β
Do you know what a poem is, Esther?'
No, what?' I would say.
A piece of dust.'
Then, just as he was smiling and starting to look proud, I would say, 'So are the cadavers you cut up. So are the people you think you're curing. They're dust as dust as dust. I reckon a good poem lasts a whole lot longer than a hundred of those people put together.'
And of course Buddy wouldn't have any answer to that, because what I said was true. People were made of nothing so much as dust, and I couldn't see that doctoring all that dust was a bit better than writing poems people would remember and repeat to themselves when they were unhappy or sick or couldn't sleep.
β
β
Sylvia Plath (The Bell Jar)
β
The moment in The Bell Jar when Esther Greenwood realizes after thirty days in the same black turtleneck that she never wants to wash her hair again, that the repeated necessity of the act is too much trouble, that she wants to do it once and be done with it, seems like the book's true epiphany. You know you've completely descended into madness when the matter of shampoo has ascended into philosophical heights.
β
β
Elizabeth Wurtzel (Prozac Nation)
β
Just be happy, and if you can't be happy, do things that make you happy. Or do nothing with the people that make you happy.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
The greatest gift you can ever give another person is your own happiness
β
β
Esther Hicks
β
Isnβt it sad that so often it takes facing death to appreciate life and each other fully?
β
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Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
Aphrodite had the beauty; Zeus had the thunderbolts. Everyone loved Aphrodite, but everyone listened to Zeus.
β
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Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
β
I do hope that when the day comes, whether in 1, 10, or 100 years, I donβt want you to think of me and feel sad.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
Esther, however, was the only woman who understood one very simple thing: in order to be able to find her, I first had to find myself.
β
β
Paulo Coelho (The Zahir)
β
You cannot amputate your history from your destiny, because that is redemption.
β
β
Beth Moore (Esther: It's Tough Being a Woman)
β
We give all we have, lives, property, safety, skill...we fight, we die, for a simple thing. Only that a man can stand up.
β
β
Esther Forbes (Johnny Tremain)
β
Look around less, imagine more.
β
β
Esther Hicks
β
Love rests on two pillars: surrender and autonomy. Our need for togetherness exists alongside our need for separateness.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
If you knew your potential to feel good, you would ask no one to be different so that you can feel good. You would free yourself of all of that cumbersome impossibility of needing to control the world, or control your mate, or control your child. You are the only one who creates your reality. For no one else can think for you, no one else can do it. It is only you, every bit of it you.
β
β
Esther Hicks
β
While Leo fussed over his helm controls, Hazel and Frank relayed the story of the fish-centaurs and their training camp.
'Incredible,' Jason said. 'These are really good brownies.'
'That's your only comment?' Piper demanded.
He looked surprised. 'What? I heard the story. Fish-centaurs. Merpeople. Letter of intro to the Tiber River god. Got it. But these brownies--'
'I know,' Frank said, his mouth full. 'Try them with Ester's peach preserves.'
'That,' Hazel said, 'is incredibly disgusting.'
'Pass me the jar, man,' Jason said.
Hazel and Piper exchanged a look of total exasperation. Boys.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
Life is not a straight line leading from one blessing to the next and then finally to heaven. Life is a winding and troubled road. Switchback after switchback. And the point of biblical stories like Joseph and Job and Esther and Ruth is to help us feel in our bones (not just know in our heads) that God is for us in all these strange turns. God is not just showing up after the trouble and cleaning it up. He is plotting the course and managing the troubles with far-reaching purposes for our good and for the glory of Jesus Christ.
β
β
John Piper (A Sweet and Bitter Providence: Sex, Race, and the Sovereignty of God)
β
Today, we turn to one person to provide what an entire village once did: a sense of grounding, meaning, and continuity. At the same time, we expect our committed relationships to be romantic as well as emotionally and sexually fulfilling. Is it any wonder that so many relationships crumble under the weight of it all?
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
If something you want is slow to come to you, it can be for only one reason: You are spending more time focused upon its absence than you are about its presence. If
β
β
Esther Hicks (The Law of Attraction: The Basics of the Teachings of Abraham)
β
The measure of a friendship is not its physicality but its significance. Good friendships, online or off, urge us toward empathy; they give us comfort and also pull us out of the prisons of our selves.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
We live in a world defined by its boundaries: You cannot travel faster than the speed of light. You must and will die. You cannot escape these boundaries. But the miracle and hope of human consciousness is that we can still conceive of boundlessness.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
And I realize now that that was . . . thatβs the best way to love someone. Hold them close, know that youβre loved, let it wash over you
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
You own a Tic Tac. Gum is just borrowed. - Esther
β
β
Sarah Dessen (Along for the Ride)
β
If you want it and expect it, it will be yours very soon.
