Ashamed Scar Quotes

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A broken heart is such a shabby thing, like poverty and failure and the incurable diseases which are also deforming. I hate it and am ashamed of it, and I must somehow repair this heart and put it back into its normal condition, as a tough somewhat scarred but operating organ.
Martha Gellhorn
And from myself? I learned it’s okay to love yourself. Even the darkest parts of you. No matter the shape, size, or weirdness you came with. Embrace your scars and never be ashamed to be who you are, because there is only one of you.
K.A. Knight (Den of Vipers)
Not all scars are as visible as this. I daresay you have many more inside you. But never forget that every scar is beautiful. And you should never, ever be ashamed of them.
Lynette Noni (The Gilded Cage (The Prison Healer, #2))
Never be ashamed of a scar. It simply means you were stronger then whatever tried to hurt you.
-Unknown
My body is covered in marks, Cole.” Big deal. “Mine too, sweetheart.” She snorted. “Yours are war scars.” “Yours too, Christy. I waged war with others while you waged war with yourself. It’s the same. It’s just life; there’s nothing to be ashamed of. We both survived. This body tells its own story, and it’s an amazing story. You are amazing.
Elle Aycart (Heavy Issues (Bowen Boys, #2))
Scars are the proof you're stronger than what tried to hurt you, duckling. Don't be ashamed of them
August Clearwing (Never Have I Ever)
Those scars are not your fault. You have absolutely nothing to be ashamed of. Your mom definitely does and possibly your dad, but you? Nothing...
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Do not be ashamed of what your survival looks like.
Bianca Sparacino (The Strength In Our Scars)
A man without honor, said Matthias’ voice in her head. He should be ashamed. Nina snorted. If men were ashamed when they should be, they’d have no time for anything else.
Leigh Bardugo (King of Scars (King of Scars, #1))
My father had put these things on the table. I looked at him standing by the sink. He was washing his hands, splashing water on his face. My mamma left us. My brother, too. And now my feckless, reckless uncle had as well. My pa stayed, though. My pa always stayed. I looked at him. And saw the sweat stains on his shirt. And his big, scarred hands. And his dirty, weary face. I remembered how, lying in my bed a few nights before, I had looked forward to showing him my uncle's money. To telling him I was leaving. And I was so ashamed.
Jennifer Donnelly (A Northern Light)
Never be Ashamed of a scar It simply means you were stronger than whatever Tries to hurt you
Unknown
But never forget that every scar is beautiful. And you should never, ever, be ashamed of them.
Lynette Noni (The Gilded Cage (The Prison Healer, #2))
Never be ashamed of a scar. In the end, scars tell the story of our lives, everything that hurt us, and everything that healed us.
Mitch Albom (The Little Liar)
this will not be a gentle prescription for healing, but cautery and the knife. What shall I achieve? That a soul which has conquered so many miseries will be ashamed to worry about one more wound in a body which already has so many scars.
Seneca (On the Shortness of Life)
I am a survivor. The scars he found so repulsive were a testament to my strength. I cannot, will not, be ashamed of actions thrust on me by others.
Tillie Cole (It Ain't Me, Babe (Hades Hangmen, #1))
We all have scars, sweetheart. Some are on the outside, and some are so deep inside us that they never heal. Yours did heal, and they’re a symbol of just how brave and resilient you are. Never be ashamed of them. They’re part of who you are.
J.S. Scott (No Ordinary Billionaire (The Sinclairs, #1))
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
I learned it’s okay to love yourself. Even the darkest parts of you. No matter the shape, size, or weirdness you came with. Embrace your scars and never be ashamed to be who you are, because there is only one of you.
