Eruption Book Quotes

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Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can't see one.
Jonathan Stroud
A book is an arrangement of twenty-six phonetic symbols, ten numerals, and about eight punctuation marks, and people can cast their eyes over these and envision the eruption of Mount Vesuvius or the Battle of Waterloo.
Kurt Vonnegut Jr.
Thinking, not for the first time, that life should come with a trapdoor. Just a little exit hatch you could disappear through when you´d utterly and completely mortified yourself. Or when you had spontaneous zit eruptions. “Good book?” he asked, taking it from her and reading the subtitle, “A Guide for Good Girls Who (Sometimes) Want to Be Bad,” out loud. But life did not come with a trapdoor.
Michele Jaffe (Prom Nights from Hell)
Forget the grand gestures," whispers this book, "the true magic of love lies in the quiet moments, the shared laughter, and the butterflies that erupt even after the fiftieth movement.
Rendi Ansyah (Beyond the Bouquet: A Symphony of Love in Fifty Movements)
In my lifetime I was to write only one book, this would be the one. Just as the past Lingers in the present, all my writings after night, including those that deal with biblical, Talmudic, or Hasidic themes, profoundly bear it's stamp, and cannot be understood if one has not read this very first of my works. Why did I write it? Did I write it so as not to go mad or, on the contrary, to go mad in order to understand the nature of the madness, the immense, terrifying madness that had erupted in history and in the conscience of mankind?
Elie Wiesel (Night)
Every room I've lived in since I was given my own room at eleven was lined with, and usually overfull of, books. My employment in bookstores was always continuous with my private hours: shelving and alphabetizing, building shelves, and browsing-- in my collection and others-- in order to understand a small amount about the widest possible number of books. Such numbers of books are constantly acquired that constant culling is necessary; if I slouch in this discipline, the books erupt. I've also bricked myself in with music--vinyl records, then compact discs. My homes have been improbably information-dense, like capsules for survival of a nuclear war, or models of the interior of my own skull. That comparison--room as brain-- is one I've often reached for in describing the rooms of others, but it began with the suspicion that I'd externalized my own brain, for anyone who cared to look.
Jonathan Lethem (The Disappointment Artist: Essays)
Nuclear weapons could bring about the Book of Revelation in a matter of hours; they could do it today. Of course, no dead will rise; nothing will be revealed (nothing meaning two things, the absence of everything and a thing called nothing). Events that we call "acts of God"--floods, earthquakes, eruptions--are flesh wounds compared to the human act of nuclear war: a million Hiroshimas. Like God, nuclear weapons are free creations of the human mind. Unlike God, nuclear weapons are real. And they are here.
Martin Amis (Einstein's Monsters)
At the exact moment when truth erupts, the subconscious changes from wastebasket file to angel writing in a book of gold.
Ray Bradbury (Zen in The Art of Writing)
A book is like a quarrel. One word leads to another, and may erupt in blood or print, irrevocably.
Will Durant
The Words, Kaladin. That was Syl’s voice. You have to speak the Words! I FORBID THIS. YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM! “I will protect even those I hate,” Kaladin whispered through bloody lips. “So long as it is right.” A Shardblade appeared in Moash’s hands. A distant rumbling. Thunder. THE WORDS ARE ACCEPTED, the Stormfather said reluctantly. “Kaladin!” Syl’s voice. “Stretch forth thy hand!” She zipped around him, suddenly visible as a ribbon of light. “I can’t…” Kaladin said, drained. “Stretch forth thy hand!” He reached out a trembling hand. Moash hesitated. Wind blew in the opening in the wall, and Syl’s ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand. Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length. Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out. For a moment, they stood in darkness. Then Kaladin exploded with Light. It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes. Pain evaporated like mist on a hot day. Kaladin’s grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings. Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin. “The Knights Radiant,” Kaladin said softly, “have returned.
