β
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. So medicine, law, business, engineering... these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love... these are what we stay alive for.
β
β
Walt Whitman (Leaves of Grass)
β
Passion makes a person stop eating, sleeping, working, feeling at peace. A lot of people are frightened because, when it appears, it demolishes all the old things it finds in its path.
No one wants their life thrown into chaos. That is why a lot of people keep that threat under control, and are somehow capable of sustaining a house or a structure that is already rotten. They are the engineers of the superseded.
Other people think exactly the opposite: they surrender themselves without a second thought, hoping to find in passion the solutions to all their problems. They make the other person responsible for their happiness and blame them for their possible unhappiness. They are either euphoric because something marvelous has happened or depressed because something unexpected has just ruined everything.
Keeping passion at bay or surrendering blindly to it - which of these two attitudes is the least destructive?
I don't know.
β
β
Paulo Coelho (Eleven Minutes)
β
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
β
β
N.H. Kleinbaum (Dead Poets Society)
β
We have to create culture, don't watch TV, don't read magazines, don't even listen to NPR. Create your own roadshow. The nexus of space and time where you are now is the most immediate sector of your universe, and if you're worrying about Michael Jackson or Bill Clinton or somebody else, then you are disempowered, you're giving it all away to icons, icons which are maintained by an electronic media so that you want to dress like X or have lips like Y. This is shit-brained, this kind of thinking. That is all cultural diversion, and what is real is you and your friends and your associations, your highs, your orgasms, your hopes, your plans, your fears. And we are told 'no', we're unimportant, we're peripheral. 'Get a degree, get a job, get a this, get a that.' And then you're a player, you don't want to even play in that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.
β
β
Terence McKenna
β
Life with a cheat code isn't life. Our existence isn't something to be engineered or optimized for the avoidance of pain. That's what it is to be human - the beauty and the pain, each meaningless without the other.
β
β
Blake Crouch (Recursion)
β
And medecine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love: these are what we stay alive for.
β
β
Tom Schulman (Dead Poets Society)
β
We all live inside the terrible engine of authority, and it grinds and shrieks and burns so that no one will say: lines on maps are silly.
β
β
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
β
Medicine, law, business, engineering, these are all noble pursuits, and
necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.
β
β
Tom Schulman
β
What if the meaning of life on earth is not eternal progress toward some unspecified goalβthe engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same alwaysβjust to live and be with other people?
β
β
Sally Rooney (Beautiful World, Where Are You)
β
Death might appear to destroy the meaning in our lives, but in fact it is the very source of our creativity. As Kafka said, βThe meaning of life is that it ends.β Death is the engine that keeps us running, giving us the motivation to achieve, learn, love, and create.
β
β
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
β
Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
β
β
David Foster Wallace
β
If we are not apt to steer our life and engineer our individuality, we become preys of the pecking order or panting cardboard characters turning into walking dead. ("Terra incognita" )
β
β
Erik Pevernagie
β
I used many times to touch my own chest and feel, under its asthmatic quiver, the engine of the heart and lungs and blood and feel amazed at what I sensed was the enormity of the power I possessed. Not magical power, but real power. The power simply to go on, the power to endure, that is power enough, but I felt I had also the power to create, to add, to delight, to amaze and to transform.
β
β
Stephen Fry (Moab Is My Washpot (Memoir, #1))
β
Every moment there are a million miracles happening around you: a flower blossoming, a bird tweeting, a bee humming, a raindrop falling, a snowflake wafting along the clear evening air. There is magic everywhere. If you learn how to live it, life is nothing short of a daily miracle.
β
β
Sadhguru (Inner Engineering: A Yogi's Guide to Joy)
β
I intend to scream, shout, race the engine, call when I feel like it, throw tantrums in Bloomingdale's if I feel like it and confess intimate details about my life to complete strangers. I intend to do what I want to do and be whom I want to be and answer only to myself: that is, quite simply, the bitch philosophy...
β
β
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
β
At the rear of the bus, the driver wrenched a big chunk of smoking metal out of the engine compartment. The bus shuddered, and the engine roared back to life.
The passengers cheered.
Darn right!" yelled the driver. He slapped the bus with his hat. "Everybody get back on board!
