Enchanted Rock Quotes

Dream of me, my beloved family, happy in my plundering and adventuring, for when the waves rock me to sleep tonight, I will be dreaming of you.

I am determined to have the headache Thursday, if I have to hit myself with a rock to do it.

Put it this way, how do you feel about the supernatural?” “I’m fine with it,” Molly replied coolly. “I used to watch Charmed and Buffy and all those shows.” Gabriel winced slightly. “This isn’t quite the same thing.” “Okay, well, listen to this. Last week my horoscope in Cosmo told me I was going to meet an enchanting stranger and this guy on the bus gave me his phone number. I’m a total believer now.” “Yeah, you’ve really seen the light,” Xavier said under his breath. “Did you know that Sagittarians have a problem with sarcasm?” Molly snapped. “That would be very enlightening, except I’m a Leo.” “Yeah, well, everyone knows they’re a pack of assholes!” “My God, you’re like talking to a rock.” “You’re a rock!

The greatest minds and the most advanced engineering went into its creation. They carved the prison out of solid rock from the face of the mountains just north of the lake. They sealed it not only with metal, stone, and wood but also with ancient and powerful enchantments. In the end, when it was finished, it was believed to be the most secure prison in the world.” “They must have had some really nasty criminals back then to go to so much trouble,” Hadrian said. “No,” Myron replied matter-of-factly, “just one.” “One?” Alric asked. “An entire prison designed to hold just one man?” “His name was Esrahaddon.

For the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountain of ignorance; he is about to conquer the highest peak; as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries.

The second spell I cast beneath it. It was an enchantment woven into the island itself, every bird and beast and grain of sand, every leaf and rock and drop of water. I marked them, and all the generations in their bellies, with Telegonus’ name. If ever she did break through that smoke, the island would rise up in his defence, the beasts and birds, the branches and rocks, the roots in the earth.

Sweet as sugar. And then he hardened. I can’t ’splain it another way. He was like sugar in a jar that hardens. And after a while you take it out, and it is one rock-solid lump

Eugene watched the sun wane and redden on a rocky river, and on the painted rocks of Tennessee gorges: the enchanted river wound into his child's mind forever.

On one of these occasions, "suddenly there hovered around the top of the rock a brightness of unequaled clearness and color, which, in increasingly smaller circles thickened, was the enchanting figure of the beautiful Lore.

Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!

I am the Wind that blows across the Sea I am the Wave of the Ocean I am the Murmur of the Billows I am the Bull of the Seven Combats I am the Vulture on the Rock I am a Ray of the Sun I am the Fairest of Flowers I am a Wild Boar in Valour I am a Salmon in the Pool I am a Lake on the Plain I am the Skill of the Craftsman I am a Word of Science I am the Spear-point that gives Battle I am the god who creates in the head of man the Fire of Thought. Who is it that Enlightens the Assembly upon the mountain, if not I? Who tells the ages of the moon, if not I? Who shows the place where the sun goes to rest, if not I? Who calls the cattle from the House of Tethra? On whom do the cattle of Tethra smile? Who is the god that fashions enchantments - the enchantment of battle and the wind of change? ― Amergin

He was sweet as a baby, you know? Sweet as sugar. And then he hardened. I can’t ’splain it another way. He was like sugar in a jar that hardens. And after a while you take it out, and it is one rock-solid lump.

Tis solace making baubles, ay, and sport. Himself peeped late, eyed Prosper at his books Careless and lofty, lord now of the isle: Vexed, 'stitched a book of broad leaves, arrow-shaped, Wrote thereon, he knows what, prodigious words; Has peeled a wand and called it by a name; Weareth at whiles for an enchanter's robe The eyed skin of a supple oncelot; And hath an ounce sleeker than youngling mole, A four-legged serpent he makes cower and couch, Now snarl, now hold its breath and mind his eye, And saith she is Miranda and my wife: 'Keeps for his Ariel a tall pouch-bill crane He bids go wade for fish and straight disgorge; Also a sea-beast, lumpish, which he snared, Blinded the eyes of, and brought somewhat tame, And split its toe-webs, and now pens the drudge In a hole o' the rock and calls him Caliban; A bitter heart that bides its time and bites.

Rock and roll is music," said Vanya. "Prokofiev is music, Stravinski is music, Tchaikovski and Borodin and Rimski-Korsakov and even Rachmaninov, THEY are music. Rock and roll is smart boys with no respect, YOU are rock and roll.

She caught herself then. Such babble! Teresa was shocked by the roaming idleness of her mind, as if she were sifting through trash on the side of the freeway and was stopped, enchanted, by every foil gum wrapper. She came back for a single breath but found herself reflecting on the bean salad they'd had for dinner, some kind of pink beans in there she hadn't seen since childhood. She couldn't remember what they were called. Her mother would ask her to pick through the beans before she soaked them, to look for little rocks, and she would be so meticulous until she lost interest, dumping the unchecked beans on top of the ones she had vetted, ruining everything. Did anyone in her family ever bite down on a rock?

The voices belonged to dragons. Five of them lay on or sprawled over or curled around the various rocks and columns that filled the huge cave where Cimorene stood. Each of the males (there were three) had two short, stubby, sharp-looking horns on either side of their heads; the female dragon had three, one on each side and one in the center of her forehead. The last dragon was apparently still too young to have made up its mind which sex it wanted to be; it didn't have any horns at all.

At every step the prospect ahead grew more enchanting with added detail of crenellated crags and lichen-patterned stone. Now a mountain laurel glossy above the dogwood's dusty silver leaves, now a dark slit between two rocks where maidenhair fern trembled like green lace.

I say, the enchantment of him feeding my very cells. I feel a smile sweep across my face, remembering all the light showers, the dark showers, picking up rocks and finding spinning planets, days with thousands of pockets, grabbing moments like apples, hopping fences into forever.

At places where protruding rocks blocked its flow, the river hissed, eddying in ripples and foams, and then wrested its way forward with renewed rigor. For a while Bumbutai stood still, enchanted by the struggling brook, her spirits lifted and were imbued with a refreshing sense of hope. Mother Earth's healing hand could always do wonders to a world-wearied soul.

