Entrance Home Quotes

Shigure: JUST LISTEN TO ME FOR A SECOND, KYO! Kyo: SHUT UP! I HATE THIS! DO YOU REALLY GET THAT MUCH ENJOYMENT FROM PLAYING WITH PEOPLES' LIVES?! Shigure: Well, yes, now that you mention it, I do--BUT THIS IS FOR YOUR OWN GOOD! Kyo: Man, your persuasion skills SUCK! Tohru: Um, welcome home. Dinner's- Kyo: NOT HUNGRY! Shigure: KYO! DON'T TAKE THIS OUT ON TOHRU! And come back to the entrance hall this instant and take those shoes off! Yuki: He's right, Shigure. You really do suck at persuasion.

Can you think what the Mirror of Erised shows us all?" Harry shook his head. "Let me explain. The happiest man on earth would be able to use the Mirror of Erised like a normal mirror, that is, he would look into it and see himself exactly as he is. Does that help." Harry thought. Then he said slowly, "It shows us what we want... whatever we want..." "Yes and no," said Dumbledore quietly. "It shows us nothing more or less than the deepest, most desperate desire of our hearts. You, who have never known your family, see them standing around you. Ronald Weasley, who has always been overshadowed by his brothers, sees himself standing alone, the best of all of them. However, this mirror will give us neither knowledge or truth. Men have wasted away before it, entranced by what they have seen, or been driven mad, not knowing if what it shows is real or even possible. "The Mirror will be moved to a new home tomorrow, Harry, and I ask you not to go looking for it again. If you ever do run across it, you will now be prepared. It does not do to dwell on dreams and forget to live, remember that. Now, why don't you put that admirable cloak back on and get off to bed.

Chiron, I don't think the attic is the proper place for our new Oracle, do you?" "No, indeed." Chiron looked a lot better now that Apollo had worked some medical magic on him. "Rachel may use a guest room in the Big House for now, until we give the matter more thought." "I'm thinking a cave in the hills," Apollo mused. "With torches and a big purple curtain over the entrance . . . really mysterious. But inside, a totally decked-out pad with a game room and one of those home theater systems.

I used to think that when I grew up there wouldn't be so many rules. Back in elementary school there were rules about what entrance you used in the morning, what door you used going home, when you could talk in the library, how many paper towels you could use in the rest room, and how many drinks of water you could get during recess. And there was always somebody watching to make sure. What I'm finding out about growing older is that there are just as many rules about lots of things, but there's nobody watching.

My father hates cats. He says that there is no such thing as a cat — it is just a shape that all manner of imps, hobs and devilkins like to put on, to gain easy entrance into the homes of men.

I didn’t like the idea of sudden thunderstorms so close to the Empire State Building – entrance to Mount Olympus, home of Zeus, aka Big Daddy Lightning Bolt.

Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.

Disorder in your mind shows in your feet. It has long been said that you can tell a lot about a household by looking at its entrance hall, especially in Japanese homes, where we remove our shoes upon entering. If the footwear is perfectly lined up, or if it is all ajumble—you can know the state of mind of those who live there by just this one detail.

Andy kicked her way in, moonlit and angerstruck, doors shattering the decoration behind as she shouted at the shocked furniture: “Blyton Summer Fucking Detective Club! Anybody home?” Kerri and Nate came to flank her right after, rifles aimed at the horrified haunted house. Tim scurried between them, promenaded across the hall, stopped by a decorative suit of armor, and peed on it.

Good stories are like those noble wild animals that make their home in hidden spots, and you must often settle down at the entrance of the caves and woods and lie in wait for them a long time.

On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.

Let woman's claim be as broad in the concrete as the abstract. We take our stand on the solidarity of humanity, the oneness of life, and the unnaturalness and injustice of all special favoritism, whether of sex, race, country, or condition. If one link of the chain is broken, the chain is broken. A bridge is no stronger than its weakest part, and a cause is not worthier than its weakest element. Least of all can woman's cause afford to decry the weak. We want, then, as toilers for the universal triumph of justice and human rights, to go to our homes from this Congress demanding an entrance not through a gateway for ourselves, our race, our sex, or our sect, but a grand highway for humanity.

He says that there is no such thing as a cat—it is just a shape that all manner of imps, hobs, and devilkins like to put on, to gain easy entrance into the homes of men.

Pleasure in this respect is like photography. What we take, in the presence of the beloved object, is merely a negative film; we develop it later, when we are at home, and have once again found at our disposal that inner darkroom, the entrance to which is barred to us so long as we are with other people.

There is a difference between arrival and entrance. Arrival is physical and happens all at once. The train pulls in, the plan touches down, you get out of the taxi with all your luggage. You can arrive a place and never really enter it; you get there, look around, take a few pictures, make a few notes, send postcards home. When you travel like this, you think you know where you are, but, in fact, you have never left home. Entering takes longer. You cross over, slowly, in bits and pieces. […] It is like awakening slowly, over a period of weeks. And then one morning, you open your eyes and you are finally here, really and truly here. You are just beginning to know where you are.

What’s the truth in the story about vampires not being allowed inside without an invitation?” Having pressed him on his diet, I focused on the entrance protocols. “Humans are with us all the time. They just refuse to acknowledge our existence because we don’t make sense in their limited world. Once they allow us in—see us for who we really are—then we’re in to stay, just as someone you’ve invited into your home can be hard to get rid of. They can’t ignore us anymore.” “So it’s like the stories of sunlight,” I said slowly. “It’s not that you can’t be in sunlight, but when you are, it’s harder for humans to ignore you. Rather than admit that you’re walking among them, humans tell themselves you can’t survive the light.

The evening being come, I return home and go to my study; at the entrance I pull off my peasant-clothes, covered with dust and dirt, and put on my noble court dress, and thus becomingly re-clothed I pass into the ancient courts of the men of old, where, being lovingly received by them, I am fed with that food which is mine alone; where I do not hesitate to speak with them, and to ask for the reason of their actions, and they in their benignity answer me; and for four hours I feel no weariness, I forget every trouble, poverty does not dismay, death does not terrify me; I am possessed entirely by those great men.

So then I bid him farewell and walked down the side of the pool leading to the outside entrance where I waited for soph to come down so we could walk home together

I couldn’t see the end of the corridor, so I stared at the entrance. The ship was a magnificent piece of living technology. Third Fish was a Miri 12, a type of ship closely related to a shrimp. Miri 12s were stable calm creatures with natural exoskeletons that could withstand the harshness of space. They were genetically enhanced to grow three breathing chambers within their bodies. Scientists planted rapidly growing plants within these three enormous rooms that not only produced oxygen from the CO2 directed in from other parts of the ship, but also absorbed benzene, formaldehyde, and trichloroethylene. This was some of the most amazing technology I’d ever read about. Once settled on the ship, I was determined to convince someone to let me see one of these amazing rooms. But at the moment, I wasn’t thinking about the technology of the ship. I was on the threshold now, between home and my future.

You’re under no obligation to provide a home to every stray object that crosses your path. When one tries to sneak or charm its way in, remember that you have the power to deny entrance.

I heard Mr. Ingersoll many years ago in Chicago. The hall seated 5,000 people; every inch of standing-room was also occupied; aisles and platform crowded to overflowing. He held that vast audience for three hours so completely entranced that when he left the platform no one moved, until suddenly, with loud cheers and applause, they recalled him. He returned smiling and said: 'I'm glad you called me back, as I have something more to say. Can you stand another half-hour?' 'Yes: an hour, two hours, all night,' was shouted from various parts of the house; and he talked on until midnight, with unabated vigor, to the delight of his audience. This was the greatest triumph of oratory I had ever witnessed. It was the first time he delivered his matchless speech, 'The Liberty of Man, Woman, and Child'. I have heard the greatest orators of this century in England and America; O'Connell in his palmiest days, on the Home Rule question; Gladstone and John Bright in the House of Commons; Spurgeon, James and Stopford Brooke, in their respective pulpits; our own Wendell Phillips, Henry Ward Beecher, and Webster and Clay, on great occasions; the stirring eloquence of our anti-slavery orators, both in Congress and on the platform, but none of them ever equalled Robert Ingersoll in his highest flights. {Stanton's comments at the great Robert Ingersoll's funeral}

But so far as the pleasure was concerned, I was naturally not conscious of it until some time later, when, back at the hotel, and in my room alone, I had become myself again. Pleasure in this respect is like photography. What we take, in the presence of the beloved object, is merely a negative, which we develop later, when we are back at home, and have once again found at our disposal that inner dark-room the entrance to which is barred to us so long as we are with other people.

In Hawaii, family showed itself in the way that my siblings never dared to call one another "half" anything. We were fully brothers and sisters. Family appeared in the pile of rubber slippers and sandals that crowded the entrance to everyone's home; in the kisses we gave when we greeted one another and said good-bye; in the graceful choreography of Grandma hanging the laundry on the clothesline; in the inclusiveness of calling anyone older auntie or uncle whether or not they were relatives.

Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")

I love you, Jackson James. I love you. I love-" His arms tightened again and his deep growl rumbling out of his chest silenced me. Our gazes locked. "I need to be in you. Now." My eyes widened. "No time to go home." Then he took one of my hands and started walking back toward the hotel entrance. "Jax?" He looked down at me, his eyes full of hunger. "No time." ... We ended up back in the hotel, standing in front of a wide-eyes hotel clerk. "I need a room." Jax said, smacking down his wallet. "Now.

