Engraved Hammer Quotes

tooled cowboy boots, engraved hip flask and, in recognition of his new passion for geology, a nineteenth-century explorer’s specimen hammer in a leather case. To bless his second adolescence on turning fifty, a trumpet that had once belonged to Guy Barker. These offerings represented only a fraction of the happiness she urged on him, and sex was only one part of that fraction, and only latterly a failure, elevated by him into a mighty injustice.

Lucifer Sansfoi Varlet Sansfoi Omer Perdiu I.B.Perdie Billy Perdy I'll unwind your guts from Durham to Dover and bury em in Clover-- Your psalms I'll 'ave engraved in your toothbone-- Your victories nilled-- You jailed under under a woman's skirt of stone-- Stone blind woman with no guts and only a scale-- Your thoughts & letters Shandy'd about in Beth (Gaelic for grave) Your philosophies run up your nose again-- Your confidences and essays bandied in ballrooms from switchblade to switchblade --Your final duel with sledge hammers-- Your essential secret twinned to buttercups & dying-- Your guide to 32 European cities scabbed in Isaiah --Your red beard snobbed in Dolmen ruins in the editions of the Bleak-- Your saints and Consolations bereft --Your handy volume rolled into an urn-- And your father And mother besmeared at thought of you th'unspent begotless crop of worms --You lay there, you queen for a day, wait for the "fun- sucked frogs" to carp at you Your sweety beauty discovered by No Name in its hidingplace till burrs Part from you from lack of issue, sinew, all the rest-- Gibbering quiver graveryard Hoo! The hospital that buries you be Baal, the digger Yorick, & the shoveler groom-- My rosy tomatoes pop squirting from your awful rotten grave-- Your profile, erstwhile Garboesque, mistook by earth- eels for some fjord to Sheol-- And your timid voice box strangled by lie-hating earth forever. May the plighted Noah-clouds dissolve in grief of you-- May Red clay be your center, & woven into necks, of hogs, boars, booters & pilferers & burned down with Stalin, Hitler & the rest-- May you bite your lip that you cannot meet with God-- or Beat me to a pub --Amen The Almoner, his cup hat no bottom, nor I a brim. Devil, get thee back to the russet caves.

A book, cover open, the first page is magic, light filtering through a forest of leaves, each gray stroke subtle perfection blended beautifully, something moves, stirring in my depths, water flows from the second page, pouring out around me until I’m swimming, tossed back and forth from rock to rock, along the monotone rivers bumpy edges, page three is stark white, its emptiness echoes inside me, reverberations making their way up to silence what’s bouncing around in my head, fingers follow fingers, turning and turning and turning, till I near the end of the line, at last admitting the journey is over, yet another path is open, hidden in plain sight, pages releasing their hold on one another to reveal the treasure, and lead me to what I had no idea I was seeking, bodies folded into one under silken skin lips and hands, and my heartbeat hammering in my chest, fire burning in my cheeks, along with something more, something new, terrifying and strong, with one final turn a name burns itself into my brain, letters forever engraved, who would have thought, someone already knows what bounces round my head, in sudden hast, the flock returns to its pasture, grazing on gossip and sugary smothered breakfast, as I quietly fade into the background, a wolf desperate to be a sheep, my discovery hides out of sight, waiting to serve as a catalyst, there’s more than one of us here.

A book, cover open, the first page is magic, light filtering through a forest of leaves, each gray stroke subtle perfection blended beautifully, something moves, stirring in my depths, water flows from the second page, pouring out around me until I’m swimming, tossed back and forth from rock to rock, along the monotone rivers bumpy edges, page three is stark white, its emptiness echoes inside me, reverberations making their way up to silence what’s bouncing around in my head, fingers follow fingers, turning and turning and turning, till I near the end of the line, at last admitting the journey is over, yet another path is open, hidden in plain sight, pages releasing their hold on one another to reveal the treasure, and lead me to what I had no idea I was seeking, bodies folded into one under silken skin lips and hands, and my heartbeat hammering in my chest, fire burning in my cheeks, along with something more, something new, terrifying and strong, with one final turn a name burns itself into my brain, letters forever engraved, who would have thought, someone already knows what bounces round my head, in sudden hast, the flock returns to its pasture, grazing on gossip and sugary smothered breakfast, as I quietly fade into the background, a wolf desperate to be a sheep, my discovery hides out of sight, waiting to serve as a catalyst, there’s more than one of us here.

- 'I just... I was thinking of Achilles. It's our anniversarý tomorrow, and I'd really like to get him a present. Maybe I could sneak out tonight and be back in time for... for Patrick's visit tomorrow.' - 'Ohh, what are you going to get him?' Hell. This was torture in itself. - 'A new hammer. One with my name engraved on the side.' - Sure. why not? She sighed happily. - 'That's a cute idea!

Like a sculptor using a hammer and nail to engrave a mark on my brain. A type of trauma was embedded.

