Eruption Quotes

Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides, you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion, it is not the desire to mate every second minute of the day, it is not lying awake at night imagining that he is kissing every cranny of your body. No, don't blush, I am telling you some truths. That is just being "in love", which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.

When you erupt, girl, make sure it is felt across worlds.

Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water. Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!" Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation. "You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--" All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger. "You dropped this," he said, totally poker-faced.

I lived in a world that at any moment could erupt into fire. It was the sort of knowledge that kept you on your toes.

Argh!" Thalia pushed me, and a shock went through my body that blew me backward ten feet into the water. Some of the campers gasped. A couple of the Hunters stifled laughs. "Sorry!" Thalia said, turning pale. "I didn't mean to—" Anger roared in my ears. A wave erupted from the creek, blasting into Thalia's face and dousing her from head to toe. I stood up. "Yeah," I growled. "I didn't mean to, either." Thalia was breathing heavily. "Enough!" Chiron ordered. But Thalia held out her spear. "You want some, Seaweed Brain?" Somehow, it was okay when Annabeth called me that — at least, I'd gotten used to it — but hearing it from Thalia was not cool. "Bring it on, Pinecone Face!

And so much depends, I told Augustus, upon a blue sky cut open by the branches of the trees above. So much depends upon the transparent G-tube erupting from the gut of the blue-lipped boy. So much depends upon the observer of the universe.

Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being "in love" which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two.

And it was not darkness, but light—light, bright and pure as the sun on snow, that erupted from Asterin. Light, as Asterin made the Yielding. As the Thirteen, their broken bodies scattered around the tower in a near-circle, made the Yielding as well. Light. They all burned with it. Radiated it. Light that flowed from their souls, their fierce hearts as they gave themselves over to that power. Became incandescent with it.

If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.

If I had my way," Dionysus said, "I would cause your molecules to erupt in flames. We'd sweep up the ashes and be done with a lot of trouble. But Chiron seems to feel this would be against my mission at this cursed camp: to keep you little brats safe from harm." "Spontaneous combustion is a form of harm, Mr. D," Chiron put in. "Nonsense," Dionysus said. "Boy wouldn't feel a thing. Nevertheless, I've agreed to restrain myself. I'm thinking of turning you into a dolphin instead, sending you back to your father.

Well, hello, Peter,” said Lupin pleasantly, as though rats frequently erupted into old school friends around him. “Long time, no see.

A virgin," Flaminius smiled deviously. "I'll take her." Instantly, surprised chatter erupted. Mother Guardian held up her hand for silence. "You cannot be serious, Sire." "Oh, but I am," he replied with a smirk.

For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.

The fact that a cloud from a minor volcanic eruption in Iceland—a small disturbance in the complex mechanism of life on the Earth—can bring to a standstill the aerial traffic over an entire continent is a reminder of how, with all its power to transform nature, humankind remains just another species on the planet Earth.

I watch the Eruptions. Mount Dad, long dormant, now considered armed and dangerous. Mount Saint Mom, oozing lava, spitting flame. Warn the villagers to run into the sea.

In a world where poverty is a crime and where people are yearning for some crumbs of affection, they can only dance on the brim of the volcano and wait for an eruption of compassion. ("New life in Schengen")

Very slowly, using only two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water. Octavian made a squeaking sound. “What was that for? I didn’t say toss it! That could’ve been evidence. Or spoils of war!” Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation. “You other two…” He pointed his blade at Hazel and Piper. “Put your weapons on the dock. No funny bus—” All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth’s dagger. “You dropped this,” he said, totally poker-faced. Annabeth threw her arms around him. “I love you!” “Guys,” Hazel interrupted. She had a little smile on her face. “We need to hurry.

Just when you thought you’d reached a good place in life, a crisis could erupt and spill into the corners you thought most secure.

Now Julie could stay here, in the Keep full of homicidal maniacs who grew teeth the size of switchblades and erupted into a violent frenzy when threatened.

Athena stood in the middle of the road with her arms crossed and a look on her face that made me think Uh-oh. She'd changed out of her armor, into jeans and a white blouse, but she didn't look any less warlike. Her gray eyes blazed. "Well, Percy," she said. "You will stay mortal." "Um, yes, ma'am." "I would know your reasons." "I want to be a regular guy. I want to grow up. Have, you know, a regular high school experience." "And my daughter?" "I couldn't leave her," I admitted, my throat dry. "Or Grover," I added quickly. "Or-" "Spare me." Athena stepped close to me, and I could feel her aura of power making my skin itch. "I once warned you, Percy Jackson, that to save a friend you would destroy the world. Perhaps I was mistaken. You seem to have saved both your friends and the world. But think very carefully about how you proceed from here. I have given you the benefit of the doubt. Don't mess up." Just to prove her point, she erupted in a column of flame, charring the front of my shirt.

