Essence Of Being A Mother Quotes

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Walk in kindness toward the Earth and every living being. Without kindness and compassion for all of Mother Nature’s creatures, there can be no true joy; no internal peace, no happiness. Happiness flows from caring for all sentient beings as if they were your own family, because in essence they are. We are all connected to each other and to the Earth.
Sylvia Dolson (Joy of Bears)
When I observe Gram, I see how fragile the notion of tradition can be. If I take my eyes off the way she kneads her Easter bread, or if I fail to study the way she sews a seam in suede, or if I lose the mental image I have of her when she negotiates a better deal with a button salesman, somehow, the very essence of her will be lost. When she goes, the responsibility for carrying on will fall to me. My mother says I’m the keeper of the flame, because I work here, and because I choose to live here. A flame is a very fragile thing, too, and there are times when I wonder if I’m the on who can keep it going.
Adriana Trigiani
It's a myth about motherhood, Olga felt, that the time in utero imbues mothers with a lifelong understanding of their children. Yes, they know their essences, this she didn't doubt, but mothers are still humans who eventually form their own ideas of both who their kids are and who they think they should be. Inevitably there were disparities.
Xóchitl González (Olga Dies Dreaming)
Her father had told her repeatedly that fear was the one force that drove all darkness in the world. Love, on the other hand, was the greatest source of power. Love strengthened the weakest, gave them a ferocity that fear never offered. Mothers defended their children. Partners, friends, good people stared down evil, becoming something to be feared. Because of love. Yet love wasn't the path Camilla had chosen. She'd succumbed to that same moral trap. Change was terrifying. The unknown always was. It was the very essence of its being unknown that made it so. The familiar was comforting even when it wasn't necessarily good.
Kerri Maniscalco (Throne of the Fallen (Prince of Sin, #1))
There were letters for her at the bureau-one from her brother, full of athletics and biology; one from her mother, delightful as only mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade...
E.M. Forster (A Room with a View)
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care." Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
Carl Sagan
This is the essence of Kingdom Authority. Fathers can have no authority in the home until they have surrendered to the headship of Jesus. Mothers cannot pray with authority for their children when they have no submissive spirit to their own husbands. Pastors cannot lead, teach, or preach with anointing and supernatural power without being fully broken and surrendered to the lordship of Christ, the authority of the Word, and the commands of the Spirit.
Adrian Rogers (The Incredible Power of Kingdom Authority: Getting an Upper Hand on the Underworld)
There is in all visible things an invisible fecundity, a dimmed light, a meek namelessness, a hidden wholeness. This mysterious Unity and Integrity is Wisdom, the Mother of all, Natura Naturans. There is in all things an inexhaustible sweetness and purity, a silence that is a fountain of action and of joy. It rises up in wordless gentleness and flows out to me from the unseen roots of all created being...
Thomas Merton
Mary, I wish to know who I am as a wife or girlfriend or mother or daughter. I wish to be the woman I am capable of being. I wish to have your purity and clarity and level of enlightenment. May the essence of my womanhood become more radiant than my external self.
Marianne Williamson (A Woman's Worth)
Being grateful to our parents is the foundation of being a decent person. We exist because of our parents. Our mothers suffered a great deal during pregnancy and while giving birth, much like the earth having to endure much ordeal as plants grow out of the ground.
Shih Cheng Yen (The Essence of Filial Piety: The First Lesson to a Happy Life)
The Party's all-around intrusion into people's lives was the very point of the process known as 'thought reform." Mao wanted not only external discipline, but the total subjection of all thoughts, large or small. Every week a meeting for 'thought examination' was held for those 'in the revolution." Everyone had both to criticize themselves for incorrect thoughts and be subjected to the criticism of others.The meetings tended to be dominated by self-righteous and petty-minded people, who used them to vent their envy and frustration; people of peasant origin used them to attack those from 'bourgeois' backgrounds. The idea was that people should be reformed to be more like peasants, because the Communist revolution was in essence a peasant revolution. This process appealed to the guilt feelings of the educated; they had been living better than the peasants, and self-criticism tapped into this.Meetings were an important means of Communist control. They left people no free time, and eliminated the private sphere. The pettiness which dominated them was justified on the grounds that prying into personal details was a way of ensuring thorough soul-cleansing. In fact, pettiness was a fundamental characteristic of a revolution in which intrusiveness and ignorance were celebrated, and envy was incorporated into the system of control. My mother's cell grilled her week after week, month after month, forcing her to produce endless self-criticisms.She had to consent to this agonizing process. Life for a revolutionary was meaningless if they were rejected by the Party. It was like excommunication for a Catholic. Besides, it was standard procedure. My father had gone through it and had accepted it as part of 'joining the revolution." In fact, he was still going through it. The Party had never hidden the fact that it was a painful process. He told my mother her anguish was normal.At the end of all this, my mother's two comrades voted against full Party membership for her. She fell into a deep depression. She had been devoted to the revolution, and could not accept the idea that it did not want her; it was particularly galling to think she might not get in for completely petty and irrelevant reasons, decided by two people whose way of thinking seemed light years away from what she had conceived the Party's ideology to be. She was being kept out of a progressive organization by backward people, and yet the revolution seemed to be telling her that it was she who was in the wrong. At the back of her mind was another, more practical point which she did not even spell out to herself: it was vital to get into the Party, because if she failed she would be stigmatized and ostracized.
Jung Chang (Wild Swans: Three Daughters of China)
Authority does not have to be a person or institution which says: you have to do this, or you are not allowed to do that. While this kind of authority may be called external authority, authority can appear as internal authority, under the name of duty, conscience, or super-ego. As a matter of fact, the development of modern thinking from Protestantism to Kant's philosophy, can be characterized as the substitution of internalized authority for an external one. With the political victories of the rising middle class, external authority lost prestige and man's own conscience assumed the place which external authority once had held. This change appeared to many as the victory of freedom. To submit to orders from the outside (at least in spiritual matters) appeared to be unworthy of a free man; but the conquest of his natural inclinations, and the establishment of the domination of one part of the individual, his nature, by another, his reason, will or conscience, seemed to be the very essence of freedom. Analysis shows that conscience rules with a harshness as great as external authorities, and furthermore that frequently the contents of the orders issued by man's conscience are ultimately not governed by demands of the individual self but by social demands which have assumed the dignity of ethical norms. The rulership of conscience can be even harsher than that of external authorities, since the individual feels its orders to be his own; how can he rebel against himself? In recent decades "conscience" has lost much of its significance. It seems as though neither external nor internal authorities play any prominent role in the individual's life. Everybody is completely "free", if only he does not interfere with other people's legitimate claims. But what we find is rather that instead of disappearing, authority has made itself invisible. Instead of overt authority, "anonymous" authority reigns.It is disguised as common sense, science, psychic health, normality, public opinion. It does not demand anything except the self-evident. It seems to use no pressure but only mild persuasion. Whether a mother says to her daughter, "I know you will not like to go out with that boy", or an advertisement suggests, "Smoke this brand of cigarettes--you will like their coolness", it is the same atmosphere of subtle suggestion which actually pervades our whole social life. Anonymous authority is more effective than overt authority, since one never suspects that there is any order which one is expected to follow. In external authority it is clear that there is an order and who gives it; one can fight against the authority, and in this fight personal independence and moral courage can develop.But whereas in internalized authority the command, though an internal one, remains visible, in anonymous authority both command and commander have become invisible.It is like being fired at by an invisible enemy. There is nobody and nothing to fight back against.
