. And I would rather not have to bear witness at a murder trial on top of everything else.”
“You have a point.” Standing, Hunt refolded his handkerchief and placed it in his coat pocket. He headed to the stairs with a short sigh, grumbling, “I’ve spent most of the day trying to stop him from killing people.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
I Find That Resentment, Criticism, Guilt, and Fear Cause More Problems Than Anything Else These four things cause the major problems in our bodies and in our lives. These feelings come from blaming others and not taking responsibility for our own experiences. You see, if we are all responsible for everything in our lives, then there is no one to blame. Whatever is happening “out there” is only a mirror of our own inner thinking.
”
”
Louise L. Hay (You Can Heal Your Life)
“
And a million other distractions. Whenever that happens, I return my attention back to center. It’s like tuning to a radio station. I can easily lose the signal and let the dial wander to a different station, one filled with anxiety and stress. But I know what the bliss station feels like. I know the music it plays and how my body feels when I’m absorbed in it. Because I’ve been to the center so many times, I can usually find that station just a few minutes after I close my eyes. So I tune in there again now. I feel an immediate expansiveness in my consciousness, a sense of connection with the entire universe. I feel a sense of welcome, as though I’ve come home. I’m living at the address in consciousness where perfect well-being is the only reality. As I retune myself to center, another wave of bliss floods through my brain, mind, and body. I feel my consciousness lift out of my normal state, like a balloon rising in the wind, to meet and merge with a consciousness so vast and expansive that it has no end. I know that this is the same intelligence that runs the universe in such perfect order. It has a sense of rightness to it that all the cells in my body respond to. Every cell knows it’s come home, that it’s connected to the universal consciousness with which my mind has merged. The local reality field of my mind and body surrenders to union with the great nonlocal reality field of the universe. There is no room in this consciousness for worry, doubt, or fear. The anxious thoughts with which I began the meditation session are now left far behind me, as the balloon soars high above the world of ordinary local reality. My breath slows and deepens. Every breath is a connection with that great universal consciousness. Every inbreath flows out of that consciousness, while every outbreath flows into that consciousness. A warm feeling of well-being floods my body. Though the cool morning air felt chilly when I began the meditation, my body is now infused with the glow of connection. As I center myself again and again, I notice an intense glistening silver-white vortex of light above my head. I drift up through the portal. I find myself in a level of undifferentiated light. I look down at my mind, and it is flooded with that same white light. I am in Bliss Brain. Everything dissolves into the light. There’s no body, no me, no mind, no universe. Only the light. The light simply is. It has no beginning and no end. It stretches to infinity. It’s all there is; there’s nothing else in this real world of light other than the light. I lose myself in oneness with the light. 2.1. Entering Bliss Brain. There’s a tingling pressure in the center of my forehead where the connection to the light tunnel is strongest. Angelic music echoes in my brain, sound adding itself to light. My
”
”
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
“
You can’t re-create the first time you promise to love someone or the
first time you feel loved by another. You cannot relive the sensation of fear,
admiration, self-consciousness, passion, and desire all mixed into one
because it never happens twice. You chase it like the first high for the rest
of your life. It doesn’t mean you can’t love another or move on; it just
means that the one spontaneous moment, the split second that you took
the leap, when your heart was racing and your mind was muddled withWhat ifs?—that moment—will never happen the same way again. It will
never feel as intense as the first time. At least, that’s the way I remember it.
That’s why my mother always said we memorialize our past. Everything
seems better in a memory.
