Era Of Love Quotes

For attractive lips, speak words of kindness. For lovely eyes, seek out the good in people. For a slim figure, share your food with the hungry. For beautiful hair, let a child run his fingers through it once a day. For poise, walk with the knowledge you’ll never walk alone. ... We leave you a tradition with a future. The tender loving care of human beings will never become obsolete. People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed. Never throw out anybody. Remember, if you ever need a helping hand, you’ll find one at the end of your arm. As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others. Your “good old days” are still ahead of you, may you have many of them.

Si alguien me hubiera advetido de lo que dolía el amor, hubiera evitado enamorarme de ella. Pero, ¿a quién quería engañar? Era mentira. La habría amado igual.

Oricum - era de preferat iadul cu o femeie deşteaptă decât paradisul cu una proastă.

For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.

I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.

It always came back to love. More than freedom, more than acceptance—love. True love, like they sang about in the second era. The kind that filled up a person's soul. The kind that lent itself to dramatic gestures and sacrifices. The kind that was irresistible and all-encompassing.

Pero si algo habían aprendido juntos era que la sabiduría nos llega cuando ya no sirve para nada.

In our era, it is not enough to be tolerant. You tolerate mosquitoes in the summer, a rattle in an engine, the gray slush that collects at the crosswalk in winter. You tolerate what you would rather not have to deal with and wish would go away. It is no honor to be tolerated. Every spiritual tradition says love your neighbor as yourself, not tolerate them.

Yo supe en el momento en que te conocí que había algo en ti que yo necesitaba. Resultó que no era algo de ti. Eras sólo tú.

We are living in the era of premeditation and the perfect crime. Our criminals are no longer helpless children who could plead love as their excuse. On the contrary, they are adults and the have the perfect alibi: philosophy, which can be used for any purpose - even for transforming murderers into judges.

¡No! ¡No pienso dejarte aquí e irme sin saber cómo va a terminar todo esto! —¡No puedes hacer nada aquí! ¡Solo pondrías tú vida en peligro! —¿Y la tuya? ¿Acaso no importa? —Eso es lo que estoy haciendo, poner mi vida a salvo. —Le miré con todo el amor que sentía. Su vida era yo.

Because ghost stories were just love stories about here and then and now and when, about pockets of happiness and moments that resonated in places long after their era. They were stories that taught you that love was never a matter of time, but a matter of timing.

Annie used to have a funny theory: we all have a Year Zero around which the calendars of our lives pivot. At some point you meet someone, and they become so important, so metamorphic, that ten, twenty, sixty-five years down the line you look back and realize that you could split your existence in two. Before they showed (BCE), and your Common Era. Your very own Gregorian calendar.

And this one fact seemed to point to other facts and others still: Love frays and humans fail, time passes, eras end.

Love is rather impotent and pitiful: My father must have told me a million times how much he loved me, but that emotion - assuming it was even real - hardly had the strength to counter the many other acts of wrong he committed against me. Contrary to romance novels and the love-conquers-all mentality that even those of us who grow up in an era of divorce are - in response to some atavistic instinct - still raised to believe, love is always a product and a victim of circumstances. It is fragile and small.

Those who are truly enlightened, those whose souls are illuminated by love, have been able to overcome all of the inhibitions and preconceptions of their era. They have been able to sing, to laugh, and to pray out loud; they have danced and shared what Saint Paul called 'the madness of saintliness'. They have been joyful - because those who love conquer the world and have no fear of loss. True love is an act of total surrender.

La besó en la mejillla lo más cerca posible de la boca, deseando con pasión permanecer a su lado eternamente para preservarla de las sombras. Olía a yerbas y tenía la piel fría. Supo que amarla era su destino inexorable.

Era todavía demasiado joven para saber que la memoria del corazón elimina los malos recuerdos y magnifica los buenos, y que gracias a ese artificio logramos sobrellevar el pasado.

Not too long ago thousands spent their lives as recluses to find spiritual vision in the solitude of nature. Modern man need not become a hermit to achieve this goal, for it is neither ecstasy nor world-estranged mysticism his era demands, but a balance between quantitative and qualitative reality. Modern man, with his reduced capacity for intuitive perception, is unlikely to benefit from the contemplative life of a hermit in the wilderness. But what he can do is to give undivided attention, at times, to a natural phenomenon, observing it in detail, and recalling all the scientific facts about it he may remember. Gradually, however, he must silence his thoughts and, for moments at least, forget all his personal cares and desires, until nothing remains in his soul but awe for the miracle before him. Such efforts are like journeys beyond the boundaries of narrow self-love and, although the process of intuitive awakening is laborious and slow, its rewards are noticeable from the very first. If pursued through the course of years, something will begin to stir in the human soul, a sense of kinship with the forces of life consciousness which rule the world of plants and animals, and with the powers which determine the laws of matter. While analytical intellect may well be called the most precious fruit of the Modern Age, it must not be allowed to rule supreme in matters of cognition. If science is to bring happiness and real progress to the world, it needs the warmth of man's heart just as much as the cold inquisitiveness of his brain.

I have given no definition of love. This is impossible, because there is no higher principle by which it could be defined. It is life itself in its actual unity. The forms and structures in which love embodies itself are the forms and structures in which love overcomes its self-destructive forces.

But I have to say this in defense of humankind: In no matter what era in history, including the Garden of Eden, everybody just got here. And, except for the Garden of Eden, there were already all these games going on that could make you act crazy, even if you weren't crazy to begin with. Some of the crazymaking games going on today are love and hate, liberalism and conservatism, automobiles and credit cards, golf, and girls' basketball.