Erich Fromm (Escape from Freedom)
I’ve always had a talent for recognizing when I am in a moment worth being nostalgic for. When I was little, my mother would come home from a party, her hair cool from the wind, her perfume almost gone, and her lips a faded red, and she would coo at me: “You’re still awake! Hiiii.” And I’d think how beautiful she was and how I always wanted to remember her stepping out of the elevator in her pea-green wool coat, thirty-nine years old, just like that. Sixteen, lying on the dock at night with my camp boyfriend, taking tiny sips from a bottle of vodka. But school was so essentially repulsive to me, so characterized by a desire to be done. That’s part of why it hurts so bad to see it again. I didn’t drink in the essence of the classroom. I didn’t take legible notes or dance all night. I thought I would marry my boyfriend and grow old and sick of him. I thought I would keep my friends, and we’d make different, new memories. None of that happened. Better things happened. Then why am I so sad?
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
Flowers are conscious, intelligent forces. They have been given to us for our happiness and our healing. We can hasten our own evolution by through employing the tools offered to us by a conscious, caring Mother Nature—flowers and their essences. Flower essences allow us to see into the soul of things—into ourselves, our world, and all living beings. Flower essences are a response to the call of an ever-awakening humanity to minister to its spiritual needs. Mother Nature’s pharmacy has long been accessible to those who have pried open her botanical medicine chest. And to those who wish to learn her language—the language of flowers—she bestows her most wonderful secrets of perfect well-being. In keeping with herbalism’s ancient tradition of communing with the plant kingdom, flower essences have evolved as a natural expression of healing—in the simplest ways, through the simplest means. (The) principle of magnetism is strongly operative in flower essences that vibrationally align us with the positive qualities that we seek to uncover within ourselves. How, then, do flower essences work? Very well indeed.
Lila Devi (The Essential Flower Essence Handbook: For Perfect Well-being)
unto me. Never have I felt such pain, neither can sickness cause more woe than this. I am a prince, the son of a prince, the sacred essence which hath proceeded from God. I am the great one, the son of the great one, and my father planned my name; I have multitudes of names and multitudes of forms, and my being is in every god. I have been proclaimed by the heralds Temu and Horus, and my father and my mother uttered my name; but it hath been hidden within me by him that begat me, who would not that the words of power of any seer should have dominion over me. I came forth to look upon that which I had made, I was passing through the world which I had created, when lo! something stung me, but what I know not. Is it fire? Is it water? My heart is on fire, my flesh quaketh, and trembling hath seized all my limbs. Let there be brought unto me my children, the gods, who possess the words of power and magical speech, and mouths which know how to utter them, and also powers which reach even unto the heavens.’ Then the children of every god came unto him uttering cries of grief. And Isis also came, bringing with her her words of magical power, and her mouth was full of the breath of life; for her talismans vanquish the pains of
E.A. Wallis Budge (Egyptian Magic)
Obviously the most enduring way to make this commitment is through marriage. Yet because sexual liberals deny the differences between the sexes, their explanations of why there are marriages and why marriage is needed and desired ignore the central truth of marriage: that it is built on sex roles. Pressed to explain the institution, they respond vaguely that human beings want "structure" or desire "intimacy." But however desirable in marriage, these values are not essential causes or explanations of it. In many cultures, the wife and husband share very few one-to-one intimacies. Ties with others of the same sex--or even the opposite sex--often offer deeper companionship. The most intimate connections are between mothers and their children. In all societies, male groups provide men with some of their most emotionally gratifying associations. Indeed, intimacy can deter or undermine wedlock. In the kibbutz, for example, where unrelated boys and girls are brought up together and achieve a profound degree of companionate feeling, they never marry members of the same child-rearing group. In the many cultures where marriages are arranged, the desire for intimacy is subversive of marriage. Similarly, man's "innate need for structure" can be satisfied in hundreds of forms of organization. The need for structure may explain all of them or none of them, but it does not tell us why, of all possible arrangements, marriage is the one most prevalent. It does not tell us why, in most societies, marriage alone is consecrated in a religious ceremony and entails a permanent commitment. As most anthropologists see it, however, the reason is simple. The very essence of marriage, Bronislaw Malinowski wrote, is not structure and intimacy; it is "parenthood and above all maternity." The male role in marriage, as Margaret Mead maintained, "in every known human society, is to provide for women and children." In order to marry, in fact, Malinowski says that almost every human society first requires the man "to prove his capacity to maintain the woman." Marriage is not simply a ratification of an existing love. It is the conversion of that love into a biological and social continuity. . . . Regardless of what reasons particular couples may give for getting married, the deeper evolutionary and sexual propensities explain the persistence of the institution. All sorts of superficial variations--from homosexual marriage to companionate partnership--may be played on the primal themes of human life. But the themes remain. The natural fulfillment of love is a child; the fantasies and projects of the childless couple may well be considered as surrogate children.
George Gilder (Men and Marriage)
When the nurse had closed the door the princess felt imprisoned, not only in the room, but in her own body. In her state of foreboding she reached out for the glass of barley water Sister Badgery had removed, and tried to find comfort in sips of that mawkish stuff. She could see herself in one of the looking-glasses with which her blind mother still kept herself surrounded. If the princess had not been so terrified of what the next moment could hold, she might have noticed that her own eyes were deep and lustrous: beautiful in fact; but in the circumstances her mind could only flutter through imagined eventualities. Actually Mrs Hunter was enjoying the luxury of being alone and perfectly silent with somebody she loved. (They did love each other, didn’t they? You could never be sure about other people; sometimes you found they had hated you all their lives.) This state of perfect stillness was not unlike what she enjoyed in her relationship with Sister de Santis, though in essence it was different; with the night nurse she was frequently united in a worship of something too vast and selfless to describe even if your mind had been completely compos whatever it is. This other state of unity in perfect stillness, which she hoped she was beginning to enjoy with Dorothy, she had experienced finally with Alfred when she returned to ‘Kudjeri’ to nurse him in his last illness. There were moments when their minds were folded into each other without any trace of the cross-hatching of wilfulness or desire to possess.
