β
There are lots of ways of being miserable, but thereβs only one way of being comfortable, and that is to stop running round after happiness. If you make up your mind not to be happy thereβs no reason why you shouldnβt have a fairly good time.
β
β
Edith Wharton (Ethan Frome and Other Short Fiction)
β
I want to put my hand out and touch you. I want to do for you and care for you. I want to be there when you're sick and when you're lonesome.
β
β
Edith Wharton (Ethan Frome)
β
They seemed to come suddenly upon happiness as if they had surprised a butterfly in the winter woods.
β
β
Edith Wharton (Ethan Frome)
β
So many things were testing his faith. There was the Bible, of course, but the Bible was a book, and so were Bleak House, Treasure Island, Ethan Frome and The Last of the Mohicans. Did it then seem probable, as he had once overheard Dunbar ask, that the answers to riddles of creation would be supplied by people too ignorant to understand the mechanics of rainfall? Had Almighty God, in all His infinite wisdom, really been afraid that men six thousand years ago would succeed in building a tower to heaven?
β
β
Joseph Heller (Catch-22)
β
She had taken everything else from him, and now she meant to take the one thing that made up for it all.
β
β
Edith Wharton (Ethan Frome)
β
They stood together in the gloom of the spruces, an empty world glimmering about them wide and gray under the stars
β
β
Edith Wharton (Ethan Frome)
β
The return to reality was as painful as the return to consciousness after taking an anesthetic
β
β
Edith Wharton (Ethan Frome)
β
I had the sense that the deeper meaning of the story was in the gaps.
β
β
Edith Wharton (Ethan Frome)
β
He seemed a part of the mute melancholy landscape, an incarnation of it's frozen woe, with all that was warm and sentient in him fast bound below the surface; but there was nothing nothing unfriendly in his silence. I simply felt that he lived in a depth of moral isolation too remote for casual access, and I had the sense that his loneliness was not merely the result of his personal plight, tragic as I guessed that to be, but had in it, as Harmon Gow had hinted, the profound accumulated cold of many Starkfield winters.
β
β
Edith Wharton (Ethan Frome)
β
She pronounced the word married as if her voice caressed it. It seemed a rustling covert leading to enchanted glades.
β
β
Edith Wharton (Ethan Frome)
β
The motions of her mind were as incalculable as the flit of a bird in the branches
β
β
Edith Wharton (Ethan Frome)
β
They had never before avowed their inclination so openly, and Ethan, for a moment, had the illusion that he was a free man, wooing the girl he meant to marry. He looked at her hair and longed to touch it again, and to tell her that is smelt of the woods; but he had never learned to say such things.
β
β
Edith Wharton (Ethan Frome)
β
But at sunset the clouds gathered again, bringing an earlier night, and the snow began to fall straight and steadily from a sky without wind, in a soft universal diffusion more confusing than the gusts and eddies of the morning. It seemed to be a part of the thickening darkness, to be the winter night itself descending on us layer by layer.
β
β
Edith Wharton (Ethan Frome)
β
...And the way they are now, I don't see's there's much difference between the Fromes up at the farm and the Fromes down in the graveyard; 'cept that down there they're all quiet, and the women have got to hold their tongues.
β
β
Edith Wharton (Ethan Frome)
β
The sudden heat of his tone made her colour mount again, not with a rush, but gradually, delicately, like the reflection of a thought stealing slowly across her heart.
β
β
Edith Wharton (Ethan Frome)
β
It was a long time since any one had spoken to him as kindly as Mrs Hale. Most people were either indifferent to his troubles, or disposed to think it natural that a young fellow of his age should have carried without repining the burden of three crippled lives. But Mrs Hale had said βYouβve had an awful mean time, Ethan Frome,β and he felt less alone with his misery.
β
β
Edith Wharton (Ethan Frome)
β
Ethan looked at her with loathing. She was no longer the listless creature who had lived at his side in a state of sullen self-absorption, but a mysterious alien presence, an evil energy secreted from the long years of silent brooding.
β
β
Edith Wharton (Ethan Frome)
β
All the long misery of his baffled past, of his youth of failure, hardship and vain effort, rose up in his soul in bitterness and seemed to take shape before him in the woman who at every turn had barred his way.
β
β
Edith Wharton (Ethan Frome)
β
...how much did pride count in the ebullition of passions in his breast?
