Entered Apprentice Quotes

Think of a positive outcome, and you will achieve it. Allow doubt to enter your mind, and the doubt will become self-fulfilling.

In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said "It is the trade entering his body.

You've known him how long?" Malcolm asked. "Since he was a small boy. I firs noticed him when he slipped into Master Chubb's kitchen to steal some pies." "So, what did you have to say to Will when you caught him stealing these pies? "Oh, I didn't let on I was there. We rangers can be very unobtrusive when we choose. I remained out of sight and watched him. I thought he might have potential to be a ranger." Halt said. Horace joined in "Why?" Halt answered carefully. "Because he was excellent at moving from cover to cover. Chubb entered 3 times and never noticed him. So i thought that if he could acheive that with no training, he would make a good ranger." "No" Horace spoke. "Thats not what I meant. Why were you hiding in the kitchen in the first place?" "I told you. I was watching Will to see if he had the potential to be a ranger." "Thats not what you said. You said that was the first time you noticed Will." "Does it matter?" "Not really. Were you hiding from chub yourself and Will just turned up by coincidence?" "And why would I be hiding from master Chubb in his own kitchen?" "Well, there were freshly made pies on the windowsill, and you like pies, don't you?" "Are you acusing me of trying to steal those pies?!?!" "No, of course not. I just thought i'd give you the opportunity to confess." After a pause, Halt continued. "You know, Horace, you used to be a most agreeable young man. Whatever happened to you?" "I've spent to much time around you, I suppose." And Halt had to admit that was probably true.

Sometimes, when something bad leaves the world, something good enters in its place. I've seen it happen before . - Mam

Allow doubt to enter your mind, and the doubt will become self-fulfilling.

Only after a writer lets literature shape her can she perhaps shape literature. In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said, "It is the trade entering his body." The art must enter the body, too.

If there were no hope of reward and no fear of punishment, would I work less ? I don't believe so. I work to honor the divine gift. Every artisan and artist enters into a covenant with the divine. Have you made yours?

The professional respects his craft. He does not consider himself superior to it. He recognizes the contributions of those who have gone before him. He apprentices himself to them. The professional dedicates himself to mastering technique not because he believes technique is a substitute for inspiration but because he wants to be in possession of the full arsenal of skills when inspiration does come. The professional is sly. He knows that by toiling beside the front door of technique, he leaves room for genius to enter by the back.

This present universe is only one element in the kingdom of God. But it is a very wonderful and important one. And within it the Logos, the now risen Son of man, is currently preparing for us to join him (John 14:2–4). We will see him in the stunning surroundings that he had with the Father before the beginning of the created cosmos (17:24). And we will actively participate in the future governance of the universe. We will not sit around looking at one another or at God for eternity but will join the eternal Logos, “reign with him,” in the endlessly ongoing creative work of God. It is for this that we were each individually intended, as both kings and priests (Exod. 19:6; Rev. 5:10). Thus, our faithfulness over a “few things” in the present phase of our life develops the kind of character that can be entrusted with “many things.” We are, accordingly, permitted to “enter into the joy of our Lord” (Matt. 25:21). That “joy” is, of course, the creation and care of what is good, in all its dimensions. A place in God’s creative order has been reserved for each one of us from before the beginnings of cosmic existence. His plan is for us to develop, as apprentices to Jesus, to the point where we can take our place in the ongoing creativity of the universe.

PROFESSIONAL DEDICATES HIMSELF TO MASTERING TECHNIQUE The professional respects his craft. He does not consider himself superior to it. He recognizes the contributions of those who have gone before him. He apprentices himself to them. The professional dedicates himself to mastering technique not because he believes technique is a substitute for inspiration but because he wants to be in possession of the full arsenal of skills when inspiration does come. The professional is sly. He knows that by toiling beside the front door of technique, he leaves room for genius to enter by the back.

There’s a major difference between entering a trade apprenticeship as an adolescent, and entering one as a grownup. Youngsters grow into their trade, while a grown-up has to inject it into their veins.

