Empty Nest Quotes

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The best way to keep children at home is to make the home atmosphere pleasant, and let the air out of the tires.
Dorothy Parker
We'd just shared the last beer and slung the empty can out the window at a stop sign and were just waiting back to get the feel of the day, swimming in that kind of tasty drowsiness that comes over you after a day of going hard at something you enjoy doing -- half sunburned and half drunk and keeping awake only because you wanted to savor the taste as long as you could.
Ken Kesey (One Flew Over the Cuckoo's Nest)
And if you’ve been somebody’s first call, it’s hard not to be their first call anymore. She says it’s one of the reasons why parents sometimes feel sad when their kids are getting married. It’s not just the empty nest. They’re not the first call anymore. I’m not Andy’s first call anymore. It doesn’t mean I want to be his girlfriend, and it doesn’t mean I don’t like her. But it was sad. It’s different. The doctor says it’s important to be sad.
Linda Holmes (Evvie Drake Starts Over)
Do you know what they call people who hoard books? Smart.
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
That night, like every other night since I’d met her, I curled Grace into my arms, listening to her parents’ muffled movements in the living room. They were like busy little brainless birds, fluttering in and out of their nest at all hours of the day or night, so involved in the pleasure of nest building that they hadn’t noticed that it had been empty for years.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I read, therefore, I matter.
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
Think of your woods and orchards without birds! Of empty nests that cling to boughs and beams As in an idiot's brain remembered words Hang empty 'mid the cobwebs of his dreams!
Henry Wadsworth Longfellow
Let's talk about a decision that women have to make every morning- Big purse or little purse?
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
They had each other and there was a love between them that would withstand anything. Alina and I had always intuited, with no small wry pique, that, although our parents adored us and would do anything for us, they loved each other more. As far as I was concerned, that was the way it should be. Kids grow up, move on and find a love of their own. The empty nest shouldn't leave parents grieving. It should leave them ready and excited to get on with living their own adventure, which would, of course, include many visits to children and grandchildren.
Karen Marie Moning (Dreamfever (Fever, #4))
Like a serpent, this demon had coiled and nested into those empty and cavernous spaces of his heart. Like a harpy, she had preyed on his absolute aloneness.
Kelly Creagh (Nevermore (Nevermore, #1))
To come to the door and know that she would find no one: to see a house completely empty. It was like coming to her tomb while she was still alive.
Iain Crichton Smith (Consider the Lilies)
My therapist calls it grieving the first call.” “What does that mean?” “She says when something happens, good or bad, you can only call one person first. And if you’ve been somebody’s first call, it’s hard not to be their first call anymore. She says it’s one of the reasons why parents sometimes feel sad when their kids are getting married. It’s not just the empty nest. They’re not the first call anymore.
Linda Holmes (Evvie Drake Starts Over)
Those who are not being dragged to their deaths cannot understand how the heart grows hard and sharp, until it is a nest of rocks with only an empty egg in it.
Hannah Kent (Burial Rites)
And just as simply as that, it was over. She was no longer a student in the local town. She was a graduate. An adult. She thought she should feel something. Older.Wiser. But she felt nothing but a strange emptiness. An inner knowledge that she was now on the edge of the nest, ready to try her own wings
Janette Oke (A Searching Heart (A Prairie Legacy, #2))
You, Doctor Martin, walk from breakfast to madness. Late August, I speed through the antiseptic tunnel where the moving dead still talk of pushing their bones against the thrust of cure. And I am queen of this summer hotel or the laughing bee on a stalk of death. We stand in broken lines and wait while they unlock the doors and count us at the frozen gates of dinner. The shibboleth is spoken and we move to gravy in our smock of smiles. We chew in rows, our plates scratch and whine like chalk in school. There are no knives for cutting your throat. I make moccasins all morning. At first my hands kept empty, unraveled for the lives they used to work. Now I learn to take them back, each angry finger that demands I mend what another will break tomorrow. Of course, I love you; you lean above the plastic sky, god of our block, prince of all the foxes. The breaking crowns are new that Jack wore. Your third eye moves among us and lights the separate boxes where we sleep or cry. What large children we are here. All over I grow most tall in the best ward. Your business is people, you call at the madhouse, an oracular eye in our nest. Out in the hall the intercom pages you. You twist in the pull of the foxy children who fall like floods of life in frost. And we are magic talking to itself, noisy and alone. I am queen of all my sins forgotten. Am I still lost? Once I was beautiful. Now I am myself, counting this row and that row of moccasins waiting on the silent shelf.
Anne Sexton (To Bedlam and Part Way Back)
I wanted to slice barren into my skin. That’s how I’d stay, my insides unused. Empty and pristine. I pictured my pelvis split open, to reveal a tidy hollow, like the nest of a vanished animal.
Gillian Flynn (Sharp Objects)
Look for the silver lining in every cloud and those revelations will create the thread to weave the fabric of a renewed and joyous life.
Joy Smith (Empty Nest Cookbook)
I need to work on developing a new, less irritable personality. though I suspect that an empty nest would be at least a partial cure, today I resorted to substance abuse.
Eloisa James
In a society that is essentially designed to organize, direct, and gratify mass impulses, what is there to minister to the silent zones of man as an individual? Religion? Art? Nature? No, the church has turned religion into standardized public spectacle, and the museum has done the same for art. The Grand Canyon and Niagara Falls have been looked at so much that they've become effete, sucked empty by too many stupid eyes. What is there to minister to the silent zones of man as an individual? How about a cold chicken bone on a paper plate at midnight, how about a lurid lipstick lengthening or shortening at your command, how about a Styrofoam nest abandoned by a 'bird' you've never known, how about a pair of windshield wipers pursuing one another futilely while you drive home alone through a downpour, how about something beneath a seat touched by your shoe at the movies, how about worn pencils, cute forks, fat little radios, boxes of bow ties, and bubbles on the side of a bathtub? Yes, these are the things, these kite strings and olive oil cans and Valentine hearts stuffed with nougat, that form the bond between the autistic vision and the experiential world, it is to show these things in their true mysterious light that is the purpose of the moon.
Tom Robbins
Marriage and family are only what we make of them. Without that they’re just a nest of hypocrisy. Garbage and empty words. But if there is real love, of the sort one doesn’t go around telling everyone about, the sort that is felt and lived…
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
It was funny, in her old age, to look back and see for how short a period her nest had NOT been empty. Relatively speaking, it was nothing - empty far longer than full. so much of herself had been invested in those children; who could believe how briefly they'd been with her.
Anne Tyler (Dinner at the Homesick Restaurant)
Um, I guess you’re still mad about that whole harpy fiasco. I swear, I thought those caves were empty.” “How did you overlook a hundred harpies nesting in that cave? Did the giant carpet of bones not tip you off?” “Oh, sure, complain now. But we found the trod to Athens, didn’t we?
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Lvov: Now explain, give me an account of how it is that you, an intelligent, honest, almost saintly woman, have allowed yourself to be so brazenly deceived, to be dragged into this owl's nest. Why are you here? What have you in common with this cold, heartless... but let's forget your husband -- what do you have in common with this empty vulgar milieu?