One hot afternoon during the era in which you’ve gotten yourself ridiculously tangled up with heroin, you will be riding the bus and thinking what a worthless piece of crap you are when a little girl will get on the bus holding the strings of two purple balloons. She’ll offer you one of the balloons, but you won’t take it because you believe you no longer have a right to such tiny beautiful things. You’re wrong. You do.

Most parents try really hard to give their kids the best possible life. They give them the best food and clothes they can afford, take their own kind of take on training kids to be honest and polite. But what they don't realize is no matter how much they try, their kids will get out there. Out to this complicated little world. If they are lucky they will survive, through backstabbers, broken hearts, failures and all the kinds of invisible insane pressures out there. But most kids get lost in them. They will get caught up in all kinds of bubbles. Trouble bubbles. Bubbles that continuously tell them that they are not good enough. Bubbles that get them carried away with what they think is love, give them broken hearts. Bubbles that will blur the rest of the world to them, make them feel like that is it, that they've reached the end. Sometimes, even the really smart kids, make stupid decisions. They lose control. Parents need to realize that the world is getting complicated every second of every day. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives. You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.

...era apenas la suma de dos soledades y de muchas ausencias.

Lo que sentía por él era como fuego. Había comenzado con una chispa provocada por una sonrisa, pero ahora era una flama. Una flama que había dejado crecer y que lo quemaba por dentro y que luchaba por volverse un incendio.

Y entonces se hizo el silencio. Un silencio realmente extraño. Nos miramos el uno al otro como si nos estuviéramos viendo por primera vez. Era como si el mundo hubiese dejado de dar vueltas sólo para nosotros. Un silencio extraño y mágico.

I don't know that we are actually human at this point, those of us who are like most of us, who grew up with the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.

For attractive lips, speak words of kindness. For lovely eyes, seek out the good in people. For a slim figure, share your food with the hungry. For beautiful hair, let a child run his fingers through it once a day. For poise, walk with the knowledge you’ll never walk alone.

—Eras la única persona en el mundo que podía hacerme daño. Y lo hiciste. —Jack... yo no...

Habían vivido juntos lo bastante para darse cuenta de que el amor era el amor en cualquier tiempo y en cualquier parte, pero tanto más denso cuanto más cerca de la muerte.

After a week, it's better. I miss her. I mourn her. But some peace has returned. She had been so unattainable - so young, so much a citizen of a different era - that it is hard to feel fully deprived.

Fue el descubrimiento más importante de toda su vida. Sabía leer. Era poseedor del antídoto contra el ponzoñoso veneno de la vejez. Sabía leer.

I'm being sent back to my time, but - I love you, Philip. At any age, in any body, in any era... I love you.

Con Park no había nada de qué avergonzarse. Nada era sucio con Park. Porque Park era el Sol, y no se le ocurría mejor modo de explicarlo.

El amor, si lo había, era una cosa aparte: otra vida.

The coming era of Artificial Intelligence will not be the era of war, but be the era of deep compassion, non-violence, and love.

The AI does not hate you, nor does it love you, but you are made out of atoms which it can use for something else. —Eliezer Yudkowsky, research fellow, Machine Intelligence Research Institute

...miles away from everthing and everyone I've ever known or loved. I feel as if I've entered a new era of my life. What strange places our lives carry us to...

Todo era de los otros y de nadie, hasta que tu belleza y tu pobreza llenaron el otoño de regalos.

I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.

A nation forgetting its own laughter is in a sad state of affairs

I kept quiet, but the knowledge gathered like a storm. I could see the future: My father wasn't coming back. And this one fact seemed to point to other facts and others still: Love frays and humans fail, time passes, eras end.

Pero el examen le reveló que no tenía fiebre, ni dolor en ninguna parte, y lo único concreto que sentía era una necesidad urgente de morir. Le bastó con un interrogatorio insidioso, primero a él y después a la madre, para comprobar una vez más que los síntomas del amor son los mismos del cólera.

No era mi brazo lo que ella buscaba, sino el brazo de alguien. No era mi calor lo que ella necesitaba, sino el calor de alguien. Entonces sentía algo rayando en la culpabilidad por ser yo ese alguien

Su sola existencia era excusa suficiente para justificar la creación del mundo entero.

Tenía que enseñarle a pensar en el amor como un estado de gracia que no era un medio para nada, sino un origen y un fin en sí mismo.

Love. It always came back to love. More than freedom, more than acceptance—love. True love, like they sang about in the second era. The kind that filled up a person’s soul. The kind that lent itself to dramatic gestures and sacrifices. The kind that was irresistible and all-encompassing.

Na solidão da noite, quase conseguia sentir a finitude da vida e como ela era preciosa. Nós damo-la como garantida, mas ela é frágil, precária, incerta, susceptível de acabar a qualquer momento sem aviso. Lembrei-me daquilo que devia ser evidência mas nem sempre é: que vale a pena saborear cada dia, cada hora e cada minuto das nossas vidas.

Cooking without remuneration" and "slaving over a hot stove" are activities separated mostly by a frame of mind. The distinction is crucial. Career women in many countries still routinely apply passion to their cooking, heading straight from work to the market to search out the freshest ingredients, feeding their loved ones with aplomb. [...] Full-time homemaking may not be an option for those of us delivered without trust funds into the modern era. But approaching mealtimes as a creative opportunity, rather than a chore, is an option. Required participation from spouse and kids is an element of the equation. An obsession with spotless collars, ironing, and kitchen floors you can eat off of---not so much. We've earned the right to forget about stupefying household busywork. But kitchens where food is cooked and eaten, those were really a good idea. We threw that baby out with the bathwater. It may be advisable to grab her by her slippery foot and haul her back in here before it's too late.