This one is bigger than the other by at least a quarter,” he said. “That’s perspective,” Will replied stubbornly. “The left one is closer, so it looks bigger.” “If it’s perspective, and it’s that much bigger, your handcart would have to be about five meters wide,” Horace told him. “Is that what you’re planning?” Again, Will studied the drawing critically. “No. I thought maybe two meters. And three meters long.” He quickly sketched in a smaller version of the left wheel, scrubbing over the first attempt as he did so. “Is that better?” “Could be rounder,” Horace said. “You’d never get a wheel that shape to roll. It’s sort of pointy at one end.” Will’s temper flared as he decided his friend was simply being obtuse for the sake of it. He slammed the charcoal down on the table. “Well, you try drawing a perfect circle freehand!” he said angrily. “See how well you do! This is a concept drawing, that’s all. It doesn’t have to be perfect!” Malcolm chose that moment to enter the room. He had been outside, checking on MacHaddish, making sure the general was still securely fastened to the massive log that held him prisoner. He glanced now at the sketch as he passed by the table. “What’s that?” he asked. “It’s a walking cart,” Horace told him. “You get under it, so the spears won’t hit you, and go for a walk.” Will glared at Horace and decided to ignore him. He turned his attention to Malcolm. “Do you think some of your people could build me something like this?” he asked. The healer frowned thoughtfully. “Might be tricky,” he said. “We’ve got a few cart wheels, but they’re all the same size. Did you want this one so much bigger than the other?” Now Will switched his glare to Malcolm. Horace put a hand up to his face to cover the grin that was breaking out there. “It’s perspective. Good artists draw using perspective,” Will said, enunciating very clearly. “Oh. Is it? Well, if you say so.” Malcolm studied the sketch for a few more seconds. “And did you want them this squashed-up shape? Our wheels tend to be sort of round. I don’t think these ones would roll too easily, if at all.” Truth be told, Malcolm had been listening outside the house for several minutes and knew what the two friends had been discussing. Horace gave vent to a huge, indelicate snort that set his nose running. His shoulders were shaking, and Malcolm couldn’t maintain his own straight face any longer. He joined in, and the two of them laughed uncontrollably. Will eyed them coldly. “Oh, yes. Extremely amusing,” he said.

There’s no bouncer, no gatekeeper, and no barrier to entering these scenes: You don’t have to be rich, you don’t have to be famous, and you don’t have to have a fancy résumé or a degree from an expensive school. Online, everyone—the artist and the curator, the master and the apprentice, the expert and the amateur—has the ability to contribute something.

Martise had remained silent since first entering his domain, offering no hint of her character. If he refused her, it would alarm the priests even more. “Martise of Asher.” He smiled when she stiffened. “His Grace has spoken for you during this entire meeting. Have you no words? Or did you suffer as my servant and have your tongue cut out?” He followed her gaze to Gurn. The servant gave her an encouraging nod. Silhara might have considered her easily intimidated, save for that calm demeanor. “No, sir, I’m no mute. It is rude to speak out of turn, is it not?” He stilled at her question. Bursin’s wings, what generous god blessed this woman with such a voice? Refined and sensual, it possessed a silky quality, as if she physically caressed him. The contrast between her dulcet tones and bland appearance startled him. Before she spoke, Martise had faded into her surroundings, forgotten. Now she shone, riveting the attention of anyone within hearing distance. He glanced at Cumbria who treated him to a smug smile. He didn’t like being caught off guard and lashed out. “Far be it from me that I compromise the deportment of a lady. I wouldn’t tempt a well-trained dog into forgetting the commands of ‘Fetch’ and ‘Sit’.” Her jaw tightened. She dropped her gaze, but not before he saw the sparks of anger in her eyes. Not so docile as one might first believe, yet his new apprentice exercised admirable control over her emotions. Behavior of a long-time servant. Cumbria had indeed brought him a spy.