Anton Chekhov (Ivanov (Plays for Performance Series))
Our hunger to belong is the longing to find a bridge across the distance from isolation to intimacy. Every one longs for intimacy and dreams of a nest of belonging in which one is embraced, seen, and loved. Something within each of us cries out for belonging. We can have all the world has to offer in terms of status, achievement, and possessions. Yet without a sense of belonging it all seems empty and pointless.
John O'Donohue (Eternal Echoes: Celtic Reflections on Our Yearning to Belong)
Liberty On my notebooks from school On my desk and the trees On the sand, on the snow I write your name On every page read On all the white sheets Stone blood paper or ash I write your name On the golden images On the soldier’s weapons On the crowns of kings I write your name On the jungle, the desert The nests and the bushes On the echo of childhood I write your name On the wonder of nights On the white bread of days On the seasons engaged I write your name On all my blue rags On the pond mildewed sun On the lake living moon I write your name On the fields, the horizon The wings of the birds On the windmill of shadows I write your name On the foam of the clouds On the sweat of the storm On dark insipid rain I write your name On the glittering forms On the bells of colour On physical truth I write your name On the wakened paths On the opened ways On the scattered places I write your name On the lamp that gives light On the lamp that is drowned On my house reunited I write your name On the bisected fruit Of my mirror and room On my bed’s empty shell I write your name On my dog greedy tender On his listening ears On his awkward paws I write your name On the sill of my door On familiar things On the fire’s sacred stream I write your name On all flesh that’s in tune On the brows of my friends On each hand that extends I write your name On the glass of surprises On lips that attend High over the silence I write your name On my ravaged refuges On my fallen lighthouses On the walls of my boredom I write your name On passionless absence On naked solitude On the marches of death I write your name On health that’s regained On danger that’s past On hope without memories I write your name By the power of the word I regain my life I was born to know you And to name you LIBERTY
Paul Éluard
At that moment there were two feelings inside Celeste's tiny, rapidly beating heart that made her feel as full, and as empty, as a gourd. The sheer beauty of this moment was perfect and sublime. But she was alone.
Henry Cole (A Nest for Celeste: A Story About Art, Inspiration, and the Meaning of Home (Celeste, #1))
Out along the dim six-o’clock street, I saw leafless trees standing, striking the sidewalk there like wooden lightning, concrete split apart where they hit, all in a fenced-in ring. An iron line of pickets stuck out of the ground along the front of a tangleweed yard, and on back was a big frame house with a porch, leaning a rickety shoulder hard into the wind so’s not to be sent tumbling away a couple of blocks like an empty cardboard grocery box.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
At times, feeling the wind on my brow, I went numb with horror. In my imagination I saw armies of ants and cockroaches calling to one another and scurrying toward my head, to some place under the top of my skull, where they would build new nests. There they would proliferate and eat out my thoughts, one after another, until I would become as empty as the shell of a pumpkin from which all the fruit has been scraped out.
Jerzy Kosiński (The Painted Bird)
To walk in the woods and not recognize the songs [of the birds] is to not hear them. To not think of the birds' uniquely beautiful and artfully concealed nests is to have the woods seem empty. Most of us are like sleepwalkers here, because we notice so little.
Bernd Heinrich (A Year in the Maine Woods)
A SWALLOW, returning from abroad and especially fond of dwelling with men, built herself a nest in the wall of a Court of Justice and there hatched seven young birds. A Serpent gliding past the nest from its hole in the wall ate up the young unfledged nestlings. The Swallow, finding her nest empty, lamented greatly and exclaimed: "Woe to me a stranger! that in this place where all others' rights are protected, I alone should suffer wrong.
Aesop (Aesop's Fables (Illustrated))
The way the word sinks into the deep snow of the page
Gregory Orr (Burning the Empty Nests)
You kids were all planned, you were just planned really, really quickly.
Candace Allan (Text Me, Love Mom: Two Girls, Two Boys, One Empty Nest)
Life is like that; all things come to an end. There are some trees where owls have nested for hundreds of years, and yet at some point they leave it empty, don’t return there.
Andrus Kivirähk (The Man Who Spoke Snakish)
Empty nest was such a sweet term for having your heart ripped out and relocated to another state.
Heather Webber (At the Coffee Shop of Curiosities)
He felt conscience-stricken when he remembered himself as young, empty-headed, and capable of killing a completely innocent bull on a dare. There it is, the difference between a literate person and an illiterate person (...) the literate one's afraid of destroying an empty nest and the illiterate one's ready to knock the breath out of an innocent beast just to prove his own wicked strength.
Narine Abgaryan (Three Apples Fell from the Sky)
1 Cain lifts Crow, that heavy black bird and strikes down Abel. Damn, says Crow, I guess this is just the beginning. 2 The white man, disguised as a falcon, swoops in and yet again steals a salmon from Crow's talons. Damn, says Crow, if I could swim I would have fled this country years ago. 3 The Crow God as depicted in all of the reliable Crow bibles looks exactly like a Crow. Damn, says Crow, this makes it so much easier to worship myself. 4 Among the ashes of Jericho, Crow sacrifices his firstborn son. Damn, says Crow, a million nests are soaked with blood. 5 When Crows fight Crows the sky fills with beaks and talons. Damn, says Crow, it's raining feathers. 6 Crow flies around the reservation and collects empty beer bottles but they are so heavy he can only carry one at a time. So, one by one, he returns them but gets only five cents a bottle. Damn, says Crow, redemption is not easy. 7 Crow rides a pale horse into a crowded powwow but none of the Indian panic. Damn, says Crow, I guess they already live near the end of the world.
Sherman Alexie
The gangs filled a void in society, and the void was the absence of family life. The gang became a family. For some of those guys in the gang that was the only family they knew, because when their mothers had them they were too busy having children for other men. Some of them never knew their daddies. Their daddies never look back after they got their mothers pregnant, and those guys just grew up and they couldn’t relate to nobody. When they had their problems, who could they have talked to? Nobody would listen, so they gravitated together and form a gang. George Mackey, the former representative for the historic Fox Hill community in The Bahamas.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
Comparative suffering is a function of fear and scarcity. Falling down, screwing up, and facing hurt often lead to bouts of second-guessing our judgment, our self-trust, and even our worthiness. I am enough can slowly turn into Am I really enough? If there’s one thing I’ve learned over the past decade, it’s that fear and scarcity immediately trigger comparison, and even pain and hurt are not immune to being assessed and ranked. My husband died and that grief is worse than your grief over an empty nest. I’m not allowed to feel disappointed about being passed over for promotion when my friend just found out that his wife has cancer. You’re feeling shame for forgetting your son’s school play? Please—that’s a first-world problem; there are people dying of starvation every minute. The opposite of scarcity is not abundance; the opposite of scarcity is simply enough. Empathy is not finite, and compassion is not a pizza with eight slices. When you practice empathy and compassion with someone, there is not less of these qualities to go around. There’s more. Love is the last thing we need to ration in this world. The refugee in Syria doesn’t benefit more if you conserve your kindness only for her and withhold it from your neighbor who’s going through a divorce. Yes, perspective is critical. But I’m a firm believer that complaining is okay as long as we piss and moan with a little perspective. Hurt is hurt, and every time we honor our own struggle and the struggles of others by responding with empathy and compassion, the healing that results affects all of us.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
A sacred wandering is a wilderness journey. You can find yourself in the midst of life transitions. Major upheavals. A career change. Soul searching. Infertility. Relocation. Illness. Depression. Divorce. Loss of a loved one. Unemployment. Returning to school. The empty nest.