Whatever any of us may have thought about Hatsumomo, she was like an empress in our okiya since she earned the income be which we all lived. And being an empress she would have been very displeased, upon returning late at night, to find her palace dark and all the servants asleep. That is to say, when she came home too drunk to unbutton her socks, someone had to unbutton them for her; and if she felt hungry, she certainly wasn't going to stroll into the kitchen and prepare something by herself--such as an umeboshi ochazuke, which was a favorite snack of hers, made with leftover rice and pickled sour plums, soaked in hot tea. Actually our okiya wasn't at all unusual in this respect. The job of waiting up to bow and welcome the geisha home almost always fell to the most junior of the "cocoons"--as the young geisha-in-training were often called. And from the moment I began taking lessons at the school, the most junior cocoon in our okiya was me. Long before midnight, Pumpkin and the two elderly maids were sound asleep on their futons only a meter or so away on the wood floor of the entrance hall; but I had to go on kneeling there, struggling to stay awake until sometimes as late as two o'clock in the morning. Granny's room was nearby and she slept with her light on and her door opened a crack. The bar of light that fell across my empty futon made me think of a day, not long before Satsu [Chiyo's sister] and I were taken away from our village, when I'd peered into the back room of our house to see my mother asleep there. My father had draped fishing nets across the paper screens to darken the room, but it looked so gloomy I decided to open one of the windows; and when I did, a strip of bright sunlight fell across my mother's futon and showed her hand so pale and bony. To see the yellow lights streaming from Granny's room onto my futon...I had to wonder if my mother was still alive. We ere so much alike, I felt sure I would have known if she'd died; but of course, I'd had no sign one way or the other.

Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!

A true community does not need a police force. The very presence of a law enforcement system in a community is an indication that something is not working. And the presence of the police is supposed to make it work. Such a force is essentially repressive, which means that certain people in such a dysfunctional community do not know how to fit in. A community is a place where there is consensus, not where there is a crooked-looking onlooker with a gun, creating an atmosphere of unrest. In my village, houses do not have doors that can be locked. They have entrances. The absence of doors is not a sign of technological deprivation but an indication of the state of mind the community is in. The open door symbolizes the open mind and open heart. Thus a doorless home is home to anybody in the community. It translates the level at which the community operates. In addition, this community does not have a police force because it does not assume that the other person is dishonest or potentially evil. The trust factor must be high. Elders

I hope you’re ready for me,” he rasped, rolling her under him, “‘cuz in about five seconds, I’m gonna be inside you.” “Ray Morgan, I was born ready for you,” she breathed against his ear, even as she guided him to her entrance. He slid home with one strong thrust. Both of them froze.

Pleasure in this respect is like photography. What we take, in the presence of the beloved object, is merely a negative film; we develop it later, when we are at home, and have once again found at our disposal that inner darkroom, the entrance to which is barred to us so long as we are with other people.

Pleasure in this respect is like photography. What we take, in the presence of the beloved object, is merely a negative, which we develop later, when we are back at home, and have once again found at our disposal that inner dark-room the entrance to which is barred to us so long as we are with other people.

SELF-HELP FOR FELLOW REFUGEES If your name suggests a country where bells might have been used for entertainment, or to announce the entrances and exits of the seasons and the birthdays of gods and demons, it's probably best to dress in plain clothes when you arrive in the United States. And try not to talk too loud. If you happen to have watched armed men beat and drag your father out the front door of your house and into the back of an idling truck, before your mother jerked you from the threshold and buried your face in her skirt folds, try not to judge your mother too harshly. Don't ask her what she thought she was doing, turning a child's eyes away from history and toward that place all human aching starts. And if you meet someone in your adopted country and think you see in the other's face an open sky, some promise of a new beginning, it probably means you're standing too far. Or if you think you read in the other, as in a book whose first and last pages are missing, the story of your own birthplace, a country twice erased, once by fire, once by forgetfulness, it probably means you're standing too close. In any case, try not to let another carry the burden of your own nostalgia or hope. And if you're one of those whose left side of the face doesn't match the right, it might be a clue looking the other way was a habit your predecessors found useful for survival. Don't lament not being beautiful. Get used to seeing while not seeing. Get busy remembering while forgetting. Dying to live while not wanting to go on. Very likely, your ancestors decorated their bells of every shape and size with elaborate calendars and diagrams of distant star systems, but with no maps for scattered descendants. And I bet you can't say what language your father spoke when he shouted to your mother from the back of the truck, "Let the boy see!" Maybe it wasn't the language you used at home. Maybe it was a forbidden language. Or maybe there was too much screaming and weeping and the noise of guns in the streets. It doesn't matter. What matters is this: The kingdom of heaven is good. But heaven on earth is better. Thinking is good. But living is better. Alone in your favorite chair with a book you enjoy is fine. But spooning is even better.

In the 1970s, while researching in the Library of Congress, I found an obscure history of religious architecture that assumed a fact as if it were common knowledge: the traditional design of most patriarchal buildings of worship imitates the female body. Thus, there is an outer and inner entrance, labia majora and labia minora; a central vaginal aisle toward the altar; two curved ovarian structures on either side; and then in the sacred center, the altar or womb, where the miracle takes place - where males gives birth. Though this comparison was new to to me, it struck home like a rock down a well. Of course, I thought. The central ceremony of patriarchal religions is one in which men take over the yoni-power of creation by giving birth symbolically. No wonder male religious leaders so often say that humans were born in sin - because we were born to female creatures. Only by obeying the rules of the patriarchy can we be reborn through men. No wonder priests and ministers in skirts sprinkle imitation birth fluid over our heads, give us new names, and promise rebirth into everlasting life. No wonder the male priesthood tries to keep women away from the altar, just as women are kept away from control of our own powers of reproduction. Symbolic or real, it's all devoted to controlling the power that resides in the female body.

Her amazement was compounded as she approached the primary entrance, two stories high. At its apex were the extraordinary sculptures of the goddesses of industry and agriculture, who stood amid the draped folds of their gowns, each flanked by the symbols of her domain. Alice, unlike her uneducated brothers, had grown up with the luxury of reading with her mother. She recognized Ceres instantly, sheaves of grain on her left, her right hand atop an abundant cornucopia. This was the mother who had sacrificed all else to bring her missing daughter home. She thought about how her own mother had sacrificed to send Alice out into what she had envisioned as a better life.

For there he stands, the emissary from the kingdom of sighs, the elected favourite of suffering, the apostle of sorrow, the silent friend of pain, the unhappy lover of memory, confounded in his memory by the light of hope, deceived in his hope by the shadows of memory. His head is heavy, his knees are weak, yet he rests on none but himself. He is faint, yet how powerful! His eyes seem not to have shed, but to have drunk, many tears; yet a fire burns in them that could consume the entire world, though not one splinter of the sorrow within his breast. He is bent, yet his youth portends a long life; his lips smile at the world that misunderstands him. Rise, dear Symparanekromenoi, bow before him, sorrow’s witnesses, in this solemn hour! I salute you, great unknown, whose name I do not know; I salute you with your title of honour: The Unhappiest One! Receive a welcome here in your home from the community of the unhappy; welcome at the entrance to the humble and low dwelling which is yet prouder than all the world’s palaces!

There are so many distractions, I think. Commerce, materialism, entertainment, the endless chase of perfection—aren’t these also ways to avoid the restlessness rattling in our bones? Aren’t these just another way to numb? Aren’t these another sleight of hand? We become entranced people, zombies longing for the stuff of earth without thought of the truest perfect—the unity of home.

One can sniff the ozone from the pine trees, visit the local bars, eat crawfish, and drink Dixie beer and feel as good as it is possible to feel in this awfully interesting century. And now and then, drive across the lake to New Orleans, still an entrancing city, eat trout amandine at Galatoire’s, drive home to my pleasant, uninteresting place, try to figure out how the world got into such a fix, shrug, take a drink, and listen to the frogs tune up.

They veer off the main highway onto a private road that travels away from the ocean. A thin row of tall bamboo lines both sides of the narrow roadway that continues 150 feet before dead-ending at a lavish, single-story, traditional Japanese-style home. The entire property is surrounded by an eight-foot-high maroon wooden fence with three separate entrance gates, one in the front, next to the house, and two others in opposite corners of the triangular-shaped backyard.

Spring Lane burned with a mythology of chipped slates, pale wash-water blue and flaking at the seam. The summer yellow glow of an impending dawn diffused, diluted in the million-gallon sky above the tannery that occupied this low end of the ancient gradient, across the narrow street from where Phyllis and Michael stood outside the alley-mouth. The tannery’s high walls of browning brick with rusted wire mess over its high windows didn’t have the brutal aura that the building had down in the domain of the living. Rather it was softly iridescent with a sheen of fond remembrance – the cloisters of some mediaeval craft since disappeared – and had the homely perfume of manure and boiled sweets. Past the peeling wooden gates that lolled skew-whiff were yards where puddles stained a vivid tangerine harboured reflected chimney stacks, lamp black and wavering. Heaped leather shavings tinted with corrosive sapphire stood between the fire-opal pools, an azure down mounded into fantastic nests by thunderbirds to hatch their legendary fledglings. Rainspouts eaten through by time had diamond dribble beading on their chapped tin lips, and every splinter and subsided cobble sang with endless being. Michael Warren stood entranced and Phyllis Painter stood beside him, sharing his enchantment, looking at the heart-caressing vista through his eyes. The district’s summer sounds were, in her ears, reduced to a rich stock. The lengthy intervals between the bumbling drones of distant motorcars, the twittering filigree of birdsong strung along the guttered eaves, the silver gurgle of a buried torrent echoing deep in the night-throat of a drain, all these were boiled down to a single susurrus, the hissing tingling reverberation of a cymbal struck by a soft brush. The instant jingled in the breeze.

We are about to part. Yes, I myself am detached from the convent, to live for a time in the crater of a volcano. I am to be a clerk in a great manufactory, where the workmen are infected with communistic doctrines, and dream of social destruction, the abolishment of masters, — not knowing that that would be the death of industry, of commerce, of manufactures. I shall stay there goodness knows how long, — perhaps a year, — keeping the books and paying the wages. This will give me an entrance into a hundred or a hundred and twenty homes of working-men, misled, no doubt, by poverty, even before the pamphlets of the day misled them. But you and I can see each other on Sundays and fete-days.

The Forgiveness Castle remains open all day and all night, and the best thing is that there are so many entrances, usually found where you'd never thing to look: behind potted plants, in crayon drawings, and on old birthday cards. I have it on good authority that one entrance is through a tree fort. Many of the Forgiveness Castle's entry points remain secret, which is why you hunt around, press the blue walls gently, and wait. Sometimes saying the most obvious words, 'I'm sorry', opens a hidden door right where there seemed not possibility." He looks away. "You're welcome to visit this castle to wait for a friend, to sit in one of its orange and yellow gardens, or to find your own reflection in the polished blue rock and whisper, 'Please.Come home.

