Everyone Is Fake Quotes

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I feel like everyone fakes who they really are, when deep down we're all equal amounts of screwed up. Some of us are just better at hiding it than others.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You can see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean, look at it, Q: look at all those culs-de-sac, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters.
John Green (Paper Towns)
A coward talks to everyone but YOU.
Shannon L. Alder
Insanity is everyone expecting you not to fall apart when you find out everything you believed in was a lie.
Shannon L. Alder
dear today, i spend all of you pretending i'm okay when i'm not, pretending i'm happy when i'm not, pretending about everything to everyone.
Nina LaCour (Hold Still)
What’s the difference between spending your life trying to be invisible, or pretending to be the person you think everyone wants you to be? Either way, you’re faking.
Jodi Picoult (Nineteen Minutes)
It's all fake. Everyone is faking. Why does no one care about anything?
Alice Oseman (Solitaire)
Hypocrisy /hi pakrise/ noun 1. The moment you tell someone it is not important to be right, in order to look right to everyone else.
Shannon L. Alder
I feel like everyone fakes who they are, when deep down we're all equal amounts of screwed up. Some of us are just better at hiding it than others
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Everyone have two faces, but mine are twins.
Felix Caussan
Everyone loses their class when they travel through hell, but only a few will regain it if they remain humble and accept the part they played in their own misery.
Shannon L. Alder
Sometimes I believe that love dies but hope springs eternal. Sometimes I believe that hope dies but love springs eternal. Sometimes I believe that sex plus guilt equals love, and sometimes I believe that sex plus guilt equals good sex. Sometimes I believe that love is as natural as the tides, and sometimes I believe that love is an act of will. Sometimes I believe that some people are better at love than others, and sometimes I believe that everyone is faking it. Sometimes I believe that love is essential, and sometimes I believe that only reason love is essential is that otherwise you spend all your time looking for it.
Nora Ephron (Heartburn)
You were loved because God loves, period. God loved you, and everyone, not because you believed in certain things, but because you were a mess, and lonely, and His or Her child. God loved you no matter how crazy you felt on the inside, no matter what a fake you were; always, even in your current condition, even before coffee. God loves you crazily, like I love you...like a slightly overweight auntie, who sees only your marvelousness and need.
Anne Lamott
incessant, adj. The doubts. You had to save me from my constant doubts. That deep-seeded feeling that I wasn't good enough for anything I was a fake at my job I wasn't your equal my friends would forget me if I moved away for a month. It wasn't as easy as hearing voices nobody was telling me this. It was just something I knew. Everyone else was playing along but I was sure that one day they would all stop.
David Levithan (The Lover's Dictionary)
I hide hurt behind a fake smile. I wear it all the time. Everyone says how I always look so cheerful. Shows what they know I guess.
Ellen Hopkins (Tilt)
Everyone is faking it, all of them pretending to be something they’re not. The whole world is built on lies and deceit.
Shari Lapena (The Couple Next Door)
The minister said, “Let us pray,” but as everyone else bowed their head, I could only stare slack-jawed at the sight of Peter Van Houten. After a moment, he whispered, “We gotta fake pray,” and bowed his head.
John Green (The Fault in Our Stars)
I think everyone’s caught up in these narrow-minded worlds and they think their world exists in the center of the universe. Relationships only happen when it’s convenient. You have to walk on eggshells for people because that’s about how strong they are these days. And you can’t confront people, because if you do, that brittle shell of confidence will crack. So we all become passive cowards that carry a fake smile wherever we go because God forbid you let your guard down long enough for people to see your life isn’t perfect. That you have a few flaws. Because who wants to see that? My theory is everybody sucks. So, my conclusion is I don’t need anybody.
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
She knows too well what it's like to tamp down your natural inclinations, to force a smile when you feel numb. [...] The expression of emotion does not come naturally, so you learn to fake it. To pretend. To display an empathy you don't really feel. And so it is that you learn to pass, if you're lucky, to look like everyone else, even though you're broken inside.
Christina Baker Kline (Orphan Train)
Once your blood's in the water, everyone's a shark
Tilly Bagshawe
Also guys, it would be awesome if you could upvote the information I've added letting everyone know that some of these quotes are fake and aren't real or cool things to spread around. :) Thanks Hiddlestoners!! ^_^
Tom Hiddleston
Everyone falls sometimes, son, even me, but the trick is to get right back up. They’ll always target the ones who appear vulnerable, so you need to be strong. Fake it until you make it.
J.M. Darhower (Redemption (Sempre, #2))
It just feels like..." Her voice small. "Sometimes it just feels like I'm faking." "Maybe everyone feels that way.
Emma Mills (Foolish Hearts)
I think everyone does. Even happy people. They may not admit it to anyone, but I think they feel it. I think they close their eyes, or go for a run, or take a long shower, so that hey can forget just for a second who they are and what they have to do day in and day out. Living is hard. And every day our feet get heavier and we pick up more baggage. So, we stop and take a breath, close our eyes, reset our minds. It's natural. As long as you open your eyes and keep going. (Cade)
Cora Carmack (Faking It (Losing It, #2))
Everyone wanted to see [him] fall so they could devour his remains. As is usually the case, the army of sycophants had turned into a horde of hungry hyenas
Carlos Ruiz Zafón
I feel like everyone fakes who they really are, when deep down we’re all equal amounts of screwed up. Some of us are just better at hiding it than others.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Everythings so blurry And everyones so fake And everybodys so empty And everything is so messed up Pre-occupied without you I cannot live at all My whole world surrounds you I stumble then I crawl
Puddle of Mudd
Almost everyone has or will experience getting dumped in their lifetime. Unless, of course, you're a nun. Jesus can't dump nuns.