Brandon Sanderson (The Way of Kings: Book One of the Stormlight Archive)
Your frequent claim that we must understand religious belief as a “social construct,” produced by “societal causes,” dependent upon “social and cultural institutions,” admitting of “sociological questions,” and the like, while it will warm the hearts of most anthropologists, is either trivially true or obscurantist. It is part and parcel of the double standard that so worries me—the demolition of which is the explicit aim of The Reason Project. Epidemiology is also a “social construct” with “societal causes,” etc.—but this doesn’t mean that the germ theory of disease isn’t true or that any rival “construct”—like one suggesting that child rape will cure AIDS—isn’t a dangerous, deplorable, and unnecessary eruption of primeval stupidity. We either have good reasons or bad reasons for what we believe; we can be open to evidence and argument, or we can be closed; we can tolerate (and even seek) criticism of our most cherished views, or we can hide behind authority, sanctity, and dogma. The main reason why children are still raised to think that the universe is 6,000 years old is not because religion as a “social institution” hasn’t been appropriately coddled and cajoled, but because polite people (and scientists terrified of losing their funding) haven’t laughed this belief off the face of the earth. We did not lose a decade of progress on stem-cell research in the United States because of religion as a “social construct”; we lost it because of the behavioural and emotional consequences of a specific belief. If there were a line in the book of Genesis that read – “The soul enters the womb on the hundredth day (you idiots)” – we wouldn’t have lost a step on stem-cell research, and there would not be a Christian or Jew anywhere who would worry about souls in Petri dishes suffering the torments of the damned. The beliefs currently rattling around in the heads of human beings are some of the most potent forces on earth; some of the craziest and most divisive of these are “religious,” and so-dubbed they are treated with absurd deference, even in the halls of science; this is a very bad combination—that is my point.
Sam Harris
That woman is a volcano on the point of eruption, with a libido of igneous magma yet the heart of an angel,' he said licking his lips. 'If I had to establish a true parallel, she reminds me of my succulent mulatto girl in Havana, who was very devout and always worshiped her saints. But since, deep down, I'm an old-fashioned gent who doesn't like to take advantage of women, I contend myself with a chaste kiss on the cheek. I'm not in a hurry, you see? All good things must wait. There are yokels out there who think that if they touch a woman's behind and she doesn't complain, they've hooked her. Amateurs. The female heart is a labyrinth of subtleties, too challenging for the uncouth mind of the male racketeer. If you really want to possess a woman, you must think like her, and the first thing to do is win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
I did not want to spend days on end in a car with someone who made no secret of not liking me, even though he got along with almost everyone else. Something about the two of us was like mixing Diet Coke and Mentos—guaranteed instant eruption
Annabeth Albert (Conventionally Yours (True Colors, #1))
They were allowed a little touch at each of the books, but only with their fingertips tonight, literature cannot bear dirty hands; first we'll have to back each volume with paper, the covers must not get dirty, nor the spines slit, books are the nation's most precious possession, books have preserved the nation's life through monopoly, pestilence, and volcanic eruption, not to mention the tons of snow that have lain over the country's widely scattered homesteads for the major part of every one of its thousand years.
Halldór Laxness (Independent People (Vintage International))
The imagination circuit is taught to respond to the most minimal of cues. A book is an arrangement of twenty-six phonetic symbols, ten numerals, and about eight punctuation marks, and people can cast their eyes over these and envision the eruption of Mount Vesuvius or the Battle of Waterloo. But it's no longer necessary for teachers and parents to build these circuits. Now there are professionally produced shows with great actors, very convincing sets, sound, music. Now there's the information highway. We don't need the circuits any more than we need to know how to ride horses. Those of us who had imagination circuits built can look in someone's face and see stories there; to everyone else, a face will just be a face.
Kurt Vonnegut Jr.
