Empty Wrapper Quotes

I coiled my empty straw wrapper around like a snake. Then I bit it before it could bite me. My love is as dangerous as my drinking habits.


She did not seem to want to speak, or perhaps she was not able to, but she mad timid motions toward Neville, holding something in her outstretched hand. "Again?" said Mrs. Longbottom, sounding slightly weary. "Very well, Alice dear, very well- Neville, take it, whatever it is..." But Neville had already stretched out his hand, into which his mother dropped an empty Droobles Blowing Gum wrapper. "Very nice, dear," said Neville's grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, "Thanks Mum." His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he'd ever found anything less funny in his life. "Well, we'd better get back," sighed Mrs. Longbottom, drawing on her long green gloves. "Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now..." But as they left, Harry was sure he saw Neville slip the wrapper into his pocket.

There are three things you never want to find in your boyfriend's locker: a sweaty jockstrap, a D minus on last week's history test, and an empty condom wrapper. Lucky me, I'd hit the trifecta.

I'm pleased to see that the cab is cluttered with cough drop wrappers and empty milk bottles and bits of mud-smeared newspapers made brittle by age. Neatness makes me feel like I have to be on my best behavior. Clutter is my natural habitat.

The cafe door opened. A young man in dusty white leathers entered, and the wind blew in empty crisp packets and newspapers and ice cream wrappers in with him. They danced around his feet like excited children, then fell exhausted to the floor.

After a snowstorm is the best time to be in the woods, because all the empty beer and soda cans and candy wrappers disappear, and you don't have to try as hard to be in another time. Plus there's just something beautiful about walking on snow that nobody else has walked on.

We move quickly, shoving the empty wrappers out of sight. I hear her faint footsteps climb the stairs and realize I still have my burger in hand. Before I can think better of it, I pull the collar of Ruthie’s top open and throw it down her shirt.

I finished loading the dishwasher, and then circled the couch to make sure I hadn’t missed any visible empty condom wrappers. That was never fun to explain. The fact that I had bagged a good portion of beautiful coeds at this school was no secret, but I didn’t see a reason to remind them when they came to my apartment. It was all about presentation.

What would be the best therapy? Punching the evil sod in the knob! [...] It doesn't undo it though. You'd feel good for a second and then there's just emptiness. It's like bingeing. After the chocolate there's the wrappers.

I’ve got a surprise.” Jase opens the door of the van for me a couple days later. I haven’t seen Tim or Nan since the incident at the B&T, and I’m secretly glad for a break from the drama. I slide into the van, my sneakers crunching into a crumpled pile of magazines, an empty Dunkin’ Donuts coffee cup, various Poland Spring and Gatorade bottles, and lots of unidentifiable snack wrappers. Alice and her Bug are evidently still at work. “A surprise, for me?” I ask, intrigued. “Well, it’s for me, but you too, kind of. I mean, it’s something I want you to see.” This sounds a little unnerving. “Is it a body part?” I ask. Jase rolls his eyes. “No. Jeez. I hope I’d be smoother than that.” I laugh. “Okay. Just checking.

The lounge is empty of bodies but full of debris: wineglasses, ashtrays, food wrappers, and a pair of silk boxer shorts over the Boer War rifle

I figured my own body as an item of garbage, an empty wrapper or a half-eaten and discarded piece of fruit.

It was the ultimate jilted ex-girlfriend moment. Empty boxes and wrappers of Tastykakes littered the bedroom floor while Celine Dion's "All By Myself" blasted away for the 100th time. Tears streamed down my face as I devoured the last cupcake. There was no point getting out of bed. I had Celine, a box of tissues, and was moving on to the Butterscotch Krimpets next.

Realization of his philandering arrived via an empty condom wrapper tucked in the back pocket of his jeans as I, the dutifully dumb girlfriend, decided to do him a favor by throwing some of his laundry in with mine.

When Elisa arrives at McDonald’s, the manager unlocks the door and lets her in. Sometimes the husband-and-wife cleaning crew are just finishing up. More often, it’s just Elisa and the manager in the restaurant, surrounded by an empty parking lot. For the next hour or so, the two of them get everything ready. They turn on the ovens and grills. They go downstairs into the basement and get food and supplies for the morning shift. They get the paper cups, wrappers, cardboard containers, and packets of condiments. They step into the big freezer and get the frozen bacon, the frozen pancakes, and the frozen cinnamon rolls. They get the frozen hash browns, the frozen biscuits, the frozen McMuffins. They get the cartons of scrambled egg mix and orange juice mix. They bring the food upstairs and start preparing it before any customers appear, thawing some things in the microwave and cooking other things on the grill. They put the cooked food in special cabinets to keep it warm.