Jenny McCarthy (Love, Lust and Faking It: The Naked Truth About Sex, Lies, and True Romance)
Class never runs scared. It is sure-footed and confident. It can handle anything that comes along. Class has a sense of humor. It knows a good laugh is the best lubricant for oiling the machinery of human relations. Class never makes excuses. It takes its lumps and learns from past mistakes. Class knows that good manners are nothing more than a series of small, inconsequential sacrifices. Class bespeaks an aristocracy that has nothing to do with ancestors or money. Some wealthy “blue bloods” have no class, while individuals who are struggling to make ends meet are loaded with it. Class is real. It can’t be faked. Class never tried to build itself by tearing others down. Class is already up and need not strive to look better by making others look worse. Class can “walk with kings and keep it’s virtue and talk with crowds and keep the common touch.” Everyone is comfortable with the person who has class because that person is comfortable with himself. If you have class, you’ve got it made. If you don’t have class, no matter what else you have, it doesn’t make any difference.
Ann Landers
As someone once said, SINCERITY is the single most important human characteristic. So once you can fake THAT, you're made.
John Dolan (Everyone Burns (Time, Blood and Karma, #1))
Rhiannon's Law #63: Fake it until you make it. You might not know what the fuck you're doing, but that doesn't mean everyone else is aware of your inaptitude. When in doubt, hold your head high and pretend you have a clue.
J.A. Saare (The Ripple Effect (Rhiannon's Law, #3))
A smile is the best way to get oneself out of a tight spot, even if it is a fake one. Surprisingly enough, everyone takes it at face value. I read that in a book." "If you keep staring at me, I'll hit you." "I only became part of your team recently when I replaced Sasuke, so I don't know everything that's going on. I don't really understand people either. But even I can tell that Naruto really loves you. Naruto's been shouldering that promise for a long time...I think he means to shoulder it for the rest of his life. I don't know what you said to him, but it's just like what's been done to me - it feels like a curse. Sasuke causes Naruto pain, but I think you do too." "Sasuke is only helping spread his darkness across the world. Letting him live will only sow the seeds of another war. He's just another criminal now. Sasuke lost all hope of coming back when his group, Akatsuki, attacked our village. Your fellow Konoha shinobi would never accept him now. Sakura's not stupid, either. She understands the position he's put us all in. That's why she came out here, to tell you herself.
Masashi Kishimoto
There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs
Stevie Nicks
You see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean look at it Q: look at all those cul-de-sacs, those streets that turn in on themselves, all the houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with mania of owning things. All the things paper-thin and paper-frail. And all the people too.
John Green (Paper Towns)
I want you to tell me about the Survivor," he finally said. "He was lord of the mists," Demoux said immediately. "Not the rhetoric," Elend said. "Someone tell me about the man, Kelsier. I never met him, you know. I saw him once, right before he died, but I never knew him." "What's the point?" Cett asked. "We've all heard the stories. He's practically a god, if you listen to the skaa." "Just do as I ask," Elend said. The tent was still for a few moments. Finally, Ham spoke. "Kell was . . . grand. He wasn't just a man, he was bigger than that. Everything he did was large—his dreams, the way he spoke, the way he thought. . . ." "And it wasn't false," Breeze added. "I can tell when a man is being a fake. That's why I started my first job with Kelsier, actually. Amidst all the pretenders and posturers, he was genuine. Everyone wanted to be the best. Kelsier really was." "He was a man," Vin said quietly. "Just a man. Yet, you always knew he'd succeed. He made you be what he wanted you to be." "So he could use you," Breeze said. "But you were better when he was done with you," Ham added
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
Fear that I was very different from everyone else. Fear that deep down inside I was a shallow fraud, that after the revolution or after Jesus came down to straighten everything out, everyone from hippies to hard-hats would unfold and blossom into the beautiful people they were while I would remain a gnarled little wart in the corner, oozing bile and giving off putrid smells.
Mark Vonnegut (The Eden Express: A Memoir of Insanity)
When you're appeasing too much, you might be egotistically over-estimating everyone's need for your approval.
Criss Jami (Killosophy)
Family is complicated, Hani. Everyone has a different relationship with their family.
Adiba Jaigirdar (Hani and Ishu’s Guide to Fake Dating)
There were two sides to everything and everyone, and somewhere in the middle was the truth.
Rebecca Phillips (Faking Perfect)
Everyone hurts us. If we stopped loving them because of pain, we'd never love anyone.
Courtney C. Stevens (The Blue-Haired Boy (Faking Normal, #0.5))
I feel sorry for people who maintain relationships and friendships detrimental to their mental health. Everyone is guilty of it at one time or another- but the idea is to strive to be your best; right? So, meanwhile why are so many people faking it? Security? Fear of loneliness? Fears of independence? Fears of being self ? Or just the idea that you can make someone change? Regardless of the justifications you give & treat yourself to... , I hope all of you - "new year -new me types" strive for self care , honest and pure friendships and relationships based of love- and not based off the fake realities of your mind. These delusions of what you hope for instead of what's there, where you and your puppet show master focus more on everyone else and less on self. To change the world you must start within. But you must first BE HONEST with yourself. My new year started a few months ago-- and it was the best choice I ever made- and I hope your recreations are progressive and successful in THE NEW YEAR
Tiffany Luard
I looked down and thought about how I was made of paper. I was the flimsy-foldable person, not everyone else.