β
β
Edith Wharton (Ethan Frome)
β
He was a poor man, the husband of a sickly woman, whom his desertion would leave alone and destitute; and even if he had had the heart to desert her he could have done so only by deceiving two kindly people who had pitied him.
β
β
Edith Wharton (Ethan Frome)
β
Xingu!" she scoffed. "Why, it was the fact of our knowing so much more about it than she didβunprepared though we wereβthat made Osric Dane so furious. I should have thought that was plain enough to everybody!
β
β
Edith Wharton (Ethan Frome & Selected Stories (Barnes & Noble Classics Series))
β
and he could only follow the shadowy pantomime of their silhouettes
β
β
Edith Wharton (Ethan Frome)
β
There was in him a slumbering spark of sociability which the long Starkfield winters had not yet extinguished. By nature grave and inarticulate, he admired recklessness and gaiety in others and was warmed to the marrow by friendly human intercourse.
β
β
Edith Wharton (Ethan Frome)
β
The inexorable facts closed in on him like prison-warders handcuffing a convict. There was no way outβnone. He was a prisoner for life, and now his one ray of light was to be extinguished.
β
β
Edith Wharton (Ethan Frome)
β
Ethan looked at her with loathing. She was no longer the listless creature who had lived at his side in a state of sullen self-absorption, but a mysterious alien presence, an evil energy secreted from the long years of silent brooding. It was the sense
β
β
Edith Wharton (Ethan Frome)
β
Denis Eady was the son of Michael Eady, the ambitious Irish grocer, whose suppleness and effrontery had given Starkfield its first notion of "smart" business methods, and whose new brick store testified to the success of the attempt. His son seemed likely to follow in his steps, and was meanwhile applying the same arts to the conquest of the Starkfield maidenhood. Hitherto Ethan Frome had been content to think him a mean fellow; but now he positively invited a horse-whipping.
β
β
Edith Wharton (Ethan Frome)
Edith Wharton (Ethan Frome)
β
Ruth Varnum was always as nervous as a rat; and, come to think of
β
β
Edith Wharton (Ethan Frome)
β
immersed in the miserably uninteresting fictional world of Ethan Frome,
β
β
John Green (Looking for Alaska)
β
When she said to him once "It looks as if it was painted!" it seemed to Ethan that the art of definition could go no farther, and that words had at last been found to utter his secret souls.
β
β
Edith Wharton (Ethan Frome)
β
The stillness was so profound that he heard a little animal twittering somewhere near by under the snow. It made a small frightened cheep like a field mouse, and he wondered languidly if it were hurt. Then he understood that it must be in pain: pain so excruciating that he seemed, mysteriously, to feel it shooting through his own body. He tried in vain to roll over in the direction of the sound, and stretched his left arm out across the snow. And now it was as though he felt rather than heard the twittering; it seemed to be under his palm, which rested on something soft and springy. The thought of the animal's suffering was intolerable to him and he struggled to raise himself, and could not because a rock, or some huge mass, seemed to be lying on him. But he continued to finger about cautiously with his left hand, thinking he might get hold of the little creature and help it; and all at once he knew that the soft thing he had touched was Mattie's hair and that his hand was on her face.
β
β
Edith Wharton (Ethan Frome)
β
That was all; but all their intercourse had been made up of just such inarticulate flashes, when they seemed to come suddenly upon happiness as if they had surprised a butterfly in the winter woods .Β .
β
β
Edith Wharton (Ethan Frome)
β
Ethanβs love of nature did not take the form of a taste for agriculture. He had always wanted to be an engineer, and to live in towns, where there were lectures and big libraries and βfellows doing things.
β
β
Edith Wharton (Ethan Frome)
β
He seemed a part of the mute melancholy landscape, an incarnation of its frozen woe, with all that was warm and sentient in him fast bound below the surface; but there was nothing unfriendly in his silence. I simply felt that he lived in a depth of moral isolation too remote for casual access, and I had the sense that his loneliness was not merely the result of his personal plight, tragic as I guessed that to be, but had in it, as Harmon Gow had hinted, the profound accumulated cold of many Starkfield winters.
β
β
Edith Wharton (Ethan Frome)
β
I went on steadily trying to 'find out how to'; but I wrote two or three novels without feeling that I had made much progress. It was not until I wrote "Ethan Frome" that I suddenly felt the artisan's full control of his implements. When "Ethan Frome" first appeared I was severely criticized by the reviewers for what was considered the clumsy structure of the tale. I had pondered long on this structure, had felt its peculiar difficulties, and possible awkwardness, but could think of no alternative which would serve as well in the given case: and though I am far from thinking "Ethan Frome" my best novel, and am bored and even exasperated when I am told that it is, I am still sure that its structure is not its weak point.
