Empty Threats Quotes

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I have always felt that violence was the last refuge of the incompetent, and empty threats the last sanctuary of the terminally inept.
Neil Gaiman (Neverwhere)
Mind my words, Cheshire, I will have you banished from this kingdom if you tempt me." "An empty threat from an empty girl." She rounded on him, teeth flashing. "I am not empty. I am full to the brim with murder and revenge. I am overflowing and I do not think you wish for me to overflow on to you." "There was a time" – Cheshire yawned – "when you overflowed with whimsy and icing sugar. I liked that Catherine better.
Marissa Meyer (Heartless)
A gown does not make a bride, just as a few empty threats do not make a rebel.
Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here." "The sign says employee parking only." "How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class." "The sign says violators will be towed." "They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about." ....... Vee came to a halt. "What is THAT?" We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire. "I think it's a car boot," I said. "I can see that. What's it doing on my car?" "I guess when they say all violators will be towed, they mean it.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Men often react to women’s words—speaking and writing—as if they were acts of violence; sometimes men react to women’s words with violence. So we lower our voices. Women whisper. Women apologize. Women shut up. Women trivialize what we know. Women shrink. Women pull back. Most women have experienced enough dominance from men—control, violence, insult, contempt—that no threat seems empty.
Andrea Dworkin (Intercourse)
Who was the Thief that she would love him? A youth, just a boy with hardly a beard and no sense at all... A liar, she thought, an enemy, a threat. He was brave, a voice inside her said, he was loyal... A fool, she answered back. A fool and a dead one. She ached with emptiness.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
The marquis breathed heavily on his fingernails and polished them on the lapel of his coat. "I have always felt," he said, "that violence was the last refuge of the incompetent, and empty threats the final sanctuary of the terminally inept.
Neil Gaiman (Neverwhere (London Below, #1))
If you know me at all, then you'll know this isn't an empty threat from a pussy who likes to knock women around. This is coming from a man. A man who'll laugh all the way to the gas chamber as your mother cries all thew ay to your fucking grave. Do you understand me?
Gail McHugh (Pulse (Collide, #2))
I have always felt,” he said, “that violence was the last refuge of the incompetent, and empty threats the final sanctuary of the terminally inept.
Neil Gaiman (Neverwhere)
Discipline" is a difficult word for most of us. It conjures up images of somebody standing over you with a stick, telling you that you're wrong. But self-discipline is different. It's the skill of seeing through the hollow shouting of your own impulses and piercing their secret. They have no power over you. It's all a show, a deception. Your urges scream and bluster at you; they cajole; they coax; they threaten; but they really carry no stick at all. You give in out of habit. You give in because you never really bother to look beyond the threat. It is all empty back there. There is only one way to learn this lesson, though. The words on this page won't do it. But look within and watch the stuff coming up-restlessness, anxiety, impatience, pain-just watch it come up and don't get involved. Much to your surprise, it will simply go away. It rises, it passes away. As simple as that. There is another word for self-discipline. It is patience.
Henepola Gunaratana
You weren’t meant for the ice, you weren’t made for the pain. The world that lives inside of me was not the world you were meant to contain. You were meant for castles and living in the sun. Thecold running through me should have made you run. Yet you stay. Holding onto me, yet you stay, reachingout a hand that I push away. The cold is not meant for you yet you stay, you stay, you stay. When I know it’s not right for you. The ice fills my veins and I can’t feel the pain, yet you’re there like the heat that sends me screaming in fear. I can’t feel the warmth I need to feel the ice. I want to hold it all in and numb it till I can’t feel the knife. Your heat threatens to melt it all and I know I can’t bear the pain if the ice melts away. So I push you away and I scream out your name and I know I can’t need you yet you give anyway and I run wishing you would run too. Yet you stay. Holding onto me yet you stay reaching out a hand that I push away. The cold is not meant for you yet you stay, you stay, you stay. When I know it’s not right for you. The blackness is my shield. I pull it closer still. You’re the light that I hide from, the light that I hate. You’re the light to this darkness and I can’t let you stay. I need the dark around me like I need the ice in my veins. The cold is my healer. The cold is my safe place. Youaren’t welcome with your heat you don’t belong beside me. I hate you yet I love, I don’t want you yet I need you. The dark will always be my cloak and you are the threat to unveil my pain, so leave. Leave and erase the memories. I need to face the life that’s meant for me. Don’t stay and ruin all my plans. You can’t have my soul I’m not a man. The empty vessel I dwell in is not meant to feel the heat you bring. I push you away and I push you away. Yet you stay.
Abbi Glines (Existence (Existence, #1))
It was clear that in a past life the detective had been a phone booth beside an empty highway.
Amelia Gray (Threats)
I have always felt,” he said, “that violence was the last refuge of the incompetent, and empty threats
Neil Gaiman (Neverwhere (London Below, #1))
Some in the outside world might call our traumas trivial. Were you gang-raped? Sold into slavery? Imprisoned in a concentration camp? Did you accidentally tweet a naked picture of yourself to twenty million strangers? No? Then stop whining! They would not understand that it is possible to be annihilated by a smirk, a scowl, an empty threat.
Anneli Rufus (Unworthy: How to Stop Hating Yourself)
Sometimes, Even if we know, It’s an empty threat, It still feels like a Punch in the belly!
Jyoti Patel (The Forest of Feelings)
Especially when ultimate decisions of peace and war are involved, a strategist must be aware that bluffs may be called and must take into account the impact on his future credibility of an empty threat.
Henry Kissinger (On China)
If a society has no moral foundations then success is a threat. Every successful person thinks everyone else is a failure, and this is the proof of failure. Conquering the world and dying empty-handed on foreign shores is a paradox of such success.
Wasif Ali Wasif
violence is the last refuge of the incompetent, and empty threats the final sanctuary of the terminally inept.
Neil Gaiman (Neverwhere (London Below, #1))
I have always felt,” he said, “that violence is the last refuge of the incompetent, and empty threats the final sanctuary of the terminally inept.
Neil Gaiman (Neverwhere (London Below, #1))
Empty threats are for dreamers. And I fancy myself a realist.
Natalya Vorobyova
Of all the — you stupid cat! I will leave you here!” He would do no such thing, but empty threats were better than no threats at all.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Of all the— You stupid cat! I will leave you here!” He would do no such thing, but empty threats were better than no threats at all.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Gethen shouted threats as they left, but the warnings were as empty as his sandy cell. His final words to Keefe were the only ones with any impact. “You’re choosing the wrong side, boy. You’ll regret it when you see your mother’s vision realized. But then it’ll be too late.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
I play because my loneliness is very great, very deep- I fear it has no bottom at all! I stand on the edge of an abyss and hurl words, many heavy words, into it, but they fall without a sound. I hurl into it laughter, threats and moans. I spit into it. I fling into it heaps of stones and rocks. I throw mountains into it- ant still it remains silent and empty.
Leonid Andreyev (Judas Iskarijotas. Šėtono dienoraštis)
Goodbye forever" is the perfect joke, because forever is impossible. Every night I say it, and every morning I see my father again. Forever is meaningless. Tough talk, an empty threat. Forever is our secret handshake. Our code word. Our decoder ring. Not a measurement of time at all. I know this because "Goodbye Forever" comes easily. The passage of actual time is much more difficult.
Joey Comeau (Malagash)
If things do not exist as fixed, independent entities, then how can they die? Our notion of death as the sudden expiration of that which was once so real starts to unwind. If things do not exist in their own right and are flickering rather than static, then we can no longer fear their ultimate demise. We may fear their instability, or their emptiness, but the looming threat of death starts to seem absurd. Things are constantly dying, we find. Or rather, they are constantly in flux, arising and passing away with each moment of consciousness.
Mark Epstein (Going on Being: Buddhism and the Way of Change)
Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
The greatest single threat to an investigator is unfamiliarity with his environment.
Jeffery Deaver (The Empty Chair (Lincoln Rhyme, #3))
Satan is full of lies and empty threats and will use whatever he can grab hold of to twist our understanding away from God's. But God will always prevail.
Robby Dawkins (Identity Thief: Exposing Satan's Plan to Steal Your Purpose, Passion and Power)
I have always felt,” he said, “that violence is the last refuge of the incompetent, and empty threats the final sanctuary of the terminally inept.” Mr.
Neil Gaiman (Neverwhere)
He would do no such thing, but empty threats were better than no threats at all.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
that violence was the last refuge of the incompetent, and empty threats the final sanctuary of the terminally inept.
Neil Gaiman (Neverwhere)
The contemplative life remains freely available to us through our choices—what we read and buy, how we commit to leisure and self-improvement, the passing over of empty temptation, our preservation of the quiet spaces, an intentional striving to become the masters of our mastery.