John Green (Paper Towns)
Our world is full of filters, Photoshop, and, well—” he shrugs “—fakes.” He strums a few more chords. “And it’s because we want everyone to think we’re perfect. Problem is that no one’s perfect and the nonstop drive to appear that way crushes our voices.
Erin Watt (When It's Real)
She sighed. “You know, when I have no more friends and everyone hates me because of this fake-dating thing, I’ll be super lonely and you are going to have to hang out with me every day. I’ll annoy you all the time. Is it really worth being mean to every grad in the program?” “Absolutely.
Ali Hazelwood (The Love Hypothesis)
God told us to love everyone. However, when you don’t like someone then you need to walk away and focus not on him or her, but the hatred you’re harboring. Otherwise, you will allow your piety to take over. Before you know it, you’re using the gospel as a sword to slice other religious people apart, which have offended you. From your point of helplessness, it will be is easy to recruit people that will mistake your kindness as righteousness, when in reality it is a hidden agenda to humiliate through the words of Christ. This game is so often used by women in the Christian faith, that it is the number one reason why many people become inactive. It is a silent, unspoken hypocrisy that is inconsistent with the teachings of the gospel. If you choose not to like someone, then avoid them. If you wish to love them, the only way to overcome your frustrations is through empathy, prayer, forgiveness and allowing yourself time to heal through distance. Try focusing on what you share as sisters in the gospel, rather than the negative aspects you dislike about that person.
Shannon L. Alder
I feel like everyone fakes who they really are, when deep down we’re all equal amounts of screwed up. Some of
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
I feel like everyone fakes who they really are, when deep down we’re all equal amounts of screwed up. Some of us are just better at hiding it than others.” Either
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Such a disappointment when you defend someone for so long thinking they are different and they turn out to be just like what everyone said.
Khayri R.R. Woulfe
Everyone is fake,” he clarifies. “No one is real. We’re all sheep…following each other around in circles…going nowhere.
Ashley Jade (Ruthless Knight (Royal Hearts Academy, #2))
Whatever you do in life, make it matter. Along the way, you will discover that not everyone is on your side.
Carlos Wallace (Life Is Not Complicated-You Are: Turning Your Biggest Disappointments Into Your Greatest Blessings)
When you succeed, everyone wants to be part of it; but when you fail everyone seems outsider.
M.F. Moonzajer
I fake-smile because everyone wants happiness for me as much as I want it for myself.
Adam Silvera (More Happy Than Not)
Fake; it’s the latest trend, and everyone seems to be in style.
Haleigh Kemmerly
That's right! Run him down! Run down everybody! Everyone is a fake to you!
Eugene O'Neill
When I got to college, the fake ID thing wasn't that important, since pretty much everyone could get away with drinking in New Orleans. But the drugs, well, that was a different story altogether, because drugs are every bit as illegal in New Orleans as anywhere else--at least, if you're black and poor, and have the misfortune of doing your drugs somewhere other than the dorms at Tulane University. But if you are lucky enough to be living at Tulane, which is a pretty white place, especially contrasted with the city where it's located, which is 65 percent black, then you are absolutely set.
Tim Wise (White Like Me: Reflections on Race from a Privileged Son)
It was funny, the Gray Man thought, how humorous she always appeared, how that smile was always just a moment away from her lips. You really didn’t see the sadness or the longing unless you already knew it was there. But that was the trick, wasn’t it? Everyone had their disappointment and their baggage; only, some people carried it in their inside pockets and not on their backs. And here was the other trick: Maura was not faking her happiness. She was both very happy and very sad.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
And so your personality is shaped. You know too much, and this knowledge makes you wary. You grow fearful and mistrustful. The expression of emotion does not come naturally, so you learn to fake it. To pretend. To display an empathy you don’t actually feel. And so it is that you learn how to pass, if you’re lucky, to look like everyone else, even though you’re broken inside.
Christina Baker Kline (Orphan Train)
I live in nature where everything is connected, circular. The seasons are circular. The planet is circular, and so is the planet around the sun. The course of water over the earth is circular coming down from the sky and circulating through the world to spread life and then evaporating up again. I live in a circular teepee and build my fire in a circle. The life cycles of plants and animals are circular. I live outside where I can see this. The ancient people understood that our world is a circle, but we modern people have lost site of that. I don’t live inside buildings because buildings are dead places where nothing grows, where water doesn’t flow, and where life stops. I don’t want to live in a dead place. People say that I don’t live in a real world, but it’s modern Americans who live in a fake world, because they have stepped outside the natural circle of life. Do people live in circles today? No. They live in boxes. They wake up every morning in a box of their bedrooms because a box next to them started making beeping noises to tell them it was time to get up. They eat their breakfast out of a box and then they throw that box away into another box. Then they leave the box where they live and get into another box with wheels and drive to work, which is just another big box broken into little cubicle boxes where a bunch of people spend their days sitting and staring at the computer boxes in front of them. When the day is over, everyone gets into the box with wheels again and goes home to the house boxes and spends the evening staring at the television boxes for entertainment. They get their music from a box, they get their food from a box, they keep their clothing in a box, they live their lives in a box. Break out of the box! This not the way humanity lived for thousands of years.