K.A. Knight (Den of Vipers)
When depression sufferers fight, recover, and go into remission we seldom even know, simply because so many suffer in the dark … ashamed to admit something they see as a personal weakness … afraid that people will worry, and more afraid that they won’t. We find ourselves unable to do anything but cling to the couch and force ourselves to breathe. When you come out of the grips of a depression there is an incredible relief, but not one you feel allowed to celebrate. Instead, the feeling of victory is replaced with anxiety that it will happen again, and with shame and vulnerability when you see how your illness affected your family, your work, everything left untouched while you struggled to survive. We come back to life thinner, paler, weaker … but as survivors. Survivors who don’t get pats on the back from coworkers who congratulate them on making it. Survivors who wake to more work than before because their friends and family are exhausted from helping them fight a battle they may not even understand. I hope to one day see a sea of people all wearing silver ribbons as a sign that they understand the secret battle, and as a celebration of the victories made each day as we individually pull ourselves up out of our foxholes to see our scars heal, and to remember what the sun looks like.
Jenny Lawson
When you find love, you hold on hard. It’s a fragile little thing, and once it’s gone, it leaves a hole and memories, we all know that. Ones you wish you could relive, but from every love, you learn something. Something important. From my mother, I learned to be strong. From my father, I learned to embrace pain. From Rich, I learned to love while it lasts and that endings aren’t always a bad thing. From my Vipers, I learned love is unconditional and can come at the strangest of times and places. And from myself? I learned it’s okay to love yourself. Even the darkest parts of you. No matter the shape, size, or weirdness you came with. Embrace your scars and never be ashamed to be who you are, because there is only one of you. And if you don’t love you, how can anyone else? I am imperfectly perfect. I am a lover and a fighter. I am strong and weak. I can be cruel and a killer, but also kind and a healer. I am all of those things, and loving my weaknesses means I can embrace my strengths and be just whom I want to be.
K.A. Knight (Den of Vipers)
I require of all my students… that they are downy and pubescent, pimpled with sullen mistrust, and boiling away with private fury and ardor and uncertainty and gloom. I require that they wait in the corridor for ten minutes at least before each lesson, tenderly nursing their injustices, picking miserably at their own unworthiness as one might finger a scab or caress a scar. If I am to teach your daughter, you darling hopeless and inadequate mother, she must be moody and bewildered and awkward and dissatisfied and wrong. When she realizes that he body is a secret, a dark and yawning secret of which she becomes more and more ashamed, come back to me. You must understand me on this point. I cannot teach children.
Eleanor Catton (The Rehearsal)
Our scars define us,” Maddis said quietly, the tip of her finger tracing the three slashed lines. “They tell a story of courage and survival. They tell of who we are at our deepest being, of the challenges we’ve faced and overcome.” Whispering now, she patted Kiva’s hand and finished, “Not all scars are as visible as this. I daresay you have many more on the inside. But never forget that every scar is beautiful. And you should never, ever, be ashamed of them.
Lynette Noni (The Gilded Cage)
He had showed me some of his damage. And he was ashamed of that. Little did he know, I wasn't someone who could judge. So what if he had anger issues? I had ripping myself open issues. And alcohol issues. And daddy issues. And brother issues. And grandmother issues. I was the Long Island iced tea of damage: everything but iced tea included.
Jessica Gadziala (For a Good Time, Call... (Scars, #1))
Do you at least like The Force Awakens?” He stares at me. “I haven’t seen it.” “Wait, what? How can you call yourself a fan if you haven’t even seen the new movie?” “I’ve been a bit busy lately,” he says. “Dealing with you has taken up a lot of my free time.” “Oh, whatever. That’s bullshit. You had enough free time to put together a gazillion piece puzzle. You’ve got time to watch a movie, and you know it. I’m just... I’m ashamed of you. Legitimately ashamed.” “I’m guessing it’s good, then?” “Oh, I don’t know.” I shrug. “I haven’t watched it. Been too busy.” Lorenzo pulls my hand away from his face and laughs. Genuinely laughs.
J.M. Darhower (Grievous (Scarlet Scars, #2))
Scars are the proof you’re stronger than what tried to hurt you, duckling. Don’t be ashamed of them.
August Clearwing (Never Have I Ever)
Never be ashamed of a scar.