Clutter attracts clutter. If you drop the mail on the kitchen counter, someone else is going to find it natural to leave his keys there. A dresser with receipts is also going to collect coins. A purse dropped in the entry is soon going to be joined by shoes and gloves. An empty soda can on the end table usually winds up with a few candy wrappers next to it.

That was when the carnival ended for Jessie Mahout. Ended? No, that wasn’t right. It was as if she had been afforded a momentary glimpse behind the carnival; had been allowed to see the gray and empty fields of autumn that were the real truth: nothing but empty cigarette wrappers and used condoms and a few cheap broken prizes caught in the tall grass, waiting to either blow away or be covered by the winter snows.

Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.

He woke up alone. Lilah had rocked his world once, twice... he leaned over the bed to county empty condom wrappers.. three times, and then she'd Walked off before dawn. That was usually his role. "My own fault," he told the mutt, who was sitting on his chest. "I was easy." "Arf," the dog said in complete agreement, and licked Brady's chin. "You're one to judge," Brady said in disgust. "If someone even thinks about petting you, you drop and expose your kibble and bits. No soldier worth his salt does that. "You're like a damn dog." "Arf." "Okay, good point," he said, shaking his head. "You are a dog. And so, apparently, am I.

Moses threw the spent cigarette butt to the ground. It bounced once then lay still. A lazy wisp of smoke drifted towards the reaching shadows. He pushed himself to his feet and brushed flakes of grit from the seat of his jeans. Stuffing his hands in his pockets, he moved away from the pipe and began to negotiate a route down the alley. A rivulet of cans, wrappers and remnants of kebabs dotted the ground like flotsam; the waste of nights past, discarded by the nameless, faceless masses marking their territories with futile gestures. Oh, sure, the trash was still emptied these days – there were still garbage men around, but it just delayed the inevitable, prolonging the agony of a tired and dying world.

Tommy, Kate and Jesse emerged from the cab, and were hit instantly by the smell of New Jersey. The scent was like something caught between the Fulton Fish Market on a hot summer day and mildewed newspaper. Their thick-bearded driver had followed Jesse’s explicit directions without fault, but he was still a little tentative behind the wheel. After four other cabbies on Broadway said, “I no go Jersey,” (and after Tommy subsequently responded with, “I don’t blame you pal”), they finally found a driver who reluctantly agreed to take them to the once-familiar warehouse. The three of them were so calm and stiff along the way; the only signs of life in the taxi seemed to be the empty coffee cups and candy wrappers sliding back and forth across the dashboard.

Some of the most unrecognized ministries are my favorite kind. Like the ministry of playing video games with awkward adolescent boys. The ministry of bringing takeout food to people whose baby is very sick in the hospital. The ministry of picking up empty chip wrappers at the park. The ministry of sending postcards. The ministry of sitting in silence with someone in the psych ward. The ministry of sending hilarious and inspirational text messages. The ministry of washing dishes without being asked. The ministry of flower gardening. The ministry of not laughing at teenagers when they talk about their relationship crises. The ministry of making an excellent cup of coffee. The ministry of drinking a terrible cup of coffee with a bright smile. The ministry of noticing beauty everywhere - in fabrics, in art, and in the wilderness.

But when I closed my eyes and pictured the house in that moment, it wasn't empty. The pastel depths of my mother's swollen closet lured me back. I went inside and peeked out between her hanging silk blouses at the rough beige carpeting of her bedroom, the cream ceramic lamp on her nightstand. My mother. And then I traveled up the hall, through the French doors, into my father's study: a dried plum pit on a tea saucer, a stack of papers he'd marked in red, mechanical pencils, yellow legal pads that flared open like daffodils. Journals and magazine and newspapers and manila folders, gummy pink erasers that struck me suddenly as somehow genital. Squat glass bottles of Canada Dry a quarter full. A chipped crystal dish of oxidizing paper clips, loose change, a crumped lozenge wrapper, a button he had meant to sew back onto a shirt but never did. My father.

