β
I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
I do not understand how anyone can live without some small place of enchantment to turn to.
β
β
Marjorie Kinnan Rawlings
β
Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all.
β
β
Vincent van Gogh
β
A childhood without books β that would be no childhood. That would be like being shut out from the enchanted place where you can go and find the rarest kind of joy.
β
β
Astrid Lindgren
β
I thought: pity the poor in spirit who know neither the enchantment nor the beauty of language.
β
β
Muriel Barbery (The Elegance of the Hedgehog)
β
Black for hunting through the night
For death and mourning the color's white
Gold for a bride in her wedding gown
And red to call the enchantment down
White silk when our bodies burn
Blue banners when the lost return
Flame for the birth of a Nephilim
And to wash away our sins.
Gray for the knowledge best untold
Bone for those who don't grow old
Saffron lights the victory march
Green to mend our broken hearts
Silver for the demon towers
And bronze to summon wicked powers
-Shadowhunter children's rhyme
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
Tell me again what you said at the revel,β he says, climbing over me, his body against mine.
βWhat?β I can barely think.
βThat you hate me,β he says, his voice hoarse. βTell me that you hate me.β
βI hate you,β I say, the words coming out like a caress. I say it again, over and over. A litany. An enchantment. A ward against what I really feel. βI hate you. I hate you. I hate you.β
He kisses me harder.
βI hate you,β I breathe into his mouth. βI hate you so much that sometimes I canβt think of anything else.
β
β
Holly Black (The Wicked King (The Folk of the Air, #2))
β
Elves are wonderful. They provoke wonder.
Elves are marvellous. They cause marvels.
Elves are fantastic. They create fantasies.
Elves are glamorous. They project glamour.
Elves are enchanting. They weave enchantment.
Elves are terrific. They beget terror.
The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning.
No one ever said elves are nice.
Elves are bad.
β
β
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
β
In many cases when a reader puts a story aside because it 'got boring,' the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling.
β
β
Stephen King (On Writing: A Memoir of the Craft)
β
Sensual pleasure passes and vanishes, but the friendship between us, the mutual confidence, the delight of the heart, the enchantment of the soul, these things do not perish and can never be destroyed.
β
β
Voltaire
β
I wished sheβd never stop squeezing me. I wished I could spend the rest of my life as a child, being slightly crushed by someone who loved me.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
It is helpful to know the proper way to behave, so one can decide whether or not to be proper.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
I don't think you realize how strong you are, because sometimes strength isn't swords and steel and fire, as we are so often made to believe. Sometimes it's found in quiet, gentle places.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Your aunt and uncle will be proud, though, won't they?" said Hermione as they got off the train and joined the crowd thronging toward the enchanted barrier. "When they hear what you did this year?"
"Proud?" said Harry. "Are you crazy? All those times I could've died, and I didn't manage it? They'll be furious...
β
β
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
β
This is one of the miracles of love: It gives a power of seeing through its own enchantments and yet not being disenchanted.
β
β
C.S. Lewis (A Grief Observed)
β
In a library we are surrounded by many hundreds of dear friends imprisoned by an enchanter in paper and leathern boxes.
β
β
Ralph Waldo Emerson
β
Wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the forest, a little boy and his Bear will always be playing.
β
β
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
β
It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I canβt risk having people behold me as I truly am. But thereβs also a small voice in the back of my mind, a voice that tells me, βYou will miss so much by being so guarded.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Distance lends enchantment to the view.
β
β
Mark Twain
β
Why do we desire, above all other things, that which has the greatest power to destroy us?
β
β
Margaret Rogerson (An Enchantment of Ravens)
β
I mused for a few moments on the question of which was worse, to lead a life so boring that you are easily enchanted, or a life so full of stimulus that you are easily bored.
β
β
Bill Bryson (Lost Continent: Travels In Small-Town America)
β
When something is bothering me, I seek refuge. No need to travel far; a trip to the realm of literary memory will suffice. For where can one find more noble distraction, more entertaining company, more delightful enchantment than in literature?
β
β
Muriel Barbery (The Elegance of the Hedgehog)
β
Black for hunting through the night
For death and sorrow, the colorβs white
Gold for a bride in her wedding gown,
And red to call enchantment down.