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
We would be worse than we are without the good books we have read, more conformist, not as restless, more submissive, and the critical spirit, the engine of progress, would not even exist. Like writing, reading is a protest against the insufficiencies of life. When we look in fiction for what is missing in life, we are saying, with no need to say it or even to know it, that life as it is does not satisfy our thirst for the absolute β the foundation of the human condition β and should be better. We invent fictions in order to live somehow the many lives we would like to lead when we barely have one at our disposal.
β
β
Mario Vargas Llosa
β
When [what you are deeply passionate about, what you can be best in the world at and what drives your economic engine] come together, not only does your work move toward greatness, but so does your life. For, in the end, it is impossible to have a great life unless it is a meaningful life. And it is very difficult to have a meaningful life without meaningful work. Perhaps, then, you might gain that rare tranquility that comes from knowing that youβve had a hand in creating something of intrinsic excellence that makes a contribution. Indeed, you might even gain that deepest of all satisfactions: knowing that your short time here on this earth has been well spent, and that it mattered.
β
β
Jim Collins (Good to Great: Why Some Companies Make the Leap... and Others Don't)
β
Simplicity is the ultimate sophistication.
When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return.
Learning never exhausts the mind.
Art is never finished, only abandoned.
Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.
The human foot is a masterpiece of engineering and a work of art.
It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things.
I have been impressed with the urgency of doing. Knowing is not enough; we must apply. Being willing is not enough; we must do.
As a well-spent day brings happy sleep, so a life well spent brings happy death.
Water is the driving force of all nature.
β
β
Leonardo da Vinci
β
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
β
β
John Keating
β
Being in love is a good thing, but it is not the best thing. There are many things below it, but there are also things above it. You cannot make it the basis of a whole life. It is a noble feeling, but it is still a feeling. Now no feeling can be relied on to last in its full intensity, or even to last at all. Knowledge can last, principles can last, habits can last but feelings come and go. And in fact, whatever people say, the state called βbeing in loveβ usually does not last. If the old fairy-tale ending βThey lived happily ever afterβ is taken to mean βThey felt for the next fifty years exactly as they felt the day before they were married,β then it says what probably never was nor ever would be true, and would be highly undesirable if it were. Who could bear to live in that excitement for even five years? What would become of your work, your appetite, your sleep, your friendships? But, of course, ceasing to be βin loveβ need not mean ceasing to love. Love in this second sense β love as distinct from βbeing in loveβ β is not merely a feeling. It is a deep unity, maintained by the will and deliberately strengthened by habit; reinforced by (in Christian marriages) the grace which both partners ask, and receive, from God. They can have this love for each other even at those moments when they do not like each other; as you love yourself even when you do not like yourself. They can retain this love even when each would easily, if they allowed themselves, be βin loveβ with someone else. βBeing in loveβ first moved them to promise fidelity: this quieter love enables them to keep the promise. it is on this love that the engine of marriage is run: being in love was the explosion that started it.
β
β
C.S. Lewis
β
I was originally supposed to become an engineer but the thought of having to expend my creative energy on things that make practical everyday life even more refined, with a loathsome capital gain as the goal, was unbearable to me.
β
β
Albert Einstein (The Ultimate Quotable Einstein)
β
I got back in my car, starting the engine, then drove off. It wasn't until I pulled onto the highway that it all really sunk it, how temporary our friendship had been. We'd been on our breaks, after all, but it wasn't our relationships that were on pause: it was us. Now we were both in motion again, moving ahead. So what if there were questions left unanswered. Life went on. We knew that better than anyone.
β
β
Sarah Dessen (The Truth About Forever)
β
The engine roared to life. He ran toward her. She shot our of her parking space. He rushed to the side of her car. "Stop it, Kristy! You're overreacting! Let's talk about this." That was when she did the unthinkable. She rolled down the window, thrust out her hand, and gave Reverend Ethan Bonner the bird.
β
β
Susan Elizabeth Phillips (Dream a Little Dream (Chicago Stars, #4))
β
Thatβs it. Letβs go.β
βYep,β whispered Suley. He turned to leave. βThis is crazy.β He had his phone in his hand. βLook, weβre still in Rowland Forest. Whatβs this fence doing here? How come itβs not marked?β
βWeβll tell your father about it.β Saskia pulled at his arm, looking anxiously around and up. To her horror, she saw a surveillance camera mounted on an overhead tree branch. It pointed straight at them. βMerde! Suley, weβve got to go!β she hissed, pointing to the camera.
His eyes widened.
Distant shouts and an engine roaring to life exploded the forest calm.
Suley and Saskia bolted back the way theyβd come.
