Erik The Red Quotes

When our mind is in shambles and we dare to reflect on the story of our life, we may discover, in the stream of our thoughts, the fault line between what we have underfelt and what we have overthought on our way. (“Axel Red”)

Everybody wants what feels good; and if we wish a symphony of attention from a bunch of caring people and a harmony of happy sounds during our lifetime, we must not act like dark horses, saving up our emotions, but be bountiful to all significant others. ( “Axelle Red “)

It may be expedient to take stock of all the affecting pieces that might shatter in the wake of an emotional earthquake, once red flags come up in a committed relationship and an overarching scene has to be fashioned for a recast life experience. ("Waiting for the pieces to fall into place")

Indicting red squiggly lines in our thoughts may besiege our mind at some point. Before they take possession of the framework and the outlines of our lives, we must endeavor, from the outset, to track down the upsetting causes in the blurred trenches of our inner selves. ("Unfulfilled meeting")

If we wrestle with traumas that do not want to give way and our inner little Red Riding Hood cannot get rid of the wolf's threatening giggles, we must not be afraid of opening ourselves to otherness that can trigger a salutary 'orienting reflex' propelling us into a new thinking pattern. ("Into a new life")

If people in power are artfully pulling a red herring to cover up the cataclysm of their commitments, keeping people on a short leash and driving them playfully into an alley of false promises, we would do well to rely on attentive and considerate observers who send out alarm signals in time to prevent social corrosion. (" High noon. ")

Instead of losing ourselves in a mental load of constant pleasing, let us take the time to appreciate ourselves and cultivate our values. Nurturing our core values allows us to lead authentic lives and build resilience, confidence, and a sense of self. ("Axelle Red" )

Blue-shirt (Blauserk in Inuktitat, the Inuit language), or Mykla Jokull, now known as Gunnbjorn's Peak (12,500 feet)--the great metaphorical centerpiece in William T. Vollmann's saga-like novel The Ice-Shirt--is the great glacier in Greenland used as a landmark by Erik the Red in sailing west from Snaefellsness.

Erik the Red left Norway for frontier Iceland ‘on account of some killings’ and after a while he had to leave Iceland on account of some more killings; he needed a fresh start after his first fresh start.

I snorted an aborted snore.  Oh yeah baby, glamour queen... and I wonder why I am single.

Of the four men in Preston Prichard’s cabin, D-90, only one survived, his friend Arthur Gadsden. Prichard’s body was never recovered, yet in the red volume that now contains the beautifully archived replies to Mrs. Prichard’s letters there exists a surprisingly vivid sense of him, as though he resided still in the peripheral vision of the world.

I sometimes wonder if I keep it as a reminder of the type of people my parents were.  Holding family above profit.  I paused...

After lunch, he rose and gave me the tips of his fingers, saying he would like to show me over his flat; but I snatched away my hand and gave a cry. What I had touched was cold and, at the same time, bony; and I remembered that his hands smelt of death. ‘Oh, forgive me!’ he moaned. And he opened a door before me. ‘This is my bedroom, if you care to see it. It is rather curious.’ His manners, his words, his attitude gave me confidence and I went in without hesitation. I felt as if I were entering the room of a dead person. The walls were all hung with black, but, instead of the white trimmings that usually set off that funereal upholstery, there was an enormous stave of music with the notes of the DIES IRAE, many times repeated. In the middle of the room was a canopy, from which hung curtains of red brocaded stuff, and, under the canopy, an open coffin. 'That is where I sleep,’ said Erik. 'One has to get used to everything in life, even to eternity.’ The sight upset me so much that I turned away my head” - Chapter 12: Apollo’s Lyre

