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I decided that being called “crazy” by a man was not an insult but a challenge. It gives the woman an opportunity to say, “Crazy? Oh, I’ll show you fucking crazy.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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I’ve come to see “Bitches be crazy” as less a statement by men that women are crazy or even a reappropriated statement by women defending their own madness. Instead, I see the phrase and imagine a colon after “bitches,” rendering it a command to other women, a battle cry. It is a way of saying, “We took back ‘bitch’ already. And now we have come for ‘crazy.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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Sylvia was an early literary manifestation of a young woman who takes endless selfies and posts them with vicious captions calling herself fat and ugly. She is at once her own documentarian and the reflexive voice that says she is unworthy of documentation. She sends her image into the world to be seen, discussed, and devoured, proclaiming that the ordinariness or ugliness of her existence does not remove her right to have it.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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Boys often have permission to become men without the forfeiture of their desirability. And so these men write stories that grasp at girls who are ghosts twice over: first by being dead and second by being shallow shadows of actual girls, the assorted fragments of men's aging imaginations rather than the deep and dimensioned creatures that real girls are.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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They know too well the violent hypnosis of those who hope to possess them-- men who can smell the blood on the places where a woman is breaking.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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I took a deep breath and listened to the old brag of my heart.” I struggle to think of any line of thinking more linked to being a socialized female than to consider the declaration of simply existing to feel like a form of bragging. But that, of course, is the plight of the feeling girl: to be told again and again that her very existence is something not worth declaring.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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He also tried to block the doorway when she left him. My mother ducked under his arm, ran to her car, and drove away. I remember thinking that this was somehow romantic, as it pinpointed the actual memory of my mother's departure, something you don't see a lot of in television. Real people don't slam doors without opening them five minutes later because it's raining and they forgot their umbrella. They don't stop dead in their tracks because they realize they're in love with their best friend.They don't say, "I'm leaving you, Jack," and fade to a paper towel commercial.
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Sloane Crosley (I Was Told There'd Be Cake: Essays)
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When my best friends had babies we were lucky that our friendships preexisted our new charges by decades. We never forgot who we once were to each other whilst embracing who we’d become. I may not have been able to see myself after my daughters birth but my best friends never lost sight of me.
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Pandora Sykes (How Do We Know We're Doing It Right: & Other Essays on Modern Life)
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Because the end of a friendship isn’t even formally acknowledged—no Little Talk, no papers served—you walk around effectively heartbroken but embarrassed to admit it, even to yourself. It’s a special, open-ended kind of pain, like having a disease that doesn’t even have a name. You worry you must be pathetically oversensitive to feel so wounded over such a thing. You can’t tell people, “My friend broke up with me,” without sounding like a nine-year-old. The only phrase I can think of that even recognizes this kind of hurt—“You look like you just lost your best friend”—is only ever spoken by adults to children. You can give yourself the same ineffectual lecture your parents used to give you as a kid: anyone who’d treat you this way isn’t a very good friend and doesn’t deserve your friendship anyway. But the nine-year-old in you knows that the reason they’ve ditched you is that you suck.
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Tim Kreider (We Learn Nothing: Essays and Cartoons (A Smart and Funny Essay Collection))
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Disappointed in his hope that I would give him the fictional equivalent of “One Hundred Ways of Cooking Eggs” or the “Carnet de la Ménagère,” he began to cross-examine me about my methods of “collecting material.” Did I keep a notebook or a daily journal? Did I jot down thoughts and phrases in a cardindex? Did I systematically frequent the drawing-rooms of the rich and fashionable? Or did I, on the contrary, inhabit the Sussex downs? or spend my evenings looking for “copy” in East End gin-palaces? Did I think it was wise to frequent the company of intellectuals? Was it a good thing for a writer of novels to try to be well educated, or should he confine his reading exclusively to other novels? And so on. I did my best to reply to these questions — as non-committally, of course, as I could.
And as the young man still looked rather disappointed, I volunteered a final piece of advice, gratuitously. “My young friend,” I said, “if you want to be a psychological novelist and write about human beings, the best thing you can do is to keep a pair of cats.” And with that I left him. I hope, for his own sake, that he took my advice.