We are born into this time and must bravely follow the path to the destined end. There is no other way. Our duty is to hold on to the lost position, without hope, without rescue, like that Roman soldier whose bones were found in front of a door in Pompeii, who, during the eruption of Vesuvius, died at his post because they forgot to relieve him. That is greatness. That is what it means to be a thoroughbred. The honorable end is the one thing that can not be taken from a man.

But they held tighter to each other, past and present and future; flickering between an ancient hall in a mountain castle perched above Orynth, a bridge suspended between glass towers, and another place, perfect and strange, where they had been crafted from stardust and light. A wall of night knocked them back. But they could not be contained. The darkness paused for breath. They erupted.

Everyone says the Summer Queen is stunning, beautiful, absolutely captivating. Yeah, I guess she is, but so is a volcanic eruption

And as we kissed, really kissed, something inside me was smashed, like a splitting atom, erupting with all the force of a shattering nucleus. And yet I was strangely at peace, too. It was like I'd found my place in the universe, in the chaos, and Lucius and I could go along locked together throughout time without end, like pi, existing infinitely, irrationally, spinning through time.

A red-gold glow burst suddenly across the enchanted sky above them as an edge of dazzling sun appeared over the sill of the nearest window. The light hit both of their faces at the same time, so that Voldemort's was suddenly a flaming blur. Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco's wand: "Avada Kedavra!" "Expelliarmus!" The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling, spinning through the air toward the master it would not kill, who had come to take full possession of it at last.

If the doom of failure stifles some time the path of our life, it can pin us down like downtrodden aliens, while, meanwhile, the world around is erupting in joy and contentment. Let's go back then to the nuts and bolts and consult the core of our inner self. ("The grass was greener over there")

Curran roared. The blast of noise erupting from his mouth was like thunder. I clenched up, fighting the urge to step back. “Yes I can,” he snarled. “Listen: this is me telling you what you will not do.” I raised the cookbook and tapped him on the nose. Bad cat.

Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can't see one.

A book is an arrangement of twenty-six phonetic symbols, ten numerals, and about eight punctuation marks, and people can cast their eyes over these and envision the eruption of Mount Vesuvius or the Battle of Waterloo.

Happiness is an undercurrent of sensitivity and leads a surreptitious life: it is an internal eventuality. We can feel it in stillness and it stands the test of time. Joy is an eruption of cheerful moments and we want to express it: it is an external eventuality. We might shout it out, as it conveys a dynamic of fleeting instants. Joy gives voice to “en-joy-ment”. ("The grass was greener over there")

The queen!" someone shouted in alarm, and the King erupted like a wild animal caught in a snare.

I had a terrible temper, after all, and though it rarely erupted, when it did it frightened me and anyone near its epicenter. It was the only crack, but a disturbing one, in the otherwise vacuum-sealed casing of my behavior.

The phone rang. Joseph darted to pick it up. “Dyer residence,” he answered formally. “Hold please,” he said as he covered the mouthpiece. He really was hilarious. “It’s for you, Mara,” he said. “And it’s a booooy,” he sing-songed. I rolled my eyes but wondered who it could be. “I’m taking it in my room,” I said as Joseph erupted in giggles. Horrible.

Emotional neglect lays the groundwork for the emotional numbing that helps boys feel better about being cut off. Eruptions of rage in boys are most often deemed normal, explained by the age-old justification for adolescent patriarchal misbehavior, "Boys will be boys." Patriarchy both creates the rage in boys and then contains it for later use, making it a resource to exploit later on as boys become men. As a national product, this rage can be garnered to further imperialism, hatred and oppression of women and men globally. This rage is needed if boys are to become men willing to travel around the world to fight wars without ever demanding that other ways of solving conflict can be found.

Perhaps all our troubles - all the violence, obesity, illness, depression, and greed we can't overcome - began when we stopped living as Running People. Deny your nature, and it will erupt in some other, uglier way.

Why do we write? A chorus erupts. Because we cannot simply live.

Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being in love, which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Those that truly love have roots that grow towards each other underground, and, when all the pretty blossoms have fallen from their branches, they find that they are one tree and not two.

And silence. She liked the silence most of all. The silence in which the body, senses, the instincts, are more alert, more powerful, more sensitized, live a more richly perfumed and intoxication life, instead of transmuting into thoughts, words, into exquisite abstractions, mathematics of emotion in place of violent impact, the volcanic eruptions of fever, lust and delight.

Magnus began to be truly alarmed. Will's voice would have shaken, betraying that his cruelty had been part of his playacting, but his son's laugh was that of someone genuinely delighted by the chaos erupting all around him

It's just that instead of erupting and annihilating our tormentors, we destroy ourselves instead.