CAPT. J. W. SIMMONS, master of the steamship Pensacola, had just as little regard for weather as the Louisiana’s Captain Halsey. He was a veteran of eight hundred trips across the Gulf and commanded a staunch and sturdy ship, a 1,069-ton steel-hulled screw-driven steam freighter built twelve years earlier in West Hartlepool, England, and now owned by the Louisville and Nashville Railroad Company. Friday morning the ship was docked at the north end of 34th Street, in the company of scores of other ships, including the big Mallory liner Alamo, at 2,237 tons, and the usual large complement of British ships, which on Friday included the Comino, Hilarius, Kendal Castle, Mexican, Norna, Red Cross, Taunton, and the stately Roma in from Boston with its Captain Storms. As the Pensacola’s twenty-one-man crew readied the ship for its voyage to the city of Pensacola on Florida’s Gulf Coast, two men came aboard as Captain Simmons’s personal guests: a harbor pilot named R. T. Carroll and Galveston’s Pilot Commissioner J. M. O. Menard, from one of the city’s oldest families. At

Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the fl esh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mer-cedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tier-garten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their fi rst year reached its end, an event occurred that proved to be one of the most signifi cant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.

The meeting did succeed, however, in searing into the minds of several French officers a singular image: that of Churchill, angered by the French failure to prepare his afternoon bath, bursting through a set of double doors wearing a red kimono and a white belt, exclaiming, “Uh ay ma bain?”—his French version of the question “Where is my bath?” One witness reported that in his fury he looked like “an angry Japanese genie.

Passengers drank and smoked. Both; a lot. This was a significant source of profit for Cunard. The company laid in a supply of 150 cases of Black & White Whiskey, 50 cases of Canadian Club Whiskey, and 50 of Plymouth Gin; also, 15 cases each of an eleven-year-old French red wine, a Chambertin, and an eleven-year-old French white, a Chablis, and twelve barrels of stout and ten of ale. Cunard stockpiled thirty thousand “Three Castles” cigarettes and ten thousand Manila cigars. The ship also sold cigars from Havana and American cigarettes made by Phillip Morris. For the many passengers who brought pipes, Cunard acquired 560 pounds of loose Capstan tobacco—“navy cut”—and 200 pounds of Lord Nelson Flake, both in 4-ounce tins. Passengers also brought their own. Michael Byrne, a retired New York merchant and former deputy sheriff traveling in first class, apparently planned to spend a good deal of the voyage smoking. He packed 11 pounds of Old Rover Tobacco and three hundred cigars. During the voyage, the scent of combusted tobacco was ever present, especially after dinner.

Then I saw the keyboard of an organ which filled one whole side of the walls. On the desk was a music-book covered with red notes. I asked leave to look at it and read, ‘Don Juan Triumphant.’ ‘Yes,’ he said, 'I compose sometimes.’ I began that work twenty years ago. When I have finished, I shall take it away with me in that coffin and never wake up again.’ 'You must work at it as seldom as you can,’ I said. He replied, 'I sometimes work at it for fourteen days and nights together, during which I live on music only, and then I rest for years at a time.’ 'Will you play me something out of your Don Juan Triumphant?’ I asked, thinking to please him. 'You must never ask me that,’ he said, in a gloomy voice. 'I will play you Mozart, if you like, which will only make you weep; but my Don Juan, Christine, burns; and yet he is not struck by fire from Heaven.’ Thereupon we returned to the drawing-room. I noticed that there was no mirror in the whole apartment. I was going to remark upon this, but Erik had already sat down to the piano. He said, 'You see, Christine, there is some music that is so terrible that it consumes all those who approach it. Fortunately, you have not come to that music yet, for you would lose all your pretty coloring and nobody would know you when you returned to Paris. Let us sing something from the Opera, Christine Daae.’ He spoke these last words as though he were flinging an insult at me.” “What did you do?” “I had no time to think about the meaning he put into his words. We at once began the duet in Othello and already the catastrophe was upon us. I sang Desdemona with a despair, a terror which I had never displayed before. As for him, his voice thundered forth his revengeful soul at every note. Love, jealousy, hatred, burst out around us in harrowing cries. Erik’s black mask made me think of the natural mask of the Moor of Venice. He was Othello himself. Suddenly, I felt a need to see beneath the mask. I wanted to know the FACE of the voice, and, with a movement which I was utterly unable to control, swiftly my fingers tore away the mask. Oh, horror, horror, horror!” Christine stopped, at the thought of the vision that had scared her, while the echoes of the night, which had repeated the name of Erik, now thrice moaned the cry: “Horror! … Horror! … Horror!