Diana go slowly out with the others, to walk home alone through the Birch Path and Violet Vale, it was all the former could do to keep her seat and refrain from rushing impulsively after her chum. A lump came into her throat, and she hastily retired behind the pages of her uplifted Latin grammar to hide the tears in her eyes. Not for worlds would Anne have had Gilbert Blythe or Josie Pye see those tears. "But, oh, Marilla, I really felt that I had tasted the bitterness of death, as Mr. Allan said in his sermon last Sunday, when I saw Diana go out alone," she said mournfully that night. "I thought how splendid it would have been if Diana had only been going to study for the Entrance, too. But we can't have things perfect in this imperfect world, as Mrs. Lynde says. Mrs.

Yosemite is so large that you can think of it as five parks. Yosemite Valley, famous for waterfalls and cliffs, and Wawona, where the giant sequoias stand, are open all year. Hetch Hetchy, home of less-used backcountry trails, closes after the first big snow and reopens in May or June. The subalpine high country, Tuolumne Meadows, is open for summer hiking and camping; in winter it’s accessible only via cross-country skis or snowshoes. Badger Pass Ski Area is open in winter only. Most visitors spend their time along the park’s southwestern border, between Wawona and Big Oak Flat Entrance; a bit farther east in Yosemite Valley and Badger Pass Ski Area; and along the east–west corridor of Tioga Road, which spans the park north of Yosemite Valley and bisects Tuolumne Meadows.

As I walked, I became aware of the strong odor of peonies and jasmine. I inhaled deeply to draw in the lovely bouquet. The scent was from the fresh flowers of a lush garden. The path opened into a courtyard, a tangle of peonies and jasmine framing the entrance, blooming in spectacular fashion. Silky petals brushed against my skin. The tension building in my neck and shoulders melted away as I entered a fairyland. The rustle of the night breeze joined the familiar voice of Teresa Teng echoing from invisible speakers. Beneath my feet, a path of moss-covered stones led to a circular platform surrounded by a large, shallow pond. The night garden was bursting with a palette of muted greens, starlit ivories, and sparkling golds: the verdant lichen and waxy lily pads in the pond, the snowy white peonies and jasmine flowers, and the metallic tones of the fireflies suspended in the air, the square-holed coins lining the floor of the pond, and the special golden three-legged creatures resting on the floating fronds. I knew these creatures from my childhood. The feng shui symbol of prosperity, Jin Chan was transformed into a golden toad for stealing the peaches of immortality. Jin Chan's three legs represented heave, earth, and humanity. Statues of him graced every Chinese home I had ever been in, for fortune was a visitor always in demand. Ma-ma had placed one near the stairs leading to the front door. The pond before me held eight fabled toads, each biting on a coin. If not for the subtle rise and fall of their vocal sacs, I would have thought them statues.

Wrath shut the door. “Let’s do it,” he said to George. And the dog knew right where to go, leading him to the entrance—which Wrath opened with his mind. “Hi, honey, I’m home!” he hollered. “Did you bring flowers?” Lassiter shouted back. “Not for you.” “Damn it. Well, I’m on deck tonight with Tohr, so can we get moving? There’s a full list of appointments, but I want to get back for Hell’s Kitchen.” “Don’t you DVR that shit?” Wrath groused as he and George went into the old dining room. “Yeah, but I have poor impulse control. It was on at nine, okay? And I hate waiting. I put George’s fresh water down by your chair, b.t.dub.” “At least you’re a dog lover. That’s the only thing that saves you.” “Ha! I have wings and a halo, you cranky son of a bitch. I’m already perma-saved.” “Just our luck.

Spurred on by a voice which must have come from the hideous soul of the forest, I resolved to enter the beckoning gloom in spite of the ponderous chains which barred my passage. In the waning light of day I alternately rattled the rusty impediments with a view to throwing wide the stone door, and essayed to squeeze my slight form through the space already provided; but neither plan met with success. At first curious, I was not frantic; and when in the thickening twilight I returned to my home, I had sworn to the hundred gods of the grove that at any cost I would some day force an entrance to the black chilly depths that seemed calling out to me. The physician with the iron-grey beard who comes each day to my room once told a visitor that this decision marked the beginnings of a pitiful monomania; but I will leave final judgement to my readers when they shall have learnt all.

Meet Me In Toyland by Stewart Stafford Santa handed me the keys to Toyland, And, placing them squarely in the palm of my hand, He bid me go and have lots of fun, With all kinds of everyone. I skipped across the gingerbread bridge, Yuletide coffee flowing down from the ridge, To a Christmas tree consisting of mint, Lit all around by falling star glint. At the frosting gates of Castle St Nicholas, Silver snake tinsel began to hiss, As polar bears to a clockwork orchestra danced, With elves as their partners gleefully entranced. Multitudes of children whooped and cheered, Forgetting all their doubts and fears, Celebrating their gifts of toys, With every kind of girl and boy. Alas, our midwinter joy came to an end, And I tearfully bid adieu to all my new friends, And took a shooting star comet home, Across the Northern Lights in the sky’s dome. © Stewart Stafford, 2021. All rights reserved.

These people so entranced by dictionaries were outside the bounds of Nishioka’s understanding. He couldn’t even be sure they thought of their work as work. They spent huge sums of their own money on materials, ignoring the limitations of their salaries. Sometimes they stayed in the office looking up things and never even realized they had missed the last train home. They seemed filled with a mad fever. And yet you couldn’t really say they loved dictionaries, either—not given the way they studied and analyzed them with such stunning concentration. There was something almost vindictive in their obsession, as if they were going after an enemy, getting the goods on him. How could they be so wrapped up in making dictionaries? He found their obsession mysterious, with even a whiff of bad taste. And yet—if only Nishioka had something that meant as much to him as dictionaries did to Majime and the rest. Then surely he would see everything differently. He would see a world of such dazzling brightness it would hurt.

In his endless journeys of exploration, crawling on all fours around the Urals and the Amazon and the Australian archipelagos which the furniture of the house was to him, sometimes he no longer knew where he was. And he would be found under the sink in the kitchen, ecstatically observing a patrol of cockroaches as if they were wild colts on the prairie. He even recognized a ttar in a gob of spit. But nothing had the power to make him rejoice as much as Nino's presence. It seemed that, in his opinion, Nino concentrated in himself the total festivity of the world, which everywhere else was to be found scattered and divided. For in Giuseppe's eyes, Nino represented by himself all the myriad colors, and the glow of fireworks, and every species of fantastic and lovable animal, and carnival shows. Mysteriously, he could sense Nino's arrival from the moment when he began the ascent of the stairs! And he would hurry immediately, as fast as he could with his method, toward the entrance, repeating ino ino, in an almost dramatic rejoicing of all his limbs. At times, even, when Nino came home late at night, he, sleeping, would stir slightly at the sound of the key, and with a trusting little smile he would murmur in a faint voice: Ino.

I see your birth. Your violent entrance into the barren and endless space. Sent here by accident or with purpose, Krona does not even know. Casting your presence across the entire universe. Light fighting back darkness by creating the stars and planets. Creating your shelter, earth, at the very spot you were thrust into the universe. The planet in which you made your home under molten rock -- and primordial waters. I see you touch the oceans, transforming them into seas of spontaneous life. Overflowing with evolution. Gaining complexity. Conjuring thought. I watch the first sentient creature in the universe to ever will itself to move...do just that. And it is the origin of Willpower itself. The creature ignites with emerald light and transforms, elevated above the others. It is Ion. Thousands of years fly before my eyes as the creature escapes earth's oceans and crawl to land. Some take to the air. Fleeing for survival, this thing transforms into the emotional power it emits. Fear is born. And thus Parallax. As Love ignites into existence, so does the Predator. As a creature eats what it does not need, Avarice consumes all it touches. Rage grows from murder. Hope from prayer. And at last, Compassion is offered to us all.

LANKES: ….This is how I figure it. When this war is over — one way or another, it will be over some day — well, then, when the war is over, the pillboxes will still be here. These things were made to last. And then my time will come. The centuries […] start coming and going, one after another like nothing at all. But the pillboxes stay put just like the Pyramids stay put. And one fine day one of those archaeologist fellows comes along. And he says to himself: what an artistic void there was between the First and Seventh World Wars! Dull drab concrete; here and there, over a pillbox entrance, you find some clumsy amateurish in squiggles in the old-home style. And that’s all. Then he discovers Dora Five, Six, Seven; he sees my Structural Oblique Formations, and he says to himself, Say, take a look at that, Very, very interesting, magic, menacing, and yet shot through with spirituality. In these works a genius, perhaps the only genius of the twentieth century, has expressed himself clearly, resolutely, and for all time. I wonder, says our archaeologist to himself, I wonder if it’s got a name? A signature to tell us who the master was? Well, sir, if you look closely, sir, and hold your head on a slant, you’ll see between those Oblique Formations… BEBRA: My glasses. Help me, Lankes. LANKES: All right, here’s what it says: Herbert Lankes, anno nineteen hundred and forty-four. Title: BARBARIC, MYSTICAL, BORED. BEBRA: You have given our century its name.

muddy ground. He pushed himself backward, his hands frantically splashing in puddles of muddied water. The darkness of the cemetery made it impossible to see anything more than a shadow, but Cody knew what stalked him. He knew the evil coming. He screamed and jumped back to his feet. He ran as fast as he could on the slippery ground. Another loud crash of thunder followed a bright flash of lightning. He was so close, so close to the entrance to the cemetery, but the rain, stronger than before, hammered down upon him. He splashed through puddles of water, flinching from the sheets of rain slapping his face. He struggled to increase his speed, his tears blending in with the rain. Four bicycles lay scattered on the ground near the entrance of the cemetery. Cody yanked his bicycle upright off the ground and checked behind him, but there wasn’t anything there. He hesitated, his heart breaking at the sight of his friends’ bikes lying next to his. “I’m so sorry,” he cried before mounting his own bike. The mud, caked onto the soles of his shoes, caused his feet to slip on the wet pedals. He peered into the dark depths of the cemetery again and found the familiar shadow creeping towards him. Whimpering again, Cody reached down to scrape the mud off with his bare hands, and then pedaled a mile to his home in the heavy rain. Rain-drenched, Cody jumped the curb in front of his house and dropped his bicycle on the lawn. He ran to his open bedroom window, stumbled through it, and fell onto the floor. His bedroom curtains flapped inward