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Aldous Huxley (Collected Essays)
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For our high school graduation party, our school hired a hypnotist. My best friend volunteered herself, went onstage, fell asleep, and then he had her dancing and singing Backstreet Boys songs. When she woke up again, she walked back to her seat and I tried to tell her what she'd done while she was out, but she said she was awake the whole time. It was easier to just do what he wanted me to do, she said, and I knew what she meant.
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Chelsea Hodson (Tonight I'm Someone Else: Essays)
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Though the boys never admit it as much, it is crucial the Lisbon sisters are all thin and beautiful within reason. There are a handful of imperfect features among them but nothing that would make the sum of each one's parts less than desirable. In the safety of being attractive, their eccentricities are as precious as their bodies. Their bodies protect all eccentricity from becoming "strange" or "gross" in the way similar predilections are characterized when possessed by heavier or uglier girls.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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Those who accuse these women of fraud in their image craft seem not to have heard of David Bowie's successful alter ego Ziggy Stardust or even Bob Dylan, the folksy creation of a genius named Robert Allen Zimmerman. There is a tradition of male artists taking on personae that are understood to be part of their art. It is as though there is so much genius within them that it must be split between these mortal men and the characters they create. Women who venture to do the same are ridiculed as fakers and try-hards.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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Grown-ups aren’t supposed to talk about “best friends,” but he was among my closest and certainly my most constant friend from then until we were well into our thirties, when he inexplicably disappeared on me. I don’t mean he fled the country or changed his identity or got abducted; the last I heard he was still living in Baltimore. He just stopped returning my calls. It took me almost a year of leaving messages on his answering machine to get the hint. It took me much longer to understand that I was never going to know what had happened.
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Tim Kreider (We Learn Nothing: Essays and Cartoons (A Smart and Funny Essay Collection))
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In the lower-brow selection of tabloids that report on the weight of celebrities, one statement that follows women struggling with their weight around more than any other is "She got her body back." Here you'll find near-constant Britney coverage. But barring any transcendent out-of-body experiences, these women were never separated from their bodies. They've occupied them across various weights. This phrase is not about a woman getting back something she lost as much as it as about our approval that she has returned to something we want her to be. What is meant by this phrase is "We got her body back." We got the body we felt entitled to.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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The kid in the newspaper was named Stevie, and he was eight. I was thirty-nine and lived by myself in a house that I owned. For a short time our local newspaper featured an orphan every week. Later they would transition to adoptable pets, but for a while it was orphans, children your could foster and possibly adopt of everything worked out, the profiles were short, maybe two or three hundred words. This was what I knew: Stevie liked going to school. He made friends easily. He promised he would make his bed every morning. He hoped that if he were very good we could have his own dog, and if he were very, very good, his younger brother could be adopted with him. Stevie was Black. I knew nothing else. The picture of him was a little bigger than a postage stamp. He smiled. I studied his face at my breakfast table until something in me snapped. I paced around my house, carrying the folded newspaper. I had two bedrooms. I had a dog. I had so much more than plenty. In return he would make his bed, try his best in school. That was all he had to bargain with: himself. By the time Karl came for dinner after work I was nearly out of my mind.
“I want to adopt him,” I said.
Karl read the profile. He looked at the picture. “You want to be his mother?”
“It’s not about being his mother. I mean, sure, if I’m his mother that’s fine, but it’s like seeing a kid waving from the window of a burning house, saying he’ll make his bed if someone will come and get him out. I can’t leave him there.”
“We can do this,” Karl said.
We can do this. I started to calm myself because Karl was calm. He was good at making things happen. I didn’t have to want children in order to want Stevie.
In the morning I called the number in the newspaper. They took down my name and address. They told me they would send the preliminary paperwork. After the paperwork was reviewed, there would be a series of interviews and home visits.
“When do I meet Stevie?” I asked.
“Stevie?”
“The boy in the newspaper.” I had already told her the reason I was calling.
“Oh, it’s not like that,” the woman said. “It’s a very long process. We put you together with the child who will be your best match.”
“So where’s Stevie?”
She said she wasn’t sure. She thought that maybe someone had adopted him.