Franklin Foer (World Without Mind: The Existential Threat of Big Tech)
It was, for the time being, an empty threat, and he must have sensed it also, for he laughed easily and with contempt. “You will do what your masters tell you to do, doctor. As do we all.
Iain Pears (An Instance of the Fingerpost)
Not to know the end of the tale filled me with a sense of emptiness, loss. I hungered for the sharp, frightening, breathtaking, almost painful excitement that the story had given me, and I vowed that as soon as I was old enough I would buy all the novels there were and read them to feed that thirst for violence that was in me, for intrigue, for plotting, for secrecy, for bloody murders. So profoundly responsive a chord had the tale struck in me that the threats of my mother and grandmother had no effect whatsoever. They read my insistence as mere obstinacy, as foolishness, something that would quickly pass; and they had no notion how desperately serious the tale had made me. They could not have known that Ella's whispered story of deception and murder had been the first experience in my life that had elicited from me a total emotional response. No words or punishment could have possibly made me doubt. I had tasted what to me was life, and I would have more of it, somehow, someway.
Richard Wright
I come from Chino, so all your threats are empty.
John Darnielle
In your absence now time is like an empty silence, where untamed memories scream with no threat of separation, in the cruel eternity of autumn.
Chaitali Sengupta (Cross-Stitched Words)
You weren’t meant for the ice, you weren’t made for the pain. The world that lives inside of me was not the world you 75 Existence were meant to contain. You were meant for castles and living in the sun. The cold running through me should have made you run. Yet you stay. Holding onto me, yet you stay, reaching out a hand that I push away. The cold is not meant for you yet you stay, you stay, you stay. When I know it’s not right for you. The ice fills my veins and I can’t feel the pain, yet you’re there like the heat that sends me screaming in fear. I can’t feel the warmth I need to feel the ice. I want to hold it all in and numb it till I can’t feel the knife. Your heat threatens to melt it all and I know I can’t bear the pain if the ice melts away. So I push you away and I scream out your name and I know I can’t need you yet you give anyway and I run wishing you would run too. Yet you stay. Holding onto me yet you stay reaching out a hand that I push away. The cold is not meant for you yet you stay, you stay, you stay. When I know it’s not right for you. The blackness is my shield. I pull it closer still. You’re the light that I hide from, the light that I hate. You’re the light to this darkness and I can’t let you stay. I need the dark around me like I need the ice in my veins. The cold is my healer. The cold is my safe place. You aren’t welcome with your heat you don’t belong beside me. I hate you yet I love, I don’t want you yet I need you. The dark will always be my cloak and you are the threat to unveil my pain, so leave. Leave and erase the memories. I need to face the life that’s meant for me. Don’t stay and ruin all my plans. You can’t have my soul I’m not a man. The empty vessel I dwell in is not meant to feel the heat you bring. I push you away and I push you away. Yet you stay.
Abbi Glines (Existence (Existence, #1))
Be honest with yourself. You were at your lowest and broken down. You were unsure and lost hope. You were hiding your fears until you showed them on your sleeve. You felt like everything and everyone was the hammer and you were the nail as they were beating down on you, and it was never-ending. Their empty threats had you scared and you were always running because your weakness was exposed. You were their prey. You didn’t know who to believe because of their mixed signals. You might not see it now, but you are stronger than you can ever imagine. You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chessboard. The king is the most important piece, but the difference is that the queen is the most powerful piece! You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’. Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want. Queen! You are a queen! As a matter of fact, you are the queen! Act as if you know it! You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action. Lights, camera, strike a pose and own it! It is yours to own! Yes, you loved and loved so much. You also lost as well, but you lost hurt, pain, agony, and confusion. You’ve lost interest in wanting to know answers to unanswered questions. You’ve lost the willingness to give a shit about what others think. You’ve surrendered to being fine, that you cannot change the things you have no control over. You’ve lost a lot, but you’ve gained closure. You are now balanced, centered, focused, and filled with peace surrounding you in your heart, mind, body, and soul. Your pride was hurt, but you would rather walk alone and be more willing to give and learn more about the queen you are. You lost yourself in the process, but the more you learn about the new you, the more you will be so much in love with yourself. The more you learn about the new you, the more you will know your worth. The more you learn about the new you, the happier you are going to be, and this time around you will be smiling inside and out! The dots are now connecting. You feel alive! You know now that all is not lost. Now that you’ve cut the cord it is time to give your heart a second chance at loving yourself. Silence your mind. Take a deep breath and close your eyes. As you open your eyes, look at your reflection in the mirror. Aren’t you beautiful, Queen? Embrace who you are. Smile, laugh, welcome the new you and say, “My world is just now beginning.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
And so incessant, it seemed to him later, had been this tyranny of strength, that in his young wild twenties when his great boneframe was powerfully fleshed at last, and he heard about him the loud voices, the violent assertion, the empty threat, memory would waken in him a maniacal anger, and he would hurl the insolent intruding swaggerer from his path, thrust back the hostler, glare insanely into fearful surprised faces and curse them.
Thomas Wolfe (Look Homeward, Angel)
The post-Reagan vacuum is doubly curious because Reagan was himself a vacuum (or seems so to this European outsider), an empty stage-set of a personality across which moved cut-out cartoon figures, dragon ladies or demons of the evil empire, manipulated by others far more ambitious than himself. Many people have commented on his complete lack of ideas and his blurring of fiction and reality in his stumbling recall of old movies. But Reagan's real threat is the compelling example he offers to future film actors and media manipulators with presidential ambitions, all too clearly defined ideas and every intention of producing a thousand-year movie out of them.
J.G. Ballard (The Atrocity Exhibition)
You may be sure that you are at peace with yourself,” Seneca wrote, “when no noise reaches you, when no word shakes you out of yourself, whether it be flattery or a threat, or merely an empty sound buzzing about you with unmeaning sin.
Ryan Holiday (Stillness is the Key)
...The coarse rhetoric and reduction of women to violently empty reproductive organs isn't a great way to argue against Trump's vulgarity. The unhinged rhetoric, violent anti-speech street protests,and hysteria currently on display don't make Trump look like he's a unique threat.
Mollie Hemingway
The purpose of such propaganda phrases as "war on terrorism" and attacking "those who hate freedom" is to paralyze individual thought as well as to condition people to act as one mass, as when President Bush attempted to end debate on Iraq by claiming that the American people were of one voice. The modern war president removes the individual nature of those who live in it by forcing us into a uniform state where the complexities of those we fight are erased. The enemy-terrorism, Iraq, Bin Laden, Hussein-becomes one threatening category, something to be defeated and destroyed, so that the public response will be one of reaction to fear and threat rather than creatively and independently thinking for oneself. Our best hope for overcoming perpetual thinking about war and perpetual fear about both real and imagined threats is to question our leaders and their use of empty slogans that offer little rationale, explanation or historical context.
Nancy Snow (Information War: American Propaganda, Free Speech, and Opinion Control Since 9/11)
The citizens of the City of Rome, therefore, could not believe it when toward the end of the first decade of the fifth century, they woke to find Alaric, king of the Visigoths, and all his forces parked at their gates. He might as well have been the king of the Fuzzy-Wuzzies, or any other of the inconsequential outlanders that civilized people have looked down their noses at throughout history. It was preposterous. They dispatched a pair of envoys to conduct the tiresome negotiation and send him away. The envoys began with empty threats: any attack on Rome was doomed, for it would be met by invincible strength and innumerable ranks of warriors. Alaric was a sharp man, and in his rough fashion a just one. He also had a sense of humor. “The thicker the grass, the more easily scythed,” he replied evenly. The envoys quickly recognized that their man was no fool. All right, then, what was the price of his departure? Alaric told them: his men would sweep through the city, taking all gold, all silver, and everything of value that could be moved. They would also round up and cart off every barbarian slave. But, protested the hysterical envoys, what will that leave us? Alaric paused. “Your lives.” In that pause, Roman security died and a new world was conceived.
Thomas Cahill (How the Irish Saved Civilization (Hinges of History Book 1))
STARS Here in my head, language keeps making its tiny noises. How can I hope to be friends with the hard white stars whose flaring ad hissing are not speech but a pure radiance? How can I hope to be friends with the yawning spaces between them where nothing, ever, is spoken? Tonight, at the edge of the field, I stood up very still, and looked up, and tried to be empty of words. What joy was it, that almost found me? What amiable peace? Then it was over, the wind roused up in the oak trees behind me and I fell back, easily. Earth has a hundred thousand pure contraltos- even the distant night bird as it talks threat, as it talks love over the cold, black fields. Once, deep in the woods, I found the skull of a bear and it was utterly silent- and once a river otter, in a steel trap, and it too was utterly silent. What can we do but keep breathing in and out, modest and willing, and in our places? Listen, listen, I’m forever saying, Listen to the river, to the hawk, to the hoof, to the mockingbird, to the jack-in-the-pulpit- then I come up with a few words, like a gift. Even as now. Even as the darkness has remained the pure, deep darkness. Even as the stars have twirled a little, while I stood here, looking up, one hot sentence after another.