β
β
Cassandra Clare
β
In the meantime, I hope you will find your place, wherever you are. Even in the silence, I hope you will find the words you need to share.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
A dreamer, I walked enchanted, and nothing held me back.
β
β
Daphne du Maurier (Rebecca)
β
Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.
For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.
On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.
Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.
The pines were roaring on the height,
The wind was moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
The bells were ringing in the dale
And men looked up with faces pale;
The dragon's ire more fierce than fire
Laid low their towers and houses frail.
The mountain smoked beneath the moon;
The dwarves, they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.
Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him!
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
β
I am coming to love him, in two different ways. Face to face, and word to word.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
I donβt want to wake up when Iβm seventy-four only to realize I havenβt lived.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Give me a daughter with your stubborn heart, or your even temper. Give our children your dark-bright eyes, or your enchanted smile. So that even when we are gone, the world will find within them all of the reasons why I loved you
β
β
Nizar Qabbani
β
Raya knew this type of girl β they never liked her. Usually theyβd make fun of her, behind her back, but loud enough for her to hear. She was too alternative, too poor and too cynical β the foster kid β to be of any interest to these social climbers.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
He thrust his shoulders back and spoke in a whisper that sounded like the hiss of a snake.
βYes, the very battle between good and evil, played out even in the lowliest of lives like yours. Witches killing dogs because they did not get their favourite drink.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
I love the words I write until I soon realize how much I hate them, as if I am destined to always be at war within myself.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Weβd read about sirens in English this fall; Greek mythology bullshit about women so beautiful, their voices so enchanting, that men did anything for them. Turned out that mythology crap was real because every time I saw her, I lost my mind.
β
β
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
β
Get Off The Scale!
You are beautiful. Your beauty, just like your capacity for life, happiness, and success, is immeasurable. Day after day, countless people across the globe get on a scale in search of validation of beauty and social acceptance.
Get off the scale! I have yet to see a scale that can tell you how enchanting your eyes are. I have yet to see a scale that can show you how wonderful your hair looks when the sun shines its glorious rays on it. I have yet to see a scale that can thank you for your compassion, sense of humor, and contagious smile. Get off the scale because I have yet to see one that can admire you for your perseverance when challenged in life.
Itβs true, the scale can only give you a numerical reflection of your relationship with gravity. Thatβs it. It cannot measure beauty, talent, purpose, life force, possibility, strength, or love. Donβt give the scale more power than it has earned. Take note of the number, then get off the scale and live your life. You are beautiful!
β
β
Steve Maraboli (Life, the Truth, and Being Free)
β
The difference between technology and slavery is that slaves are fully aware that they are not free
β
β
Nassim Nicholas Taleb
β
Thatβs it. Youβre doing great, Winnow.β βShut up, Kitt.β βAbsolutely. Whatever you want.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
FaΓ«rie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons; it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.
β
β
J.R.R. Tolkien (Tolkien On Fairy-stories)
β
And so, with laughter and love, we lived happily ever after.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
The ability to feel is a strength, not a weakness.
β
β
Margaret Rogerson (An Enchantment of Ravens)
β
That's funny, you're funny. I like you, I'm quite taken by you.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
How dreadful...to be caught up in a game and have no idea of the rules.
β
β
Caroline Stevermer (Sorcery & Cecelia: or The Enchanted Chocolate Pot (Cecelia and Kate, #1))
β
The truth is, clocks donβt tell time. Time is measured in meaning.
β
β
Rene Denfeld (The Enchanted)
β
How is it possible that a being with such sensitive jewels as the eyes, such enchanted musical instruments as the ears, and such fabulous arabesque of nerves as the brain can experience itself anything less than a god.
β
β
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
β
I never told you that I love you. And I regret that, most of all.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Write me a story where there is no ending, Kitt. Write to me and fill my empty spaces.
β
β
Rebecca Ross (Ruthless Vows (Letters of Enchantment #2))
β
No. You surpass us all." Beside me she looked colorless and frail. "You are like a living rose among wax flowers. We may last forever, but you bloom brighter and smell sweeter, and draw blood with your thorns.