The loud banging on Himari’s door could only be one person, only one person in the world knocked like that, her neighbor Filippo ben Vincente. “I am not home,” Himari yelled, refusing to leave her nest on the couch. “I have your favorite… amaretti. Still warm from the oven,” Filippo coaxed. Himari looked at the junk food wrappers scattered on the coffee table and thought about her empty kitchen. Filippo’s cookies were divine. “Make me a cappuccino, too?” “Yes, I make you two cappuccino. Come on.” Himari rolled her eyes. She stopped correcting his English, especially when she found it charming. Shuffling to the door, she pulled it open and gave him a reluctant smile. He threw up his hands and said, “Mamma Mia, look at you, eh? What is this you are wearing? It’s the same clothes since two days ago, and they were disgusting then.” “Shut up and give me cookies.” Himari moved past him, seeing his studio door ajar.

[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;

The filth of these all-male rooms was horrifying. Moldy mandarin orange skins clung to the bottoms of wastebaskets. Empty cans used for ashtrays held mounds of cigarette butts, and when these started to smolder they’d be doused with coffee or beer and left to give off a sour stink. Blackish grime and bits of indefinable matter clung to all the bowls and dishes on the shelves, and the floors were littered with ramen wrappers and empty beer cans and lids from one thing or another. It never occurred to anyone to sweep up and throw these things in a wastebasket. Any wind that blew through would raise clouds of dust. Each room had its own horrendous smell, but the components of that smell were the same: sweat and body odor and garbage. Dirty clothes would pile up under the beds, and without anyone bothering to air the mattresses on a regular basis, these sweat-impregnated pads would give off odors beyond redemption. In retrospect, it seems amazing that these shit piles gave rise to no killer epidemics.

PERCY AND PADFOOT Harry was the first to awake in his dormitory next morning. He lay for a moment watching dust swirl in the chink of sunlight falling through the gap in his four-poster’s hangings and savored the thought that it was Saturday. The first week of term seemed to have dragged on forever, like one gigantic History of Magic lesson. Judging by the sleepy silence and the freshly minted look of that beam of sunlight, it was just after daybreak. He pulled open the curtains around his bed, got up, and started to dress. The only sound apart from the distant twittering of birds was the slow, deep breathing of his fellow Gryffindors. He opened his schoolbag carefully, pulled out parchment and quill, and headed out of the dormitory for the common room. Making straight for his favorite squashy old armchair beside the now extinct fire, Harry settled himself down comfortably and unrolled his parchment while looking around the room. The detritus of crumpled-up bits of parchment, old Gobstones, empty ingredient jars, and candy wrappers that usually covered the common room at the end of each day was gone, as were all Hermione’s elf hats. Wondering vaguely how many elves had now been set free whether they wanted to be or not, Harry uncorked his ink bottle, dipped his quill into it,

Neville’s mother had come edging down the ward in her nightdress. She no longer had the plump, happy-looking face Harry had seen in Moody’s old photograph of the original Order of the Phoenix. Her face was thin and worn now, her eyes seemed overlarge, and her hair, which had turned white, was wispy and dead-looking. She did not seem to want to speak, or perhaps she was not able to, but she made timid motions toward Neville, holding something in her outstretched hand. “Again?” said Mrs. Longbottom, sounding slightly weary. “Very well, Alice dear, very well — Neville, take it, whatever it is . . .” But Neville had already stretched out his hand, into which his mother dropped an empty Drooble’s Blowing Gum wrapper. “Very nice, dear,” said Neville’s grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, “Thanks Mum.” His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he’d ever found anything less funny in his life. “Well, we’d better get back,” sighed Mrs. Longbottom, drawing on long green gloves. “Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now . . .” But as they left, Harry was sure he saw Neville slip the wrapper into his pocket. The door closed behind them.

I was not above filching empty candy bar wrappers from trash bins at the park or picking up the back cards of batteries from store parking lots. My children all sported Hershey shirts but ate very few of the required candy bars themselves to get them. Trips to the pool were the most rewarding, where candy was sold at the concession stand and the trash receptacles were overflowing with wrappers. On neighborhood trash day, the children and I walked up and down the alleys, where we confiscated extra Pampers points to send in for savings bonds and toys. Even the tennis shoes my children wore on these jaunts were obtained free from the Huggies diaper company.

