Equalizer 3 Quotes

We've searched our database for all the quotes and captions related to Equalizer 3. Here they are! All 30 of them:

I have a fetish for damsels in distress.” “Don’t be sexist.” “Not at all. My services are also available to gentlemen in distress. It’s an equal opportunity fetish.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
She was already learning that if you ignore the rules people will, half the time, quietly rewrite them so that they don't apply to you.
Terry Pratchett (Equal Rites (Discworld, #3))
Everybody is a book of blood; wherever we're opened, we're red.
Clive Barker (Books of Blood: Volumes One to Three (Books of Blood, #1-3))
The entire universe has been neatly divided into things to (a) mate with, (b) eat, (c) run away from, and (d) rocks.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
I like the way I feel about myself when I'm with him." I say quietly. "Warner thinks I'm strong and smart and capable and he actually values my opinion. He makes me feel like his equal--like I can accomplish just as much as he can, and more. And if I do something incredible, he's not even surprised. He expects it. He doesn't treat me like I'm some fragile little girl who needs to be protected all the time.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
They say you cannot love two people equally at once,” she said. “And perhaps for others that is so. But you and Will—you are not like two ordinary people, two people who might have been jealous of each other, or who would have imagined my love for one of them diminished by my love of the other. You merged your souls when you were both children. I could not have loved Will so much if I had not loved you as well. And I could not love you as I do if I had not loved Will as I did.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
She was also, by the standards of other people, lost. She would not see it like that. She knew where she was, it was just that everywhere else didn't.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
Her throat ached: adoration, heartbreak, in equal measure. “Kiss me,” she said. “Please.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I respect you," he murmured. "and your views. I think of you as an equal. I respect your brains, and all those big words you like to use. But I also want to rip your clothes off and have sex with you until you scream and cry and see God." -Jack Travis (Smooth Talking Stranger)
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
...it is well known that a vital ingredient of success is not knowing that what you're attempting can't be done.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
Love is made up of three unconditional properties in equal measure: 1. Acceptance 2. Understanding 3. Appreciation Remove any one of the three and the triangle falls apart. Which, by the way, is something highly inadvisable. Think about it — do you really want to live in a world of only two dimensions? So, for the love of a triangle, please keep love whole.
Vera Nazarian (The Perpetual Calendar of Inspiration)
Marriage, in my view, should be a balanced stalemate between equal adversaries.
Elizabeth Peters (The Mummy Case (Amelia Peabody, #3))
Million-to-one chances...crop up nine times out of ten.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
That's one form of magic, of course." "What, just knowing things?" "Knowing things that other people don't know.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
They say a little knowledge is a dangerous thing, but it's not one half so bad as a lot of ignorance.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
Lord Maccon was built like a brick outhouse, with opinions twice as unmoving and often equally full of crap.
Gail Carriger (Blameless (Parasol Protectorate, #3))
Sadness doesn't equal weakness, sweetheart. If anything, it shows the love you have inside of you, and nothing stronger in this world exists.
