β
Look up and see His Word among the stars, where He has set your Name along with His. Look up and find your certain destiny the world would hide but God would have you see. C-ep.4. Let us wait here in silence, and kneel
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Foundation for Inner Peace (A Course in Miracles)
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1. Humans were weakest when they believed someone protected them CHAP18, PG200
2.No matter how good a mentor, a person who wasn't determined couldn't survive in this world CHAP 20:EP 5, PG 223
3. The treasure trove doesn't just contain treasures. CHAP 22 PG 235
4. The person trying to be all alone was the busiest. CH 36 PG 409
5. You have already forgotten the determination of your first attempt." CH 41 , PG 486
6. "If you can't find the meaning of life in front of you, didn't you decide to live for the greater cause? CH 41, PG 486
7. "Human beings aren't slaves of desire. They are animals fighting their desires." CH 137 PG 1595
8. It isn't important to read the letters. The important thing is where the
letters lead you. Pg 1963 ch170
9. At first, I only saw the main character's position. The second reading
showed the position of the supporting character and the third reading
showed the position of the enemy.
The story changed every time I read it.Β Pg 1964
β
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shing shong (OMNISCIENT READER'S VIEWPOINT (light novel vol2))
β
AUGUSTINE. (Ep. 199, 46.) But that this preaching the Gospel of the kingdom in all the world was accomplished by the Apostles, we have not any certain evidence, to prove. There are numberless barbarous nations in Africa, among whom the Gospel is not even yet preached, as it is easy to learn from the prisoners who are brought from thence. But it cannot be said that these have no part in the promise of God. For God promised with an oath not the Romans only, but all nations to the seed of Abraham. But in whatever nation there is yet no Church established, it must needs be that there should be one, not that all the people should believe; for how then should that be fulfilled, Ye shall be hated of all nations for my nameβs sake, unless there be in all nations those who hate and those; who are hated? That preaching therefore was not accomplished by the Apostles, while as yet there were nations among whom it had not begun to be fulfilled. The words of the Apostle also, Their sound hath gone out into all the world, though expressed as of time past, are meant to apply to something future, not yet completed; as the Prophet, whose words he quotes, said that the Gospel bore fruit and grew in the whole world (Ps. 19:4.), to shew thereby to what extent its growth should come. If then we know not when it shall be that the whole world shall be filled with the Gospel, undoubtedly we know not when the end shall be; but it shall not be before such time.
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Thomas Aquinas (Catena Aurea: Commentary On the Four Gospels Collected Out of the Works of the Fathers: Volumes 1 to 4 (Illustrated))
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Verse: Ep 4:29-32 Teaching: Do not let any unwholesome talk come out of your mouths, but only what is helpful for building others upβ¦get rid of all bitterness, rage and angerβ¦be kind and compassionate to one another, forgiving each other.
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Paul Brynteson (The Bible Reconsidered)
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[μλ£μ½νλΆλ]
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1) μ΄ μ½μ μμ©λ°νμ΄ λΉ λ₯΄λ―λ‘, μ·¨μΉ¨ λ°λ‘ μ§μ μ 경ꡬν¬μ¬νλ€.
In addition to "I love you" used to date in Korean, there are old words such as "goeda" [3], "dada" [4], and "alluda" [5]. In Chinese characters, ζ(ae) and ζ(yeon) have the meaning of love. In Chinese characters, ζ mainly means love in a relationship, and ζ means more comprehensive love than that. In the case of Jeong, the meaning is more comprehensive than Ae or Yeon, and it is difficult to say the word love. In the case of Japanese, it is divided into two types: ζ (γγ) and ζ (γγ) [6].
There are two main views on etymology. First of all, there is a hypothesis that the combination of "sal" in "live" or "sard" and the suffix "-ang"/"ung" was changed to "love" from the Middle Ages, but "love" clearly appears as a form of "sudah" in the Middle Ages, so there is a problem that the vowels do not match at all. Although "Sarda" was "Sanda," the vowels match, but the gap between "Bulsa" and "I love you" is significant, and "Sanda" and "Sanda Lang," which were giants, have a difference in tone, so it is difficult to regard it as a very reliable etymology.