Dana Arcuri (Sacred Wandering: Growing Your Faith In The Dark)
I was learning to map my own course and determine my own destination now that my children were no longer a home. A fire burned within my soul, igniting possibilities I previously only dreamed for myself. I was choosing to feather my empty nest with leather and chrome, not a second-hand lover.
Debi Tolbert Duggar (Riding Soul-O)
All day, I worried—what if she resorts to the bathrobe sweater at the last minute? What if she gets something in her teeth and doesn’t notice? What if this guy doesn’t see how totally adorable she is? What if he hurts her feelings? Saturday night, I went to a movie with a friend, but the whole night I was checking my phone to see if my mother had called or texted. When she finally called at midnight, I picked up the phone on the first ring. “How was it?” “Aw, it didn’t go so well.” My heart sank. I was already hatching revenge plots against the cad when she continued, “He was nice, but I’m not sure I’m interested.” I breathed a sigh of relief. Not everyone is lucky enough to hang out with my fashionable, smooth, totally cool mom. Just me.
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
In fact, no group of parents—married, single, step, or even empty nest—reported significantly greater emotional well-being than people who never had children,” she said. “It’s such a counterintuitive finding because we have these cultural beliefs that children are the key to happiness and a healthy life, and they’re not.
Jessica Valenti (Why Have Kids?: A New Mom Explores the Truth About Parenting and Happiness)
She was surprised to be alive. Yet she felt indifferent. If death was the black emptiness from which she had just woken up, then death was nothing to worry about.
Stieg Larsson (The Girl Who Kicked the Hornet's Nest (Millennium, #3))
Remember how we put stickers with your name on your pocessions that could be stolen.We didn't put a sticker on your innocence so don't lose it!
Candace Allan (Text Me, Love Mom: Two Girls, Two Boys, One Empty Nest)
To be the mother of a grown-up child means that you don’t have a child anymore, and that is sad. When the grown-up child leaves home, that is sadder.
Wendell Berry (Hannah Coulter)
The kids have grown into full-sized Homo sapiens fully capable of feeding themselves. The time had come to let them do their own hunting and gathering. When they get hungry enough, they will find food. But they have to learn to do it for themselves. Otherwise, they’ll end up like zoo animals. When tigers get fed every day, they never learn to hunt. If they’re released into the wild, they starve.
Veronica James (Going Gypsy: One Couple's Adventure from Empty Nest to No Nest at All)
How strange is the force of imagination! it represents things as if they were actually present to us; we consider them so, and to a heart like mine, this is death. I know not where to hide myself from you.
Marie de Rabutin-Chantal de Sévigné (The Letters of Madame De Sevigne to Her Daughter and Friends)
free Nest without birds and an Empty Nation without a good sense of leadership n followers The Sahara desert Await Immigrant of any kind to cross over because the land is filled with milk, honey, wine, foods but No One believe our Religion and culture differences are worth celebratin cos Our untruth tales was sugarcoated by my favourite writer However free Nest still Await the long gone birds to come back home.
Malik
When we don’t look to God to fulfill us, no matter what we find to put in it, the hole in our heart remains. And instead of feeling that hole as capacity, like a nest ready to receive life, we feel it as emptiness.
Sarah Christmyer (Becoming Women of the Word: How to Answer God's Call with Purpose and Joy)
Think,—but no; think of nothing, leave the business of thought to me, in my long shady alleys, whose dreary melancholy will add to mine; I shall walk there long enough before I shall find the treasure I had with me the last time I was in them.
Marie de Rabutin-Chantal de Sévigné (The Letters of Madame De Sevigne to Her Daughter and Friends)
The stench of sewers mixed with mud, the smell of the odd crack of lightning, wind tugging at tiles, power lines, empty nests; the stifling heat behind the low ill-fitting windows... impatient, annoyed half-words of lovers embracing... demanding wails of babies, their cries sliding off into the tin-smell of dusk; streets pliable, parks soaked to their roots lying obedient to the rain, bare oaks, half-broken dry flowers, scorched grass all prostrate, humbled by the storm, sacrifices strewn at the executioner's feet.
László Krasznahorkai (Satantango)
The goal is for your children to feel as if they can come to you without fear or disappointment, anger, or judgment. That means both of you have to make the shift and it starts with you- you have t make the effort to see them in a new light so they see themselves in that light too.
Melissa Shultz (From Mom to Me Again: How I Survived My First Empty-Nest Year and Reinvented the Rest of My Life (Mother's Day Gift from Daughter or Son))
I’ve never seen a soul here. No one shows themselves in the dismal wet fields, patchworked into sections by wire fences. No one toils behind the tufted vestiges of hedgerow. Few birds mark the sky beside the desultory spectre of a crow. As for trees, only spindly copses sprout on higher ground, shorn or shattered into piteous last stands; the woods have been whittled skeletal behind the wire of internment camps, to make room for more empty fields. And cement barns. Telegraph poles. Litter in the roadside ditches. Burst animals on tarmac, smeared, further compressed. Denatured land. Denuded. Scrub grubbed out, scraped away. Ugly and too neat. Empty. Industrial even. Blasted. Nowhere for anything to nest, take root, hide. Green but made desolate by the impact of the nearest settlement’s conquest. These are factory-farmed lowlands orbiting a city. A ring of ice encircling a blackened planet.