A.J. Sky (Firestorm (StormBreathers, #1))
We hide in the open. We cover our scars so we can move on. Sometimes we hide because we’re ashamed. Because we’re afraid people won’t accept us or love us or understand
Adriana Locke (Team Player)
If men were ashamed when they should be, they would have little time for anything else.
Leigh Bardugo (King of Scars (King of Scars, #1))
I find it is my own life that worries me the most. That only means you're a survivor. And that's nothing to be ashamed of.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
..:Even the pros fall and get wounded. True ones won't hide nor be ashame of their wounds and scars. They'll show them and look back at them as a reminder that, what at one point seem impossible, was possible when activating that one major task, the first step. True pros will show their wounds and scars as a motivation and inspiration to others along tre way:..
Rafael Garcia
Asher,” I tell him. “You’re the one who gets to decide who you’re going to be. You don’t have to be like your father.” He tilts his head, looking at me. “You’re so…fierce.” He reaches for my wrist, his hand skating lightly over my scars. “You’re the bravest person I know.” “I’m not brave,” I tell him. “You’re brave enough to tell the truth,” he says. Now it’s my turn to feel ashamed.
Jodi Picoult (Mad Honey)
The first prick stung—holy gods, with the salt and iron, it hurt. She clamped her teeth together, mastered it, welcomed it. That was what the salt was for with this manner of tattoo, Rowan had told her. To remind the bearer of the loss. Good—good, was all she could think as the pain spiderwebbed through her back. Good. And when Rowan made the next mark, she opened her mouth and began her prayers. They were prayers she should have said ten years ago: an even-keeled torrent of words in the Old Language, telling the gods of her parents’ death, her uncle’s death, Marion’s death—four lives wiped out in those two days. With each sting of Rowan’s needle, she beseeched the faceless immortals to take the souls of her loved ones into their paradise and keep them safe. She told them of their worth—told them of the good deeds and loving words and brave acts they’d performed. Never pausing for more than a breath, she chanted the prayers she owed them as daughter and friend and heir. For the hours Rowan worked, his movements falling into the rhythm of her words, she chanted and sang. He did not speak, his mallet and needles the drum to her chanting, weaving their work together. He did not disgrace her by offering water when her voice turned hoarse, her throat so ravaged she had to whisper. In Terrasen she would sing from sunrise to sunset, on her knees in gravel without food or drink or rest. Here she would sing until the markings were done, the agony in her back her offering to the gods. When it was done her back was raw and throbbing, and it took her a few attempts to rise from the table. Rowan followed her into the nearby night-dark field, kneeling with her in the grass as she tilted her face up to the moon and sang the final song, the sacred song of her household, the Fae lament she’d owed them for ten years. Rowan did not utter a word while she sang, her voice broken and raw. He remained in the field with her until dawn, as permanent as the markings on her back. Three lines of text scrolled over her three largest scars, the story of her love and loss now written on her: one line for her parents and uncle; one line for Lady Marion; and one line for her court and her people. On the smaller, shorter scars, were the stories of Nehemia and of Sam. Her beloved dead. No longer would they be locked away in her heart. No longer would she be ashamed.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.
Sylvia Plath
By the time he climaxed, Eve was arched and her hair touched the floor. Her face was as far away from his as it could get while still having him inside her. They panted like this for a moment, until he realized she was too ashamed to sit back up and look at him. He’d just been at the center of her loss. He’d poisoned the only place she’d ever held her baby. Beckett looked at her long, white form. He ran his hand over a fine white scar he found just under her belly button—the scar somehow he had put on her body.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I shall expose and reopen all the wounds which have already healed. Someone will object: ‘What kind of consolation is this, to bring back forgotten ills and to set the mind in view of all its sorrows when it can scarcely endure one?’ But let him consider that those disorders which are so dangerous that they have gained ground in spite of treatment can generally be treated by opposite methods. Therefore I shall offer to the mind all its sorrows, all its mourning garments: this will not be a gentle prescription for healing, but cautery and the knife. What shall I achieve? That a soul which has conquered so many miseries will be ashamed to worry about one more wound in a body which already has so many scars.