Patrick White (The Eye of the Storm)
These associations—Cavafy, my mother polishing the silver, a missionary aunt who fled the familiar turf of Tennessee for the otherness of Korea (presumably with the intent of teaching them something, hopefully with the result of being taught), my Mamaw’s fragrant old bureau with its smell of wax and polish—all of them would be brought to bear upon my painting of peppermints, but none of them would be visible; there’s no reason the viewer would know any of this. I could render only what can be seen—color and form, though the painter’s splendid artifice reveals to us texture, too, and rich associations of scent and flavor, all arriving through the gates of the eyes. And yet there is something more here, and that something is what nags at me to write this book, what tugs at my sleeve and my sleep. Why, if all that is personal has fallen away, should these pictures matter so? Why should they be alight with a feeling of intimacy? Interiority makes itself visible. In my imaginary still life, the “context and commentary” of my experience would be gone, but something would remain, something distilled and vibrant in the quality of attention itself. Is that what soul or spirit is, then, the outward-flying attention, the gaze that binds us to the world? Coorte’s asparagus, his gooseberries and shells, distill this quality down to its quietest, most startling essence: the eye suffuses what it sees with I. Not “I” in the sense of my story, the particulars of my life, the way my father tended his old asparagus beds each spring, the way my beloved loved the forms and colors of shells. But “I” as the quickest, subtlest thing we are: a moment of attention, an intimate engagement. Is that the lesson, then, that ultimately I becomes an eye? What is left of Adriaen Coorte but this? Isn’t that enough? […] That, I think, is the deepest secret of these paintings, finally, although it seems just barely in the realm of the sayable, this feeling that beneath the attachments and appurtenances, the furnishings of selfhood, what we are is attention, a quick physical presence in the world, a bright point of consciousness in a wide field from which we are not really separate. That, in a field of light, we are intensifications of that light.
Mark Doty (Still Life with Oysters and Lemon: On Objects and Intimacy)
While Mum was a busy working mother, helping my father in his constituency duties and beyond, Lara became my surrogate mum. She fed me almost every supper I ate--from when I was a baby up to about five years old. She changed my nappies, she taught me to speak, then to walk (which, with so much attention from her, of course happened ridiculously early). She taught me how to get dressed and to brush my teeth. In essence, she got me to do all the things that either she had been too scared to do herself or that just simply intrigued her, such as eating raw bacon or riding a tricycle down a steep hill with no brakes. I was the best rag doll of a baby brother that she could have ever dreamt of. It is why we have always been so close. To her, I am still her little baby brother. And I love her for that. But--and this is the big but--growing up with Lara, there was never a moment’s peace. Even from day one, as a newborn babe in the hospital’s maternity ward, I was paraded around, shown off to anyone and everyone--I was my sister’s new “toy.” And it never stopped. It makes me smile now, but I am sure it is why in later life I craved the peace and solitude that mountains and the sea bring. I didn’t want to perform for anyone, I just wanted space to grow and find myself among all the madness. It took a while to understand where this love of the wild came from, but in truth it probably developed from the intimacy found with my father on the shores of Northern Ireland and the will to escape a loving but bossy elder sister. (God bless her!) I can joke about this nowadays with Lara, and through it all she still remains my closest ally and friend; but she is always the extrovert, wishing she could be on the stage or on the chat show couch, where I tend just to long for quiet times with my friends and family. In short, Lara would be much better at being famous than me. She sums it up well, I think: Until Bear was born I hated being the only child--I complained to Mum and Dad that I was lonely. It felt weird not having a brother or sister when all my friends had them. Bear’s arrival was so exciting (once I’d got over the disappointment of him being a boy, because I’d always wanted a sister!). But the moment I set eyes on him, crying his eyes out in his crib, I thought: That’s my baby. I’m going to look after him. I picked him up, he stopped crying, and from then until he got too big, I dragged him around everywhere.
Bear Grylls (Mud, Sweat and Tears)
The "kindness of giving you a body" means that, at first, our bodies are not fully matured nor are our pleasant complexions. We started in the mother's womb as just an oval spot and oblong lump, and from there we developed through the vital essence of the mother's blood and flesh. We grew through the vital essence of her food while she endured embarrassment, pain, and suffering. After we were born, from a small worm until we were fully grown, she developed our body. The "kindness of undergoing hardships for you" means that, at first, we were not wearing any clothes with all their ornamentation, did not possess any wealth, and did not bring any provisions. We just came with a mouth and stomach-empty-handed, without any material things. When we came to this place where we knew no one, she gave food when we were hungry, she gave drink when we were thirsty, she gave clothes when we were cold, she gave wealth when we had nothing. Also, she did not just give us things she did not need. Rather, she has given us what she did not dare use for herself, things she did not dare eat, drink, or wear for herself, things she did not dare employ for the happiness of this life, things she did not dare use for her next life's wealth. In brief, without looking for happiness in this life or next, she nurtured her child. She did not obtain these things easily or with pleasure. She collected them by creating various negative karmas, by sufferings and hardships, and gave them all to the child. For example, creating negative karma: she fed the child through various nonvirtuous actions like fishing, butchering, and so forth. For example, suffering: to give to the child, she accumulated wealth by working at a business or farm and so forth, wearing frost for shoes, wearing stars as a hat, riding on the horse of her legs, her hem like a whip, giving her legs to the dogs and her face to the people. Furthermore, she loved the unknown one much more than her father, mother, and teachers who were very kind to her. She watched the child with eyes of love, and kept it warm in soft cloth. She dandled the child in her ten fingers, and lifted it up in the sky. She called to it in a loving, pleasant voice, saying, "Joyful one, you who delight Mommy. Lu, lu, you happy one," and so forth. The "kindness of giving you life" means that, at first, we were not capable of eating with our mouth and hands nor were we capable of enduring all the different hardships. We were like feeble insects without strength; we were just silly and could not think anything. Again, without rejection, the mother served us, put us on her lap, protected us from fire and water, held us away from precipices, dispelled all harmful things, and performed rituals. Out of fear for our death or fear for our health, she did divinations and consulted astrologers. Through many ritual ceremonies and many other different things, in inconceivable ways, she protected the life of her child. The "kindness of showing you the world" means that, at first, we did not come here knowing various things, seeing broadly, and being talented. We could only cry and move our legs and hands. Other than that, we knew nothing. The mother taught us how to eat when we did not know how. She taught us how to wear clothes when we did not know how. She taught us how to walk when we did not know how. She taught us how to talk when we did not know how to say "Mama," or "Hi," and so forth. She taught us various skills, creative arts, and so forth. She tried to make us equal when we were unequal, and tried to make the uneven even for us. Not only have we had a mother in this lifetime, but from beginningless samsara she served as a mother countless times.