Another image comes to mind: Nietzsche leaving his hotel in Turin. Seeing a horse and a coachman beating it with a whip, Nietzsche went up to the horse and, before the coachman’s very eyes, put his arms around the horse’s neck and burst into tears. That took place in 1889, when Nietzsche, too, had removed himself from the world of people. In other words, it was at the time when his mental illness had just erupted. But for that very reason I feel his gesture has broad implications: Nietzsche was trying to apologize to the horse of Descartes. His lunacy (that is, his final break with mankind) began at the very moment he burst into tears over the horse.

The column hung above the middle of the pentacle, bubbling ever upward against the ceiling like the cloud of an erupting volcanoe. There was a barely perceptible pause. Then two yellow staring eyes materialized in the heart of the smoke. Hey, it was his first time. I wanted to scare him. And it did, too.

I cannot have chaos erupting around me until I am prepared for it. I am a collector. I am an observer. I don't participate. My resources, and my standing, must be secure before I can allow the uncertainty of war to crash down upon us.

But when I am around strangers, I turn into a conversational Mount St. Helens. I'm dormant, dormant, quiet, quiet, old-guy loners build log cabins on the slopes of my silence and then, boom, it's 1980. Once I erupt, they'll be wiping my verbal ashes off their windshields as far away as North Dakota.

Two black boots came into view, then a pair of knees as someone crouched on the edge of the ring. “Get up,” Chaol whispered. She couldn’t bring herself to look him in the face. It was over.(...) “Get up,” Chaol said again, louder. She could only stare at the white line of chalk that marked the ring.(...) “Celaena,” Chaol said gently. And then she heard the scraping noise as his hand came into view, sliding across the flagstones. His fingertips stopped just at the edge of the white line. “Celaena,” he breathed, his voice laced with pain—and hope. This was all she had left—his outstretched hand, and the promise of hope, of something better waiting on the other side of that line. Moving her arm made sparks dance before her eyes, but she extended it until her fingertips reached the line of chalk, and stayed there, not a quarter of an inch from Chaol, the thick white mark separating them. She lifted her eyes to his face, and found his gaze lined with silver. “Get up,” was all he said. And in that moment, somehow his face was the only thing that mattered. She stirred, and couldn’t stop her sob as her body erupted with pain that made her lie still again. But she kept her focus on his brown eyes, on his tightly pressed lips as they parted and whispered, “Get up.

Gage opens the door. I’m not sure whether he gets out or Logan yanks him into the street, but a fight erupts. Full throttle kicks to the balls

You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.

[T]his readiness to assume the guilt for the threats to our environment is deceptively reassuring: We like to be guilty since, if we are guilty, it all depends on us. We pull the strings of the catastrophe, so we can also save ourselves simply by changing our lives. What is really hard for us (at least in the West) to accept is that we are reduced to the role of a passive observer who sits and watches what our fate will be. To avoid this impotence, we engage in frantic, obsessive activities. We recycle old paper, we buy organic food, we install long-lasting light bulbs—whatever—just so we can be sure that we are doing something. We make our individual contribution like the soccer fan who supports his team in front of a TV screen at home, shouting and jumping from his seat, in the belief that this will somehow influence the game's outcome.

When I did show up next door, at 6:34, it sounded like World War III had erupted in the house. I’d let myself in since no one answered the damn door. “I can’t believe you ate all the ice cream, Daemon!” I cringed and stopped inside the dining room. There was no way I was going into that kitchen. “I didn’t eat all of it.” “Oh, so it ate itself?” Dee shrieked so loudly I thought I heard the rafters in the ceiling shake. “Did the spoon eat it? Oh wait, I know. The carton ate it.” “Actually, I think the freezer ate it,” Daemon responded dryly. I grinned when I heard what sounded like the empty container hitting what suspiciously sounded like flesh.

My mind is filled with cataclysm and apocalypse: I wish for earthquakes, eruptions, flood. Only that seems large enough to hold all of my rage and grief. I want the world overturned like a bowl of eggs, smashed at my feet.

The current extinction has its own novel cause: not an asteroid or a massive volcanic eruption but "one weedy species.

Yes. He. Was. Just. Here. Spreading his goodwill and love all around Max’s entryway. It’s a wonder there aren’t cherubs flying around sprinkling rose petals and rainbows erupting through the windows, an aftermath of his delightful visit.

Being a woman is worse than being a farmer there is so much harvesting and crop spraying to be done: legs to be waxed, underarms shaved, eyebrows plucked, feet pumiced, skin exfoliated and moisturised, spots cleansed, roots dyed, eyelashes tinted, nails filed, cellulite massaged, stomach muscles exercised. The whole performance is so highly tuned you only need to neglect it for a few days for the whole thing to go to seed. Sometimes I wonder what I would be like if left to revert to nature — with a full beard and handlebar moustache on each shin Dennis Healey eyebrows face a graveyard of dead skin cells spots erupting long curly fingernails like Struwelpeter blind as bat and stupid runt of species as no contact lenses flabby body flobbering around. Ugh ugh. Is it any wonder girls have no confidence?