We soothe newborns, but parents soon start teaching their children to tolerate higher levels of arousal, a job that is often assigned to fathers. (I once heard the psychologist John Gottman say, “Mothers stroke, and fathers poke.”) Learning how to manage arousal is a key life skill, and parents must do it for babies before babies can do it for themselves. If that gnawing sensation in his belly makes a baby cry, the breast or bottle arrives. If he’s scared, someone holds and rocks him until he calms down. If his bowels erupt, someone comes to make him clean and dry. Associating intense sensations with safety, comfort, and mastery is the foundation of self-regulation, self-soothing, and self-nurture, a theme to which I return throughout this book.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
When we look back, it becomes clear that the acts and accomplishments of human beings are the signatures of history. Human signatures have created an enormous chasm between the joyeous light of the age of the Renaissance to the dark shadow of September 11, 2001. Those of us living on that fateful day experienced the lower depths of mankind. As an author, avid reader, world traveler, and person of enormous curiosity, my life experiences have taught me that discord often erupts from a lack of knowledge and education. To discourage future dark moments, I believe we must nourish the minds of our young with learning that creates understanding between ethnic and religious groups. Perhaps understanding will lead to a marvelous day when we take a last fleeting look at violence so harmful to so many. I sincerely believe that nothing will further the cause of peace more than the education of our young. I would like for readers to know that a percentage of the profits from the sale of this book will be devoted to the cause of education. May all roads lead to peace.
Jean Sasson (Growing Up bin Laden: Osama's Wife and Son Take Us Inside Their Secret World)
Las Vegas has become a child's picture-book dream of a city-here a storybook castle, there a sphinx-flanked black pyramid beaming white light into the darkness as a landing beam for UFOs, and everywhere neon oracles and twisting screens predict happiness and good fortune, announce singers and comedians and magicians in residence or on their way, and the lights always flash and beckon and call. Once every hour a volcano erupts in light and flame. Once every hour a pirate ship sinks a man o'war.
Neil Gaiman
The Pannion Domin … why are we sparing a mole’s ass for some upstart zealots? These things burn out. Every time. They implode. The scroll scribblers take over – they always do – and start arguing obscure details of the faith. Sects form. Civil war erupts, and there it is, just one more dead flower trampled on history’s endless road.
Steven Erikson (Memories of Ice (Malazan Book of the Fallen, #3))
OI, champion! What the blast is goin’ on around here?! First, the lad’s house erupts, then that fairy princess land shows up,
H.W. Dante (Terraria: Flesh and Blood (Legends Book 4))
Stories trace their roots to impassioned human interactions with the world. I always sense a storyline as an emotional yearning embedded in a deep fissure waiting to erupt.
Kilroy J. Oldster (Dead Toad Scrolls)
historic eruptions,
Kate Messner (Journey through Ash and Smoke (Ranger in Time Book 5))
Question (The Great Problematic): Will the ultimate liberation of the erotic from its dialectical relationship with Christianity result in (a) The freeing of the erotic spirit so that man- and womankind will make love and not war? or (b) The trivialization of the erotic by its demotion to yet another technique and need-satisfaction of the organism, toward the end that the demoniac spirit of the autonomous self, disappointed in all other sectors of life and in ordinary intercourse with others, is now disappointed even in the erotic, its last and best hope, and so erupts in violence--and in that very violence which is commensurate with the orgastic violence in the best days of the old erotic age--i.e., war?
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
bragging is breathing and insulting is talking, where repetition and contradiction come standard, where vengefulness and insecurity erupt at random. Elsewhere, such qualities might get in the way of the story. With Trump, they are the story.
Carlos Lozada (The Washington Book: How to Read Politics and Politicians)
Lemon knows all too well how dangerous Tangerine can be when he's angry. Usually Tangerine is content to read his novels and keep violence to an absolute minimum. But once he loses his temper he becomes ruthless and nearly unstoppable. It's impossible to tell from his demeanour whether he's angry or not, which makes him even more dangerous. He erupts all at once, without any warning, terrible to behold. But Lemon knows that when Tangerine starts quoting books and movies it's time to be wary. It's as if in his frenzied state the box of memories inside his head gets tipped over and the contents spill out, making him start quoting his favourite likes. It's the surest sign he's about to get violent.
