Tube Bending Quotes

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I got my plan. It was a highly polished aluminum tube, that unscrewed in the middle. It had a male half and a female half. It contained 5600 francs in new bills. When I got it, I kissed it. Yes, I kissed that little tube, two and a half inches long and as thick as your thumb, before shoving it into my anus. I took a deep breath so that it would lodge in the colon. It was my strongbox. They could make me take off all my clothes, spread my legs apart, make me cough or bend over double, for all the good it would do them. The plan was high up in the large intestine. It was a part of me. Inside me I carried my life, my freedom ... my road to revenge. For that's what was on my mind. Revenge. That's all that was, in fact.
Henri Charrière (Papillon)
I dial her mum's number, then sit down cross-legged, facing the wall. When she comes on the line, she sounds uncertain, hesitant. 'Hey! Guess where I am?' I ask, my voice loud with false cheer. 'Rami told me. The Wellesly Hospital in Worthing. What's it like?' 'For a loony-bin it's actually quite decent,' I reply. 'I don't have Sky or an en-suite, and the menu isn't exactly à la carte, but you know...' I tail off. There is a silence. 'Do you have your own room?' Jenna asks, 'Oh yeah, yeah. I have a lovely view of the sea between the bars of my window.' She doesn't laugh. 'Have you started' -there is a pause as she searches for the right word -'threatment?' 'Yeah, yeah. We had group therapy today. Tomorrow we'll probably have art therapy - maybe I'll draw you a hourse and a garden. I know, perhaps they'll teach us to make baskets! Isn't that why they call us basket cases?' 'Flynn, stop,' Jennah softly implores. 'And we'll probably have music therapy the day after. Maybe I'll get to play the tambourine. Or the triangle. I've always wanted to play the triangle!' 'Flynn-' 'No, I'm serious! I'll ask for some manuscript paper and see if I can write a composition for tambourine and triangle. Then I can post if off to you to hand in for my next composition assignment.' 'Flynn, listen-' 'Hold on, hold on! I'm making a note to myself now: Find fellow insane musician and start composing the Flynn Laukonen Sonata for Tambourine and Triangle.' 'Flynn-' 'And then, when they let me out, if they ever let me out, perhaps you could pull a few strigns and organize for me and my tambourine buddy to give a recital. I'm not sure where though -how about the subway at Marble Arch tube? Nice and central, good acoustics-' 'What are the other people like?' Jennah cuts in, an edge to her voice. I notice she doesn't use the word patients. Clever Jennah. For a moment there you almost made me forget I was locked up in a mental institution. 'Round the bend, just like me,' I reply. 'I'm in excellent company. We'll be swapping suicide tips in no time at all!' I give a harsh laugh.
Tabitha Suzuma (A Voice in the Distance (Flynn Laukonen, #2))
Franklin also combined science and mechanical practicality by devising the first urinary catheter used in America, which was a modification of a European invention. His brother John in Boston was gravely ill and wrote Franklin of his desire for a flexible tube to help him urinate. Franklin came up with a design, and instead of simply describing it he went to a Philadelphia silversmith and oversaw its construction. The tube was thin enough to be flexible, and Franklin included a wire that could be stuck inside to stiffen it while it was inserted and then be gradually withdrawn as the tube reached the point where it needed to bend. His catheter also had a screw component that allowed it to be inserted by turning, and he made it collapsible so that it would be easier to withdraw. “Experience is necessary for the right using of all new tools or instruments, and that will perhaps suggest some improvements,” Franklin told his brother. The study of nature also continued to interest Franklin. Among his most noteworthy discoveries was that the big East Coast storms known as northeasters, whose winds come from the northeast, actually move in the opposite direction from their winds, traveling up the coast from the south. On the evening of October 21, 1743, Franklin looked forward to observing a lunar eclipse he knew was to occur at 8:30. A violent storm, however, hit Philadelphia and blackened the sky. Over the next few weeks, he read accounts of how the storm caused damage from Virginia to Boston. “But what surprised me,” he later told his friend Jared Eliot, “was to find in the Boston newspapers an account of the observation of that eclipse.” So Franklin wrote his brother in Boston, who confirmed that