Something large and happy has unfolded in my chest, erupting in a smile that won’t quit. I can’t remember ever feeling so light-hearted. Or is my heart full? Or bursting? Not aching, that’s for sure.

Sanjit says his apartment, the same one in which he grew up, has been flooded many times by the midsummer torrents. For what has been for millennia a primarily agricultural society, rains simultaneously destroy, create, and preserve life in India, similar to the functions of the three premier Hindu gods, Shiva, Brahma, and Vishnu. Every time Kolkata gets pounded by a cyclone, or when the monsoon first erupts in June (although the recent warming of the Indian Ocean increasingly disturbs a once-consistent timeline), Sanjit never fails to send along a video, his house flooded – seemingly destroyed – but the smiles on his, Bajju’s, or other house-guest’s faces signify just the opposite, having been cooled and relieved of perpetual heat. Flooded, they remain preserved.

It’s, like, one of them drug dealer boats,” Vic says, looking through his magic sight. “Five guys on it. Headed our way.” He fires another round. “Correction. Four guys on it.” Boom. “Correction, they’re not headed our way anymore.” Boom. A fireball erupts from the ocean two hundred feet away. “Correction. No boat.

You’ll call for me. You’ll be lonely in your new quarters and will feel out of sorts. I could let you pet my hair until you fell asleep.” He drew in closer and lowered his voice to ask in all seriousness, “You’re mad, aren’t you?” “As—a—hatter,” she whispered back conspiratorially. He felt a hint of sympathy for the creature. “How long have you been in here?” “For four long...interminable...days.” He glowered at her. “Which is why I want you to take me with you. I don’t eat much.” The dungeon erupted with laughter again. (Myst and Nikolai)

You're going to hell." His lips twitched then erupted into a full-faced smile. "Oh, good. I was worried you'd be there alone.

Um,” Starflight said as a horrifying thought struck him. “There’s no chance this volcano is about to erupt, is there?

All great movements are popular movements. They are the volcanic eruptions of human passions and emotions, stirred into activity by the ruthless Goddess of Distress or by the torch of the spoken word cast into the midst of the people.

I wondered if the fire had been out to get me. I wondered if all fire was related, like Dad said all humans were related, if the fire that had burned me that day while I cooked hot dogs was somehow connected o the fire I had flushed down the toilet and the fire burning at the hotel. I didn't have the answers to those questions, but what I did know was that I lived in a world that at any moment could erupt into fire. It was the sort of knowledge that kept you on your toes.

To Audun’s amazement, as he spoke the words the staff came alive and red sparks tumbled down and over the wood. The Empress’s face paled. The courtroom froze in stunned silence, and then erupted with a hubbub of noise.

When you fall in love, it is a temporary madness. It erupts like an earthquake, and then it subsides. And when it subsides, you have to make a decision. You have to work out whether your roots are become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the desire to mate every second of the day. It is not lying awake at night imagining that he is kissing every part of your body. No... don't blush. I am telling you some truths. For that is just being in love; which any of us can convince ourselves we are. Love itself is what is left over, when being in love has burned away. Doesn't sound very exciting, does it? But it is!

Thinking, not for the first time, that life should come with a trapdoor. Just a little exit hatch you could disappear through when you´d utterly and completely mortified yourself. Or when you had spontaneous zit eruptions. “Good book?” he asked, taking it from her and reading the subtitle, “A Guide for Good Girls Who (Sometimes) Want to Be Bad,” out loud. But life did not come with a trapdoor.

How can I begin to tell you how much I miss you without using those three common words that can't even start to express the magnitude nor the depth of my emotions. How can I write in my own blood while wanting to revert its color. The color of blood is similar to "I miss you". It has been raped by writers and lovers constantly, ever since Cain and Abel. I want to be able to create a new alphabet that can simply stand in front of you without bowing. I want to use new metaphors that would erupt like volcanoes between the phrases of my readers' souls. Metaphors such as your absence is similar to eating salt straight from the shaker while thirst is devouring my tongue. Metaphors such as the lack of your presence is like being straddled behind the glass of my own senses.

I know that many men and even women are afraid and angry when women do speak, because in this barbaric society, when women speak truly they speak subversively - they can't help it: if you're underneath, if you're kept down, you break out, you subvert. We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains. That's what I want - to hear you erupting. You young Mount St. Helenses who don't know the power in you - I want to hear you.

I heard from my dear friend Tiberius Ogden, that you can produce a Patronus? For a bonus point...? Harry raised his wand, looked directly at Umbridge, and imagined her being sacked. Expecto Patronum! The silver stag erupted from the end of his wand and cantered the length of the hall.