β
β
Edith Wharton (A Backward Glance)
β
I simply felt that he lived in a depth of moral isolation too remote for casual access, and I had the sense that his loneliness was not merely the result of his personal plight, tragic as I guessed that to be, but had in it, as Harmon Gow had hinted, the profound accumulated cold of many Starkfield winters
β
β
Edith Wharton (Ethan Frome)
β
And if you can't come into the room without my feeling all over me a ripple of flame, & if, wherever you touch me, a heart beats under your touch, & if, when you hold me, & I don't speak, it's because all the words in me seem to have become throbbing pulses, & all my thoughts are a great golden blur" (Joslin 20).
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β
Edith Wharton (Ethan Frome [with Biographical Introduction])
β
There was the Bible, of course, but the Bible was a book, and so were Bleak House, Treasure Island, Ethan Frome and The Last of the Mohicans. Did it indeed seem probable, as he had once overheard Dunbar ask, that the answers to the riddles of creation would be supplied by people too ignorant to understand the mechanics of rainfall? Had Almighty God, in all His infinite wisdom, really been afraid that men six thousand years ago would succeed in building a tower to heaven? Where the devil was heaven? Was it up? Down? There was no up or down in a finite but expanding universe in which even the vast, burning, dazzling, majestic sun was in a state of progressive decay that would eventually destroy the earth too.
β
β
Joseph Heller (Catch-22)
β
But now he felt as if her blush had set a flaming guard about her.
β
β
Edith Wharton (Ethan Frome)
β
Not for the world would he have made a significant to her, though it seemed to him that his life hung on her next gesture.
β
β
Edith Wharton (Ethan Frome)
β
[...] he had found her lips at last and was drinking unconsciousness of everything but the joy they gave him.
β
β
Edith Wharton (Ethan Frome)
β
Because I - because I want to fell you holding me," he stammered, and dragged her to her feet.
β
β
Edith Wharton (Ethan Frome and Selected Stories)
β
Because I - because I want to feel you holding me," he stammered, and dragged her to her feet.
β
β
Edith Wharton (Ethan Frome and Selected Stories)
β
It's waiting for us: it seems to know.
β
β
Edith Wharton (Ethan Frome)
Edith Wharton (Ethan Frome)
Edith Wharton (Ethan Frome)
β
That man touch a hundred? He looks as if he was dead and in hell now!
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β
Edith Wharton (Ethan Frome)
β
...and my heart tightened for the hard compulsions of the poor.
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β
Edith Wharton (Ethan Frome)
β
Hale sat with his feet up on the stove, his back propped against a battered desk strewn with papers: the place, like the man, was warm, genial and untidy.
β
β
Edith Wharton (Ethan Frome)
β
The face she lifted to her dancers was the same which, when she saw him, always looked like a window that has caught the sunset. He even noticed two or three gestures which, in his fatuity, he had thought she kept for him: a way of throwing her head back when she was amused, as if to taste her laugh before she let it out, and a trick of sinking her lids slowly when anything charmed or moved her.
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β
Edith Wharton (Ethan Frome)
β
Though Harmon Gow developed the tale as far as his mental and moral reach permitted there were perceptible gaps between his facts, and I had the sense that the deeper meaning of the story was in the gaps.
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β
Edith Wharton (Ethan Frome)
β
Ethan, thereβs something wrong! I knew there was!β She seemed to melt against him in her terror, and he caught her in his arms, held her fast there, felt her lashes beat his cheek like netted butterflies.
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β
Edith Wharton (Ethan Frome)
β
Almost everybody in the neighborhood had "troubles", frankly localized and specified; but only the chosen had "complications." To have them was in itself a distinction, though it was also, in most cases, a death-warrant.
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β
Edith Wharton (Ethan Frome, House of Mirth & Summer)
β
Almost everybody in the neighborhood had βtroubles,β frankly localized and specified; but only the chosen had βcomplications.β To have them was in itself a distinction, though it was also, in most cases, a death-warrant.