Gampopa (The Jewel Ornament of Liberation: The Wish-Fulfilling Gem of the Noble Teachings)
According to folk belief that is reflected in the stories and poems, a being who is petrified man and he can revive. In fairy tales, the blind destructiveness of demonic beings can, through humanization psychological demons, transformed into affection and love of the water and freeing petrified beings. In the fairy tale " The Three Sisters " Mezei de-stone petrified people when the hero , which she liked it , obtain them free . In the second story , the hero finding fairy , be petrified to the knee , but since Fairy wish to marry him , she kissed him and freed . When entering a demonic time and space hero can be saved if it behaves in a manner that protects it from the effects of demonic forces . And the tales of fortune Council hero to not turn around and near the terrifying challenges that will find him in the demon area . These recommendations can be tracked ancient prohibited acts in magical behavior . In one short story Penina ( evil mother in law ) , an old man , with demonic qualities , sheds , first of two brothers and their sister who then asks them , iron Balot the place where it should be zero as chorus, which sings wood and green water . When the ball hits the ground resulting clamor and tumult of a thousand voices, but no one sees - the brothers turned , despite warnings that it should not , and was petrified . The old man has contradictory properties assistants and demons . Warning of an old man in a related one variant is more developed - the old man tells the hero to be the place where the ball falls to the reputation of stones and hear thousands of voices around him to cry Get him, go kill him, swang with his sword , stick go ! . The young man did not listen to warnings that reveals the danger : the body does not stones , during the site heroes - like you, and was petrified . The initiation rite in which the suffering of a binding part of the ritual of testing allows the understanding of the magical essence of the prohibition looking back . MAGICAL logic respectful direction of movement is particularly strong in relation to the conduct of the world of demons and the dead . From hero - boys are required to be deaf to the daunting threats of death and temporarily overcome evil by not allowing him to touch his terrible content . The temptation in the case of the two brothers shows failed , while the third attempt brothers usually releases the youngest brother or sister . In fairy tales elements of a rite of passage blended with elements of Remembrance lapot . Silence is one way of preventing the evil demon in a series of ritual acts , thoughts Penina Mezei . Violation of the prohibition of speech allows the communication of man with a demon , and abolishes protection from him . In fairy tales , this ritual obligations lost connection with specific rituals and turned into a motive of testing . The duration of the ban is extended in the spirit of poetic genre in years . Dvanadestorica brothers , to twelve for saving haunted girls , silent for almost seven years, but eleven does not take an oath and petrified ; twelfth brother died three times , defeat the dragon , throw an egg at a crystal mountain , and save the brothers ( Penina Mezei : 115 ) . Petrify in fairy tales is not necessarily caused by fear , or impatience uneducated hero . Self-sacrificing hero resolves accident of his friend's seemingly irrational moves, but he knows that he will be petrified if it is to warn them in advance , he avoids talking . As his friend persuaded him to explain his actions , he is petrified ( Penina Mezei : 129 ) . Petrified friends can save only the blood of a child , and his " borrower " Strikes sacrifice their own child and revives his rescuers . A child is a sacrificial object that provides its innocence and purity of the sacrificial gift of power that allows the return of the forces of life.
Penina Mezei (Penina Mezei West Bank Fairy Tales)
Michael takes me from behind, half asleep, fierce and close. He is taking me impersonally, and so I do not respond as I do when he is loving Anna. And besides with one half of my mind I am thinking how, if I hear Janet’s soft feet outside, I must be up and across the room to stop her coming in. She never comes in until seven; that is the rule; I do not expect her to come in; yet I have to be alert. While Michael grips me and fills me the noises next door continue, and I know he hears them too, and that part of the pleasure, for him, is to take me in hazard; that Janet, the little girl, the eight-year-old, represents for him partly women—other women, whom he betrays to sleep with me; and partly, child; the essence of child, against whom he is asserting his rights to live. He never speaks of his own children without a small, half-affectionate, half-aggressive laugh—his heirs, and his assassins. My child, a few feet away through the wall, he will not allow to cheat him of his freedom. When we are finished, he says: “And now, Anna, I suppose you are going to desert me for Janet?” And he sounds like a child who feels himself slighted for a younger brother or sister. I laugh and kiss him; although the resentment is suddenly so strong I clench my teeth against it. I control it, as always, by thinking: If I were a man I’d be the same. The control and discipline of being a mother came so hard to me, that I can’t delude myself that if I’d been a man, and not forced into self-control, I’d have been any different. And yet for the few moments it takes for me to put on the wrap to go into Janet, the resentment is like a raging poison. Before I go in to Janet I wash myself quickly between the legs so that the smell of sex may not disturb her, even though she doesn’t yet know what it is. I like the smell, and hate to wash it off so quickly; and the fact that I must adds to my bad temper.
Doris Lessing (The Golden Notebook)
Some sources say that Imbolc means “in the belly of the Mother.” In either case of its meaning, this celebration is in direct relation to, and an extension of, the Winter Solstice – when the Birth of all is celebrated. Imbolc may be a dwelling upon the “originating power,” and that it is in us: a celebration of each being’s particular participation in this power that permeates the Universe, and is present in the condition of every moment. This Seasonal Moment focuses on the Urge to Be, the One/Energy deeply resolute about Being. She is in that way – and Self-centred. In the ancient Celtic tradition Great Goddess Bri wilful gid has been identified with the role of tending the Flame of Being, and with the Flame itself. Brigid has been described as: “… Great Moon Mother, patroness (sic … why not “matron”) of poetry and of all ‘making’ and of the arts of healing.” Brigid’s name means “the Great or Sublime One,” from the root brig, “power, strength, vigor, force, efficiency, substance, essence, and meaning.” She is poet, physician/healer, smith-artisan: qualities that resonate with the virgin-mother-crone but are not chronologically or biologically bound – thus are clearly ever present Creative Dynamic. Brigid’s priestesses in Kildare tended a flame, which was extinguished by Papal edict in 1100 C.E., and was re-lit in 1998 C.E.. In the Christian era, these Early Spring/Imbolc celebrations of the Virgin quality, the New Young One - became “Candlemas,” a time for purifying the “polluted” mother – forty days after Solstice birthing. Many nuns took their vows of celibacy at this time, invoking the asexual virgin bride. This is in contrast to its original meaning, and a great example of what happened to this Earth-based tradition in the period of colonization of indigenous peoples.
Glenys Livingstone (A Poiesis of the Creative Cosmos: Celebrating Her)
The essence of things is not rationally knowable, and reality cannot be reduced to mechanistic frameworks. When realizing this, we can finally start to look for the essence of life where it truly can be found: in that which always escapes rationalization and mechanization, in that which dissapears from a conversation when you digitalize it, in the difference between the mother's womb and an artificial plastic womb, in the difference between the heat of an electric heater and that of a wood-burning stove, and so on.