Imagine if one should drag an innocent passer-by from the street to the operating room of a nearby hospital and force him at gunpoint to perform a delicate operation. The man would burst into tears. However, if one were to ask him to sound off on problems such as nuclear experiments, Vietnam, the borders of Israel, support for Indonesia, aid to Latin America, or recognition of Red China, in most cases he would start spouting opinions.

Olmsted did think about it and began to see the exposition as an opportunity to achieve something for which he had fought long and hard but almost always with disappointing results. Throughout his career he had struggled, with little success, to dispel the perception that landscape architecture was simply an ambitious sort of gardening and to have his field recognized instead as a distinct branch of the fine arts, full sister to painting, sculpture, and brick-and-mortar architecture. Olmsted valued plants, trees, and flowers not for their individual attributes but rather as colors and shapes on a palette. Formal beds offended him. Roses were not roses but “flecks of white or red modifying masses of green.” It irked him that few people seemed to understand the effects he worked so long and hard to create. “I design with a view to a passage of quietly composed, soft, subdued pensive character, shape the ground, screen out discordant elements and get suitable vegetation growing.

Did you see Erik’s sword?” Patrick asked. “Yeah,” Beth said. “And he’s not afraid to use it. We have to stay away from him.” “Who is he?” Patrick asked. “Erik the Red discovered this land. He named it Greenland,” Beth said. “Before that he lived in Iceland.” “Why did he leave Iceland?” Patrick asked. “A powerful man stole Erik’s family treasures,” Beth said. “There was a fight between the families, and people died. The Icelanders wanted the fighting to stop. So they kicked Erik out.” “They kicked him out of his own country?” said Patrick. “Yes,” Beth said. “Erik had a ship and crew. So he sailed away to become a trader. That’s when he discovered Greenland. He settled here and raised a family.” “I’ve heard of Leif,” Patrick said. “My teacher said he discovered North America 500 years before Columbus did!” Just then the door opened and a woman came in. She was dressed much like Beth, except a scarf covered her blonde hair. A string of colorful beads hung between the brooches on her tunic. A large gold cross dangled from the string. Beth was relieved to see the cross. A Christian Viking was a peaceful Viking. At least she hoped so. “Children,” she said, “I am Thjodhild, the wife of Erik the Red and mother of Leif.

Girls at Shoreline said Rich looked like L.L. Cool J. They called him Richie D., and around that time, Warren began to call himself Warren G. Erik wore his baseball cap just tilted perfectly to the side and also knew every song by Too $hort and was impressed that Warren knew the lyrics so well. Rich and Erik and D’Arcy beat him into the Crips and, after this initiation by pummeling, they said, “You’re part of the family now.” Though older boys in View Royal may have scoffed at Warren G. and “his whole gangster act,” older boys were unaware of the care and attention he brought to his outfits, which were, perhaps, both costume and disguise. He favored white. The color was distinctly his own, and it set him apart from his fellow gangsters, the members of the CMC (Crip Mafia Cartel). For the members of the CMC, blue was mandatory, red forbidden. White was Warren’s personal choice, and an unlikely one, for black may have better created the look of a badass he aspired to. At 5’4 and 115 pounds, Warren was far from a thug, and in fact could not have been cuter and, despite his knowledge of lewd song lyrics and his tempestuous domestic situation, innocent. Never has a boy looked more as if he wandered out of a fairy tale. His eyes were immense, and his eyelashes were long, and his expression was earnest and longing and always, always hopeful. He was possessed of the certain androgynous beauty that appeals so strongly to girls who have not yet turned sixteen. Like heartthrobs of past and present (that year it was Leonardo DiCaprio), Warren G. appeared neither manly nor mean, and in fact, his soft beauty suggested he might really need to be saved.