Everywhere I went in the wild corners of Hawaii, I found that the biology was as astonishing as the beauty. The landscapes have value beyond the enchantment of a waterfall or the surreal drama of an expanse of slick rock with bits of green life taking hold. Exploring these islands intrigues the mind and stirs the imagination, for nature in Hawaii is at her most inventive and extravagant best.

The mind that thought of light, heavy, grey, yellow, still, swift, also conceived of magic that would make heavy things light and able to fly, turn grey lead into yellow gold, and the still rock into swift water. If it could do the one, it could do the other; it inevitably did both. When we can take green from grass, blue from heaven, and red from blood, we have already an enchanter's power-upon one plane; and the desire to wield that power in the world external to our minds awakes. It does not follow that we shall use that power well on any plane. We may put a deadly green upon a man's face and produce a horror; we may make the rare and terrible blue moon to shine; or we may make woods to spring with silver leaves and rams to wear fleeces of gold, and put hot fire into the belly of the cold worm.

There is no cleft of a rock, no bank of a stream, no shadow of a tree that is not occupied by some shepherd recounting his misfortunes to the wind. Whenever an echo can be heard, it repeats the name of Leandra, the mountains resound with the name of Leandra, the brooks do murmur Leandra, and Leandra holds us all enchanted and perplexed, hoping without hope and fearing without knowledge of what we fear.

He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.

I like to walk home by the Cliff Walk, and as I never can break off when once I’ve begun it, I generally end up by doing all four miles. I bring a book along and read a hundred pages in every one of my favorite retreats, while the sun goes down and the almost-Italian sea goes through a series of enchanting metamorphoses between its headlands and rocks. The homes of the rich are all but on the Walk and almost all open now, but never once have I encountered a Real One out walking. . . .

Let the ignorant be informed! If the artist does not throw himself into his work, like Curtius* into the gulf beneath the Forum, like a soldier against a fortress, without hesitation, and if, in that crater, he does not work like a miner under a fall of rock, if, in short, he envisages the difficulties instead of conquering them one by one, following the example of lovers in fairy-tales who, to win their princesses, struggle against recurring enchantments, the work remains unfinished, it expires in the studio, where production remains impossible and the artist looks on at the suicide of his own talent.

Whales are scarce as hen's teeth whenever thou art up here. Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mysticocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Wickliff's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!

Silent remembering is a form of prayer. No fragrance is more enchanting to re-experience than the aromatic bouquet gleaned from inhaling the cherished memories of our pastimes. We regularly spot elderly citizens sitting alone gently rocking themselves while facing the glowing sun. Although these sun worshipers might appear lonely in their state of serene solitude, they are not alone at all, because they deeply enmesh themselves in recalling the glimmering memories of days gone by. Marcel Proust wrote “In Search of Time Lost,” “As with the future, it is not all at once but grain by grain that one savors the past.” Test tasting the honeycombed memories of their bygone years, a delicate smile play out on their rose thin lips. The mellow tang of sweet tea memories – childhood adventures, coming of age rituals, wedding rites, recreational jaunts, wilderness explorations, viewing and creating art, literature, music, and poetry, sharing in the mystical experiences of life, and time spent with family – is the brew of irresistible intoxicants that we all long to sip as we grow old. The nectar mashed from a collection of choice memories produces a tray of digestible vignettes that each of us lovingly roll our silky tongues over. On the eve of lying down for the last time in the stillness of our cradled deathbeds, we will swaddle ourselves with a blanket of heartfelt love and whisper a crowning chaplet of affection for all of humanity. After all, we been heaven blessed to take with us to our final resting place an endless scroll amassing the kiss soft memories of time yore.

Why, thou monkey,’ said a harpooneer to one of these lads, ‘we ’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.’ Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious revery is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Cranmer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. 10 There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise forever. Heed it well, ye Pantheists!

Thus, at one moment Winston’s hatred was not turned against Goldstein at all, but, on the contrary, against Big Brother, the Party, and the Thought Police; and at such moments his heart went out to the lonely, derided heretic on the screen, sole guardian of truth and sanity in a world of lies. And yet the very next instant he was at one with the people about him, and all that was said of Goldstein seemed to him to be true. At those moments his secret loathing of Big Brother changed into adoration, and Big Brother seemed to tower up, an invincible, fearless protector, standing like a rock against the hordes of Asia, and Goldstein, in spite of his isolation, his helplessness, and the doubt that hung about his very existence, seemed like some sinister enchanter, capable by the mere power of his voice of wrecking the structure of civilization.

SIDDHARTHA LEARNED SOMETHING NEW ON every step of his path, for the world was transformed, and his heart was enchanted. He saw the sun rising over the mountains with their forests and setting over the distant beach with its palm-trees. At night, he saw the stars in the sky in their fixed positions and the crescent of the moon floating like a boat in the blue. He saw trees, stars, animals, clouds, rainbows, rocks, herbs, flowers, stream and river, the glistening dew in the bushes in the morning, distant high mountains which were blue and pale, birds sang and bees, wind silverishly blew through the rice-field. All of this, a thousand-fold and colourful, had always been there, always the sun and the moon had shone, always rivers had roared and bees had buzzed, but in former times all of this had been nothing more to Siddhartha than a fleeting, deceptive veil before his eyes, looked upon in distrust, destined to be penetrated and destroyed by thought, since it was not the essential existence, since this essence lay beyond, on the other side of, the visible.

Why, thou monkey,” said a harpooneer to one of these lads, “we’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.” Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!