Mattias Desmet (The Psychology of Totalitarianism)
However this may be, the preceding explanation has at least made it clear that the Way has two opposite aspects, one positive and the other negative. The negative side is comparable with the metaphysical Darkness of Ibn Arabi. In the world-view of the latter too, the Absolute (haqq) in itself, i.e., in its absoluteness, is absolutely invisible, inaudible and ungraspable as any 'form' whatsoever. it is an absolute Transcendent, and as such it is 'Nothing' in relation to human cognition. But, as we remember, the Absolute in the metaphysical intuition of the Arab sage is 'Nothing', not because it is 'nothing' in the purely negative sense, but rather because it is too fully existent-rather, it is Existence itself. Likewise, it is Darkness not because it is deprived of light, but rather because it is too full of light, too luminous-rather, it is the Light itself. Exactly the same holds true of the Way as Lao-tzu intuits it. The Way is not dark, but it seems dark because it is too luminous and bright. He says: A 'way' which is (too) bright seems dark. The Way in itself, that is, from the point of view of the Way itself, is bright. But since 'it is too profound to be known by man' it is, from the point of view of man, dark. The Way is 'Nothing' in this sense. This negative aspect, however, does not exhaust the reality of the Absolute. If it did, there would be no world, no creatures. In the thought of Ibn Arabi, the Absolute by its own unfathomable Will comes down from the stage of abysmal Darkness or 'nothingness' to that of self-manifestation. The Absolute, although it is in itself a Mystery having nothing to do with any other thing, and a completely self-sufficient Reality-has another, positive aspect in which it is turned toward the world. And in this positive aspect, the Absolute contains all things in the form of Names and Attributes. In the same way, the Way of Lao-Tzu too, although it is in itself Something 'nameless', a Darkness which transcends all things, is the 'Named' and the 'Mother of the ten thousand things'. Far from being Non-Being, it is, in this respect, Being in the fullest sense. The Nameless is the beginning of Heaven and Earth. The Named is the Mother of ten thousand things. This passage can be translated as follows: The term 'Non-Being' could be applied to the beginning of Heaven and Earth. The term 'Being' could be applied to the Mother of ten thousand things. Whichever translation we may choose, the result comes to exactly the same thing. For in the metaphysical system of Lao-Tzu, the 'Nameless' is, as we have already seen, synonymous with 'Non-Being', while the 'Named' is the same as 'Being'. What is more important to notice is that metaphysically the Nameless or Non-Being represents a higher - or more fundamental - stage than the Named or Being within the structure of the Absolute itself. Just as in Ibn 'Arabi' even the highest 'self-manifestation' (tajalli) is a stage lower than the absolute Essence (dhat) of the Absolute, so in Lao-Tzu Being represents a secondary metaphysical stage with regard to the absoluteness of the Absolute. The ten thousand things under Heaven are born out of Being (yu), and Being is born out of Non-Being (wu).
Toshihiko Izutsu (Sufism and Taoism: A Comparative Study of Key Philosophical Concepts)
It’s a myth about motherhood, Olga felt, that the time in utero imbues mothers with a lifelong understanding of their children. Yes, they know their essences, this she didn’t doubt, but mothers are still humans who eventually form their own ideas of both who their kids are and who they think they should be.
Xóchitl González (Olga Dies Dreaming)
Within the cosmic dance of existence, we are not mere spectators; we are celestial avatars, each carrying a fragment of stardust. Our purpose lies not in conformity, but in the audacity to embrace our unique essence—to ignite galaxies within and illuminate the path for others. As we journey, let us remember the words of the Psalmist: For you created my inmost being; you knit me together in my mother's womb. I praise you because I am fearfully and wonderfully made (Psalm 139:13-14, NIV). Our divine purpose transcends earthly limitations; it is etched in the very fabric of our souls. So, let us walk this odyssey with faith, knowing that the Creator's brushstrokes adorn our existence, and our avatars carry a sacred spark.
Ess-Jee Rautenbach (The Avatar Effect: Discovering Your True Self and Fulfilling Your Destiny)
Morning, Vex. Forget something?” She almost asked him what until she saw the way his gaze smoldered and caressed her almost naked body. Oops. Had she jumped out of bed in only her panties? Nudity wasn’t something that Meena usually noted or cared about. Mother, on the other hand, was always yelling at her to put clothes on. She and Leo had a lot in common. “You should get dressed.” “Why? I’m perfectly comfortable.” So comfortable she brought her shoulders back and made sure to give her boobs a little jiggle. He noticed. He stared. Oh my. Was it getting hot in here? Funny how the heat in her body, though, didn’t stop her nipples from hardening as if struck by a cold breeze. Except, in this case, it was more of an ardent perusal. Did Leo imagine his mouth latched onto a sensitive peak just like she was? “While I am sure you are comfortable, if we’re to go out, then in order to avoid a possible arrest for indecent exposure, you might want to cover your assets.” “We’re going out? Together?” He nodded. “Where?” “It’s a surprise.” She clapped her hands and squealed, “Yay,” only to frown a second later. Leo was acting awfully strange. “Wait a second, this isn’t one of those things where you blindfold me and tell me you’ve got a great surprise, only to dump me on a twelve-hour train to Kansas, is it? Or a plane to Newfoundland, Canada?” His lips twitched. “No. I promise we have a destination, and I am going with you.” “And will I be back here tonight?” “Perhaps. Unless you choose to sleep elsewhere.” Those enigmatic words weren’t his last. “Be downstairs and ready in twenty minutes, Vex. I really want you to come.” Did he purr that last word? Was that even possible? Could he tease her any harder? Please. “How should I dress? Fancy, casual, slutty, or prim and proper?” She eyed him in his khaki shorts and collared short-sleeved shirt. Casual with a hint of elegance. He looked ready for a day at a gentleman’s golf club. And she wanted to be his corrupting caddy, who ruined his shot and dragged him in the woods to show him her version of a tee off. “Your clothes won’t matter. You won’t wear them for long.” Good thing she was close to a wall. Her knees weakened to the point that she almost buckled to the floor. Leaning against it, she wondered if he purposely teased her. Did her serious Pookie even realize how his words could be taken? He approached her until he stood right in front of her. Close enough she could have reached out and hugged him. She didn’t, but only because he drew her close. His essence surrounded her. His hands splayed over the flesh of her lower back, branding her. She leaned into him, totally relying on him to hold her up on wobbly legs. “What about breakfast?” she asked. “I’ve got pastries and coffee in my truck. Lots of yummy treats with lickable icing.” Staring at his mouth, she knew of only one treat she wanted to lick. Alas, she didn’t get a chance. With a slap on her ass, he walked off toward the condo door. Leo. Slapped. My. Ass. She gaped at his retreating broad back. “Don’t make me wait. I’d hate to start without you.” With a wink— yes, a real freaking wink— Leo shut the door behind him. He was waiting for her. Why the hell was she standing there? She sprinted for the shower.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
...she could smell her mother's skin, her lotion, her perfume-- her essence. She missed her so much. She clawed at her pillow, wanting to cry, but tears never came, just a swirling riptide of feeling--anger, abandonment, the fear of being alone, and the weight of the emotional millstone still tied around her neck, submerging her further into the murky depths of stinging, biting solitude. She wished she could wail all night. Instead she curled up in the darkness of her bedroom, listening to her racing heartbeat, which eventually slowed, like the ticking of a clock unwound.
Jamie Ford (Songs of Willow Frost)
We have been conditioned by today's advertising to respond instantly to the word "housewife" with the word "drudgery". ... A creative Counterpart is more than just a helper. She is a woman who having chosen (or have found herself in) the vocation of wife and mother, decides to learn and grow in all the areas this role and to work as hard as if she were aiming for the presidency of corporation. Functioning as a professional in all areas of marriage is the essence of being a creative counterpart.