Seneca (On the Shortness of Life (Penguin Great Ideas))
A man, perhaps an inch shorter than Andrei, sensing the height comparison, slowly passed him. The stranger still wore an N-95 mask. The pandemic ended three years ago, but Andrei identified why masks were still worn by others. While millions had died from COVID-19, others silently and ashamedly rejoiced in the virus’ demands. The requirement of face masks made it mandatory for everyone to cover more than half of their face. And for those who disliked their face, they, for nearly two years, had the chance to go out in the world and not be ugly for once. Suddenly, while they were not beautiful, they were not hideous. Neutrality can do so much for someone. This period was like a gift for those with horrid teeth, large features, cystic acne, injuries, scarring, and discoloration. Never before were so many people looked straight in the eyes. Masks were some people’s only chance to show who they were. And now, when the pandemic had ended, they were back in the shadows. Large groups of people, however, as Andrei had seen, still wore them, beneath the excuse that the virus could still return. "I would love to kiss one of you on the cheek, he thought.
Kristian Ventura (A Happy Ghost)
I’m not so jaded I don’t remember,” she said, eyes shifting away from his. “That feeling, like everything is broken. Breaking.” She placed a hand in his, and lifted the other to touch his neck, lightly. He twitched at first, then relaxed. He still had a mark there where Suzao had choked him in the cafeteria. Then she was moving her fingers back toward his ear, along the scar Ryzek had cut into his neck, and he was leaning into her touch. He was warm, too warm. They never touched like this. He never thought he wanted them to. “You make no sense to me,” she said. Her palm was on his face, then, her fingers curled behind his ear. Long, thin fingers with tendons and veins always standing at attention. Knuckles so dry the skin was peeling in places. “All that has happened to you would make another person hard and hopeless,” she said. “So how…how are you even possible?” He closed his eyes. Aching. “Still, Akos, this is a war.” She brought her forehead to his. Her fingers were firm, fitted to his bones. “A war between you and the people who destroyed your life. Don’t be ashamed of fighting it.” And then a different kind of ache. A pang of longing, deep in his gut. He wanted her. Wanted to run his fingers along her strict cheekbone. Wanted to taste the elegant birthmark on her throat, and to feel her breaths against his mouth, and to wind her hair around his fingers until they were trapped. He turned his head, and pressed his lips to her cheek, hard enough that it wasn’t quite a kiss. They shared a breath. Then he pulled back, stood up, turned away. Wiped his mouth. Wondered what the hell was wrong with him. She stood right behind him, so he could feel her body’s warmth at his back. She touched the space between his shoulders. Was it her currentgift that made his skin prickle at the contact, even through his shirt? “There’s something I have to do,” she said. “I’ll be back soon.” Just like that, she was gone.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
In the course of my discussion with Ravenswood, I tried to get him to tell me how you got your scar, but he wouldn’t. He said I’d have to ask you.” Jane’s words came suddenly into his head: That’s why you haven’t shared this with your own family? That’s why you keep all of us out? Because you think it was your fault? Oh, my sweet darling, none of it was your fault. When Dom didn’t answer right away, Tristan went on, “I told Ravenswood you’d always brushed off the question with some nonsense about a fight you got into. But that isn’t true, I assume.” Dom ventured a glance at his brother and winced to see the hurt on his face. Jane had said, Every time you refuse to reveal your secrets, Dom, I assume that you find me unworthy to hear them. Apparently, that was how he’d made all of them feel. As if he were somehow too important to let them into his life. Only God could have stopped this disaster, and contrary to what you think, you aren’t God. When she’d said it, he hadn’t understood why she would accuse him of such a thing. Why she sometimes called him “Dom the Almighty.” But he understood now. By shielding his guilt from the world, he’d shut himself off from his family. From her. He’d pushed away the very people he should have embraced. Having just watched