Adam Nevill (Cunning Folk)
1. Choose to love each other even in those moments when you struggle to like each other. Love is a commitment, not a feeling. 2. Always answer the phone when your husband/wife is calling and, when possible, try to keep your phone off when you’re together with your spouse. 3. Make time together a priority. Budget for a consistent date night. Time is the currency of relationships, so consistently invest time in your marriage. 4. Surround yourself with friends who will strengthen your marriage, and remove yourself from people who may tempt you to compromise your character. 5. Make laughter the soundtrack of your marriage. Share moments of joy, and even in the hard times find reasons to laugh. 6. In every argument, remember that there won’t be a winner and a loser. You are partners in everything, so you’ll either win together or lose together. Work together to find a solution. 7. Remember that a strong marriage rarely has two strong people at the same time. It’s usually a husband and wife taking turns being strong for each other in the moments when the other feels weak. 8. Prioritize what happens in the bedroom. It takes more than sex to build a strong marriage, but it’s nearly impossible to build a strong marriage without it. 9. Remember that marriage isn’t 50–50; divorce is 50–50. Marriage has to be 100–100. It’s not splitting everything in half but both partners giving everything they’ve got. 10. Give your best to each other, not your leftovers after you’ve given your best to everyone else. 11. Learn from other people, but don’t feel the need to compare your life or your marriage to anyone else’s. God’s plan for your life is masterfully unique. 12. Don’t put your marriage on hold while you’re raising your kids, or else you’ll end up with an empty nest and an empty marriage. 13. Never keep secrets from each other. Secrecy is the enemy of intimacy. 14. Never lie to each other. Lies break trust, and trust is the foundation of a strong marriage. 15. When you’ve made a mistake, admit it and humbly seek forgiveness. You should be quick to say, “I was wrong. I’m sorry. Please forgive me.” 16. When your husband/wife breaks your trust, give them your forgiveness instantly, which will promote healing and create the opportunity for trust to be rebuilt. You should be quick to say, “I love you. I forgive you. Let’s move forward.” 17. Be patient with each other. Your spouse is always more important than your schedule. 18. Model the kind of marriage that will make your sons want to grow up to be good husbands and your daughters want to grow up to be good wives. 19. Be your spouse’s biggest encourager, not his/her biggest critic. Be the one who wipes away your spouse’s tears, not the one who causes them. 20. Never talk badly about your spouse to other people or vent about them online. Protect your spouse at all times and in all places. 21. Always wear your wedding ring. It will remind you that you’re always connected to your spouse, and it will remind the rest of the world that you’re off limits. 22. Connect with a community of faith. A good church can make a world of difference in your marriage and family. 23. Pray together. Every marriage is stronger with God in the middle of it. 24. When you have to choose between saying nothing or saying something mean to your spouse, say nothing every time. 25. Never consider divorce as an option. Remember that a perfect marriage is just two imperfect people who refuse to give up on each other. FINAL
Dave Willis (The Seven Laws of Love: Essential Principles for Building Stronger Relationships)
A wealth of nuances, family expectations, words, and laughter. So many stories that are by themselves unremarkable, but together are meaningful and the story of our lives so far. And yes, there are more to come, but not the same kind of stories-in the same house with the same dynamic- with each of us in our set role before we make the big shift to the future us.
Melissa Shultz (From Mom to Me Again: How I Survived My First Empty-Nest Year and Reinvented the Rest of My Life (Mother's Day Gift from Daughter or Son))
The world remembers the battle ever since by the taxis. A hundred of them were already in the service of the Military Government of Paris. With 500 more, each carrying five soldiers and making the sixty-kilometer trip to the Ourcq twice, General Clergerie figured he could transport 6,000 troops to the hard-pressed front. The order was issued at 1:00 P.M., the hour for departure fixed for 6:00 P.M. Police passed the word to the taxis in the streets. Enthusiastically the chauffeurs emptied out their passengers, explaining proudly that they had to “go to the battle.” Returning to their garages for gas, they were ordered to the place of assembly where at the given time all 600 were lined up in perfect order. Gallieni, called to inspect them, though rarely demonstrative, was enchanted. “Eh bien, voilà au moins qui n’est pas banal!” (Well, here at least is something out of the ordinary!) he cried. Each with its burden of soldiers, with trucks, buses, and assorted vehicles added to the train, the taxis drove off, as evening fell—the last gallantry of 1914, the last crusade of the old world.
Barbara W. Tuchman (The Guns of August)
We’d just shared the last beer and slung the empty can out the window at a stop sign and were just leaning back to get the feel of the day, swimming in that kind of tasty drowsiness that comes over you after a day of going hard at something you enjoy doing—half sunburned and half drunk and keeping awake only because you wanted to savor the taste as long as you could.
Ken Kesey (One Flew Over the Cuckoo's Nest)
Celebrities are our heroes and heroines now, discussed the next day over latte or lunch. We have such a strong need to talk to each other, to have some commonality of story, that we're finding it in celebrities. In effect, we're turning reality into fiction. Using actors and actresses, just off duty. And how is this working for us? Not great. It leaves us with a perennially empty feeling. We find the celebrities empty, and at some level, we find ourselves empty for paying them so much attention. We've become reluctant voyeurs, and at some level, we know they're just people trying to live their lives. Our culture begins to lack content, depth, and substance. We miss the richness of human experience that story embodies, reflects, and carries forward. We might have to go back to reading books. Yay!
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
In these meadows, there were junkyards of armoured vehicles, where long rows of our panzers were lined up in the grass: rusting, abandoned and silent. The little Hetzers, the Stugs, the great Tigers, the great Panthers; all waiting in the sunset, empty, row upon row, leaking oil, with birds making nests in their turrets. It seems that when a war ends, there is too much metal left over, too much steel, and all the panzers lose their value.
Wolfgang Faust (The Last Panther - Slaughter of the Reich - The Halbe Kessel 1945 (Wolfgang Faust's Panzer Books))
The biggest is family- unless they are certifiable or criminals, try to keep your kids connected to their cousins, aunts, uncles, grandparents, whatever you've got, even if it means sacrificing vacations and that new fridge. And visit each other in good times and bad. It teaches your kids more than you can imagine about love and loyalty, and means they will not always have a place to celebrate and someone to celebrate with, but a net to catch them if they fall.
Melissa Shultz (From Mom to Me Again: How I Survived My First Empty-Nest Year and Reinvented the Rest of My Life (Mother's Day Gift from Daughter or Son))
And now I see the outside of our house, with the latticed bedroom-windows standing open to let in the sweet-smelling air, and the ragged old rooks'-nests still dangling in the elm-trees at the bottom of the front garden. Now I am in the garden at the back, beyond the yard where the empty pigeon-house and dog-kennel are—a very preserve of butterflies, as I remember it, with a high fence, and a gate and padlock; where the fruit clusters on the trees, riper and richer than fruit has ever been since, in any other garden, and where my mother gathers some in a basket, while I stand by, bolting furtive gooseberries, and trying to look unmoved. A great wind rises, and the summer is gone in a moment. We are playing in the winter twilight, dancing about the parlour. When my mother is out of breath and rests herself in an elbow-chair, I watch her winding her bright curls round her fingers, and straitening her waist, and nobody knows better than I do that she likes to look so well, and is proud of being so pretty.
Charles Dickens (David Copperfield)
Ode, Elegy, Aubade, Pslam" 1 The songbird that escapes from a burning house will build its nest in the shape of a cage. 2 This is one thing we know: song begs for the places that make it grow from seed to starling, 3 places that put the heart’s hemlock in an empty rowboat and heave it from the shore. 4 We only praise what we cannot keep: violin strings berried with rain, teacups overflowing with brandywine, radios sickened with static. 5 Glass tossed out with the tide will come back smoother and stranger, but never to the same person. 6 This is something we want to know. The woman in love never touches her ears. 7 The man in his house is always lost without her. 8 Morning pulls light from the dark like a boy hoisting a trout from the lake by its clean, pink gills. 9 When the woman escapes from a burning house she will know the path of the wind, 10 how it writes its scripture in peach blossoms blown into a baby’s empty pram. 11 She’ll feel it compose its words against her body, against the night, against the water, in an endless, artless psalm.
