Empty Corridors Quotes

I am a product of long corridors, empty sunlit rooms, upstairs indoor silences, attics explored in solitude, distant noises of gurgling cisterns and pipes, and the noise of wind under the tiles. Also, of endless books.

To wait. In our lives we know joy, anger, sorrow, and a hundred other emotions, but these emotions all together occupy a bare one percent of our time. The remaining ninety-nine percent is just living in waiting. I wait in momentary expectation, feeling as though my breasts are being crushed, for the sound in the corridor of the footsteps of happiness. Empty. Oh, life is too painful, the reality that confirms the universal belief that it is best not to be born.

Hope was a sunrise, a friend in the alley, a whisper in an empty corridor.

Standing in the corridor was a large plastic bin on wheels. He looked inside. Empty tins of dog food. That explained the spaghetti with meat sauce. Oh well, he'd eaten worse.

I find that the only way to get through life is to picture myself in an entirely disconnected reality. I often imagine how people would react to my death. Mr Dunthorne's quavering voice as he makes the announcement. The shocked faces of my classmates. A playground bedecked with flowers. The empty stillness of a school corridor. Local news analysis. . . . The steady stoicism of my parents. . . . Candlelit vigils. . . . And finally, my glorious resurrection.

The Empty Door I will meet you, At the empty door, Enter the atrium, Of dreams once bold, Regrets untold, Walk the corridor, Of restlessness, Bathe in the pool, Of forgetfulness, And in the grand salon, Where the threads of life, Now grey, Fray in the dying light, Share verses, Forged by the night.

As I became a creature of the empty tunnels, survival became easier and more difficult all at once. I gained in the physical skills and experience necessary to live on. I could defeat almost anything that wandered into my chosen domain. It did not take me long, however, to discover one nemesis that I could neither defeat nor flee. It followed me wherever I went - indeed, the farther I ran, the more it closed in around me. My enemy was solitude, the interminable, incessant silence of hushed corridors.

My life ended when I was 20. Since then it’s been merely a series of endless reminiscences, a dark, winding corridor leading nowhere. Nevertheless, I had to live it, surviving each empty day, seeing each day off still empty.

Yes, they have. It was back when they still didn't know each other by name. In the great hall of a mountain lodge, with people drinking and chattering around them, they exchanged a few commonplaces, but the tone of their voices made it clear that they wanted each other, and they withdrew into an empty corridor where, wordlessly, they kissed. She opened her mouth and pressed her tongue into Jean Marc's mouth, eager to lick whatever she would find inside. This zeal of their tongues was not a sensual necessity but an urgency to let each other know that they were prepared to make love, right away, instantly, fully and wildly and without losing a moment.

You'll get over it...' It's the cliches that cause the trouble. To lose someone you love is to alter your life for ever. You don't get over it because 'it' is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to greive over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to? I've thought a lot about death recently, the finality of it, the argument ending in mid-air. One of us hadn't finished, why did the other one go? And why without warning? Even death after long illness is without warning. The moment you had prepared for so carefully took you by storm. The troops broke through the window and snatched the body and the body is gone. The day before the Wednesday last, this time a year ago, you were here and now you're not. Why not? Death reduces us to the baffled logic of a small child. If yesterday why not today? And where are you? Fragile creatures of a small blue planet, surrounded by light years of silent space. Do the dead find peace beyond the rattle of the world? What peace is there for us whose best love cannot return them even for a day? I raise my head to the door and think I will see you in the frame. I know it is your voice in the corridor but when I run outside the corridor is empty. There is nothing I can do that will make any difference. The last word was yours. The fluttering in the stomach goes away and the dull waking pain. Sometimes I think of you and I feel giddy. Memory makes me lightheaded, drunk on champagne. All the things we did. And if anyone had said this was the price I would have agreed to pay it. That surprises me; that with the hurt and the mess comes a shaft of recognition. It was worth it. Love is worth it.

The ship had always been vast and intricate, its topology as unfathomable as the abandoned subway system of a deserted metropolis. It had been a ship haunted by many ghosts, not all of which were necessarily cybernetic or imaginary. Winds had sighed up and down its kilometres of empty corridors. It was infested with rats, stalked by machines and madmen. It had moods and fevers, like an old house.

Why was it that relations between different people were so unsatisfactory, so fragmentary, so hazardous, and words so dangerous...What had Evelyn really wished to say to him? What was she feeling left alone in the empty hall? The mystery of life and the unreality even of one's own sensations overcame him as he walked down the corridor which led to his room.