Jane retreat into fear and shut him out, he now knew precisely how painful it could feel to be on the receiving end. If he wanted to change all that, he would have to start opening his heart, letting his family--and her--see the things he was most ashamed of, most worried about. He would have to trust them to understand, to empathize, to love him in spite of everything. The only other choice was to keep closing himself up until, as she’d said at that ball last year: One day that church you’re building around yourself shall become your crypt. He didn’t want that. He took a steadying breath as he and Tristan walked up the steps to Ravenswood’s manor house. “As it happens, I did receive my scar in a fight. But it was a fight against the militia at the Peterloo Massacre.” When Tristan shot him a startled look, Dom halted at the top of the steps to face him. “If you want to hear the story, I’ll tell you all about it. Right now, if you wish.” Tristan searched his face, as if not quite sure he believed what he was hearing. “I’d like that very much.” Then he broke into a grin. “But only if we do it over a glass of Ravenswood’s brandy. That’s the best damned brandy I’ve ever tasted.” “One of the privileges of being a spymaster is that you can get your hands on the good stuff,” Dom said lightly, though his stomach churned at the thought of revealing his most humiliating secret, even to his brother. Still, as they headed inside, Tristan clapped him on the shoulder, and that reassured him. Telling Tristan about Peterloo represented a beginning of sorts, toward a closer friendship than Dom had allowed himself to have with his brother in recent years. Jane would be proud.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
When I see your scars, do I want to erase them? Absolutely. But not your physical scars. The real ones, beneath the surface. The ones that compel you to stay silent or force you to cringe. Those are the scars I want to obliterate.” His finger circles the dip of a burn mark on her forearm. “This is a battle trophy and nothing to be ashamed of. Every one of your scars makes you more beautiful to me.
Laura Kreitzer (Burning Falls (Summer Chronicles, #3))
You listen to me, Soph,” I growled, but took a breath, taking it down a notch. I lifted her face with a crooked finger under her chin, wanting nothing more than to kiss her trembling mouth and make everything bad in her life go away for good. But life didn’t work that way, did it? You couldn’t think happy thoughts and fly away to Neverland. And you couldn’t kiss girls and have everything in their life that was wrong be right. If only. But I was apparently doing something right, because that lip…it wasn’t trembling quite as much anymore. And her eyes? They begged me to save her. “You were slashed when I found you, remember? And now, you have some scars.” Her face crumpled and she tried to move it away from my hand, but I brought it back to face me. I wrapped my free hand around her back, right against the part of her I was speaking of, and brought her against me. I put my mouth against her ear. “What is a life without scars? Scars come in all forms and we all have them. Some deeper than others, some more than others, some harsher than others. Your scars are yours, Soph, and you earned them,” I said harshly, my lips touching the rim of her ear. “It felt like sh—awful going through what you did, but the point is you did it. You. No one else. And no one else could have but you. And your scars are beautiful because of who you are and what you did to earn them. Don’t ever be ashamed of them. As for you being a plague? If that’s so, then please, infect me. Because I want everything you’ve got to give me.” I
Shelly Crane (The Other Side Of Gravity (The Oxygen Series Book 1))
Loïc, don’t ever be ashamed of your scars.” Tears fall down her cheeks. “Your scars are proof of the battles you’ve fought and survived. You could have checked out completely, but you didn’t. You fought to come back. You fought to live. You fought when your heart felt it had nothing to fight for. You are strong. You are brave. You are a warrior. And don’t you ever forget it.” My
Ellie Wade (Loving London (The Flawed Heart #3))
never be ashamed of your scars. They're the proof you have of surviving the monsters who thought they were stronger than you.
Elle Madison (The Lochlann Treaty, Complete Series (The Lochlann Treaty, #1-4))
And I think a person should never be ashamed of their scars. Wear them with pride.