I did not notice the bright red light spilling into the keyhole, nor did I expect the vivacity of the Scythe Card’s ruby-red color until it was already in the room. Prince Renelm Rowan stepped into the cellar, mud still clumped onto his boots from the hunt. When his eyes found me, they were brilliant green. “Who the hell is this?” “Elspeth Spindle,” Jespyr said. “Erik’s daughter,” Ravyn said, sharing a pointed look with his cousin. The Prince surveyed me. He looked like a fox to me, with his wild auburn hair and bright, intelligent eyes. “I’m Renelm,” he said, narrowing them. “But Elm will do.

Heaven's crimson mourns the day. What began in purple, ends in red and gold. The evening retreats to give way to the silence of the night. To rest and rise anew to the virginity of the morning; to ripen again and wither away once more.

ASCI Red was the first computer to score above one teraflop—one trillion floating point operations* per second—on

the Sony PlayStation 3, which matched the ASCI Red in performance, yet cost about five hundred dollars, took up less than a tenth of a square meter, and drew about two hundred watts.

In less than ten years exponential digital progress brought teraflop calculating power from a single government lab to living rooms and college dorms all around the world. The PlayStation 3 sold approximately 64 million units. The ASCI Red was taken out of service in 2006.

axis, all of those straight-ish lines would look like the first graph above of Andy’s tribble family—horizontal most of the way, then suddenly close to vertical at the end. And there would really be no way to graph them all together—the numbers involved are just too different. Logarithmic scaling takes care of these issues and allows us to get a clear overall picture of improvement in digital gear. It’s clear that many of the critical building blocks of computing—microchip density, processing speed, storage capacity, energy efficiency, download speed, and so on—have been improving at exponential rates for a long time. To understand the real-world impacts of Moore’s Law, let’s compare the capabilities of computers separated by only a few doubling periods. The ASCI Red, the first product of the U.S. government’s Accelerated Strategic Computing Initiative, was the world’s fastest supercomputer when it was introduced in 1996. It cost $55 million to develop and its one hundred cabinets occupied nearly 1,600 square feet of floor space (80 percent of a tennis court) at Sandia National Laboratories in New Mexico.10 Designed for calculation-intensive tasks like simulating nuclear tests, ASCI Red was the first computer to score above one teraflop—one trillion floating point operations* per second—on the standard benchmark test for computer speed. To reach this speed it used eight hundred kilowatts per hour, about as much as eight hundred homes would. By 1997, it had reached 1.8 teraflops.

In the rearview mirror I could see the tired old ball of atoms settle down in its bed of rocks and sand, pulling its pink-and-red blankets over its head, then finally turning off the light.

The ASCI Red, the first product of the U.S. government’s Accelerated Strategic Computing Initiative, was the world’s fastest supercomputer when it was introduced in 1996. It cost $55 million to develop and its one hundred cabinets occupied nearly 1,600 square feet of floor space (80 percent of a tennis court) at Sandia National Laboratories in New Mexico.10 Designed for calculation-intensive tasks like simulating nuclear tests, ASCI Red was the first computer to score above one teraflop—one trillion floating point operations* per second—on the standard benchmark test for computer speed. To reach this speed it used eight hundred kilowatts per hour, about as much as eight hundred homes would. By 1997, it had reached 1.8 teraflops.

Nine years later another computer hit 1.8 teraflops. But instead of simulating nuclear explosions, it was devoted to drawing them and other complex graphics in all their realistic, real-time, three-dimensional glory. It did this not for physicists, but for video game players. This computer was the Sony PlayStation 3, which matched the ASCI Red in performance, yet cost about five hundred dollars, took up less than a tenth of a square meter, and drew about two hundred watts.11 In less than ten years exponential digital progress brought teraflop calculating power from a single government lab to living rooms and college dorms all around the world. The PlayStation 3 sold approximately 64 million units.