It was a bait and switch, a well-written story: the bed, the dog, the brother. They knew how to bang on the floor to bring people like me out of the woodwork, people who said they would never come. I wrapped up the conversation. I didn’t want a child, I wanted Stevie. It all came down to a single flooding moment of clarity: he wouldn’t live with me, but I could now imagine that he was in a solid house with people who loved him. I put him in the safest chamber of my heart, he and his twin brother in twin beds, the dog asleep in Stevie’s arms.
And there they stayed, going with me everywhere until I finally wrote a novel about them called Run. Not because I thought it would find them, but because they had become too much for me to carry. I had to write about them so that I could put them down.
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Ann Patchett (These Precious Days: Essays)
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Still, when Harvard said I wasn’t eligible for financial aid, and another university offered me a full scholarship, I thought I should go there. My mother became furious and said I was always sabotaging myself. She was proud of being able to borrow money at a loss from her own retirement fund, and give it to Harvard. I felt proud of her, too. But I did not feel proud of myself. It made the college application process feel, in retrospect, somehow hurtful and insulting: all the essays and interviews and supplements and letters seemed to be about you, about your specialness—but actually it was all about shaking your parents down for money. — Harvard seemed really proud of its own attitude toward financial aid. You were always hearing about how “merit-based aid,” which was fine for other schools, didn’t work here, where everyone was so full of merit. When your parents paid full tuition, part of what they were paying for was the benefit you derived from being exposed to people who were more diverse than you. “My parents are paying for him to be here, so I can learn from him,” my friend Leora said once, about a homeschooled guy from Arkansas in her history section who started talking about how the Jews killed Jesus. Leora had been my best friend when we were little, and then we went to different middle schools and high schools, but now we were at college together. She already thought every single person on earth was anti-Semitic, so she definitely hadn’t learned anything from that guy. To me, the part of financial aid that made the least sense was that all the international students got full scholarships, regardless of how much money their parents had. The son of the prince of Nepal was in our class, and didn’t pay tuition. Ivan had once caused me pain by saying something deprecating about “people whose parents paid a hundred thousand dollars for them to be here.” Did he not know that my parents were paying a hundred thousand dollars for me to be there? The thought that really made me crazy was that my parents had paid for Ivan to be there. It was another experience they had paid for me to have.
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Elif Batuman (Either/Or)
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A more dubious form of positive procrastination was identified by Robert Benchley, one of the deadline-challenged members of the Algonquin Round Table. (His colleague Dorothy Parker gave her editor at The New Yorker the all-time best excuse for an overdue piece: “Somebody was using the pencil.”) In a wry essay, Benchley explained how he could summon the discipline to read a scientific article about tropical fish, build a bookshelf, arrange books on said shelf, and write an answer to a friend’s letter that had been sitting in a pile on his desk for twenty years. All he had to do was draw up a to-do list for the week and put these tasks below his top priority—his job of writing an article. “The secret of my incredible energy and efficiency in getting work done is a simple one,” Benchley wrote. “The psychological principle is this: anyone can do any amount of work, provided it isn’t the work he is supposed to be doing at that moment.” Benchley recognized a phenomenon that Baumeister and Tice also documented in their term-paper study: Procrastinators typically avoid one task by doing something else, and rarely do they sit there doing nothing at all. But there’s a better way to exploit that tendency, as Raymond Chandler recognized.
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Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
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I suppose the idea behind the “Some of my best friends are black” defense is that you cannot be prejudiced if you choose to interact with different racial backgrounds. It suggests that any association with black people is a form of activism when it in fact is the bare minimum of living in a society that includes black people.
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Ziwe Fumudoh (Black Friend: Essays)
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A class fifth student for an exam studied only one essay 'Friend', but in the exam, the essay which came was "Father". He replaced the word 'friend' with 'father' in the essay and it read: I am a very 'fatherly' person. I have lots of 'fathers'. Some of my 'fathers' are male and some are female. My true 'father' is my neighbor.