Ryan Teitman (Litany for the City)
They have found a house in the stay-away zone, under the barrage balloons south of London. The town, evacuated in '40, is still "regulated"—still on the Ministry's list. Roger and Jessica occupy the place illegally, in a defiance they can never measure unless they're caught. Jessica has brought an old doll, seashells, her aunt's grip filled with lace knickers and silk stockings. Roger's managed to scare up a few chickens to nest in the empty garage. Whenever they meet here, one always remembers to bring a fresh flower or two. The nights are filled with explosion and motor transport, and wind that brings them up over the downs and a smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There's never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly-most times they're too paranoid to risk a fire—but it's something they want to keep, so much that to keep it, they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.
Thomas Pynchon (Gravity’s Rainbow)
They have found a house in the stay-away zone, under the barrage balloons south of London. The town, evacuated in ’40, is still “regulated”—still on the Ministry’s list. Roger and Jessica occupy the place illegally, in a defiance they can never measure unless they’re caught. Jessica has brought an old doll, seashells, her aunt’s grip filled with lace knickers and silk stockings. Roger’s managed to scare up a few chickens to nest in the empty garage. Whenever they meet here, one always remembers to bring a fresh flower or two. The nights are filled with explosion and motor transport, and wind that brings them up over the downs a last smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There’s never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly—most times they’re too paranoid to risk a fire—but it’s something they want to keep, so much that to keep it they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.
Thomas Pynchon (Gravity's Rainbow)
JANUARY 25 Loving Yourself I begin to realize that in inquiring about my own origin and goal, I am inquiring about something other than myself…. In this very realization I begin to recognize the origin and goal of the world. —MARTIN BUBER In loving ourselves, we love the world. For just as fire, rock, and water are all made up of molecules, everything, including you and me, is connected by a small piece of the beginning. Yet, how do we love ourselves? It is as difficult at times as seeing the back of your head. It can be as elusive as it is necessary. I have tried and tripped many times. And I can only say that loving yourself is like feeding a clear bird that no one else can see. You must be still and offer your palmful of secrets like delicate seed. As she eats your secrets, no longer secret, she glows and you lighten, and her voice, which only you can hear, is your voice bereft of plans. And the light through her body will bathe you till you wonder why the gems in your palm were ever fisted. Others will think you crazed to wait on something no one sees. But the clear bird only wants to feed and fly and sing. She only wants light in her belly. And once in a great while, if someone loves you enough, they might see her rise from the nest beneath your fear. In this way, I've learned that loving yourself requires a courage unlike any other. It requires us to believe in and stay loyal to something no one else can see that keeps us in the world—our own self-worth. All the great moments of conception—the birth of mountains, of trees, of fish, of prophets, and the truth of relationships that last—all begin where no one can see, and it is our job not to extinguish what is so beautifully begun. For once full of light, everything is safely on its way—not pain-free, but unencumbered—and the air beneath your wings is the same air that trills in my throat, and the empty benches in snow are as much a part of us as the empty figures who slouch on them in spring. When we believe in what no one else can see, we find we are each other. And all moments of living, no matter how difficult, come back into some central point where self and world are one, where light pours in and out at once. And once there, I realize—make real before me—that this moment, whatever it might be, is a fine moment to live and a fine moment to die.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
I realized today that a daughter is born twice. For nine months, a mother carries and nourishes her daughter in her stomach, then gives birth to her. It's a happy occasion, but the mother is left feeling sadly empty inside...But I realized today that, after raising her within my love and embrace and sending her off in marriage, this day is just as sad and leaves me just as empty as the one when I first gave birth to her. Picture Man: Only after a parent has let go of their child will the parent truly be an adult. Living creatures leave their nest when ready. But the ones sending them off still anxiously and unnecessarily spread out their hands to catch them.
Kim Dong Hwa
didn’t say anything, because there was too much to say. I stood outside the cabin until the gold light went blue and a few stars came out, hardly brighter than the bright sky they twinkled in, and the swallows came flying over us, on their way to their nests in the cliffs. It was the time of day when everything goes home. From habit and from weariness I went in through the door. The kitchen table was spread for supper, I could smell a rabbit stew cooking on the stove. Blake lit the lantern and begged me to eat my supper. I didn’t go into the bunk-room, for I knew the shelves in there were empty. I heard Blake talking to me as you hear people talking when you are asleep.
Willa Cather (The Professor's House)
They didn't do things the way you would have. They're not you. That's what their declaration-of-independence rants were all about,when you used to fight, and why they kept telling us they want to do it their way.....Well, now, I get to do it my way......Well, now, I get to do it my way...And you know what? It's fun!...I can do anything I damn well please. It's called freedom. And I earned every minute of it. And that's the best feeling in the world. To me, that's our long-delayed reward for decades of hands-on parenting. And for the tape running through the backs of our minds, in mommy lobe, for the rest of our lives...Because it's really about being a woman at the wheel. We're always moving ahead. Enjoy the trip.
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
Sweeping the dorm soon's it's empty, I'm after dust mice under his bed when I get a smell of something that makes me realize for the first time since I been in the hospital that the big dorm full of beds, sleeps forty grown men, has always been sticky with a thousand other smells - smells of germicide, zinc ointment, and foot powder, smell of piss and sour old-man manure, of Pablum and eyewash, of musty shorts and socks musty even when they're fresh back from the laundry, the stiff odor of starch in the linen, the acid stench of morning mouths, the banana smell of machine oil, and sometimes the smell of singed hair - but never before now, before he came in, the man smell of dust and dirt from the open fields, and sweat, and work.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
The loud banging on Himari’s door could only be one person, only one person in the world knocked like that, her neighbor Filippo ben Vincente. “I am not home,” Himari yelled, refusing to leave her nest on the couch. “I have your favorite… amaretti. Still warm from the oven,” Filippo coaxed. Himari looked at the junk food wrappers scattered on the coffee table and thought about her empty kitchen. Filippo’s cookies were divine. “Make me a cappuccino, too?” “Yes, I make you two cappuccino. Come on.” Himari rolled her eyes. She stopped correcting his English, especially when she found it charming. Shuffling to the door, she pulled it open and gave him a reluctant smile. He threw up his hands and said, “Mamma Mia, look at you, eh? What is this you are wearing? It’s the same clothes since two days ago, and they were disgusting then.” “Shut up and give me cookies.” Himari moved past him, seeing his studio door ajar.