Linda Dillow (Creative Counterpart : Becoming the Woman, Wife, and Mother You Have Longed To Be)
The jealousy of Uranus and the battles of her offspring overshadowed Gaia's essence of being Mother Earth. Sadly, it reflects the position we find ourselves in today where the beauty and bounty of the Earth is neglected in favour of bickering, fighting, and greed. Without Mother Earth none of us can exist so if we continue neglecting the Earth, we will suffer further.
Lyn Thurman (Goddess Rising)
I shall keep my eyes fixed on the two artistic deities of the Greeks, Apollo and Dionysus, and recognize in them the living and conspicuous representatives of two worlds of art differing in their intrinsic essence and in their highest aims. I see Apollo as the transfiguring genius of the principium individuationis through which alone the redemption in illusion is truly to be obtained; while by the mystical triumphant cry of Dionysus the spell of individuation is broken, and the way lies open to the Mothers of Being,1 to the innermost heart of things. This extraordinary contrast, which stretches like a yawning gulf between plastic art as the Apollinian, and music as the Dionysian art,2 has revealed itself to only one of the great thinkers, to such an extent that, even without this clue to the symbolism of the Hellenic divinities, he conceded to music a character and an origin different from all the other arts, because, unlike them, it is not a copy of the phenomenon, but an immediate copy of the will itself, and therefore complements everything physical in the world and every phenomenon by representing what is metaphysical, the thing in itself.
Friedrich Nietzsche
Another aspect of our multidimensional selves and communication is with the Earth and Earth energies. We each have a unique relationship with the Earth Mother whose planet we live on. We each communicate multidimensionally with nature. We communicate subtly and sometimes not so subtly with nature spirits, the Devas or Angels of plants, with tree spirits and the elementals. The elementals I speak of here are the Gnomes, Sylphs, Salamanders, and Undines. We also have the ability to communicate directly with the four elements: fire, air, earth, and water. This is how high level initiates and Masters have been able to control the weather. Every aspect of nature, in truth, contains a spiritual essence or being that embodies that particular form. We also have the ability to multidimensionally communicate with crystals and gemstones, and the elemental beings that create the form and physical substance itself. We also each can communicate multidimensionally with animals. There are many on this plane that can talk to animals and they will telepathically talk back in words and images. Many of us have multidimensional communication with pets that have passed over to the other side and are functioning as spirit guides and helpers. There are also spirit animals such as the eagle, jaguar, owl, bear, lion, and tiger, which come as guides and helpers as well on a physical and/or etheric level.
Joshua D. Stone (The Golden Book of Melchizedek: How to Become an Integrated Christ/Buddha in This Lifetime Volume 2)
In essence, mother and daughter are so busy making their own case, they can’t get inside the other’s perspective.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Inasmuch as God is the father, I am the child. I have not emerged fully from the autistic wish for omniscience and omnipotence. I have not yet acquired the objectivity to realize my limitations as a human being, my ignorance, my helplessness. I still claim, like a child, that there must be a father who rescues me, who watches me, who punishes me, a father who likes me when I am obedient, who is flattered by my praise and angry because of my disobedience. Quite obviously, the majority of people have, in their personal development, not overcome this infantile stage, and hence the belief in God to most people is the belief in a helping father -a childish illusion. In spite of the fact that this concept of religion has been overcome by some of the great teachers of the human race, and by a minority of men, it is still the dominant form of religion. Inasmuch as this is so, the criticism of the idea of God, as it was expressed by Freud, is quite correct. The error, however, was in the fact that he ignored the other aspect of monotheistic religion, and its true kernel, the logic of which leads exactly to the negation of this concept of God. The truly religious person, if he follows the essence of the monotheistic idea, does not pray for anything, does not expect anything from God; he does not love God as a child loves his father or his mother; he has acquired the humility of sensing his limitations, to the degree of knowing that he knows nothing about God. God becomes to him a symbol in which man, at an earlier stage of his evolution, has expressed the totality of that which man is striving for, the realm of the spiritual world, of love, truth and justice. He has faith in the principles which 'God' represents; he thinks truth, lives love and justice, and considers all of his life only valuable inasmuch as it gives him the chance to arrive at an ever fuller unfolding of his human powers -as the only reality that matters, as the only object of 'ultimate concern'; and, eventually, he does not speak about God -nor even mention his name, To love God, if he were going to use this word, would mean, then, to long for the attainment of the full capacity to love, for the realization of that which 'God' stands for in oneself. From this point of view, the logical consequence of monotheistic thought is the negation of all 'theo-logy', of all 'knowledge about God'.
Erich Fromm (The Art of Loving)
Since the evolution of the human race shifted from a mother-centered to a father-centered structure of society, as well as of religion, we can trace the development of a maturing love mainly in the development of patriarchal religion. In the beginning of this development we find a despotic, jealous God, who considers man, whom he created, as his property, and is entitled to do with him whatever he pleases. This is the phase of religion in which God drives man out of paradise, lest he eat from the tree of knowledge and thus could become God himself; this is the phase in which God decides to destroy the human race by the flood, because none of them pleases him, with the exception of the favorite son, Noah; this is the phase in which God demands from Abraham that he kill his only, his beloved son, Isaac, to prove his love for God by the act of ultimate obedience. But simultaneously a new phase begins; God makes a covenant with Noah, in which he promises never to destroy the human race again, a covenant by which he is bound himself. Not only is he bound by his promises, he is also bound by his own principle, that of justice, and on this basis God must yield to Abraham's demand to spare Sodom if there are at least ten just men. But the development goes further than transforming God from the figure of a despotic tribal chief into a loving father, into a father who himself is bound by the principles which he has postulated; it goes in the direction of transforming God from the figure of a father into a symbol of his principles, those of justice, truth and love. God is truth, God is justice. In this development God ceases to be a person, a man, a father; he becomes the symbol of the principle of unity behind the manifoldness of phenomena, of the vision of the flower which will grow from the spiritual seed within man. God cannot have a name. A name always denotes a thing, or a person, something finite. How can God have a name, if he is not a person, not a thing? The most striking incident of this change lies in the Biblical story of God's revelation to Moses. When Moses tells him that the Hebrews will not believe that God has sent him, unless he can tell them God's name (how could idol worshipers comprehend a nameless God, since the very essence of an idol is to have a name?), God makes a concession. He tells Moses that his name is 'I am becoming that which I am becoming.' 'I-am-becoming is my name.' The 'I-am-becoming' means that God is not finite, not a person, not a 'being.' The most adequate translation of the sentence would be: tell them that 'my name is nameless'. The prohibition to make any image of God, to pronounce his name in vain, eventually to pronounce his name at all, aims at the same goal, that of freeing man from the idea that God is a father, that he is a person. In the subsequent theological development, the idea is carried further in the principle that one must not even give God any positive attribute. To say of God that he is wise, strong, good implies again that he is a person; the most I can do is to say what God is not, to state negative attributes, to postulate that he is not limited, not unkind, not unjust. The more I know what God is not, the more knowledge I have of God. Following the maturing idea of monotheism in its further consequences can lead only to one conclusion: not to mention God's name at all, not to speak about God. Then God becomes what he potentially is in monotheistic theology, the nameless One, an inexpressible stammer, referring to the unity underlying the phenomenal universe, the ground of all existence; God becomes truth, love, justice. God is inas much as I am human.