He let himself into the security office and scanned the wall of surveillance monitors. Parking lot clear. Corridors empty. Cafeteria empty. Heart empty.

I let myself into the cellar, locked the door behind me. The cellar was cold. I found the whisky, let myself out of the cellar and locked it, turned all the lights out, gave Mrs McSpadden the bottle, accepted a belated new-year kiss from her, then made my way out through the kitchen and the corridor and the crowded hall where the music sounded loud and people were laughing, and out through the now almost empty entrance hall and down the steps of the castle and down the driveway and down to Gallanach, where I walked along the esplanade - occasionally having to wave to say 'Happy New Year' to various people I didn't know - until I got to the old railway pier and then the harbour, where I sat on the quayside, legs dangling, drinking my whisky and watching a couple of swans glide on black, still water, to the distant sound of highland jigs coming from the Steam Packet Hotel, and singing and happy-new-year shouts echoing in the streets of the town, and the occasional sniff as my nose watered in sympathy with my eyes.

The corridor smelled of water in the bottoms of purple vases and the piano was banging just beyond this emptiness.

Hope was a sunrise, a friend in an alley, a whisper in an empty corridor.

The blues is relevant today because when we look down through the corridors of time, the black American interpretation of tragicomic hope in the face of dehumanizing hate and oppression will be seen as the only kind of hope that has any kind of maturity in a world of overwhelming barbarity and bestiality. That barbarity is found not just in the form of terrorism but in the form of the emptiness of our lives - in terms of the wasted human potential that we see around the world. In this sense, the blues is a great democratic contribution of black people to world history.

She passed through the door, walked down a dim corridor, and emerged into a soaring, empty space. What she found made her blood turn cold. Oh, muscadine.

I know it is your voice in the corridor but when I run outside the corridor is empty. There is nothing I can do that will make any difference. The last word was yours.

To other cities, other machines, other forests of buildings of concrete where other men and women missed the stars at night and tended small plants on windowsills and kept tiny dogs and took them for walks along corridors in the endless procession of boxes and intersections and lights; where they rented space in other peoples's property so they had somewhere to sleep so they could get up and perform profit-related tasks they neither understood nor cared about, simply so they would be given the tokens of exchange they needed in order to rent the space in which they slept and snarled and watched television until finally some of them slipped out of the window and ran howling down the dark streeets, throwing off a numbness handed down from a society that was itself trapped in fracture and betrayal and despair; the lonely insane in a culture turning into a Christmas bauble, gaudy beauty wrapped around an emptiness coalescing faster and faster into parking lots and malls and waiting areas and virtual chat rooms--non places where nobody knew anything about anybody anymore.

Six years previously, Miss Brodie had led her new class into the garden for a history lesson underneath the big elm. On the way through the school corridors they passed the headmistress's study. The door was wide open, the room was empty. 'Little girls,' said Miss Brodie, 'come and observe this.' They clustered round the open door while she pointed to a large poster pinned with drawing-pins on the opposite wall within the room. It depicted a man's big face. Underneath were the words 'Safety First'. 'This is Stanley Baldwin who got in as Prime Minister and got out again ere long,' said Miss Brodie. 'Miss Mackay retains him on the wall because she believes in the slogan "Safety First". But Safety does not come first. Goodness, Truth and Beauty come first. Follow me.

The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.

For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.

It was only as a mature man that I became mortal. The visceral insight of my end came to me abruptly more than a dozen years ago. I had wasted an entire evening playing an addictive, firstperson shooter video game that belonged to my teenage son—running through eerily empty halls, flooded corridors, nightmarishly twisting tunnels, and empty plazas under a foreign sun, emptying my weapons at hordes of aliens pursuing me relentlessly. I went to bed late and, as always, fell asleep easily. I awoke abruptly a few hours later. Knowledge had turned to certainty —I was going to die! Not right there and then, but someday. ... My interpretation of this queer event is that all the killing in the video game triggered unconscious thoughts about the annihilation of the self. These processes produced sufficient anxiety that my cortico-thalamic complex woke up on its own, without any external trigger. At that point, self-consciousness lit up and was confronted with its mortality.

Being this close to her, feeling the weight of her body against mine, gave me a sense of physical pain in my chest. I imagined my years of loneliness as a long corridor, one door after another, a passage of empty chambers leading me to this night.