Roses, roses! An interminable chain of these royal blossoms, red and white, wreathed by the radiant fingers of small rainbow-winged creatures as airy as moonlight mist, as delicate as thistledown! They cluster round me with smiling faces and eager eyes; they place the end of their rose-garland in my hand, and whisper, "FOLLOW!" Gladly I obey, and hasten onward. Guiding myself by the fragrant chain I hold, I pass through a labyrinth of trees, whose luxuriant branches quiver with the flight and song of birds. Then comes a sound of waters; the riotous rushing of a torrent unchecked, that leaps sheer down from rocks a thousand feet high, thundering forth the praise of its own beauty as it tosses in the air triumphant crowns of silver spray. How the living diamonds within it shift, and change, and sparkle! Fain would I linger to watch this magnificence; but the coil of roses still unwinds before me, and the fairy voices still cry, "FOLLOW!" I press on. The trees grow thicker; the songs of the birds cease; the light around me grows pale and subdued. In the far distance I see a golden crescent that seems suspended by some invisible thread in the air. Is it the young moon? No; for as I gaze it breaks apart into a thousand points of vivid light like wandering stars. These meet; they blaze into letters of fire. I strain my dazzled eyes to spell out their meaning. They form one word—HELIOBAS. I read it. I utter it aloud. The rose-chain breaks at my feet, and disappears. The fairy voices die away on my ear. There is utter silence, utter darkness,—save where that one NAME writes itself in burning gold on the blackness of the heavens.

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

9 · Home from the Mountain And above them the stormy wintry skies—sometimes a savage sky of wild, torn grey that came so low its scudding fringes whipped like rags of smoke around the mountain tops; sometimes an implacable, fierce sky of wintry grey; sometimes a sky of rags and tatters of wild, wintry light, westering into slashed stripes of rugged red and incredible wild gold at the gateways of the sun—bent over them forever with that same savage and unutterable pain and sorrow, that ecstasy of wild desire, that grief of desolation, that spirit of exultant joy, that was as gleeful, mad, fierce, lonely, and enchanted with its stormy and unbodied promises of flight, its mad swoopings through the dark over the whole vast sleeping wintriness of earth, as that stormy and maniacal wind, which seemed, in fact, to be the very spirit of the joy, the sorrow, and the wild desire he felt. 9. Завръщане от планината стр. 186 А над тях се стелеха бурните зимни небеса, понякога свирепо сиви с провиснали, парцаливи облаци, които с димните си валма обвиваха планинските върхове, друг път — диви и неумолими в студената си зимна сивота, или пък целите надрани и разкъсани от вледяващата зимна светлина, която на запад, пред самите слънчеви двери, се набраздяваше на разнище¬ни ивици от невероятно сияйно бакърено злато, схлупени отгоре им със същата пронизваща и неизразима болка и мъка, с онзи екстаз на дива страст, с онази безутешна скръб, с онзи дух на необуздана радост, така възторжен, безумен, бурен, самотен и прехласнат във вихрените си безплътни обещания за полет, в своето лудо стрелкане из мрака над обширната, потънала в зимен сън земя, както и бурният пощръклял вятър, който като че ли беше самият дух на радостта, мъката и дивата страст, обсебили момчето.

I had long wanted to see “true” indigo, and thought that drugs might be the way to do this. So one sunny Saturday in 1964, I developed a pharmacologic launchpad consisting of a base of amphetamine (for general arousal), LSD (for hallucinogenic intensity), and a touch of cannabis (for a little added delirium). About twenty minutes after taking this, I faced a white wall and exclaimed, “I want to see indigo now—now!” And then, as if thrown by a giant paintbrush, there appeared a huge, trembling, pear-shaped blob of the purest indigo. Luminous, numinous, it filled me with rapture: It was the color of heaven, the color, I thought, which Giotto had spent a lifetime trying to get but never achieved—never achieved, perhaps, because the color of heaven is not to be seen on earth. But it had existed once, I thought—it was the color of the Paleozoic sea, the color the ocean used to be. I leaned toward it in a sort of ecstasy. And then it suddenly disappeared, leaving me with an overwhelming sense of loss and sadness that it had been snatched away. But I consoled myself: Yes, indigo exists, and it can be conjured up in the brain. For months afterward, I searched for indigo. I turned over little stones and rocks near my house, looking for it. I examined specimens of azurite in the natural history museum—but even they were infinitely far from the color I had seen. And then, in 1965, when I had moved to New York, I went to a concert in the Egyptology gallery of the Metropolitan Museum of Art. In the first half, a Monteverdi piece was performed, and I was utterly transported. I had taken no drugs, but I felt a glorious river of music, four hundred years long, flowing from Monteverdi’s mind into my own. In this ecstatic mood, I wandered out during the intermission and looked at the ancient Egyptian objects on display—lapis lazuli amulets, jewelry, and so forth—and I was enchanted to see glints of indigo. I thought: Thank God, it really exists! During the second half of the concert, I got a bit bored and restless, but I consoled myself, knowing that I could go out and take a “sip” of indigo afterward. It would be there, waiting for me. But when I went out to look at the gallery after the concert was finished, I could see only blue and purple and mauve and puce—no indigo. That was nearly fifty years ago, and I have never seen indigo again.

he was no mountaineer when he decided to climb the Hindu Kush. A few days scrambling on the rocks in Wales, enchantingly chronicled here, were his sole preparation. It was not mountaineering that attracted him; the Alps abound in opportunities for every exertion of that kind. It was the longing, romantic, reasonless, which lies deep in the hearts of most Englishmen, to shun the celebrated spectacles of the tourist and without any concern with science or politics or commerce, simply to set their feet where few civilized feet have trod. An American critic who read the manuscript of this book condemned it as ‘too English’. It is intensely English, despite the fact that most of its action takes place in wildly foreign places and that it is written in an idiomatic, uncalculated manner the very antithesis of ‘Mandarin’ stylishness. It rejoices the heart of fellow Englishmen, and should at least illuminate those who have any curiosity about the odd character of our Kingdom. It exemplifies the essential traditional (some, not I, will say deplorable) amateurism of the English. For more than two hundred years now Englishmen have been wandering about the world for their amusement, suspect everywhere as government agents, to the great embarrassment of our officials. The Scotch endured great hardships in the cause of commerce; the French in the cause of either power or evangelism. The English only have half (and wholly) killed themselves in order to get away from England. Mr Newby is the latest, but, I pray, not the last, of a whimsical tradition. And in his writing he has all the marks of his not entirely absurd antecedents. The understatement, the self-ridicule, the delight in the foreignness of foreigners, the complete denial of any attempt to enlist the sympathies of his readers in the hardships he has capriciously invited; finally in his formal self-effacement in the presence of the specialist (with the essential reserve of unexpressed self-respect) which concludes, almost too abruptly, this beguiling narrative – in all these qualities Mr Newby has delighted the heart of a man whose travelling days are done and who sees, all too often, his countrymen represented abroad by other, new and (dammit) lower types. Dear reader, if you have any softness left for the idiosyncrasies of our rough island race, fall to and enjoy this characteristic artifact. EVELYN

America. The enemy. The rival. The land of jeans and rock and roll, of crime and capitalism, of poverty and oppression. Of home and freedom.