I don’t know what you’re referencing, madam,” the chairman says, his voice raised over mine. “I’m talking about menstruation, sir!” I shout in return. It’s like I set the hall on fire, manifested a venomous snake from thin air, also set that snake on fire, and then threw it at the board. The men all erupt into protestations and a fair number of horrified gasps. I swear one of them actually swoons at the mention of womanly bleeding.

Madison rolled her eyes. “I blew a tire.” “Wait. I can’t hear you. Guys, can you keep it down?” His voice got a little farther away from the mouthpiece. “Maddie’s on the phone and she blew something.” The room erupted in male laughter. Oh. My. Freaking. God. “Sorry about that, honey. Now, what happened?” her father asked. “You blew a fire?” “I blew a tire! A tire! You know those things that are round and made of rubber?

What are you so afraid will happen? Afraid you might start to like me?” He said nothing. Despite her fatigue, she trotted ahead of him. “That’s it, isn’t it? You don’t want to like a Grisha. You’re scared that if you laugh at my jokes or answer my questions, you might start thinking I’m human. Would that be so terrible?” “I do like you.” “What was that?” “I do like you,” he said angrily. She’d beamed, feeling a well of pleasure erupt through her. “Now, really, is that so bad?” “Yes!” he roared. “Why?” “Because you’re horrible. You’re loud and lewd and . . . treacherous. Brum warned us that Grisha could be charming.” “Oh, I see. I’m the wicked Grisha seductress. I have beguiled you with my Grisha wiles!” She poked him in the chest. “Stop that.” “No. I’m beguiling you.” “Quit it.” She danced around him in the snow, poking his chest, his stomach, his side. “Goodness! You’re very solid. This is strenuous work.” He started to laugh. “It’s working! The beguiling has begun. The Fjerdan has fallen. You are powerless to resist me.

Dormant true love, there for everybody, just waiting to be found, erupting when the thread of existence collides with chance and the eyes of two lovers meet. Boom. From what I’ve seen of it, true love is hard. Real romance has death in it. It has midnight shakes and flecks of shit across a bedsheet. True love like this dies if it has to wait for fate. True love like this asks lovers to cast aside what is meant to be and work with what is.

NOBREZA SILENCIOSA. SILENT NOBILITY. It is a mistake to believe that the crucial moments of a life when its habitual direction changes forever must be loud and shrill dramatics, washed away by fierce internal surges. This is a kitschy fairy tale started by boozing journalists, flashbulb-seeking filmmakers and authors whose minds look like tabloids. In truth, the dramatics of a life-determining experience are often unbelievably soft. It has so little akin to the bang, the flash, of the volcanic eruption that, at the moment it is made, the experience is often not even noticed. When it deploys its revolutionary effect and plunges a life into a brand-new light giving it a brand-new melody, it does that silently and in this wonderful silence resides its special nobility.

There will be a shifting of the poles. There will be upheavals in the Arctic and the Antarctic that will make fotr the eruption of volcanos in the Torrid areas... The upper portion of Europe will be changed in the blink of an eye. The earth will be broken up in the western portion of America. The greater portion of Japan must go into the sea.

what are you looking for? There is no Truth. There's only action, action obeying a million different impulses, ephemeral action, action subjected to every possible and imaginable contingency and contradiction, Life. Life is crime, theft, jealousy, hunger, lies, disgust,stupidity, sickness, volcanic eruptions, earthquakes, piles of corpses. what can you do about it, my poor friend?

The roots of sexism and homophobia are found in the same economic and political institutions that serve as the foundation of racism in this country and, more often than not, the same extremist circles that inflict violence on people of color are responsible for the eruptions of violence inspired by sexist and homophobic biases. Our political activism must clearly manifest our understanding of these connections.

We are not leaving Deathbringer!” Glory grabbed Fatespeaker. “Point the way and I’ll go by myself. Starflight, get out of here. Get everyone off the island.” Deathbringer? Starflight opened and closed his mouth. He hadn’t realized that rescuing the NightWing assassin was even on Glory’s agenda, let alone that it was important enough to risk an erupting volcano for. But she’s right. He risked everything for us — for her.

He smiled. "You’re into me, I can tell." "I’m not into you," I said hotly. Hotly, because as soon as the words left my lips, sparklers erupted on top of my head. Hudson looked at them, and a grin spread across his face. The baby cooed and reached out, trying to grab the flaring light. Hudson moved farther away. "Don’t touch. Just look at Mommy’s pretty liar hat." He was enjoying this way too much. "Okay," I said. "Maybe I like you a little." The sparklers dimmed, but didn’t go out. Hudson raised an eyebrow. "All right," I said, nervously eyeing the area to make sure no one saw us. "I’m into you." The sparklers died, but I didn’t wait around for more commentary. I headed to the inn. Behind me I heard Hudson still talking to the baby. "Yes, we like Mommy’s flaming hairdo, don’t we?

you make me laugh, with your metaphysical anguish, its just that you're scared silly, frightened of life, of men of action, of action itself, of lack of order. But everything is disorder, dear boy. Vegetable, mineral and animal, all disorder, and so is the multitude of human races, the life of man, thought, history, wars, inventions, business and the arts, and all theories, passions and systems. Its always been that way. Why are you trying to make something out of it? And what will you make? what are you looking for? There is no Truth. There's only action, action obeying a million different impulses, ephemeral action, action subjected to every possible and imaginable contingency and contradiction, Life. Life is crime, theft, jealousy, hunger, lies, disgust, stupidity, sickness, volcanic eruptions, earthquakes, piles of corpses. what can you do about it, my poor friend?

