Essays And Aphorisms Quotes

A man can be himself only so long as he is alone; and if he does not love solitude, he will not love freedom; for it is only when he is alone that he is really free.

Der Mensch kann tun was er will; er kann aber nicht wollen was er will. Man can do what he wills but he cannot will what he wills.

Every miserable fool who has nothing at all of which he can be proud, adopts as a last resource pride in the nation to which he belongs; he is ready and happy to defend all its faults and follies tooth and nail, thus reimbursing himself for his own inferiority.

Hope is the confusion of the desire for a thing with its probability.

The art of not reading is a very important one. It consists in not taking an interest in whatever may be engaging the attention of the general public at any particular time. When some political or ecclesiastical pamphlet, or novel, or poem is making a great commotion, you should remember that he who writes for fools always finds a large public. A precondition for reading good books is not reading bad ones: for life is short.

When we read, another person thinks for us: we merely repeat his mental process. In learning to write, the pupil goes over with his pen what the teacher has outlined in pencil: so in reading; the greater part of the work of thought is already done for us. This is why it relieves us to take up a book after being occupied with our own thoughts. And in reading, the mind is, in fact, only the playground of another’s thoughts. So it comes about that if anyone spends almost the whole day in reading, and by way of relaxation devotes the intervals to some thoughtless pastime, he gradually loses the capacity for thinking; just as the man who always rides, at last forgets how to walk. This is the case with many learned persons: they have read themselves stupid.

One can never read too little of bad, or too much of good books: bad books are intellectual poison; they destroy the mind. In order to read what is good one must make it a condition never to read what is bad; for life is short, and both time and strength limited.

Reading is merely a surrogate for thinking for yourself; it means letting someone else direct your thoughts. Many books, moreover, serve merely to show how many ways there are of being wrong, and how far astray you yourself would go if you followed their guidance. You should read only when your own thoughts dry up, which will of course happen frequently enough even to the best heads; but to banish your own thoughts so as to take up a book is a sin against the holy ghost; it is like deserting untrammeled nature to look at a herbarium or engravings of landscapes.

To free a man from error is to give, not to take away. Knowledge that a thing is false is a truth. Error always does harm; sooner or later it will bring mischief to the man who harbors it.

Diversity is an aspect of human existence that cannot be eradicated by terrorism or war or self-consuming hatred. It can only be conquered by recognizing and claiming the wealth of values it represents for all.

On Writing: Aphorisms and Ten-Second Essays 1. A beginning ends what an end begins. 2. The despair of the blank page: it is so full. 3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself. 4. The best time is stolen time. 5. All work is the avoidance of harder work. 6. When I am trying to write I turn on music so I can hear what is keeping me from hearing. 7. I envy music for being beyond words. But then, every word is beyond music. 8. Why would we write if we’d already heard what we wanted to hear? 9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation. 10. Writer: how books read each other. 11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love. 12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything. 13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough. 14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear. 15. There are silences harder to take back than words. 16. Opacity gives way. Transparency is the mystery. 17. I need a much greater vocabulary to talk to you than to talk to myself. 18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean. 19. Believe stupid praise, deserve stupid criticism. 20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do. 21. Minds go from intuition to articulation to self-defense, which is what they die of. 22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday. 23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open). 24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?

Night gives a black look to everything, whatever it may be.

Democracy is not simply a license to indulge individual whims and proclivities. It is also holding oneself accountable to some reasonable degree for the conditions of peace and chaos that impact the lives of those who inhabit one’s beloved extended community.

Individual cultures and ideologies have their appropriate uses but none of them erase or replace the universal experiences, like love and weeping and laughter, common to all human beings.

By my existence I am nothing more than an empty place, an outline,that is reserved within being in general. Given with it, though, is the duty to fill in this empty place. That is my life.

If the idea of loving those whom you have been taught to recognize as your enemies is too overwhelming, consider more deeply the observation that we are all much more alike than we are unalike.

Making the choice to exercise compassion is an expression of Love for Humanity and Life itself.