Elizabeth Gilbert (The Last American Man)
The only reason I am inside the Palace of Illusions is that I am afraid of being declared insane. I know it is all fake. I know everyone is conspiring against me (everyone in this simulation). And I still can’t get out. It’s like a man speeding his bike towards the edge. He knows his future. Yet he can’t make a turn, for he has a stunt to perform for others to watch. This condition is subdued insanity. When you know you are not sane, yet have to act like everything is all right with the world you live in. It is insanity deferred. Insanity postponed. Only to haunt you all the time. An undercurrent. Not manifested in totality.
Abhaidev (The Meaninglessness of Meaning)
(Note to anyone considering joining a class: there is no need to turn up in full Strictly Come Dancing salsa outfit including fake tan. Everyone just wears jeans. Briefly awkward.)
Miranda Hart (Is It Just Me?)
I stood there, watching her. The whole world was a dream, I realized. Everyone was acting in a bad soap opera. The whole world was one big FOX TV show.
Blake Nelson (Paranoid Park)
Whatever you do in life, make it matter. Along the way, you will discover that not everyone is on your side. Some may clap, but on the low, they are praying you fail.
Carlos Wallace (Life is not Complicated, You Are (College Edition))
I have learned that if you fake your life it will kill you slowly, terribly and cause the most pain for everyone. You try to do the right thing, not hurt anyone, conform to what love is supposed to be and what it is supposed to look like, but in the end it destroys you. It eats away at your heart and soul like acid. You slowly destroy those around you that you say you love, and you slowly destroy yourself.
Mark D'Arbanville (The Naked Husband)
Unease, fear, guilt, and lack of confidence. Resentment is the other side of that. It is your shadow. It is a false and fake gold. Resentment is a trap of the heart into which everyone falls.
Akira Himekawa (The Legend of Zelda: Twilight Princess, Vol. 7)
Flo isn’t really a huge fan of social media. She doesn’t like how everyone pretends they have an amazing life or how they filter their faces a zillion times so they don’t even look human. It’s all false and fake
C.J. Tudor (The Burning Girls)
Do you ever wish people were more transparent?” “How so?” He picks at a piece of chipped stucco with his thumb until it breaks loose. He flicks it over the ledge. “I feel like everyone fakes who they really are, when deep down we’re all equal amounts of screwed up. Some of us are just better at hiding it than others.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
My whole life, I always thought that I was the only impostor. That everyone else was certain they were real in some way that I could never understand. But what if they're all just faking too? Maybe none of us know who we really are.
Scott Westerfeld (Impostors (Impostors, #1))
Everyone tries to put the best versions of themselves across. To fake it. And when they’re not doing that, they’re sitting behind their screens, passing judgment and feeling superior to whoever they think’s being sexist or racist that day.
Jennifer Weiner (Big Summer)
People annoy the crap out of me," he says. "I think people are nervous and loud and rude and selfish and stupid pretty much all the time." [...] "If they're beautiful they know it, so they don't bother having a personality or associating with people that don't fit into their league or can't afford their company. And, somehow these people are the most popular, which makes absolutely no sense. People try so hard to be accepted, they turn into a walking stereotype. They're pathetically easy to predict. They're insecure and try to mask it with whatever product corporate America is currently making and they always let you down. Just give them enough time, and they will." [...] "I think everyone's caught up in these narrow-minded worlds and they think their world exists in the center of the universe. Relationship only happen when it's convenient. You have to walk on eggshells for people because that's how strong they are these days. And you can't confront people, because if you do, that brittle shell of confidence will crack. So we all become passive cowards that carry a fake smile wherever we go because God forbid you let your guard down long enough for people to see your life isn't perfect. That you have a few flaws. Because who wants to see that?
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
It is important to keep one foot in front of the other. As a woman, you have to fake it until you make it. There will be a lot of twists and turns. There will mountains that are steep and seem to be too high to climb. However, where there’s a will, there’s a way. Giving up isn’t an option. Never-ending obstacles pile up one after another. The process seems to repeat itself over and over again without a solution. You’ve been here before. Where does it end? When does it end? Things seem to stay the same or they become worse than before. How many times do you have to compromise? You cannot continue to carry everyone’s burdens and their side effects as if everything is just fine
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
First, though, she had to go back out there and smile at everyone. Fake her way through the rest of the night and another three days. Pretend to still be normal. When she was pretty sure she never had been.
Robin Talley (As I Descended)
Everyone says that love requires the utmost honesty, but that’s not entirely true. Once I knew that my father was suffering for my sake—really suffering—I learned that love, especially the parental kind, requires the heartwarming sacrifice that can only accompany fake enthusiasm.
Sarah Vowell (Take the Cannoli: Stories From the New World)
BUMMER is a machine with six moving parts. Here’s a mnemonic for the six components of the BUMMER machine, in case you ever have to remember them for a test: A is for Attention Acquisition leading to Asshole supremacy B is for Butting into everyone’s lives C is for Cramming content down people’s throats D is for Directing people’s behaviors in the sneakiest way possible E is for Earning money from letting the worst assholes secretly screw with everyone else F is for Fake mobs and Faker society
Jaron Lanier (Ten Arguments for Deleting Your Social Media Accounts Right Now)
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
It took me a long time to understand that what I had wanted was not a picture of something perfect. I already had that. What I had wanted was the feeling inside the pictures, the thing I had been trying to buy and drink and eat and not eat and fake my way to all my life. I wanted what everyone wanted. I wanted love.