Mary Oliver
(Charles Morgan, Jr., Southern Director of the ACLU in 1966, upon seeing conditions in the Jefferson County jail): ...I knew that [Southern whites] would have annihilated blacks had they been more literate and less useful. In Hitler's Germany armbands identified Jews. Those with black skin could have been annihilated more easily. But they were the labor pool with which to break strikes. They served as the pickers of cotton, the diggers of ditches. They emptied bedpans and cleaned the outhouses of our lives. Uneducated, property-less, disenfranchised, and excluded from justice, except as defendants, they were no threat to whites. While they remained useful and didn't get 'out of line,' their lives were assured, for no matter how worthless lower-class white folks said blacks were, the rich, well born, and able upper-class whites knew that they and black folks were really the only people indispensably required by Our Southern Way of Life. (188)
Wayne Greenhaw (Fighting the Devil in Dixie: How Civil Rights Activists Took on the Ku Klux Klan in Alabama)
Your daughter needs you to be a rational damn human being,” replied Sloane. “Pull your head out of your ass and stop making empty threats. So she’s pregnant. So what? Sick people have babies all the damn time. Steel Magnolias stopped being relevant years ago. You sit down and you talk to her about what she wants to do, and then you talk to the boyfriend, and you find a way to get all three of you through this.” “I—what?” Holly’s mother stared at Sloane. I did much the same. I couldn’t even find the words to ask her what she was trying to pull. Sloane continued to glare. “If you don’t make this right, then you’re going to lose her forever. Do you get that, or do I need to draw a diagram to hammer it through your thick-ass skull? You’ll become the wicked witch in her private fairy tale, and even if she lives, she’ll never love you again. You’re so close right now. You’re so close that I can smell it. Is that what you want?” Holly’s mother was silent. Sloane took a step forward, eyes blazing. “Is it?” she screamed.
Seanan McGuire (Indexing (Indexing, #1))
Justin stared at the empty doorway, then dropped his head and cursed viciously. He had to leave. His instincts told him that a silken net was closing around him. If he didn’t escape soon, he would be entangled forever in its soft, tenacious bonds. But he couldn’t leave—he didn’t yet have the strength or the resources to evade Dominic Legare. This fragile masquerade was his only protection. The only question was, which threat was greater? The one posed by Dominic Legare…or the one posed by his own brother’s wife.
Lisa Kleypas (Only With Your Love (Vallerands, #2))
What the hell is all this I read in the papers?" "Narrow it down for me," Alan suggested. "I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough." "Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon. "When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?" Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?" "Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well." "Shelby," Alan said, then waited a beat. "Shelby Campbell." Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face. "Campbell!" The word erupted. "A thieving, murdering Campbell!" "Yes,she's fond of MacGregor's as well." "No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you." "You'll have the chance to try this weekend when you meet Shelby." "A Campbell in my house! Hah!" "A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way." "You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?" "I've already asked her.She won't have me...yet," he added. "Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it." Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her." "Ask? Hah! You bring the girl, that daughter of a Campbell, here." Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love." "Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday." As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
Criteria for Borderline Personality Disorder Frantic efforts to avoid real or imagined abandonment A pattern of intense and unstable interpersonal relationships characterized by alternating between extremes of idealization and devaluation Identity disturbance: markedly and persistently unstable self-image or sense of self Impulsivity in at least two areas that is potentially self-damaging Recurrent suicidal behavior, gestures, or threats, or self-mutilating behavior Affective instability due to a marked reactivity of mood Chronic feelings of emptiness Inappropriate, intense anger or difficulty controlling anger Transient, stress-related paranoid ideation or severe dissociative symptoms
Alexander L. Chapman (The Borderline Personality Disorder Survival Guide: Everything You Need to Know About Living with BPD)
Don’t do this,” he begged hoarsely against her temple, crumbling inside. Honor wasn’t the type to make empty threats or do something like this on a whim. No, she meant it and was prepared to go through with it. He had one last shot to change her mind, right now, before he lost her forever. So no, even he wasn’t above begging if that’s what it took to make her stay and work this out. “You said you still love me,” he whispered brokenly. He was holding onto that for all it was worth. It had to be enough. He squeezed her tighter. “I know you’re scared and I know you’re hurting but… Don’t do this. Don’t walk away. Please.” Don’t leave me. She’d never know how much it cost him to beg her this way, but he was so damn scared right now he didn’t care how pathetic it made him look. He’d do or say f-ing whatever it took to get her to listen to reason, make her change her mind. Anything except agreeing to live a lie and hide his true feelings for her from the rest of the world, no matter what the reason. A sob tore out of her. Honor stopped shoving at him. She wound her arms around his back and squeezed so hard he felt the muscles in her arms tremble. Liam closed his eyes and pressed his face against her hair, that painful bubble of hope surfacing again. He could feel her torment, her pain. If he could just calm her down long enough to get her to listen, really listen and then think this through… “Sweet pea, just listen to me,” he began softly. “No, I can’t.” Honor tore away from him and grabbed the doorknob. Before he could recover enough to reach out and stop her, she’d slammed the door shut behind her. Gone.
Kaylea Cross (Collateral Damage (Bagram Special Ops, #5))
Why have intelligence agencies supported Rand Corporation studies and tried to smear communal living? Economics is always behind such laws. By the media’s association of the SLA with communal living, with its constant references to the communal “Peking House,” the suggestion is planted that group housing breeds violence. Communes are bad for business. Twelve people living together can get along with one dishwasher, instead of six. Many young people have left their empty, sterile “nuclear family” homes and created a new kind of extended family that provides them with friendship and support. This is seen as a threat to the status quo with its inbred isolation and suspicions. The Sharon Tate-La Bianca massacres were the first organized assault by the military on the hippie generation. The SLA fits that pattern.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
Criteria for Diagnosing Borderline Personality Disorder 1. Frantic efforts to avoid being or feeling abandoned by loved ones. 2. Instability in relationships, including a tendency to idealize and then become disillusioned with relationships. 3. Problems with an unstable sense of self, self-image, or identity. 4. Impulsivity in at least two areas (other than suicidal behavior) that are potentially damaging, such as excessive spending, risky sex, substance abuse, or binge eating. 5. Recurrent suicidal behavior, including thoughts, attempts, or threats of suicide, as well as intentional self-harm that may or may not be life-threatening. 6. Mood swings, including intense negative mood, irritability, and anxiety. Moods usually last a few hours and rarely more than a few days. 7. Chronic feelings of emptiness. 8. Problems controlling intense anger and angry behavior. 9. Transient, stress-related paranoid thoughts or severe dissociation.
Cedar R. Koons (The Mindfulness Solution for Intense Emotions: Take Control of Borderline Personality Disorder with DBT)
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
What is taking place here should be made very clear: Citizens who are completely innocent of any legal wrongdoing and simply minding their own business--not seeking any litigation and neither convicted nor accused of any legal infraction, criminal or civil--are ordered into court and told to write checks to officials of the court or they will be summarily arrested and jailed, Judges also order citizens to sell their houses and other property and turn the proceeds over to lawyers and other cronies they never hired. Summoning legally unimpeachable citizens to court and forcing them to empty their bank accounts to people they have not hired for services they have neither requested nor received on threat of physical punishment is what most people would call a protection racket. . . Yet family court judges do this as a matter of routine. This is by far the clearest example of what we political scientists term a "kleptocracy," or government by theives.
Stephen Baskerville (Taken Into Custody: The War Against Fathers, Marriage, and the Family)
You have insulted me and degraded me every time I’ve been in your presence. If my brother were here, he’d call you out! Since he is not here,” she continued almost mindlessly, “I shall demand my own satisfaction. If I were a man, I’d have the right to satisfaction on the field of honor, and as a woman I refuse to be denied that right.” “You’re ridiculous.” “Perhaps,” Elizabeth said softly, “but I also happen to be an excellent shot. I’m a far worthier opponent for you on the dueling field than my brother. Now, will you meet me outside, or shall I-I finish you here?” she threatened, so beside herself with fury that she never stopped to think how reckless, how utterly empty her threat was. Her coachman had insisted she learn to fire a weapon for her own protection, but although her aim was excellent when she’d practiced with targets, she had never shot a living thing. “I’ll do no such silly damned thing.” Elizabeth raised the gun higher. “Then I’ll have your apology right now.” “What am I to apologize for?” he asked, still infuriatingly calm. “You may start by apologizing for luring me into the greenhouse with that note.” “I didn’t write a note. I received a note from you.” “You have great difficulty sorting out the notes you send and don’t send, do you not?” she said. Without waiting for a reply she continued, “Next, you can apologize for trying to seduce me in England, and for ruining my reputation-“ “Ian!” Jake said, thunderstruck. “It’s one thing to insult a lady’s handwriting, but spoilin’ her reputation is another. A thing like that could ruin her whole life!” Ian shot him an ironic glance. “Thank you, Jake, for that helpful bit of inflammatory information. Would you now like to help her pull the trigger?” Elizabeth’s emotions veered crazily from fury to mirth as the absurdity of the bizarre tableau suddenly struck her: Here she was, holding a gun on a man in his own home, while poor Lucinda held another man at umbrella point-a man who was trying ineffectually to sooth matters by inadvertently heaping more fuel on the volatile situation. And then she recognized the stupid futility of it all, and that banished her flicker of mirth.