The walk is over too quickly. Tally tries everything she can think of to make it last longer, suggesting that Rupert needs to be taken all around the park and then play some stick-chasing games. But after twenty minutes, Mum says that it’s time to head home. “He’s an old dog,” she tells Tally. “And he had quite a fright yesterday. He’ll be happiest having a sleep on his bed now, while we pop out for a while.” “Can’t Nell and I stay here?” Tally asks, the second they’re inside the house. Mum shakes her head. “Not today. After yesterday’s escapades I think that I want us all to stick together. And besides, Dad is looking forward to seeing you.” “I can’t wait to see him,” says Nell, and Tally wonders how she can be so brave about going to the hospital but so scared about something as silly as the dark. Just like the dog walk, the drive to the hospital doesn’t take long enough. Mum parks the car and they all get out. Tally stares at the building ahead. It is grey and gloomy and huge and she knows that if she were to get lost in there then she’d never find her way out. “This way,” says Mum, leading them towards the main entrance. They walk past a man sitting in a wheelchair and a woman with her arm in a sling, and Tally lowers her eyes so that the only thing she can see is Mum’s feet in front of her. The ground changes from concrete to tiles and then Mum’s feet stop and Tally has to look up There are people everywhere and the lights are so bright that it hurts her eyes. “Dad is on the fifth floor,” mum says. “So we need to take the lift.” Tally steps back, accidentally bumping into Nell.

Tub full, she stood back to regard the mound of ice. Already the heat of her home fought to melt it. A rap came again at the entrance, more like an impatient pounding, and she cursed. The clock showed her only a few minutes away from her torture. I need whoever it is to go away. She ran to the door and slid open the peek-a-boo slot. Familiar turquoise eyes peered back. “Little witch, little witch, let me come in,” he chanted in a gruff voice. A smile curled her lips. “Not by the wart on my chinny chin chin,” she replied. “And before you try huffing and puffing, Nefertiti herself spelled this door. So forget blowing it down.” “So open it then. I’ve got a lead I think on escapee number three.” A glance at the clock showed one minute left. “Um, I’m kind of in the middle of something. Can you come back in like half an hour?” “Why not just let me in and I’ll wait while you do your thing? I promise not to watch, unless you like an audience.” “I can’t. Please. Just go away. I promise I’ll let you in when you come back.” His eyes narrowed. “Open this door, Ysabel.” “No. Now go away. I’ll talk to you in half an hour.” She slammed the slot shut and only allowed herself a moment to lean against the door which shuddered as he hit it with a fist. She didn’t have time to deal with his frustration. The tickle in her toes started and she ran to the bathroom, dropping her robe as she moved. The fire erupted, and standing on the lava tile in her bathroom, she concentrated on breathing against the spiraling pain and flames. I mustn’t scream. Remy might still be there, listening. Why that mattered, she couldn’t have said, but it did help her focus for a short moment. But the punishment would not allow her respite. Flames licked up her frame, demolishing her thin underpants and she couldn’t help but scream as the agony tore through her body. Make it stop. Make it stop. Wishing, praying, pleading didn’t stop the torture. As the inferno consumed her, her ears roared with the snap of the fire and a glance in her mirror horrified her, for there she stood – a living pyre of fire. She closed her eyes against the brilliant heat, but that just seemed to amplify the pain. Her knees buckled, but she didn’t fall. Something clasped her and she moaned as she sensed more than saw Remy’s arms wrap around her waist. It had to be him. Who else was crazy enough to break down her door and interrupt? Forcing open her eyes, eyes that wanted to water but couldn’t as the heat dried up all moisture, she saw the flames, not picky about their choice her own nightmare, she knew enough to try and push him away with hands that glowed inferno bright. He wouldn’t budge, and he didn’t scream – just held her as the curse ran its course. Without being told, once the flames disappeared, he placed her in the ice bath, the shocking cold a welcome relief. Gasping from the pain, she couldn’t speak but remained aware of how he stroked her hair back from her face and how his arm rested around her shoulders, cradling her. “Oh, my poor little witch,” he murmured. “No wonder you’ve been hiding.” Teeth chattering as the cold penetrated her feverish limbs, she tried to reply. “Wh-what c-c-can I say? I’m h-h-hot.” -Remy & Ysabel

Zeke drifted over to her father’s guitar in the corner of the office. He stared at it for a few long moments, before glancing at her over his shoulder. “Mind?” She shook her head, curious what he would do with the old acoustic. It had seen better days and Dad kept it more for sentimental reasons than practical. Zeke picked it up and dust swirled away. He fitted it under his arm, running through chords to check to see if it was in tune. It wasn’t off by much, but his broad fingers tweaked and tightened until it was at perfect pitch. Seamlessly, he strummed the opening chords to “Home” by Michael Buble. Ember knew her mouth had to be hanging open, but she didn’t care. As if he couldn’t not, his deep voice fell into accompaniment. She stepped away to sink down into a chair, entranced by the broken man singing, eyes shut. Tendrils of need and longing crept into her heart, and it was one of the most beautiful things she’d ever seen. Tears filled her eyes. Almost halfway through the song, his fingers fumbled a note and he stopped singing. When she lifted her eyes to look at him, he stared at her as if he’d forgotten she were there. Jaw tight, emotion brimming in his eyes, he set the guitar back on the stand and walked out of the room. Ember could have wept. She didn’t know why he’d quit, but she wanted him to come right back in and finish the song. Her mind knew what melody was supposed to come next, but it couldn’t create the same type of emotion he had while singing. She thought back to the absolute absorption on his face as he sang, and realized he hadn’t stuttered or hesitated once through the entire performance.

It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.

My mother never seemed to listen to much music, but she loved Barbara Streisand, counting The Way We Were and Yentl as two of her favorite films. I remembered how we used to sing the song "Tell Him" together, and skipped through the album until I found it on track four. "Remember this?" I laughed, turning up the volume. It's a duet between Babe and Celine Dion, two powerhouse divas joining together for one epic track. Celine plays the role of a young woman afraid to confess her feelings to the man she loves, and Barbara is her confidant, encouraging her to take the plunge. "I'm scared, so afraid to show I care... Will he think me weak, if I tremble when I speak?" Celine begins. When I was a kid my mother used to quiver her lower lip for dramatic effect when she sang the word "tremble." We would trade verses in the living room. I was Barbara and she was Celine, the two of us adding interpretive dance and yearning facial expressions to really sell it. "I've been there, with my heart out in my hand..." I'd join in, a trail of chimes punctuating my entrance. "But what you must understand, you can't let the chance to love him pass you by!" I'd exclaim, prancing from side to side, raising my hand to urge my voice upward, showcasing my exaggerated vocal range. Then, together, we'd join in triumphantly. "Tell him! Tell him that the sun and moon rise in his eyes! Reach out to him!" And we'd ballroom dance in a circle along the carpet, staring into each other's eyes as we crooned along to the chorus. My mom let out a soft giggle from the passenger seat and we sang quietly the rest of the way home. Driving out past the clearing just as the sun went down, the scalloped clouds flushed with a deep orange that made it look like magma.

Let’s go home,” she said. He arched his brows. “Already? I thought you would want to stay for a while.” Dark eyes flashed. “No, I want to take you home where women can’t stare at you like hyenas after a baby chick.” He laughed-loudly, which caught a fair bit of attention. “Surely I’m more threatening than a chick?” She smiled, ruining her petulant expression. “A puppy perhaps.” Grey stepped closer so that their torsos touched. It was totally improper behavior, but the gossips already had so much to talk about, one more thing would hardly matter. “Is that all you want to take me home for? To protect me?” Her gaze turned coy. “I received the newest edition of Voluptuous today. I thought I might read to you.” Was it just him or had the temperature in the room suddenly climbed ten degrees. “Let’s go.” He grabbed her by the hand and started weaving their way toward the door. People stopped hi to say hello, and he was forced to speak to them rather than be as rude as he wanted. A good fifteen minutes passed before he and Rose finally made it to the entrance of the ballroom, only to have Vienne La Rieux descend upon them. “Monsieur et Madame le Duc!” she cried, clasping her hands together in front of her breast-abundantly displayed above a peacock-colored gown that must have cost a small fortune. “Finally, you leave my club together, non?” Grey winked at her. “At last, madam. But we may want a room again someday.” The French woman grinned, delighting in Rose’s obvious embarrassment. “Mais oui! An anniversary present, Your Grace. On the house.” He thanked her and bade her farewell. “She knew?” Rose’s tone was incredulous as they made their way closer to the exit. “How could she know?” Grey shrugged. “The woman seems to know deuced near everything that happens here.

While walking toward them, I dropped my backpack, then pulled my tank top off over my head to reveal my bikini. And just balled up my tank top in one hand as if it were nothing, and threw it into the boat. “Heeeeeey!” I said in a high girl-voice as I hugged Cameron, whom I hadn’t seen since he’d come home from college for the summer a few days ago. He hugged me back and kept glancing at my boobs and trying not to. My brother had that look on his face like he was going to ask Dad to take me to the shrink again. I bent over with my butt toward them, dropped my shorts, and threw those in the boat, too. When I straightened and turned toward the boys, I was in for a shock. I had thought I wanted Sean to stare at me. I did want him to stare. But now that Sean and Cameron and Adam were all staring at me, speechless, I wondered whether there was chicken salad on my bikini, or-somewhat worse-an exposed nipple. I didn’t feel a breeze down there, though. And even I, with my limited understanding of grand entrances and seducing boys, understood that if I glanced in the direction they were staring and there were no nipple, the effect of the grand entrance would be lost. So I snapped my fingers and asked, “Zone much?” Translation: I’m hot? Really? Hmph. Adam blinked and turned to Sean. “Bikini or what?” Sean still stared at my boobs. Slowly he brought his strange pale eyes up to meet my eyes. “This does a lot for you,” he said, gesturing to the bikini with the hand flourish of Clinton from What Not to Wear. Surely this was my imagination. He didn’t really know I’d been studying how to be a girl for the past year! “Sean,” I said without missing a beat, “I do a lot for the bikini.” Cameron snorted and shoved Sean. Adam shoved him in the other direction. Sean smiled and seemed perplexed, like he was trying to think of a comeback but couldn’t, for once. Off to the side, my brother still looked very uncomfortable. I hadn’t thought through how he’d react to the unveiling of the swan. I hadn’t thought through any of their reactions very well, in case you weren’t getting this. I wanted Sean to ask me out, but I didn’t want to lose my relationship, such as it was, with everybody else.