Becky Moynihan (Reactive (The Elite Trials #1))
Have ye made her your mate yet?” Cathal looked up from his work to frown at Jankyn even as the man strode across the ledger room to stand before his worktable, his hands on his hips. “Why would ye ask me that?” “I happened to get a good look at your bride’s wee, bonnie neck a week ago as ye fought with Edmee. No mark. We may heal from a bite without a scar, but an Outsider cannae. Your mother wore your father’s mark. Proudly. Do ye nay feel the need or are ye ashamed of it, try to deny it?” “The need is there,” confessed Cathal, “although I had hoped it was one of the MacNachton traits I didnae inherit from my father. As ye ken weel, every halfling is different in what remains, what weakens, and what disappears. I am nay ashamed of it, however. I but worry about how Bridget will react to it. Cowardice has held my tongue, but I must gird my wee loins and tell her soon. The need grows too strong.” Jankyn
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
His mouth slid from hers and dragged roughly along her throat, crossing sensitive places that made her writhe. Blindly turning her face, she rubbed her lips against his ear. He drew in a sharp breath and jerked his head back. His hand came to her jaw, clamping firmly. “Tell me what you know,” he said, his breath searing her lips. “Or I’ll do worse than this. I’ll take you here and now. Is that what you want?” As a matter of fact… However, recalling that this was supposed to be a punishment, a coercion, Beatrix managed a languid, “No. Stop.” His mouth ravished hers again. She sighed and melted against him. He kissed her harder, pressing her back against the slatted side of the stall, his hands roaming indecently. Her body was laced and compressed and concealed in layers of feminine attire, frustrating his attempts to caress her. His garments, however, presented far fewer obstacles. She slid her arms inside his coat, fumbling to touch him, tugging ardently at his waistcoat and shirt. Reaching beneath the straps of his trouser braces, she managed to pull part of his shirt free of the trousers, the fabric warm from his body. They both gasped as her cool fingers touched the burning skin of his back. Fascinated, Beatrix explored the curvature of deep intrinsic muscles, the tight mesh of sinew and bone, the astonishing strength contained just beneath the surface. She found the texture of scars, vestiges of pain and survival. After stroking a healed-over line, she covered it tenderly with her palm. A shudder racked his frame. Christopher groaned and crushed his mouth over hers, urging her body against his, until together they found an erotic pattern, a cadence. Instinctively Beatrix tried to draw him inside herself, pulling at his lips and tongue with her own. Christopher broke the kiss abruptly, panting. Cradling her head in his hands, he pressed his forehead against hers. “Is it you?” he asked hoarsely. “Is it?” Beatrix felt tears slip from beneath her lashes, no matter how she tried to blink them back. Her heart was ablaze. It seemed that her entire life had led to this man, this moment of unexpressed love. But she was too frightened of his scorn, and too ashamed of her own actions, to answer. Christopher’s fingertips found the tear marks on her damp skin. His mouth grazed her trembling lips, lingering at one soft corner, sliding up to the verge of a salt-flavored cheek. Releasing her, he stepped back and stared at her with baffled anger. The desire exerted such force between them that Beatrix belatedly wondered how he could maintain even that small distance. A shaken breath escaped him. He straightened his clothes, moving with undue care, as if he were intoxicated. “Damn you.” His voice was low and strained. He strode out of the stables. Albert, who had been sitting by a stall, began to trot after him. Upon noticing Beatrix wasn’t going with them, the terrier dashed over to her and whimpered. Beatrix bent to pet him. “Go on, boy,” she whispered. Hesitating only a moment, Albert ran after his master. And Beatrix watched them both with despair.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
He dipped his hand into the grease and leaned forward to smear it on the woman’s tortured skin. His hand hovered above her leg. He couldn’t help but remember how jealously she had guarded her ruffled breeches that first day or how painfully ashamed she had been this morning when the hem of her pitsikwina had ridden up on her thighs. If she had any idea that she was lying here naked, he felt sure her face would turn redder than the sunburn had already made it. And if she knew he was about to run his hands over her? He could only guess what her reaction might be. Terror, probably. Accompanied by a good deal of spitting if her past transgressions were an indication. Stupid girl. Grown men had dared less and died for their trouble. Perhaps his brother was right, and she didn’t know who he was. Hunter was well aware of the fear he inspired in the tosi tivo. Most whites recognized him the moment they saw the scar on his cheek and looked into his indigo eyes. A suppressed smile made the corners of his mouth twitch. Perhaps he would be wise not to tell her who he was. As much as he disliked her spitting, the thought of her being obedient and too easily cowed appealed even less. Something about her--he had no idea what--evoked confusing emotions within him. Anger blanketed those emotions, prevented him from having to deal with them. Ah, yes, he liked her much better when she was spitting. Much better. Sick and helpless as she was now, he found himself feeling sorry for her.