The baby closed its mouth, staring at him with hope and small hiccups. “Jesus,” he said. He lay down on the bed, pulling the pillow under his head, and drew the whole bundle of coat, shawl and infant up against his shirt. A tiny hand closed tight on the lace. One sob erupted, and then changed midbreath to a soft sigh. Women, he thought sardonically, sinking in the bedclothes, with sleep revolving and closing in his head. He moved one finger, feeling a cheek as soft as down. What’s your name? Ask the girl. Remember that… Maddy… It was wrong. I must leave thee now. Don’t cry. Don’t cry, little girl… I’m so tired. I never deserved you, did I? Maddy… but I loved you. I always loved you.

December is celebrated quite heartily here in the United States. Aggresively, one might say. Every conceivable space is corseted with strands of twinkle lights, buildings are smothered beneath greenery, and a mass mania for erecting oversized, inflatable, waving "snowmen" in front of homes erupts amid the populace. It's quite a hysteria- and the evergreen trees are not just a myth, Vasile. People really do purchase them, in abundance. They are for sale everywhere. Imagine paying for the privilege of dragging a filthy piece of forest into your living area for the purpose of bedecking it with glass balls and staring at it. Why a tree? If one needed to display glass balls-and I highly discorage it-why not just a case of some sort? A rack?

Okay," I sighed, interrupting before a battle of wills erupted. "So we will have to scout the wall first. We can-Apollo!" The god looked up. In his hands, the Newton balls knocked off of each other once more. "What?" he asked. "What?" I shot him an annoyed look. "Seriously. Have you've never seen a Newton's Cradle before? Every time you move the first ball, it's going to move the rest of the balls." "No." His gaze dipped to the cradle. "Gravity is cool." "Oh my gods," I moaned, slumping in my seat. "My brain hurts." Apollo let go of the silver ball once more, and then placed the cradle on the edge of Marcus' desk.

Ianthe said smoothly, “Come, Bride, and be joined with your true love. Come, Bride, and let good triumph at last.” Good. I was not good. I was nothing, and my soul, my eternal soul, was damned— I tried to get my traitorous lungs to draw air so I could voice the word. No—no. But I didn’t have to say it. Thunder cracked behind me, as if two boulders had been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. “Hello, Feyre darling,” he purred.

Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the midst of the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would we truly understand and appreciate the advantage of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!

Poetry can unleash a terrible fear. I suppose it is the fear of possibilities, too many possibilities, each with its own endless set of variations. It's like looking too closely and too long into a mirror; soon your features distort, then erupt. You look too closely into your poems, or listen too closely to them as they arrive in whispers, and the features inside you - call it heart, call it mind, call it soul - accelerate out of control. They distort and they erupt, and it is one strange pain. You realize, then, that you can't attempt breaking down too many barriers in too short a time, because there are as many horrors waiting to get in at you as there are parts of yourself pushing to break out, and with the same, or more, fevered determination.

I erupt from the dark, crushing tunnel into a flash of light and noise. A new kind of air surrounds me, dry and cold, as they wipe the last smears of home off my skin. I feel a sharp pain as they snip something, and suddenly I am less. I am no one but myself, tiny and feeble and utterly alone. I am lifted and swungthrough great heights across yawning distances, and given to Her. She wraps around me, so much bigger and softer than I ever imagined from inside,and I strain my eyes open. I see Her. She is immense, cosmic. She is the world. The world smiles down on me, and when She speaks it’s the voice of God, vast and resonant with meaning, but words unknowable, ringing gibberish in my blank white mind.

What would happen if a man's face could adequately express his suffering, if his entire inner agony would be objectified in his facial expression? Could we still communicate? Wouldn't we then cover our faces with our hands while talking? Life would really be impossible if the infinitude of feelings we harbor within ourselves would be fully expressed in the lines of our face. Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would be truly understand and appreciate the advantages of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!