”
”
Renee Carlino (Before We Were Strangers)
“
What to Do Tonight Spend private time with your child, ideally without electronics. Take turns with each child if you have more than one, so that the ratio is one-on-one. It is remarkably healing for kids and will help you to enjoy them. It also makes them feel like they are your number one priority. If you’re highly anxious, do something about it. Treating anxiety is one of the best things you can do for yourself and your family. Consider participating in cognitive behavioral therapy: you can learn very effective strategies for identifying and “talking back to” the distorted and unproductive thoughts that contribute to high anxiety. Learn to meditate. Take a yoga class. Be very regular in your exercise routine. Spend time in nature. Get more sleep. Socialize more with friends if it helps you feel calm. Avoid making decisions for your child based on fear. If you find yourself thinking, “I’m afraid if I don’t do this now, then—” stop. Do what you feel is right now, not what you feel you have to because of what you’re afraid will happen if you don’t. If your child is struggling, schedule a short time every day for you to worry about his or her problems. Literally write it into your planner. This will let your brain know that it is safe not to worry all day long. Remember who’s responsible for what. It cannot be your responsibility to see that everything goes well for your children at all times. If you are very worried about your teenager and have talked through the issues together many times, write your child a short letter summarizing your concerns and offering any help the child might need. Then promise that you will not bring the issue up again for a month. When you break your promise (because you will) apologize and recommit to it. Get out a piece of paper and draw a vertical line in the middle. In the left-hand column, write statements such as the following: “It’s okay for Jeremy to have a learning disability,” “It’s okay that Sarah doesn’t have any friends right now,” “It’s okay for Ben to be depressed right now.” In the right-hand column, write down the automatic thoughts that come to your mind in response (likely rebuttal) to these statements. Then question these automatic thoughts. Ask questions such as, “Can I be absolutely sure that this thought is true?” “Who would I be if I didn’t believe this?” This kind of self-questioning exercise, developed by author and speaker Byron Katie and others, can serve as a useful tool for discovering the thoughts that trap you into negative judgments.18 Create a stress-reduction plan for yourself. Can you get more exercise? More sleep? What calms you down and how can you do more of it? Don’t make yourself available to your kids at the expense of your own well-being. Wall off some “me” time. Model self-acceptance and tell your kids what you’re doing.
”
”
William Stixrud (The Self-Driven Child: The Science and Sense of Giving Your Kids More Control Over Their Lives)
“
Was that …” Azriel glanced to the bed and the unconscious female atop it. “That was Nesta’s true power? That silver fire?” “Only the surface of it,” Rhys whispered, hands still shaking as he ran them down his face. “Fuck.” Cassian braced his feet, as if he could physically intercept whatever Rhys was about to say. “I went into her nightmare.” Rhys peered up at Cassian. “Why didn’t you tell me you attempted a scrying today?” “It didn’t work.” And Nesta’s fear and guilt had been so heavy in the room that his chest had ached. He’d left her alone afterward, knowing she’d want privacy. Rhys blew out a shuddering breath. “The scrying was a trip wire. For the memories. I caught that as I went in.” His throat worked, as if he’d heave, but he held it down. “She was dreaming of the Cauldron. Of … of when she went in.” Cassian had never seen Rhys at such a loss for words. “I saw it,” Rhys whispered. “Felt it. Everything that happened within the Cauldron. Saw her take its power with her teeth and claws and rage. And I saw … felt … what it took from her.” Rhys rubbed his face, and slowly straightened.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
From then on, that Sunday was like a veil that came between me and everything I did. I would play, I would read, I would behave normally but somehow I wasn't there. Everything had become artificial. I had trouble learning my lessons, when before I only needed to read them once to know them by heart. Acutely aware of everything around me and yet unable to concentrate., I lost my insouciance and natural ability to learn.
(...)
I waited for the scene to be repeated. I was positive it would happen again. I found the presence of customers comforting, dreading the moments when my parents and I were alone, in the evenings and on Sunday afternoons. I was on the alert as soon as they raised their voices; I would scrutinize my father, his expression, his hands. In every sudden silence I would read the omens of disaster. Every day at school I wondered whether, on returning home, I would be faced with the aftermath of a tragedy.
”
”
Annie Ernaux (Shame)
“
There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you’re high it’s tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one’s marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends’ faces are replaced by fear and concern. Everything previously moving with the grain is now against—you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality. It goes on and on, and finally there are only others’ recollections of your behavior—your bizarre, frenetic, aimless behaviors—for mania has at least some grace in partially obliterating memories. What then, after the medications, psychiatrist, despair, depression, and overdose? All those incredible feelings to sort through. Who is being too polite to say what? Who knows what? What did I do? Why? And most hauntingly, when will it happen again? Then, too, are the bitter reminders—medicine to take, resent, forget, take, resent, and forget, but always to take. Credit cards revoked, bounced checks to cover, explanations due at work, apologies to make, intermittent memories (what did I do?), friendships gone or drained, a ruined marriage. And always, when will it happen again? Which of my feelings are real? Which of the me’s is me? The wild, impulsive, chaotic, energetic, and crazy one? Or the shy, withdrawn, desperate, suicidal, doomed, and tired one? Probably a bit of both, hopefully much that is neither. Virginia Woolf, in her dives and climbs, said it all: “How far do our feelings take their colour from the dive underground? I mean, what is the reality of any feeling?