Judith McNaught (Almost Heaven (Sequels, #3))
The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself' - Oshima, 316 I'm empty-handed now. The can of yellow spray paint, the little hatchet- they're history. The daypack's gone as well. No canteen, no food. Not even the compass. One by one I left these behind. Doing this gives a visible message to the forest: I'm not afraid anymore. That's why I choose to be totally defenseless. Minus my hard shell, ust flesh and bones, I head for the core of the labyrinth, giving myself up to the void. ... But I gradually get better at letting these threats pass me by. This forest is basically a part of me, isn't it? This thought takes hold at a certain point. The journey I'm taking is inside me . Just like blood travels down veins, what I'm seeing is my inner self, and what seems threatening is just the echo of fear in my own heart. The spiderweb stretched taut there is the spiderweb inside me. The birds calling out overhead are birds I've fostered in my mind. These images spring up in my mind and take root. - Kafka, 396-7
Haruki Murakami (Kafka on the Shore)
ninja shook his head. “You think you’ve defeated Team Scorpion? You fool…” I stood there quietly. “My rescue team is coming for me.” “Oh? Well, I’ll let the mayor know that we’ll be needing more jail cells soon for the rest of your friends.”  “Heh…” Red looked around the room, then he said, “You guards better be nice to me… because when I get rescued, I just might spare your lives.” “Save your threats, Red. They’re nothing but empty words in here,” I said. “Oh, you’ll see… soon.” I was getting annoyed with talking to the ninja, so I left. “I’ll be seeing you soon!” he yelled as I exited. I left the prison with an icky feeling. All of Red’s big talk got to me. I didn’t know if he was serious or if he was just bluffing. After all, ninjas are masters of deception. Still, I wanted to be safe, so I went to go look for Devlin. I found my friend talking to Bob. They were just chilling and eating. “Hey, can I talk to you?” I asked. “Yeah, what’s up?” asked Devlin. “I just returned from a visit to the prison.” “Oh, no… what happened?” I explained to Devlin the situation. “See! That’s exactly why you shouldn’t go talking to the prisoners. Now he has you all paranoid.
Steve the Noob (Diary of Steve the Noob 24 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
The most important thing that is happening in the world right now is the emerging of the new man. Since the monkeys, man has remained the same, but a great revolution is on it's way. When monkeys became man, it created the mind. With the new man, a great revolution will bring the soul in. Man will not just be a mind, a psychological being, he will be a spiritual being. This new consciousness, this new being, is the most important thing, which is happening in the world today. But the old man will be against the emerging of the new man, the old man will be against this new consciousness. The new man is a matter of life and death, it is a question of the survival of the whole earth. It is matter of survival of consciousness, of survival of life itself. The old man has become utterly destructive. The old man is preparing for a global suicide right now. Rather than allowing the new man, the old man would rather destroy the whole earth, destroying life itself. The old destructive man is preparing right now for a third world war. The global economical and political elite and the war industrial complex in the U.S, which runs the foreign policy of the U.S, is right now promoting for a third world war. The U.S. has over thrown the democratically elected government in Ukraine in an secret operation by the CIA, the world's largest terrorist organization, and replaced it with a fascistic regime, a marionette for the U.S. The war industrial complex is now desperately trying to promote the third war by demonizing, lying and blaming Russia. We see the same aggression and lies from the U.S. that we have seen before against Iraq, Afghanistan, Libya, Syria, Venezuela and Iran. President Eisenhower warned against the war industrial complex, which he considered the largest threat to democracy. President John F. Kennedy also warned against a "secret conspiracy" against democracy. The war industrial complex consists of the international banks, oil companies, war industry, democratically elected politicians, conservative think tanks, international mainstream media and global companies, who make profits from human suffering and wars. The European governments and the mainstream media also cooperate with the war industrial complex to bring the world into disaster. But this time it will not work as the time for wars is over, and peace loving people and people who represent the new man are working against this kind of aggression.
Swami Dhyan Giten
Initially, we should practice Chöd alone in our rooms at night, quietly, with less fear. It is by gradually developing bodhicitta and wisdom realizing emptiness—not by just becoming braver—that we can confidently realize that whatever appears or happens can be transformed into the path. At that point, we should become more determined in our place of practice, Do not, under any circumstances, endanger your life in the choice of a place. Unless we have great experience, we should never do this practice in any place that is threatened by falling rocks or trees, possible floods, or the threat of a collapsing house. Eventually, when we achieve full confidence in Chöd, there is no need to go to violent places at all. This is because terrifying visions will appear wherever we are. That is important because we need terrifying visions of spirits if we are to practice Chöd sincerely. People have different mental capacities for fear. Some are too brave, some are too afraid. Both of these types of people will find Chöd difficult. We must have some fear for this practice to be successful. A desperate search for the "I" causes fear to develop. The best method for overcoming this fear is bodhicitta and wisdom realizing emptiness. It is because of the need for fear that practice should be done alone. Any group retreat on Chöd lessens the fear involved. Engaging in the practice at night also increases the necessary fear.
Zongtrul Losang Tsöndru (Chöd in the Ganden Tradition: The Oral Instructions of Kyabje Zong Rinpoche)
A number of mechanisms make it difficult for the victim to separate psychologically from the abuser following prolonged captivity. Two such mechanisms are fear of losing the only positive relationship available to the victim during this prolonged period of isolation—marked by terrorization and the resultant craving for nurturance, protection, and safety—and fear of losing the only identity that remains, namely, her or his self as seen through the eyes of the abuser. These fears are expressed variously: fear of abandonment, of being lonely, of not being able to live without the abuser, and of not knowing who one is without the abuser, feeling empty, and so on. The greater the victim’s fears, the greater was her or his isolation from perspectives other than the abuser’s, and the greater the damage to the sense of self. In the case of child victims, this view of self may be the only sense of sell' they have ever experienced; in the case of adult victims, this view of self may have replaced a previous sense of self. In any case, living without the abuser, and thus without a sense of self, is experienced by the victim as a threat to psychic survival. Loss of their only “friend” and of self as experienced through the abuser’s eyes requires victims to take a leap into a terrifying unknown, which is difficult even for people in healthy environments. It is considerably more difficult for someone whose survival depends on the fragile feelings of predictability and control produced by cognitive distortions and the whims of a terrorist.
Dee L.R. Graham (Loving to Survive: Sexual Terror, Men's Violence, and Women's Lives (Feminist Crosscurrents, 3))
Sociological Explanations Sociologists theorize that people can live together in peace because of the development of a social hierarchy that ranges from dominant to submissive. Everyone in a group takes his or her place in the hierarchy. A certain degree of anxiety around others allows people to assess the level of threat that they pose, and helps maintain the balance between aggression and inhibition. However, people with social anxiety tend to misinterpret others’ behavior as more aggressive or powerful than it really is. As a result, a socially anxious person often will become overly submissive--blushing, not making eye contact, freezing, or withdrawing. Sociologists believe this response may be the result of a fundamental fear of rejection. In monkeys, apes, and humans, being left to fend for oneself usually is a threat to survival. In social anxiety, people may see being judged as a threat to their position in the group. To them, rejection means failure. Kyoto went through her day at school constantly apologizing to everyone. Whenever she walked down the hall, opened her locker, sat down in an empty seat, or got in line in the cafeteria, she always said “Excuse me” or “I’m sorry.” Most of the time, she didn’t know why she was apologizing. She always wanted to please others. Kyoto’s mother took her to see a psychologist because of Kyoto’s anxiety. The psychologist helped Kyoto see that she misinterpreted others’ behavior as being more aggressive than it was. Her constant need to apologize was meant to tell others “I’m not a threat.” Now, before she apologizes, Kyoto asks herself if it is really necessary. Usually, she finds that other people aren’t angry at all.