It is a crime to poison the minds of the meek and the humble, to stoke the passions of reactionism and intolerance, by appealing to that odious anti-Semitism that, unchecked, will destroy the freedom-loving France of the Rights of Man. It is a crime to exploit patriotism in the service of hatred, and it is, finally, a crime to ensconce the sword as the modern god, whereas all science is toiling to achieve the coming era of truth and justice.

Let us define our terms. A woman who writes her lover four letters a day is not a graphomaniac, she is simply a woman in love. But my friend who xeroxes his love letters so he can publish them someday--my friend is a graphomaniac. Graphomania is not a desire to write letters, diaries, or family chronicles (to write for oneself or one's immediate family); it is a desire to write books (to have a public of unknown readers). In this sense the taxi driver and Goethe share the same passion. What distinguishes Goethe from the taxi driver is the result of the passion, not the passion itself. "Graphomania (an obsession with writing books) takes on the proportions of a mass epidemic whenever a society develops to the point where it can provide three basic conditions: 1. a high degree of general well-being to enable people to devote their energies to useless activities; 2. an advanced state of social atomization and the resultant general feeling of the isolation of the individual; 3. a radical absence of significant social change in the internal development of the nation. (In this connection I find it symptomatic that in France, a country where nothing really happens, the percentage of writers is twenty-one times higher than in Israel. Bibi [character from the book] was absolutely right when she claimed never to have experienced anything from the outside. It is this absence of content, this void, that powers the moter driving her to write). "But the effect transmits a kind of flashback to the cause. If general isolation causes graphomania, mass graphomania itself reinforces and aggravates the feeling of general isolation. The invention of printing originally promoted mutual understanding. In the era of graphomania the writing of books has the opposite effect: everyone surrounds himself with his own writings as with a wall of mirrors cutting off all voices from without.

Many of the early explorers in my field—Sigmund Freud, Anna Freud, Melanie Klein, John Bowlby—concluded that early trauma, even dating back to preverbal eras, takes its toll, often an indelible toll, on the comfort, the ease, the self-esteem, of the adult, even into late stages of life.

El amor que se profesaban era tan verdadero que no había ninguna necesidad de ponerlo a prueba. El destino los había unido con un lazo tan fuerte que solo es posible encontrar uno igual entre un millón

Before long, billions of people around the world were working and playing in the OASIS every day. Some of them met, fell in love, and got married without ever setting foot on the same continent. The lines of distinction between a person’s real identity and that of their avatar began to blur. It was the dawn of new era, one where most of the human race now spent all of their free time inside a videogame.

We still have a long way to go. But we are moving in the right direction. If only we can overcome cruelty, to human and animal, with love and compassion we shall stand at the threshold of a new era in human moral and spiritual evolution—and realize, at last, our most unique quality: humanity.

-Es que nunca lo había notado-me interrumpió. -¿Notado qué? -Que lo único que hacía falta en mi casa eras tú.

The fragility of our era is this, too: we don’t believe that there is a chance for redemption; for a hand to raise you up; for an embrace to save you, forgive you, pick you up, flood you with infinite, patient, indulgent love; to put you back on your feet. We need mercy.

Of course, we know that the world sees this wedding as a historical event. The first recorded marriage union between a Lunar and an Earthen since the second era. And maybe that is important. Maybe the love and compassion these two people have for each other is symbolic of hope for the future. Maybe this wedding signifies the possibility that someday our two races will not only learn to tolerate each other, but to love and appreciate each other as well. Or, maybe…” Kai’s eyes glinted. "… this relationship has absolutely nothing to do with politics, and everything to do with our shared human need to find someone who will care for us as much as we care for them. To find a partner who complements us and teaches us. Who makes us stronger. Who makes us want to be our best possible self.

El mar era Carlos Vives desde que nos escapamos tres días a una playa desierta en Cozumel. Lo miraba tratando de recuperar algo. ¿Qué sería mejor? Tanto tuvimos. ¿Por qué no la muerte?, me preguntaba, si hasta los días que pasamos en el mar resultó inevitable jugar con ella.

Una volta aveva letto un romanzo d'amore che le aveva prestato la sorella. Non aveva capito niente di quelle emozioni e si era annoiata da morire. Era anormale? Il suo corpo e il suo cuore sarebbero stati eternamente sordi a quel genere di richiami?

Ja keshtu eshte dashuria:nje shishke me livando.Kur zbrazet shishja,era qendron dhe pak e pastaj gjithcka avullon dhe nuk ndihet me.Humbet si dashuria!... -Qenke me mendime borgjeze,moj shoqe!Ajo eshte dashuri borgjeze!

Siempre creí que la clave para encajar en el mundo era tratando de parecerme al resto de la gente, así que nunca me imaginé que encontraría mi verdadero hogar en medio de seres infinitamente distintos los unos de los otros".

Olharei a tua sombra se não quiseres que te olhe a ti, disse-lhe, e ele respondeu, Quero estar onde minha sombra estiver, se lá é que estiverem os teus olhos. Amavam-se e diziam palavras como estas, não apenas por serem belas ou verdadeiras, se é possível ser-se o mesmo ao mesmo tempo, mas porque pressentiam que o tempo das sombras estava chegando na sua hora, e era preciso que começassem a acostumar-se, ainda juntos, à escuridão da ausência definitiva.