Swan Huntley (We Could Be Beautiful)
You are surrounded by ignorance, savagery and fanaticism. You live in a society where everyone thinks he/she knows about everything in the whole universe. If you find yourself among those intellectual idiots, then being good and humble may give rise to doubts in your mind about your own ideas. So, you must first learn to distinguish between real and shallow intellect. Then, as a self- preservation tactic, you need to let your pretence of arrogance grow as big as a Dinosaur, so that the fake intellectuals start to realize their true inferiority in front of you.
Abhijit Naskar (Love, God & Neurons: Memoir of a scientist who found himself by getting lost)
Everyone's fake in certain situations. It's like when you go for a job interview and they ask you, "What would you do if you found one of your friends at work stealing?" and, let's face it, no one's going to tell on their friend. But of course you have to say, "I would tell IMMEDIATELY, because I don't think I could work in that kind of environment, it's not good for my morale." No one wants to look like an idiot.
Lauren Barnholdt (Reality Chick)
The third way is less common and certainly less of a layup—a culture of integrity, meaning a culture of honesty, transparency, fairness, and strict adherence to rules and regulations. In such cultures, there can be no head fakes or winks. People who break the rules do not leave the company for “personal reasons” or to “spend more time with their families.” They are hanged—publicly—and the reasons are made painfully clear to everyone.
Jack Welch (Winning)
I don’t like splashing details about my life across the Internet. It’s not real, what people post. It’s a carefully cultivated highlight reel. Everyone is marketing their own personal brand whether they know it or not, and I’d rather keep my personal life to myself instead of trying to sell a fake version of it online. And opening up your life to others means people can comment on it,
Angie Hockman (Shipped)
When we operate from the central concern of being seen a certain way, we can't develop healthy relationships in the messy soil of reality-- the only place they'll grow. Presenting a perfect, fake life to others generates fear in our own hearts and intimidation in everyone else's, and creates nice, fake relationships-- with our friends, with our family members, even with our own children.
Jen Hatmaker
I think everyone's caught up in these narrow-minded worlds and they think their world exists in the center of the universe. Relationships only happen when it's convenient. You have to walk on eggshells for people because that's about how strong they are these days. And you can't confront people, because if you do, that brittle shell of confidence will crack. So we all become passive cowards that carry a fake smile wherever we go because God forbid you let your guard down long enough for people to see your life isn't perfect. That you have a few flaws. Because who wants to see that?
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
I realized about a month ago that there's a last time everyone skips across a street. And that most people I know have already skipped for the last time and don't know it. From here on out it will always be walking or running, growing older and buying things at the store or seeing friends or going to work, but never again will life impel them to skip. When I thought of this, the tragedy of it overwhelmed me so that I skipped all the way home from my friend's house. Skipping is a strange thing. Because it means something. Like trains make the sound of leaving. Skipping is the motion of being totally free, childlike, abandoned of self and to self. But I learned something else about skipping. You can't fake it. Or make it happen. It must be something that happens to you. (pp. 152-153)
Heather Harpham Kopp (I Went to the Animal Fair: A Journey Through Madness to Meaning)
Aisling rolls her eyes again. “Why is this even a thing? Everyone knows that you’re going to be with a guy at the end of the day, and this whole bisexuality thing is your way of seeming interesting or whatever. Like you’re so Muslim you won’t even drink a drop of alcohol and you want us to think you’re for real gay?
Adiba Jaigirdar (Hani and Ishu’s Guide to Fake Dating)
Back on the beach, everyone was tearing off their costumes piece by piece. It was like some kind of crazy dream, the sight of all those people emerging from their disguises, shedding the fake muscles and plastic armor, the fairy wings and angel wings, and devils horns, all of it piled up like a mass grave for make-believe.
Tommy Wallach (Thanks for the Trouble)
I couldn't stop myself going by the gym to watch him, just to poke the sore place. It didn't make me feel any better to watch him thrashing scores of fake mals and gym constructs. I knew he was good at killing mals, I knew he was brilliant at it, but if this plan even worked, there wouldn't be scores, there would be hundreds, maybe thousands, all piling on him at once. But I watched from the doors anyway, every day after I finished practicing, and when he finished his last run we went up to dinner together without talking, my teeth clenched round the words I wanted to say: You don't have to do this alone; you can ask for people to help you, at least to shield you; we'll hold a lottery, we'll draw straws. I'd said them already and he'd just waved them away with a shrug and "They'll just get in the way," and he might very well be right, because no one would stick beside him with that horde coming. No one except me, and I was meant to be saving everyone else, everyone else but him.
Naomi Novik (The Last Graduate (The Scholomance, #2))
There seems to be an unwritten rule, hurtful and at odds with the realities of American culture. It says you aren't supposed to wonder whether as a Black person, a Black woman, you really might be inferior––not quite bright enough, not quite quick enough to do the things you want to do. Though, of course, you do wonder. You're supposed to know you're as good as anyone. And if you don't know, you aren't supposed to admit it. If anyone near you admits it, you're supposed to reassure them quickly so they'll shut up. That sort of talk is embarrassing. Act tough and confident and don't talk about your doubts. If you never deal with them, you may never get rid of them, but no matter. Fake everyone out. Even yourself.