(a) Are the skies you sleep under likely to open up for weeks on end? (b) Is the ground you walk on likely to tremble and split? (c) Is there a chance (and please check the box, no matter how small that chance seems) that the ominous mountain casting a midday shadow over your home might one day erupt with no rhyme or reason? Because if the answer is yes to one or all of these questions, then the life you lead is a midnight thing, always a hair's breadth from the witching hour; it is volatile, it is threadbare; it is carefree in the true sense of that term; it is light, losable like a key or a hair clip. And it is lethargy: why not sit all morning, all day, all year, under the same cypress tree drawing the figure eight in the dust? More than that, it is disaster, it is chaos: why not overthrow a government on a whim, why not blind the man you hate, why not go mad, go gibbering through the town like a loon, waving your hands, tearing your hair? There's nothing to stop you---or rather anything could stop you, any hour, any minute. That feeling. That's the real difference in a life.

The sounds of people entering the kitchen snap me out of my thoughts. Before I can react, creepy moaning noises and breathless giggles erupt from the other side of my counter."Oh, Grant," a familiar voice sighs.I pop up suddenly, unable to believe my ears. Guess what I see? Jane, locked in the embrace of a balding middle aged man whom I'm pretty sure is married."Jane!" I gasp.They both scream a little and break apart, wide-eyed. "Violet!" Jane gasps, holding a hand against her heart."I thought you were a lesbian," I blurt out. "It's not what it—what? Why would you think I'm a lesbian?""Oh..." I shrug. "Never mind. I should go.

Their bedroom has always been our sanctuary. Sometimes at night we'll end up on their bed just talking. My dad will be snoring and Mia will say, "Turn around, Bobby, you're snoring," and he'll turn around and for a moment it'll be silent. Then he'll erupt into a massive snore and Luca and I will kill ourselves laughing and my dad will wake up and bark, "Get to bed!" and not even a second later he'll be snoring and we'll kill ourselves laughing again and Mia will say, "What is this? Grand Central Station?

It was the way he wore the place. You expected him any moment to break into the kind of song that has suspicious rhymes and phrases like "my kind of town" and "I wanna be a part of it" in it; the kind of song where people dance in the street and give the singer apples and join in and a dozen lowly matchgirls suddenly show amazing choreographical ability and everyone acts like cheery lovable citizens instead of the murderous, evil-minded, self-centered people they suspect themselves to be. But the point was that if Carrot had erupted into a song, people WOULD have joined in. Carrot could have jollied up a circle of standing stones to form up behind him and do a rumba.

Torch strode over and stared at the fiver "What's this?" "Some change for you. Buy your flunkies some decent clothes." I dipped my fingers into the jar and smeared think fragrant paste on my face. Torch frowned, mirroring the expression on my aunt's face. "Change?" Oh, for crying out loud. "It's money. We don't use coins as currency now, we use paper money." He stared at me. "I'm insulting you! I'm saying your poor, like a beggar, because your undead are in rags. I'm offering to clothe your servants for you, because you can't provide for them. Come on, how thick do you have to be?" He jerked his hand up. A jet of flame erupted from his fingers, sliding against the ward. I jerked back from the windows on instinct. The fire died. I leaned forward. "Do you understand now?" More fire. "What's the matter? Was that not enough money?

You came back," He said, as if that were an answer. They joined hands. So the world ended. And the next one began. ------------------------------ They were infinite. They were the beginning and the ending; they were eternity. The king standing before them gaped as the shield of flame died out to reveal Aelin and Dorian, hand in hand, glowing like newborn gods as their magic entwined. "YOUR MINE," the man raged. He became darkness; folded himself into the powers he carried, as if he were nothing but malice on a dark wind. He struck them, swallowed them. But they held tighter to each other, past and present and future; flickering between an ancient hall in a mountain castle perched above Orynth, a bridge suspended between glass towers, and another place, perfect and strange, where they had been crafted from stardust and light. A wall of night knocked them back. But they could not be contained. The darkness paused for a breath. They erupted.

Every room I've lived in since I was given my own room at eleven was lined with, and usually overfull of, books. My employment in bookstores was always continuous with my private hours: shelving and alphabetizing, building shelves, and browsing-- in my collection and others-- in order to understand a small amount about the widest possible number of books. Such numbers of books are constantly acquired that constant culling is necessary; if I slouch in this discipline, the books erupt. I've also bricked myself in with music--vinyl records, then compact discs. My homes have been improbably information-dense, like capsules for survival of a nuclear war, or models of the interior of my own skull. That comparison--room as brain-- is one I've often reached for in describing the rooms of others, but it began with the suspicion that I'd externalized my own brain, for anyone who cared to look.