Staci Morrison (M3-The Outsiders (Millennium))
I say!” said Lucy. They came nearer and nearer, all very quietly. “But where are the guests?” asked Eustace. “We can provide that, Sir,” said Rhince. “Look!” said Edmund sharply. They were actually within the pillars now and standing on the pavement. Everyone looked where Edmund had pointed. The chairs were not all empty. At the head of the table and in the two places beside it there was something--or possibly three somethings.” “What are those?” asked Lucy in a whisper. “It looks like three beavers sitting on the table.” “Or a huge bird’s nest,” said Edmund. “It looks more like a haystack to me,” said Caspian. Reepicheep ran forward, jumped on a chair and thence on to the table, and ran along it, threading his way as nimbly as a dancer between jeweled cups and pyramids of fruit and ivory salt-cellars. He ran right up to the mysterious gray mass at the end: peered, touched, and then called out: “These will not fight, I think.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Hiawatha’s father is Mudjekeewis, the West Wind: the battle therefore is fought in the West. From that quarter came life (fertilization of Wenonah) and death (Wenonah’s). Hence Hiawatha is fighting the typical battle of the hero for rebirth in the Western Sea. The fight is with the father, who is the obstacle barring the way to the goal. In other cases the fight in the West is a battle with the devouring mother. As we have seen, the danger comes from both parents: from the father, because he apparently makes regression impossible, and from the mother, because she absorbs the regressing libido and keeps it to herself, so that he who sought rebirth finds only death. Mudjekeewis, who had acquired his godlike nature by overcoming the maternal bear, is himself overcome by his son: Back retreated Mudjekeewis, Rushing westward o’er the mountains, Stumbling westward down the mountains, Three whole days retreated fighting, Still pursued by Hiawatha To the doorways of the West Wind, To the portals of the Sunset, To the earth’s remotest border, Where into the empty spaces Sinks the sun, as a flamingo Drops into her nest at nightfall.
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung Book 46))
With the formed state having finished its course, high history also lays itself down weary to sleep. Man becomes a plant again, adhering to the soil, dumb and enduring. The timeless village and the "eternal" peasant reappear, begetting children and burying seed in Mother Earth—a busy, easily contented swarm, over which the tempest of soldier-emperors passingly blows. In the midst of the land lie the old world-cities, empty receptacles of an extinguished soul, in which a historyless mankind slowly nests itself. Men live from hand to mouth, with petty thrifts and petty fortunes, and endure. Masses are trampled on in the conflicts of the conquerors who contend for the power and the spoil of this world, but the survivors fill up the gaps with a primitive fertility and suffer on. And while in high places there is eternal alternance of victory and defeat, those in the depths pray, pray with that mighty piety of the Second Religiousness that has overcome all doubts forever. There, in the souls, world-peace, the peace of God, the bliss of grey-haired monks and hermits, is become actual—and there alone. It has awakened that depth in the endurance of suffering which the historical man in the thousand years of his development has never known. Only with the end of grand History does holy, still Being reappear. It is a drama noble in its aimlessness, noble and aimless as the course of the stars, the rotation of the earth, and alternance of land and sea, of ice and virgin forest upon its face. We may marvel at it or we may lament it—but so it is.
Oswald Spengler (The Decline of the West)
Then something moved on the hall floor, just outside the bars. Her eyes swung there. Sunday Justice sat on his haunches staring at her dark eyes with his green ones. Her heart raced. Locked up alone all these weeks, and now this creature could step wizardlike between the bars. Be with her. Sunday Justice broke the stare and looked down the hall, toward the inmates' talk. Kya was terrified that he would leave her and walk to them. But he looked back at her, blinked in obligatory boredom, and squeezed easily between the bars. Inside. Kya breathed out. Whispered, "Please stay." Taking his time, he sniffed his way around the cell, researching the damp cement walls, the exposed pipes, and the sink, all the while compelled to ignore her. A small crack in the wall was the most interesting to him. She knew because he flicked his thoughts on his tail. He ended his tour next to the small bed. Then, just like that, he jumped onto her lap and circled, his large white paws finding soft purchase on her thighs. Kya sat frozen, her arms slightly raised, so as not to interfere with his maneuvering. Finally, he settled as though he had nested here every night of his life. He looked at her. Gently she touched his head, then scratched his neck. A loud purr erupted like a current. She closed her eyes at such easy acceptance. A deep pause in a lifetime of longing. Afraid to move, she sat stiff until her leg cramped, then shifted slightly to stretch her muscles. Sunday Justice, without opening his eyes, slid off her lap and curled up next to her side. She lay down fully clothed, and they both nestled in. She watched him sleep, then followed. Not falling toward a jolt, but a drifting, finally, into an empty calm. Once during the night, she opened her eyes and watched him sleeping on his back, forepaws stretched one way, hind paws the other.
Delia Owens (Where the Crawdads Sing)
The birds had multiplied. She'd installed rows upon rows of floating melamine shelves above shoulder height to accommodate the expression of her once humble collection. Though she'd had bird figurines all over the apartment, the bulk of her prized collection was confined to her bedroom because it had given her joy to wake up to them every morning. Before I'd left, I had a tradition of gifting her with bird figurines. It began with a storm petrel, a Wakamba carving of ebony wood from Kenya I had picked up at the museum gift shop from a sixth-grade school field trip. She'd adored the unexpected birthday present, and I had hunted for them since. Clusters of ceramic birds were perched on every shelf. Her obsession had brought her happiness, so I'd fed it. The tiki bird from French Polynesia nested beside a delft bluebird from the Netherlands. One of my favorites was a glass rainbow macaw from an Argentinian artist that mimicked the vibrant barrios of Buenos Aires. Since the sixth grade, I'd given her one every year until I'd left: eight birds in total. As I lifted each member of her extensive bird collection, I imagined Ma-ma was with me, telling a story about each one. There were no signs of dust anywhere; cleanliness had been her religion. I counted eighty-eight birds in total. Ma-ma had been busy collecting while I was gone. I couldn't deny that every time I saw a beautiful feathered creature in figurine form, I thought of my mother. If only I'd sent her one, even a single bird, from my travels, it could have been the precursor to establishing communication once more. Ma-ma had spoken to her birds often, especially when she cleaned them every Saturday morning. I had imagined she was some fairy-tale princess in the Black Forest holding court over an avian kingdom. I was tempted to speak to them now, but I didn't want to be the one to convey the loss of their queen. Suddenly, however, Ma-ma's collection stirred. It began as a single chirp, a mournful cry swelling into a chorus. The figurines burst into song, tiny beaks opening, chests puffed, to release a somber tribute to their departed beloved. The tune was unfamiliar, yet its melancholy was palpable, rising, surging until the final trill when every bird bowed their heads toward the empty bed, frozen as if they hadn't sung seconds before. I thanked them for the happiness they'd bestowed on Ma-ma.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed. At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night. In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang: Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.