NOVIA. ¡Porque yo me fui con el otro, me fui! (Con angustia.) Tú también te hubieras ido. Yo era una mujer quemada, llena de llagas por dentro y por fuera,y tu hijo era un poquito de agua de la que yo esperaba hijos, tierra, salud; pero el otro era un río oscuro, lleno de ramas, que acercaba a mí el rumor de sus juncos y su cantar entre dientes. Y yo corría con tu hijo que era como un niñito de agua, frío, y el otro me mandaba cientos de pájaros que me impedían el andar y que dejaban escarcha sobre mis heridas de pobre mujer marchita, de muchacha acariciada por el fuego. Yo no quería, ¡óyelo bien!, yo no quería. ¡Tu hijo era mi fin y yo no lo he engañado, pero el brazo del otro me arrastró como un golpe de mar, como la cabezada de un mulo, y me hubiera arrastrado siempre, siempre, siempre, aun que hubiera sido vieja y todos los hijos de tu hijo me hubiesen agarrado de los cabellos.

The books we read help to shape who we are. Reading offers us, as children, our first independence- allowing us to travel far beyond the confines of our immediate world. Books introduce us to great figures in history, narratives that stir our spirit, fictions that tug us out of ourselves and into the lives of a thousand others, and visions of every era through which human beings have lived. And in the process of stretching who we are, books also connect us to all others- of our own or previous times- who have read what we've read. In the community of readers, we instantly become linked to those who share our love for specific characters or passages. A well-composed book,' says Caroline Gordon, 'is a magic carpet on which we are wafted to a world that we cannot enter in any other way.

What is love? Great minds have been grappling with this question through the ages, and in the modern era, they have come up with many different answers. According to the Western philosopher Pat Benatar, love is a battlefield. Her paisan Frank Sinatra would add the corollary that love is a tender trap. The stoner kids who spent the summer of 1978 looking cool on the hoods of their Trans Ams in the Pierce Elementary School parking lot used to scare us little kids by blasting the Sweet hit “Love Is Like Oxygen”—you get too much, you get too high, not enough and you’re gonna die. Love hurts. Love stinks. Love bites, love bleeds, love is the drug. The troubadours of our times all agree: They want to know what love is, and they want you to show them. But the answer is simple. Love is a mix tape.

Sai bene che non sogno. Ma ieri notte ho sognato che assistevamo a un funerale nel mare. All’inizio ero attonito. Poi pieno di rimpianti. Ma tu m’hai sfiorato un braccio e hai detto: “no, va tutto bene. Era molto vecchia, e poi lui l’ha amata tutta la vita

I’m talking about the language of flowers. It’s from the Victorian era, like your name. If a man gave a young lady a bouquet of flowers, she would race home and try to decode it like a secret message. Red roses mean love; yellow roses infidelity. So a man would have to choose his flowers carefully.

—Acabo de comprender por qué alguien quiso hacer el primer espejo. Willow parpadea sorprendida. Eso no era en absoluto lo que estaba esperando. —¿Por qué? —Imagino que un hombre enamorado deseaba que su amante supiera como era ella para él. Quería que ella fuera capaz de verse tal y como él la veía.

Y sin darle tiempo al pánico se liberó de la materia turbia que le impedía vivir. Le confesó que no tenía un instante sin pensar en ella, que cuanto comía y bebía tenía el sabor de ella, que la vida era ella a toda hora y en todas partes, como sólo Dios tenía el derecho y el poder de serlo, y que el gozo supremo de su corazón sería morirse con ella.

One grim Weltanschauung for this new era was well expressed by the Venetian nationalist demagogue in Michael Dibdin’s novel, Dead Lagoon: “There can be no true friends without true enemies. Unless we hate what we are not, we cannot love what we are. These are the old truths we are painfully rediscovering after a century and more of sentimental cant. Those who deny them deny their family, their heritage, their culture, their birthright, their very selves! They will not lightly be forgiven.

Up the still, glistening beaches, Up the creeks we will hie, Over banks of bright seaweed The ebb-tide leaves dry. We will gaze, from the sand-hills, At the white, sleeping town; At the church on the hill-side— And then come back down. Singing: "There dwells a loved one, But cruel is she! She left lonely for ever The kings of the sea. (from poem 'The Forsaken Merman')

There are few things more mysterious than endings. I mean, for example, when did the Greek gods end, exactly? Was there a day when Zeus waved magisterially down from Olympus and Aphrodite and her lover Ares, and her crippled husband Hephaestus ) I always felt sorry for him), and all the rest got rolled up like a worn-out carpet?

Inrealized how valuable the art and practice of writing letters are, and how important it is to remind people of what a treasure letters--handwritten letters--can be. In our throwaway era of quick phone calls, faxes, and email, it's all to easy never to find the time to write letters. That's a great pity--for historians and the rest of us.

De pronto, tuve una horrible certeza. Por más tiempo que viviera, jamás podría esperar una felicidad mayor que la que sentía en aquel momento. Lo único que podía hacer era intentar conservarla para siempre. Me horrorizó la felicidad que sentía. Si la porción de dicha que corresponde a cada uno estaba fijada de antemano, en aquellos instantes quizá estuviera agotando la parte que a mí me correspondía para mi vida entera, Y, algún día, los mensajeros de la luna me arrebatarían a mi princesa. Entonces sólo me quedaría un tiempo tan largo como la vida eterna.