Erich Fromm (The Art of Loving)
Since the evolution of the human race shifted from a mother-centered to a father-centered structure of society, as well as of religion, we can trace the development of a maturing love mainly in the development of patriarchal religion. In the beginning of this development we find a despotic, jealous God, who considers man, whom he created, as his property, and is entitled to do with him whatever he pleases. This is the phase of religion in which God drives man out of paradise, lest he eat from the tree of knowledge and thus could become God himself; this is the phase in which God decides to destroy the human race by the flood, because none of them pleases him, with the exception of the favorite son, Noah; this is the phase in which God demands from Abraham that he kill his only, his beloved son, Isaac, to prove his love for God by the act of ultimate obedience. But simultaneously a new phase begins; God makes a covenant with Noah, in which he promises never to destroy the human race again, a covenant by which he is bound himself. Not only is he bound by his promises, he is also bound by his own principle, that of justice, and on this basis God must yield to Abraham's demand to spare Sodom if there are at least ten just men. But the development goes further than transforming God from the figure of a despotic tribal chief into a loving father, into a father who himself is bound by the principles which he has postulated; it goes in the direction of transforming God from the figure of a father into a symbol of his principles, those of justice, truth and love. God is truth, God is justice. In this development God ceases to be a person, a man, a father; he becomes the symbol of the principle of unity behind the manifoldness of phenomena, of the vision of the flower which will grow from the spiritual seed within man. God cannot have a name. A name always denotes a thing, or a person, something finite. How can God have a name, if he is not a person, not a thing? The most striking incident of this change lies in the Biblical story of God's revelation to Moses. When Moses tells him that the Hebrews will not believe that God has sent him, unless he can tell them God's name (how could idol worshipers comprehend a nameless God, since the very essence of an idol is to have a name?), God makes a concession. He tells Moses that his name is 'I am becoming that which I am becoming.' 'I-am-becoming is my name.' The 'I-am-becoming' means that God is not finite, not a person, not a 'being.' The most adequate translation of the sentence would be: tell them that 'my name is nameless'. The prohibition to make any image of God, to pronounce his name in vain, eventually to pronounce his name at all, aims at the same goal, that of freeing man from the idea that God is a father, that he is a person. In the subsequent theological development, the idea is carried further in the principle that one must not even give God any positive attribute. To say of God that he is wise, strong, good implies again that he is a person; the most I can do is to say what God is not, to state negative attributes, to postulate that he is not limited, not unkind, not unjust. The more I know what God is not, the more knowledge I have of God. Following the maturing idea of monotheism in its further consequences can lead only to one conclusion: not to mention God's name at all, not to speak about God. Then God becomes what he potentially is in monotheistic theology, the nameless One, an inexpressible stammer, referring to the unity underlying the phenomenal universe, the ground of all existence; God becomes truth, love, justice. God is inasmuch as i am human.
Erich Fromm (The Art of Loving)
According to the great and decisive discoveries of Bachofen and Morgan in the middle of the nineteenth century, and in spite of the rejection their findings have found in most academic circles, there can be little doubt that there was a matriarchal phase of religion preceding the patriarchal one, at least in many cultures. In the matriarchal phase, the highest being is the mother. She is the goddess, she is also the authority in family and society. In order to understand the essence of matriarchal religion, we have only to remember what has been said about the essence of motherly love. Mother's love is unconditional, it is all-protective, all-enveloping; because it is unconditional it can also not be controlled or acquired. Its presence gives the loved person a sense of bliss; its absence produces a sense of lostness and utter despair. Since mother loves her children because they are her children, and not because they are 'good,' obedient, or fulfill her wishes and commands, mother's love is based on equality. All men are equal, because they all are children of a mother, because they all are children of Mother Earth. The next stage of human evolution, the only one of which we have thorough knowledge and do not need to rely on inferences and reconstruction, is the patriarchal phase. In this phase the mother is dethroned from her supreme position, and the father becomes the Supreme Being, in religion as well as in society. The nature of fatherly love is that he makes demands, establishes principles and laws, and that his love for the son depends on the obedience of the latter to these demands. He likes best the son who is most like him, who is most obedient and who is best fitted to become his successor, as the inheritor of his possessions. (The development of patriarchal society goes together with the development of private property.) As a consequence, patriarchal society is hierarchical; the equality of the brothers gives way to competition and mutual strife. Whether we think of the Indian, Egyptian or Greek cultures, or of the Jewish-Christian, or Islamic religions, we are in the middle of a patriarchal world, with its male gods, over whom one chief god reigns, or where all gods have been eliminated with the exception of the One, the God. However, since the wish for mother's love cannot be eradicated from the hearts of man, it is not surprising that the figure of the loving mother could never be fully driven out from the pantheon. In the Jewish religion, the mother aspects of God are reintroduced especially in the various currents of mysticism. In the Catholic religion, Mother is symbolized by the Church, and by the Virgin. Even in Protestantism, the figure of Mother has not been entirely eradicated, although she remains hidden.
Erich Fromm (The Art of Loving)
Know Your Worth My child, you are favoured In Jesus’ precious Name Your blessings are abundant So, embrace your essence Wherever you are Keep moving forward Yes, you must rise While there is still time Make sure you shine Feel the sunshine Put on a big smile Avoid what makes you cry Never ever worry You carry God’s glory As you go through life’s journey Be spectacular Straighten your crown And know your worth
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
It’s a myth about motherhood, Olga felt, that the time in utero imbues mothers with a lifelong understanding of their children. Yes, they know their essences, this she didn’t doubt, but mothers are still humans who eventually form their own ideas of both who their kids are and who they think they should be. Inevitably there were disparities.
Xóchitl González (Olga Dies Dreaming)
When someone violates you sexually, it does not simply haunt and aggrieve you; it alters the very shape of your soul. And altered I was. Contrary to the mythology surrounding the unflinching nature of African-American women, we, too, experience trauma. Black women—our essence, our emotional intricacies, the indignities we carry in our bones—are the most deeply misunderstood human beings in history. Those who know nothing about us have had the audacity to try to introduce us to ourselves, in the unsteady strokes of caricature, on stages, in books, and through their distorted reflections of us. The resulting Fun House image, a haphazard depiction sketched beneath the dim light of ignorance, allows ample room for our strength, our rage and tenacity, to stand at center stage. When we express anger, the audience of the world applauds. That expression aligns with their portrait of us. As long as we play our various designated roles—as court jesters and as comic relief, as Aunt Jemimas and as Jezebels, as maids whisking aperitifs into drawing rooms, as shuckin’ and jivin’ half-wits serving up levity—we are worthy of recognition in their meta-narrative. We are obedient Negroes. We are dutiful and thus affirmable. But when we dare tiptoe outside the lines of those typecasts, when we put our full humanity on display, when we threaten the social constructs that keep others in comfortable superiority, we are often dismissed. There is no archetype on file in which a Black woman is simultaneously resolute and trembling, fierce and frightened, dominant and receding. My mother, a woman who, amid abuse, stuffed hope and a way out into the slit of a mattress, is the very face of fortitude. I am an heir to her remarkable grit. However, beneath that tough exterior, I’ve also inherited my mother’s tender femininity, that part of her spirit susceptible to bruising and bleeding, the doleful Dosha who sat by the window shelling peanuts, pondering how to carry on. The myth of the Strong Black Woman bears a kernel of truth, but it is only a half-seed. The other half is delicate and ailing, all the more so because it has been denied sunlight.