And so we have the result noted: the resources of God’s kingdom remain detached from human life. There is no gospel for human life and Christian discipleship, just one for death or one for social action. The souls of human beings are left to shrivel and die on the plains of life because they are not introduced into the environment for which they were made, the living kingdom of eternal life. To counteract this we must develop a straightforward presentation, in word and life, of the reality of life now under God’s rule, through reliance upon the word and person of Jesus. In this way we can naturally become his students or apprentices. We can learn from him how to live our lives as he would live them if he were we. We can enter his eternal kind of life now.

TCA pretends to be about raising money for charity. That’s true, but only so far. If I had not taken time off from the Penn & Teller show to do The Celebrity Apprentice—if Teller and I had just done our show, gotten usual pay—I could have donated four times the amount of money that Trump had pledged to give my charity if I won the whole damn shooting match. Opportunity Village, “my” charity that helps intellectually disabled adults to enter society, got a lot of attention because I was on The Celebrity Apprentice, and that does count for something. And when I was “fired,” my real bosses at Caesars, who own the Rio and the Penn & Teller Theater, said, “Oh, you wanted a quarter million for Opportunity Village? We don’t have to do some jive TV show; we’ll just write a check.” They wrote the full winning amount to Opportunity Village and everyone was happy.

The educational goal of self-esteem seems to habituate young people to work that lacks objective standards and revolves instead around group dynamics. When self-esteem is artificially generated, it becomes more easily manipulable, a product of social technique rather than a secure possession of one’s own based on accomplishments. Psychologists find a positive correlation between repeated praise and “shorter task persistence, more eye-checking with the teacher, and inflected speech such that answers have the intonation of questions.” 36 The more children are praised, the more they have a stake in maintaining the resulting image they have of themselves; children who are praised for being smart choose the easier alternative when given a new task. 37 They become risk-averse and dependent on others. The credential loving of college students is a natural response to such an education, and prepares them well for the absence of objective standards in the job markets they will enter; the validity of your self-assessment is known to you by the fact it has been dispensed by gatekeeping institutions. Prestigious fellowships, internships, and degrees become the standard of self-esteem. This is hardly an education for independence, intellectual adventurousness, or strong character. “If you don’t vent the drain pipe like this, sewage gases will seep up through the water in the toilet, and the house will stink of shit.” In the trades, a master offers his apprentice good reasons for acting in one way rather than another, the better to realize ends the goodness of which is readily apparent. The master has no need for a psychology of persuasion that will make the apprentice compliant to whatever purposes the master might dream up; those purposes are given and determinate. He does the same work as the apprentice, only better. He is able to explain what he does to the apprentice, because there are rational principles that govern it. Or he may explain little, and the learning proceeds by example and imitation. For the apprentice there is a progressive revelation of the reasonableness of the master’s actions. He may not know why things have to be done a certain way at first, and have to take it on faith, but the rationale becomes apparent as he gains experience. Teamwork doesn’t have this progressive character. It depends on group dynamics, which are inherently unstable and subject to manipulation. On a crew,

The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.

warlords battled constantly for supremacy and the possibility of attack was ever present. The castle itself was squat and powerful, with thick walls and heavy towers at each of the four corners. It had none of the soaring grace of Redmont or Castle Araluen. Rather, it was a dark, brooding and forbidding structure, built for war and for no other reason. Halt had told Horace that the word Montsombre translated to mean “dark mountain.” It seemed an appropriate name for the thick-walled building at the end of the winding, tortuous pathway. The name became even more meaningful as they climbed higher. There were poles lining the side of the road, with strange, square structures hanging from them. As they drew closer, Horace could make out, to his horror, that the structures were iron cages, only an arm span wide, containing the remains of what used to be men. They hung high above the roadway, swaying gently in the wind that keened around the upper reaches of the path. Some had obviously been there for many months. The figures inside were dried-out husks, blackened and shriveled by their long exposure, and festooned in fluttering rags of rotting cloth. But others were newer and the men inside were recognizable. The cages were constructed from iron bars arranged in squares, leaving room for ravens and crows to enter and tear at the men’s flesh. The eyes of most of the bodies had been plucked out by the birds. He glanced, sickened, at Halt’s grim face. Deparnieux saw the movement and smiled at him, delighted with the impression his roadside horrors were having on the boy. “Just the occasional criminal,” he said easily. “They’ve all been tried and convicted, of course. I insist on a strict rule of law in Montsombre.” “What were their crimes?” the boy asked. His throat was thick and constricted and it was difficult to form the words. Again, Deparnieux gave him that unconcerned smile. He made a pretense of trying to think. “Let’s say ‘various,’” he replied. “In short, they displeased me.” Horace held the other man’s amused gaze for a few seconds, then,