The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can. This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.

Arya?” “Yes?” She drew the word out, her voice rising and falling with a faint lilt. “What do you want to do once this is all over?” If we’re still alive, that is. “What do you want to do?” He fingered Brisingr’s pommel as he considered the question. “I don’t know. I haven’t let myself think much past Urû-baen…It would depend on what she wants, but I suppose Saphira and I might return to Palancar Valley. I could build a hall on one of the foothills of the mountains. We might not spend much time there, but at least we would have a home to return to when we weren’t flying from one part of Alagaësia to another.” He half smiled. “I’m sure there will be plenty to keep us busy, even if Galbatorix is dead…But you still haven’t answered my question: what will you do if we win? You must have some idea. You’ve had longer to think about it than I have.” Arya drew one leg up onto the stool, wrapped her arms around it, and rested her chin on her knee. In the dim half-light of the tent, her face appeared to float against a featureless black background, like an apparition conjured out of the night. “I have spent more time among humans and dwarves than I have among the älfakyn,” she said, using the elves’ name in the ancient language. “I have grown used to it, and I would not want to return to live in Ellesméra. Too little happens there; centuries can slip by without notice while you sit and stare at the stars. No, I think I will continue to serve my mother as her ambassador. The reason I first left Du Weldenvarden was because I wanted to help right the balance of the world. As you said, there will still be much htat needs doing if we manage to topple Galbatorix, much that needs putting right, and I would be a part of it.” “Ah.” It was not exactly what he had hoped she might say, but at least it presented the possibility that they would not entirely lose contact after Urû’baen, and that he would still be able to see her now and then. If Arya noticed his discontent, she gave no sign of it. They talked for another few minutes, then Arya made her excuses and rose to leave. As she stepped past him, Eragon reached toward her, as if to stop her, then quickly drew back his hand. “Wait,” he said softly, unsure of what he hoped for, but hoping nevertheless. The beat of his heart increased, pounding in his ears, and his cheeks grew warm. Arya paused with her back to him by the entrance of the tent. “Good night, Eragon,” she said. Then she slipped out between the entrance flaps and vanished into the night, leaving him to sit alone in the dark.

When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop. Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there. Ahab turned. "Starbuck!" "Sir." "Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!

Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!” “Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home! But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil. “What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.

As a person, [Barbara Stanwyck] was a great deal like the character she played in Ball of Fire, a stripper called Sugarpuss O'Shea. She had a wonderful, free, open quality in that picture, and that's what she was like as a woman. Reclusive by nature, she was happy to just stay home, but she read everything. She got me reading books as a way of life and, if I asked her, would help me out with my acting. We only had one scene together in Titanic—I played her daughter's boyfriend!—so there was a limit to what I could learn by working with her. She taught me what to do with my hands, how to get over my self-consciousness, and how to lower my voice, which I thought was still too high. And she taught me to be decisive with things like entrances. "When you walk in," she told me, "be sure you're standing up straight. Walk in with confidence." She didn't want me to sidle into a scene as if I were ashamed to be in the movie. Make the entrance! Take the scene! But I wasn't going there for acting tutorials.

Perspex - An In Depth Anaylsis on What Works and What Doesn't The history of the Perspex Sheet is entrancing. The story backtracks to 1843 when the primary acrylic harsh corrosive was made. Nonetheless, it wasn't until 1933 that the German physicist Otto Rohm patented and enlisted the model title plexiglas. This is crucial on the grounds that what is usually considered Plexiglas has gotten to be such a family unit phrase, for example Kleenex, that it might have been ignored that Plexiglas was beforehand a patented title. From that point acrylic glass was utilized for submarine periscopes and firearm turrets for planes. Since that time acrylic glass has changed into a household item. There is a extensive blended bag of employments for Perspex Sheets. A mixture of windows is produced out of them material incorporating flying machine windows, police home windows, and race auto windows. Utilizing Perspex sheets inside race autos will help make them lighter - and speedier than using glass. Advertising and store indicators are frequently produced out of coloured and clear acrylic and truly material materials are created out of acrylic sheets, because the thermoplastic might perspex sydney be folded. Moreover, Perspex Sheet are utilized as specialists mediums and moreover use for surrounding. Perspex sheets can likewise be made into furniture. Perspex Sheets have such a large mixture of employments. One other one of many uses of Perspex is on solar beds and other locations where UV rays are required. Perspex is also availed in UV grade which is mainly a type of Perspex that enables transmission of UV rays. It is largely utilized in locations where UV rays are required to penetrate.If you have an idea of how Perspex appears like, you may need a extremely onerous time making an attempt to image someone carrying a garment made out of it. That is where the coloured Perspex comes into play. It isn't solely used to make garments but additionally sneakers and luggage. There are truly two sorts of plastics.Thermoset that's a plastic which is structured into a perpetual shape,plus thermoplastic that's versatile and may very well be reshaped. Poly methyl methacrylate is a thermoplastic that's clear. PMMA is blandly reputed to be a glass acrylic. Several brand names are Plexiglas, Lucite and Perspex. PMMA is as a neater cost elective to polycarbonate (PC). An alternate revenue which P.M.M.A possess over COMPUTER is the unlucky deficiency of conceivably hurtful bisphenol A sub-units current in polycarbonate.

The Combat Perspex The historical past of the Perspex Sheet is entrancing. The story backtracks to 1843 when the primary acrylic harsh corrosive was made. Nonetheless, it wasn't until 1933 that the German physicist Otto Rohm patented and enlisted the model identify plexiglas. That is important on the grounds that what is usually considered Plexiglas has gotten to be such a household unit word, as an illustration Kleenex, that it might have been missed that Plexiglas was previously a patented name. From that time acrylic glass was utilized for submarine periscopes and firearm turrets for planes. Since that point acrylic glass has became a household merchandise. There's a extensive blended bag of employments for Perspex Sheets. A mix of home windows perspex sheet is produced out of them materials incorporating flying machine windows, police home windows, and race auto home windows. Utilizing Perspex sheets inside race autos will assist make them lighter - and speedier than utilizing glass. Advertising and store signs are incessantly produced out of colored and clear acrylic and really material materials are created out of acrylic sheets, as the thermoplastic may very well be folded. Furthermore, Perspex Sheet are utilized as specialists mediums and additionally use for surrounding. Perspex sheets can likewise be made into furnishings. Perspex Sheets have such a wide mixture of employments. Another one of many uses of Perspex is on sun beds and different places where UV rays are required. Perspex is also availed in UV grade which is mainly a type of Perspex that enables transmission of UV rays. It's mostly used in locations where UV rays are required to penetrate.In case you have an thought of how Perspex appears like, you might need a really arduous time trying to image someone sporting a garment constituted of it. That is where the coloured Perspex comes into play. It is not solely used to make clothes but in addition shoes and baggage. There are actually two sorts of plastics.Thermoset that's a plastic which is structured right into a perpetual form,plus thermoplastic that is versatile and may very well be reshaped. Poly methyl methacrylate is a thermoplastic that is clear. PMMA is blandly reputed to be a glass acrylic. Several brand names are Plexiglas, Lucite and Perspex. PMMA is as a better price elective to polycarbonate (LAPTOP). An alternate profit which P.M.M.A possess over PC is the unfortunate deficiency of conceivably hurtful bisphenol A sub-units current in polycarbonate.

Fennel Spell Hang fennel from doors and windows to ward off evil energy and entities. Fiery Wall of Protection Spells Fiery Wall of Protection is among the most famous classic condition formulas. Its name invokes the power of Archangel Michael’s protective flaming sword. The formula may be consecrated to the archangel. Fiery Wall’s basic ingredients include such powerful protective agents as salt, frankincense and myrrh. Its red color, the color of protection, derives from dragon’s blood powder. See the Formulary for specific instructions: the dried powder may be used as incense or magic powder. When the powder is added to oil, Fiery Wall of Protection Oil is created. Fiery Wall of Protection Spell (1) Candle Carve a red or white candle with your name, identifying information, hopes, and desires. Dress it with Fiery Wall of Protection Oil and burn. Consecrate the candle to the Archangel Michael if desired. Fiery Wall of Protection Spell (2) Extra-strength Mojo Place a handful of Fiery Wall of Protection Powder in a charm bag. Drizzle it with Fiery Wall of Protection Oil and Protection Oil. Add a medallion depicting Michael the Archangel and/or a tiny doll-sized sword: a fancy tooth pick works well. Carry it in your pocket. Replace the powder weekly, dressing with fresh oil. Cleanse, charge, and consecrate the charms as needed. Fiery Wall of Protection Spell (3) Incense Protect against a threatened curse by burning Fiery Wall of Protection Powder as incense. To intensify the protection, add powdered agrimony and/or vervain. Fiery Wall of Protection Spell (4) Powder Circle Cast a circle of Fiery Wall of Protection Powder around yourself, your home, or whatever needs protection. Envision a circle of enchanted flames magically surrounding and protecting you, something like the magic fire encircling The Ring of the Nibelung’s valkyrie swan-maiden Brunhilde: the flames are cool and won’t harm those whom they protect yet serve as a burning boundary preventing the entrance of all evil. Stay within the circle for as long as necessary. Carry the powder within a charm bag so that circles and boundary lines may be spontaneously cast as needed. Fiery Wall of Protection Spell (5) Quick Fix Soak a cotton ball in Fiery Wall of Protection Oil and carry it in your pocket or tucked into your bra.

there in spirit, and that souls may be saved there; to pray daily for my sick patients and for the patients of other physicians; at my entrance into any home to say, “May the peace of God abide here”; after hearing a sermon, to pray for a blessing on God’s truth, and upon the messenger; upon the sight of a beautiful person to bless God for His creatures, to pray for the beauty of such an one’s soul, that God may enrich her with inward graces, and that the outward and inward may correspond; upon the sight of a deformed person, to pray God to give them wholeness of soul, and by and by to give them the beauty of the resurrection.