Sweet as sugar. And then he hardened. I can’t ’splain it another way. He was like sugar in a jar that hardens. And after a while you take it out, and it is one rock-solid lump.

This is my very own Composition in Poems in my publication YOUR TIME IS NOW. THE FUTURE WORLD DESCRIBED BY DANIEL [Daniel Chapter 2] Nebuchadnezzar had a dream which he was unable to cipher, A statue with a head made of fine gold, with chest and arms of silver. Belly and thighs of bronze, and legs of iron displayed, Its feet combined of iron and clay had Nebuchadnezzar amazed. A mighty rock smashed the statue’s feet causing it to sway And after shattering it to bits the wind blew the bits away. The rock covered the earth and Nebuchadnezzar awoke He pondered on this dream and his thoughts were provoked. Magicians, enchanters, sorcerers and astrologers were consulted. But all scratched their heads and Nebuchadnezzar felt insulted. Because the meaning of this dream was beyond their imagination And Nebuchadnezzar felt mad and ordered their execution. But Daniel a captive from Judah offered an explanation, That brought Nebuchadnezzar great jubilation. Daniel said that Nebuchadnezzar was the head of gold His kingdom was strong and he would be bold. But after his kingdom had reached its end. An inferior one would rule again. And yet another would rise after the second had fallen. A kingdom of bronze would be the third to have risen. Following that kingdom there would be a fourth, strong as iron, That kingdom would crush previous empires. It would be divided however as clay and iron cannot mix, But the kingdom of God would rise in its midst. The kingdom of God will be as solid as a rock. No one can crush it, whoever tries will be out of luck. The dream was true and its meaning was certain. The kingdom of God would stand forever unending

Six heads erupted from the water with fangs flashing and mouths roaring. On the neck of one of them was Asherah, riding it like a steed. She pointed down at the approaching form of Mikael. The monster focused on the angel as a target. The sound of gurgling from deep within its bowels warned Mikael. He had been caught by this attack before, at the beach of Mount Sapan. He was not going to let it happen again. He dove behind a huge boulder as a stream of fire poured out from the dragon head and blackened the entire area of stone. Another head reached down and Dagon leapt onto it, pulled away before Uriel and Gabriel could reach him. Ba’alzebul and Molech dashed headlong at the seven heads. Ba’alzebul’s muscular form launched an amazing thirty feet to catch one of the gaping jaws as it swung past the rocks of the beach. Molech was not so glorious. He could only make a good twenty feet. It was not enough to reach his target. He landed in the water in a belly flop. Uriel and Gabriel could not help but look at each other, smirking. One of the dragon heads reached down and picked Molech out of the water with its teeth and placed him on the back of another neck. The head that Ba’alzebul had caught had a sword stuck in the roof of its mouth, the hilt sticking out of its head. It was Gabriel’s sword, from their confrontation at Sapan generations earlier. Ba’alzebul pulled it from the creature’s mouth and swung around to mount its neck. He raised the sword high in victory, as all seven heads plunged back into the deep, carrying its four riders away from the grasp of the angels. Mikael stepped down to the shoreline to stand by Uriel and Gabriel as Raphael and Raguel helped the trapped angels get free from the rocks. They looked out onto the frothing, swirling waters left behind by the exit of the gargantuan and its riders. There was no way the archangels could ever chase that chaos monster. “You have to hand it to that Asherah,” said Uriel. “She is one goddess with chutzpah, taking her chances with enchanting Leviathan.” Gabriel added, “And I thought Ashtart was gutsy.” “Ashtart cut your gut in half back at Mount Hermon,” said Uriel wryly. “If I had not found your legs in the waters of the Abyss you would have been a paraplegic until the Resurrection.

It was good for me to be afflicted. (Psalm 119:71) It is a remarkable occurrence of nature that the most brilliant colors of plants are found on the highest mountains, in places that are the most exposed to the fiercest weather. The brightest lichens and mosses, as well as the most beautiful wildflowers, abound high upon the windswept, storm-ravaged peaks. One of the finest arrays of living color I have ever seen was just above the great Saint Bernard Hospice near the ten-thousand-foot summit of Mont Cenis in the French Alps. The entire face of one expansive rock was covered with a strikingly vivid yellow lichen, which shone in the sunshine like a golden wall protecting an enchanted castle. Amid the loneliness and barrenness of that high altitude and exposed to the fiercest winds of the sky, this lichen exhibited glorious color it has never displayed in the shelter of the valley. As I write these words, I have two specimens of the same type of lichen before me. One is from this Saint Bernard area, and the other is from the wall of a Scottish castle, which is surrounded by sycamore trees. The difference in their form and coloring is quite striking. The one grown amid the fierce storms of the mountain peak has a lovely yellow color of a primrose, a smooth texture, and a definite form and shape. But the one cultivated amid the warm air and the soft showers of the lowland valley has a dull, rusty color, a rough texture, and an indistinct and broken shape. Isn’t it the same with a Christian who is afflicted, storm-tossed, and without comfort? Until the storms and difficulties allowed by God’s providence beat upon a believer again and again, his character appears flawed and blurred. Yet the trials actually clear away the clouds and shadows, perfect the form of his character, and bestow brightness and blessing to his life. Amidst my list of blessings infinite Stands this the foremost, that my heart has bled; For all I bless You, most for the severe. Hugh Macmillan

I chose a man and he chose me You should have simply let it be I chose a man and he chose you Now this choice you both shall rue You stole mine so I'll steal yours Each mother's child that she adores From every generation born The first new child she will mourn This curse unbroken now shall be Down into eternity Unless you find the pathway through And solve the riddle with this clue A rose's cry at rock enchanted The sun's bright ray where none is slanted A magic key to a gift divine True love must merge when stars align

The whirlpool splashed into view, swirls of blue and green simmering against an outcropping of grayish-brown rock in the glow of half-light. I stared out at it in fascination and wonder, feeling as if I had entered the setting of a fairy tale and this was a magical pool, perhaps the looking glass of a unicorn or the home of an enchanted prince, ancient as time itself.