Heather Moehn (Social Anxiety (Coping With Series))
Mr. Sulu,” Jim said, “I can’t avoid the impression that you’re counting all the asteroids in this neighborhood.” “Not counting them as such, Captain. We’re building a recognition database, tagging the asteroids with nominal IDs, and noting their masses for future reference. If you know an asteroid’s mass within a couple of significant figures, you can very quickly calculate what kind of forces would need to be applied to it to make it move. Once Khiy and I get them all tagged, or all the ones in this area, we can get the ship’s computer to alert us when an enemy vessel is getting close enough for one of the asteroids to be a threat. Then either Bloodwing or Enterprise gives the necessary rock a pull with a tractor or a push with a pressor …” Jim grinned. In slower-than-light combat, the lightspeedor-faster weapons came into their own, as long as you kept away from the higher, near-relativistic impulse speeds. “You’re concentrating on the asteroids nearer to the processing facility, I see.” “Yes, sir—a sphere about a hundred thousand kilometers in diameter, including almost the entire breadth of the belt in this area. Any ship outside that diameter isn’t going to be a threat to us at subwarp speeds. If they want to engage with us, they’ve got to drop their speed and come inside the sphere.” “‘Come into my parlor, said the spider to the fly…’” Jim said. “Get on with it, Mr. Sulu. In a situation like this, every little bit helps. Are you going to be able to have this ready by the time the ‘flies’ arrive?” “We’ll do our best, Captain. There are some inconsistencies between the ways Bloodwing’s computer handles large amounts of data like this, and the way ours does. We’ve got to solve them on the fly.” And Sulu chuckled.
Diane Duane (The Empty Chair)
In 2008, employees at an office for the accounting firm Deloitte were troubled by the behavior of a new recruit. In the midst of a bustling work environment, she didn’t seem to be doing anything except sitting at an empty desk and staring into space. Whenever someone would ask what she was doing, she would reply that she was “doing thought work” or “working on [her] thesis.” Then there was the day that she spent riding the elevators up and down repeatedly. When a coworker saw this and asked if she was “thinking again,” she replied: “It helps to see things from a different perspective.”2 The employees became uneasy. Urgent inter-office emails were sent. It turned out that the staff had unwittingly taken part in a performance piece called The Trainee. The silent employee was Pilvi Takala, a Finnish artist who is known for videos in which she quietly threatens social norms with simple actions. In a piece called Bag Lady, for instance, she spent days roaming a mall in Berlin while carrying a clear plastic bag full of euro bills. Christy Lange describes the piece in Frieze: “While this obvious display of wealth should have made her the ‘perfect customer,’ she only aroused suspicion from security guards and disdain from shopkeepers. Others urged her to accept a more discreet bag for her money.”3 The Trainee epitomized Takala’s method. As observed by a writer at Pumphouse Gallery, which showed her work in 2017, there is nothing inherently unusual about the notion of not working while at work; people commonly look at Facebook on their phones or seek other distractions during work hours. It was the image of utter inactivity that so galled Takala’s colleagues. “Appearing as if you’re doing nothing is seen as a threat to the general working order of the company, creating a sense of the unknown,” they wrote, adding solemnly, “The potential of nothing is everything.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
On these lands, in both the occupied places and those left to grow wild, alongside the community and the dwindling wildlife, there lived another creature. At night, he roamed the roads that connected Arcand to the larger town across the Bay where Native people were still unwelcome two centuries on. His name was spoken in the low tones saved for swear words and prayer. He was the threat from a hundred stories told by those old enough to remember the tales. Broke Lent? The rogarou will come for you. Slept with a married woman? Rogarou will find you. Talked back to your mom in the heat of the moment? Don't walk home. Rogarou will snatch you up. Hit a woman under any circumstance? Rogarou will call you family, soon. Shot too many deer, so your freezer is overflowing but the herd thin? If I were you, I'd stay indoors at night. Rogarou knows by now. He was a dog, a man, a wolf. He was clothed, he was naked in his fur, he wore moccasins to jig. He was whatever made you shiver but he was always there, standing by the road, whistling to the stars so that they pulsed bright in the navy sky, as close and as distant as ancestors. For girls, he was the creature who kept you off the road or made you walk in packs. The old women never said, "Don't go into town, it is not safe for us there. We go missing. We are hurt." Instead, they leaned in and whispered a warning: "I wouldn't go out on the road tonight. Someone saw the rogarou just this Wednesday, leaning against the stop sign, sharpening his claws with the jawbone of a child." For boys, he was the worst thing you could ever be. "You remember to ask first and follow her lead. You don't want to turn into Rogarou. You'll wake up with blood in your teeth, not knowing and no way to know what you've done." Long after that bone salt, carried all the way from the Red River, was ground to dust, after the words it was laid down with were not even a whisper and the dialect they were spoken in was rubbed from the original language into common French, the stories of the rogarou kept the community in its circle, behind the line. When the people forgot what they had asked for in the beginning - a place to live, and for the community to grow in a good way - he remembered, and he returned on padded feet, light as stardust on the newly paved road. And that rogarou, heart full of his own stories but his belly empty, he came home not just to haunt. He also came to hunt.
Cherie Dimaline (Empire of Wild)
But that is a lie! Here we have been breaking our backs for years at All-Union hard labor. Here in slow annual spirals we have been climbing up to an understanding of life—and from this height it can all be seen so clearly: It is not the result that counts! It is not the result—but the spirit! Not what—but how. Not what has been attained—but at what price. And so it is with us the prisoners—if it is the result which counts, then it is also true that one must survive at any price. And what that means is: One must become a stool pigeon, betray one’s comrades. And thereby get oneself set up comfortably. And perhaps even get time off sentence. In the light of the Infallible Teaching there is, evidently, nothing reprehensible in this. After all, if one does that, then the result will be in our favor, and the result is what counts. No one is going to argue. It is pleasant to win. But not at the price of losing one’s human countenance. If it is the result which counts—you must strain every nerve and sinew to avoid general work. You must bend down, be servile, act meanly—yet hang on to your position as a trusty. And by this means . . . survive. If it is the essence that counts, then the time has come to reconcile yourself to general work. To tatters. To torn skin on the hands. To a piece of bread which is smaller and worse. And perhaps . . . to death. But while you’re alive, you drag your way along proudly with an aching back. And that is when—when you have ceased to be afraid of threats and are not chasing after rewards—you become the most dangerous character in the owllike view of the bosses. Because . . . what hold do they have on you? You even begin to like carrying hand barrows with rubbish (yes, but not with stone!) and discussing with your work mate how the movies influence literature. You begin to like sitting down on the empty cement mixing trough and lighting up a smoke next to your bricklaying. And you are actually and simply proud if, when the foreman passes you, he squints at your courses, checks their alignment with the rest of the wall, and says: “Did you lay that? Good line.” You need that wall like you need a hole in the head, nor do you believe it is going to bring closer the happy future of the people, but, pitiful tattered slave that you are, you smile at this creation of your own hands. The Anarchist’s daughter, Galya Venediktova, worked as a nurse in the Medical Section, but when she saw that what went on there was not healing but only the business of getting fixed up in a good spot—out of stubbornness she left and went off to general work, taking up a spade and a sledge hammer. And she says that this saved her spiritually. For a good person even a crust is healthy food, and to an evil person even meat brings no benefit.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
Where the bloody hell is my wife?” Godric yelled into the aether. As if in response, a footman came up the stairs and handed Cedric a slip of paper. Dumbfounded, Cedric opened it and read it aloud. My Dear Gentlemen, We await you in the dining room. Please do not join us until you have decided upon a course of action regarding the threat to Lord Sheridan. We will be more than delighted to offer our opinions on the matter, but in truth, we suspect you do not wish to hear our thoughts. It is a failing of the male species, and we shan’t hold it against you. In the future, however, it would be advisable not to lock us in a room. We simply cannot resist a challenge, something you should have learned by now. Intelligent women are not to be trifled with. Fondest Regards, ~ The Society of Rebellious Ladies ~ “Fondest regards?” Lucien scoffed. A puzzled Jonathan added, “Society of Rebellious Ladies?” “Lord help us!” Ashton groaned as he ran a hand through his hair. “They’ve named themselves.” “I’ll wager a hundred pounds that Emily’s behind this. Having a laugh at our expense,” Charles said in all seriousness. “Let’s go and see how rebellious they are when we’re done with them.” Cedric rolled up the sleeves of his white lawn shirt as he and the others stalked down the stairs to the dining room. They found it empty. The footman reappeared and Cedric wondered if perhaps the man had never left. At the servant’s polite cough he handed Cedric a second note. “Another damn note? What are they playing at?” He practically tore the paper in half while opening it. Again he read it aloud. Did you honestly believe we’d display our cunning in so simple a fashion? Surely you underestimated us. It is quite unfair of you to assume we could not baffle you for at least a few minutes. Perhaps you should look for us in the place where we ought to have been and not the place you put us. Best Wishes, ~ The Society of Rebellious Ladies ~ “I am going to kill her,” Cedric said. It didn’t seem to matter which of the three rebellious ladies he meant. The League of Rogues headed back to the drawing room. Cedric flung the door open. Emily was sitting before the fire, an embroidery frame raised as she pricked the cloth with a fine pointed needle. Audrey was perusing one of her many fashion magazines, eyes fixed on the illustrated plates, oblivious to any disruption. Horatia had positioned herself on the window seat near a candle, so she could read her novel. Even at this distance Lucien could see the title, Lady Eustace and the Merry Marquess, the novel he’d purchased for her last Christmas. For some reason, the idea she would mock him with his own gift was damned funny. He had the sudden urge to laugh, especially when he saw a soft blush work its way up through her. He’d picked that particular book just to shock her, knowing it was quite explicit in parts since he’d read it himself the previous year. “Ahem,” Cedric cleared his throat. Three sets of feminine eyes fixed on him, each reflecting only mild curiosity. Emily smiled. "Oh there you are.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s. He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink. When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch. Wendy. Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both. He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake. Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief. “Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!” She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him. He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is. Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there. His voice is a whisper, one that pleads. “Wendy?