β
β
Esther Hicks (The Law of Attraction: The Basics of the Teachings of Abraham)
β
Love is a vessel that contains both security and adventure, and commitment offers one of the great luxuries of life: time. Marriage is not the end of romance, it is the beginning.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
If one cannot learn from the mistakes of others, one might as well become a Democrat.
β
β
Esther M. Friesner (My Big Fat Supernatural Wedding)
β
- But Abraham, you mean I'm supposed to make stuff up !?!?
- You are creators, you make stuff up all the time!
β
β
Esther Hicks
β
Our partner's sexuality does not belong to us. It isn't just for and about us, and we should not assume that it rightfully falls within our jurisdiction.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
Incredible,β Jason said. βThese are really good brownies.β
βThatβs your only comment?β Piper demanded.
He looked surprised. βWhat? I heard the story. Fish-centaurs. Merpeople. Letter of intro to the Tiber River god. Got it. But these browniesββ
βI know,β Frank said, his mouth full. βTry them with Estherβs peach preserves.β
βThat,β Hazel said, βis incredibly disgusting.β
βPass me the jar, man,β Jason said.
Hazel and Piper exchanged a look of total exasperation. Boys.
Percy, for his part, wanted to hear every detail about the aquatic camp. He kept coming back to one point: βThey didnβt want to meet me?β
βIt wasnβt that,β Hazel said. βJustβ¦undersea politics, I guess. The merpeople are territorial. The good news is theyβre taking care of that aquarium in Atlanta. And theyβll help protect the Argo II as we cross the Atlantic.β
Percy nodded absently. βBut they didnβt want to meet me?β
Annabeth swatted his arm. βCome on, Seaweed Brain! Weβve got other things to worry about.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
Everyone should cultivate a secret garden.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
I feel very lucky to know youβand as far as I have seen, to know you is literally to love you.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
When you change the way you look at things, the things you look at change.
β
β
Esther Hicks (Ask and It Is Given: Learning to Manifest Your Desires (Law of Attraction Book 7))
β
How old are you Johnny" she asked.
Sixteen."
And what's that-a boy or a man?"
He laughed. "A boy in time of peace and a man in time of war.
β
β
Esther Forbes (Johnny Tremain)
β
One day I realized, without God, nothing matters. So, I asked Him into my heart.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
The quality of your life ultimately depends on the quality of your relationships . . . which are basically a reflection of your sense of decency, your ability to think of others, your generosity.
β
β
Esther Perel
β
Oddly, the most freeing thing we can ever do is to abdicate the throne of our own miniature kingdoms.
β
β
Beth Moore
β
Itβs hard to feel attracted to someone who has abandoned her sense of autonomy.
β
β
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
β
The world is full of marvels, if you're willing to travel far enough to see them.
β
β
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
β
There ain't no "baby mama drama" up in this Vortex, homie!
β
β
Esther Hicks
β
You are joy, looking for a way to express.
It's not just that your purpose is joy, it is that you are joy. You are love and joy and freedom and clarity expressing. Energy-frolicking and eager.
That's who you are.
β
β
Esther Hicks
β
stop talking about the things that are bothering you so much.
β
β
Esther Hicks (The Astonishing Power of Emotions: Let Your Feelings Be Your Guide (Law of Attraction Book 4))
β
When loved ones die, people always say, βDonβt be sad. Iβm sure they would have wanted you to be happy.β Iβm sure thatβs true. But letβs be realistic here, people also want to be missed. It is every personβs nightmare to leave the world behind as if they had never been there at all.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
You are actually pre-paving your future experiences constantly. ... You are continually projecting your expectations into your future experiences.
β
β
Esther Hicks
β
What brothers say to tease their sisters has nothing to do with what they really think of them.
β
β
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
β
She used that word at some point referring to her family's love, infinite, and I thought about how infinite is not a large number. It is something else entirely. It is boundlessness.
β
β
John Green (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
Trouble looms when monogamy is no longer a free expression of loyalty but a form of enforced compliance.
β
β
Esther Perel
β
The moment you say , , or , the skies will open for you and the non- physical energies begin instantly to orchestrate the manifestation of your desire.
β
β
Esther Hicks
β
Just like the sun coming up yonder out of the sea, pushing rays of light ahead of it.