The horrible thing about the Two Minutes Hate was not that one was obliged to act a part, but that it was impossible to avoid joining in. Within thirty seconds any pretense was always unnecessary. A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer, seemed to flow through the whole group of people like an electric current, turning one even against one’s will into a grimacing, screaming lunatic. And yet the rage that one felt was an abstract, undirected emotion which could be switched from one object to another like the flame of a blowlamp. Thus, at one moment Winston’s hatred was not turned against Goldstein at all, but, on the contrary, against Big Brother, the Party, and the Thought Police; and at such moments his heart went out to the lonely, derided heretic on the screen, sole guardian of truth and sanity in a world of lies. And yet the very next instant he was at one with the people about him, and all that was said of Goldstein seemed to him to be true. At those moments his secret loathing of Big Brother changed into adoration, and Big Brother seemed to tower up, an invincible, fearless protector, standing like a rock against the hordes of Asia, and Goldstein, in spite of his isolation, his helplessness, and the doubt that hung about his very existence, seemed like some sinister enchanter, capable by the mere power of his voice of wrecking the structure of civilization. It was even possible, at moments, to switch one’s hatred this way or that by a voluntary act. Suddenly, by the sort of violent effort with which one wrenches one’s head away from the pillow in a nightmare, Winston succeeded in transferring his hatred from the face on the screen to the dark-haired girl behind him. Vivid, beautiful hallucinations flashed through his mind. He would flog her to death with a rubber truncheon. He would tie her naked to a stake and shoot her full of arrows like Saint Sebastian. He would ravish her and cut her throat at the moment of climax. Better than before, moreover, he realized why it was that he hated her. He hated her because she was young and pretty and sexless, because he wanted to go to bed with her and would never do so, because round her sweet supple waist, which seemed to ask you to encircle it with your arm, there was only the odious scarlet sash, aggressive symbol of chastity.

One begins to have a feel for each canyon itself- its way of going, its way of defining the sky, its way of turning, that belongs to it alone. That kind of aware walking brings rewards. There is nothing vicarious or secondhand about walking there; instead, I have an exhilarating sense of immediacy. To me there is an enchantment in these dry canyons that once roared with water and still sometimes do, that absorbed the voices of those who came before, something of massive dignity about sandstone beds that tell of a past long before human breathing, that bear the patterns of ancient winds and water in their crossbeddings. Here I find something of necessity.

Oh Killian." Five immense cliffs rose up from the sea in marvelous grandeur. They were as tall and craggy and enormous as any mountains she'd seen in paintings. The layers of rock were varied in color and the radiant sunset playing against them only added to the enchantment of the location. She watched as waves crashed against the monumental stone walls.

A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge-hammer, seemed to flow through the whole group of people like an electric current, turning one even against one’s will into a grimacing, screaming lunatic. And yet the rage that one felt was an abstract, undirected emotion which could be switched from one object to another like the flame of a blowlamp. Thus, at one moment Winston’s hatred was not turned against Goldstein at all, but, on the contrary, against Big Brother, the Party and the Thought Police; and at such moments his heart went out to the lonely, derided heretic on the screen, sole guardian of truth and sanity in a world of lies. And yet the very next instant he was at one with the people about him, and all that was said of Goldstein seemed to him to be true. At those moments his secret loathing of Big Brother changed into adoration, and Big Brother seemed to tower up, an invincible, fearless protector, standing like a rock against the hordes of Asia, and Goldstein, in spite of his isolation, his helplessness and the doubt that hung about his very existence, seemed like some sinister enchanter, capable by the mere power of his voice of wrecking the structure of civilisation.

Nightwitch started purring loudly, sort of like a pepper grinder with rocks in it.

They met their comrades, who had been badly cut up, and, deciding that the Rangers were too good for them, withdrew. Wild cheers welled from the crater of " Enchanted Rock," and loud were the hurrahs for Texas Jack, the gallant and intrepid Ranger. The war with Mexico found Captain Jack Hays ready