Most young dealers of the Silicon Chip Era regard a reference library as merely a waste of space. Old Timers on the West Coast seem to retain a fondness for reference books that goes beyond the practical. Everything there is to know about a given volume may be only a click away, but there are still a few of us who'd rather have the book than the click. A bookman's love of books is a love of books, not merely of the information in them.

Remember your math: an anecdote is not a trend. Remember your history: the fact that something is bad today doesn't mean it was better in the past. Remember your philosophy: one cannot reason that there's no such thing as reason, or that something is true or good because God said it is. And remember your psychology: much of what we know isn't so, especially when our comrades know it too. Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don't confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas. Finally, drop the Nietzsche. His ideas may seem edgy, authentic, baad,while humanism seems sappy, unhip, uncool But what's so funny about peace, love, and understanding?

All of us have had this experience. At some point, we have each said through our tears, “I’m suffering for a love that’s not worth it.” We suffer because we feel we are giving more than we receive. We suffer because our love is going unrecognized. We suffer because we are unable to impose our own rules. But ultimately there is no good reason for our suffering, for in every love lies the seed of our growth. The more we love, the closer we come to spiritual experience. Those who are truly enlightened, those whose souls are illuminated by love, have been able to overcome all of the inhibitions and preconceptions of their era. They have been able to sing, to laugh, and to pray out loud; they have danced and shared what Saint Paul called “the madness of saintliness.” They have been joyful—because those who love conquer the world and have no fear of loss. True love is an act of total surrender.

If we lived close to nature in an agricultural society, the seasons as metaphor and fact would continually frame our lives. But the master metaphor of our era does not come from agriculture - it comes from manufacturing. We do not believe that we 'grow' our lives - we believe that we 'make' them. Just listen to how we use the word in everyday speech: we make time, make friends, make meaning, make money, make a living, make love.

Other eras and cultures often asked different questions from the ones we ask now: What is the most meaningful thing you can do with your life? What’s your contribution to the world or your community? Do you live according to your principles? What will your legacy be? What does your life mean? Maybe our obsession with happiness is a way not to ask those other questions, a way to ignore how spacious our lives can be, how effective our work can be, and how far-reaching our love can be.

El amor verdadero no era precisamente uno de esos absolutos; pregunta en la cual la palabra <>, sin embargo, tenía tanto que ver con la empleada por Kant o Hegel como la palabra <> con un descarrilamiento o un terremoto, con sus aullidos y su sangre. Bruno respondía que, a su juicio, la calidad del amor que hay entre dos seres que se quieren cambia de un instante a otro, haciéndose de pronto sublime, bajando luego hasta la trivialidad, convirtiéndose más tarde en algo afectuoso y cómodo, para repentinamente convertirse en un odio trágico o destructivo".

Parents need to realize that the world is getting complicated every second. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The most unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives. You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.

Lou reluctantly drew back, still holding Joe, and placed his soft lips on Joe's own. Existence reacted to their reunion. Immediately, it was as if two halves became whole once again. The sky flashed colors overhead as they stood together: day to night, night to day. They stood motionless and kissing for so long a period that they might have been mistaken for part of the landscape, as vines climbed up their legs and grass grew around them; as dirt gathered and buried even more the scattered fragments of the abbey. Only the keepers of time knew that lifetimes did indeed pass, possibly entire eras. And yet it was but a scant moment to Joe and Lou. All of it but a simple, longed-for embrace neither time nor death could contain.

eu estou bem, dizia-lhe, estou bem. e ele queria saber se estar bem era andar de trombas. eu respondi que o tempo não era linear. preparem-se sofredores do mundo, o tempo não é linear. o tempo vicia-se em ciclos que obedecem a lógicas distintas e que se vão sucedendo uns aos outros repondo o sofredor, e qualquer outro indivíduo, novamente num certo ponto de partida. é fácil de entender. quando queremos que o tempo nos faça fugir de alguma coisa, de um acontecimento, inicialmente contamos os dias, às vezes até as horas, e depois chegam as semanas triunfais e os largos meses e depois os didáticos anos. mas para chegarmos aí temos de sentir o tempo também de outro modo. perdemos alguém, e temos de superar o primeiro inverno a sós, e a primeira primavera e depois o primeiro verão, e o primeiro outono. e dentro disso, é preciso que superemos os nossos aniversário, tudo quanto dá direito a parabéns a você, as datas da relação, o natal, a mudança dos anos, até a época dos morangos, o magusto, as chuvas de molha-tolos, o primeiro passo de um neto, o regresso de um satélite à terra, a queda de mais um avião, as notícias sobre o brasil, enfim, tudo. e também é preciso superar a primeira saída de carro a sós. o primeiro telefonema que não pode ser feito para aquela pessoa. a primeira viagem que fazemos sem a sua companhia. os lençóis que mudamos pela primeira vez. as janelas que abrimos. a sopa que preparamos para comermos sem mais ninguém. o telejornal que já não comentamos. um livro que se lê em absoluto silêncio. o tempo guarda cápsulas indestrutíveis porque, por mais dias que se sucedam, sempre chegamos a um ponto onde voltamos atrás, a um início qualquer, para fazer pela primeira vez alguma coisa que nos vai dilacerar impiedosamente porque nessa cápsula se injeta também a nitidez do quanto amávamos quem perdemos, a nitidez do seu rosto, que por vezes se perde mas ressurge sempre nessas alturas, até o timbre da sua voz, chamando o nosso nome, ou mais cruel ainda, dizendo que nos ama com um riso incrível pelo qual nos havíamos justificado em mil ocasiões no mundo.