Our human self is just a wrapper, a shell to hold us in, so that we can settle our debts and learn some things that we could not learn otherwise. We shall cast aside that shell as soon as the lesson is learned. In truth, we are the essence of the divine experiencing itself. We cannot be contained, we are expansive, formless and radiant. Our human self is no more than a transient vehicle, fit for purpose. Our true self is no less than empty, joyful, eternal love.

Our garage is filled floor to ceiling with stuff. Stacks of plastic bins are filled with old papers and receipts and baby clothes and toys and tangled jewelry and journals and Christmas decorations and old candy bar wrappers and expired makeup and empty shampoo bottles and broken mug pieces in Ziploc bags.

It was too cool for ice cream. A hill wind was blowing dust and empty Camel wrappers about their ankles. It pushed their dresses into the creases of their behinds, then lifted the hems to peek at their cotton underwear.

Milton took out his Sig and went inside. The first room used to be a kitchen. Old appliances had been left to rot, with anything that could be easily removed long since sold for scrap. The walls were partially stripped and scabbed with lead paint, and the remnants of a twee wallpaper that depicted an Alpine scene had been left to peel away like patches of dead, flaking skin. Empty cardboard boxes and fast-food wrappers were scattered on the floor. A single man, strung out and emaciated, was slumped against the wall. He was unconscious, and Milton would not have been able to say whether he was dead or alive. He heard low conversation from the front of the house and set off towards it. The junkie’s arm swept around sharply and his eyes swam with drunken stupor, but he paid Milton no heed as he passed through the room.

chicken remains, wads of paper towels, empty soup cans, lunch-meat wrappers, and God knows what else.

Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him. Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors. It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit. In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared. She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place. “Sinclair, I hate to ask, but what are you doing?” He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.” He almost ran off the road. “Why?” “Your scintillating conversation was putting me to sleep.” His dark brows knit together but he seemed to have no answer to that. She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly. But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button. Good Lord. She turned back around. “What did you learn?” Paul finally asked. “You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.

A loud snap made them all jump. Professor Lupin was breaking an enormous slab of chocolate into pieces. “Here,” he said to Harry, handing him a particularly large piece. “Eat it. It’ll help.” Harry took the chocolate but didn’t eat it. “What was that thing?” he asked Lupin. “A dementor,” said Lupin, who was now giving chocolate to everyone else. “One of the dementors of Azkaban.” Everyone stared at him. Professor Lupin crumpled up the empty chocolate wrapper and put it in his pocket. “Eat,” he repeated. “It’ll help. I need to speak to the driver, excuse me . . .

Why, especially the street sweepers! Those unsung few who rise at dawn and trod the empty avenues gathering up the refuse of the era. Not simply the matchbooks, candy wrappers, and ticket stubs, mind you; but the newspapers, journals, and pamphlets; the catechisms and hymnals, histories and memoirs; the contracts, deeds, and titles; the treaties and constitutions and all Ten Commandments. Sweep on, street sweepers! Sweep until the cobblestones of Russia glitter like gold!]

I cry until all that remains is a loveless, empty, unfeeling core of nothingness. I become that hardened center and shed the tender, tear-soaked wrapper. It falls off like tattered clothes and litters the ground. Then I step away from the debris.

All gone. The carny just left town, pulled stakes in the middle of everything and blew town, no one left but this here kid Garraty to face the emptiness of flattened candy wrappers and squashed cigarette butts and discarded junk prizes.

Instinctively, Cody glanced over but all he could see was the gaping silver-rimmed muzzle of a snub-nosed large caliber revolver an inch from his eye. The cylinder revolved, filled with dull lead bullets, as the trooper pulled the trigger. There was a tremendous explosion of light and thunder. He could no longer see out of his right eye, but it was more than that. There was no pain, only tremendous silence. Then he was floating, light as air, as if his lungs had filled with helium. He passed through the sheet metal roof of his pickup into the night, which was no longer cold. As he rose his eyesight was restored but he no longer had feeling in his limbs and his arms hung loose at his sides. He looked down. He could see the top of his pickup from above, the bed of his truck which was empty except for a crumpled fast-food wrapper in the corner, then the rusted metal roof of the First National Bar. The windows of his pickup strobed three more times but there was no sound and he felt nothing. Cody’s life didn’t pass before his eyes, but he clearly saw the photo of Justin in his football uniform and a vision of Jenny sleeping in bed from years before they separated the first time and he rose until he could see the river and the ribbon of highway through the valley and Jimmy and the truck driver emerge from the bar and stand on the porch and he knew what happened to those poor girls and he felt both cheated and angry at the same time and he wished he could do it all over again, everything. Especially the last five minutes. Then nothing. No sound, smell, or sight. Peace.