Next, there is a hypothesis that it originated from "Saryang," which means counting the other person. It is a hypothesis argued by Korean language scholars such as Yang Ju-dong, and at first glance, it can be considered that "Saryang," which means "thinking and counting," has not much to do with "love" in meaning. In addition, some criticize the hypothesis, saying that the Chinese word Saryang itself is an unnatural coined word that means nothing more than "the amount of thinking."
However, in addition to the meaning of "Yang," there is a meaning of "hearida," and "Saryang" is also included in the Standard Korean Dictionary and the Korean-Chinese Dictionary as a complex verb meaning "think and count." In addition, as will be described later, Saryang is an expression whose history is long enough to be questioned in the Chinese conversation book "Translation Noguldae" in the early 16th century, so the criticism cannot be considered to be consistent with the facts. In addition, if you look at the medieval Korean literature data, you can find new facts.
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Anonymous
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And you hath he quickened, who were dead in trespasses and sins; Ep2.2 Wherein in time past ye walked according to the course of this world, according to the prince of the power of the air, the spirit that now worketh in the children of disobedience: Ep2.3 Among whom also we all had our conversation in times past in the lusts of our flesh, fulfilling the desires of the flesh and of the mind; and were by nature the children of wrath, even as others. Ep2.4 But God, who is rich in mercy, for his great love wherewith he loved us, Ep2.5 Even when we were dead in sins, hath quickened us together with Christ, (by grace ye are saved;) Ep2.6 And hath raised us up together, and made us sit together in heavenly places in Christ Jesus: Ep2.7 That in the ages to come he might shew the exceeding riches of his grace in his kindness toward us through Christ Jesus. Ep2.8 For by grace are ye saved through faith; and that not of yourselves: it is the gift of God: Ep2.9 Not of works, lest any man should boast. Ep2.10 For we are his workmanship, created in Christ Jesus unto good works, which God hath before ordained that we should walk in them.
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Anonymous
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EpΒ 4:1Β I beseech you therefore, 1I, the 2aprisoner bin the Lord, to 3cwalk worthily of the dcalling with which you were ecalled,
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Living Stream Ministry (Holy Bible Recovery Version (contains footnotes))
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An infection or inflammation of the larynx is known as laryngitis (lar-in-JI .-tis). It commonly affects the vibrational qualities of the vocal folds. Hoarseness is the most familiar result. Mild cases are temporary and seldom serious. However, bacterial or viral infections of the epiglottis can be very dangerous. The resulting swelling may close the glottis and cause suffocation. This condition, acute epiglottitis (ep-ih-glot-TI .-tis), can develop rapidly after a bacterial infection of the throat. Young children are most likely to be affected. The Trachea The trachea (TRA .-ke.-uh), or windpipe, is a tough, flexible tube with a diameter of about 2.5 cm (1 in.) and a length of about 11 cm (4.33 in.) (Figure 23β6). The trachea begins anterior to vertebra C6 in a ligamentous attachment to the cricoid cartilage. It ends in the mediastinum, at the level of vertebra T5, where it branches to form the right and left main bronchi. The epithelium of the trachea is continuous with that of the larynx. The mucosa of the trachea resembles that of the nasal cavity and nasopharynx (look back at Figure 23β2a). The submucosa (sub-mu.-KO .-suh), a thick layer of connective tissue, surrounds the mucosa. The submucosa contains tracheal glands whose mucous secretions reach the tracheal lumen through a number of short ducts. The trachea contains 15β20 tracheal cartilages that stiffen the tracheal walls and protect the airway (see Figure 23β6a). They also prevent it from collapsing or overexpanding as pressure changes in the respiratory system. Each tracheal cartilage is C-shaped. The closed portion of the C protects the anterior and lateral surfaces of the trachea. The open portion of the C faces posteriorly, toward the esophagus (see Figure 23β6b). Because these cartilages are not continuous, the posterior tracheal wall can easily distort when you swallow, allowing large masses of food to pass through the esophagus. An elastic anular ligament and the trachealis, a band of smooth muscle, connect the ends of each tracheal cartilage (see Figure 23β6b). Contraction of the trachealis reduces the diameter of the trachea. This narrowing increases the tubeβs resistance to airflow. The normal diameter of the trachea changes from moment to moment, primarily under the control of the sympathetic division of the ANS. Sympathetic stimulation increases the diameter of the trachea and makes it easier to move large volumes of air along the respiratory passageways.