J. Edgerton/ The Spirit of Christmas Page 17 Continued JONAS AND JAMES (SINGING) “O come all ye faithful. Joyful and triumphant. O come ye, o come ye to Bethlehem. Come and behold him. Born the king of angels. O come let us adore him. O come let us adore him. O come let us adore him. Christ the lord.” “Sing, choirs of angels, Sing in exultations. Sing, all ye citizens of heavn above; Glory to god, Glory in the highest. O come let us adore him. O come let us adore him. O come let us adore him, Christ the lord!” An occasional passer-by dropped a coin into the cup held by the littlest Nicholas. Thorn tipped his hat to them, trying to keep his greedy looks to a minimum. “Sing loudly my little scalawags. We’ve only a few blocks to go of skullduggery. Then you’ll have hot potato soup before a warm fire.” The Nicholas boys sang louder as they shivered from the falling snow and the wind that seemed to cut right through their shabby clothes, to their very souls. A wicked smile spread over the face of the villainous Mr. Thorn, as he heard the clink of a coin topple into the cup. “That’s it little alley muffins, shiver more it’s good for business.” His evil chuckle automatically followed and he had to stifle it. They trudged on, a few coins added to the coffer from smiling patrons. J. Edgerton/ The Spirit of Christmas Page 18 Mr. Angel continued to follow them unobserved, darting into a doorway as Mr. Thorn glanced slyly behind him, like a common criminal but there was nothing common about him. They paused before the Gotham Orphanage that rose up with its cold stone presence and its’ weathered sign. Thorn’s deep voice echoed as ominous as the sight before them, “Gotham Orphanage, home sweet home! A shelter for wayward boys and girls and a nest to us all!” He slyly drew a coin from his pocket, and twirled it through his fingers. Weather faced Thorn then bit down on the rusty coin, to make sure that it was real. He then deposited all of the coin into the inner pocket of his coat, with an evil chuckle. IV. “GOTHAM ORPHANAGE” “Now never you mind about the goings on of my business. You just mind your own. Now off with ya. Get into the hall to prepare for dinner, such as it is,” Thorn’s words echoed behind them. “And not a word to anyone of my business or you’ll see the back of me hand.” He pushed the boy toward the dingy stone building that was their torment and their shelter. The tall Toymaker glanced after them and then trod cautiously towards Gotham Orphanage. Jonas and James paced along the cracked stone pathway and up the front steps of the main entryway, that towered in cold stone before them. Thorn ushered the boys through the weathered front door to Gotham’s Orphanage. Mr. Angel paced after them and paused, unobserved, near the entrance. As they trudged across the worn hard wood floors of Gotham Orphanage, gala Irish music was heard coming from the main hall of building. Thorn herded the boys into the main hall of the orphanage that was filled with every size and make of both orphan boys and girls seated quietly at tables, eating their dinner. Then he turned with an evil look and hurriedly headed down the long hallway with the money they’ve earned. Jonas and James paced hungrily through the main hall, before a long table with a large, black kettle on top of it and loaves of different types of bread. They both glanced back at a small makeshift stage where orphans in shabby clothes sat stone faced with instruments, playing an Irish Christmas Ballad. Occasionally a sour note was heard. At a far table sat Men and Women of the Community who had come to have dinner and support the orphanage. In front of them was a small, black kettle with a sign that said “Donations”.

When Michael greeted me at the entrance to their home only three months after Jill’s death, his pallid complexion shocked me. I thought that I had arrived at death’s door. He appeared to have aged more than a decade. I remembered that he sometimes stumbled, even with a cane, but now he was all wobble, yet his voice was as strong as ever and as engaging as it always had been.

She was neither widow nor mother: she only yearned for the dignity of a woman who had once belonged, somewhere, to somebody. She had belonged to no one, for she had never wanted chick nor child. Her idea of home had been any side-alley entrance and a pint of tinted gin. All she had ever striven for was small change left lying by strangers on North Clark Street bars; and any man's bottle at all.

she gathered her belongings and headed for the makeshift entrance that led into the belly of the half-destroyed AT-AT walker. It might be an ancient, rotting, rusting example of now useless military might, but to Rey, it was home.

driver’s side opened, and someone got in and sat down. He didn’t turn to see who it was, because by this point he was unable to take his eyes off the hospital entrance. “I went to Marinella to look for you,” said Fazio, “but you weren’t there. Then I realized you’d be here, and so I came.” Montalbano didn’t answer. Half an hour later, he saw Garrufo come out, bent over, face in his hands, weeping. “Take me home,” he said to Fazio. He leaned his head back against the headrest and closed his eyes, at last.   Click here for more books by this author.

Lighting the Way for Sailors SENTINEL Hamilton’s lighthouse at Cape Hatteras was rebuilt after the original succumbed to erosion. As his storm-tossed brig passed North Carolina’s Cape Hatteras on the way to New York in the early 1770s, a fearful Hamilton vowed to someday build a way-finding lighthouse there. In 1789, Congress passed An Act for the Establishment and support of Lighthouse, Beacons, Buoys, and Public Piers, and the job of maintaining those structures was given to the Department of the Treasury. Thus did Hamilton find himself the “Superintendent” of Lighthouses. His first commission, which rose near the entrance to the Chesapeake Bay, was designed by John McComb Jr., who would one day build the Grange, Hamilton’s New York home. And in 1803 a promise was kept, as “Mr. Hamilton’s Light” opened on Cape Hatteras.

I slowed my steps as I started up the path toward the front entrance, feeling like I was about to walk on smoldering embers. Had the fire burned down enough that it couldn’t harm me? Or would I be scorched? Reaching the front door, I took a deep breath, aware of the importance of what I was about to do and fearful that I would not succeed. Then I rapped firmly upon the dark wood. This was not the time to practice timidity. Grayden opened the door himself and our eyes met. For a moment, neither of us moved, equally flustered--he was stunned to find me on his stoop, while I had expected a servant to answer my knock. “May I come in, my lord?” I inquired, sounding more nervous than I would have liked. “As you wish.” He leaned back against the door frame and gestured for me to enter, his manner not entirely hospitable. I stepped inside and glanced around the spacious foyer, then cleared my throat, ready to begin a short, but well-rehearsed, statement of contrition. “I owe you an apology, Lord Grayden. I’m sorry for failing to attend the dinner to which you were invited at my family’s home. While I do not deserve your kind regard, I hope you will be gracious enough to forgive me.” “That depends on what you were doing instead.” “Excuse me?” I squeaked, for this was an unexpected reaction. My mind spun, trying to decide what to do. Did I need to apologize better? Or should I just leave? He laughed, and I felt even more flustered. “Your mother and sisters kept changing their stories. Makes me think they didn’t know what you were doing. I’d like the mystery solved.” Taken aback, I surveyed him, noting his dark brown hair that made his skin appear all the more fair, his perfectly proportioned nose, his gorgeous green eyes and his inviting smile. He wanted me to be honest. I decided to risk it, for nothing worse could come of his knowing the truth. “I forgot you were coming.” He straightened and rubbed the back of his neck with one hand. “At least I know you’re not a liar.” “Not usually,” I blurted, and he laughed once more. “Well then, I accept your apology.” “That’s very considerate of you.” I hesitated then gave him another curtsey. “Good day to you, my lord.” His eyebrows rose in surprise. “You’re leaving so soon?” “Yes,” I replied, a grin playing at the corners of my mouth. “You see, I haven’t been invited to stay.” Before he could respond, I slipped past him and out the door, pleased at his befuddled expression. All in all, things had gone well--I had accomplished my appointed task; at the same time, I was certain I could cross another suitor off the list. After all, even the best impressions Lord Grayden had of me left much to be desired. But I didn’t feel as happy about that outcome as I had expected. Strangely, the young man held more appeal for me now than he had before. I sighed, for my nature did indeed appear to be a fickle one.

May 19: At 2:00 p.m., Marilyn arrives at Madison Square Garden for a brief rehearsal. She departs to have her hair styled by Kenneth Battelle at a cost of $150. Then she returns to her New York apartment for a $125 makeup session with Marie Irvine. Finally, her maid, Hazel Washington, helps hook Marilyn into her Jean Louis gown, and she arrives at Madison Square Garden approximately three hours before she is to perform. Introduced to an audience of fifteen thousand as the “late Marilyn Monroe” after she delays her entrance (all part of the carefully rehearsed show), Marilyn performs flawlessly as the last of twenty-three entertainers and is clearly the highlight of the evening. Columnist Dorothy Kilgallen describes Marilyn as “making love to the president of the United States.” Marilyn also attends a party at the home of Arthur Krim, president of United Artists. She is photographed in a group of Kennedy supporters watching Diahann Carroll sing. To her right is Maria Callas and Arthur Miller’s father, Isidore. She is also photographed with both Robert and John Kennedy, as well as presidential advisor Arthur Schlesinger Jr. Schlesinger and Robert Kennedy playfully compete to dance with Marilyn. Contrary to sensationalistic reports, Marilyn spends the rest of the evening in her New York apartment with her friend Ralph Roberts and James Haspiel, one of her devoted fans.

My mother once told me as a child that you can tell who is coming by the mere sound of their footsteps. I remember looking at her incredulously, my short curls bouncing in agreement with my dissent. Yet, upon her departure, I heard in her footsteps the essence of Mom. Ever since, I would know who was approaching down the hall of our home without prior visual identification. And the footsteps I heard at the entrance of the bookstore carried the vague echo of a memory that promised dread.