Catherine Anderson (Comanche Moon (Comanche, #1))
Never turn away from me, Jennifer," he told her. "While I know your scars bother some, they do not bother me. We all have them. Yours are just on the outside, and they are a sign of your strength and courage. You survived, Jennifer. Never be ashamed of that.
M.K. Eidem (Treyvon (Kaliszian, #2))
Embrace your scars and never be ashamed to be who you are, because there is only one you.
K.A. Knight (Den of Vipers)
He’s stunning. All of him. Even the parts he’s ashamed of. To me, I see scars of courage. Inflicting them gave him the strength to survive the pain that’s plagued him all his life. I’m grateful to every one of them because he’s still here, with me.
Nicola Haken (Broken)
Their scars were not things to hide and be ashamed of. Their scars kept them humble, which was pleasing to God, and kept their hearts soft. And it was a bond between them that she was confident would never break.
Melanie Dickerson (Castle of Refuge)
Never be ashamed of a scar. It simply means you're stronger than whatever tried to hurt you - Harley Quinn
Patrick Schumacker
Embrace your scars and never be ashamed to be who you are, because there is only one of you.
K.A. Knight (Den of Vipers)
She is not ashamed of my scars, and I am only enchanted by hers.
C.S. Johnson
Ashamed of the insults that were being heaped on our friend, we just sat there: I picked toe jam, Frieda cleaned her fingernails with her teeth, and Pecola finger-traced some scars on her knee—her head cocked to one side.
Toni Morrison (The Bluest Eye)
From my Vipers, I learned love is unconditional and can come at the strangest of times and places. And from myself? I learned it’s okay to love yourself. Even the darkest parts of you. No matter the shape, size, or weirdness you came with. Embrace your scars and never be ashamed to be who you are, because there is only one of you. And if you don’t love you, how can anyone else? I am imperfectly perfect. I am a lover and a fighter. I am strong and weak. I can be cruel and a killer, but also kind and a healer. I am all of those things, and loving my weaknesses means I can embrace my strengths and be just whom I want to be.
K.A. Knight (Den of Vipers)
I learned it’s okay to love yourself. Even the darkest parts of you. No matter the shape, size, or weirdness you came with. Embrace your scars and never be ashamed to be who you are, because there is only one of you. And if you don’t love you, how can anyone else? I am imperfectly perfect. I am a lover and a fighter. I am strong and weak. I can be cruel and a killer, but also kind and a healer. I am all of those things, and loving my weaknesses means I can embrace my strengths and be just whom I want to be.
K.A. Knight (Den of Vipers)
How would you have known if he didn’t tell you?” Decker asks. “We hide in the open. We cover our scars so we can move on. Sometimes we hide because we’re ashamed. Because we’re afraid people won’t accept us or love us or understand. No matter the reason, you didn’t know. But even if you did, would you have stayed in a broken relationship for the rest of your life from fear that he would do something like this? These were demons he’d wrestled with before he even knew you, Avery. You can’t take responsibility for his life, for his decision. You couldn’t do it while he was alive, and you can’t do it now that he’s gone.