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Manik Joshi (Best Jokes: I Have Ever Heard - 800 Jokes)
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It’s not that I don’t love you. It’s the sound I heard when I was 9 and my father slammed the front door so hard behind him I swear to god it shook the whole house. For the next 3 years I watched my mother break her teeth on vodka bottles. I think she stopped breathing when he left. I think part of her died. I think he took her heart with him when he walked out. Her chest is empty, just a shattered mess or cracked ribs and depression pills.
It’s not that I don’t love you. It’s all the blood in the sink. It’s the night that I spent 12 hours in the emergency room waiting to see if my sister was going to be okay, after the boy she loved, told her he didn’t love her anymore. It’s the crying, and the fluorescent lights, and white sneakers and pale faces and shaky breaths and blood. So much blood.
It’s not that I don’t love you. It’s the time that I had to stay up for two days straight with my best friend while she cried and shrieked and threw up on my bedroom floor because her boyfriend fucked his ex. I swear to god she still has tear streaks stained onto her cheeks. I think when you love someone, it never really goes away.
It’s not that I don’t love you. It’s the six weeks we had a substitute in English because our teacher was getting divorced and couldn’t handle getting out of bed. When she came back she was smiling. But her hands shook so hard when she held her coffee, you could see that something was broken inside. And sometimes when things break, you can’t fix them. Nothing ever goes back to how it was. I got an A in English that year. I think her head was always spinning too hard to read any essays.
It’s not that I don’t love you. It’s that I do.
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Anonymous
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And they know they are not drawn to the bulb at the back of the oven, but by the flare signals sent out by their fellow travelers. They are flashes of light and recognition, momentary reflections of the sun onto a shred of glitter. But they are something vital nonetheless.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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I think often of this song in contrast to “Everybody Wants to Rule the World” and how Beyoncé was right, as she often is, even when she doesn’t always mean to be. Girls run the world in the sense that they perform the invisible and unappreciated labors that keep the world on its axis. That is different from doing what everyone wants to do, which is rule the world. We don’t speak of world leaders who run countries but of world leaders who rule countries. Running a thing is to toil in tedious and uncredited roles; ruling a thing is to hold dominion over it enough that little toil is required.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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I had heard of Virginia before only in passing, a "crazy ex" with whom things had not ended well. I was accustomed to this lazy shorthand for men who dislike the emotions of women.
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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Once I called a friend to say I couldn't go on teaching at the prestigious workshop I was visiting because I could not stand the torturing voices in my head, 24 hours a day, saying I was no good, stupid, not as smart as the others, not as respected or loved, that I had no value, that I was there only because I was black, that I had done or said the wrong thing, that I wasn't really a poet, my friend said, 'Why not ask the torturing voices for where they get their information?' I did, and without hesitation they answered, 'From your mother.'
Things had changed by then, so I flipped back, 'You haven't got the latest information!' 50, Toi Derricotte
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Lauren Slater (The Best American Essays 2006)
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We all have some idiot ancestor. All of us, at some point in our lives, discover the trace, the flickering vestige of our dimmest ancestor, and upon gazing at the elusive visage we realize, with astonishment, incredulity, horror, that we’re staring at our own face winking and grinning at us from the bottom of a pit. This exercise tends to be depressing and wounding to our self-esteem, but it can also be extremely salutary. My idiot ancestor was called Bolano (Bolanus) and he appears in the first book of Horace’s Satires, IX, in which Bolano accosts the poet as he walks along the Via Sacra. Says Horace: “Suddenly a fellow whom I knew only by name dashed up and seized me by the hand. ‘My dear chap,’ he said ‘how are things?’ ‘Quite nicely at the moment thanks,’ I said. ‘Well, all the best!’ He remained in pursuit, so I nipped in quickly: ‘Was there something else?’ ‘Yes,’ he said. ‘You should get to know me. I’m an intellectual.’ ‘Good for you!’ I said.” What follows is a tiresome stroll for Horace, since he can’t shake Bolano, who ceaselessly offers advice, praising his own work and even his talent for singing. When Horace asks if he has a mother or family to care for him, Bolano answers that he’s buried them all and he’s alone in the world. Lucky for them, thinks Horace. And he says: “That leaves me. So finish me off! A sinister doom is approaching which an old Sabine fortune-teller foresaw when I was a boy.” The walk, nevertheless, continues. Bolano then confesses that’s he’s out on bail and must appear in court, and he asks Horace to lend him a hand. Horace, of course, refuses. Then a third person appears and Horace tries in vain to slip away. It must be added, in Bolano’s defense, that this new character, Aristius Fuscus, a dandy of the era, is just as much an idiot as Bolano and actually is Horace’s friend. In the end, it’s Aristius Fuscus who accompanies Bolano to his appointment with the law. There’s no moral to this story. We all have an idiot ancestor. He’s a specter, but he’s also our brother, and he lives deep inside each of us under different names that express our degree of implication in the crime: fear, ridicule, indifference, blindness, cruelty.