June 19: Sunday at 2:30 p.m., Reverend Benjamin Lingenfelder of the Christian Science church marries Norma Jeane and twenty-one-year-old James Dougherty at the home of Mr. and Mrs. Chester Howell. Chester is an attorney and friend of Grace, who chooses the Howell home at 432 South Bentley Avenue in West Los Angeles because it has a spiral staircase that Norma Jeane uses to make a dramatic entrance. Ana Lower makes Norma Jeane’s wedding gown and accompanies her to the altar. Norma Jeane has one bridesmaid, Lorraine Allen, a friend from University High School. No member of Norma Jeane’s family is present, but the Bolenders make an appearance. It is the last time they will see her. After a modest reception at the Florentine Gardens in Hollywood, Norma Jeane and Jim go to their home in Sherman Oaks. Jim Dougherty later recalled that his wife held on to him the entire afternoon. The young couple does not honeymoon but goes for a fishing weekend on Sherwood Lake. On Sundays they attend the Sherman Oaks Christian Science church.

Ok Kevin," he said to himself, "We were born for this! If we are ever going to find Laura then we can't be scared of the dark, can we?" He knew he had to press on, for both their sakes. He felt so awful thinking of her alone and scared, and probably always in danger. He knew the best help he could give her right now was to never give up. He knew he would find her, but he also knew he needed more supplies. He was going to hurry to his base to stock up, and then resume his journey. Taking a deep breath he said aloud, "On the count of three we'll run... ONE...TWO ... GO!!!" Kevin sprang from the tunnel entrance and launched towards the direction of his home. As he zoomed through the valley, he was pretty sure he passed a dozen spiders, some skeletons (arrows whizzed past his head a few times), and definitely a few zombies (he could hear their deep moans all around him). But it didn't matter; he just kept on running, passing through low-hanging tree branches and leaves as he went. He was so intent on reaching his home that he didn't see the drop off just a few blocks ahead of him, and went flying over the edge before his mind even registered what was happening. Falling

the chambers and passages of the cave system.  A track led past both entrances, and round up onto the hill-top, up which sloping trail Yana now wearily pulled herself.  Some huts were private dwelling places while others were the domain of certain crafts.  Community meetings were held either outside in a large space deliberately left clear in the centre of the huts, or during cold or inclement weather, in the larger of the two entrance chambers of the cave system. Yana moved aside the leather windbreak sheltering the entrance to the hut which was her family’s home and walked down the four stone-flagged steps to the floor of the sunken hut.  A strong herbal odour hung in the air.  Ignoring it, Yana dropped her kill by the fire, and made her way to the occupied sleeping platform at

The men in her life were clean-cut, well-bred, reliable, unpretentious and good company. “Diana is an Uptown girl who has never gone in for downtown men,” observes Rory Scott. If they wore a uniform or had been cast aside by Sarah so much the better. She felt rather sorry for Sarah’s rejects and often tried, unsuccessfully, to be asked out by them. So she did washing for William van Straubenzee, one of Sarah’s old boyfriends, and ironed the shirts of Rory Scott, who had then starred in a television documentary about Trooping the Colour, and Diana regularly stayed for weekends at his parents’ farm near Petworth, West Sussex. She continued caring for his wardrobe during her royal romance, on one occasion delivering a pile of freshly laundered shirts to the back entrance of St. James’s Palace, where Rory was on duty, in order to avoid the press. James Boughey was another military man who took her out to restaurants and the theatre and Diana visited Simon Berry and Adam Russell at their rented house on the Blenheim estate when they were undergraduates at Oxford. There were lots of boyfriends but none became lovers. The sense of destiny which Diana had felt from an early age shaped, albeit unconsciously, her relationships with the opposite sex. She says: “I knew I had to keep myself tidy for what lay ahead.” As Carolyn observes: “I’m not a terrible spiritual person but I do believe that she was meant to do what she is doing and she certainly believes that. She was surrounded by this golden aura which stopped men going any further, whether they would have liked to or not, it never happened. She was protected somehow by a perfect light.” It is a quality noted by her old boyfriends. Rory Scott says roguishly: “She was very sexually attractive and the relationship was not a platonic one as far as I was concerned but it remained that way. She was always a little aloof, you always felt that there was a lot you would never know about her.” In the summer of 1979 another boyfriend, Adam Russell, completed his language degree at Oxford and decided to spend a year travelling. He left unspoken the fact that he hoped the friendship between himself and Diana could be renewed and developed upon his return. When he arrived home a year later it was too late. A friend told him: “You’ve only got one rival, the Prince of Wales.

The name of the zoo was the Queensland Reptile and Fauna Park. As I crossed the parking area, I prepared myself for disappointment. I am going to see a collection of snakes, lizards, and miserable creatures in jars, feel terribly sorry for them, and leave. It was October 1991. I was Terri Raines, a twenty-seven-year-old Oregon girl in Australia on an unlikely quest to find homes for rescued American cougars. A reptile park wasn’t going to be interested in a big cat. I headed through the pleasant spring heat toward the park thinking pessimistic thoughts. This is going to be a big waste of time. But the prospect of seeing new species of wildlife drew me in. I walked through the modest entrance with some friends, only to be shocked at what I found on the other side: the most beautiful, immaculately kept gardens I had ever encountered. Peacocks strutted around, kangaroos and wallabies roamed freely, and palm trees lined all the walkways. It was like a little piece of Eden.

20 When they had finished dividing the land, 1the Lord said to Joshua: 2“Speak to the Israelites: Designate the cities of refuge—about which I commanded you through Moses—3to which a manslayer who kills a person by mistake, unintentionally, may flee. They shall serve you as a refuge from the blood avenger. 4He shall flee to one of those cities, present himself at the entrance to the city gate, and plead his case before the elders of that city; and they shall admit him into the city and give him a place in which to live among them. 5Should the blood avenger pursue him, they shall not hand the manslayer over to him, since he killed the other person without intent and had not been his enemy in the past. 6He shall live in that city until he can stand trial before the assembly, [and remain there] until the death of the high priest who is in office at that time. Thereafter, the manslayer may go back to his home in his own town, to the town from which he fled.

A gigantic golden statue of Zeus had originally stood at the entrance, always looking down on the Titans in their new homes, but Hades had it moved and melted down well before I was born. Ensuring your prisoners were behaving was one thing, but antagonizing them every single day with a gleaming thirty-foot statue of the person who had defeated them was only going to end in rebellion and more death.

Bringing the horse to a stop, Lucetta leaned forward and looked down a well-maintained lane that led directly to what seemed to be some type of a gatehouse, but a gatehouse built to look exactly like a mausoleum, complete with stained-glass windows, stone sculptures on either side of it—not of the expected angels, but of . . . ravens. Turning to Abigail, Lucetta arched a brow. “Should we drive closer?” “I don’t think this could possibly be the lane leading to Bram’s castle,” Abigail said. “I mean, why would anyone build a mausoleum to mark the entrance to their home?” “I have numerous answers to that, but none I’m going to voice until we discover whether or not your grandson resides here. Which, I’m sorry to say, could be a distinct possibility, since the castle’s name is Ravenwood and there are two ravens guarding that building, and . . . if you look over the door, Ravenwood is etched into the stone.” “Oh . . . dear.” Abigail pulled a pair of spectacles out of her pocket, shoved them on, and then looked closely at the building in front of them before immediately pulling the spectacles off again and repocketing them, shuddering ever so slightly as she did so. “Would it be safe to say that your grandson possesses a slightly morbid nature?” Lucetta asked. “Of course not. Bram’s charming, and . . . the ladies find him to be completely delightful, from what I’ve been told—as I do believe I’ve mentioned to you a few times.” Before Lucetta could reply to that, the door to the mausoleum opened with an ominous creak. Abigail grabbed hold of Lucetta’s hand and squeezed it, the squeezing becoming more pronounced as a man stepped through the door—a man who just happened to be carrying a rifle.

So my exploration continued, up dark stairwells and down dim passages. I came across a room full of antelope and deer trophies, the walls lined with dozens of ribbed or twisted horns, as if it were the entrance lobby to some stately home owned by a bloodthirsty monomaniac. On another occasion I found my way into one of the towers that flanked the main entrance to the Museum- only to find that to get there one had to take a path that led over the roof. I came across a taxidermist's lair, where a man with an eye patch was reconstructing a badger. I failed to find the Department of Mineralogy altogether, apart from meeting some meteorite experts in their redoubt at the end of the minerals gallery. There seemed to be no end to it. Even now, after more than thirty years of exploration, there are corners I have never visited. It was a place... labyrinthine and almost endless, where some forgotten specialist might be secreted in a room so hard to find that his very existence might be called into question. I felt that somebody might go quietly mad in a distant compartment and never be called to account. I was to discover that this was no less than the truth.

Mikhail pushed a hand through his thick mane of hair. “Our people cannot do without you, Gregori, and quite simply, neither can I.” “You are so certain that I will not turn?” Gregori’s smile was self-mocking. “Your faith in me exceeds my own. This vampire is ruthless, drunk on his own power. He craves the killing, the destruction. I walk the line of that madness every day. His power is nothing, a feather in the wind compared to mine. I have no heart, and my soul is dark. I do not want to wait until I cannot make my own choice. The one thing I do not want is to force you to seek me out to destroy me. My life has been my belief in you, in protecting you. I will not wait until I must be hunted.” Mikhail waved a tired hand to open the earth above his brother. “You are our greatest healer, the greatest asset to our people.” “That is why they whisper my name in fear and dread.” Beneath their feet the ground suddenly shook, heaved and bucked, rolling perilously. The center of the earthquake was obviously a great distance away, but there was no mistaking the howl of rage produced by a powerful vampire at the destruction of his lair. The undead had entered his lair confidently, until he found the body of the first wolf. Each turn or passage entrance was marked with one of his minions, until his entire pack lay dead at his feet. The burned bodies of his sentinels, the bats, lay in a mound of blackened ashes. Fear turned to terror. It would not be Mikhail, whose sense of justice and fair play would be his downfall, but the dark one. Gregori— the most feared of all Carpathians. It had not occurred to the vampire that the dark one might take a hand in this game. Andre hurtled himself from the safety of his favorite lair just as the mountain heaved and the chamber walls collapsed in on themselves. Cracks widened in the narrow passageway, and the rock faces inched closer and closer together. The clap of granite grinding against granite nearly burst his eardrums. A true vampire making numerous kills was far more susceptible to the sun, and to the terrible lethargy that claimed Carpathian bodies in the day. Andre had little time to find a safe hole. As he burst from the collapsing mountain, the sun hit his body, and he screamed with the agony of it. Dust and rock spewed from his home, and the echo of Gregori’s taunting laughter drifted down with the debris from the earthquake. “No, Gregori.” There was amusement in Mikhail’s soft voice as he floated into the soothing arms of the earth. “That is a good example of why they whisper your name in fear and dread. No one understands your dark humor the way I do.