Many undoubtedly owe their good fortune to the circumstance that they possess a pleasing smile with which they win hearts. Yet these hearts would do better to beware and to learn from Hamlet's tables that one may smile, and smile, and be a villain.

Discourse and critical thinking are essential tools when it comes to securing progress in a democratic society. But in the end, unity and engaged participation are what make it happen.

It can be difficult to speak truth to power. Circumstances, however, have made doing so increasingly necessary.

The scenes in our life resemble pictures in a rough mosaic; they are ineffective from close up, and have to be viewed from a distance if they are to seem beautiful. That is why to attain something desired is to discover how vain it is; and why, though we live all our lives in expectation of better things, we often at the same time long regretfully for what is past. The present, on the other hand, is regarded as something quite temporary and serving as the only road to our goal. That is why most men discover when they look back on their life that they have been living the whole time ad interim, and are surprised to see that which they let go by so unregarded and unenjoyed was precisely their life, was precisely that in expectation of which they lived.

There is within the human heart a quality of intelligence which has been known to surpass that attributed to the human mind.

The destructive character knows only one watchword: make room; only one activity: clearing away ... The destructive character is young and cheerful. For destroying rejuvenates in clearing away traces of our own age ...

Humanity is not without answers or solutions regarding how to liberate itself from scenarios that invariably end with mass exterminations. Tools such as compassion, trust, empathy, love, and ethical discernment are already in our possession. The next sensible step would be to use them.

The glorification of hatred is predicated on a foundation of fear-induced ignorance venomous to haters and those they believe they hate.

We are not born to accommodate tyranny over our hearts, minds, bodies, or souls. We are here to confirm an abundance of love-inspired possibilities greater than such restrictions.

That you should write down valuable ideas that occur to you as soon as possible goes without saying: we sometimes forget even what we have done, so how much more what we have thought.

History, too, has a penchant for giving birth to itself over and over again, and those whom it appoints agents of change and progress do not always accept their destinies willingly.

Our greatest power as nations and individuals is not the ability to employ assault weapons, suicide bombers, and drones to destroy each other. The greater more creative powers with which we may arm ourselves are grace and compassion sufficient enough to love and save each other.

The acknowledgement of a single possibility can change everything.

Knowledge is power. The devil it is! One man can have a great deal of knowledge without its giving him the least power, while another possesses supreme authority but next to no knowledge.

Individuals often turn to poetry, not only to glean strength and perspective from the words of others, but to give birth to their own poetic voices and to hold history accountable for the catastrophes rearranging their lives.

Poetry empowers the simplest of lives to confront the most extreme sorrows with courage, and motivates the mightiest of offices to humbly heed lessons in compassion.

On either side of a potentially violent conflict, an opportunity exists to exercise compassion and diminish fear based on recognition of each other's humanity. Without such recognition, fear fueled by uninformed assumptions, cultural prejudice, desperation to meet basic human needs, or the panicked uncertainty of the moment explodes into violence.

Let us see rather that like Janus—or better, like Yama, the Brahmin god of death—religion has two faces, one very friendly, one very gloomy...

The pursuit of excellence with unrestrained passion can lead to the accomplishment of wonders with unsurpassed joy.

However much I have frequented the mystics, deep down I have always sided with the Devil; unable to equal him in power, I have tried to be worthy of him, at least, in insolence, acrimony, arbitrariness, and caprice.

As the biggest library if it is in disorder is not as useful as a small but well-arranged one, so you may accumulate a vast amount of knowledge but it will be of far less value to you than a much smaller amount if you have not thought it over for yourself; because only through ordering what you know by comparing every truth with every other truth can you take complete possession of your knowledge and get it into your power.

That human life must be some kind of mistake is sufficiently proved by the simple observation that man is a compound of needs which are hard to satisfy; that their satisfaction achieves nothing but a painless condition in which he is only given over to boredom; and that boredom is a direct proof that existence is in itself valueless, for boredom is nothing other than the sensation of the emptiness of existence.