β
β
Miriam Verbeek (The Forest: A thrilling international crime novel (Saskia van Essen crime thrillers))
β
A poem compresses much in a small space and adds music, thus heightening its meaning. The city is like poetry: it compresses all life, all races and breeds, into a small island and adds music and the accompaniment of internal engines. The island of Manhattan is without any doubt the greatest human concentrate on earth, the poem whose magic is comprehensible to millions of permanent residents but whose full meaning will always remain elusive.
β
β
E.B. White (Here Is New York)
β
Trains are relentless things, aren't they, Monsieur Poirot? People are murdered and die, but they go on just the same. I am talking nonsense, but you know what I mean."
"Yes, yes, I know. Life is like a train, Mademoiselle. It goes on. And it is a good thing that that is so."
"Why?"
"Because the train gets to its journey's end at last, and there is a proverb about that in your language, Mademoiselle."
"'Journey's end in lovers meeting.'" Lenox laughed. "That is not going to be true for me."
"Yes--yes, it is true. You are young, younger than you yourself know. Trust the train, Mademoiselle, for it is le bon Dieu who drives it."
The whistle of the engine came again.
"Trust the train, Mademoiselle," murmured Poirot again. "And trust Hercule Poirot. He knows.
β
β
Agatha Christie (The Mystery of the Blue Train (Hercule Poirot, #6))
β
Now we will count to twelve
and we will all keep still.
For once on the face of the earth
let's not speak in any language,
let's stop for one second,
and not move our arms so much.
It would be an exotic moment
without rush, without engines,
we would all be together
in a sudden strangeness.
Fishermen in the cold sea
would not harm whales
and the man gathering salt
would look at his hurt hands.
Those who prepare green wars,
wars with gas, wars with fire,
victory with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.
What I want should not be confused
with total inactivity.
Life is what it is about;
I want no truck with death.
If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.
Perhaps the earth can teach us
as when everything seems dead
and later proves to be alive.
Now I'll count up to twelve
and you keep quiet and I will go.
β
β
Pablo Neruda
β
As I uttered these inspiring words the idea came like a flash of lightning and in an instant the truth was revealed. I drew with a stick on the sand the diagram shown six years later in my address before the American Institute of Electrical Engineers, and my companion understood them perfectly. The images I saw were wonderfully sharp and clear and had the solidity of metal and stone, so much so that I told him, "See my motor here; watch me reverse it." I cannot begin to describe my emotions. Pygmalion seeing his statue come to life could not have been more deeply moved. A thousand secrets of nature which I might have stumbled upon accidentally, I would have given for that one which I had wrested from her against all odds and at the peril of my existence ...
β
β
Nikola Tesla
β
England once there lived a big
And wonderfully clever pig.
To everybody it was plain
That Piggy had a massive brain.
He worked out sums inside his head,
There was no book he hadn't read.
He knew what made an airplane fly,
He knew how engines worked and why.
He knew all this, but in the end
One question drove him round the bend:
He simply couldn't puzzle out
What LIFE was really all about.
What was the reason for his birth?
Why was he placed upon this earth?
His giant brain went round and round.
Alas, no answer could be found.
Till suddenly one wondrous night.
All in a flash he saw the light.
He jumped up like a ballet dancer
And yelled, "By gum, I've got the answer!"
"They want my bacon slice by slice
"To sell at a tremendous price!
"They want my tender juicy chops
"To put in all the butcher's shops!
"They want my pork to make a roast
"And that's the part'll cost the most!
"They want my sausages in strings!
"They even want my chitterlings!
"The butcher's shop! The carving knife!
"That is the reason for my life!"
Such thoughts as these are not designed
To give a pig great piece of mind.
Next morning, in comes Farmer Bland,
A pail of pigswill in his hand,
And piggy with a mighty roar,
Bashes the farmer to the floorβ¦
Now comes the rather grizzly bit
So let's not make too much of it,
Except that you must understand
That Piggy did eat Farmer Bland,
He ate him up from head to toe,
Chewing the pieces nice and slow.
It took an hour to reach the feet,
Because there was so much to eat,
And when he finished, Pig, of course,
Felt absolutely no remorse.
Slowly he scratched his brainy head
And with a little smile he said,
"I had a fairly powerful hunch
"That he might have me for his lunch.
"And so, because I feared the worst,
"I thought I'd better eat him first.
β
β
Roald Dahl