β
β
Frederic H. Martini (Fundamentals of Anatomy & Physiology)
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Once the iceberg is identified, they ask themselves a series of questions to determine: (1) if the iceberg continues to be meaningful to them; (2) if the iceberg is accurate in the given situation; (3) if the iceberg is overly rigid; (4) if the iceberg is useful. The iceberg βAsking
β
β
Martin E.P. Seligman (Flourish: A New Understanding of Happiness and Wellbeing: The practical guide to using positive psychology to make you happier and healthier)
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Identify and work to understand the situation. 2. Describe the situation objectively and accurately. 3. Express concerns. 4. Ask the other person for his/her perspective and work toward an acceptable change. 5. List the benefits that will follow when the change is implemented.
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Martin E.P. Seligman (Flourish: A New Understanding of Happiness and Wellbeing: The practical guide to using positive psychology to make you happier and healthier)
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Your whole life can change in a second, and you never even know when it's coming. When you are tired, exhausted and discouraged. ENDURE. Endurance is rewarded.
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Ranatta Philip (Can't Get Enough Ep4: Journey of Love Romance & Drama short story)
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you gotta act, and let everyone else react"
- Buddy
(Ozark Season 2 ep. 4)
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β
jimmy smalls
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well formed. βAngiβ, Grahamβs most famous composition, first appeared on 3/4 AD, a 1961 Topic EP split with blues guitarist Alexis Korner. Based around a deceptively easy four-chord sequence, the plucking right hand appears to do the work of a jazz trio, the thumb maintaining a steady bass pulse while the rest of the fingers tweak out the tuneβs ruminative syncopations. Combined
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Rob Young (Electric Eden: Unearthing Britain's Visionary Music | A seminal book on British music and cultural heritage, that spans the visionary classical and folk ... the nineteenth-century to the present day.)
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Lady Boneweaver sacrifices for her friends. Sacrifices her skin. Her womb. Her honour. Because tonight, great beasts fight to purchase us. And where once before they used their claws and fangs, tonight, they will use the modern worldβs form of power: money.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Only the frightened reject a mate bond,β I reply smoothly. βOnly the frightened rage so hard. Only the frightened curse themselves.
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β
E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Ghoulβs shadows taste sweet on my tongue. Soft like velvet, powerful like a midnight storm.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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hairs on my neck stand on end. She glares out at us. Challenges us. Those blue irises like the brightest sapphires from the deepest parts of the Earth.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Xander has that sort of dangerous masculine scent that drives me to do wild thingsβ
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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People donβt belong in cages,β Selena says quietly. I regard her carefully. βOr towers.β Her eyes sparkle.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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She gasps into my mouth. And it does something so primal to me. A growl tears from my throat, greed and desire taking me over completely. Her scentβgods, her scent is everything, and my dragon sways in approval. I sweep the sheet off her, sliding my hand down the curve of a delicious waist, down a smooth thigh and lower to the back of her knee. With another growl, I hike her leg over my hip, my cock painful and hard as obsidian stone. βI need you,β I mutter. βFuck, I need you.β She whimpers, her own primal desires making her writhe, making her skin slide over my naked skin, leaving me panting and half-mad. My cock twitches and catches her between the legs, the head sinking into moisture. She hisses and so do I, making me slide my hips, greedily wanting to be coated in that sweet wetness. I palm her breast and she arches into me, moaning wantonly. The scent of her wet pussy makes me drunk and I suddenly canβt think of anything else except what that would feel like inside of my mouth and on my tongue and on my entire face. I want to cover my whole body in that sweetness. βI need to taste you,β I say hoarsely, sliding down her body, tasting her skin as I go. The centre of her chest, a line down her body. The taste of her is almost orgasmic, like a buffet of every perfect taste in the world.