”
”
Kay Redfield Jamison (An Unquiet Mind)
“
I am not, by nature, an optimistic person. I cling to hope and the kindness of others and the rightness in the way the world sometimes is. But I've always been afraid that if I don't manage my expectations, the other shoe will drop. Whether that other shoe is comeuppance, failure, or just the universe balancing itself out, I can feel it lurking. It might be just out of sight, but it's unmistakeably there. My fear acts as my armor; my feeling is that by preparing for the world to crumble, perhaps I can keep it from happening. If I assume everything is always going to be great, I'll jinx it. It's a superstitious sort of pessimism I have.
I have been blessed a million different ways and no tragedy has befallen us, so maybe there's something to this managing of expectations. It's a burden, though, one I've always hated carrying. It would never occur to Ben to think like this, of course, but for me, it always felt like a way to stay protected.
”
”
Erin Napier (Make Something Good Today: A Memoir)
“
I've never met anyone like you before," she says.
"I'm sort of terrified of you, " I respond, swallowing down my fear. I say it now, regardless of what may or may not be happening between us, because I don't want to hold on to it anymore. I'm tired of holding on to everything all the time.
”
”
Leah Johnson (You Should See Me in a Crown)
“
Ever so gradually over time our understanding of ourselves gets shaped by what we do and what we’ve done. We cling, we grasp, we hold tightly to these identities. And then we find ourselves without them. Sometimes because we chose to leave them behind, other times they’re taken away without our consent. I felt so exposed. So vulnerable. I remember my friend Chris telling me that people were asking him, What happened to Rob? As in Where’d he go? as in Is he doing anything? I remember feeling this low-level dread when he told me that. Like a cold shudder. One harmless comment from a friend, and my imagination ran wild with endless ruminations on how to set the record straight and let those people know that I was still in the game. That’s the thing about liminal space: You’re really tender. Raw. Susceptible to those old forces and fears. I didn’t have regret, I was flirting with something far more powerful: fear. Fear that it appeared like I didn’t have any idea what I was doing. Fear that it looked like I couldn’t hack it, so I left. Fear that people thought I was somebody, and then I’d thrown it away. And here’s the killer one: Fear that I appeared to be done.
”
”
Rob Bell (Everything Is Spiritual: Finding Your Way in a Turbulent World)
“
Life should be a daring, loving, laughing adventure — or it is nothing at all. If you don’t start choosing, life and circumstance will choose for you. You can change or stay the same. You can grow or never leave the nest. All of life becomes about our choices. We choose our people, we choose our ways, we choose our thoughts, and we choose how we seize or surrender our days. Every day, every moment, and every thought is about choice. So everyday you must make your choices. Life isn’t ever really about what happens to us, but how we respond to life.
My way of life is simple; I want to be the most loving, inspiring, and true man I can be. Everyday, I want to be the man that I truly am. But I am consciously and constantly working on that and my choices. So, instead of choosing fear, I am choosing courage. Instead of choosing pain, I am choosing compassion. Instead of choosing hurt, I am choosing kindness. I choose to forgive more, to laugh more, and to listen more. Even cry more. Because I have learned that the truest act of living is no different from the act of loving — it’s all about what you give, not what you think you’ll receive. And what you should give to your life and love — is everything.
”
”
Drue Grit
“
Is this how it works in your books? Someone comes in hot with a grand gesture and then walks away? They just give up? What happened to the guaranteed happily ever after? I feel kinda cheated out of mine.”
One of her eyebrows rose. “You want the happy ending?”
“Baby, I’ve lived my life without you by my side, and let me tell you, it’s not a life I wanna live. I’m no longer naïve enough to believe the beautiful boy-meets-girl-falls-in-love-and-everything-is-perfect-for-the-rest-of-their-lives kinda reality.”
Her sweet laugh filtered through the air. “Now that sounds more like a romance novel.”
“I know not every love story gets a happy ending. And that ours might end someday. But know that I’d rather have a handful of amazing days with you than close the door now, for fear that it won’t work out.”
Tears welled in her eyes. “I’ve missed you so much.