Thomas Pynchon (The Crying of Lot 49)
And then she would discuss very different people whom she had been led to believe existed; hard-working, honourable men and women, not a few of them possessed of fine brains, yet lacking the courage to admit their inversion. Honourable, it seemed, in all things save this that the world had forced on them - this dishonourable lie whereby alone they could hope to find peace, could hope to stake out a claim on existence. And always these people must carry that lie like a poisonous asp pressed against their bosoms; must unworthily hide and deny their love, which might well be the finest thing about them. And what of the women who had worked in the war - those quiet, gaunt women she had seen about London? England had called them and they had come; for once, unabashed, they had faced the daylight. And now because they were not prepared to slink back and hide in their holes and corners, the very public whom they had served was the first to turn round and spit upon them; to cry: 'Away with this canker in our midst, this nest of unrighteousness and corruption!' That was the gratitude they had received for the work they had done out of love for England! And what of that curious craving for religion which so often went hand in hand with inversion? Many such people were deeply religious, and this surely was one of their bitterest problems. They believed, and believing they craved a blessing on what to some of them seemed very sacred - a faithful and deeply devoted union. But the Church's blessing was not for them. Faithful they might be, leading orderly lives, harming no one, and yet the Church turned away; her blessings were strictly reserved for the normal. Then Stephen would come to the thing of all others that to her was the most agonising question. Youth, what of youth? Where could it turn for its natural and harmless recreations? There was Dickie West and many more like her, vigorous, courageous and kind-hearted youngsters; yet shut away from so many of the pleasures that belonged by right to every young creature - and more pitiful still was the lot of a girl who, herself being normal, gave her love to an invert. The young had a right to their innocent pleasures, a right to social companionship; had a right, indeed, to resent isolation. But here, as in all the great cities of the world, they were isolated until they went under; until, in their ignorance and resentment, they turned to the only communal life that a world bent upon their destruction had left them; turned to the worst elements of their kind, to those who haunted the bars of Paris. Their lovers were helpless, for what could they do? Empty-handed they were, having nothing to offer. And even the tolerant normal were helpless - those who went to Valérie's parties, for instance. If they had sons and daughters, they left them at home; and considering all things, who could blame them? While as for themselves, they were far too old - only tolerant, no doubt, because they were ageing. They could not provide the frivolities for which youth had a perfectly natural craving.
Radclyffe Hall (The Well of Loneliness)
The trick,” she says, “is to find a new dream for the next part of your life. Then empty nest becomes a beginning, not an ending.” “I know.” I try to shift her off the subject.
Lisa Wingate (The Sea Glass Sisters (Carolina Heirlooms #.5))
Strangely though, the arrival of children—which one would expect to result from fundamentalist marriages—actually decreases the happiness of the parents, and, according to Harvard psychologist Daniel Gilbert, “the only known symptom of ‘empty nest syndrome’ is increased smiling.
Anonymous
AFTERGLOW Tim Skelton has Native Americans to thank for the hobby he loves. Scientists believe that all purple martins originally nested under rocks, empty crevices and abandoned woodpecker nests. Then Native Americans like the Choctaw and Chickasaw began hanging gourds from the tops of saplings for the birds, who were helpful in chasing away bugs and were a joy to have around. The birds’ new nests were bigger and safer, letting them lay more eggs and raise more young. The Chippewa name for the martin was “my-ku-dé-shau-shaú-wun-ni-bí-si.
Anonymous
It felt great to be loved. Children... Children are a hazard to your life... As they'd got older they had become more expensive. But it was worth it. If she didn't have her children her life would be empty. And even though your children leave your nest, they always have one foot tethered to you.
Cindy Vine (C U @ 8)
I cannot take your key,” I protested. “Why not?” I searched for an excuse. “I have no place to keep it,” I said, “where it would not be discovered.” “Then keep it here,” he said, solving the problem easily. Leaning forward so that his arm brushed mine, he reached past me and slid the key into one of the empty nesting holes. “It is in the box with the cracked ledge, you see? You shall have no trouble finding it again, when you need it.” He straightened, but did not draw away. The air grew thick between us. “Which leaves but the matter of your forfeit,” he said, in a low and languid voice. “My forfeit?” “For stealing one of my pigeons,” he reminded me. “I do not steal this bird, my lord,” I said evenly, “and ’twas my understanding that the dovecote belonged to my uncle.” “Your uncle makes use of it, to be sure, but it was built by my ancestors, and it lies on my land. My ownership is indisputable.” I tried to voice a protest, but he merely pressed closer, shaking his head. “’Tis no use denying the crime,” he told me, “with the evidence there in your hands. ’Tis plainly theft, and I have the right to exact a penalty.” He held me still beneath his kiss with his free hand, his fingers sliding beneath the weight of my hair, supporting the curve of my jawline and the backward arch of my neck. When he lifted his head, my heart was racing in tempo with that of the bird that I still held to my breast. I had half a mind to select a dozen more pigeons, if he could promise the same penalty for each of them, but I dared not tell him so.
Susanna Kearsley (Mariana)
Renewed Strength But those who hope in the LORD will renew their strength. They will soar on wings like eagles; they will run and not grow weary, they will walk and not be faint. ISAIAH 40:31 NIV Several times throughout scripture, the Lord had the writers use the eagle as a comparison to His people. Moses, speaking to the children of Israel just before his death, draws a beautiful picture of the eagle caring for her young. He then compares it to the Lord’s leading in our lives. “He found them in a desert, a windy, empty land. He surrounded them and brought them up, guarding them as those he loved very much. He was like an eagle building its nest that flutters over its young. It spreads its wings to catch them and carries them on its feathers. The LORD alone led them, and there was no foreign god helping him” (Deuteronomy 32:10–12 NCV). Isaiah carries that metaphor a bit further in Isaiah 40. Women seem to be most involved in nurturing their children, and as a result we tire easily. Starting in verse 27 in the Isaiah passage, Isaiah wonders how God’s people can say that God is too busy or tired to care for His people. Instead he turns it around and says that even young men and children get tired. Only those who hope in the Lord will He carry on His wings, renewing their strength. Father, thank You for these comparisons that show Your loving heart in caring for Your children. I praise You for enabling us to do the work You have called us to do.
Various (Daily Wisdom for Women 2015 Devotional Collection - January (None))
No, Bigfoot . . . no, you know what I think you really are? Is you’re the LAPD’s own Charlie Manson. You’re the screamin evil nutcase right at the heart of that li’l cop kingdom, that nothin and nobody can reach, and God help ’em if you wake up someday in a mood to bring it all down, ’cause then it’ll be run copper run, and when the gunsmoke clears, there’ll be songbirds building their nests in all the empty corners of the Glass House. Plus broken glass and shit
Thomas Pynchon
His thoughts came and went one at a time, without logical attachments or chains of causation, like hawks circling an empty sky. [...] And from their isolation, their profound disunity, he concluded that a mind was not something grown or evolved, but was a mosaic, a jackdaw’s nest of baubles and bits of glass between which lightning flickered now and again, connecting and establishing the whole for fractions of seconds, creating the illusion of a man, of a man’s rational and emotional convictions. Years before, months before, he might have denied this conception, put forward a romantic conception in its stead. But the constituency of his mind, his jackdaw’s nest, had changed, with war and prostitutes replacing home-cooking and girlfriends, and though a younger Mingolla would have rejected the bleakness of this self-knowledge, the current one found in it a source of strength, a justification for conscienceless action, for contempt of sentiment.
Lucius Shepard (Life During Wartime)
The boys have been a loving lifeline for the Princess in her isolated position. “They mean everything to me,” she is fond of saying. However, in September this year, when Prince Harry joins his elder brother at Ludgrove preparatory school, Diana will have to face the prospect of an empty nest at Kensington Palace. “She realizes that they are going to develop and expand and that soon a chapter in her own life will be complete,” observes James Gilbey.