the storm did not hit until an hour after the eclipse was finished. Further inquiries into the timing of this and other storms up and down the coast led him to “the very singular opinion,” he told Eliot, “that, though the course of the wind is from the northeast to the southwest, yet the course of the storm is from the southwest to the northeast.” He further surmised, correctly, that rising air heated in the south created low-pressure systems that drew winds from the north. More than 150 years later, the great scholar William Morris Davis proclaimed, “With this began the science of weather prediction.”4 Dozens of other scientific phenomena also engaged Franklin’s interest during this period. For example, he exchanged letters with his friend Cadwallader Colden on comets, the circulation of blood, perspiration, inertia, and the earth’s rotation. But it was a parlor-trick show in 1743 that launched him on what would be by far his most celebrated scientific endeavor. ELECTRICITY On a visit to Boston in the summer of 1743, Franklin happened to be entertained one evening by
Walter Isaacson (Benjamin Franklin: An American Life)
At Advance Tube Engineering, our material capabilities include bending aluminum, stainless steel, and mild steel, in addition to square tube bending services to customer specification. In addition to bending, we also offer beading, flaring, swaging, and other services. We are capable of meeting your tube bending needs with a variety of applications including: beading, flaring and welding.
Advance Tube Engineering
He felt a smile cross his face. He was pretty sure it wasn’t reassuring. He pulled on his latex gloves. “So, do you want to start with the blood work or the prostate exam?” Alexei went a little pale. “I am being sure I do not know what this prostate is. Well, I have suspicion.” Now Caleb grinned widely and held up a tube of lube. “Don’t worry about it, buddy. It’s all a part of the service. You need a prostate check every year.” “But I promise not to use prostate in making the love with Holly. I will keep her far away from prostate.” Alexei backed up, his eyes going to the lube. Nope. He wasn’t getting out of this so easily. “Sorry, buddy. It’s this or a full colonoscopy. Welcome to America. Now please bend over.
Sophie Oak (Found in Bliss (Nights in Bliss, Colorado, #5))
BILATERAL COORDINATION Ball Catch—Toss a large beach ball gently to the child from a short distance. As he becomes more competent, use a smaller ball and step farther away. Ball Whack—Have the child hold a baseball bat, rolling pin, broomstick, book, cardboard tube, or ruler in both hands. Remind her to keep her feet still. Toss her a big ball. As she swings, her body will rotate, as her arms cross the midline. Two-Handed Tetherball—Suspend a sponge ball at the child’s eye level from a string attached to a wide doorframe. Let your child choose different “bats.” Have her count how many hits she makes without missing. Try four-handed tetherball, in which you play, too. Balloon Fun—Using both hands together, the child bounces or tosses up a balloon and catches it. He can keep it afloat by whacking it with open hands or batting it repeatedly with hands clasped together in one large “fist.” Rolling-Pin Fun—Provide the child with a cylindrical block or a rolling pin without handles, so he presses down with his opened hands. Have him roll real dough, playdough, crackers, clay—or mud! Body Rhythms—While you chant or sing, clap, and tap different body parts and have your child imitate your motions. Tip your head from side to side, wave your arms overhead, shake icky sticky glue off your hands, pound your chest, slap your hips, bend from side to side, hunch and relax your shoulders, stamp your feet, and hop from foot to foot. Use both hands together or alternately.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
They had grown up with a constant stream of global warming and gun violence burbling on low from their parents’ radios as they were driven to and from soccer or clarinet. Their lives, for the most part (at least the majority of students who attended this liberal and very expensive college), were cloaked in the postmillennial blanket of peace and prosperity, while terrible threats loomed in the shadowy corners of the larger world. They were overpraised and overpressured. There were teenage billionaires, twelve-year-old YouTube stars, and no jobs for them once they graduated. Once Trump became president, the illusion, the one imparted to them comfortably from the driver’s seat of a minivan, the idea that the world would slowly get better, that “the arc of history is long but it bends toward justice,” was upended.