Before my last exhale, Before the curtain falls, Before the last flower wilts, I intend to live fully, I intend to love without inhibition, I intend to be. In this cruel world, In this era steeped in hatred and grudge, In this age filled with disasters, I want to be in the presence of those who need me, Whom I need, Who are worthy of reverence? So that I can discover, Be mesmerized, And understand anew, All that I am, All that I can be, All that I want to be. So that the days don’t pass me by in meaningless void, The hours become alive, And the moments gain significance. When I laugh, When I cry, When I am silent, I am journeying towards you, Towards myself, Towards the divine. For it is an unknown path, Full of thorns, And ebbs and flows. A path that upon taking, Upon which I have already stepped foot, There is no return, Until I have seen the blossoming of the flowers, Until I have heard the rivers roar, Until I have been awed by the beauty of life. Now death can find me, Now I can carry on with the journey, Now I can say that I have lived.

When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.

It was, of course, a great failure in a woman's life - to never have achieved even a doomed and unsuccessful love. But she was not quite sure whether she had failed or not. When she was young there had been moments, of course. But those moments had never amounted to much more than a little fever of admiration - a little flutter and agitation in a ballroom - so slight a feeling that the cautious Dido had never considered it a secure foundation for a lifetime of living together. And then, sooner or later, she had always made and odd remark, or laughed at the wrong moment, and the young men became alarmed or angry - and the flutter and the agitation all turned to irritation. Dido could laugh and gossip about love as well as any woman but, deep down, she suspected that she had not the knack of falling into it.

Bor era bello da fare male. Il cuore della ragazza saltò un battito quando il suo profumo le raggiunse le narici e inondò la sua mente come una droga. Un accenno di barba disegnava il contorno appuntito del mento e le labbra si schiusero in un ghigno ferino da animale pronto alla caccia. «Ti voglio attenta e pronta. Ti insegnerò a difenderti. Non sono qui per giocare o rivangare il passato. E ora muoviti, non ho tempo da perdere, anzi, non abbiamo tempo da perdere.» Voltandosi e scendendo le scale tre gradini alla volta aggiunse: «Ti aspetto in strada, sono quello figo sulla moto». Le guance di Asia divennero paonazze, mentre stringeva i pugni con intensità fino a sentire il sudore delle mani appiccicarle la pelle. Con un'espressione degna di un drago sputa fuoco, Asia rimase a guardare Bor che usciva di casa. Vomitò un urlo a dir poco agghiacciante che miscelava rabbia e frustrazione.

— Quando a gente vai se encontrar outra vez? Ela olha fixamente para o asfalto antes de erguer os olhos e me fitar. Suas pupilas dançam, inquietas, tenho a impressão de que seus lábios estão trêmulos. Então ela me apresenta um enigma com o qual ainda hei de quebrar muito a cabeça. Pergunta: — Quanto tempo você consegue esperar? Que diabo de resposta eu podia dar, Georg? Talvez fosse uma armadilha. Se dissesse "dois ou três dias", eu me mostraria impaciente demais. E se respondesse "a vida inteira" ela poderia pensar que eu não a amava tanto assim ou talvez que não fosse sincero. De modo que era preciso encontrar uma resposta intermediária. Eu disse: — Agüento esperar até que o meu coração comece a sangrar de aflição. Ela sorriu, insegura. Então roçou o dedo em meus lábios. E perguntou: — E quanto tempo demora? Desesperado sacudi a cabeça e resolvi dizer a verdade. — Cinco minutos, talvez. (A Garota das Laranjas)

A caregiver is changed by the culture of illness, just as one is changed by the dynamic era in which one lives. For one thing, I don't have as much time in conversation with myself, and I feel the loss. Certainly I worry more about his death, and mine too, since I;m so much a part of the evolving saga of his health, which I have to monitor every day. But I've grown stronger in every aspect of my life. In small ways: speaking more directly with people. In large ways: discovering I can handle adversity and potential loss and yet keep going. I've a better idea of my strength. I feel like I've been tested, like a willow whipped around violently in a hurricane, but still stranding, its roots strong enough to hold. [p. 301]

In America, racism exists but racists are all gone. Racists belong to the past. Racists are the thin-lipped mean white people in the movies about the civil rights era. Here’s the thing: the manifestation of racism has changed but the language has not. So if you haven’t lynched somebody then you can’t be called a racist. If you’re not a bloodsucking monster, then you can’t be called a racist. Somebody has to be able to say that racists are not monsters. They are people with loving families, regular folk who pay taxes. Somebody needs to get the job of deciding who is racist and who isn’t. Or maybe it’s time to just scrap the word “racist.” Find something new. Like Racial Disorder Syndrome. And we could have different categories for sufferers of this syndrome: mild, medium, and acute.

My intention in writing this book is not to hunt and name the killer. I wish instead to retrace the footsteps of five women, to consider their experiences within the context of their era, and to follow their paths through both the gloom and the light. They were worth more to us than the empty human shells we have taken them for: they were children who cried for their mothers; they were young women who fell in love; they endured childbirth and the deaths of parents; they laughed and celebrated Christmas. They argued with their siblings, they wept, they dreamed, they hurt, they enjoyed small triumphs. The courses their lives took mirrored that of so many other women of the Victorian age, and yet so singular in the way they ended. It is for them that I write this book. I do so in the hope that we may now hear their stories clearly and give back to them that which was so brutally taken away with their lives: their dignity.