β
β
Margaret Rogerson (An Enchantment of Ravens)
β
I think we all wear armor. I think those who donβt are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if Iβve learned anything from those fools, it is that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
I want to be with you forever and beyond...
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
Here is the world of imagination, hopes, and dreams. In this timeless land of enchantment, the age of chivalry, magic and make-believe are reborn - and fairy tales come true. Fantasyland is dedicated to the young-in-heart, to those who that when you wish upon a star, your dreams come true.
β
β
Walt Disney Company
β
As Aristocleia raised her cup to toast Xanthippus, her gown slipped from her shoulders, exquisite as Aphroditeβs, and flowed like the water that slid over her naked breasts when she allowed him to watch her bathe. It was wonderful to possess a gem of a woman. It made a man feel beautiful and godlike himself, briefly.
β
β
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
β
Itβs not a crime to feel joy, even when things seem hopeless. Iris, look at me. You deserve all the happiness in the world. And I intend to see that you have it.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Ah, but you were not a pawn. All along, you have been the queen.
β
β
Margaret Rogerson (An Enchantment of Ravens)
β
It's such a colossal effort not to be haunted by what's lost, but to be enchanted by what was.
β
β
Jandy Nelson
β
But I think there is a magical link between you and me. A bond that not even distance can break.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Walking along a bladeβs edge was only fun until the blade stopped being a metaphor.
β
β
Margaret Rogerson (An Enchantment of Ravens)
β
My favorite season is autumn, because my mum and I both believed thatβs the only time when magic can be tasted in the air.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Prospero the Enchanter's immediate reaction upon meeting his daughter is a simple declaration of: "Well, fuck.
β
β
Erin Morgenstern (The Night Circus)
β
For a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
It was octarine, the colour of magic. It was alive and glowing and vibrant and it was the undisputed pigment of the imagination, because wherever it appeared it was a sign that mere matter was a servant of the powers of the magical mind. It was enchantment itself.
But Rincewind always thought it looked a sort of greenish-purple.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
If it wasnβt for the mist we could see your home across the bay," said Gatsby. "You always have a green light that burns at the end of your dock."
Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to him, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted things had diminished by one.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
I would love to see you burn with splendor. I would love to see your words catch fire with mine.
β
β
Rebecca Ross (Ruthless Vows (Letters of Enchantment #2))
β
Iris,β said Roman, βyou are worthy of love. You are worthy to feel joy right now, even in the darkness. And just in case youβre wonderingΒ β¦ Iβm not going anywhere, unless you tell me to leave, and even then, we might need to negotiate.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
The child intuitively comprehends that although these stories are unreal, they are not untrue ...
β
β
Bruno Bettelheim (The Uses of Enchantment: The Meaning and Importance of Fairy Tales)
β
I trust you to find the good in me, but the bad I must be sure you don't overlook.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
to be vulnerable is a strength most of us fear.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
And Iβm not afraid to be alone, but Iβm tired of being the one left behind.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
The Forbidden Forest looked as though it had been enchanted, each tree smattered with silver, and Hagrid's cabin looked like an iced cake.
β
β
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
β
Well,β said the frog, βwhat are you going to do about it?β
βMarrying Therandil? I donβt know. Iβve tried talking to my parents, but they wonβt listen, and neither will Therandil.β
βI didnβt ask what youβd said about it,β the frog snapped. βI asked what youβre going to do. Nine times out of ten, talking is a way of avoiding doing things.
β
β
Patricia C. Wrede (Dealing with Dragons (Enchanted Forest Chronicles, #1))
β
Then came the war, old sport. It was a great relief, and I tried very hard to die, but I seemed to bear an enchanted life.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
Not every tale has a happy ending. In fact, many of them are grim.
β
β
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
β
Do you like to slide?" His voice was eager.
Stair rails! Did he suspect me? I forced a sigh. "No, Majesty. I'm terrified of heights."
"Oh." His polite tone had returned.
"I wish I could enjoy it. This fear of heights is an affliction."
He nodded, a show of sympathy but not much interest. I was losing him.