Cicely Tyson (Just As I Am)
The challenge was that many would-be naturals found little support in traditional places for beauty advice, including beauty magazines (even ones catering to Black women) and professional stylists. Often, even mothers and grandmothers were of no help; the hair care that many Black women learned from their fore-mothers was solely focused on “fixing” or “taming” natural hair, not on celebrating its innate qualities. Many Black women had not seen or managed their natural texture in decades. Black beauty magazines such as Essence continued to mostly feature models with straightened hair. And, until the recent renaissance, education for beauticians included little to no training about the care of natural Black hair. Stylists were tested only on their ability to handle straightened Black tresses.33
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
That God is simple means, to use the words of the of the Westminster Confession of Faith, that He is ‘without … parts.’ He is not a composite or compound being, but a simple one.5 He is not made up of parts. You are not simple. You were, as the psalmist says, ‘knitted … together in your mother’s womb.’ You have a maker who formed your ‘inward parts,’ joined them together, and gave you life (Ps. 139:13). Your existence depends on the one who made you and on the parts He formed and joined together. Everything God created is made of parts—parts that are held together by His sustaining power. Nothing in creation is simple. But God is not like you or anything else. He has no maker. His attributes are not knitted together to form His being. He is not ‘made up’ of His attributes, nor are His attributes added on to His being or essence to make Him what He is. No, He is identical to His attributes. He is simple.
Rebecca Stark (The Good Portion - God: The Doctrine of God for Every Woman)
THE NEXT DAY WAS RAIN-SOAKED and smelled of thick sweet caramel, warm coconut and ginger. A nearby bakery fanned its daily offerings. A lapis lazuli sky was blanketed by gunmetal gray clouds as it wept crocodile tears across the parched Los Angeles landscape. When Ivy was a child and she overheard adults talking about their break-ups, in her young feeble-formed mind, she imagined it in the most literal of essences. She once heard her mother speaking of her break up with an emotionally unavailable man. She said they broke up on 69th Street. Ivy visualized her mother and that man breaking into countless fragments, like a spilled box of jigsaw pieces. And she imagined them shattered in broken shards, being blown down the pavement of 69th Street. For some reason, on the drive home from Marcel’s apartment that next morning, all Ivy could think about was her mother and that faceless man in broken pieces, perhaps some aspects of them still stuck in cracks and crevices of the sidewalk, mistaken as grit. She couldn’t get the image of Marcel having his seizure out of her mind. It left a burning sensation in the center of her chest. An incessant flame torched her lungs, chest, and even the back door of her tongue. Witnessing someone you cared about experiencing a seizure was one of those things that scribed itself indelibly on the canvas of your mind. It was gut-wrenching. Graphic and out-of-body, it was the stuff that post traumatic stress syndrome was made of.
Brandi L. Bates (Remains To Be Seen)
Parvati is one of the strong goddesses. She’s also a goddess of love, with a seductive radiance directed at her beloved, yet at the same time focused inward, on her own essence. She’s a mother. She’s a yogini, a seeker of truth who inquires deeply into the nature of reality. She’s powerful and she’s tender, she’s willful and she’s playful—both at the same time. Moreover, Parvati is a goddess of relatedness. When you tune in to Parvati, you tune in to your own longing for sacred partnership. Parvati incarnates the feminine side of a form of marriage that many modern romantics crave: the union between the fully realized feminine and the fully realized masculine, the dance of intimacy where two powerful beings become one without sacrificing their individuality. Parvati’s image in bronze often shows her dancing, large-breasted, sinuous, and somehow mischievous with coy, lowered eyes. She represents the dynamic feminine in active partnership with her beloved masculine counterpart. Since her beloved is the notoriously untamable outsider-god Shiva, there’s an element of danger and illicit delight in their relationship, a quality of mystery that makes even their domesticity seem fraught with potential chaos. Parvati confidently embraces the great void where no forms exist. She fills it with her blissful presence, and voilà—that formless emptiness becomes a cozy plenum, a space in which life can flourish. Parvati can know the unknowable, tame
Sally Kempton (Awakening Shakti: The Transformative Power of the Goddesses of Yoga)
For those who have ears to hear, the ‘fiat’ she constantly repeated at the foot of the cross was not only a song of mourning but also a hymn of gladness. For she must have understood that, by becoming the mother of God, she had become the mother of all men and women. Perhaps this was just a nebulous thought in her mind at the moment. But suddenly his voice sounded above her, confirming it by saying to John the Beloved, who was standing there with her, “Behold your mother!” And to her he said, “Behold your son!” And her nebulous thought was clarified. She knew, with her whole being, that she was the mother of all men and women, as well as the mother of God. And then her son, bowing his head, gave up his spirit. There, before the cross, she tasted martyrdom. That is why tradition calls her the Queen of Martyrs. She sat down. On what? A stone? A piece of wood? We don’t know. They put her dead son in her arms and she became the Pietà. Her human heart might have been broken, but her face was serene, because now she knew! She knew who she was and why the Son of God had been born to her. She must have known that she was going to be the ultimate example of sobornost—going to be sobornost itself. Adam and Eve had walked with God in the cool of the evening and talked to him in the garden, in wonderful sobornost. But Mary was the new Eve, who held God in her arms; and her will and his will were one! Yes, she had become sobornost itself, for to be plunged into the divine will of God is the very essence of sobornost. If we listen carefully, we will hear The Prayer of the Presence of God and The Jesus Prayer blending into one in Mary’s heart. They become a song in which ‘fiat’ and ‘alleluia’ blend constantly, because Mary has shown us how to live sobornost deeply, both in profound sorrow and in profound joy.
Catherine de Hueck Doherty (Sobornost: Eastern Unity of Mind and Heart for Western Man)
Most people agreed that to become good mothers, girls needed some learning, but there was disagreement about how demanding their studies should be.425 The latest “evidence” in medical science continued to perpetuate the longstanding view that women were naturally inferior to men. In 1775, a year before the American Declaration of Independence was signed, influential French physician Pierre Roussel said that “the essence of sex . . . is not confined to a single organ but extends, through more or less perceptible nuances, into every part.”426 A widely circulated anatomical drawing of a woman exaggerated features of her anatomy, so that her head resembled a toddler’s and her hips an ostrich’s—an image that lent itself well to the argument that women were destined to obey men and have babies.427
Regan Penaluna (How to Think Like a Woman: Four Women Philosophers Who Taught Me How to Love the Life of the Mind)