Writers may be classified as meteors, planets, and fixed stars. They belong not to one system, one nation only, but to the universe. And just because they are so very far away, it is usually many years before their light is visible to the inhabitants of this earth.

And yet, just as our body would burst asunder if the pressure of the atmosphere were removed from it, so would the arrogance of men expand, if not to the point of bursting then to that of the most unbridled folly, indeed madness, if the pressure of want, toil, calamity and frustration were removed from their life. One can even say that we require at all times a certain quantity of care or sorrow or want, as a ship requires ballast, in order to keep on a straight course.

We can gain a lot more striving for harmonious coexistence than we can by giving in to hate-filled rage and fear-driven ignorance.

When some political or ecclesiastical pamphlet, or novel, or poem is making a great commotion, you should remember that he who writes for fools always finds a large public.

There is nothing sane, merciful, heroic, devout, redemptive, wise, holy, loving, peaceful, joyous, righteous, gracious, remotely spiritual, or worthy of praise where mass murder is concerned. We have been in this world long enough to know that by now and to understand that nonviolent conflict resolution informed by mutual compassion is the far better option.

Naked flights of art unshackled and incandescent songs of poetry undiluted return to the soul what hate, ignorance, fear, and violence steal from the heart.

It can truly be said: Men are the devils of the earth, and the animals are the tormented souls.

War is insanity magnified, feeding off toxic madness which then excretes chaos completely indifferent to the slaughtered rhymes and screaming reasons of human beings.

All work is the avoidance of harder work.

There are 80,000 prostitutes in London alone and what are they, if not bloody sacrifices on the alter of monogamy

When the lyrical muse sings the creative pen dances.

To free a man from error is not to deprive him of anything but to give him something: for the knowledge that a thing is false is a piece of truth. No error is harmless: sooner or later it will bring misfortune to him who harbours it. Therefore deceive no one, but rather confess ignorance of what you do not know, and leave each man to devise his own articles of faith for himself.

Truth resists being projected into the realm of knowledge.

It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel.

Perhaps one has to have placed life in the center of one’s worldview and valued it as much as I have in order to know that one may not keep it, but must yield it up.

One needs to properly possess only a couple of great thoughts--they shed light on many stretches whose illumination one would never have believed in.

Each new year is another chance to get love right.

No rose without a thorn. But many a thorn without a rose.

Human beings, in a sense, may be thought of as multidimensional creatures composed of such poetic considerations as the individual need for self-realization, subdued passions for overwhelming beauty, and a hunger for meaning beyond the flavors that enter and exit the physical body.

But it is common knowledge that religions don’t want conviction, on the basis of reasons, but faith, on the basis of revelation. And the capacity for faith is at its strongest in childhood: which is why religions apply themselves before all else to getting these tender years into their possession. It is in this way, even more than by threats and stories of miracles, that the doctrines of faith strike roots: for if, in earliest childhood, a man has certain principles and doctrines repeatedly recited to him with abnormal solemnity and with an air of supreme earnestness such as he has never before beheld, and at the same time the possibility of doubt is never so much as touched on, or if it is only in order to describe it as the first step towards eternal perdition, then the impression produced will be so profound that in almost every case the man will be almost incapable of doubting this doctrine as of doubting his own existence, so that hardly one in a thousand will then possess the firmness of mind seriously and honestly to ask himself: is this true?

Simple shifts in points of view can open doors to expansions of consciousness as easily as rigid dispositions can close hearts and minds to such elevated awareness. It generally depends on whether you allow fear and violence to rule your actions or whether you give wisdom, courage, and compassion the authority to do so.

The art lies in setting the inner life into the most violent motion with the smallest possible expenditure of outer life; for it is the inner life which is the real object of our interest - The task of the novelist is not to narrate great events but to make small ones interesting.

Everything that can be classified is perishable. Only what is susceptible to several interpretations endures.

Want and boredom are indeed the twin poles of human life.