"Especially," I added, "as I've grown taller.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
Isobel, I love you wholly. I love you eternally. I love you so dearly it frightens me. I fear I could not live without you. I could see your face every morning upon waking for a thousand years and still look forward to the next as though it were the first.
β
β
Margaret Rogerson (An Enchantment of Ravens)
β
The days to come will only grow darker. And when you find something good? You hold on to it. You don't waste time worrying about things that won't even matter in the end. Rather, you take a risk for that light.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Only those who truly love and who are truly strong can sustain their lives as a dream. You dwell in your own enchantment. Life throws stones at you, but your love and your dream change those stones into the flowers of discovery. Even if you lose, or are defeated by things, your triumph will always be exemplary. And if no one knows it, then there are places that do. People like you enrich the dreams of the worlds, and it is dreams that create history. People like you are unknowing transformers of things, protected by your own fairy-tale, by love.
β
β
Ben Okri
β
All incidents which we experience are warily interpreted and translated in the dark chamber of our mind. They inspire us how to behave, how to think, how to act and prompt our predilections and our way of visualizing the world. The mind opens itself then to welcome the enchantments of life or to tear up destructive thinking patterns. The brain becomes truly a precious resilient partner. ( "Camera obscura of the mind" )
β
β
Erik Pevernagie
β
She is a soft, deadly creature. Kind and timid and terrifying. She's completely out of control and has no idea what she's capable of. And even though she hates me, I can't help but be fascinated by her. I'm enchanted by her pretend-innocence; jealous, even, of the power she wields so unwittingly. I want so much to be a part of her world. I want to know what it's like to be in her mind, to feel what she feels. It seems a tremendous weight to carry.
And now she's out there, somewhere, unleashed on society.
What a beautiful disaster.
β
β
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
β
Life is, in fact, a battle. Evil is insolent and strong; beauty enchanting, but rare; goodness very apt to be weak; folly very apt to be defiant; wickedness to carry the day; imbeciles to be in great places, people of sense in small, and mankind generally unhappy. But the world as it stands is no narrow illusion, no phantasm, no evil dream of the night; we wake up to it, forever and ever; and we can neither forget it nor deny it nor dispense with it.
β
β
Henry James (Theory of Fiction: Henry James (Bison Book))
β
It has always seemed to me. ever since early childhood, amid all the commonplaces of life, i was very near to a kingdom of ideal beauty. Between it and me hung only a thin veil. I could never draw it quite aside, but sometimes a wind fluttered it and I caught a glimpse of the enchanting realms beyond-only a glimpse-but those glimpses have always made life worthwhile.
β
β
L.M. Montgomery (Anne of Green Gables)
β
sometimes i don't know, which moment
which cool gust of wind will come,
and enchant me
tousling my hair
and my heart,
stirring...that familiar ache of poetry,
which drop will kiss
the old wrench in my soul
reminding me, all over again
i miss you better in the rain.
β
β
Sanober Khan (A Thousand Flamingos)
β
Hush Hattie!" I said, intoxicated with my success. "I don't want to go to my room. Everyone must know I shan't marry the prince." I ran to the door to our street, opened it, and called out into the night, "I shan't marry the prince." I turned back into the hall and ran to Char and threw my arms about his neck. "I shan't marry you." I kissed his cheek. He was safe from me.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
But time will slowly heal you, as it is doing for me. There are good days and there are difficult days. Your grief will never fully fade; it will always be with you--a shadow you carry in your soul--but it will become fainter as your life becomes brighter. You will learn to live outside of it again, as impossible as that may sound. Others who share your pain will also help you heal. Because you are not alone. Not in your fear or your grief or your hopes or your dreams. You are not alone.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
I know the look of an apple that is roasting and sizzling on the hearth on a winter's evening, and I know the comfort that comes of eating it hot, along with some sugar and a drench of cream... I know how the nuts taken in conjunction with winter apples, cider, and doughnuts, make old people's tales and old jokes sound fresh and crisp and enchanting.
β
β
Mark Twain
β
Faerie is a perilous land, and in it are pitfalls for the unwary and dungeons for the overbold...The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords. In that realm a man may, perhaps, count himself fortunate to have wandered, but its very richness and strangeness tie the tongue of a traveller who would report them. And while he is there it is dangerous for him to ask too many questions, lest the gates should be shut and the keys be lost.