Eventually, he felt an overwhelming urge to meld his voice with the notes, and he began to play his ballad for the wind. Jack sang his verses, his fingers strumming with confidence. He sang to the southern wind with its promise of strength in battle. He sang to the western wind with its promise of healing. He sang to the northern wind with its promise of vindication. The notes rose and fell, undulating like the hills far beneath him. But while the wind carried his music and his voice, the folk of the air didn’t answer. What if they refuse to come? Jack wondered, with a pulse of worry. From the corner of his eye, he watched as Adaira rose to her feet. The wind seemed to be waiting for her to move. To stand and meet it. She stood planted on the rock as Jack continued to play, shielded by Orenna’s essence. Twice, he had played for the spirits and had nearly forgotten he was a man, that he was not a part of them. But this time he held firmly to himself as he watched the folk answer. The southern wind manifested first. They arrived with a sigh and formed themselves from the gust, individualizing into men and women with hair like fire—red and amber with a trace of blue. Great feathered wings bloomed from their backs like those of a bird, and each beat of their pinions emitted a wash of warmth and longing. Jack could taste the nostalgia they offered; he drank it like a bittersweet wine, like the memories of a summer long ago. The east wind was the next to arrive. They manifested in a flurry of leaves, their hair like molten gold. Their wings were fashioned like those of a bat, long and pronged and the shade of dusk. They carried the fragrance of rain in their wings. The west wind spun themselves out of whispers, with hair the shade of midnight, long and jeweled with stars. Their wings were like those of a moth, patterned with moons, beating softly and evoking both beauty and dread as Jack beheld them. The air shimmered at their edges like a dream, as if they might melt at any moment, and their skin smelled of smoke and cloves as they hovered in place, unable to depart as Jack’s music captivated them. Half of the spirits watched him, entranced by his ballad. But half of them watched Adaira, their eyes wide and brimming with light. “It’s her,” some of them whispered. Jack missed a note. He quickly regained his place, pushing his concern aside. It felt like his nails were creating sparks on the brass strings. He sang the verse for the northern wind again. The sky darkened. Thunder rumbled in the distance as the north reluctantly answered Jack’s summoning. The air plunged cold and bitter as the strongest of the winds manifested from wisps of clouds and stinging gales. It answered the music, fragmenting into men and women with flaxen hair, dressed in leather and links of silver webs. Their wings were translucent and veined, reminiscent of a dragonfly’s, boasting every color found beneath the sun. They came reluctantly, defiantly. Their eyes bore into him like needles. Jack was alarmed by their reaction to him. Some of them hissed through their sharp teeth, while others cowered as if awaiting a death blow. His ballad came to its end, and the absence of his voice and music sharpened the terror of the moment. Adaira continued to stand before an audience of manifested spirits, and Jack was stunned by the sight of them. To know that they had rushed alongside him as he walked the east. That he had felt their fingers in his hair, felt them kiss his mouth and steal words from his lips, carrying his voice in their hands. And his music had just summoned them. His voice and song now held them captive, beholden to him. He studied the horde. Some of the spirits looked amused, others shocked. Some were afraid, and some were angry.

Just as Adaira was taking a step forward to beseech the spirits, their gathering parted to make way for one of their own to come forward. Jack saw the threads of gold in the air; he felt the rock tremble beneath him. He watched as the south, the east, and the west drew in their wings, watched the spirits quiver and bow to the one who was coming to meet Adaira. He was taller than the others. His skin was pale, as if he had forged himself from the clouds, his wings were the shade of blood, veined with silver, and his hair was long, the color of the moon. His face was beautiful, terrifying to look upon, and his eyes smoldered. A lance was in his hand; its arrowhead flickered with tendrils of lightning. A chain of stars crowned him, and the longer he stood, held by Jack’s music, the stormier the sky churned and the deeper the mountain quaked. It was Bane, king of the northern wind. A name that Jack had only heard whispered in children’s stories, in old legends that flowed with fear and reverence. Bane brought storms, death, famine. He was a wind one wanted to evade. And yet, Jack knew the answers they sought were held in his hands; he had been the one to seal the mouths of the other spirits, to keep the truth concealed from them. Bane motioned for Adaira to approach him, and Jack’s heart blazed with fear. “Come, mortal woman. You have been clever, tricking this bard into summoning me. Come and speak to me, for I have long awaited this moment.

The mountains rose, cut from unforgiving rock, and the lochs were low and stagnant. Only the river ran pure, coming from a hidden place in the hills. Adaira rode at her mother’s side, into the heart of the west. The clouds hung low, and it smelled like rain. She gave herself up to a hungry land where music was forbidden. The place where she had taken her first breath. A gust rose, drawing its cold fingers through her hair. Welcome home,” the north wind whispered.

Are you going to help me up?” Adaira unwound her matted braid and laughed again. “Do you think I was born yesterday?” She gave him a terrible idea. He almost smiled. “Then will you at least take my harp? It’s going to warp now, after all this time in the water.” He held up his instrument, and Adaira studied it. Jack concealed his glee as she reached forward to take hold of his harp. As soon as her fingers closed over the frame, he pulled. Adaira let out a shriek as she tumbled into the sea, just over his head. He couldn’t resist it; a broad grin spread across his face as Adaira spluttered to the surface. “You will soon pay for that,” she said, wiping water from her eyes. “Old menace.” “I have no doubt,” he replied in a droll tone. “What will it be, heiress? Tar and feathers? The stocks? My firstborn son?” She stared at him a moment, pearls of water on her long lashes. The sea lapped at their shoulders, and Jack could feel her fingers brush his as they both waded in the roll of the waves. “I can think of something far worse.” But she smiled as she said it, and he had never seen such a smile on her face before. Or maybe he had once, long ago when they were children. She was making him remember those old days. Days spent in the sea and caves. Nights spent roaming the wild places, the thistle patches and glens and the rocks on the coast. She was making him remember what it felt like to belong on isle. To belong to the east. She wanted him to stay and play for their clan, and Jack was beginning to think that maybe he should seize that opportunity, even if it stole his health, song by song. Just for a year. A full passing of seasons. Long enough to see her rise as laird. He drew a tendril of golden algae from her hair and begrudgingly acknowledged it then. He disliked her a little less than yesterday. And that could only bring him trouble.

And what do you expect us to do about it?" one of the voices asked curiously. "I don't know," Cimorene said. "Except, of course, that I would rather not be eaten. I can't see who you are in this dark, you know." "That can be fixed," said the voice. A moment later, a small ball of light appeared in the air above Cimorene's head. Cimorene stepped backward very quickly and ran into the wall. The voices belonged to dragons. Five of them lay on or sprawled over or curled around the various rocks and columns that filled the huge cave where Cimorene stood. Each of the males (there were three) had two short, stubby, sharp-looking horns on either side of their heads; the female dragon had three, one on each side and one in the center of her forehead. The last dragon was apparently still too young to have made up its mind which sex it wanted to be; it didn't have any horns at all.

No world is rock real. As a certain poet in Dublin once said to me when, as a young journalist, I was emerging one enchanted evening, from a reception in a fashion-modelling agency, and had marvelled to him about the unreality, or it seemed to me to be, of the world in which those beautiful creations pirouetted. No world, the poet said sadly, is rock real.