You are more likely to find three TVs inside a randomly selected house than you are to find a single book that is or was not read to pass an exam, to please God, or to be a better cook.

I sit on the precipice of my creative sensibilities staring over and out into a wide expanse of sparkling madness and sometimes envy those who simply fall into it and let everything else go. I suppose that’s what writing poetry is for.

What light is to the outer physical world intellect is to the inner world of consciousness. For intellect is related to the will, and thus also to the organism which is nothing other than will regarded objectively, in the approximate same way as light is to a combustible body and the oxygen in combination with which it ignites.

Music is the highest art, no question. But literature is a friendlier one. It depends on us more, bores us more quickly, can't go on if we don't, can't stop saying what it means, can't stop giving us something to forgive.

We should treat with indulgence every human folly, failing, and vice, bearing in mind that what we have before us are simply our own failings, follies, and vices.

It takes an enormous humility to die. The strange thing is that everyone turns out to have it!

The result is that much reading robs the mind of all elasticity, as the continual pressure of a weight does a spring, and that the surest way of never having any thoughts of your own is to pick up a book every time you have a free moment. The practice of doing this is the reason erudition makes most men duller and sillier than they are by nature and robs their writings of all effectiveness: they are in Pope's words: For ever reading, never to be read.

To me the great divide is between the talkative and the quiet. Do they just say everything that's on their minds, even before it's on their minds? Sometimes I think I could just turn up my head like a Walkman so what's going on there could be heard by others. But there would still be a difference. For inside the head they are talking to people like them, and I am talking to someone like me: he is quiet and doesn't much like being talked at; he can't conceal how easily he gets bored.

There is no absurdity so palpable that one could not fix it firmly in the head of every man on earth provided one began to imprint it before his sixth year by ceaselessly rehearsing it before him with solemn earnestness.

is obviously high time that the Jewish conception of nature, at any rate in regard to animals, should come to an end in Europe, and that the eternal being which, as it lives in us, also lives in every animal should be recognized as such, and as such treated with care and consideration.

Leadership has never been an exact science. But it has always found itself particularly challenged when tasked with elevating one segment of a society onto a level more politically, socially, and economically equitable with another.

When you find human society disagreeable and feel yourself justified in flying to solitude, you can be so constituted as to be unable to bear the depression of it for any length of time, which will probably be the case if you are young. Let me advise you, then, to form the habit of taking some of your solitude with you into society, to learn to be to some extent alone even though you are in company; not to say at once what you think, and, on the other hand, not to attach too precise a meaning to what others say; rather, not to expect much of them, either morally or intellectually, and to strengthen yourself in the feeling of indifference to their opinion, which is the surest way of always practicing a praiseworthy toleration. If you do that, you will not live so much with other people, though you may appear to move amongst them: your relation to them will be of a purely objective character. This precaution will keep you from too close contact with society, and therefore secure you against being contaminated or even outraged by it. Society is in this respect like a fire—the wise man warming himself at a proper distance from it; not coming too close, like the fool, who, on getting scorched, runs away and shivers in solitude, loud in his complaint that the fire burns.

If it can be used again, it is not wisdom but theory.

Belief is like love: it cannot be compelled; and as any attempt to compel love produces hate, so it is the attempt to compel belief which first produces real unbelief.

To dissect a poem as if it were a system is a crime, even a sacrilege.

اولئك الاطفال الذين لم ارغب فيهم لو يعلمون باى سعادة هم مدينون لى

In its essence, Elemental, the Power of Illuminated Love, maintains we are all on a quest to experience qualities of compassion and acceptance capable of helping to sustain both the individual and the larger society. Because such a journey tends to take place even more within than without, the visual imagery, words, and music of ILLUMINATED LOVE incorporates both levels of that reality.

Sociologically, politically, psychologically, spiritually, it was never enough for James Baldwin to categorize himself as one thing or the other: not just black, not just sexual, not just American, nor even just as a world-class literary artist. He embraced the whole of life the way the sun’s gravitational passion embraces everything from the smallest wandering comet to the largest looming planet.