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
Do you know how wizards like to be buried?" "Yes!" "Well, how?" Granny Weatherwax paused at the bottom of the stairs. "Reluctantly.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
Granny sighed. "You have learned something," she said, and thought it safe to insert a touch of sternness into her voice. "They say a little knowledge is a dangerous thing, but it is not one half so bad as a lot of ignorance.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
She'd been impressed by his looks at first--those sharply planed cheekbones and those black, fathomless eyes--but his affable, sympathetic personality grated on her now. She didn't like boys who looked as if they never got mad about anything. In Isabelle's world, rage equaled passion equaled a good time.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
She managed a smile. "You're kind of pushy, you know." He shrugged. "I have a fetish for damsels in distress." "Don't be sexist." "Not at all. My services are also available to gentlemen in distress. It's an equal opportunity fetish," he said, and with a flourish, offered his arm again.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Kaitlyn is that kind of girl that might be too interesting, might tempt you to get involved... A girl who challenged him, who could be my equal... Her mind was a place of blue pools and blazing meteors... She stood slim and proud as some medival witch princess against dawn." -Gabriel
L.J. Smith (The Passion (Dark Visions, #3))
Cutangle: While I'm still confused and uncertain, it's on a much higher plane, d'you see, and at least I know I'm bewildered about the really fundamental and important facts of the universe. Treatle: I hadn't looked at it like that, but you're absolutely right. He's really pushed back the boundaries of ignorance. They both savoured the strange warm glow of being much more ignorant than ordinary people, who were only ignorant of ordinary things.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
I never wanted him to feel the way I had as a child," said Baghra. "So I taught him that he had no equal, that he was destined to bow to no man. I wanted him to be hard, to be strong. I taught him the lesson my mother and father taught me: to rely on no one. That love - fragile and fickle and raw - was nothing compared to power. He was a brilliant boy. He learned too well.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Here’s what I believe: 1. If you are offended or hurt when you hear Hillary Clinton or Maxine Waters called bitch, whore, or the c-word, you should be equally offended and hurt when you hear those same words used to describe Ivanka Trump, Kellyanne Conway, or Theresa May. 2. If you felt belittled when Hillary Clinton called Trump supporters “a basket of deplorables” then you should have felt equally concerned when Eric Trump said “Democrats aren’t even human.” 3. When the president of the United States calls women dogs or talks about grabbing pussy, we should get chills down our spine and resistance flowing through our veins. When people call the president of the United States a pig, we should reject that language regardless of our politics and demand discourse that doesn’t make people subhuman. 4. When we hear people referred to as animals or aliens, we should immediately wonder, “Is this an attempt to reduce someone’s humanity so we can get away with hurting them or denying them basic human rights?” 5. If you’re offended by a meme of Trump Photoshopped to look like Hitler, then you shouldn’t have Obama Photoshopped to look like the Joker on your Facebook feed. There is a line. It’s etched from dignity. And raging, fearful people from the right and left are crossing it at unprecedented rates every single day. We must never tolerate dehumanization—the primary instrument of violence that has been used in every genocide recorded throughout history.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!
Benjamin Franklin
Good. Item seven. The had had and that that problem. Lady Cavendish, weren’t you working on this?’ Lady Cavendish stood up and gathered her thoughts. ‘Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.’ ‘Go on.’ ‘It’s mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim’s Progress may also be a problem due to its had had/that that ratio.’ ‘So what’s the problem in Progress?’ ‘That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.’ ‘Hmm,’ said the Bellman, ‘I thought had had had had TGC’s approval for use in Dickens? What’s the problem?’ ‘Take the first had had and that that in the book by way of example,’ said Lady Cavendish. ‘You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.’ ‘So the problem with that other that that was that…?’ ‘That that other-other that that had had approval.’ ‘Okay’ said the Bellman, whose head was in danger of falling apart like a chocolate orange, ‘let me get this straight: David Copperfield, unlike Pilgrim’s Progress, had had had, had had had had. Had had had had TGC’s approval?’ There was a very long pause. ‘Right,’ said the Bellman with a sigh, ‘that’s it for the moment. I’ll be giving out assignments in ten minutes. Session’s over – and let’s be careful out there.
Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
Animal minds are simple, and therefore sharp. Animals never spend time dividing experience into little bits and speculating about all the bits they've missed. The whole panoply of the universe has been neatly expressed to them as things to (a) mate with, (b) eat, (c) run away from, and (d) rocks. This frees the mind from unnecessary thoughts and gives it a cutting edge where it matters. Your normal animal, in fact, never tries to walk and chew gum at the same time. The average human, on the other hand, thinks about all sorts of things around the clock, on all sorts of levels, with interruptions from dozens of biological calendars and timepieces. There's thoughts about to be said, and private thoughts, and real thoughts, and thoughts about thoughts, and a whole gamut of subconscious thoughts. To a telepath the human head is a din. It is a railway terminus with all the Tannoys talking at once. It is a complete FM waveband- and some of those stations aren't reputable, they're outlawed pirates on forbidden seas who play late-night records with limbic lyrics.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
December 27, 11:00 p.m. My Dear America, I’ve never written a love letter, so forgive me if I fail now. . . . The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you. I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me. I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife. And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now. I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want. I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion. You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do. You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side. I love you, America. Yours forever, Maxon
Kiera Cass (The One (The Selection, #3))
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion. He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table. So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers. “You eat like a fine lady,” she told him. His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water. The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly. “You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason. “Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.” Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty. She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed. Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))