”
”
Siena Trap (Second-Rate Superstar (Connecticut Comets Hockey, #3))
“
all gone and the sky was a lovely blue, while the dark night in my soul had passed. Jesus had awakened and was filling me with joy, and the waves were silent. Instead of the howling wind, a gentle breeze was swelling my sails, and I thought I had already reached harbor. But there were storms ahead, storms that would make me fear at times that I was being driven away beyond return from the shore I longed so much to reach. No sooner had I obtained my uncle’s consent than you told me that the Superior of Carmel would not let me enter until I was twenty-one. The possibility of such serious opposition had not occurred to anyone, and it would be very hard to overcome; but I kept up my courage and went with Father to ask him if I could enter. He treated me coldly, and nothing would change his mind; we left in the end with a most emphatic “No,” except that he added: “I am only the Bishop’s delegate, of course, and if he allowed you to enter, I could not prevent it.” As we came out of the presbytery, we found that it was pouring with rain again, just as heavy clouds were once more darkening my soul. Father did not know what to do to comfort me, but promised to take me to Bayeux if I wanted, and I gratefully accepted. Many things, however, happened before this trip was possible, and in the meantime, my life, to all outward appearances, went on as usual. I continued my studies, but most important of all, I went on growing in the love of God, so much that sometimes my soul experienced real transports of love. One evening, not knowing how to tell Jesus how much I loved Him and how I wanted above all else to serve Him and give Him glory, I was saddened at the thought that He would never receive a single act of love from the depths of Hell. Then, from the bottom of my heart, I said I would consent to be cast into that place of torment and blasphemy, so that even there He would be loved eternally. This could not glorify Him, of course, because it is only our happiness He desires, but when one is in love, one says so many foolish things. Even while I spoke like this, I still had an ardent desire for Heaven, though Heaven meant nothing to me, save love, and I was sure that nothing could take me from the Divine Being who held me captive. It was at this time that Our Lord gave me the consolation of a deeper understanding of a child’s soul, and this is how it came about. A poor woman had been taken ill, and I was giving a good deal of my time to looking after her two little girls, both under six. It was a real joy to see the way they believed everything I told them. Baptism does indeed plant the seeds of the theological virtues deep in our soul, for the
”
”
Thérèse of Lisieux (The Story of a Soul: The Autobiography of the Little Flower (with Supplemental Reading: Classics Made Simple) [Illustrated])
“
I was soothed by their company. Being near Tom and Doug at night kept me from having to say to myself I am not afraid whenever I heard a branch snap in the dark or the wind shook so fiercely it seemed something bad was bound to happen. But I wasn’t out here to keep myself from having to say I am not afraid. I’d come, I realized, to stare that fear down, to stare everything down, really—all that I’d done to myself and all that had been done to me. I couldn’t do that while tagging along with someone else.O
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I remember it. I remember when it hadn’t happened. I remember when you hadn’t happened. None of you had. It was me, just me, just me and then all of you and all of your light and your trees and your sky and your rain. Your rain. Soaking you through, weighing you down as you dance in it, shouting and singing and thanking the clouds as they chill your bones and flood your homes. The water rises, and you still seem as if you cannot stop dancing. Are you singing now? Whom do you thank when everything has been destroyed, and the clouds have grown so dark that you are blinded in the newborn sea of their creation? In the beginning, it was only me. In the end, it will be only me. Me and… you. How are you here? How is this fair? Don’t you wish it had been someone else? I wish it had been nobody at all, but now… now I feel you. I feel your presence here. I feel your pain, your fear. I felt your breathing stop when you arrived. I heard the splintering crack of something important. It’s starting again now. You’re starting again. In slow, coughing, hitching breaths. I can taste the dirt in your mouth. I feel the bruises forming around your ribs. Your heart is going too fast. Perhaps in the end, your own terror will kill you, instead of me-- instead of whatever we were doomed to become. Or perhaps you will not die. At the end, they will all be gone but us; and in that nothingness, we will forget any of it ever existed at all. I will forget that I was ever alone.
”
”
Riley S. Quinn (Illuminated (The Pendant of Hyacinth #3))
“
You were like no one I had ever met. Passionate and driven and honest the way so few Fey were, in those days. Because of you, I saw the potential in the new world the Fey could build. But with you gone… everything that I feared would happen came to pass. The House of Wayward Winds and the House of Obsidian went to war, provoked by your father’s foolish actions, and that war nearly led to our extinction.
