Erik Satie Quotes

We've searched our database for all the quotes and captions related to Erik Satie. Here they are! All 20 of them:

I came into the world very young, in an age that was very old.
Erik Satie
When I was young, people used to say to me: Wait until you're fifty, you'll see. I am fifty. I haven't seen anything.
Erik Satie
I am by far your superior, but my notorious modesty prevents me from saying so.
Erik Satie
I am tired of always dying with a broken heart.
Erik Satie
Everybody offers to buy one a drink; but nobody ever dreams of buying one a sandwich.
Erik Satie
Erik Satie died on July 1, 1925; his last words were 'Ah, the cows...
John Richardson (A Life of Picasso: The Triumphant Years: 1917-1932 (Vol 3))
Je m'appelle Erik Satie comme tout le monde.
Erik Satie
I have never written a note I didn't mean.
Erik Satie
Why attack God? He may be as miserable as we are.
Erik Satie
The dandy cleans his monocle every day, a silver monocle with a lens of smoked gold, given him by a beautiful lady but, suddenly overcome with sadness, he has lost the monocle case.
Erik Satie (Les Trois Valses Distinguées Du Précieux Dégoûté by Erik Satie for Solo Piano (1915))
Ah, the cows..
Erik Satie
Which composers?” “Claude Debussy, Erik Satie, and Maurice Ravel are my favorites.
Amy Harmon (What the Wind Knows)
Erik Satie’s “Gymnopédies, 1. Lent et douloureux.
Natasha Knight (Unholy Union)
Can the theater teach us to wait? To forestall our satisfaction? Poems teach us how to wait. The natural world makes us wait. Erik Satie teaches us how to wait. And so does much music. Will YouTube teach us how to wait? Will YouTube teach us how to die?  
Sarah Ruhl (100 Essays I Don't Have Time to Write: On Umbrellas and Sword Fights, Parades and Dogs, Fire Alarms, Children, and Theater)
I see that Emma’s playing Erik Satie,” he said to Mr. Woodhouse. “That’s one of the Gymnopédies, isn’t it?” “I believe it is,” said Mr. Woodhouse. “I don’t care for it very much. In fact, it gives me the creeps. It’s the sort of thing a spider would play if spiders played the piano.
Alexander McCall Smith (Emma: A Modern Retelling)
Isn't a bookshop, to some extent, a temple to Browsing?
Erik Satie (A Mammal's Notebook: Collected Writings of Erik Satie)
An artist must regulate his life. Here is a time-table of my daily acts. I rise at 7.18; am inspired from 10.23 to 11.47. I lunch at 12.11 and leave the table at 12.14. A healthy ride on horse-back round my domain follows from 1.19 pm to 2.53 pm. Another bout of inspiration from 3.12 to 4.7 pm. From 5 to 6.47 pm various occupations (fencing, reflection, immobility, visits, contemplation, dexterity, natation, etc.) Dinner is served at 7.16 and finished at 7.20 pm. From 8.9 to 9.59 pm symphonic readings (out loud). I go to bed regularly at 10.37 pm. Once a week (on Tuesdays) I awake with a start at 3.14 am. My only nourishment consists of food that is white: eggs, sugar, shredded bones, the fat of dead animals, veal, salt, coco-nuts, chicken cooked in white water, mouldy fruit, rice, turnips, sausages in camphor, pastry, cheese (white varieties), cotton salad, and certain kinds of fish (without their skin). I boil my wine and drink it cold mixed with the juice of the Fuschia. I have a good appetite but never talk when eating for fear of strangling myself. I breathe carefully (a little at a time) and dance very rarely. When walking I hold my ribs and look steadily behind me. My expression is very serious; when I laugh it is unintentional, and I always apologise very politely. I sleep with only one eye closed, very profoundly. My bed is round with a hole in it for my head to go through. Every hour a servant takes my temperature and gives me another.
Erik Satie
Tudjuk, a világ zenei központja Wagnerról és az általa képviselt egész túlvirágzott német romantikus mozgalomról áttolódott Párizsba. Egy kis csoport volt kialakulóban Erik Satie úttörő személyisége körül, aki úgy reagált a fenti mozgalomra, hogy egyszerűen elutasította az effajta „nagyságot". Ő csak a legegyszerűbb kicsiny zeneműveket írta, kis dallamot kis kísérettel, mint amilyen például a ma is játszott és kedvelt, higgadt Gymnopédie (…) Milyen frissen hangozhatott ez a zene 1888-ban, a súlyos német háttérrel összevetve! Satie így őrizte meg a tonalitást. A századforduló táján Satie erős hatással volt Debussyre, Ravelra, Milhaud-ra és más nagy francia zeneszerzőkre, akik tőle tanulták meg ezt az új egyszerűséget és objektivitást.
Leonard Bernstein (The Joy of Music)
Los libros están delante de nosotros; nos invitan a reposar en la caricia del dedo y del mirar –nos relegamos en ellos, absortos–, a despreciar los viles lazos que nos retienen a la milenaria Miseria humana.
Erik Satie (Sobre música, músicos y otras memorias)
Paul Mousis had rented his lover a studio, next door to Erik Satie’s apartment. One such
Catherine Hewitt (Renoir's Dancer: The Secret Life of Suzanne Valadon)