Andrew Morton (Diana: Her True Story in Her Own Words)
Never mind though our purses be as empty as the falcon's nest of a year ago. Let that not detain us. We are weary of being without gold in the midst of plenty. We wish to become men of means. Come, let us go to Arkad and ask how we, also, may acquire incomes for ourselves.
George S. Clason (The Richest Man in Babylon)
In 1975, another landmark paper showed that mothers presiding over an empty nest were not despairing, as conventional wisdom had always assumed, but happier than mothers who still had children at home; during the eighties, as women began their great rush into the workforce, sociologists generally concluded that while work was good for women’s well-being, children tended to negate its positive effects.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
after Stephen Dunn" If you are sleeping when the axe buries itself in the stump outside your home, wake and walk softly through your halls. Walk softly through this house that is like your heart, built in the solace of these woods from things you claimed as your own. Touch everything. Touch it roughly, and think of the heartbeats of the trees giving their lives, each swaying wood grain a skipped beat of gasping titans beneath your hands, your careful eyes, your gentle push, the settling of these quiet things. But your hands are not in this house. Your heart is not in this house. Your love is not in this house. This house was not built from tall, certain things, but from the surest things you could find: roots, nests, not clocks but the parts hidden behind their faces, reminders of belief in always moving forward. One morning you will wake in this home that is like your heart to find that the axe, the certain and the strong, has buried itself in the wet stump outside, you will touch everything roughly, this house will sound no longer like your heart but your heart will sound like this house, built tall from imagined things, high ceilings, echoes, stopped clock pieces, empty nests, gasping roots. Your heart will feel like this house. You will burn it to the ground.
Lewis Mundt
If death was the black emptiness from which she had just woken up, then death was nothing to worry about. She would hardly notice the difference.
Stieg Larsson (The Girl Who Kicked the Hornet's Nest (Millennium, #5-6))
Truth: my mom does not look dumpy. She and I wear the same size jeans. She is a tiny rocket ship that runs on love and worry. But I can’t convince her of this, so we compromise on black pants. “My friend told me men like boots. But I think boots are workin’ it too much, right?” I was immediately reminded of when I was eleven and my best friend told me that boys like it when you drink from a straw at the far corner of your mouth. For years, any visit to the mall food court was a chance for my soda-straw act. I don’t know what look I was going for—maybe “sexy dental patient”—or who my target audience was—Dr Pepper?—but it failed. Trying to be seductive with a cheap plastic straw is workin’ it too much. Anyway, I said, “Boots are fine. You’re supposed to work it a little, it’s a date!
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
en suite rooms and a shared kitchen; sometimes they don’t see each other for days. Her flatmates probably won’t
Sue Watson (The Empty Nest)
On October 7 the cormorants abruptly came back, hundreds of thousands of them, only to disappear after a week. On the 20th the birds returned, then vanished on the 24th. By November 7 they were back—only to bolt a few days later. In 1940 the warm waters came again. And in 1941. And they showed up earlier, at the beginning of nesting, so the birds then fled their nesting grounds and didn’t reproduce. Entire generations were not being born. Vogt was looking at a demographic collapse. But why were the Guanays fleeing? The temperature was not enough to hurt them directly; if they got hot, they could always take a swim. Nor did the birds’ returns correlate with colder weather. They suffered from no obvious disease. What was going on? The key to the puzzle, Vogt thought, was the condition of the few adults that didn’t leave the Chinchas: hungry. The remaining Guanays left every morning to hunt for fish. But they returned ever later in the day, and their crops were often empty, which meant they couldn’t feed their offspring. The lack of food, he concluded, was due to El Niño. Warmer water on the surface acted as a cap that blocked cold water from rising from the depths of the Humboldt Current, which set off a cascade of horribles: no upwelling meant no nutrients for plankton, which meant no plankton for anchovetas, which meant no anchovetas for Guanays.
Charles C. Mann (The Wizard and the Prophet: Two Remarkable Scientists and Their Dueling Visions to Shape Tomorrow's World)
My therapist calls it grieving the first call.” “What does that mean?” “She says when something happens, good or bad, you can only call one person first. And if you’ve been somebody’s first call, it’s hard not to be their first call anymore. She says it’s one of the reasons why parents sometimes feel sad when their kids are getting married. It’s not just the empty nest. They’re not the first call anymore. I’m not Andy’s first call anymore. It doesn’t mean I want to be his girlfriend, and it doesn’t mean I don’t like her. But it was sad. It’s different. The doctor says it’s important to be sad.
Linda Holmes (Evvie Drake Starts Over)
There are two seas in Palestine. One fresh, and fish are in it. Splashes of green adorn its banks. Trees spread their branches over it and stretch out their thirsty roots to sip of its healing waters. Along its shores the children play, as children played when He was there. He loved it. He could look across its silver surface when He spoke His parables. And on a rolling plain not far away He fed five thousand people. The river Jordan makes this sea with sparkling water from the hills. So it laughs in the sunshine. And men build their houses near to it, and birds their nests; and every kind of life is happier because it is there. The river Jordan flows on south into another sea. Here is no splash of fish, no fluttering leaf, no song of birds, no children's laughter. Travelers choose another route, unless on urgent business. The air hangs heavy above its water, and neither man nor beast nor fowl will drink. What makes this mighty difference in these neighbor seas? Not the river Jordan. It empties the same good water into both. Not the soil in which they lie; not in the country round about. This is the difference. The Sea of Galilee receives but does not keep the Jordan. For every drop that flows into it another drop flows out. The giving and receiving go on in equal measure. The other sea is shrewder, hoarding its income jealously. It will not be tempted into any generous impulse. Every drop it gets, it keeps. The Sea of Galilee gives and lives. This other sea gives nothing. It is named The Dead. There are two kinds of people in the world. There are two seas in Palestine.
Stephen R. Covey (The Divine Center)
It’s weird to think that outside this house other lives are continuing as they did before – whereas inside everything is on pause.
Sue Watson (The Empty Nest)
Jesus, you love my children more than I ever will, so by faith I give them and their choices to you. Please infuse your Holy Spirit-guided thoughts into every decision they make, and bless them for each one they make in obedience to you. When they don’t obey you, Lord, then I relinquish them to you once again to steer them back to you in your way and in your time. Amen.
Michele Howe (Empty Nest, What's Next? Parenting Adult Children Without Losing Your Mind)
What's critical is that parents convey to their children that by allowing them more independence, you are not in any way pulling back on your love or abandoning them.
Melissa Shultz (From Mom to Me Again: How I Survived My First Empty-Nest Year and Reinvented the Rest of My Life (Mother's Day Gift from Daughter or Son))
And so here we are, on the eve of the New Year, a year that will be all about saying good-bye to the old way of doing things and hello to our new stage of life. A year in which I need to accept that the traditions that revolved around my children can evolve and yet still be meaningful and intimate. And isn't that what it's all about, really? When your kids move away, you mourn the loss of those traditions and the intimacy of your family unit. The world you created for them, took pride and comfort in, has ended.
Melissa Shultz (From Mom to Me Again: How I Survived My First Empty-Nest Year and Reinvented the Rest of My Life (Mother's Day Gift from Daughter or Son))