But, the very neatness and the sameness of the corridors and the men made them troubling: I might have been taken on the same plain route ten times over, I should never have known it. Unnerving, too, is the dreadful clamour of the place. Where the warders stand there are gates, that must be unfastened, and swung on grinding hinges, and slammed and bolted; and the empty passages, of course, echo with the sounds of other gates, and other locks and bolts, distant and near. The prison seems caught, in consequence, at the heart of some perpetual private storm, that left my ears ringing.

Worship is the corridor through which we make the exchange of heaven. It is the avenue that leads us from the emptiness of this world to the fullness of the next world. It is the street that leads from decay and discouragement to renewal and glory. When we fail to worship, therefore, we confine ourselves to the despair of this life.

The corridor was silent. It was necessary to walk very slowly, her hand on the wall. A man was curled on his side near the elevators, shivering. She wanted to speak to him, but speaking would take too much strength, so she looked at him instead—I see you, I see you—and hoped this was enough. The lobby was empty now. The staff had fled.

But where are we going?" Glancing back at her,he smiled a wicked smile. "Westminster." "Westminster! Now? What about the Feast of the Circumcision of Our Lord? I'm the First Footer! I can't just leave." Ranulf came back in and gave her a comforting kiss on the forehead before placing a softer one on her lips. Unfortunately, that is one tradition we must break.So pack only what is necessary and don your warmest gown." Bronwyn's heart started pounding as she realized just who Ranulf intended to see and confront. "What are you planning to do to Luc?" But the question was issued to an empty corridor. Ranulf was gone, and the next time she was to see him,they would be riding out of Hunswick at a speed she wouldn't understand for another three days.

Right then,” said Hermione, checking her watch. “She ought to be here in about five minutes. When I’ve Stunned her--” “Hermione, we know,” said Ron sternly. “And I thought we were supposed to open the door before she got here?” Hermione squealed. “I nearly forgot! Stand back--” She pointed her wand at the padlocked and heavily graffitied fire door beside them, which burst open with a crash. The dark corridor behind it led, as they knew from their careful scouting trips, into an empty theater. Hermione pulled the door back toward her, to make it look as though it was still closed. “And now,” she said, turning back to face the other two in the alleyway, “we put on the Cloak again--” “--and we wait,” Ron finished, throwing it over Hermione’s head like a blanket over a birdcage and rolling his eyes at Harry.

The butterflies flapped their wings again, and it felt good. Exciting. Starting something new. After the summer, she had thought she might never have that feeling again - the chances seemed so impossibly stacked against her. As Marlene shampooed her hair, for some reason she thought of Remus. A few times, lately, she had thought of talking to him. She felt guilty; Remus had always been such a troubled figure, so brave and strong and yet for some reason so repressed and locked down. Bursting with emotions but apparently unable to express any of them. And now they all knew why, she felt so sorry for him. She’d wanted to say something, on their way back from healing classes, which was the only time they were alone, usually. She’d wait for an empty corridor and stop and turn to him and say, very quietly, “Me too, Remus. You aren’t alone.

Somewhere in the recumbent solitudes, the motionless but teeming millions of books, lost in two dozen turns right, three dozen turns left, down aisles, through corridors, toward dead ends, locked doors, half-empty shelves, somewhere in the literary soot of Dickens’s London, or Dostoevsky’s Moscow or the steppes beyond, somewhere in the vellumed dust of atlas or Geographic, sneezes pent but set like traps, the boys crouched, stood, lay sweating a cool and constant brine.

The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.

The corridor was still empty of all the feet in sad generations seeking water. yet the eyes unseeing clenched like teeth not disbelieving doubting even the absence of pain shin ankle knee the long invisible flowing of the stair-railing where a misstep in the darkness filled with sleeping Mother Father Caddy Jason Maury door I am not afraid only Mother Father Caddy Jason Maury geting so far ahead sleeping I will sleep fast when I door Door door It was empty too, the pipes, the porcelain, the stained quiet walls, the throne of contemplation.

When I began writing these pages I believed their subject to be children, the ones we have and the ones we wish we had, the ways in which we depend on our children to depend on us, the ways in which we encourage them to remain children, the ways in which they remain more unknown to us than they do to their most casual acquaintances; the ways in which we remain equally opaque to them. The ways in which our investments in each other remain too freighted ever to see the other clear. The ways in which neither we nor they can bear to contemplate the death or the illness or even the aging of the other. As the pages progressed it occurred to me that their actual subject was not children after all, at least not children per se, at least not children qua children: their actual subject was this refusal even to engage in such contemplation, this failure to confront the certainties of aging, illness, death. This fear. Only as the pages progressed further did I understand that the two subjects were the same. When we talk about mortality we are talking about our children. Once she was born I was never not afraid. I was afraid of swimming pools, high-tension wires, lye under the sink, aspirin in the medicine cabinet, The Broken Man himself. I was afraid of rattlesnakes, riptides, landslides, strangers who appeared at the door, unexplained fevers, elevators without operators and empty hotel corridors. The source of the fear was obvious: it was the harm that could come to her. A question: if we and our children could in fact see the other clear would the fear go away? Would the fear go away for both of us, or would the fear go away only for me?