Kōtarō Isaka (Bullet Train (Assassins, #2))
Sure, there are good things, lots, sure, blow jobs, chocolate mousse, winning streaks, the warm fire in your enemy’s house, good book, hunk of cheese, flagon of ale, office raise, championship ring, the misfortunes of others, sure, good things, beyond count, queens, kings, old clocks, comfy clothes, lots, innumerable items in stock, baseball cards and bingo buttons, pot-au-feu, listen, we could go on and on like a long speech, sure it’s a great world, sights to see, canyons full of canyon, corn on the cob, the eroded great pyramids, contaminated towns, eroded hillsides, deleafed trees, those whitened limbs stark and noble in the evening light, geeeez, what gobs of good things, no shit, service elevators, what would we do without, and all the inventions of man, Krazy Glue and food fights, girls wrestling amid mounds of Jell-O, drafts of dark beer, no end of blue sea, formerly full of fish, eroded hopes, eruptions of joy, because we’re winning, have won, won, won what? the . . . the Title.
William H. Gass (Tests of Time)
The goal of this book is to explain the facts of the past and present, not to augur the hypotheticals of the future. Still, you might ask, isn’t it the essence of science to make falsifiable predictions? Shouldn’t any claim to understanding the past be evaluated by its ability to extrapolate into the future? Oh, all right. I predict that the chance that a major episode of violence will break out in the next decade—a conflict with 100,000 deaths in a year, or a million deaths overall—is 9.7 percent. How did I come up with that number? Well, it’s small enough to capture the intuition “probably not,” but not so small that if such an event did occur I would be shown to be flat-out wrong. My point, of course, is that the concept of scientific prediction is meaningless when it comes to a single event—in this case, the eruption of mass violence in the next decade. It would be another thing if we could watch many worlds unfold and tot up the number in which an event happened or did not, but this is the only world we’ve got.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
They could lock the sheep in pens, castrate rams and selectively breed ewes, yet they could not ensure that the ewes conceived and gave birth to healthy lambs, nor could they prevent the eruption of deadly epidemics. How then to safeguard the fecundity of the flocks? A leading theory about the origin of the gods argues that gods gained importance because they offered a solution to this problem. Gods such as the fertility goddess, the sky god and the god of medicine took centre stage when plants and animals lost their ability to speak, and the gods’ main role was to mediate between humans and the mute plants and animals. Much of ancient mythology is in fact a legal contract in which humans promise everlasting devotion to the gods in exchange for mastery over plants and animals – the first chapters of the book of Genesis are a prime example. For thousands of years after the Agricultural Revolution, religious liturgy consisted mainly of humans sacrificing lambs, wine and cakes to divine powers, who in exchange promised abundant harvests and fecund flocks.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
O Lord, how many are Your works! In wisdom You have made them all.… —Psalm 104:24 (NAS) In her intriguing book What’s Your God Language? Dr. Myra Perrine explains how, in our relationship with Jesus, we know Him through our various “spiritual temperaments,” such as intellectual, activist, caregiver, traditionalist, and contemplative. I am drawn to naturalist, described as “loving God through experiencing Him outdoors.” Yesterday, on my bicycle, I passed a tom turkey and his hen in a sprouting cornfield. Suddenly, he fanned his feathers in a beautiful courting display. I thought how Jesus had given me His own show of love in surprising me with that wondrous sight. I walked by this same field one wintry day before dawn and heard an unexpected huff. I had startled a deer. It was glorious to hear that small, secret sound, almost as if we held a shared pleasure in the untouched morning. Visiting my daughter once when she lived well north of the Arctic Circle in Alaska, I can still see the dark silhouettes of the caribou and hear the midnight crunch of their hooves in the snow. I’d watched brilliant green northern lights flash across the sky and was reminded of the emerald rainbow around Christ’s heavenly throne (Revelation 4:3). On another Alaskan visit, a full moon setting appeared to slide into the volcanic slope of Mount Iliamna, crowning the snow-covered peak with a halo of pink in the emerging light. I erupted in praise to the triune God for the grandeur of creation. Traipsing down a dirt road in Minnesota, a bloom of tiny goldfinches lifted off yellow flowers growing there, looking like the petals had taken flight. I stopped, mesmerized, filled with the joy of Jesus. Jesus, today on Earth Day, I rejoice in the language of You. —Carol Knapp Digging Deeper: Pss 24:1, 145:5; Hb 2:14