Kennedy Ryan (Hoops Holiday)
Young bodies are beautiful, strong, flexible, and resilient. They have the fire of hope in their hearts. However, the fire can be a bit feral, like a young alley cat. It can go everywhere, in all directions, willy-nilly. It can turn all claws and spit or get nervous and run away. It pretends things that aren’t true and is afraid of showing what is true. The older cat bides their time. They have patience. They pull the fire inside and let it smoulder. They don’t waste energy on fights not worth the battle or where the casualties would be greater than the goal. They own their failures like scars, saying it would be wise to take them seriously. They are not ashamed of their loves. They value their spirit and let it grow. It’s in the eyes. The body may move less, but it has presence and power of a different sort. It is authentic.
Donna Goddard (Dance: A Spiritual Affair (The Creative Spirit Series, #1))
O God, Through the image of a woman crucified on the cross I understand at last, For over half of my life I have been ashamed of the scars I bear. These scars tell an ugly story, a common story, about a girl who is the victim when a man acts out his fantasies, In the warmth, peace, and sunlight of your presence I was able to uncurl the tightly clenched fists, For the first time I felt your suffering presence in that event, I have known you as a vulnerable baby, as a brother, and as a father. Now I know you as a woman. You were there as the violated girl caught in helpless suffering. The chains of shame and fear no longer bind my heart and body. A slow fire of compassion and forgiveness is kindled. My tears fall now For man as well as woman. You, God, can make our violated bodies vessels of love and comfort to such a desperate man. I am honored to carry this womanly power within my body and soul. You were not ashamed of your wounds. You showed them off to Thomas as marks of your ordeal and death. I will no longer hide these wounds of mine. I will bear them gracefully. They tell a resurrection story. (1 Pet. 2:24)
Marie Fortune
And from myself? I learned it’s okay to love yourself. Even the darkest parts of you. No matter the shape, size, or weirdness you came with. Embrace your scars and never be ashamed to be who you are, because there is only one of you. And if you don’t love you, how can anyone else?
K.A. Knight (Den of Vipers)
Do not be ashamed of your most beautiful body, ma petite," he said, placing a hand flat on her abdomen. "Me? I would be proud. For you have given life! This strong female flesh has carried and born children. Such scars, wrinkles and imperfections were honorably earned. You are a mature woman, with many life experiences.
Nikki Sex (Karma)
Young dancers have a beautiful, strong, flexible, and resilient body. And they have the fire of hope in their heart. However, the fire can be a bit feral like a young alley cat. It can go everywhere, in all directions, willy-nilly. It can turn all claws and spitting or it can get nervous and run away. It pretends things that aren’t true and is afraid of showing what is true. The older cat bides his time. He has patience. He pulls the fire inside and lets it smoulder. He doesn’t waste his energy on fights not worth the battle or where the casualties would be greater than the goal. He owns his failures like scars that say it would be wise to take him seriously. He is not ashamed of his loves. He values his spirit and lets it grow. It’s in the eyes. The body may move less but it has presence and a power of a different sort. It is authentic.
Donna Goddard (Love's Longing)
I used to be ashamed of my scars; I would think I was a waste of space and that they meant I didn’t belong anywhere. But, looking at them now, I just thought, They’re a part of me. In a way, while I may not have had any exam grades or letters after my name, those scars were my qualifications.
Victoria Spry (Tortured)
A loving mother once saved her little girl from a burning house, but suffered severe burns on her hands and arms. When the girl grew up, not knowing how her mother’s arms became so seared, she was ashamed of the scarred, gnarled hands and always insisted that her mother wear long gloves to cover up that ugliness. But one day the daughter asked her mother how her hands became so scarred. For the first time the mother told her the story of how she had saved her life with those hands. The daughter wept tears of gratitude and said, “Oh Mother, those are beautiful hands, the most beautiful in the world. Don’t ever hide them again.
Billy Graham (Unto the Hills: A Daily Devotional)
On the smaller, shorter scars, were the stories of Nehemia and of Sam. Her beloved dead. No longer would they be locked away in her heart. No longer would she be ashamed.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))