Poetry is less a respecter of individual persons than it is a compassionate witness to the meanings of the secret language that beats inside human hearts, the music that pulses through human cries, and the divinity which shines love beyond the veils of human limitations.

Exaggeration in every sense is as essential to newspaper writing as it is to the writing of plays: for the point is to make as much as possible of every occurrence. So that all newspaper writers are, for the sake of their trade, alarmists: this is their way of making themselves interesting.

If you want to earn the gratitude of your own age you must keep in step with it. But if you do that you will produce nothing great. If you have something great in view you must address yourself to posterity: only then, to be sure, you will probably remain unknown to your contemporaries; you will be like a man compelled to spend his life on a desert island and there toiling to erect a memorial so that future seafarers shall know he once existed.

That you should write down valuable ideas that occur to you as soon as possible goes without saying: we sometimes forget even what we have done, so how much more what we have thought. Thoughts, however, come not when we but when they want. On

For the will, as that which is common to all, is for that reason also common: consequently, every vehement emergence of will is common, i.e. it demeans us to a mere exemplar of the species. He, who on the other hand. who wants to be altogether uncommon, that is to say great, must never let a preponderant agitation of will take his consciousness altogether, however much he is urged to do so. He must, e.g., be able to take note of the odious opinion of another without feeling his own aroused by it: indeed, there is no surer sign of greatness than ignoring hurtful or insulting expressions by attributing them without further ado, like countless other errors, to the speaker's lack of knowledge and thus merely taking note of them without feeling them.

Femeia a contat în ochii noştri cât timp a simulat pudoarea şi reţinerea. Ce eroare, din parte-i, să înceteze să-şi mai joace rolul! Deja nu mai valorează nimic, de vreme ce ne seamănă. Aşa dispare una din ultimele minciuni care făceau existenţa suportabilă.

Criticism is a misconception: we must read not to understand others but to understand ourselves.

The task of the novelist is not to narrate great events but to make small ones interesting.

The true basis and propaedeutic for all knowledge of human nature is the persuasion that a man's actions are, essentially and as a whole, not directed by his reason and its designs; so that no one becomes this or that because he wants to, though he want to never so much, but that his conduct proceeds from his inborn and inalterable character, is narrowly and in particulars determined by motivation, and is thus necessarily the product of these two factors.

You should deal sternly and despotically with your memory, so that it does not unlearn obedience; if, for example, you cannot call something to mind, a line of poetry or a word perhaps, you should not go and look it up in a book, but periodically plague your memory with it for weeks on end until your memory has done its duty. For the longer you have had to rack your brains for something the more firmly will it stay once you have got it.

There is no better recreation for the mind than the study of the ancient classics. Take any one of them into your hand, be it only for half an hour, and you will feel yourself refreshed, relieved, purified, ennobled, strengthened; just as if you had quenched your thirst at some pure spring. Is this the effect of the old language and its perfect expression, or is it the greatness of the minds whose works remain unharmed and unweakened by the lapse of a thousand years? Perhaps both together. But this I know. If the threatened calamity should ever come, and the ancient languages cease to be taught, a new literature shall arise, of such barbarous, shallow and worthless stuff as never was seen before.

Let me advise you, then, to form the habit to take some of your solitude with you into society, to learn to be to some extent alone even though you are in company; not to say at once what you think, and, on the other hand, not to attach too precise a meaning to what others say; rather, not ot expect much of them, either morally or intellectually, and to strenghten yourself in the feeling of indifference to their opinion, which is the surest way of always practicing a praiseworhty toleration. If you do that, you will not live so much with other people, though you may appear to move amongst them: your relation to them will be of a purely objective character. This precaution will keep you from too close contact with society, and therefore secure you from being contamined or even outraged by it.

The more clearly you become conscious of the frailty, vanity and dream-like quality of all things, the more clearly will you also become conscious of the eternity of your own inner being; because it is only in contrast to this that the aforesaid quality of things becomes evident, just as you perceive the speed at which a ship is going only when looking at the motionless shore, not when looking into the ship itself.