β
β
J.R.R. Tolkien (On Fairy-Stories)
β
One must learn to love.β This is what happens to us in music: first one has to learn to hear a figure and melody at all, to detect and distinguish it, to isolate it and delimit it as a separate life; then it requires some exertion and good will to tolerate it in spite of its strangeness, to be patient with its appearance and expression, and kindhearted about its oddity:βfinally there comes a moment when we are used to it, when we wait for it, when we sense that we should miss it if it were missing: and now it continues to compel and enchant us relentlessly until we have become its humble and enraptured lovers who desire nothing better from the world than it and only it.β But that is what happens to us not only in music: that is how we have learned to love all things that we now love. In the end we are always rewarded for our good will, our patience, fairmindedness, and gentleness with what is strange; gradually, it sheds its veil and turns out to be a new and indescribable beauty:βthat is its thanks for our hospitality. Even those who love themselves will have learned it in this way: for there is no other way. Love, too, has to be learned.
β
β
Friedrich Nietzsche
β
Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really."
Here we go again, George said. Always talking about himself.
Quiet! Martha snapped. Do you want to get set on vibrate?
Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo."
"Did he get blasted to tiny pieces?" I asked.
"Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry."
So what's the moral?"
"The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does truth have a moral?"
"Um ..."
"How about this: stealing is not always bad?"
"I don't think my mom would like that moral."
Rats are delicious, suggested George.
What does that have to do with the story? Martha demanded.
Nothing, George said. But I'm hungry.
"I've got it," Hermes said. "Young people don't always do what they're told, but if they can pull it off and do something wonderful, sometimes they escape punishment. How's that?
β
β
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
β
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
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Sarah Kane (Crave)
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There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we learn and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy.
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H.P. Lovecraft
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It had always seemed to Emily, ever since she could remember, that she was very, very near to a world of wonderful beauty. Between it and herself hung only a thin curtain; she could never draw the curtain aside-- but sometimes, just for a moment, a wind fluttered it and then it was as if she caught a glimpse of the enchanting realm beyond-- only a glimpse-- and heard a note of unearthly music.
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L.M. Montgomery (Emily of New Moon (Emily, #1))
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A red-gold glow burst suddenly across the enchanted sky above them as an edge of dazzling sun appeared over the sill of the nearest window. The light hit both of their faces at the same time, so that Voldemort's was suddenly a flaming blur. Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco's wand:
"Avada Kedavra!"
"Expelliarmus!"
The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling, spinning through the air toward the master it would not kill, who had come to take full possession of it at last.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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Women: I liked the colors of their clothing; the way they walked; the cruelty in some faces; now and then the almost pure beauty in another face, totally and enchantingly female. They had it over us: they planned much better and were better organized. While men were watching professional football or drinking beer or bowling, they, the women, were thinking about us, concentrating, studying, deciding - whether to accept us, discard us, exchange us, kill us or whether simply to leave us. In the end it hardly mattered; no matter what they did, we ended up lonely and insane.
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Charles Bukowski (Women)
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He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills?
One kiss, and that was all.
Both trembled, and they looked at each other in the darkness with brilliant eyes.
They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it.
She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there.
From time to time Mariusβ knee touched Cosetteβs. A touch that thrilled.
At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower.
Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girlβs soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other.
When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?"
My name is Marius," he said. "And yours?"
My name is Cosette.
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Victor Hugo (Les MisΓ©rables)
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The leaves were long, the grass was green,
The hemlock-umbels tall and fair,
And in the glade a light was seen
Of stars in shadow shimmering.
Tinuviel was dancing there
To music of a pipe unseen,
And light of stars was in her hair,
And in her raiment glimmering.
There Beren came from mountains cold,
And lost he wandered under leaves,
And where the Elven-river rolled.
He walked along and sorrowing.
He peered between the hemlock-leaves
And saw in wonder flowers of gold
Upon her mantle and her sleeves,
And her hair like shadow following.
Enchantment healed his weary feet
That over hills were doomed to roam;
And forth he hastened, strong and fleet,
And grasped at moonbeams glistening.