You there! What are you doing?” A sentry was approaching, her strides swift and purposeful. “Identify yourself!” She held a lantern close to me, and I squinted in the light, my heart thrumming loudly. On the chance that I could still pull off the charade, I attempted to mimic a Cokyrian accent. The inflection was subtle, but not terribly different from our own, and I hoped that guard would be none the wiser. “I was sent to deliver a message.” “And what message is that?” Her voice was skeptical and she laid a hand on the hilt of the sword at her hip. “The message is not for you.” The sentry laughed. “Get out of here, girl. I have no interest in arresting you. I’ll consider this an amusing part of my night duty as long as you don’t cause any trouble.” “The message is from Rava,” I tried again, my natural stubbornness overcoming my fear. “For her brother.” “Messages should be taken to the main building,” she pronounced, no longer confident that she should send me away. “Rava instructed me to deliver it to no one but Saadi. She said he would be in the officer’s barracks.” The woman deliberated, looking dubiously at me, although she ultimately decided in my favor. “Then I’ll take you to him. We’ll see what he has to say about this.” The sentry grabbed my arm and led me toward the building. There were two guards at its entrance, and she instructed one of them to fetch Saadi. Despite the coolness of the weather, I could feel myself sweating. If Saadi refused to come, I would be locked up and likely taken to Rava in the morning. But if he did come, how did I know he would be happy to see me? He might not approve of the game I was playing. Nausea roiled my stomach, and I glanced at the Cokyrians on each side of me, trying to decide if I should beat a hasty retreat. Too afraid of the consequences if I failed to get away, I waited, praying the fates would smile upon me. It wasn’t long before footfalls reached my ears, and the door to the barracks swung open. Saadi stood there in breeches and a loose, unlaced shirt, strapping on his weapons, obviously having been awakened. Would he be angry that I had disturbed his sleep? “Well?” the guard who discovered me prompted. “I recognize her,” Saadi answered, staring directly at the woman. “She works for my sister as an errand girl.” I briefly closed my eyes in relief. Saadi waved the guard back to her post and issued an order to the man behind him to retrieve his cloak. When it was thrust into his hands, he escorted me back across the base, not speaking until we were out of earshot of those on patrol. “So, Rava has a message for me?” I shoved him unthinkingly, teasingly, and he laughed, jumping away. “You wanted to see me, remember?” I pointed out. “But you never picked a time or place!” “So you decided to do it for me. Fair enough, but I’m dying to know what you have in mind to do.” “I don’t have anything in mind.” We had reached the thoroughfare, and he chuckled. “You braved Cokyrian soldiers and the stronghold of the military base, but don’t have a thing in mind for us to do?” “That’s right,” I admitted, irritated that he was laughing at me. “Would you grow up please?” “Shaselle, there’s nothing ‘grown-up’ about what we’re doing. I assume you snuck away from home to see me, and I have a five o’clock call in the morning.” I came to a halt and turned to face him, my eyes issuing a challenge. “If you want to go back, feel free. Tell those soldiers that Rava just wanted to make sure her baby brother went to bed on time.” He grinned, enjoying my feisty responses, and smoothed his bronze hair forward, a habit I still found annoying. It also served to make my heart flutter.

I’m sorry, Mr. Chavez,” the club’s young assistant reception manager, Talya, said. “This is a private club. If you’re not a member, your name has to be on the guest list.” Luis Chavez sighed. He wasn’t here by choice. “I was told to come here at this time,” Luis replied. “By whom?” Talya asked. Luis watched her eyes weigh his appearance. He was in black pants, heavy black shoes, and wore a gray jacket zipped up to his Adam’s apple even though it was almost summer. He was clean shaven with short black hair. That he wasn’t representative of the club’s regular clientele wasn’t even a question. “Mr. Alazraqui.” “I’m sorry. We don’t have a member by that name or anyone on our guest list.” Luis nodded. His job was done. He could go home in good conscience. “My mistake,” Luis said, nodding to the young woman. He turned and was almost out the door when a white Mercedes SUV rolled up to the valet stand just outside in the sublevel parking garage. Its driver was a large Hispanic man practically bursting through the seams of an off-white suit and mustard-yellow shirt. Even though he was only an inch or two taller than Luis’s diminutive five foot three, his expansive girth caused him to dwarf Luis. Talya stepped past Luis to open the door for him. “Good morning, Mr. Mata!” Mata nodded a greeting at her and stepped through the door. As soon as the big man was through, Talya jogged ahead to ring for an elevator. Though the club’s entrance was in a parking garage, the club itself was an elevator ride up to the ninth floor. “Have a good breakfast, sir.” Luis had just located the valet ticket in his pocket when he heard the older man’s voice. “Padre?” Luis winced. “Oh, is Mr. Chavez a guest of yours?” Talya asked. “He’s the priest. To deliver the benediction.” Luis caught the surprised look on Talya’s face, then felt Mata’s heavy hand on his shoulder. “Come on, Padre. Let’s get you upstairs.” As soon as they were inside the elevator, Mata nodded to the tiny strip of white peering over the top of Luis’s jacket. “Why didn’t you flash the collar?” Mata asked. “Waited too late,” Luis admitted. “Would’ve felt like a jerk.” “Ah,” Mata said, laughing. “Guess enough people out there think priests are assholes, huh?” Luis didn’t reply.

Close to the left of the school entrance gate are uncompleted rooms which lack everything else but a base foundation and load-bearing walls. And as for the toilets - in all six years of my life as a student, I never used them once, as they were hardly ever clean. The sight of decayed excrement and worms crawling all over the floors and toilet seats was enough to make one lose interest in passing out waste. One fateful day, I held back the faeces in my anus and walked the mile-long journey home from school. It was painful yet needful as anything would be better than having to do my business in a smelly worm-infested room. No sane individual would subject their own human waste to that kind of treatment. We are all kidding ourselves - OGS is not a school, it is an extension of Kirikiri prison!

It shows us nothing more or less than the deepest, most desperate desire of our hearts. You, who have never known your family, see them standing around you. Ronald Weasley, who has always been overshadowed by his brothers, sees himself standing alone, the best of all of them. However, this mirror will give us neither knowledge or truth. Men have wasted away before it, entranced by what they have seen, or been driven mad, not knowing if what it shows is real or even possible. ‘The Mirror will be moved to a new home tomorrow, Harry, and I ask you not to go looking for it again. If you ever do run across it, you will now be prepared. It does not do to dwell on dreams and forget to live, remember that. Now, why don’t you put that admirable Cloak back on and get off to bed?

The care home is a grand old building and would practically be stately if there was anything aristocratic about the residents. It used to be the owner’s family home – also not aristocrats – and there’s a portrait in the entrance of the card-happy ancestor who won it gambling.

My father hates cats. He says that there is no such thing as a cat - it is just a shape that all manner of imps, hobs, and devilkins like to put on, to gain easy entrance into the homes of men.

Mehak, I know of a place where the king is great and in his reign the peasant is happy, the treasury full, the army satisfied and the poor content. There is such peace and plenty in that place, when you visit the people in their homes, the decorated doorways arch around you like a beautiful embrace. There are no doors at the entrances of the homes of these welcoming people, Mehak, my dearest! Every day there feels like a day of festival. And, day or night, wayfarers clink their gold playfully in their hands as they walk, be it over the plains or through woods. We can rule that kingdom, if you come with me. The only thing that is different there is the currency of the land. It is not gold. It is flowers.

But as time went on the gopher began to be a little impatient, for no female appeared. He sat in the entrance of his hole in the morning and made penetrating squeaks that are inaudible to the human ear but can be heard deep in the earth by other gophers. And still no female appeared. Finally in a sweat of impatience he went up across the track until he found another gopher hole. He squeaked provocatively in the entrance. He heard a rustling and smelled female and then out of the hole came an old battle-torn bull gopher who mauled and bit him so badly that he crept home and lay in his great chamber for three days recovering and he lost two toes from one front paw from that fight.

Not surprisingly, his father (who was unaware of how abusive he had been), took credit for Richard’s high entrance exam scores, noting how successful his educational program had been. Richard’s father’s poorly controlled wounded self, which acted out sadistically toward him, was never openly acknowledged and thus both father and son were prevented from seeing how badly the father had undermined his son’s sense of self.

Over South Mountain, among the Springs that fall to Antietam Creek, on September 21st, they pause at 96 Miles, 3 Chains, near the House of Mr. Staphel Shockey, who tells them of a remarkable Cavern beneath the Earth, about six miles south of the Line. In the winter, English Church services are held in it. Mason’s Hat begins to move, as from some Agitation beneath it. Accordingly, the next day, Sunday, they pay a visit, in company with Mr. Shockey and his Children, whilst Mrs. Shockey remains at home with a thousand Chores that Sunday does not release her from. The entrance is an arch about 6 yards in length and four feet in height, when immediately there opens a room 45 yards in length, 40 in breadth and 7 or 8 in height. (Not one pillar to support nature’s arch) . . . On the Sidewalls are drawn by the Pencil of Time, with the tears of the Rocks: The imitation of Organ, Pillar, Columns and Monuments of a Temple; which, with the glimmering faint light; makes the whole an awful, solemn appearance: Striking its Visitants with a strong and melancholy reflection: that such is the abodes of the Dead: thy inevitable doom, O stranger; soon to be numbered as one of them.

Oaxaca 1925 You were a beautiful child With a troubled face, green eyelids And black lace stockings We met in a filthy bar You said "My name is Nada I don't want anything from you I will not take from you I will give you nothing" I took you home down alleys Splattered with moonlight and garbage and cats To your desolate disheveled room Your feet were dirty The lacquer was chipped on your fingernails We spent a week hand in hand Wandering entranced together Through a sweltering summer Of guitars and gunfire and tropical leaves And black shadows in the moonlight A lifetime ago