Octavia E. Butler (Bloodchild and Other Stories)
High school was so typical and predictable. Everyone here was so occupied with discovering the definition of cool. To some, cool was Abercrombie and popped collars. Some thought cool was playing sports. Some thought cool was drinking before the homecoming dance. And others swore that cool was not trying to be cool: nonconformists with black nail polish, leather boots, and oversized safety pins in their ears. Our free expression was in so many ways just a restriction of our identities. All of us trying to be something we weren't. Even the nonconformists were conforming. High school, I guessed, was just a chapter, something standing in the way of real freedom. High school didn't even seem real. It seemed so fake.
Ryan Smithson (Ghosts of War: The True Story of a 19-Year-Old GI)
When you get famous, dinner isn’t food anymore; it’s twenty ounces of protein, ten ounces of carbohydrates, salt-free, fat-free, sugar-free fuel. This is a meal every two hours, six times a day. Eating isn’t about eating anymore. It’s about protein assimilation. It’s about cellular rejuvenation cream. Washing is about exfoliation. What used to be breathing is respiration. I’d be the first to congratulate anybody if they could do a better job of faking flawless beauty and delivering vague inspiring messages: Calm down. Everyone, breathe deep. Life is good. Be just and kind. Be the love.
Chuck Palahniuk (Survivor)
It's funny, right? That even though we're basically alone in here"- he thumps his chest- "it's easy to lose track of yourself." I want to say I know. I get it. It's easy to give everyone what they want. What's expected. The problem with doing this is you lose sight of where you truly begin and where the fake you, the one who tries to be everything to everyone, ends. He smiles this sad smile. "I've been shitty." "So I guess Dusty got to you too." "I guess so.
Jennifer Niven (Holding Up the Universe)
When Vivian describes how it felt to be at the mercy of strangers, Molly nods. She knows full well what it’s like to tamp down your natural inclinations, to force a smile when you feel numb. After a while you don’t know what your own needs are anymore. You’re grateful for the slightest hint of kindness, and then, as you get older, suspicious. Why would anyone do anything for you without expecting something in return? And anyway—most of the time they don’t. More often than not, you see the worst of people. You learn that most adults lie. That most people only look out for themselves. That you are only as interesting as you are useful to someone. And so your personality is shaped. You know too much, and this knowledge makes you wary. You grow fearful and mistrustful. The expression of emotion does not come naturally, so you learn to fake it. To pretend. To display an empathy you don’t actually feel. And so it is that you learn how to pass, if you’re lucky, to look like everyone else, even though you’re broken inside.
Christina Baker Kline (Orphan Train)
Ben: You know what's really great about baseball? Lindsey Meeks: Hmm? Ben: You can't fake it. You know, anything else in life you don't have to be great in - business, music, art - I mean you can get lucky. Lindsey Meeks: Really? Ben: Yeah, you can fool everyone for awhile, you know? It's like - not - not baseball. You can either hit a curveball or you can't. That's the way it works... Lindsey Meeks: Hmm. Ben: You know? Ben: You can have a lucky day, sure, but you can't have a lucky career. It's a little like math. It's orderly. Win or lose, it's fair. It all adds up. It's, like, not as confusing or as ambiguous as, uh... Lindsey Meeks: Life? Ben: Yeah. It's - it's safe.
Jimmy Fallon
If ever I create a website, I'll call it Two-Face Book, and I'll invite everyone to it, it will be a game board, of a whitewash chalkboard. A social network, with reserved intentions, where we can fall into our cliques and circle of friends. We can dis who we want and accept who appeals to our discretion. Where the users will keep abusing, and abusers keep using, where the computer bullies will keep swinging and the J-birds that fly by will die; where the lonely will keep seeking and the needy still go desperate, where the envious will keep hating, and the lustful will keep flashing. Where those that think ignoring, will keep one down and the wannabes will foolishly think themselves greater by the number of "likes" that pours caffeine into their coffee. We can jump on the bandwagon of likes, or reserve not to show we care. Where the scorners, scammers and stalkers lay wait to take hold of the innocent and fragile, and my pockets will get fatter as more and more will join up, where being fake is accepted. As a mirror that stares at a different face. It will be my two-face epilogue, in a 3-world dimension, of a twofold war. I will build an empire of contagious hooks, and still we will live, happily-ever disastrous.
Anthony Liccione
The truth is - people won't believe you, they won't care for you, they won't give you time or attention, but once you do something that is 'big' in their eyes, you will get it all. Then suddenly you become everyone's friend, everyone seems to have time for you. The people who ignored you earlier will tag you in their posts to gain publicity. And all of a sudden, you become the 'new' inspiration. But the ones who always support you will still call you by your pet name, tease you by those old names and will be there for you like before. The 'key' to life is - knowing who is permanent and who is temporary. The people who are with you in your struggle, are the people who deserve to eat a slice of your success, and the people who are there right after your success, are the ones who should be kept at a distance, for those people would be the first ones to run away if you are in any problem. This life is too short to be lived in any fake fame or publicity. Know your real friends, and know their worth, because if they're lost, the meaning of your life is lost...