β
β
Esther Forbes (Johnny Tremain)
β
For [erotically intelligent couples], love is a vessel that contains both security and adventure, and commitment offers one of the great luxuries of life: time. Marriage is not the end of romance, it is the beginning. They know that they have years in which to deepen their connection, to experiment, to regress, and even to fail. They see their relationship as something alive and ongoing, not a fait accompli. Itβs a story that they are writing together, one with many chapters, and neither partner knows how it will end. Thereβs always a place they havenβt gone yet, always something about the other still to be discovered.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
After that Johnny began to watch himself. For the first time he learned to think before he spoke.
β
β
Esther Forbes (Johnny Tremain)
β
I dislike the phrase 'Internet friends,' because it implies that people you know online aren't really your friends, that somehow the friendship is less real or meaningful to you because it happens through Skype or text messages. The measure of a friendship is not its physicality but its significance.
β
β
John Green (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
If you can't do, you'd best shut up about it.
β
β
Esther Forbes (Johnny Tremain)
β
... the truth holds the greatest magic, the greatest beauty, and sometimes the greatest danger....
β
β
Esther M. Friesner (Sphinx's Princess (Sphinx's Princess, #1))
β
It is not your job to make something happenβUniversal Forces are in place for all of that. Your work is to simply determine what you want.
β
β
Esther Hicks (Ask and It Is Given: Learning to Manifest Your Desires (Law of Attraction Book 7))
β
And many of the townsfolk of Boston seem more concerned with the profit of their business than the great cause that is swirling around them.
β
β
Esther Forbes (Johnny Tremain)
β
If you can't do, you had best shut up. He started to slam the door, thought better of it. If you can't do, you'd best not slam doors.
β
β
Esther Forbes (Johnny Tremain)
β
We expect one person to give us what once an entire village used to provide, and we live twice as long.
β
β
Esther Perel (The State of Affairs: Rethinking Infidelity)
β
It's hard to experience desire when you're weighted down by concern.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
We're walking contradictions, seeking safety and predictability on one hand and thriving on diversity on the other.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
Are you really going to catch us and take us back to Esther? We donβt belong to her, you know.β
Embarrassed, Victor stared at his shoes. βWell, children all have to belong to somebody,β he muttered.
βDo you belong to someone?β
βThatβs different.β
βBecause youβre a grown-up?
β
β
Cornelia Funke (The Thief Lord)
β
On rocky islands gulls woke.
β
β
Esther Forbes (Johnny Tremain)
β
No soy inmortal, pero te aseguro que mi amor por ti sΓ lo es
β
β
Esther Sanz (El bosque de los corazones dormidos (El bosque, #1))
β
I forget, because itβs hard to realize that the same person who gives you so much love, and to whom you give so much in return, can go through the kinds of pain and suffering that nothing you do can alleviate.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
You can get to where you want to be from wherever you areβbut you must stop spending so much time noticing and talking about what you do not like about where you are.
β
β
Esther Hicks (The Essential Law of Attraction Collection)
β
...el motivo aparente por el que hacemos las cosas casi nunca coincide con el motivo real que nos mueve a hacerlas. -Clara
β
β
Esther Sanz (El bosque de los corazones dormidos (El bosque, #1))
β
God is the reason Iβm surviving, but heβs sure used you in my life wonderfully. I love you.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
Life Is Always in Motion, So You Cannot Be "Stuck
β
β
Esther Hicks (Ask and It Is Given: Learning to Manifest Your Desires)
β
The Internet is like alcohol in some sense. It accentuates what you would do anyway. If you want to be a loner, you can be more alone. If you want to connect, it makes it easier to connect.
β
β
Esther Dyson
β
Eroticism thrives in the space between the self and the other.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
Proust, βThe real voyage of discovery consists not in seeking new landscapes but in having new eyes.
β
β
Esther Perel (Mating in Captivity: Sex, Lies and Domestic Bliss)
β
that nothing will come into your experience unless you invite it through your thoughtβwith emotional
β
β
Esther Hicks (The Law of Attraction: The Basics of the Teachings of Abraham)
β
Love is at once an affirmation and a transcendence of who we are.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
A man can stand up
β
β
Esther Forbes (Johnny Tremain)
β
It was sink or swim for himβand happens heβs swimming.
β
β
Esther Forbes (Johnny Tremain)
β
Being brave doesn't mean always having to fight alone.
β
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Esther M. Friesner (Sphinx's Princess (Sphinx's Princess, #1))
β
The shift from shame to guilt is crucial. Shame is a state of of self-absorption, while guilt is an emphatic, relational response, inspired by the hurt you have caused another.