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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It gets better the lower I go and I covetously grip her hips as I find my lips tickled by a tuft of soft curls. I took her for a Brazilian type of woman, but it doesnβt fucking matter, not when itβs ambrosia, not when I crave it like I crave the fucking sky. She cries out when my lips kiss the line where her labia meet. I stroke my tongue down her centre, lapping up the beads of her heady juices as I do. Sliding my tongue between her lips, I groan deep in my throat as that nectar slides into my mouth, simultaneously heating me up and cooling my brain. The cerebral relief I feel is unmatched as I lave into her pussy, exploring the delicate skin like a skilled explorer. A flick of her clit makes her cry out, hands reaching into my hair and tugging in just the way I like. My lips find her clit and I suck on it gently, and happily find a flood of the heady slick in my mouth. I reach down and stroke myself as I savour this delicacy, feeling my hard shaft respond to the pleasure in my mouth. I squeeze the base almost cruelly hard, milking my cock and feeling its veins bulge. Precum coats the broad head and I imagine the flutter of my tongue of her most sensitive spot, grinning as I feel her writhe and almost choke on a moan. Iβm relentless, wanting to feel more of the unexpected pleasure, pumping my shaft hard and fast as if I was in her. Release gathers at the base of me, rumbling like a volcano ready to explode. I work my cock as I work her clit and she comes first, screaming and crying, her back almost lifting off the bed completely before she pants, yanking on my hair so hard it hurts in the best way. Pressure hits a breaking point in my own body and I sit up, tilting my head back and moaning into the sky as I let go weeks of release onto her body, milking out every laboured millilitre of my seed. I inhale a sweet breath and exhale a relieved one before flopping down on the bed. Lazily, I rub my cum into her skin, letting my scent claim her, letting my seed soak into her skin. Silence. There is blissful silence in my head. And for the first time in an age, I go soundly to sleep.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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There is a monster chasing me: my own fucking decisions. The consequences are catching up, hard and fast.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Hands of Gold β Peter Hollens
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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I was a creature born to fly, born to tear through the wind and let my majesty be known to all beneath me. And yet I want to tear apart the very sky. I want to sink my claws into the world and shred it to pieces.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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A foul scent lingers in the air, and it smells of misogyny.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Lithium β Nirvana
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Sweet baby dragon, down by the sea. He frolics in the waves, happy as can beβ¦
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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She came under my touch. So easily and so freely, that I stared, fascinated at my new possession. All mine, only mine, safe in my room, in my arms, for no one to touch and hold and stroke but me. Mine. Mine All mine. Her orgasms are all mine. Her mouth is all mine. Her touch is all mine, too.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Her inner lips are dessert to my tongue and I savour them, slowly, completely. My lips find that swollen bud right at the top, a beacon to her pleasure. I suck gently, and she bucks into my mouth, crying out. I grin into her secret place, working that bud until her muscles clench around me. I slide my hand up her inner thigh, and when I coat my fingers in her juices, she jerks.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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This voice belongs to the shark. He smells of brine and darkness and I quieten to listen to his damaged voice.