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Roberto Bolaño (Between Parentheses: Essays, Articles and Speeches, 1998-2003)
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Being trained to think like a lawyer in class, or act like a lawyer at dinner, was a constant reminder that the train chugging steadily toward enlightenment was rolling over piles of bodies. Obviously, it doesn’t read that way to every farm boy, but to me, there was something instructive in getting the regular memo. It’s part of why I left the law, albeit a relatively small part. More meaningfully, it clarified all the times I’d been pulled into a room to talk about diversity as both physician and cure, and it shaped my attitude toward all the rooms yet to come: the institution is not your home, it does not care about you, and it is not your job to fix it. To some people this will sound obvious; to others, harsh. But I wasn’t born knowing it and I still find value in saying it, especially during a time when, for a number of organizations, “fix us” has become item one on the agenda.
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Tajja Isen (Some of My Best Friends: Essays on Lip Service)
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In a classic Vice piece from 2017, writer Sarah Hagi describes her sense, “like a type of synaesthesia, but for race and cartoons,” that various anthropomorphic creatures are really and truly Black, even if they’re not explicitly drawn or even coded as such.
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Tajja Isen (Some of My Best Friends: Essays on Lip Service)
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I want to watch Shloe’s movies and I want to see Mark’s musicals and I want to volunteer with Joe’s nonprofit and eat at Annie’s restaurant and send my kids to schools Jeff has reformed and I’m just scared about this industry that’s taking all my friends and telling them this is the best way for them to be spending their time. Any of their time.
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Marina Keegan (The Opposite of Loneliness: Essays and Stories)
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Young girls are smarter than they're given credit for, and more resilient too. They like what they like for good reason. They seek to build kingdoms out of their favorite people and things...
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Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
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I did not understand that I was 'championing' multiculturalism simply by depicting it, or by describing it as anything other than incipient tragedy.
At the same time I don't think I ever was quite naive enough to believe, even at twenty-one, that racially homogeneous societies were necessarily happier or more peaceful than ours simply by virtue of their homogeneity. After all, even a kid half my age knew what the ancient Greeks did to each other, and the Romans, and the seventeenth-century British, and the nineteenth-century Americans. My best friend during my youth--now my husband--is himself from Northern Ireland, an area where people who look absolutely identical to each other, eat the same food, pray to the same God, read the same holy book, wear the same clothes and celebrate the same holidays have yet spent four hundred years at war over a relatively minor doctrinal difference they later allowed to morph into an all-encompassing argument over land, government and national identity. Racial homogeneity is no guarantor of peace, any more than racial heterogeneity is fated to fail.
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Zadie Smith (Feel Free: Essays)
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I’m not used to being touched. My particular sexual behavior precludes allowing myself to be handled softly or lovingly. It breaks the fourth wall. But I could use it now. This doesn’t make a whole lot of sense, but I feel like I need to write these things down because I’m not sure how much longer I’ll be able to. I love my sister, I love one of my ex-girlfriends, I love my two best friends, I love my mother.
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Brad Phillips (Essays and Fictions)
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Mrs. Lejeune wrote that beautiful essay in verse, on dogs, for one of the English magazines,” the Mistress was saying. “So she must like them. I wouldn’t have brought Lad over to meet her unless her essay had shown such a splendid understanding of—” “Mrs. Lejeune didn’t write it,” was the Master’s morbid contradiction. “Maeterlinck wrote it. She took most of the best things in his ‘My Friend The Dog,’ and rhymed them and put them into her own words.
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Albert Payson Terhune (Lad of Sunnybank)