If the goal is the sole point of orientation, then the spatial interval to be crossed before reaching it is simply an obstacle to be overcome as quickly as possible. Pure orientation towards the goal deprives the in-between space of all meaning, emptying it to become a corridor without any value of its own. Acceleration is the attempt to make the temporal interval that is needed for bridging the spatial interval disappear altogether. The rich meaning of the path disappears. Acceleration leads to a semantic impoverishment of the world. Space and time no longer mean very much.

On Mancreu he had no platoon to look after. Brighton House was vast and empty. There were two ballrooms in the east wing, both dim and sheeted. On his third day he had unwrapped a leather armchair in one of the drawing rooms so that he could sit, and discovered over those early weeks that he rather liked the quiet. In fact, he could spend ages in it. He had found it hard at first to listen without tracking things, without placing them and knowing them for friend or enemy, but gradually that automatic classification had faded away and he was left with rustling leaves and waves and a cowbell somewhere far off, and the idling of a fisherman’s outboard in the choppy water beneath the cliff. He walked the endless corridors on the upper floors alone, wondering what the rooms had seen. There was a local bird with a quite infuriating cry like a sneeze, and he amused himself by saying “bless you” whenever he heard it. Occasionally he thanked himself on behalf of the bird. After a while he found that he could forget the clock and even dismiss memory and awareness almost entirely, fade into the scenery and let his senses be everything that there was of him. It was wonderful.

She opened the door of the room and went into the corridor, and then she began her wanderings. It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There were doors and doors, and there were pictures on the walls. Sometimes they were pictures of dark, curious landscapes, but oftenest they were portraits of men and women in queer, grand costumes made of satin and velvet. She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house. Some were pictures of children—little girls in thick satin frocks which reached to their feet and stood out about them, and boys with puffed sleeves and lace collars and long hair, or with big ruffs around their necks. She always stopped to look at the children, and wonder what their names were, and where they had gone, and why they wore such odd clothes. There was a stiff, plain little girl rather like herself. She wore a green brocade dress and held a green parrot on her finger. Her eyes had a sharp, curious look. "Where do you live now?" said Mary aloud to her. "I wish you were here." Surely no other little girl ever spent such a queer morning. It seemed as if there was no one in all the huge rambling house but her own small self, wandering about up-stairs and down, through narrow passages and wide ones, where it seemed to her that no one but herself had ever walked. Since so many rooms had been built, people must have lived in them, but it all seemed so empty that she could not quite believe it true.

March 1898 What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul. They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike! They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels. I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring... I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive. Their vitreous eyes were looking at me... I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting. Am I to be haunted by masks now?

As soon as Ben had been set down and the lorry driver had plodded off to unload the next waxwork, Ben darted off down the corridor. He needed to find the scene of the crime, to see if there were any clues the police had missed. Eventually, after passing the waxworks of presidents and popes and pop stars, but strangely no plumbers, he found the room where the figures of the British royal family were on display. As the theft had been in the news, the room was full of tourists eager to catch a glimpse of the empty space where the waxwork of the Queen had stood. Some were even taking pictures of… well, nothing. Ben looked around the ornate red-and-gold room, decorated to look like the

for as long as I have known it, the plant has been empty and silent, a vast labyrinth of corridors and abandoned rooms, some open to the sky, others with glass or metal roofing and, above each kiln—we call them kilns, but there's no real evidence to say what they were used for—a giant chimney rises up into the clouds, a wide brick chimney that, in the wet months, fills with great cascading falls of rain, just as the glass roofs and the sheets of corrugated metal on the storerooms will break into a music that sounds repetitious when you first hear it, but soon begins to reveal itself as an infinitely complex fabric of faint overtones and distant harmonics that is never quite the same from one moment to the next.

