Eon Next Quotes

We've searched our database for all the quotes and captions related to Eon Next. Here they are! All 17 of them:

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Human beings are so destructive. I sometimes think we're a kind of plague, that will scrub the earth clean. We destroy things so well that I sometimes think, maybe that's our function. Maybe every few eons, some animal comes along that kills off the rest of the world, clears the decks, and lets evolution proceed to its next phase.
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Michael Crichton (The Lost World (Jurassic Park, #2))
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You know how every once in a while you look back on your life and you wonder how so much time has passed? You wonder how each moment bled into the next and created the days, months, and years that now all feel like seconds? That’s how I feel. Right now. In this moment. It feels like our entire past together spans eons and the time I’ve spent without him is an insignificant little flash.
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Taylor Jenkins Reid (One True Loves)
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Human beings are so destructive,” Malcolm said. β€œI sometimes think we’re a kind of plague, that will scrub the earth clean. We destroy things so well that I sometimes think, maybe that’s our function. Maybe every few eons, some animal comes along that kills off the rest of the world, clears the decks, and lets evolution proceed to its next phase.
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Michael Crichton (The Lost World (Jurassic Park, #2))
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...she was struck suddenly that he wasn’t unfathomable at all. They were both made of the same star stuff. The same primordial fires that had coalesced to form their respective planets had been so close, on a grand cosmic scale. A near-infinite universe, and they were practically next-door neighbors. Looking into his eyes was like looking into ten billion years of history, like she could see the particles and rocks and gasses coalesce over eons, until somehow, impossibly, here they both were.
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Lindsay Ellis (Axiom's End (Noumena, #1))
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Human beings are so destructive,' Malcolm said. 'I sometimes think we're a kind of plague that will scrub the earth clean. We destroy things so well that I sometimes think, maybe that's our function. Maybe every few eons, some animal comes along that kills off the rest of the world, clears the decks, and let's evolution proceed to its next phase.
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Michael Crichton (The Lost World (Jurassic Park, #2))
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A shared genetic past does not negate eons of separate evolution. While plants and humans maintain parallel abilities to sense and be aware of the physical world, the independent paths of evolution have led to a uniquely human capacity, beyond intelligence, that plants don't have: the ability to care. So the next time you find yourself on a stroll through a park, take a second to ask yourself: What does the dandelion in the lawn see? What does the grass smell? Touch the leaves of an oak, knowing that the tree will remember it was touched. But it won't remember you. You, on the other hand, can remember this particular tree and carry the memory of it with you forever.
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Daniel Chamovitz (What a Plant Knows: A Field Guide to the Senses)
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New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.
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Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
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She was faint by passing the terrible things art has done countless times over, why believe in put down theories and books her eyes constantly told me without lower lengths of ultraviolet new beams pouring from an endless waterfall toward the center of every center. I've emerged my skin in years of Roman romance only to find cosmic rays from a different perspective and on that note perception expanded all the truthful parts of myself. I was merely deadly alone in a sunlit gaze trying to hold my organs inside long enough to finish the next book, to wrap the defensive cloak of life before the moon rose from the red sea eons ago, casting the net of creation where no man has ever been.
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Brandon Villasenor (Prima Materia (Radiance Hotter than Shade, #1))
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She was faint by passing the terrible things art has done countless times over, why believe in put down theories and books her eyes constantly told me without lower lengths of ultraviolet new beams pouring from an endless waterfall toward the center of every center. I've emerged my skin in years of Roman romance only to find cosmic rays from a different perspective and on that note perception expanded all the truthful parts of myself. I was merely deadly alone in a sunlit gaze trying to hold my organs inside long enough to finish the next book, to wrap the defensive cloak of life before the moon rose from the red sea eons ago, casting the net of creation where no man has ever been.
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Brandon Villasenor (Prima Materia (Radiance Hotter than Shade, #1))
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Human beings are so destructive," Malcolm said. "I sometimes think we're a kind of plague, that will scrub the earth clean. We destroy things so well that I sometimes think, maybe that's our function. Maybe every few eons, some animal comes along that kills off the rest of the world, clears the decks, and lets evolution proceed to its next phase.
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Michael Crichton (The Lost World (Jurassic Park, #2))
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As the Mastya avatar, Vishnu became a fish who warned King Manu of the impending Global Flood. Vishnu instructed Manu to gather the Seven Sages, animals and seeds, and to board a huge boat which he then tied to his body using the royal serpent Vasuki, taking the passengers to Mt. Himavan in order to survive the cataclysm into the next yuga (eon).