Baskets of dim sum rested on the glass lazy Susan: spicy phoenix claws, plump purses of har gow, shumai topped with green pea crowns, and airy wu gok. I had learned from previous meetings that the old man was adamant about following tradition, which meant I had to arrive with an empty stomach. Refusing offered food was an insult Old Wu didn't take lightly. I helped myself to a sample of each dish. Made of minced pork with a paper-thin wrapper, the steamed shumai was tender, and the har gow was juicy with the shrimp with bamboo shoots highlighted by a peekaboo skin. Then I bit into the wu gok, a fried taro puff with a wispy, crunchy shell and a dripping shrimp and pork filling. The powdery creaminess of the dish made this my favorite of the bunch.

It ain't my idea to leave before dawn. My ole lady decided to visit Nana, that's why the house stinks of hairspray. You know why she's leaving early: so nobody sees her scurry through town on foot. All she wants is for them to see her arrived, all hunky-dory. Not scurrying. It's a learning I made since the car went. 'Well I just can't believe there isn't a pair of Tumbledowns around town, I mean, I'll have to try down by Nana's.' She gives off breathy noises, and flicks her fingertips through my hair. Then she takes a step back and frowns. It means goodbye. 'Promise me you won't miss your therapy.' An electric purple sky spills stars behind the pumpjack, calling home the last moths for the night. It reminds me of the morning when ole Mrs Lechuga was out here, all devastated. I try not to think about it. Instead I look ahead to today. Going to Keeter's is a smart idea; if anybody sees me out there, they'll say, 'We saw Vernon out by Keeter's,' and nobody will know if they mean the auto shop, or the piece of land. See? Vernon Gray-matter Little. In return, I've asked Fate to help me solve the cash thing. It's become clear that cash is the only way to deal with problems in life. I even scraped up a few things to pawn in town, if it comes to that. I know it'll come to that, so I have them with me in my pack – my clarinet, my skateboard, and fourteen music discs. They're in the pack with my lunchbox, which contains my sandwich, the two joints, and a piece of paper with some internet addresses on it. As for the joints and the piece of paper, I heard the voice of Jesus last night. He advised me to get wasted, fast. If at first you don't succeed, he said, get wasted off your fucken ass. My plan is to sit out at Keeter's and get some new ideas, ideas borne out of the bravery of wastedness. I ride down empty roads of frosted silver, trees overhead swish cool hints of warm panties in bedclothes. Liberty Drive is naked, save for droppings of hay, and Bar-B-Chew Barn wrappers. In this light you can't see the stains on the sidewalk by the school. As the gym building passes by, all hulky and black, I look the other way, and think of other things. Music's a crazy thing, when you think about it. Interesting how I decided which discs not to pawn. I could've kept some party music, but that would've just tried to boost me up, all this thin kind of 'Tss-tss-tss,' music. You get all boosted up, convinced you're going to win in life, then the song's over and you discover you fucken lost. That's why you end up playing those songs over and over, in case you didn't know. Cream pie, boy. I could've kept back some heavy metal too, but that's likely to drive me to fucken suicide. What I need is some Eminem, some angry poetry, but you can't buy that stuff in Martirio. Like it was an animal sex doll or something, you can't buy angry poetry. When you say gangsta around here, they still think of Bonnie & fucken Clyde. Nah, guess what: I ended up keeping my ole Country albums. Waylon Jennings, Willie Nelson, Johnny Paycheck – even my daddy's ole Hank Williams compilation. I kept them because those boys have seen some shit – hell, all they sing about is the shit they've seen; you just know they woke up plenty of times on a wooden floor somewhere, with ninety flavors of trouble riding on their ass. The slide-guitar understands your trouble. Then all you need is the beer.