I travel your body, like the world, your belly is a plaza full of sun, your breasts two churches where blood performs its own, parallel rites, my glances cover you like ivy, you are a city the sea assaults, a stretch of ramparts split by the light in two halves the color of peaches, a domain of salt, rocks and birds, under the rule of oblivious noon, dressed in the color of my desires, you go your way naked as my thoughts, I travel your eyes, like the sea, tigers drink their dreams in those eyes, the hummingbird burns in those flames, I travel your forehead, like the moon, like the cloud that passes through your thoughts, I travel your belly, like your dreams, your skirt of corn ripples and sings, your skirt of crystal, your skirt of water, your lips, your hair, your glances rain all through the night, and all day long you open my chest with your fingers of water, you close my eyes with your mouth of water, you rain on my bones, a tree of liquid sending roots of water into my chest, I travel your length, like a river, I travel your body, like a forest, like a mountain path that ends at a cliff I travel along the edge of your thoughts, and my shadow falls from your white forehead, my shadow shatters, and I gather the pieces and go with no body, groping my way, the endless corridors of memory, the doors that open into an empty room where all the summers have come to rot, jewels of thirst burn at its depths, the face that vanishes upon recall, the hand that crumbles at my touch, the hair spun by a mob of spiders over the smiles of years ago,

Fine,” I answered. “Now what about a drink?” I followed him up the corridor once more, across the entrance hall, and on through a swing door at the far end. I heard the light clack-clack of ping-pong balls, and braced myself for frivolity. The room we entered was empty. The sportsmen, whoever they were, were playing in the room beyond. Here there were easy chairs, a table or two, an electric fire and a bar in the far corner, behind which my youthful companion installed himself. I noticed, with misgiving, two enormous urns. “Coffee or cocoa?” he asked. “Or do you prefer something cool? I can recommend the orange juice with a splash of soda.” “I’d like a Scotch,” I said. He looked distressed. His expression became that of an anxious host whose guest demands fresh strawberries in midwinter.

I am an urchin, standing in the cold, elbowed aside by the glossy rich visitors in their fur coats and ostentatious jewellery, being fussed into the hotel by pompous-looking doormen. 'No problem. I'd better get home, actually Mr – Gustav. A drink is very tempting, but maybe not such a good idea after all.' I pat my pockets. 'And I'm skint.' 'Pavements not paved with gold yet, eh?' He moves on along the facade of the grand hotel to the corner, and waits. He's staring not back at me but down St James Street. I wage a little war with myself. He's a stranger, remember. The newspaper headlines, exaggerated by the time they reach the office of Jake's local rag: Country girl from the sticks raped and murdered in London by suave conman. Even Poppy would be wagging her metaphorical finger at me by now. Blaming herself for not being there, looking out for me. But we're out in public here. Lots of people around us. He's charming. He's incredibly attractive. He's got a lovely deep, well spoken voice. And he's an entrepreneur who must be bloody rich if he owns more than one house. What the hell else am I going to do with myself when everyone else is out having fun? One thing I won't tell him is that my pockets might be empty, but my bank account is full. 'One drink. Then I must get back.' He doesn't answer or protest, but with a courtly bow he crooks his elbow and escorts me down St James. We turn right and into the far more subtle splendour of Dukes Hotel. 'Dress code?' I ask nervously, wiping my feet obediently on the huge but welcoming doormat and drifting ahead of him into the smart interior where domed and glassed corridors lead here and there. The foyer smells of mulled wine and candles and entices you to succumb to its perfumed embrace.

Beauty anyhow. Not the crude beauty of the eye. It was not beauty pure and simple--Bedford Place leading into Russell Square. It was straightness and emptiness of course. the symmetry of a corridor; but it was also windows lit up, a piano, a ramophone sounding; a sense of pleasure-making hidden, but now and again emerging when, through the uncurtained window, the window left open, one saw parties sitting over tables, young people slowly circling, conversations between men and women, maids idly looking out (a strange comment theirs, when work was done), stockings drying on top ledges, a parrot, a few plants. Absorbing, mysterious, of infinite richness, this life. And in the large square where the cabs shot and swerved so quick, there were loitering couples, dallying, embracing, shrunk up under the shower of a tree that was moving; so silent, so absorbed, that one passed, discreetly, timidly, as if in the presence of some sacred ceremony to interrupt which would have been impious. That was interesting. And so on into the flare and glare.