β
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Esther Perel (The State of Affairs: Rethinking Infidelity)
β
And I remember telling God that whatever happens, happens. I remember telling myself "He's in control.
β
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Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
THE fourteenth of April, 1775.
β
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Esther Forbes (Johnny Tremain)
β
Love enjoys knowing everything about you; desire needs mystery. Love likes to shrink the distance that exists between me and you, while desire is energized by it. If intimacy grows through repetition and familiarity, eroticism is numbed by repetition. It thrives on the mysterious, the novel, and the unexpected. Love is about having; desire is about wanting. An expression of longing, desire requires ongoing elusiveness. It is less concerned with where it has already been than passionate about where it can still go. But too often, as couples settle into the comforts of love, they cease to fan the flame of desire. They forget that fire needs air.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
The first of the tea ships, the Dartmouth,
β
β
Esther Forbes (Johnny Tremain)
β
Hay momentos que justifican una vida.
Y vidas que duran un suspiro.
La mΓa tiene sentido, amor,
porque te he conocido.
β
β
Esther Sanz (El bosque de los corazones dormidos (El bosque, #1))
β
The more we trust, the farther we are able to venture.
β
β
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
β
saying. βI want it as a birthday present to my venerable
β
β
Esther Forbes (Johnny Tremain)
β
The grand illusion of committed love is that we think our partners are ours. In truth, their separateness is unassailable, and their mystery is forever ungraspable. As soon as we can begin to acknowledge this, sustained desire becomes a real possibility. Itβs remarkable to me how a sudden threat to the status quo (an affair, an infatuation, a prolonged absence, or even a really good fight) can suddenly ignite desire. Thereβs nothing like the fear of loss to make those old shoes look new again.
β
β
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
β
there is so much more that is going right in your world than wrong.
β
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Esther Hicks (Money, and the Law of Attraction: Learning to Attract Wealth, Health, and Happiness)
β
The only way to consciously deactivate a thought is to activate another. In other words, the only way to deliberately withdraw your attention from one thought is to give your attention to another.
β
β
Esther Hicks (Ask and It Is Given: Learning to Manifest Your Desires (Law of Attraction Book 7))
β
We no longer plow the land together; today we talk. We have come to glorify verbal communication. I speak; therefore I am. We naively believe that the essence of who we are is most accurately conveyed through words.
β
β
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
β
I found every breath of air, and every scent, and every flower and leaf and blade of grass and every passing cloud, and everything in nature, more beautiful and wonderful to me than I had ever found it yet. This was my first gain from my illness. How little I had lost, when the wide world was so full of delight for me.
β
β
Charles Dickens (Bleak House)
β
There is no desire that anyone holds for any other reason than that they believe they will feel better in the achievement of it. Whether it is a material object, a physical state of being, a relationship, a condition, or a circumstance - at the heart of every desire is the desire to feel good. And so, the standard of success in life is not the things or the money - the standard of success is absolutely the amount of joy you feel.
β
β
Esther Hicks (Ask and It Is Given: Learning to Manifest Your Desires)
β
Beginnings are always ripe with possibilities, for they hold the promise of completion. Through love we imagine a new way of being. You see me as Iβve never seen myself. You airbrush my imperfections, and I like what you see. With you, and through you, I will become that which I long to be. I will become whole. Being chosen by the one you chose is one of the glories of falling in love. It generates a feeling of intense personal importance. I matter. You confirm my significance.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
your life-and everyone else in the Universe is playing the part that you have assigned to them. You can literally script any life that you desire, and the Universe will deliver to you the people, places, and events just as you decide them to be. For you are the creator of your own experience-you have only to decide it and allow it to be.
β
β
Esther Hicks (Ask and It Is Given: Learning to Manifest Your Desires)
β
Let your alignment (with Well-Being) be first and foremost, and let everything else be secondary. And not only will you have an eternally joyous journey, but everything you have ever imagined will flow effortlessly into your experience. There is nothing you cannot be or do or haveβbut your dominant intent is to be joyful. The doing and the having will come into alignment once you get that one down.
β
β
Esther Hicks
β
Leaning her silly, beautiful, drunken head on my shoulder, she said, "Oh, Esther, I don't want to be a feminist. I don't enjoy it. It's no fun."
"I know," I said. "I don't either." People think you decide to be a "radical," for God's sake, like deciding to be a librarian or a ship's chandler. You "make up your mind," you "commit yourself" (sounds like a mental hospital, doesn't it?).
I said Don't worry, we could be buried together and have engraved on our tombstone the awful truth, which some day somebody will understand:
WE WUZ PUSHED.