Through woven woods in Elvenhome
She lightly fled on dancing feet,
And left him lonely still to roam
In the silent forest listening.
He heard there oft the flying sound
Of feet as light as linden-leaves,
Or music welling underground,
In hidden hollows quavering.
Now withered lay the hemlock-sheaves,
And one by one with sighing sound
Whispering fell the beechen leaves
In the wintry woodland wavering.
He sought her ever, wandering far
Where leaves of years were thickly strewn,
By light of moon and ray of star
In frosty heavens shivering.
Her mantle glinted in the moon,
As on a hill-top high and far
She danced, and at her feet was strewn
A mist of silver quivering.
When winter passed, she came again,
And her song released the sudden spring,
Like rising lark, and falling rain,
And melting water bubbling.
He saw the elven-flowers spring
About her feet, and healed again
He longed by her to dance and sing
Upon the grass untroubling.
Again she fled, but swift he came.
Tinuviel! Tinuviel!
He called her by her elvish name;
And there she halted listening.
One moment stood she, and a spell
His voice laid on her: Beren came,
And doom fell on Tinuviel
That in his arms lay glistening.
As Beren looked into her eyes
Within the shadows of her hair,
The trembling starlight of the skies
He saw there mirrored shimmering.
Tinuviel the elven-fair,
Immortal maiden elven-wise,
About him cast her shadowy hair
And arms like silver glimmering.
Long was the way that fate them bore,
O'er stony mountains cold and grey,
Through halls of iron and darkling door,
And woods of nightshade morrowless.
The Sundering Seas between them lay,
And yet at last they met once more,
And long ago they passed away
In the forest singing sorrowless.
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J.R.R. Tolkien (The Lord of the Rings)
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Passion isn't a path through the woods. Passion is the woods. It's the deepest, wildest part of the forest; the grove where the fairies still dance and obscene old vipers snooze in the boughs. Everybody but the most dried up and dysfunctional is drawn to the grove and enchanted by its mysteries, but then they just can't wait to call in the chain saws and bulldozers and replace it with a family-style restaurant or a new S and L. That's the payoff, I guess. Safety. Security. Certainty. Yes, indeed. Well, remember this, pussy latte: we're not involved in a 'relationship,' you and I, we're involved in a collision. Collisions don't much lend themselves to secure futures...
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Tom Robbins (Half Asleep in Frog Pajamas)
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For ages you have come and gone
courting this delusion.
For ages you have run from the pain
and forfeited the ecstasy.
So come, return to the root of the root
of your own soul.
Although you appear in earthly form
Your essence is pure Consciousness.
You are the fearless guardian
of Divine Light.
So come, return to the root of the root
of your own soul.
When you lose all sense of self
the bonds of a thousand chains will vanish.
Lose yourself completely,
Return to the root of the root
of your own soul.
You descended from Adam, by the pure Word of God,
but you turned your sight
to the empty show of this world.
Alas, how can you be satisfied with so little?
So come, return to the root of the root
of your own soul.
Why are you so enchanted by this world
when a mine of gold lies within you?
Open your eyes and come ---
Return to the root of the root
of your own soul.
You were born from the rays of God's Majesty
when the stars were in their perfect place.
How long will you suffer from the blows
of a nonexistent hand?
So come, return to the root of the root
of your own soul.
You are a ruby encased in granite.
How long will you decieve Us with this outer show?
O friend, We can see the truth in your eyes!
So come, return to the root of the root
of your own soul.
After one moment with that glorious Friend
you became loving, radiant, and ecstatic.
Your eyes were sweet and full of fire.
Come, return to the root of the root
of your own soul.
Shams-e Tabriz, the King of the Tavern
has handed you an eternal cup,
And God in all His glory is pouring the wine.
So come! Drink!
Return to the root of the root
of your own soul.
Soul of all souls, life of all life - you are That.
Seen and unseen, moving and unmoving - you are That.
The road that leads to the City is endless;
Go without head and feet
and you'll already be there.
What else could you be? - you are That.