We enter trouble, Santori Heights, a blur with no distinctive features; a hodgepodge, a mishmash, and nothing of note worth mentioning to others who live elsewhere. It’s as if an etcher sketch has been shaken, and the pattern is what encroaches on us. Trees are scribbles, apartments ram up against sidewalks that are jammed into narrow roads. Traces of liver colored stone are hidden by boards, and buildings that lean on one another tilt like a line of tumbling dominoes, falling into dust bins, a dump site, zones where trouble clings like a burr to cotton.

To learn means to make everything we do answer to whatever essentials address themselves to us at a given time. Depending on the kind of essentials, depending on the realm from which they address us, the answer and with it the kind of learning differs. A cabinetmaker's apprentice, someone who is learning to build cabinets and the like, will serve as an example. His learning is not mere practice, to gain facility in the use of tools. Nor does he merely gather knowledge about the customary forms of the things he is to build. If he is to become a true cabinetmaker, he makes himself answer and respond above all to the different kinds of wood and to the shapes slumbering within wood--to wood as it enters into man's dwelling with all the hidden riches of its nature. In fact, this relatedness to wood is what maintains the whole craft. Without that relatedness, the craft will never be anything but empty busywork, any occupation with it will be determined exclusively by business concerns. Every handicraft, all human dealings are constantly in that danger. The writing of poetry is no more exempt from it than is thinking.

questioned earlier. But among the other ShadowClan apprentices, the tabby no longer looked unusually small—they all looked tiny and undernourished, more like kits of three or four moons than full-fledged apprentices. “What do you think of all that?” Graypaw mewed in a low voice. Ravenpaw bounded over before Firepaw could reply. “What’s going to happen now?” he wailed, his fur fluffed up in alarm and his eyes wider than ever. Firepaw didn’t answer. The elders of ThunderClan were gathering nearby, and he was straining to hear what they were saying. “That must be Yellowfang he was talking about,” growled Smallear. “Well, she did snap at Goldenflower’s youngest kit the other day,” murmured Speckletail darkly. She was the oldest nursery queen, and fiercely protective of all the kits. “And we’ve left her behind, with the camp virtually unguarded!” wailed One-eye, who for once seemed to be having no trouble hearing everything. “I tried to tell you she was a danger to us,” hissed Darkstripe. “Bluestar has to listen to reason now and get rid of her before she harms any of our young!” Tigerclaw