I would be lying if I pretended not to find the idea of a new stone circle ersatz. What do they actually mean, these hefts of rock that are not even native to this landscape? What are they supposed to signify? I visited them when they were first laid and found them rather barren, planted in the bald winter ground, still crumbling from their quarrying. I believed at first that they were concrete. They seemed to me to offer and incomplete answer to a question that we have not quite learned how to ask. How do we worship now? How do we get past the blunt knowing of our disenchanted age and tap back into the magic that we used to perceive everywhere? I wanted to touch the stones and for them to return a tingle of meaning laid down over millennia. Instead, they seemed to shrug me off. Make your own meaning, they said. We can't do that for you.

The room was curved, wide, and empty except for one enormous rock in the center. Easily twice Biddy's height, it glowed with faint green-gold shimmers beneath its smooth surface. She had seen that light before. Flashes of it in the old oak, when Rowan drew magic through the skin of the tree. And once, in the scrying glass, as a glow on the wall illuminating Rowan as he lay in enchanted sleep in an underground room. This was it, the room where Rowan had come to steal magic on the night he had nearly never come home. The vault, he had called it. The place where the Council hoarded its wealth like fairy gold.

At those moments his secret loathing of Big Brother changed into adoration, and Big Brother seemed to tower up, an invincible, fearless protector, standing like a rock against the hordes of Asia, and Goldstein, in spite of his isolation, his helplessness and the doubt that hung about his very existence, seemed like some sinister enchanter, capable by the mere power of his voice of wrecking the structure of civilisation.

As if a rock were tied to her ankles and she had just been dropped into the ocean.

Like Jean, I always like to put my hand to stone, except that I am more of a collector than a maker. Wherever I go, pebbles seem to find their way into my pockets and bags. When autumn comes, I discover the long-forgotten relics of last year's walks in my coats, each one of them a memento of a place, a time, a thought process. They scatter every surface in my house, too, sometimes requiring a grand clear out, when I gather them all up and tip them into the garden. Still, they find their way back in. I could almost believe that they reproduce. I can think of no greater pleasure than a stone in the hand, the right one of just the right size. Stones have a pure kind of weight to them, like small concentrations of gravity. They seem to always crave contact with the earth, pulling down towards the soil that matches their serene chill. I reach for one now as I write this, and measure it against my palm. There is a definite coupling between the two of us, a communication of density, a heat exchange. For a moment, I am anchored again.

I feel my attention settling for the first time in a long while, in this place that is infinite with detail, with layers and layers of life arrayed before my eyes. It occurs to me that I am resting. It is not the same as doing nothing. Resting like this is something active, chosen, alert, something rare and precious. The rocks are a little gauche, but they are sympathetic. They crowd attentively around me, heads cocked to listen. There's a gentleness to this place, a sense of peace. I brought nothing but doubt and cynicism and faithlessness here, but I found something that I didn't expect. The stones gave out grace in return for my doubt.

The forest, I believe, will stay with Bert as he ages. It is a deep terrain, a place of unending variance and subtle meaning. It is a complete sensory environment, whispering with sounds that nourish rather than enervate, with scents that carry information more significant than 'nasty' or 'nice.' It is different each time you meet it, changing with the seasons, the weather the life cycles of its inhabitants. It is marked by history and mythologies; stories effortlessly spin from its depths. It is safe from the spite of suburban playgrounds, and dangerous in a way that insurance won't indemnify. Dig beneath its soil, and you will uncover layers of life: the frail networks of mycelia, the burrows of animals, the roots of trees. Bring questions into this space and you will receive a reply, though not an answer. Deep terrain offers up multiplicity, forked paths, symbolic meaning. It schools you in compromise, in shifting interpretation. It will mute your rationality and make you believe in magic. It removes time from the clock face and revelas the greater truth of its operation, its circularity and its vastness. It will show you rocks of unfathmoable age and bursts of life so ephemeral that they are barely there. It will show you the crawl of geological ages, the gradual change of the seasons, and the countless micro-seasons that happen across the year. It will demand your knowledge: the kind of knowledge that comes with study. Know it--name it--and it will reward you only with more layers of detail, more frustrating revelations of your own ignorance. A deep terrain is a life's work. It will beguile, nourish, and sustain you through decades, only to finally prove to you, too, are ephemeral compared to the rocks and the trees.

An eternity made of things you’ve never seen, air you’ve never tasted, and a train that rocks and clatters like guilt. I wonder if this is how it feels to be immortal. You’re moving, but not really. You’re existing, but time seems thin, flowing like a current through your fingers.

she felt in over her head. As if a rock were tied to her ankles and she had just been dropped into the ocean.

The explosion rocked him from his feet.

The route led through the enchanted chaos of the Arizona deserts, a country mostly of naked rock in mesas, peaks, and gashed canyons, painted tremendous colors with brushes of comet’s hair. Frequently it was a giant-cactus country — saguaro by designers of modern decoration, cholla by medieval torturers — or a country of yuccas and the yucca’s weirdest form, the Joshua tree. Sometimes it was even a grass country. And through most of the route it was a country where occasionally you could find the characteristic oasis of the Southwest, a little, hidden arroyo with something of a stream in it, choked with cottonwoods, green plants blooming only a rifle shot from desolation.

I was enchanted by the world of rock music - the way the singers could scream of good and evil, proclaim themselves angels or devils... Sometimes they seemed the pure embodiment of madness. And yet it was technologically dazzling, the intricacy of their performances. It was barbaric and cerebral... There was something vampiric about rock music... the way the electricity could stretch a single note forever; the way harmony could be layered upon harmony until you felt yourself dissolving in the sound. So eloquent of dread it was, the music.

In the washhouse, the clothes leave with their owner, the soap with the river water, and the rock remains.