And now, while he didn't particularly think any of these stories was a bit truer, he did realize that he didn't really know his wife at all; and that in fact the entire conception of knowing another person--of trust, of closeness, of marriage itself--while not exactly a lie since it existed someplace if only as an idea (in his parents' life, at least marginally) was still completely out-of-date, defunct, was something typifying another era, now unfortunately gone. Meeting a girl, falling in love, marrying her, moving to Connecticut, buying a fucking house, starting a life with her and thinking you really knew anything about her--the last part was a complete fiction, which made all the rest a joke.

Seasons is a wise metaphor for the movement of life, I think. It suggests that life is neither a battlefield nor a game of chance but something infinitely richer, more promising, more real. The notion that our lives are like the eternal cycle of the seasons does not deny the struggle or the joy, the loss or the gain, the darkness or the light, but encourages us to embrace it all-and to find in all of it opportunities for growth. If we lived close to nature in an agricultural society, the seasons as metaphor and fact would continually frame our lives. But the master metaphor of our era does not come from agriculture-it comes from manufacturing. We do not believe that we "grow" our lives-we believe that we "make" them. Just listen to how we use the word in everyday speech: we make time, make friends, snake meaning, make money, make a living, make love. I once heard Alan Watts observe that a Chinese child will ask, "How does a baby grow?" But an American child will ask, "How do you make a baby?" From an early age, we absorb our culture's arrogant conviction that we manufacture everything, reducing the world to mere "raw material" that lacks all value until we impose our designs and labor on it.

I had a chat with May and I had a sweet talk with April but the lovely conversation that left me to ponder was the long talk I had with June. Mathematics came to tell me that May is 3, June is 4 and April is 5. ‘ This should have been the counting order’ Mathematics said to me, and added, if you add 3 and 5 you shall surely get 8 and if you find the mid of 8 you will get 4 which is June. Ask June why the disorder! So I quickly called June and asked, why have you change the order? June said, ‘my brother, in this era, you should least give men things which are in order. Let them ponder and put things in order and they will learn something better’. I had to ponder and wonder. Then June added, those who will ponder to know why I have change the order to be at the mid of the other shall get to the mid of the other and wonder why they are at the mid of the other and end the other in wonder but, those who would never see why they must ponder when they get to the mid of the other to know why I am there shall end the other in disorder. They shall end the other and wander in the end! I was quick to ask June, which other? June calmly said, the twelve disciples of the year. Disciples’? I asked. June quickly said, I mean months! In your journey of life, take a break as you journey and ponder over the journey; June concluded!

În ziua în care m-am iubit cu adevărat, am înțeles că în toate împrejurările, mă aflam la locul potrivit, în momentul potrivit. Și atunci, am putut să mă liniștesc. Astăzi, știu că aceasta se numește – Respect pentru mine În ziua în care m-am iubit cu adevărat, am realizat că neliniștea și suferința mea emoțională, nu erau nimic altceva decât semnalul că merg împotriva convingerilor mele. Astăzi, știu că aceasta se numește … Autenticitate. În ziua în care m-am iubit cu adevărat, am încetat să doresc o viață diferită și am început să înțeleg că tot ceea ce mi se întâmplă, contribuie la dezvoltarea mea personală. Astăzi, știu că aceasta se numeste … Maturitate. În ziua în care m-am iubit cu adevărat, am început să realizez că este o greșeală să forțez o situație sau o persoană, cu singurul scop de a obține ceea ce doresc, știind foarte bine că nici acea persoană, nici eu însumi nu suntem pregătiți și că nu este momentul … Astăzi, știu că aceasta se numește … Respect. În ziua în care m-am iubit cu adevărat, am început să mă eliberez de tot ceea ce nu era benefic … persoane, situații, tot ceea ce îmi consumă energia. La început, rațiunea mea numea asta egoism. Astăzi, știu că aceasta se numește … Amor propriu. În ziua în care m-am iubit cu adevărat, am încetat să-mi mai fie teamă de timpul liber și am renunțat să mai fac planuri mari, am abandonat Mega-proiectele de viitor. Astăzi fac ceea ce este corect, ceea ce îmi place, când îmi place și în ritmul meu. Astăzi, știu că aceasta se numește … Simplitate. În ziua în care m-am iubit cu adevărat, am încetat să mai caut să am întotdeauna dreptate şi mi-am dat seama de cât de multe ori m-am înșelat. Astăzi, am descoperit … Modestia. În ziua în care m-am iubit cu adevărat, am încetat să retrăiesc trecutul şi să mă preocup de viitor. Astăzi, trăiesc prezentul, acolo unde se petrece întreaga viață. Astăzi trăiesc clipa fiecărei zile. Și aceasta se numeste … Plenitudine. În ziua în care m-am iubit cu adevărat, am înteles că rațiunea mă poate înşela şi dezamăgi. Dar dacă o pun în slujba inimii mele, ea devine un aliat foarte prețios. Si toate acestea înseamnă … să ştii să trăiești cu adevărat.” Traducere MIHAELA RADULESCU SCHWARTZENBERG.

This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.