THE PROPHECIES BEGIN Book One: Into the Wild Book Two: Fire and Ice Book Three: Forest of Secrets Book Four: Rising Storm Book Five: A Dangerous Path Book Six: The Darkest Hour THE NEW PROPHECY Book One: Midnight Book Two: Moonrise Book Three: Dawn Book Four: Starlight Book Five: Twilight Book Six: Sunset POWER OF THREE Book One: The Sight Book Two: Dark River Book Three: Outcast Book Four: Eclipse Book Five: Long Shadows Book Six: Sunrise OMEN OF THE STARS Book One: The Fourth Apprentice Book Two: Fading Echoes Book Three: Night Whispers Book Four: Sign of the Moon Book Five: The Forgotten Warrior Book Six: The Last Hope DAWN OF THE CLANS Book One: The Sun Trail Book Two: Thunder Rising Book Three: The First Battle Book Four: The Blazing Star Book Five: A Forest Divided Warriors Super Edition: Firestar’s Quest Warriors Super Edition: Bluestar’s Prophecy Warriors Super Edition: SkyClan’s Destiny Warriors Super Edition: Crookedstar’s Promise Warriors Super Edition: Yellowfang’s Secret Warriors Super Edition: Tallstar’s Revenge Warriors Super Edition: Bramblestar’s Storm Warriors Field Guide: Secrets of the Clans Warriors: Cats of the Clans Warriors: Code of the Clans Warriors: Battles of the Clans Warriors: Enter the Clans Warriors: The Ultimate Guide Warriors: The Untold Stories Warriors: Tales from the Clans MANGA The Lost Warrior Warrior’s Refuge Warrior’s Return The Rise of Scourge Tigerstar and Sasha #1: Into the Woods Tigerstar and Sasha #2: Escape from the Forest Tigerstar and Sasha #3: Return to the Clans Ravenpaw’s Path #1: Shattered Peace Ravenpaw’s Path #2: A Clan in Need Ravenpaw’s Path #3: The Heart of a Warrior SkyClan and the Stranger #1: The Rescue SkyClan and the Stranger #2: Beyond the Code SkyClan and the Stranger #3: After the Flood NOVELLAS Hollyleaf’s Story Mistystar’s Omen Cloudstar’s Journey Tigerclaw’s

On a crew, skill becomes the basis for a circle of mutual regard among those who recognize one another as peers, even across disciplines. This may take the form of an actual circle at lunchtime, sitting on little coolers. An apprentice may aspire to be a journeyman so he can enter that circle, quite apart from considerations of pay. This is the basis on which his submission to the judgments of a master feel ennobling rather than debasing. There is a sort of friendship or solidarity that becomes possible at work when people are open about differences of rank, and there are clear standards.

I picked this up again because every time I enter a really old building with a spiral staircase I remember this quote from this exact book about why spiral staircases spiral clockwise, and I don't know if it's true or apocryphal or just plain fiction -- I suppose I could look it up -- but I just love that it's permanently engrained in my memory at this point: "That stairway would be a narrow spiral, set to the left-hand side and twisting the right as it ascended. In that way, a right-handed swordsman climbing the stairs would be at a disadvantage to a right-handed defender. An attacker would have to expose all of his body in order to use his sword, while the defender could strike with only his right side exposed. It was standard design for the castle tower.

we live and walk by faith, not by sight; and to know that fact is the beginning of wisdom. 

One of the most important skills a mentor must teach an apprentice is how to fight.

He is a wise initiate who will read and study that he may receive all of that for which he has asked.

I feel sorry for Fireheart’s apprentice. Imagine a Clan cat being trained by a kittypet!

Had he felt pride in Sofia before? Of course he had. On a daily basis. He was proud of her success in school, of her beauty, of her composure, of the fondness with which she was regarded by all who worked in the hotel. And that is how he could be certain that what he was experiencing at that moment could not be referred to as pride. For there is something knowing in the state of pride. Look, it says, didn’t I tell you how special she is? How bright? How lovely? Well, now you can see it for yourself. But in listening to Sofia play Chopin, the Count had left the realm of knowing and entered the realm of astonishment. On one level he was astonished by the revelation that Sofia could play the piano at all; on another, that she tackled the primary and subordinate melodies with such skill. But what was truly astonishing was the sensitivity of her musical expression. One could spend a lifetime mastering the technical aspects of the piano and never achieve a state of musical expression—that alchemy by which the performer not only comprehends the sentiments of the composer, but somehow communicates them to her audience through the manner of her play. Whatever personal sense of heartache Chopin had hoped to express through this little composition—whether it had been prompted by a loss of love, or simply the sweet anguish one feels when witnessing a mist on a meadow in the morning—it was right there, ready to be experienced to its fullest, in the ballroom of the Hotel Metropol one hundred years after the composer’s death. But how, the question remained, could a seventeen-year-old girl achieve this feat of expression, if not by channeling a sense of loss and longing of her own? As Sofia began the third iteration of the melody, Viktor Stepanovich looked over his shoulder with his eyebrows raised, as if to say: Can you believe it? Have you ever in all your years even imagined? Then he quickly looked back to the piano and dutifully turned the page for Sofia almost in the manner of an apprentice turning the page for his master.