Amanda M. Lyons (Wendy Won't Go)
Witchcraft is similar to the risk of nuclear war, of global warming, or, perhaps most aptly, of contemporary terrorism: they all constitute an overriding but indeterminable threat, a threat that is both real and yet often absents itself from daily experience.
Nils Bubandt (The Empty Seashell: Witchcraft and Doubt on an Indonesian Island)
Every time a black male dies, the same question pops up, why would you shoot him? Why didn’t you tase him? Why not shoot his legs? Did you have to empty a clip into his chest? Was he really a threat? Same answers black people get from the cops: "I don't know".   
Zachary Turnage (Black Male Lives Matter: From a black males perspective)
These were not idle threats. Suspected labor agents were arrested routinely whenever a trainload of African Americans left or when the fields were empty and there was no one to work the land.40 The Reverend D. W. Johnson, a black labor agent in Mississippi, barely escaped detection, the sting of the whip, or worse for handing out free railroad passes north to African Americans. “About twelve o’ clock,” he recounted:     that door swung open and there was two great big, three great big red-faced guys … Now they had a bullwhip on they shoulder and a rope and a gun in each of their hands. And those pistols, them barrels looked like shotguns, you know? They gonna kill every so-and-so Negro that they found had a pass. Well, so they searched us one by one and they searched me … Had they pulled off my shoe, that’d been it for me. Because they swo’ they was gonna kill the one who had it. Yeah, it was in the toe of my shoe.
Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
He did not know why he was doing it, why he was approaching the dying man: He did not know what he felt as he saw Snape's white face, and the fingers trying to staunch the bloody wound at his neck. Harry took off the Invisibility Cloak and looked down upon the man he hated, whose widening black eyes found Harry as he tried to speak. Harry bent over him, and Snape seized the front of his robes and pulled him close. A terrible rasping, gurgling noise issued from Snape's threat. "Take...it....Take...it...." Something more than blood was leaking from Snape. Silvery blue, neither gas nor liquid, it gushed from his mouth and his ears and his eyes, and Harry knew what it was, but did not know what to do— A flask, conjured from thin air, was thrust into his shaking hands by Hermione. Harry lifted the silvery substance into it with his wand. When the flask was full to the brim, and Snape looked as though there were no blood left in him, his grip on Harry's robes slackened. "Look...at...me...." he whispered. The green eyes found the black, but after a second, something in the depths of the dark pair seemed to vanish, leaving them fixed, blank, and empty. The hand holding Harry thudded to the floor, and Snape moved no more.
J.K. Rowling
Snow White glared at his apprentice. His threats were empty; he had no strength to take control of the situation physically, and the boy knew it. The impertinent fool had gotten greedy, couldn’t sate his ridiculous hunger for ending life for just a few days. He knew this was a bad idea. The
J.T. Ellison (14 (Taylor Jackson, #2))
Empty threats are comforting when you’re sailing across a river of vengeful souls. The
Zoraida Córdova (Labyrinth Lost (Brooklyn Brujas, #1))
Do you love me, Hunter? Truly love me?” “I have great love for you.” “Then take me away from here,” she whispered raggedly. “It’s the only way for us to have a future together. The only way. Please think about it? If you love me, truly love me, you won’t torture me like this.” The words of the prophecy returned to haunt Hunter. Lifting his hand, he touched Loretta’s braid and lost himself in the fascinating azure depths of her gaze. As the song predicted, she had divided his Comanche heart. Only moments ago he had turned his back on a lifelong friend. Now she asked him to turn his back on his people. “Blue Eyes, I cannot leave.” Tears welled in her eyes. “I love you, Hunter, but my mother’s screams call out to me. I’ll never be free of that, not as long as I stay here. One morning you will awaken and I won’t be here. And I’ll make sure this time that you never find me.” He started to speak, but she silenced him, touching her fingertips to his lips. “Don’t. Empty threats won’t keep me here. You won’t beat me.” She moved her palm to his cheek. “Do you think I don’t know that by now?” He clamped a hand behind her head and drew her against his chest, burying his face in the hollow of her shoulder. “It is not the way of a Comanche to beat his woman,” he rasped. “Just as it is not his way to let her go away from him.” She turned her face to touch her lips to his neck. “Make a memory with me, Hunter,” she whispered huskily. “One more beautiful memory.” Cinching an arm around her waist, Hunter stretched out with her on the fur. Never before had she initiated lovemaking. His hand trembled as he skimmed his palm down her spine. Make a memory with me, Hunter. As he dipped his head to kiss her, he wondered why it was that those words had a ring of farewell. One more beautiful memory.
Catherine Anderson (Comanche Moon (Comanche, #1))
The empty apartments. They’re the key to what I have planned. I need to establish a foothold. I want you to move into one. I’m asking all my warriors to do that, minus the ones I need for protection here on the barge, of course.” “The empties are real?” Another one of those Qaanaaq stories that people loved to tell, right up there with the heat-resistant spiders that supposedly infested the geothermal pipes, and the threat of Russian invasion. Allegedly, it was common practice for shareholders to keep some of their holdings off the market. A sort of gentleperson’s agreement, to artificially inflate prices by increasing demand by keeping supply low. Soq didn’t doubt that the empties existed, but they were pretty sure their number was exaggerated, as was the extent of the conspiracy behind it. The more likely reason was the simple thoughtless wickedness of the rich, who had more money than they knew what to do with, who didn’t need the rental income and could keep an apartment empty for Grandma’s once-a-year visit or in memory of a loved one dead for decades. Either explanation was unacceptable. Shareholders were wise to keep themselves hidden, because surely Soq wasn’t the only one who would gladly stomp them to death if given the chance.
Sam J. Miller (Blackfish City)
Matthias swept his arms forward expecting to launch every shadow in the room into an attack that would demolish the statue. Blake slammed the ground with his palms and twisted like he could blast the table sky-high and shatter it into mere wood chips. Logan swirled his arms as if mixing a volatile vortex to tornado the threat into oblivion. Tristan squashed his head in hands, eyes hard in concentration trying to will Ayden into moving. Jayden snapped empty hands out to create a tidal wave that would annihilate all in its path to save his brother. But it was all wishful thinking because nothing happened.
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
Gorbachev believed that support for independence in Ukraine would never reach 70 percent. Yeltsin was not so sure. In late August 1991, soon after the Ukrainian parliament had voted for independence, he instructed his press secretary to make a statement that if Ukraine and other republics declared independence, Russia would have the right to open the question of its borders with those republics. Yeltsin’s press secretary indicated the Crimea and eastern parts of Ukraine, including the Donbas coal region, as possible areas of contention. The threat was partition if Ukraine insisted on independence. Yeltsin then sent a high-powered delegation led by his vice president, General Aleksandr Rutskoi, to force Ukraine to reverse its stance. But the Ukrainians stood their ground, and Rutskoi returned to Moscow empty-handed. Blackmail had failed, and Yeltsin had neither the political will nor the resources to deliver on his threat.