Mehek Bassi
On Rachel's show for November 7, 2012: Ohio really did go to President Obama last night. and he really did win. And he really was born in Hawaii. And he really is legitimately President of the United States, again. And the Bureau of Labor statistics did not make up a fake unemployment rate last month. And the congressional research service really can find no evidence that cutting taxes on rich people grows the economy. And the polls were not screwed to over-sample Democrats. And Nate Silver was not making up fake projections about the election to make conservatives feel bad; Nate Silver was doing math. And climate change is real. And rape really does cause pregnancy, sometimes. And evolution is a thing. And Benghazi was an attack on us, it was not a scandal by us. And nobody is taking away anyone's guns. And taxes have not gone up. And the deficit is dropping, actually. And Saddam Hussein did not have weapons of mass destruction. And the moon landing was real. And FEMA is not building concentration camps. And you and election observers are not taking over Texas. And moderate reforms of the regulations on the insurance industry and the financial services industry in this country are not the same thing as communism. Listen, last night was a good night for liberals and for democrats for very obvious reasons, but it was also, possibly, a good night for this country as a whole. Because in this country, we have a two-party system in government. And the idea is supposed to be that the two sides both come up with ways to confront and fix the real problems facing our country. They both propose possible solutions to our real problems. And we debate between those possible solutions. And by the process of debate, we pick the best idea. That competition between good ideas from both sides about real problems in the real country should result in our country having better choices, better options, than if only one side is really working on the hard stuff. And if the Republican Party and the conservative movement and the conservative media is stuck in a vacuum-sealed door-locked spin cycle of telling each other what makes them feel good and denying the factual, lived truth of the world, then we are all deprived as a nation of the constructive debate about competing feasible ideas about real problems. Last night the Republicans got shellacked, and they had no idea it was coming. And we saw them in real time, in real humiliating time, not believe it, even as it was happening to them. And unless they are going to secede, they are going to have to pop the factual bubble they have been so happy living inside if they do not want to get shellacked again, and that will be a painful process for them, but it will be good for the whole country, left, right, and center. You guys, we're counting on you. Wake up. There are real problems in the world. There are real, knowable facts in the world. Let's accept those and talk about how we might approach our problems differently. Let's move on from there. If the Republican Party and the conservative movement and conservative media are forced to do that by the humiliation they were dealt last night, we will all be better off as a nation. And in that spirit, congratulations, everyone!
Rachel Maddow
That was interesting.Who was that?" Matt looks unhappy. "What?" I ask him. "You'll talk to that guy,but you won't talk to us anymore?" "Sorry," I mumble, and climb out of his car. "He's just a friend.Thanks for the ride." Matt gets out,too. Cherrie starts to follow,but he throws her a sharp look. "So what does that mean?" he calls out. "We aren't friends anymore? You're bailing on us?" I trudge toward the house. "I'm tired, Matt.I'm going to bed." He follows anyway.I dig out my house key,but he grabs my wrist to stop me from opening the door. "Listen,I know you don't want to talk about it,but I just have this one thing to say before you go in there and cry yourself to sleep-" "Matt,please-" "Toph isn't a nice guy.He's never been a nice guy. I don't know what you ever saw in him.He talks back to everyone, he's completely unreliable, he wears those stupid fake clothes-" "Why are you telling me this?" I'm crying again.I pull my wrist from his grasp. "I know you didn't like me as much as I liked you. I know you would have rather been with him,and I dealth with that a long time ago.I'm over it." The shame is overwhelming. Even though I knew Matt was aware that I liked Toph,it's awful to hear him say it aloud. "But I'm still your friend." He's exasperated. "And I'm sick of seeing you waste your energy on that jerk. You've spent all this time afraid to talk about what was going on between you two,but if you'd bothered to just ask him, you would have discovered that he wasn't worth it. But you didn't.You never asked him, did you?" The weight of hurt is unbearable. "Please leave," I whisper. "Please just leave." "Anna." His voice levels, and he waits for me to look at him. "It was still wrong of him and Bridge not to tell you. Okay? You deserve better than that. And I sincerely hope whomever you were just talking to"-Matt gestures toward the phone in my purse-"is better than that.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
In life, most people say they want to fall in love. By that they mean a few things, none of which is actually part of the emotion. What people mean (ticking off on fingers): 1) They want to find someone who solves—or makes otherwise irrelevant through the delirious happiness they inspire—the umbrella problem of life: What is the meaning of it?; 2) They want to find someone who makes them want no one else, someone they feel totally confident that they are in love with, with no doubts; 3) They want to find someone who they feel totally confident is in love with them, so that instead of going through the painful process of looking deep inside themselves for worth they can outsource the task of identifying it; 4) Later, when such things become worrisome, pangs in the night, at the grocery store, while cooking, countless sad dinners for one, they want someone who will take care of them when they die. This vision of love is totally unrealistic, it just doesn’t happen, but there’s always the sense that it could, and that imagined possibility drives the whole system of despair and broken dreams that has everyone settling for that guy from high school, or whatever, he concluded.
Lauren Oyler (Fake Accounts)
Alaska seems like the most rough-and-tumble spot in the world. Everyone there seems to be running from something in the Lower 48, whether it’s the law, the tax man, or their ex. Alaska’s where you go to forget your past, especially when you owe your past a shitload in child support. The state motto should be “Love fishing but hate your kids? Alaska.” Forget the Jackass movies. I’d like to do a hidden-camera show where we get a guy with a salt-and-pepper mustache, put him in an ATF windbreaker, have him walk into any Alaska bar or honky-tonk after quitting time, and say, “I have a warrant for . . .” and just watch everyone jump out the window. It’s never “I was born and raised in Alaska, lived here my whole life.” It’s usually something like, “My business partner faked his own death and then tried to kill me, but that was before my wife had her gender reassignment . . .” Basically Alaska is the cold-weather Florida. It’s Florida without the Jews. The state capital should be spelled “Jew? NO!
