Baxter Movie Quotes

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He glanced down at the movie poster art that had been skillfully airbrushed not his custom apron, thanks to Lani's interesting assistant, Dre. He had thought the eclectic collection clever and a fitting contribution to the tone the show was trying to strike, being set in a cupcakery, and featuring its whimsical owner. 'Whimsical she might be,' Baxter thought, 'but when it comes to smoldering sensuality, even Marilyn Monroe in her movie star prime doesn't hold a candle to little Miss Snow White.' He'd been attracted to her drive, her focus, her steady demeanor and steadier hand. She'd been steel wrapped in sunshine, a dependable beacon of light he could rely on and trust in his always loud, rushed, chaotic world. Now he looked at her, with the warm, buttery, bakery sweet scents filling the air, accented with rich, dark, chocolate undertones... and all he could think about was adding the taste of her to the mix.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
It wasn’t hard to access back catalogues of stuff from his own time, of course, the big movies, many of the TV series – though there were baffling blanks, and he had the sense that there had been some major loss of data over the centuries. A burning of the library of Alexandria, that had swept away, for instance, a 2030s big-budget remake of Blake’s Seven. He had found a reference to its existence, and that was all. An agonising loss.
Stephen Baxter (World Engines: Destroyer: A post climate change high concept science fiction odyssey)
Avatar is a movie of hopeful awakening Jake Sully emerging from cryosleep (suspended orbit around a new world, to the movie's very last frail he makes a final wakening as a Na'vi, fully committed to the new world.
Stephen Baxter
The beast took the angry man into a large room and motioned for him to lie down on a table. The room and the table reminded me of a hospital emergency room. The man was given an anesthesia and wheeled beneath a vast machine. The beast attached wires to the man’s head and turned on the machine. On the top of the machine were the words, “This mind eraser belongs to the beast, 666.” When the man was removed from the table, his eyes had a vacant stare, and his movements reminded one of a zombie in a movie. I saw a large blank spot on the top of his head, and I knew his mind had been surgically altered so he could be controlled by the beast.
Mary K. Baxter (A Divine Revelation of Hell)
I think on some level I believed we would be able to do something. We were making a mess of the planet, fine, but it was within our capabilities to stop. All we needed was the will. And then there's the movies. Science fiction. Disaster films. The world is ending, but the heroes can always do something.' Yeah. But in real life the future was always finite, Moonseed or not.
Stephen Baxter (Moonseed (NASA Trilogy, #3))
You’ve got the fangs, but you’re not wearing a traditional Dracula-type cloak or whatever. Earring. Rocking eighties hair.” She gasps again. “You’re a vampire from an eighties movie. Like Fright Night or The Lost Boys.” I tilt my head back. “Fuck my life.
Kat Baxter (Dad Bod: Vampire (Dad Bod Monster #8))