Serhii Plokhy (The Gates of Europe: A History of Ukraine)
Dallas latched on to the forearm of my hand curled around her throat and plastered her back against the hood of the car as I continued fucking her hard. The door behind us opened, and Jared walked in. “Oh, sorry. I didn’t mean to—” “Get the fuck out,” I roared. My demand shook the walls so hard I was surprised they hadn’t cracked. The door promptly closed. Perhaps because it was, by far, the most pleasurable experience I’d ever had, the orgasm wasn’t instant. It skulked forward, gripping each of my limbs with its claws, taking over me like a drug. I knew I’d regret what was about to happen. Yet, I could not even entertain the idea of stopping. Dallas quaked beneath me. The muscles of her thighs strained. Sliding into her hot tightness a few more times, I finally erupted inside her. It was glorious. And at the same time, felt as if someone had sucked my chest empty. I came, and I came, and I came into Dallas’s cunt. When I finally pulled out, everything between us was sticky. I peered down between her legs. My thick white cum dripped from her swollen red slit to the hood of my car. Pink flakes of blood scattered inside the cloudy, milky liquid. Panting and out of breath, I realized this marked the first time that I’d lost myself to a moment. That I’d forgotten everything. Including the fact that she was present. My gaze rode up her bruised pussy to her torso. Sometime during sex, I’d torn the top of her dress without even noticing. Red marks covered her exposed breasts. Full of scratches and bites. Her neck still bore the imprints of my fingers—how hard had I grabbed her? And though I dreaded seeing the aftermath on her face, I couldn’t stop myself. I looked up and nearly keeled over to vomit. Flushed pink cloaked her face. A single silent tear traveled down her cheek. A glossy sheen coated her hazel eyes, almost golden in their tone and empty as my chest. The corner of her lips had produced a thin line of blood. Her doing. Not mine. She’d bitten them to tamp down her pained cries. Shortbread wanted me to fuck her bareback so badly, she’d suffered through the entire ordeal. Incomparable guilt slammed into me. Bitterness hit the back of my throat. I’d taken her without considering her pleasure. Against my better judgment. And in the process, I’d ruined her first genuine experience of sex. “Sorry.” I jerked away from Dallas, shoved my dripping half-mast cock back into my pants, and zipped up. “Jesus. Fuck. I’m so—” The rest of the sentence vanished in my throat. I shook my head, still in disbelief that I’d fucked her to the point of blood and tears. Without even sparing her a glance. She sat up. That lone tear still shimmered from her cheek, somehow even worse than a loud sob. “Do you have any gum?” The perfect, even composure braided into her voice rattled me. In fact, everything about Dallas rattled me. On autopilot, I produced two pieces of gum from my tin container, forking them over to her. She tucked both into her pretty pink mouth that I would never kiss and fuck again. “Shortbread…” I stopped. An apology wouldn’t even begin to cover it. “No. It’s my time to speak.” She made no move to flee. To slap me. To call the police, her parents, her sister. My cum still dripped fat white drops through her exposed pussy. A single streak of blood smeared across the hood of my car. I stood far enough from her that I wasn’t a threat and listened.(Chapter 44)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
It's not my fault the floors are porous. Take it up with management." He glowers. "Maybe I will. And maybe I'll have you evicted." "Good luck with that," I say with a smirk. "You know how French laws work." His threat is empty. When it comes to real estate, the laws in France protect the renters, not the owners. Even if he starts the eviction process, it could still take up to three years to get rid of me.
Samantha Verant (The Spice Master at Bistro Exotique)
Endless progress may be symbolized by running ahead indefinitely into an empty space. We will do that, but it is not the meaning of life; nor are better and better gadgets the meaning of life. What is the meaning of life then? Perhaps it is something else. Perhaps there are great moments in history. There is in these great moments not total fulfillment but there is the victory over a particular power of destruction, a victory over a demonic power which was creative and now has become destructive. This is a possibility, but don't expect that it must happen. It might not happen; that is a continuous threat hanging over development in history. But there may be a kairos.
Paul Tillich (The Future of Religions)
As I came up from the galley, the sun was going down into the ocean in a blaze that paved the western sea with gold like the streets of Heaven. I stopped for a moment, just a moment, transfixed by the sight. It had happened many times before, but it always took me by surprise. Always in the midst of great stress, wading waist-deep in trouble and sorrow, as doctors do, I would glance out a window, open a door, look into a face, and there it would be, unexpected and unmistakable. A moment of peace. The light spread from the sky to the ship, and the great horizon was no longer a blank threat of emptiness, but the habitation of joy. For a moment, I lived in the center of the sun, warmed and cleansed, and the smell and sight of sickness fell away; the bitterness lifted from my heart. I never looked for it, gave it no name; yet I knew it always, when the gift of peace came. I stood quite still for the moment that it lasted, thinking it strange and not strange that grace should find me here, too. Then the light shifted slightly and the moment passed, leaving me as it always did, with the lasting echo of its presence.
Diana Gabaldon (Voyager (Outlander, #3))
The story that results is often a disheartening one. Though the various parts of rural America differ in important ways, as a whole, they are weighed down by their struggles: resource economies where powerful interests extracted wealth and left the people who toiled to remove it with little or nothing to show for their decades of labor; manufacturing jobs that fled overseas; inadequate healthcare and physical infrastructure; limited opportunities that push talented young people to leave; and much more. And all this exists within a landscape of political emptiness in which a lack of real competition leaves Democrats believing there’s no point in trying to win rural votes and Republicans knowing they can win those votes without even trying—and give the people who supply them nothing in return. We
Tom Schaller (White Rural Rage: The Threat to American Democracy)
Do you really think you could best me with pain?” said Elo. “I am a knight, so you know what that means. I have killed gods of vengeance and of nightmares. I have taken blades and terror and fire. I have left my home, my family and my king for my honour. I have no patience for empty threats.
Hannah Kaner (Sunbringer (Fallen Gods, #2))
Now I suggest you start looking for another job,” I snarled. “Because in a few days’ time, everyone at this school is going to have proof you’re a creep.” It was an empty threat, but he didn’t know that. He stiffened up, and that told me he had plenty to hide. “I hope you sleep like shit, pervert.” I tightened the belt again, enough to choke him out. His body went limp, and he slumped to the pavement, unconscious. It gave me the time I needed to slip away again, back to my car. I never told anyone about that night.
Harley Laroux (Losers: Part II (Losers, #2))
Sigma House has our reputation for a reason. We don’t make empty threats.
Eva Simmons (Saint (Sigma Sin #1))
More than one recent observer has pointed out that the prospective achievement of universal leisure, with the six-hour day and the five-day week, carries the threat of intolerable emptiness and boredom. The hope expressed by Julian Huxley and others that this vacancy will be profitably filled by continued studies in the school and the university, to use the time once occupied by office or factory work, over-rates both the attraction and the nutritive value of such fare, and fails to take note of the ominous rebellion against it already manifested by those college students who find no joy in exercising their minds, and who would rather dull them by drugs or stone them by violent sounds.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
A passive aggressive person isn’t going to acknowledge these things in you, because your growth is considered a threat. Your partner will tend to say things that “take you down a notch” and keep you doubting yourself. When our “number one” person isn’t appreciating us, we feel a painful emptiness inside, even if we hear appreciative comments from others. This leads to doubt (however irrational) that if our partner doesn’t appreciate us, maybe we aren’t worth appreciating. Unaddressed, this thwarted need can lead to poisonous self-blame and low self-esteem.
Nora Femenia (The Silent Marriage: How Passive Aggression Steals Your Happiness; The Complete Guide to Passive Aggression Book 5)
An intelligence officer from a Middle Eastern country neighboring Syria told me that ISIS members “say they are always pleased when sophisticated weapons are sent to anti-Assad groups of any kind, because they can always get the arms off them by threats of force or cash payments.” These are not empty boasts. Arms supplied by US allies such as Saudi Arabia and Qatar to anti-Assad forces in Syria have been captured regularly in Iraq.
Patrick Cockburn (The Rise of Islamic State: ISIS and the New Sunni Revolution)
The house had another special feature, one that was required for an industrialist in that era. On the second floor, hidden in the second bedroom, known as the family bedroom, was a closet that served as a panic room. This closet had a call box that could be used to alert the police, the fire department, or the hospital. This was no extravagance: Wealthy men received threats of all kinds. In 1889, for example, W.A. received a letter threatening his life if he did not pay the writer $400,000. He didn’t pay, but he was prepared for trouble if it arrived.
Bill Dedman (Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune)
I CONSIDERED going into town for breakfast the next morning, instead settling for Raisin Bran and an apple before returning to my garden project. If I was going to be an adult, I figured being a responsible one was probably my best course of action. I tracked down a pair of gloves in the shed out back and was on my way to the front garden when I changed my trajectory and headed to the previous evening’s party spot. It took me a few minutes, but when I arrived I wasn’t surprised to find garbage and empty beer cans strewn about, discarded in haste when the teenagers made a run for it after my threat. For the record, I didn’t follow through on it. Now I was reconsidering my decision. I made a disgusted sound in the back of my throat and briefly considered leaving the mess – or calling Chief Terry to find out who Andy was so I could call his parents – before returning to the lighthouse to retrieve a garbage bag.