Guideposts (Daily Guideposts 2014)
Jacob smiled from ear to ear when he shook the man’s hand on stage. The man then handed him a trophy. "Tell the audience about your book." My little brother confidently walked up to a microphone his height and beamed to the crowd. "I wrote about the person I love the most, my older brother, Noah. We don’t live together so I wrote what I imagine he does when we’re not together." "And what is that?" prodded the stout man. "He’s a superhero who saves people in danger, because he saved me and my brother from dying in a fire a couple of years ago. Noah is better than Batman." The crowd chuckled. "I love you, too, lil’ bro." I couldn’t help it. To see him standing there, still worshipping me like he did when he was five … it was too much. Jacob’s smile reached a whole new level of excitement. "Noah!" He pointed right to me. "That’s Noah. That’s my brother, Noah!" Ignoring his foster parents, Jacob flew off the stage and ran down the middle aisle. Joe lowered his head and Carrie rubbed her eyes. Jacob raced into my arms and the crowd erupted into applause. "I’ve missed you, Noah." Jacob’s voice broke, bringing tears to my eyes. I couldn’t cry. Not in front of Jacob and not in front of Mrs. Collins. I needed to be a man and stay strong. "I’ve missed you, too, bro. I’m so proud of you."
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
The sorceress walked a short distance away, her rounded hips swaying. She lifted her hands, fingers moving as if plucking invisible strings. Bitter cold flooded out, the sand crackling as if lit by lightning, and the gate that erupted was massive, yawning, towering. Through the billowing icy air flowed out a sweeter, rank smell. The smell of death. A figure stood on the threshold of the gate. Tall, hunched, a withered, lifeless face of greenish grey, yellowed tusks thrusting up from the lower jaw. Pitted eyes regarded them from beneath a tattered woollen cowl. The power cascading from this apparition sent Equity stumbling back. Abyss! A Jaghut, yes, but not just any Jaghut! Calm – can you hear me? Through this howl? Can you hear me? An ally stands before me – an ally of ancient – so ancient – power! This one could have been an Elder God. This one could have been…anything! Gasping, fighting to keep from falling to one knee, from bowing before this terrible creature, Equity forced herself to lift her gaze, to meet the empty hollows of his eyes. ‘I know you,’ she said. ‘You are Hood.’ The Jaghut stepped forward, the gate swirling closed behind him. Hood paused, regarding each witness in turn, and then walked towards Equity. ‘They made you their king,’ she whispered. ‘They who followed no one chose to follow you. They who refused every war fought your war. And what you did then – what you did—’ As he reached her, his desiccated hands caught her. He lifted her from her feet, and then, mouth stretching, he bit into the side of her face. The tusks drove up beneath her cheek bone, burst the eye on that side. In a welter of blood, he tore away half of her face, and then bit a second time, up under the orbitals, the tusks driving into her brain. Equity hung in his grip, feeling her life drain away. Her head felt strangely unbalanced. She seemed to be weeping from only one eye, and from her throat no words were possible. I once dreamed of peace. As a child, I dreamed of—
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
Here’s what happens when a single mom meets New York City’s hottest fireman… “Then…seductively…as if he received instruction not from the FDNY’s training school but at Chippendale’s…he slowly inches each suspender off his bare shoulders.” “You must know that exhilarating feeling of a man’s body on top of yours, all that power and muscle pressing you into the bed, the glorious taste of his tongue in your mouth, the manly scent that washes over you and makes you want to melt underneath him.” “Let’s not forget about his nine inches of shapely fireman hose dangling so close in front of my face the scent launches me into a blissful fever.” “Every place he touches contradicts his chosen profession, because instead of putting out a fire he surely starts one.” “I’m so darn helpless in the arms of this powerful, young, ripped personification of New York’s Bravest that I feel myself about to erupt in the most earth shattering explosion since Mount Vesuvius last announced her presence.” “I wonder if he could be enticed to show us a few maneuvers on the brass pole.” “He orchestrates his own personal opera, inspiring high notes with kisses and licks along my elongated nipples, and deep moans with hands that caress my belly.” “We are drawn uncontrollably to each other and have no power to resist, only the tremendous desire to experience everything in its most intense form.