β
β
Edith Wharton (Ethan Frome, House of Mirth & Summer)
β
Not at all,β I agreed. βFor example, Patrick asked if I would rather marry Gatsby or Mr. Darcy.β βNo, he didnβt! Who in the world would choose Gatsby over Darcy?β Charlotte caught on and turned to me. βJosephineβEthan Frome or Gilbert Blythe from Anne of Green Gables?β βOh, Ethan Frome,β I said quickly. βOut of pity,β said Charlotte, with an understanding nod. βA bit,β I agreed. βBut Ethan Frome had a hidden depth, something waiting to be discovered.
β
β
Ruta Sepetys (Out of the Easy)
β
His father's death, and the misfortunes following it, had put a premature end to Ethan's studies; but though they had not gone far enough to be of much practical use they had fed his fancy and made him aware of huge cloudy meanings behind the daily face of things.
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β
Edith Wharton (Ethan Frome)
β
And within a year of their marriage she developed the βsicklinessβ which had since made her notable even in a community rich in pathological instances. When she came to take care of his mother she had seemed to Ethan like the very genius of health, but he soon saw that her skill as a nurse had been acquired by the absorbed observation of her own symptoms.
β
β
Edith Wharton (Ethan Frome)
β
Ethan knew the word for one of exceptional import. Almost everybody in the neighbourhood had βtroubles,β frankly localized and specified; but only the chosen had βcomplications.β To have them was in itself a distinction, though it was also, in most cases, a death-warrant. People struggled on for years with βtroubles,β but they almost always succumbed to βcomplications.
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β
Edith Wharton (Ethan Frome)
β
Andrew Hale was a ruddy man with a big gray moustache and a stubbly double-chin unconstrained by a collar; but his scrupulously clean shirt was always fastened by a small diamond stud. This display of opulence was misleading, for though he did a fairly good business it was known that his easygoing habits and the demands of his large family frequently kept him what Starkfield called "behind.
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β
Edith Wharton (Ethan Frome)
β
Through the stillness they heard the church clock striking five.
"Oh, Ethan, it's time!" she cried.
He drew her back to him. "Time for what? You don't suppose I'm going to leave you now?"
"If I missed my train where'd I go?"
"Where are you going if you catch it?"
She stood silent, her hands lying cold and relaxed in his.
"What's the good of either of us going anywheres without the other one now?" he said.
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Edith Wharton (Ethan Frome)
β
They turned at the gate and passed under the shades knoll where, enclosed in a low fence, the Frome gravestones slanted at crazy angles through the snow. Ethan looked at them curiously. For years that quiet company had mocked his restlessness, his desire for change and freedom. "We never got awayβhow should you?" seemed to be written on every headstone; and whenever he went in or out of his gate he though with a shiver: "I shall just go on living here till I join them." But now all desire for change vanished, and the sight of the little enclosure gave him a warm sense of continuance and stability.
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Edith Wharton (Ethan Frome)
β
while weβre at it, please can Quaker Oats ban Ethan Frome from the curriculum altogether? Itβs a snoozefest of repressed, milquetoast characters, all building up to the climax ofβno jokeβa toboggan ride. We should end on the Whartonian high of The Age of Innocence, which is probably the best novel set in New York City, ever. Itβs about rich white people planning hits and takedowns at fancy balls like itβs The Godfather. Even though The Age of Innocence was written a hundred years ago, you just know that Edith Wharton knew what was up.
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Patricia Park (Imposter Syndrome and Other Confessions of Alejandra Kim)
β
Pero hasta entonces la emociΓ³n no habΓa salido nunca al exterior, era como un dolor silencioso, que empaΓ±aba de tristeza la belleza que evocaba.
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Edith Wharton (Ethan Frome)
β
The Van der Luydens, who stood above all of them, had faded into a kind of super-terrestrial twilight.
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Edith Wharton (The Age of Innocence / Ethan Frome)
β
I used to race through books one after another, but in Book Club Harriet taught us that when you slow down, you notice more, and when you notice more, you feel more. Reading one book makes it part of all the books you've ever read, Harriet said, so she was forever dragging other books into our discussions.
QUESTION: If Gatsby had a brother like Ethan Frome, would he have made the same mistakes?
QUESTION: If Frank and Zooey could speak from the Spoon River graveyard, which one would tell the story, which the "meanwhile"?
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Monica Wood (How to Read a Book)
β
Iβm aware Iβm making the low continuous moaning noise of a fearful cow, but I canβt seem to stop. This is the worst story Iβve ever heard. This is worse than Ethan Frome.
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Patricia Lockwood (Priestdaddy: A Memoir)