”
”
Carissa Broadbent (Mother of Death & Dawn (The War of Lost Hearts, #3))
“
The body’s reaction to recognizing truth is relaxation, a literal, involuntary release of muscle tension. When we surrender to the truth, even difficult truth, our bodies may go almost limp and we begin breathing more deeply. This may have happened to you when you read the statements at the end of Chapter 1, such as “I don’t know what to do” or “I need help.” When our minds recognize truth, we experience that invisible cartoon light bulb going on in our heads, the feeling of a riddle being solved. “Aha!” we think, or “I get it!” or “Of course!” All the puzzle pieces fit. The math works. Everything makes logical sense. To our heart, the ring of truth feels like a flower opening up. In total integrity, we’re completely available to all emotion: overwhelming love, deep grief, terrible anger, sharp fear. This emotion may be painful, but it doesn’t cause the intense, dull suffering we feel in the dark wood of error. The emotional pain of a hard truth is eased by our soul’s response to aligning with reality. Around and beyond mere emotion, we feel a sense of freedom, a vast openness that includes all aspects of our experience. We connect with an unalterable stillness around and within us. There’s space for pain. There’s space for joy. And the space in which all sensation happens is made up of absolute well-being. It is (we are) a perfect, fertile no-thing-ness in which everything, even pain, has a useful place.
”
”
Martha Beck (The Way of Integrity: Finding the Path to Your True Self)
“
Note: The first incident happened after the arrest by the Netherlands police in May 1980. I suffered from that, which destroyed my career, future, health, and life. I tried and tried to investigate that, but the police didn't even register the first information report (FIR). It stayed, refusing since 1980 until now, which creates suspicious questions about what the reasons are for not filing the case. It mirrors whether the Netherlands government victimised me or whether the hired ones of the international intelligence agencies have been a hindrance or the criminal groups. - The second incident happened in the shape of uncurable cancer; it was a deliberate mistake and ignorance of the Netherlands Urologists, who did not follow even the primary medical borderlines for the checkup during one year from 2016 to 2017. After the diagnosis, they are hiding the reality, and they still do not take it seriously. I still hope that the Netherlands' neutral and free media will awaken to help me investigate the incident. It will save millions of lives around the world. In God's name, take it seriously to protect me and others. I feel suspicious elements around me. I cry and pray day and night for God's protection since I do not exclude the Qadeyanis witches and magicians, who keep doing black magic continuously that the West does not understand.
My Real Story In A Poem
***
I never thought
I would suffer from cancer
The metastatic prostate gland
I still cannot decide that
It is natural or human-made
Since everything is possible
In the medical-criminal world
How it happened in Western society;
Civilized urologists ignored it deliberately
From 2016 to 2017
Telling that nothing was wrong
Whereas I was suffering from
Bleeding, burning, and pain
During urinating
I begged urologists for a wide-scale checkup
With MRI scans and other new technologies
But urologists stayed rejecting;
Whereas I was paying insurance for that
Consequently, at the beginning of 2017
The diagnosis became a time bomb that
I had metastatic prostate gland cancer,
Which was not curable,
They listed me on the death list,
Treating for longer life expectancy
However, they do tell not the truth
And stay suspicious
It confuses me and creates grave fear
Since then
I am bearing terrible side effects
Factually, I became victimized twice
By criminals, Intelligence Agencies
And underground-mafias
Which I am unable to trace alone
In this regard, I approached Western Media,
Ministries, police, courts, Euro Union
Unfortunately, none of those responded
Even my motherland media cruelly ignored
It seems as if I am in the grip of the demon
And The Prisoner Of The Hague
Everyone has left me alone in pain,
Stress, fear, depression
Even my children don't care
And realize my tears
Where resides sympathy, empathy,
And humanity?
I feel death before death
It is a silent cruelty
Ah, where should I ask and beg
For justice, help, and investigation
That civilized world should know
An innocent is under victimization
I believe God will help and protect
And someone from somewhere
Appear to hold my hands
To eliminate all criminals and demons
My cancer will be curable
With a longer life expectancy, in some ways
Amen, O' merciful God amen.
”
”
Ehsan Sehgal
“
His pupils glowed silvery-white, an aura that seeped out in wispy tendrils across the blue. My head jerked to Jasper. His eyes had changed, too. I’d seen that strange light before. It had been what my skin had done when I healed Beckett’s broken legs—the same silvery glow that had radiated from me minutes earlier. Icy bursts of surprise raced through Casteel as he eyed the wolven, and then I felt…relief radiate from him. “You all knew.” Casteel’s voice filled with awe, something no one standing behind him felt. Even the easy grin was absent from the auburn-haired Atlantian. Emil looked at us with wide eyes, broadcasting a healthy dose of fear, as did Naill, who had always appeared utterly unfazed by everything—even when he’d been outnumbered in battle. Casteel slowly sheathed his swords at his sides. Hands empty, he kept them down. “You all knew something was happening to her. That’s why...” He trailed off, his jaw hardening.
”
”
Jennifer L. Armentrout (The Crown of Gilded Bones (Blood and Ash, #3))