Isabella Johns (My Hot Fireman (My Hot, #1))
The great actors of history cannot be neatly tucked between the covers of a book and filed away like so many pressed botanical specimens. Their actions cannot be explained according to a specific timetable like the coming and going of so many trains. Although scholars may designate the beginning and ending of an era with exact precision, great historical events, particularly those that erupt suddenly and violently, build up slowly, and, once having begun, never end. Their effects linger long after the action faded from view. Like the tingling vibrations of a bell that we can still sense well after it has stopped ringing, Genghis Khan has long passed from the scene, but his influence continues to reverberate through our time.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
The morning after my mother’s death, I was surprised to see the sunrise. From behind the curtain of my bedroom window I was surprised to see the people leave their homes and begin the day. Downstairs, the hands of the grandfather clock continued to tick, marking each passing hour with a chime that echoed over the black and white chessboard tiles of the front hall. I was surprised to see the mail come at the same time as the day before and, later that evening, the sun set once more as it did since the beginning of time. My mother’s death did not disturb the planets in their courses. And, though everything kept moving like she never existed at all, my world erupted into chaos until the universe swirled around me like a whirlpool of scattering stars.
James Campion Conway (The Vagabond King: A coming of age story)
The Khawla historian says the people of this planet were like a virus—multiplying endlessly, consuming every resource they could wrench from land and sky, acting as if all they could survey was theirs for the taking and the ruining. Every time their planet cried out, they ignored its pleas. Instead of curbing their wasteful desires—their fossil fuels and their petroleum-fueled lives—they simply expanded their settlements, moved to new places, plundered more ground, until their land could bear it no longer and erupted in fire. There were many among the young who had spoken the truth, who gave warning of what their future could hold, but on this planet, old men didn’t plan for futures they knew they wouldn’t be there to enjoy. They couldn’t see past themselves.
Dhonielle Clayton (A Universe of Wishes: A We Need Diverse Books Anthology)
Allowing the war-prone individuals, bent on evil, to gain power in governments must be one of the most significant reasons that wars erupt. Individuals with prowar inclinations are naturally aggressive and seek power over others. As Friedrich Hayek argued in his book The Road to Serfdom, “the worst get on top.” The power seekers also convince themselves that they are superior to average people and have a moral responsibility to use force to mold the world as they see fit. The propaganda is that war is for the sake of “goodness and righteousness.” Isabel Paterson described it in her book The God of the Machine as “the humanitarian with a guillotine.” Those who are more prone to peace tend to be complacent and to not resist the propaganda required to mobilize otherwise peaceful people to fight and die for the lies told and the false noble goals proposed by the self-appointed moral leaders.
Ron Paul (Swords into Plowshares: A Life in Wartime and a Future of Peace and Prosperity)
Before he could answer, it started. It sounded like a murmur, and then someone said it out loud, and the whisper became outright laughter. “Is eht Gaylord?” said a rat-faced boy at the front. The room erupted. “Big Bobby Bender?” said another. Shuggie tried to talk over them. His face burned red. “It’s Shuggie, sir. Hugh Bain. I’m transferred here from Saint Luke’s.” “Listen tae that voice!” said another boy, with tight curly hair. He opened his eyes wide like he had hit the bullying jackpot. “Ere, posh boy. Whaur did ye get that fuckin’ accent? Are ye a wee ballet dancer, or whit?” This went down the best of all. It was a divine inspiration to the others. “Gies a wee dance!” they squealed with laughter. “Twirl for us, ye wee bender!” Shuggie sat there listening to them amuse themselves. He took the red football book and dropped it into the dark drawer of this strange school desk. He was glad, at least, to be done with that. It was clear now: nobody would get to be made brand new.