Once an apprentice has eliminated fear, he settles back into a state of complete sobriety in which all is brought into sharp focus. Under the impact of this focus, the apprentice discerns his life clearly and determines with great accuracy the way in which he should proceed. This new-found ability to discern accurately the purpose of his life naturally engenders in the apprentice a feeling of being invincible, and unless he is sufficiently awake to realise that he has entered into the battle against sobriety, he will be struck down by sobriety at the very moment he is anticipating success.

After their time in the monastery, most young men and women will return to their villages, having completed their training with the elders. They are now accepted as “ripe,” as initiated men and women, respected in their community. Outwardly they will have learned the religious forms and sacred rituals of the Buddhist community. Inwardly, these ancient forms are intended to awaken an unshakable virtue and inner respect, fearlessness in the face of death, self-reliance, wisdom, and profound compassion. These qualities give one who leaves the monastery the hallmark of a mature man or woman. Perhaps as you read about this ordination process, its beauty will strike a chord in you that intuitively knows about the need for initiations. This does not mean that you have to enter a monastery to seek this remarkable and wonderful training. By reading about this tradition, you may simply awaken that place in yourself, which exists in each of us, that longs for wholeness and integrity, because the awakening that comes through initiation is a universal story. In our time we need to reclaim rites of passage, we need to honor elders, we need to find ways to remind our young people and the whole of our communities of the sacredness of life, of who we really are. Remember, too, that initiation comes in many forms. I have a friend who has three children under the age of five. This is a retreat as intensive as any other, including sitting up all night in the charnel grounds. Marriage and family are a kind of initiation. As Gary Snyder says, All of us are apprentices to the same teacher that all masters have worked with—reality. Reality says: Master the twenty-four hours. Do it well without self-pity. It is as hard to get children herded into the car pool and down the road to the bus as it is to chant sutras in the Buddha Hall on a cold morning. One is not better than the other. Each can be quite boring. They both have the virtuous quality of repetition. Repetition and ritual and their good results come in many forms: changing the car filters, wiping noses, going to meetings, sitting in meditation, picking up around the house, washing dishes, checking the dipstick. Don’t let yourself think that one or more of these distracts you from the serious pursuits. Such a round of chores is not a set of difficulties to escape so that we may do our practice that will put us on the path. It IS our path.

Think of a positive outcome, and you will achieve it. Allow doubt to enter your mind, and the doubt will become self-fulfilling.

If there were no hope of reward and no fear of punishment, would I work less? I don’t believe so. I work to honour the divine gift. Every artisan and artist enters into a covenant with the divine. Have you made yours?

You Christian girls.” She couldn’t see but Nimue could hear the smile in his voice. “I don’t like it this way, but you leave me no choice.” Backing away, feeling blindly with one hand, Nimue sank down on a couch. The dust was pollen. She spat. You’d think pollen would be sweet like nectar but the taste was bitter. “The flower is Archaeamphora longicervia, and it’s been extinct for one hundred million years, so you can imagine how hard it is to get ahold of.” He was so calm. He must have done this many times. So this was what happened to his apprentices. “But you’re worth it, my darling. It’s in your eyes and your nose and your mouth now, and from there it will enter your bloodstream, and from there your brain. It will render you pliant and cheerful. “Don’t fight it. Resistance will only increase the damage.” Through streaming eyes she saw Merlin’s satin slippers arrive on the thick rug in front of her. “I think that’s long enough. Look up at me.” She did. “Yes. Dear, dear”—with an affectionate chuckle—“your face is a very vivid saffron. Like a beautiful dandelion. Let’s clean you up, then we’ll have that kiss. Oh, we will have—