Julia May Jonas (Vladimir)
YouTube videos might be conversing among themselves – their lists and references and cuts parts of their dialect. When we bounce from song to nonsense to meme, we might be eavesdropping on arguments between images. It might be none of it’s for us at all, any more than it’s for us when we sit on a stool and intrude on the interactions of angles of furniture, or when we see a washing line bend under the weight of the wind or a big cloud of starlings and act like we get to be pleased.
China Miéville (Three Moments of an Explosion: Stories)
Bending over the severed neck, his face less than an inch from the wound, he maneuvered his tweezers under the loupe, dug them into the neck—D’Agosta almost had to turn away—and stretched out what looked like a rubber band but was obviously a large vein. He snipped off a short piece and dropped it in a test tube, dug around some more, pulled out another vein, snipped and stored it, as well. And then he spent another several minutes examining the massive wound, the tweezers and test tubes in almost constant employment.
Douglas Preston (City of Endless Night (Pendergast, #17))
By 1910, the serpentine ‘S-bend’ or ‘pouter pigeon’ silhouette in vogue for much of Edward’s reign had gone the way of the leg-of-mutton sleeves of the 1890s. From 1907, sweeping draperies had narrowed season by season until the notoriously restrictive ‘tube’ or ‘hobble’ skirt emerged.
Martin Williams (The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain)
While I sleep, my hand becomes very strong, extra-strength, and the fingers bend in and put pressure on my palm. I am dreaming that I am holding on to a rope. It is a hollow rope, a rope like a tube in my hand, and it is going outward, beyond the bed, and out the window and over the water and into the other dimension where the spirit of the little lifeform is waiting in the roaring realm of non-bodied, non-form, total-spirits. My rest-rhythm knows to hold on to the rope in this downtime, when I do not worry but when I let my brain be wild with impressions and nonsense. While I am dreaming, my body with the womb-in-use is the port that lights up for her incoming consciousness. My body now is not the bay of doubt it can sometimes be, but a harbor of well-being. As I draw closer to waking, the rope rubs itself against my palm until it turns from rope to ray-of-energy, and this ray runs into my veins, and stays reaching far into my body while also still reaching out to the other side, far away. When I wake up, I know that the dream is over, and yet I am still tethered. I connect to the lifeform in my dreams, I am never not with her now. The most secure attachment is done, not just through what I must do in the life to come, but also in the work that I do in my dreams now while I am making her. I pull her a bit closer to this side every day, and I keep the light on at the landing spot. I make her body. I keep pulling through the dark, until she is filled with enough of a draw to make her spirit leap into her body, which is in my body, and then into our life that we will have together. When she gets here, she will take this rope back, and her life will be officially hers, and my hands will be empty so that I can hold her.
Jenny Slate (Lifeform)
While I sleep, my hand becomes very strong, extra-strength, and the fingers bend in and put pressure on my palm. I am dreaming that I am holding on to a rope. It is a hollow rope, a rope like a tube in my hand, and it is going outward, beyond the bed, and out the window and over the water and into the other dimension where the spirit of the little lifeform is waiting in the roaring realm of non-bodied, non-form, total-spirits. My rest-rhythm knows to hold on to the rope in this downtime, when I do not worry but when I let my brain be wild with impressions and nonsense. While I am dreaming, my body with the womb-in-use is the port that lights up for her incoming consciousness. My body now is not the bay of doubt it can sometimes be, but a harbor of well-being. As I draw closer to waking, the rope rubs itself against my palm until it turns from rope to ray-of-energy, and this ray runs into my veins, and stays reaching far into my body while also still reaching out to the other side, far away. When I wake up, I know that the dream is over, and yet I am still tethered. I connect to the lifeform in my dreams, I am never not with her now. The most secure attachment is done, not just through what I must do in the life to come, but also in the work that I do in my dreams now while I am making her. I pull her a bit closer to this side every day, and I keep the light on at the landing spot. I make her body. I keep pulling through the dark, until she is filled with enough of a draw to make her spirit leap into her body, which is in my body, and then into our life that we will have together. When she gets here, she will take this rope back, and her life will be officially hers, and my hands will be empty so that I can hold her.
Jenny Slate (Lifeform)