In general, however, grand opera, by more and more deadening our musical receptivity through its three-hours duration and at the same time putting our patience to the test through the snail's pace of what is usually a very trite action, is in itself intrinsically and essentially boring; which failing can be overcome only by the excessive excellence of an individual achievement: that is why in this genre only the masterpieces are enjoyable and everything mediocre is unendurable.

My thoughts on the descent of our moral prejudices – for that is what this polemic is about – were first set out in a sketchy and provisional way in the collection of aphorisms entitled Human, All Too Human. A Book for Free Spirits, which I began to write in Sorrento during a winter that enabled me to pause, like a wanderer pauses, to take in the vast and dangerous land through which my mind had hitherto travelled. This was in the winter of 1876–7; the thoughts themselves go back further. They were mainly the same thoughts which I shall be taking up again in the present essays – let us hope that the long interval has done them good, that they have become riper, brighter, stronger and more perfect! The fact that I still stick to them today, and that they themselves in the meantime have stuck together increasingly firmly, even growing into one another and growing into one, makes me all the more blithely confident that from the first, they did not arise in me individually, randomly or sporadically but as stemming from a single root, from a fundamental will to knowledge deep inside me which took control, speaking more and more clearly and making ever clearer demands. And this is the only thing proper for a philosopher. We have no right to stand out individually: we must not either make mistakes or hit on the truth individually. Instead, our thoughts, values, every ‘yes’, ‘no’, ‘if ’ and ‘but’ grow from us with the same inevitability as fruits borne on the tree – all related and referring to one another and a testimonial to one will, one health, one earth, one sun. – Do you like the taste of our fruit? – But of what concern is that to the trees? And of what concern is it to us philosophers? . . .

More than nine-tenths of all literate men and women certainly read nothing but newspapers, and consequently model their orthography, grammar and style almost exclusively on them and even, in their simplicity, regard the murdering of language which goes on in them as brevity of expression, elegant facility and ingenious innovation; indeed, young people of the unlearned professions in general regard the newspaper as an authority simply because it is something printed. For this reason, the state should, in all seriousness, take measures to ensure that the newspapers are altogether free of linguistic errors. A

The look of good sense and prudence, even of the best kind, differs from that of genius, in that the former bears the stamp of subjection to the will, while the latter is free from it. And therefore one can well believe the anecdote [...] how once at the court of the Visconti, when Petrarch and other noblemen and gentlemen were present, Galeazzo Visconti told his son, who was then a mere boy (he was afterwards first Duke of Milan), to pick out the wisest of the company; how the boy looked at them all for a little, and then took Petrarch by the hand and led him up to his father, to the great admiration of all present. For so clearly does nature set the mark of her dignity on the privileged among mankind that even a child can discern it. Therefore, I should advise my sagacious countrymen, if ever again they wish to trumpet about for thirty years a very commonplace person as a great genius, not to choose for the purpose such a beer-house-keeper physiognomy as was possessed by that philosopher [Hegel], upon whose face nature had written, in her clearest characters, the familiar inscription, "commonplace person.

In truth, however, the continual coming into existence of new beings and the annihilation of already existing ones is to be regarded as an illusion produced by a contrivance of two lenses (brain-functions) through which alone we can see anything at all: they are called space and time, and in their interpenetration causality. For everything we perceive under these conditions is merely phenomenon; we do not know what things are like in themselves, i.e. independently of our perception of them. This is the actual kernel of the Kantian philosophy.

Exaggeration in every sense is as essential to newspaper writing as it is to the writing of plays: for the point is to make as much as possible of every occurrence. So that all newspaper writers are, for the sake of their trade, alarmists: this is their way of making themselves interesting. What they really do, however, is resemble little dogs who, as soon as anything whatever moves, start up a loud barking. It is necessary, therefore, not to pay too much attention to their alarms, and to realize in general that the newspaper is a magnifying glass, and this only at best: for very often it is no more than a shadow-play on the wall.