β
β
Joanna Russ (On Strike Against God)
β
Our partners do not belong to us; they are only on loan, with an option to renewβor not. Knowing that we can lose them does not have to undermine commitment; rather, it mandates an active engagement that long-term couples often lose. The realization that our loved ones are forever elusive should jolt us out of complacency, in the most positive sense.
β
β
Esther Perel (The State of Affairs: Rethinking Infidelity)
β
If one person sits down at their computer one day and types one word, dose that affect the future? If that one person didn't type that one word, would the future's history be changed? Dose their one word even mean anything? Dose my one (times a lot) word mean anything? Dose that one person's one word even get read-once? If I wasn't sitting here writing my words, would my future be different?
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
Now, lying on my back in bed, I imagined Buddy saying, βDo you know what a poem is, Esther?β
βNo, what?β I would say.
βA piece of dust.β
Then just as he was smiling and starting to look proud, I would say, βSo are the cadavers you cut up. So are the people you think youβre curing. Theyβre dust as dust as dust. I reckon a good poem lasts a whole lot longer than a hundred of those people put together.β
And of course Buddy wouldnβt have any answer to that, because what I said was true. People were made of nothing so much as dust, and I couldnβt see that doctoring all that dust was a bit better than writing poems people would remember and repeat to themselves when they were unhappy or sick and couldnβt sleep.
β
β
Sylvia Plath (The Bell Jar)
β
We are afraid that our adult sexuality will somehow damage our kids, that itβs inappropriate or dangerous. But whom are we protecting? Children who see their primary caregivers at ease expressing their affection (discreetly, within appropriate boundaries) are more likely to embrace sexuality with the healthy combination of respect, responsibility, and curiosity it deserves. By censoring our sexuality, curbing our desires, or renouncing them altogether, we hand our inhibitions intact to the next generation.
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
Every time I look at it, It looks back at me I love the sea, its waters are blue And the sky is too And the sea is very dear to me If when I grow up and the sea is still there Then Iβll open my eyes and smell the fresh air Because the sea is very dear to me The sea is very calm and thatβs why I like it there The sand is brand new and the wind blows in my hair And the sea is very dear to me.
β
β
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
β
Monogamy, it follows, is the sacred cow of the romantic ideal, for it is the marker of our specialness: I have been chosen and others renounced. When you turn your back on other loves, you confirm my uniqueness; when your hand or mind wanders, my importance is shattered. Conversely, if I no longer feel special, my own hands and mind tingle with curiosity. The disillusioned are prone to roam. Might someone else restore my significance
β
β
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
β
While it does, and should, feel good to be appreciated by another person, if you are dependent upon their appreciation to feel good, you will not be able to consistently feel good, because no other person has the ability, or a responsibility, to hold you as their singular, positive object of attention. Your Inner Being, however, the Source within you, always holds you, with no exceptions, as a constant object of appreciation. So if you will tune your thoughts and actions to that consistent Vibration of Well-Being flowing forth from your Inner Beingβyou will thrive under any and all conditions.
β
β
Esther Hicks (The Essential Law of Attraction Collection)
β
down Cambridge road through the bushes on Charlestown Common a scurry of red ants. Had he really seen them or imagined them? But all about him people were exclaiming, βLook, there they are!β Those red ants were British soldiers. To his left the last moment of sunset light was dying. The day had been amazingly warm, but with night a fresh breeze came up off the ocean. Lights began to glimmer in Charlestown and on warships. Seemingly there was nothing more to be seen from Beacon Hill. Silently people turned to go to their houses. βLook!β Johnny cried. You could see the flash of musket fire, too far away to be heard. Fireflies swarming, hardly more than that. β4β Getting
β
β
Esther Forbes (Johnny Tremain)
β
...this is the first time in the history of humankind where we are trying to experience sexuality in the long term, not because we want 14 children, for which we need to have even more because many of them won't make it, and not because it is exclusively a woman's marital duty. This is the first time that we want sex over time about pleasure and connection that is rooted in desire.
So what sustains desire, and why is it so difficult? And at the heart of sustaining desire in a committed relationship, I think is the reconciliation of two fundamental human needs...
So reconciling our need for security and our need for adventure into one relationship, or what we today like to call a passionate marriage, used to be a contradiction in terms. Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide:
Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one.
Give me comfort, give me edge.
Give me novelty, give me familiarity.
Give me predictability, give me surprise.
And we think it's a given, and toys and lingerie are going to save us with that.
β
β
Esther Perel