I had been crafted here. I was born a lump of molten metal, shaped by my mother, honed to a point by my father, engraved on the hilt by my brother. I had so foolishly believed the trials of the last few months had been the final firing that would harden me into a righteous sword of justice. But that had only been the beginning. That had been the pounding of the blacksmith’s hammer, the grinding against the wheel until my edges were sharp and my aim was true.

I had been crafted here. I was born a lump of molten metal, shaped by my mother, honed to a point by my father, engraved on the hilt by my brother. I had so foolishly believed the trials of the last few months had been the final firing that would harden me into a righteous sword of justice. But that had only been the beginning. That had been the pounding of the blacksmith’s hammer, the grinding against the wheel until my edges were sharp and my aim was true. This night—this was the fire that had forged me. And someday soon, when the burning glow of my grief cooled away, I would show my father’s killer, and all of Emarion, just how deeply my blade could cut.

Another murder took place on September 17, 1898, when a young woman, Sarah Ware, suddenly disappeared. Two weeks later her mutilated, beheaded and badly decomposed body was found on Miles Lane, just northeast of the town center. In this case, a shop owner, William Treworgy, was arrested for the crime, but was never convicted. Over a century later, during the winter of 2008, Emeric Spooner, an amateur investigator and the author of In Search of Maine Urban Legends, with an interest in the paranormal, reopened the investigation. Being a librarian at the Buck Memorial Library, he had ready access to many of the original files regarding the case. What concerned him most was that no one was ever convicted of the gruesome crime and that what had happened to Sarah Ware was all but forgotten. What was left was just a faded headstone on a pauper’s grave. Searching through all of the available documents and news articles, Spooner pieced together the scraps representative of Sarah Ware’s life. He found a solitary photograph showing her with another woman and two children. He discovered that Ware had been a divorced mother with four children, who had worked hard for a local storeowner, named as none other than William Treworgy. Moreover, Spooner discovered that she had lent Mister Treworgy money out of her meager paycheck. What the court had ignored, Spooner found to be of interest and definite relevance. At the time of the murder, a detective from Lewiston and one from Bangor were called in to investigate the case. They discovered a bloody hammer engraved with the initials “W.T.T.” and a tarp with blood on it in Treworgy's wagon. Another man came forth and testified that Treworgy had paid him to move a body to a nearby swamp. Four years after the murder, the case finally was tried in court. By this time both the bloody hammer and the tarp were nowhere to be found and the man, who had claimed Treworgy had paid him to move a body, recanted. He asserted that a town selectman and some members of the citizens’ committee had originally pressured him to lie. More than 100 years later, Emeric Spooner continued his investigation and concluded that there were just too many things involving Treworgy. In so many words, he stated that if Treworgy didn't actually do it, he most likely helped move the body.

The revolver was chambered for .442 rounds, which meant there was only room for five. "These are large caliber bullets for such a short gun," Merritt remarked. "It's designed to stop someone at close range," Ethan said, absently arching up to rub a spot on his chest. "Being hit by one of those bullets feels like a kick from a mule." "Why is the hammer bobbed?" "To keep it from catching on the holster or clothing, if I have to draw it fast." Keeping the muzzle of the gun pointed away from him, Merritt reassembled the revolver, slid the extractor rod into place, and locked it deftly. "Well done," Ethan commented, surprised by her assurance. "You're familiar with guns, then." "Yes, my father taught me. May I shoot it?" "What are you going to aim for?" By this time, the others had come out from the parlor to watch. "Uncle Sebastian," Merritt asked, "are those pottery rabbits on the stone wall valuable?" Kingston smiled slightly and shook his head. "Have at it." "Wait," Ethan said calmly. "That's a twenty-yard distance. You'll need a longer-range weapon." With meticulous care, he took the revolver from her and replaced it in his coat. "Try this one." Merritt's brows lifted slightly as he pulled a gun from a cross-draw holster concealed by his coat. This time, Ethan handed the revolver to her without bothering to disassemble it first. "It's loaded, save one chamber," he cautioned. "I put the hammer down to prevent accidental discharge." "A Colt single-action," Merritt said, pleased, admiring the elegant piece, with its four-and-a-half-inch barrel and custom engraving. "Papa has one similar to this." She eased the hammer back and gently rotated the cylinder. "It has a powerful recoil," Ethan warned. "I would expect so." Merritt held the Colt in a practiced grip, the fingers of her support hand fit neatly underneath the trigger guard. "Cover your ears," she said, cocking the hammer and aligning the sights. She squeezed the trigger. An earsplitting report, a flash of light from the muzzle, and one of the rabbit sculptures on the wall shattered. In the silence that followed, Merritt heard her father say dryly, "Go on, Merritt. Put the other bunny out of its misery." She cocked the hammer, aimed and fired again. The second rabbit sculpture exploded. "Sweet Mother Mary," Ethan said in wonder. "I've never seen a woman shoot like that." "My father taught all of us how to shoot and handle firearms safely," Merritt said, giving the revolver back to him grip-first.