Relatively late in life, Brower had discovered the sublime emptiness of the plateau and red canyon country of the Colorado River Basin. It was the same terrain that had enchanted John Wesley Powell eighty years before, and it was almost as unpeopled and unspoiled as it had been then. Brower loved everything about it: the bottomless dry wind-sculpted canyons, beginning suddenly and leading nowhere; the rainbow arches, overhangs, and huge stately monoliths (an expert rock climber, Brower had pioneered the route up the most impressive of them, Shiprock in New Mexico); the amphitheater basins ringed by great hanging rock walls; the

Hello. Do I know you?" She smiled, showing surprisingly tiny white teeth, like a baby's, swaddled in pink gums. She said "Esmeralda Ulloa, I would hope that you know me. But I doubt you do." I rocked back on my heels as she leaned in close, her black eyes snapping. "Tell your uncle I have what he's looking for," she said softly. "And if he asks me nicely, I might give it to him." She smiled again. "I'd rather give it to you, though. If you ask.

Though this evening seemed somehow enchanted, Jess was terrified that, once they were alone together, her mum would rip off her smile with a horrible tearing Velcro sound. In fact, she might rip off her whole friendly face and underneath there might be a fire-breathing dragon. This time you've really blown it! She might roar, sparks flying out of her eyes and burning small craters in the pavement. You're a treacherous, cunning, lying, horrible harlot! Mum's hair would turn into hissing snakes. Steam would come screaming out her ears and cause a sulfurous fog that would hang over Cornwall for days, ships would founder on the rocks. Trees would go black and die. Teddy bears' eyes would fall out.

The Gondola Experience When the performance ended, we returned to the comfort of the Count's gondola, and celebrated the beauty of the evening with more champagne. By now, I was head over heels in love, bewildered by beauty. What had been an enchanted day turned into an unfathomable evening. The organza curtains were drawn, shielding us from the departing theatre crowds. Romantic candles burned as we began, again, the love dance left incomplete, on Lido. Mario’s expert hands blissfully caressed every inch of my smooth body as Andy lowered his expert mouth on my growing organ. I wanted both the Count and Andy, together, at the same moment. As the gondola sailed out into the wide expanse of the Grand Canal, both lovers were inside me, moving in tandem with the rhythmic sounds of waves lapping against the Love-Boat. I surrendered myself wholly to indescribable sexual ecstasy, rocking to the motion of their sliding cocks filling me to the brim. I wanted them and I desired every drop of their precious seed to feed my deepest center. I was awakened by the chirping sounds of two love birds perched on the gondola's window. My lovers lay in deep slumber, their arms draped around my naked body. I gently lifted their arms, and sat up. I saw the majestic steeples of Saint Mark's Cathedral. The singing larks turned long enough to look at me with knowing smiles. I had been to heaven; I did not want my night's pleasures to end.

Buried Cities During the Roman Empire, wealthy Romans took vacations in the cities of Pompeii and Herculaneum. The people in these towns did not know that nearby Mount Vesuvius doomed them. On August 24 in the year A.D. 79, the top blew off the mountain. Hot rock and ash buried Pompeii and Herculaneum. An estimated five thousand people died when their houses collapsed or they choked to death on the ash. After the Roman Empire ended, the people in neighboring cities forgot Pompeii and Herculaneum. In the sixteenth century, an architect named Domenico Fontana found evidence that cities were buried under 20 feet (6 m) of earth. It was another two hundred years before anyone began digging. In the 1800s, archaeologists were stunned to discover the perfectly preserved forms of people who had died trying to flee the volcano. They also uncovered graceful courtyards and beautiful homes with elegant tile floors and statues. These discoveries helped scientists learn what the daily life of the ancient Romans might have been like. In 2002, they found that the port area along the Gulf of Naples had houses built on stilts. Still more mysteries wait to be uncovered.

Every early metaphysical sensation happened there, too—the feeling on a canoe trip of seeing a mountain at dawn, the way a simple rock can be coated with enchantment when it was the place you sat during the first raptures of teenage love. I have few friends left over from high school or college, but I have about forty or fifty lifelong friends from camp, and for decades they did not even realize that Brooksie had a first name.

The rocks are a little gauche, but they are sympathetic. They crowd attentively around me, heads cocked to listen. There’s a gentleness to this place, a sense of peace. I brought nothing but doubt and cynicism and faithlessness here, but I found something that I didn’t expect. The stones gave out grace in return for my doubt. They had no answers, and certainly no age-old wisdom that could infuse into me like medicine. As I sit, I find they offer an exchange of gifts, a place where I can bring my troubled self and turn its turmoil into an offering that will pattern the stones, wear them smooth, start to charge them with the life they have yet to fully attain. Stone remembers just like clay, but it is we, the humans, who often split at the seams.

The forest, I believe, will stay with Bert as he ages. It is a deep terrain, a place of unending variance and subtle meaning. It is a complete sensory environment, whispering with sounds that nourish rather than enervate, with scents that carry information more significant than “nasty” or “nice.” It is different each time you meet it, changing with the seasons, the weather, the life cycles of its inhabitants. It is marked by history and mythologies; stories effortlessly spin from its depths. It is safe from the spite of suburban playgrounds, and dangerous in a way that insurance won’t indemnify. Dig beneath its soil, and you will uncover layers of life: the frail networks of mycelia, the burrows of animals, the roots of trees. Bring questions into this space and you will receive a reply, though not an answer. Deep terrain offers up multiplicity, forked paths, symbolic meaning. It schools you in compromise, in shifting interpretation. It will mute your rationality and make you believe in magic. It removes time from the clock face and reveals the greater truth of its operation, its circularity and its vastness. It will show you rocks of unfathomable age and bursts of life so ephemeral that they are barely there. It will show you the crawl of geological ages, the gradual change of the seasons, and the countless micro-seasons that happen across the year. It will demand your knowledge: the kind of knowledge that’s experiential, the kind of knowledge that comes with study. Know it—name it—and it will reward you only with more layers of detail, more frustrating revelations of your own ignorance. A deep terrain is a life’s work. It will beguile, nourish, and sustain you through decades, only to finally prove that you, too, are ephemeral compared to the rocks and the trees.