Amanda M. Lee (Bewitched (Wicked Witches of the Midwest Shorts, #6))
Look at you.” I gestured toward him, for he could not disguise his pain, nor hide the fever that brought beads of sweat to his forehead. “You did this to yourself, Steldor. You punished yourself with your actions, but nothing else was accomplished. You just wanted to be a martyr.” “What’s wrong with that?” he shot back. “You want to be a saint! You want to be the one who brings peace to these people. You’re the one who brought war, Alera. You’re the reason Narian didn’t leave for good when he fled Hytanica. He loves you, and that’s why--” He stopped talking, unable to make himself complete that sentence. “You’re right about one thing,” I whispered in the dead silence. “Narian loves me, but what you won’t acknowledge is that he’s the reason any of us still have our lives. He’s the reason you weren’t killed for that show you put on.” “Extend my thanks,” he said, tone laden with sarcasm. I threw up my hands. “This is pointless, us dancing around in circles. You still won’t listen to anyone, let alone me. I may as well go.” “But you won’t--you aren’t yet ready to leave.” I didn’t move, hating that he knew my threat had been empty, and he stood. He drew closer to me until I could feel the heat radiating from his body. “Hytanica and Cokyri will always be different worlds, Alera. Before this is over, one of those worlds will be destroyed. We can’t coexist like this.” “Not when people like you refuse to believe any different.” “At least I’m not hiding from the truth. You’re so wrapped up in Narian that you can’t see the situation for what it really is. Cokyri is a godless, brutal, warrior empire that despises the very way we live. Now that they are in power, they have no need to honor our traditions or tolerate our beliefs. Don’t you see, it’s not just the Kingdom of Hytanica that will no longer exist. It is our entire way of life.” I stared at him, shocked and confused. Narian and I had always been able to work through our differences, so I had assumed our countries could, as well. But he and I wanted to be together, we wanted to be joined. Our countries did not. “Cokyri is interested only in obtaining certain things from us,” I argued, although a bit of doubt now nagged at me. “As long as we follow their regulations, we can live in the manner we always have.” “Then I’d keep an eye on their regulations, Alera. They’re already changing our educational system, what we are permitted to teach our sons. Religion will come next.” “Change isn’t necessarily all bad.” “It is when it’s forced down your throat. And in case you haven’t notice, the Cokyrians overseeing the work crews have not allowed us to rebuild our churches. They have been reconstructed, but for different, more practical purposes. The Cokyrians are quite enamored with practicality.” Not knowing what else to say, I turned to depart, only to feel his hand on my arm. “It doesn’t have to be like this, Alera. Between us, I mean.” He was looking at me with those dark, intense, fiery eyes--eyes that held love I had never reciprocated. “Things are what they are, Steldor,” I replied, decisive but desolate. “We’re separated by too much. We always have been. Just please, give yourself time to get well.” Before he could stop me a second time, I stepped out the door, feeling the weight of frustration lifting from my shoulders with each step I took away from him. I had been foolish to think he and I could communicate in spite of our differing beliefs. Neither of us wanted to cause the other pain, but that was all we had ever been good at doing.
Cayla Kluver (Sacrifice (Legacy, #3))
Sensations were completely different. Like the night she had run free as the wolf, Savannah now had the senses of a bird of prey. Her vision was sharp and clear, her eyes enormously wide. She spread her wings experimentally, then flapped them in the light drizzle. They were much bigger than she had anticipated. It delighted her, and she flapped them harder so she could create a wind, causing waves in the water standing in the patio. Are you having fun? Gregori’s voice held a hint of laughter. This is so cool, lifemate, she answered. Her rapidly beating wings lifted her into the air. The light mist was already passing overhead. The air was warm and heavy with the promise of moisture, but she soared high, reveling in her ability to do so. Gregori’s larger, stronger body dropped over hers, close and protective, guiding her in the direction of the bayou. As high up as they were, the sharp eyes of the raptor could spot the smallest of movements below. Details were vivid and clear. Even colors were different. Infrared vision, heat sensors— Savannah wasn’t certain what it was exactly, but the way she perceived the world was a different and unique experience. She dipped beneath Gregori and soared away from him, turning sideways and circling high above him. In her mind she could hear him swearing. As always he sounded arrogant, elegant, Old World, completely in command. Laughing, she caught a thermal and rode it up over the river. The male dropped down to cover her with his huge wings, fencing her in. Spoilsport! she accused him, her touch in his mind a whisper of lightness, of invitation to join in her fun. You are in a great deal of trouble, ma femme. He knew the threat was empty when he made it; he would give her the world. But why did she have to be such a little dare-devil all the time? Anyone choosing to live with you would have to have a sense of adventure, don’t you think? Her soft laughter played over his skin like music, like the gentle breeze blowing from the mountains in their homeland. Even within the bird’s body, he stirred to life, need and hunger rising to become a part of him. Relentless. Demanding. Savage in its intensity. It was more than simple lust. More than hunger. More than need. It was all of it merged together with a tenderness he had never conceived he could feel. When she was at her most outrageous, her most defiant, that was when his heart melted.
Christine Feehan (Dark Magic (Dark, #4))
Think of your life as a boat on the stormy seas. The boat represents all that you think will keep you safe from death by drowning. Dark skies block out the sun, winds tear at your face, angry waves rise to sweep you off your treasured boat and send you into a deep, watery grave. And so you cringe in fear as you cling to the boat that you believe will save you from suffering. But Yeshua is at peace. How can He be at rest in the midst of such a terrible threat? When you cry out in fear, He rises and looks out at that storm, totally unconcerned. Why are you afraid? He asks. Has He gone mad? Does He not see the reason to fear? Does He not see the cruel husband, the cancer, the terrified children, the abuse, the injustice, the empty bank account, the rejection at the hands of friends, the assault of enemies, the killing of innocents? How could He ask such a question? Unless what He sees and what you see are not the same. And what does He see instead of the storm? He sees another dimension to which this one is ultimately subject, though the two are also wholly integrated. He sees the Father, who offers no judgment nor condemnation. He sees life and love and joy and peace in an eternal union with His Father, manifesting now, on earth, in the most spectacular fashion. He sees peace in the storm. And so can we, if we only change our beliefs about what we are seeing; if we only, through faith, see as He sees. His question is still the same today. Why are you afraid, oh you of little faith? Yeshua shows us the Way to be saved from all that we think threatens us on the dark seas of our lives. Only when we, too, see what He sees can we leave the treasured boat that we think will save us and walk on the troubled waters that we thought would surely drown us. I wasn’t seeing what He saw, you see? I was seeing the storm clouds.
Ted Dekker (Waking Up: To The Way of Love)
same threat-level warning issued ad nauseam. The security mandates—empty your pockets, remove your shoes, laptops out, gels and liquids in separate bags—repeated so many times that eventually everyone stopped hearing them. All of this so reflexive and automatic and habituated and slow that the travelers were a little zoned out and playing with their phones and just simply enduring this uniquely modern, first world ordeal that is not per se “difficult” but is definitely exhausting. Spiritually debilitating. Everyone feeling a small ache of regret, suspecting that, as a people, we could do better. But we don’t. The line for a McRib was quiet and solemn and twenty people deep.
Nathan Hill (The Nix)
Oh, Nolan, he’s nothing like the sweet young man I loved before he went to war!” “Ssssh, sweetheart,” he soothed, still holding her and resting his face against her hair. “War has a way of changing men, and frequently not for the better. But it’s over now. You’re safe.” “But you heard him! He didn’t just threaten me, he threatened the whole town!” she wailed. “What are we going to do?” “We won’t have to do anything,” Nolan assured her. “Those were empty threats. Some men don’t take rejection very well, that’s all.
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
No,” I argued. “A guard should be doing this, not me. How did you get that Vampire to talk?” “You can commend your boyfriend for that.” His grin was toothy and he scratched at the bristles on his jaw. “That’s a man with experience in the world I come from. Chitahs don’t give empty threats and when he got out the kerosene, Justus had to stop him before he set the whole fecking house on fire.
Dannika Dark (Impulse (Mageri, #3))
Late one night, sitting up over a skull-shaped chalice of wine, he’d claimed that long ago, human beings and video game characters were all part of a single mighty race of glowing, immortal wizards and warriors. Even the gods feared us, so much so that one day they joined forces against us and after a long struggle defeated us. To forestall any future threat, the gods decreed we should each be separated into halves, and each half hurled into a separate dimension. There was a human half, weak but endowed with thought and feeling, and a video game half, with glowing and immortal bodies that were mere empty shells lacking wills of their own. We became a fallen race and forgot our origins, but something in us longed to be whole again. And so we invented the video game, the apparatus that bridged the realms and joined us with our other selves again, through the sacred medium of the video game controller.
Anonymous