Adam Carolla (President Me: The America That's in My Head)
I felt like I was faking all of this, like I was playing the part of a student. I had the costume and the props, but I didn't really belong here. I'd pinned notes on the stupid corkboard backing of my desk, and I'd highlighted things...But it was all so meaningless. For about an hour, I had an overwheling urge to grab my bag, stuff in a few things, and take the next train to Bristol. I could be back on my parents' couch that night if I got moving. I could admit that I wasn't ready for this, that the semester was a wash. My parents would be thrilled, I was sure. Not about the semester being a wash--but certainly about having me back where they could keep me safe and sound. It would be so easy to do it. The very idea made me warm inside. It was okay to give up. I'd been brave. Everyone would say so. And yet...even as I opened a dresser drawer and figured out which things I would take with me in this hypothetical scenario, i remembered the problem. There would still be ghosts i would still have a future. I would still go back to school eventually. You can't curl up on the sofa and deny life forever. Life is always going to be a series of ouch-making moments, and the question was, was i going to go all fetal position, or was I going to woman up?
Maureen Johnson (The Madness Underneath (Shades of London, #2))
Okay, that’s fair,” I said. “But it’s not a contest about whose days suck the most, Auggie. The point is we all have to put up with the bad days. Now, unless you want to be treated like a baby the rest of your life, or like a kid with special needs, you just have to suck it up and go.” He didn’t say anything, but I think that last bit was getting to him. “You don’t have to say a word to those kids,” I continued. “August, actually, it’s so cool that you know what they said, but they don’t know you know what they said, you know?” “What the heck?” “You know what I mean. You don’t have to talk to them ever again, if you don’t want. And they’ll never know why. See? Or you can pretend to be friends with them, but deep down inside you know you’re not.” “Is that how you are with Miranda?” he asked. “No,” I answered quickly, defensively. “I never faked my feelings with Miranda.” “So why are you saying I should?” “I’m not! I’m just saying you shouldn’t let those little jerks get to you, that’s all.” “Like Miranda got to you.” “Why do you keep bringing Miranda up?” I yelled impatiently. “I’m trying to talk to you about your friends. Please keep mine out of it.” “You’re not even friends with her anymore.” “What does that have to do with what we’re talking about?” The way August was looking at me reminded me of a doll’s face. He was just staring at me blankly with his half-closed doll eyes. “She called the other day,” he said finally. “What?” I was stunned. “And you didn’t tell me?” “She wasn’t calling you,” he answered, pulling both comic books out of my hands. “She was calling me. Just to say hi. To see how I was doing. She didn’t even know I was going to a real school now. I can’t believe you hadn’t even told her. She said the two of you don’t hang out as much anymore, but she wanted me to know she’d always love me like a big sister.” Double-stunned. Stung. Flabbergasted. No words formed in my mouth. “Why didn’t you tell me?” I said, finally. “I don’t know.” He shrugged, opening the first comic book again. “Well, I’m telling Mom and Dad about Jack Will if you stop going to school,” I answered. “Tushman will probably call you into school and make Jack and those other kids apologize to you in front of everyone, and everyone will treat you like a kid who should be going to a school for kids with special needs. Is that what you want? Because that’s what’s going to happen. Otherwise, just go back to school and act like nothing happened. Or if you want to confront Jack about it, fine. But either way, if you—
R.J. Palacio (Wonder)
Most of the crime-ridden minority neighborhoods in New York City, especially areas like East New York, where many of the characters in Eric Garner’s story grew up, had been artificially created by a series of criminal real estate scams. One of the most infamous had involved a company called the Eastern Service Corporation, which in the sixties ran a huge predatory lending operation all over the city, but particularly in Brooklyn. Scam artists like ESC would first clear white residents out of certain neighborhoods with scare campaigns. They’d slip leaflets through mail slots warning of an incoming black plague, with messages like, “Don’t wait until it’s too late!” Investors would then come in and buy their houses at depressed rates. Once this “blockbusting” technique cleared the properties, a company like ESC would bring in a new set of homeowners, often minorities, and often with bad credit and shaky job profiles. They bribed officials in the FHA to approve mortgages for anyone and everyone. Appraisals would be inflated. Loans would be approved for repairs, but repairs would never be done. The typical target homeowner in the con was a black family moving to New York to escape racism in the South. The family would be shown a house in a place like East New York that in reality was only worth about $15,000. But the appraisal would be faked and a loan would be approved for $17,000. The family would move in and instantly find themselves in a house worth $2,000 less than its purchase price, and maybe with faulty toilets, lighting, heat, and (ironically) broken windows besides. Meanwhile, the government-backed loan created by a lender like Eastern Service by then had been sold off to some sucker on the secondary market: a savings bank, a pension fund, or perhaps to Fannie Mae, the government-sponsored mortgage corporation. Before long, the family would default and be foreclosed upon. Investors would swoop in and buy the property at a distressed price one more time. Next, the one-family home would be converted into a three- or four-family rental property, which would of course quickly fall into even greater disrepair. This process created ghettos almost instantly. Racial blockbusting is how East New York went from 90 percent white in 1960 to 80 percent black and Hispanic in 1966.
Matt Taibbi (I Can't Breathe: A Killing on Bay Street)