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David Flynn (The David Flynn Collection)
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We like to think of ourselves as civilized but contrary to popular belief the human race is still young and evolving. Many of us are only two words away from are next argument or fight and even I used to think that whenever a fight came it was my duty to take that challenge and defeat the opposing force. Today I am aware that you must pick your battles because around every corner is a fight waiting to be wrestled to the floor. Knowing this and having the maturity to pick and avoid illogical confrontations by walking away puts you Eons of Light Years ahead of ignorance.
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Marlan Rico Lee
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The book was in the form of a long letter from The Creator of the Universe to the experimental creature. The Creator congratulated the creature and apologized for all the discomfort he had endured. The Creator invited him to a banquet in his honor in the Empire Room of the Waldorf Astoria Hotel in New York City, where a black robot named Sammy Davis, Jr., would sing and dance. And the experimental creature wasn't killed after the banquet. He was transferred to a virgin planet instead. Living cells were sliced from the palms of his hands, while he was unconscious. The operation didn’t hurt at all. And then the cells were stirred into a soupy sea on the virgin planet. They would evolve into ever more complicated life forms as the eons went by. Whatever shapes they assumed, they would have free will. Trout didn't give the experimental creature a proper name. He simply called him The Man. On the virgin planet, The Man was Adam and the sea was Eve. The Man often sauntered by the sea. Sometimes he waded in his Eve. Sometimes he swam in her, but she was too soupy for an invigorating swim. She made her Adam feel sleepy and sticky afterwards, so he would dive into an icy stream that had just jumped off a mountain. He screamed when he dived into the icy water, screamed again when he came up for air. He bloodied his shins and laughed about it when he scrambled up rocks to get out of the water. He panted and laughed some more, and he thought of something amazing to yell. The Creator never knew what he was going to yell, since The Creator had no control over him. The Man himself got to decide what he was going to do nextβ€”and why. After a dip one day, for instance, The Man yelled this: β€œCheese!” Another time he yelled, β€œWouldn't you really rather drive a Buick?
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Kurt Vonnegut Jr.
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Long before the universe was born, Chaos rose form a celestial storm. Alone for eons in an endless night, The god awoke and created light. Seeing the beauty of what he'd done, Chaos then made the Moon and Sun. This next major task was to give birth To all the planets, including Earth. After sprinkling stars across the sky, He looked to his wife; her frown caught his eye. What's this? he asked, You don't like what you see? Is something not right? Please - tell me.
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B.L. Sauder (Year of the Golden Dragon (Journey to the East))
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If it took eons to get to the edge of one's galactic yard, she could not imagine the neighbors dropping by for a casual visit, especially since the heavenly houses were uninhabitable well into the next state.
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Thomm Quackenbush (Artificial Gods (Night's Dream, #3))
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World-Honored One, what is this gateway to the Dharma called? What does it mean? How does a bodhisattva practice it?” The Buddha replied: β€œGood sons, this unique gateway to the Dharma is called innumerable meanings. A bodhisattva who wants to practice and study the gateway to the Dharma of innumerable meanings should observe that all things were originally, will be, and are in themselves empty and tranquil in nature and character; not large or small, not subject to arising or extinction, not fixed or movable, and neither advancing nor retreating. Like empty space, they are non-dualistic. β€œAll living beings, however, make delusory distinctions: weighing whether something is this or that; whether it is a gain or a loss. Bad thoughts come to them, producing a variety of evil actions. They transmigrate within the six states undergoing all kinds of suffering and harm, from which they cannot escape during innumerable billions of eons. Seeing this clearly, bodhisattva great ones cultivate sympathy and show great kindness and compassion in the desire to extricate others from suffering. What’s more, they penetrate deeply into all things. β€œIn accord with the character of Dharma, all things emerge. In accord with the character of Dharma, all things live. In accord with the character of Dharma, all things change. In accord with the character of Dharma, all things perish. In accord with the character of Dharma, bad things emerge. In accord with the character of Dharma, good things emerge, live, change, and perish. Bodhisattvas, observing these four modes and being thoroughly familiar with them from one end to the other, should next observe clearly that none of these things continues to live even for a moment, but emerges and perishes every moment, each emerging, living, changing, and perishing in an instant.
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Wisdom Publications (The Lotus Sutra: A Contemporary Translation of a Buddhist Classic)
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Despite utopian visions and wishful thinking about egalitarian values, all human societies are subject to strict, and sometimes frustrating, rules regarding status. All societies, throughout the eons of evolution, have had status hierarchies. For men, one of the great benefits of status has been its appeal to women.
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David M. Buss (The Murderer Next Door: Why the Mind Is Designed to Kill)