Etiquette And Ceremonial Quotes

This decorum and etiquette, the whole self-stylization of the upper class, demand among other things that one does not allow oneself to be portrayed as one really is, but according to how one must appear to conform with certain hallowed conventions, remote from reality and the present time. Etiquette is the highest law not merely for the ordinary mortal, but also for the king, and in the imagination of this society even the gods accept the forms of courtly ceremonial.

The President was denied formal precedence in dignity by the Governor of New York, and must himself have felt inclined to question the consequence of his official station, when he found that amongst the principal questions with which he had to deal were some which concerned no greater things than petty points of etiquette and ceremonial;

The etiquette of a Sabbath appeared to consist of one rule only: to do nothing for long. Partners came and went, figures and conformations were in a continual flux. Sometimes the dancers were coupled, sometimes they jigged in a circle round some specially agile performer, sometimes they all took hands and galloped about the field. Half-way through a very formal quadrille presided over by the Misses Larpent they fell abruptly to playing Fox and Geese. In spite of Mr. Gurdon’s rosette there was no Master of Ceremonies. A single mysterious impulse seemed to govern the company. They wheeled and maneuvered like a flock of starlings.

The first intimation of a new romance for a woman of the court was the arrival at her door of a messenger bearing a five-line poem in an unfamiliar hand. If the woman found the poem sufficiently intriguing, the paper it was written on suitable for its contents and mood, and the calligraphy acceptably graceful, her encouraging reply—itself in the form of a poem—would set in motion a clandestine, late-night visit from her suitor. The first night together was, according to established etiquette, sleepless; lovemaking and talk were expected to continue without pause until the man, protesting the night’s brevity, departed in the first light of the predawn. Even then he was not free to turn his thoughts to the day’s official duties: a morning-after poem had to be written and sent off by means of an ever-present messenger page, who would return with the woman’s reply. Only after this exchange had been completed could the night’s success be fully judged by whether the poems were equally ardent and accomplished, referring in image and nuance to the themes of the night just passed. Subsequent visits were made on the same clandestine basis and under the same circumstances, until the relationship was either made official by a private ceremony of marriage or ended. Once she had given her heart, a woman was left to await her lover’s letters and appearances at her door at nightfall. Should he fail to arrive, there might be many explanations—the darkness of the night, inclement weather, inauspicious omens preventing travel, or other interests. Many sleepless nights were spent in hope and speculation, and, as evidenced by the poems in this book, in poetic activity. Throughout the course of a relationship, the exchange of poems served to reassure, remind, rekindle or cool interest, and, in general, to keep the other person aware of a lover’s state of mind. At the same time, poetry was a means of expressing solely for oneself the uncertainties, hopes, and doubts which inevitably accompanied such a system of courtship, as well as a way of exploring other personal concerns.

During the civil strife and barbarian inroads of the third century the Empire for a time fell into anarchy, but before the century was over, the imperial government seemed more strongly established than ever. This was largely due to the reorganization effected by Diocletian (284-305 A.D.). He increased the power of the emperor, making him an absolute ruler in every respect, whom his courtiers and subjects were to treat as a god and whose court was characterized by most elaborate ceremonial and etiquette.

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