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For the strange thing is that Scott-King was definitely blasé. Something of the kind has been hinted before, yet, seeing him cross the quadrangle to the chapel steps, middle-aged, shabby, unhonoured and unknown, his round and learned face puckered against the wind, you would have said: ‘There goes a man who has missed all the compensations of life—and knows it.’ But that is because you do not yet know Scott-King; no voluptuary surfeited by conquest, no colossus of the drama bruised and rent by doting adolescents, not Alexander, nor Talleyrand, was more blasé than Scott-King. He was an adult, an intellectual, a classical scholar, almost a poet; he was travel-worn in the large periphery of his own mind, jaded with accumulated experience of his imagination. He was older, it might have been written, than the rocks on which he sat; older, anyway, than his stall in chapel; he had died many times, had Scott-King, had dived deep, had trafficked for strange webs with Eastern merchants. And all this had been but the sound of lyres and flutes to him.
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