Some books about the Holocaust are more difficult to read than others. Some books about the Holocaust are nearly impossible to read. Not because one does not understand the language and concepts in the books, not because they are gory or graphic, but because such books are confrontational. They compel us to “think again,” or to think for the first time, about issues and questions we might rather avoid. Gabriel Wilensky’s book, Six Million Crucifixions: How Christian Antisemitism Paved the Road to the Holocaust is one book I found difficult, almost impossible to read. Why? Because I had to confront the terrible underside of Christian theology, an underside that contributed in no small part to the beliefs and attitudes too many Christians – Catholic, Protestant, and Orthodox – had imbibed throughout centuries of anti-Jewish preaching and teaching that “paved the road to the Holocaust.” I cannot say that I “liked” Gabriel Wilensky’s book, Six Million Crucifixions: How Christian Antisemitism Paved the Road to the Holocaust. I didn’t, but I can say it was instructive and forced me to think again about that Jew from Nazareth, Jesus, and about his message of universal love and service – “What you do for the least of my brothers [and sisters], you do for me” (Matthew 25: 40). As Abraham Joshua Heschel once said, the Holocaust did not begin with Auschwitz. The Holocaust began with words. And too many of those hate-filled words had their origin in the Christian Scriptures and were uttered by Christian preachers and teachers, by Christians generally, for nearly two millennia. Is it any wonder so many Christians stood by, even participated in, the destruction of the European Jews during the Nazi era and World War II? I recommend Six Million Crucifixions: How Christian Antisemitism Paved the Road to the Holocaust because all of us Christians – Catholic, Protestant, and Orthodox – must think again, or think for the first time, about how to teach and preach the Christian Scriptures – the “New Testament” writings – in such a way that the words we utter, the attitudes we encourage, do not demean, disrespect, or disregard our Jewish brothers and sisters, that our words do not demean, disrespect, or disregard Judaism. I hope the challenge is not an impossible one.

Sin quitarme los ojos de encima, acercó aún más su pupitre. - ¿Sabes una cosa? - ¿Qué? - Que he entrado en tu blog. Ay, Dios. ¿Cómo lo había encontrado? Un momento; la pregunta que debía hacerme era la siguiente: ¿por qué lo había encontrado? Mi blog no podía buscarse a través de Google...Estaba flipando en colores. - Ya estás acosándome otra vez, ¿no? ¿Tengo que llamar a la poli para que te ponga una orden de alejamiento? - Ni en sueños, gatita - Sonrió - Ah, espera, que ya salgo en ellos, ¿verdad? Puse los ojos en blanco. - Más bien apareces en mis pesadillas, Daemon. (pág.154) - ¿Me estás preguntando si me atraen las humanas? - dijo. El pelo le caía hacia delante en ondas. Unas gotitas de agua le recorrían los mechones y acababan salpicándome la mejilla - ¿O si eres tú la que me atrae? Con las manos apoyadas en la roca, fue acercándose a mí lentamente. Muy pronto nos separaban sólo unos milímetros...Sentía su respiración como si fuera la mía, y cuando movió las caderas abrí los ojos y ahogué un grito. Vaya que si funcionaba la cosa...Me despejó la duda de un plumazo. (pág. 240) - Sí que es importante el helado - dije. - Es mi vida entera.- Dee tiró el monedero a Daemon, pero erró el objetivo - ¡Y tú me lo has quitado! (pág. 258 NUNCA TE METAS ENTRE DEE Y SU COMIDA, Y MENOS SI SE TRATA DE HELADO) - ¿Lo estás pasando bien con...Ash? - ¿Y tú con tu amiguito el pulpo? Me mordí el larbio. - Qué simpático eres, como siempre. ... - Estás...muy guapa, por cierto. Demasiado guapa para estar con ese idiota. Me sonrojé y bajé la vista. - ¿Te has tomado algo? - Pues no, la verdad. ¿Por qué me lo preguntas, si puede saberse? - Porque nunca me dices nada agradable. - Touché. (pág. 303) - Recuérdame...que no te haga enfadar nunca más ¡La leche! ¿Eres agente secreto en tus ratos libres? ... Me recorrió la espalda con sus brazos y hundió una mano en los rizos que se me habían soltado del moño. - No me has hecho caso - susurró contra mi hombro. - Nunca te hago caso. (pág. 327) Daemon murmuró algo en un idioma desconocido. Era una lengua dulce y bonita. Mágica. De otro planeta. Podría haberlo despertado, pero no lo hice sin saber demasiado bien por qué. La emoción que sentía por el contacto con su piel era más fuerte que todo lo demás. Daemon tenía una mano en el borde de mi camiseta, y los dedos encima del pedazo de piel que había entre el borde de la camiseta y la cinturilla de los pantalones de pijama. La mano empezaba a abrirse paso por debajo de la camiseta, a través de mi estómago, en la parte en que este empieza a descender. El pulso se me desbocó. Me rozó las costillas con la punta de los dedos. Su cuerpo se movió y sentí su rodilla contra mí. (pág. 338) O.O o_O OMG - Gatita - Ni aunque fueras el último ser con aspecto humano sobre la faz de la Tierra ¿Ahora lo entiendes? ¿Capiche? ... - Ademñas, no me atraes nada - Mentira podrida - Pero vamos, nada de nada. Eres... De repente Daemon estaba delante de mí, a apenas un centímetro de mi rostro. - ¿Qué soy? - Ignorante -¿Y qué más? - Prepotente, controlador...-...- Y un...cretino. - Venga ya, gatita, seguro que puedes hacerlo mejor - ... - Todavía no me creo que no te sientas atraída por mí. (pág. 360) - Seguro que hasta sueñas conmigo - Bajó la vista hacia mis labios y sentí que se despegaban - Seguro que escribes mi nombre en tus libretas, una y otra vez, rodeado por un corazoncito. Me reí. - En tus sueños, Daemon. Eres la última persona a la que... Daemon me besó (pág.361) Una sonrisa pícara se le asomó a los labios. - ¿Te das cuenta de que me encantan los retos? Me reí entre dientes y me volví hacia la puerta mientras le dedicaba un gesto grosero con el dedo corazón. - Y a mí, Daemon; y a mí. (pág. 414)

Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.