Douglas Stuart (Shuggie Bain)
A woman pushed her way through the swarm of people. “She’s the daughter of Matthias, head scribe to Herod Antipas, and known to be a fornicator.” I called out again in protest, but my denial was swallowed by the black odium that boiled out of their hearts. “Show us your pocket!” a man yelled. One by one, they took up the petition. Gripping my forearm, Chuza let their shouts grow fevered before he reached for my sleeve. I writhed and kicked. I was a fluttering moth, a hapless girl. My skirmish yielded nothing but jeers and laughter. He snatched the sheet of ivory from my coat and lifted it over his head. A roar erupted. “She is a thief, a blasphemer, and a fornicator!” Chuza cried. “What would you do with her?” “Stone her!” someone cried. The chant began, the dark prayer. Stone her. Stone her. I shut my eyes against the dazzling blur of anger. Their hearts are boulders and their heads are straw. They seemed to be not a multitude of persons, but a single creature, a behemoth feeding off their combined fury. They would stone me for all the wrongs ever done to them. They would stone me for God. Most often victims were dragged to a cliff outside the city and thrown off before being pelted, which lessened the laborious effort of having to throw so many stones—it was in some way more merciful, at least quicker—but I saw I would not be accorded that lenience. Men and women and children plucked stones from the ground. These stones, God’s most bountiful gift to Galilee. Some rushed into the building site, where the stones were larger and more deadly. I heard the sizzle of a rock fly over my head and fall behind me. Then the commotion and noise slowed, elongating, receding to some distant pinnacle, and in that strange slackening of time, I no longer cared to fight. I felt myself bending to my fate. I ached for the life I would never live, but I yearned even more to escape it. I sank onto the ground, making myself as small as I could, my arms and legs tucked beneath my chest and belly, my forehead pressed to the ground. I fashioned myself into a walnut shell. I would be broken apart and God could have the meat. A stone struck my hip in a sunburst of pain. Another fell beside my ear. I heard the stomp of sandals running toward me, then a voice glittering with indignation. “Cease your violence! Would you stone her on the word of this man?” The mob quieted, and I dared to raise my head. Jesus stood before them, his back to me. I stared at the bones in his shoulders. The way his hands were drawn into fists. How he’d planted himself between me and the stones.
Sue Monk Kidd (The Book of Longings)
Todd closed his eyes, then, and found himself picturing the other boy involuntarily—surprising himself with the intrusiveness of the thought. It was that fucking smile: there was something about the way the corners of Zack’s eyes had crinkled—the sincerity of it. Todd had felt that smile like it hurt. That smile was sparks. That smile was fireworks. That smile sizzled across the dark landscape of his soul, racing toward the shadows and lighting them up in brief eruptions of pure electric intensity, banishing the corruption in moments of flickering respite. Todd felt them coursing through him like thousands of tiny explosions. Like a squadron of gemstones erupting all at once into an armageddon of prismatic color. Like all that energy was going to carry him to some unknown destination where he could be weightless: wrapped in all its warmth and light and certainty forever and ever. And while he might not know where that place was he desperately needed to go there. To be there, always. Even if the process consumed him entirely. Even if it unmade him. Todd felt as though a sun erupted to life inside of him, then. He felt awake. Alive. And for the first time in so very long he felt the fullness of warmth filling him to the very boundaries of every expanse of himself—defiantly radiating against the cold and dark and shadow that had made it’s home across so much of him for so much of his life. And then—just like that—just as he’d arrived in Todd’s life: Zack was gone. And there was an emptiness that followed in the vacuum of the next few moments. A dark. And Todd felt it—deeply—as all those fireworks and all those sparks and all that color that had momentarily lit up so brilliantly across the insides of him lost the gravity that had once possessed it. The sparkle. And then it was just him there: Todd. Alone. But not entirely. Not ever. Because there was always that other thing. The shadowy thing. The one that he did his very best not to think about at all. It lived out along the wildest fringes of his mind—dancing along the tattered edges of the real—onyx eyes glittering, always. And it was hungry, too.
Nando Gray (Zack and Todd Versus the Missing Member (The Adventures of Zack and Todd Book 1))
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)