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Jalal ad-Din Muhammad ar-Rumi
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On more than one occasion I have been ready to abandon my whole life for love. To alter everything that makes sense to me and to move into a different world where the only known will be the beloved. Such a sacrifice must be the result of love... or is it that the life itself was already worn out? I had finished with that life, perhaps, and could not admit it, being stubborn or afraid, or perhaps did not known it, habit being a great binder. I think it is often so that those most in need of change choose to fall in love and then throw up their hands and blame it all on fate. But it is not fate, at least, not if fate is something outside of us; it is a choice made in secret after nights of longing.
... I may be cynical when I say that very rarely is the beloved more than a shaping spirit for the lover's dreams... To be a muse may be enough. The pain is when the dreams change, as they do, as they must. Suddenly the enchanted city fades and you are left alone again in the windy desert. As for your beloved, she didn't understand you.
The truth is, you never understood yourself.
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Jeanette Winterson (Sexing the Cherry)
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Unwrapping the paper carefully so it doesnβt tear, I find a beautiful red leather
box. Cartier. Itβs familiar, thanks to my second-chance earrings and my watch.
Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum
or white goldβI donβt know, but itβs absolutely enchanting. Attached to it
are several charms: the Eiffel Tower, a London black cab, a helicopterβCharlie
Tango, a gliderβthe soaring, a catamaranβThe Grace, a bed, and an ice cream
cone? I look up at him, bemused.
βVanilla?β He shrugs apologetically, and I canβt help but laugh. Of course.
βChristian, this is beautiful. Thank you. Itβs yar.β He grins.
My favorite is the heart. Itβs a locket.
βYou can put a picture or whatever in that.β
βA picture of you.β I glance at him through my lashes. βAlways in my heart.β
He smiles his lovely, heartbreakingly shy smile.
I fondle the last two charms: a letter Cβoh yes, I was his first girlfriend to
use his first name. I smile at the thought. And finally, thereβs a key.
βTo my heart and soul,β he whispers.
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E.L. James (Fifty Shades Freed (Fifty Shades, #3))
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Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives.
To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates.
'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic.
They've served their purpose.
Nature is unsentimental.
Death is built in.
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Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
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Then, suddenly again, Christopher Robin, who was still looking at the world, with his chin in his hand, called out "Pooh!" "Yes?" said Pooh. "When I'm--when--Pooh!" "Yes, Christopher Robin?" "I'm not going to do Nothing any more." "Never again?" "Well, not so much. They don't let you." Pooh waited for him to go on, but he was silent again. "Yes, Christopher Robin?" said Pooh helpfully. "Pooh, when I'm--you know--when I'm not doing Nothing, will you come up here sometimes?" "Just me?" "Yes, Pooh." "Will you be here too?" "Yes Pooh, I will be really. I promise I will be Pooh." "That's good," said Pooh. "Pooh, promise you won't forget about me, ever. Not even when I'm a hundred." Pooh thought for a little. "How old shall I be then?" "Ninety-nine." Pooh nodded. "I promise," he said. Still with his eyes on the world Christopher Robin put out a hand and felt Pooh's paw. "Pooh," said Christopher Robin earnestly, "if I--if I'm not quite--" he stopped and tried again-- "Pooh, whatever happens, you will understand, won't you?" "Understand what?" "Oh, nothing." He laughed and jumped to his feet. "Come on!" "Where?" said Pooh. "Anywhere." said Christopher Robin.
So, they went off together. But wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the Forest, a little boy and his Bear will always be playing.
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A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
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Where am I?" Magnus croaked.
"Nazca."
"Oh, so we went on a little trip."
"You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot."
"Ah," said Magnus.
"You were shouting some things."
"What things?"
"I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts."
"Thank you for that interesting and enlightening information," Magnus croaked.
"You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy."
"Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim."
"'Impressed' is not the word to use to describe how I felt last night, Magnus."
"I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - "
"Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua."
"What did I do in Moquegua?"
"You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky."
"We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk."
"I'm sure I must have been sobering up at that point," Magnus argued.
"Magnus, you were trying to flirt with your own plate."
"I'm a very open-minded sort of fellow!"
"Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke."
"So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - "
Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
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Cassandra Clare (The Bane Chronicles)