What?” Richardson snarled. “No smart retort, Mr. Gautier? Cat swallow your tongue?” Nick gave her a charming grin he didn’t really feel. “No, ma’am. A gator named Sense Formerly Known as Common.” Sneering at him, she tottered her way to her desk so that she could insult someone else and ruin their day. Caleb let out an annoyed breath. -Great,- he projected to Nick. -Now I have to get detention, too. I really hate you, Gautier.- Nick batted his eyelashes at Caleb. -But I wubs you, Caliboo.- That succeeded in wringing a groan out of Caleb. “What was that, Mr. Malphas?” Richardson asked. “Severe intestinal woe caused by an external hemorrhoid that seems to be growing on my right-hand side.” He cast a meaningful glower toward Nick. The class erupted into laughter as Richardson shot to her feet. “Enough!” She slammed her hands on her desk. “For that, Mr. Malphas, you can join Mr. Gautier in after-school detention.” Caleb let out an irritated sigh. --More quality time with my hemorrhoid. Just what I wanted for Christmas. Yippee ki-yay.--

Zeus rolled his eyes. "A dimwitted god, apparently. But yes. With the consensus of the entire Council, I can make you immortal. Then I will have to put up with you forever." "Hmm," Ares mused. "That means I can smash him to a pulp as often as I want, and he'll just keep coming back for more. I like this idea." "I approve as well," Athena said, though she was looking at Annabeth. I glanced back. Annabeth was trying not to meet my eyes. Her face was pale. I flashed back to two years ago, when I'd thought she was going to take the pledge to Artemis and become a Hunter. I'd been on the edge of a panic attack, thinking that I'd lose her. Now, she looked pretty much the same way. I thought about the Three Fates, and the way I'd seen my life flash by. I could avoid all that. No aging, no death, no body in the grave. I could be a teenager forever, in top condition, powerful, and immortal, serving my father. I could have power and eternal life. Who could refuse that? Then I looked at Annabeth again. I thought about my friends from camp: Charles Beckendorf, Michael Yew, Silena Beauregard, so many others who were now dead. I thought about Ethan Nakamura and Luke. And I knew what to do. "No," I said. The Council was silent. The gods frowned at each other like they must have misheard. "No?" Zeus said. "You are . . . turning down our generous gift?" There was a dangerous edge to his voice, like a thunderstorm about to erupt. "I'm honored and everything," I said. "Don't get me wrong. It's just . . . I've got a lot of life left to live. I'd hate to peak in my sophomore year." The gods were glaring at me, but Annabeth had her hands over her mouth. Her eyes were shining. And that kind of made up for it.

What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.

What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.

The Words, Kaladin. That was Syl’s voice. You have to speak the Words! I FORBID THIS. YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM! “I will protect even those I hate,” Kaladin whispered through bloody lips. “So long as it is right.” A Shardblade appeared in Moash’s hands. A distant rumbling. Thunder. THE WORDS ARE ACCEPTED, the Stormfather said reluctantly. “Kaladin!” Syl’s voice. “Stretch forth thy hand!” She zipped around him, suddenly visible as a ribbon of light. “I can’t…” Kaladin said, drained. “Stretch forth thy hand!” He reached out a trembling hand. Moash hesitated. Wind blew in the opening in the wall, and Syl’s ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand. Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length. Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out. For a moment, they stood in darkness. Then Kaladin exploded with Light. It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes. Pain evaporated like mist on a hot day. Kaladin’s grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings. Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin. “The Knights Radiant,” Kaladin said softly, “have returned.

Your frequent claim that we must understand religious belief as a “social construct,” produced by “societal causes,” dependent upon “social and cultural institutions,” admitting of “sociological questions,” and the like, while it will warm the hearts of most anthropologists, is either trivially true or obscurantist. It is part and parcel of the double standard that so worries me—the demolition of which is the explicit aim of The Reason Project. Epidemiology is also a “social construct” with “societal causes,” etc.—but this doesn’t mean that the germ theory of disease isn’t true or that any rival “construct”—like one suggesting that child rape will cure AIDS—isn’t a dangerous, deplorable, and unnecessary eruption of primeval stupidity. We either have good reasons or bad reasons for what we believe; we can be open to evidence and argument, or we can be closed; we can tolerate (and even seek) criticism of our most cherished views, or we can hide behind authority, sanctity, and dogma. The main reason why children are still raised to think that the universe is 6,000 years old is not because religion as a “social institution” hasn’t been appropriately coddled and cajoled, but because polite people (and scientists terrified of losing their funding) haven’t laughed this belief off the face of the earth. We did not lose a decade of progress on stem-cell research in the United States because of religion as a “social construct”; we lost it because of the behavioural and emotional consequences of a specific belief. If there were a line in the book of Genesis that read – “The soul enters the womb on the hundredth day (you idiots)” – we wouldn’t have lost a step on stem-cell research, and there would not be a Christian or Jew anywhere who would worry about souls in Petri dishes suffering the torments of the damned. The beliefs currently rattling around in the heads of human beings are some of the most potent forces on earth; some of the craziest and most divisive of these are “religious,” and so-dubbed they are treated with absurd deference, even in the halls of science; this is a very bad combination—that is my point.

Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.