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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She cries out and I send my finger deeper. Iβm met with a gush of fluids that I lap up immediately, licking faster and faster at her clit. She moans and I stroke her inside, a slow, lazy rhythm that makes her muscles loose. I have to hold her up as she whimpers. Grinning into her pussy, I work my pretty jewel, massaging her, licking and tasting until she screams, coming completely undone and all but collapsing onto my face. My own cock is hard and pulsing, begging for release, but I must ensure my most precious treasure is attended to first. βGood jewel,β I say, hauling her into my arms and stepping out of the shower. βVery well done.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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My body welcomes his touch, and honestly, I feel like Iβve been waiting my whole life to feel this. To experience this. It eases that primitive wound at my core.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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You will know all the times we have loved her, and may they torment you for the rest of your cursed, miserable days.β A broken scream fills the air, and it takes me a moment to realise itβs mine.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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His power is darker and more foreboding than the others, wrapping around me as if he wants to drag my soul to hell with his. His body might be a furnace, but his mouth is like the inside of a volcano, demanding and greedy. He tastes like fire on my tongue, the pressure of ancient volcanic rock and the scent of flowing molten lava. A rumbling sound courses through his chest and into mine, and that hand clutching my neck slides to cup my breast.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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She has a body made by the Wild Goddess, perfect for a beastβs tongue and teeth. Perfect for a monsterβs dark hands.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Thereβs a moment then. Hot, disastrous, and smoky between us. When time seems to lose its place and neither of us understands quite what just happened. I see it then. In another time and place, where weβre not enemies. Where he could have worshipped me. When I would have freely loved him.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Blood Upon the Snow β Hozier & Bear McCreary
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Creep β Radiohead
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Whatever crucial thing in me that broke the day he formally rejected me, doesnβt break again. It shatters into fine dust. And it makes me feel worse than before. Thereβs an eternal cold inside my heart,
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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lay my naked skin upon his bare chest, I whimper with need. Burying my nose into the crook of his neck, I inhale him into my lungs and savour the feeling of his arms snaking around me, holding me with equal desperation. He whispers my name again, his hands tracing down, then up my back as if remembering the curve of my spine, the shape of my hip, the span of my shoulders. His breath is heavy as I cry into him and he sweeps my long length of hair away, laying kisses on my shoulder. Only when he whispers my name for a third time, pained and insistent, do I raise my head and look at him, and find Scythe looking at me too.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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I kiss her there three times. Once for love, once for luck, and once because Iβm horny.
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Make It Bun Dem β Skrillex, Damian Marley
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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The Last of Her Kind β Peter Gundry
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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In This Shirt β The Irrepressibles
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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Save Me β Remy Zero
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
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5) μΉλ£κΈ°κ°μ λ³΄ν΅ μ μΌμμ 2μ£Ό, μ΅λν 4μ£ΌκΉμ§ λ€μνλ©°, μ©λμ μμμ μΌλ‘ μ μ ν κ²½μ° μ μ§μ μΌλ‘ κ°λν΄κ°λλ‘ νλ€.
6) λ€λ₯Έ μλ©΄μ λ€κ³Ό λ§μ°¬κ°μ§λ‘, μ₯κΈ°κ° μ¬μ©μ κΆμ₯λμ§ μμΌλ©°, 1ν μΉλ£κΈ°κ°μ 4μ£Όλ₯Ό λμ§ μλλ‘ νλ€.
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μ΄ μ½ 1μ (126mg) μ€ μ‘ΈνΌλ νλ₯΄νλ₯΄μ°μΌ (EP)
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μ°λΉμ(Ambien), μ°λΉμ CR(Ambien CR), μΈν°λ©μ‘°(Intermezzo), μ€νΈλμ€(Stilnox), μ€νΈλνΈ(Stilnoct), μλΈλ¦¬λμ€(Sublinox), νμ΄νλμ (Hypnogen), μ‘°λ€μ΄λ(Zonadin), Sanval, Zolsana and Zolfresh λ±μ μ‘ΈνΌλμ μνλλ νλͺ
μ΄λ€.
1) μ΄ μ½μ μμ©λ°νμ΄ λΉ λ₯΄λ―λ‘, μ·¨μΉ¨ λ°λ‘ μ§μ μ 경ꡬν¬μ¬νλ€.
2) μ±μΈμ 1μΌ κΆμ₯λμ 10mgμ΄λ©°, μ΄λ¬ν κΆμ₯λμ μ΄κ³Όνμ¬μλ μλλ€. λ
ΈμΈ λλ μ μ½ν νμλ€μ κ²½μ°, μ΄ μ½μ ν¨κ³Όμ λ―Όκ°ν μ μκΈ° λλ¬Έμ, κΆμ₯λμ 5mgμΌλ‘ νλ©°, 1μΌ 10mgμ μ΄κ³Όνμ§ μλλ€.
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3) κ° μμμΌλ‘ μ΄ μ½μ λμ¬ λ° λ°°μ€μ΄ κ°μλ μ μμΌλ―λ‘, λ
ΈμΈ νμλ€μμμ²λΌ νΉλ³ν μ£Ό μμ ν¨κ» μ©λμ 5mgμμ μμνλλ‘ νλ€.
4) 65μΈ λ―Έλ§μ μ±μΈμ κ²½μ°, μ½λ¬Όμ μμλκ° μ’μΌλ©΄μ μμμ λ°μμ΄ λΆμΆ©λΆν κ²½μ° μ©λμ 10mgκΉμ§ μ¦λν μ μλ€.
5) μΉλ£κΈ°κ°μ λ³΄ν΅ μ μΌμμ 2μ£Ό, μ΅λν 4μ£ΌκΉμ§ λ€μνλ©°, μ©λμ μμμ μΌλ‘ μ μ ν κ²½μ° μ μ§μ μΌλ‘ κ°λν΄κ°λλ‘ νλ€.
6) λ€λ₯Έ μλ©΄μ λ€κ³Ό λ§μ°¬κ°μ§λ‘, μ₯κΈ°κ° μ¬μ©μ κΆμ₯λμ§ μμΌλ©°, 1ν μΉλ£κΈ°κ°μ 4μ£Όλ₯Ό λμ§ μλλ‘ νλ€.
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μ΄λ€.
1) μ΄ μ½μ μμ©λ°νμ΄ λΉ λ₯΄λ―λ‘, μ·¨μΉ¨ λ°λ‘ μ§μ μ 경ꡬν¬μ¬νλ€.
2) μ±μΈμ 1μΌ κΆμ₯λμ 10mgμ΄λ©°, μ΄λ¬ν κΆμ₯λμ μ΄κ³Όνμ¬μλ μλλ€. λ
ΈμΈ λλ μ μ½ν νμλ€μ κ²½μ°, μ΄ μ½μ ν¨κ³Όμ λ―Όκ°ν μ μκΈ° λλ¬Έμ, κΆμ₯λμ 5mgμΌλ‘ νλ©°, 1μΌ 10mgμ μ΄κ³Όνμ§ μλλ€.
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3) κ° μμμΌλ‘ μ΄ μ½μ λμ¬ λ° λ°°μ€μ΄ κ°μλ μ μμΌλ―λ‘, λ
ΈμΈ νμλ€μμμ²λΌ νΉλ³ν μ£Ό μμ ν¨κ» μ©λμ 5mgμμ μμνλλ‘ νλ€.
4) 65μΈ λ―Έλ§μ μ±μΈμ κ²½μ°, μ½λ¬Όμ μμλκ° μ’μΌλ©΄μ μμμ λ°μμ΄ λΆμΆ©λΆν κ²½μ° μ©λμ 10mgκΉμ§ μ¦λν μ μλ€.
5) μΉλ£κΈ°κ°μ λ³΄ν΅ μ μΌμμ 2μ£Ό, μ΅λν 4μ£ΌκΉμ§ λ€μνλ©°, μ©λμ μμμ μΌλ‘ μ μ ν κ²½μ° μ μ§μ μΌλ‘ κ°λν΄κ°λλ‘ νλ€.
6) λ€λ₯Έ μλ©΄μ λ€κ³Ό λ§μ°¬κ°μ§λ‘, μ₯κΈ°κ° μ¬μ©μ κΆμ₯λμ§ μμΌλ©°, 1ν μΉλ£κΈ°κ°μ 4μ£Όλ₯Ό λμ§ μλλ‘ νλ€.
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What Could Have Been β Sting ft Ray Chen
β
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))
β
Say Yes to Heaven β Lana Del Rey
β
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E.P. Bali (Her Tortured Beasts (Her Vicious Beasts Book 4))