You look terrible,” was Ron’s greeting as he entered the room to wake Harry. “Not for long,” said Harry, yawning. They found Hermione downstairs in the kitchen. She was being served coffee and hot rolls by Kreacher and wearing the slightly manic expression that Harry associated with exam review. “Robes,” she said under her breath, acknowledging their presence with a nervous nod and continuing to poke around in her beaded bag, “Polyjuice Potion . . . Invisbility Cloak . . . Decoy Detonators . . . You should each take a couple just in case. . . . Puking Pastilles, Nosebleed Nougat, Extendable Ears . . .” They gulped down their breakfast, then set off upstairs, Kreacher bowing them out and promising to have a steak-and-kidney pie ready for them when they returned. “Bless him,” said Ron fondly, “and when you think I used to fantasize about cutting off his head and sticking it on the wall.” They made their way onto the front step with immense caution: They could see a couple of puffy-eyed Death Eaters watching the house from across the misty square. Hermione Disapparated with Ron first, then came back for Harry. After the usual brief spell of darkness and near suffocation, Harry found himself in the tiny alleyway where the first phase of their plan was scheduled to take place. It was as yet deserted, except for a couple of large bins; the first Ministry workers did not usually appear here until at least eight o’clock. “Right then,” said Hermione, checking her watch. “She ought to be here in about five minutes. When I’ve Stunned her—” “Hermione, we know,” said Ron sternly. “And I thought we were supposed to open the door before she got here?” Hermione squealed. “I nearly forgot! Stand back—” She pointed her wand at the padlocked and heavily graffitied fire door beside them, which burst open with a crash. The dark corridor behind it led, as they knew from their careful scouting trips, into an empty theater. Hermione pulled the door back toward her, to make it look as though it was still closed. “And now,” she said, turning back to face the other two in the alleyway, “we put on the Cloak again—” “—and we wait,” Ron finished, throwing it over Hermione’s head like a blanket over a birdcage and rolling his eyes at Harry.

). In fact, in the absence of some claim to objectivity that “objectifies” and thus makes “objects” of phenomena, the Chinese tradition does not have the separation between time and entities that would allow for either time without entities, or entities without time—there is no possibility of either an empty temporal corridor or an eternal anything (in the sense of being timeless). What encourages us within a Western metaphysical tradition to separate time and space is our inclination, inherited from the Greeks, to see things in the world as fixed in their formal aspect, and thus as bounded and limited. If instead of giving ontological privilege to the formal aspect of phenomena, we were to regard them as having parity in their formal and changing aspects, we might be more like classical China in temporalizing them in light of their ceaseless transformation, and conceive of them more as “events” than as “things.” In this processual worldview, each phenomenon is some unique current or impulse within a temporal flow. In fact, it is the pervasive and collective capacity of the events of the world to transform continuously that is the actual meaning of time. A

Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…

His choice had to be swift as the wind. Should he take cover behind the row in front of him and toss the bit of metal in the snow (it'd be noticed but they wouldn't know who the culprit was) or keep it on him? For that strip of hacksaw he could get ten days in the cells, if they classed it as a knife. But a cobbler's knife was money, it was bread. A pity to throw it away. He slipped it into his left mitten. At that moment the next row was ordered to step forward and be searched. Now the last three men stood in full view-- Senka, Shukhov, and the man from the 32nd squad who had gone to look for the Moldavian. Because they were three and the guards facing them were five, Shukhov could try a ruse. He could choose which of the two guards on the right to present himself to. He decided against a young pink-faced one and plumped for an older man with a gray mustache. The older one, of course, was experienced and could find the blade easily if he wanted to, but because of his age he would be fed up with the job. It must stink in his nose now like burning sulfur. Meanwhile Shukhov had removed both mittens, the empty one and the one with the hacksaw, and held them in one hand (the empty one in front) together with the untied rope belt. He fully unbuttoned his jacket, lifted high the edges of his coat and jacket (never had he been so servile at the search but now he wanted to show he was innocent--Come on, frisk me!), and at the word of command stepped forward. The guard slapped Shukhov's sides and back, and the outside of his pants pocket. Nothing there. He kneaded the edges of coat and jacket. Nothing there either. He was about to pass him through when, for safety's sake, he crushed the mitten that Shukhov held out to him--the empty one. The guard crushed it in his band, and Shukhov felt as though pincers of iron were crushing everything inside him. One such squeeze on the other mitten and he'd be sunk--the cells on nine ounces of bread a day and hot stew one day in three. He imagined how weak he'd grow, how difficult he'd find it to get back to his present condition, neither fed nor starving. And an urgent prayer rose in his heart: "Oh Lord, save me! Don't let them send me to the cells." And while all this raced through his mind, the guard, after finishing with the right-hand mitten, stretched a hand out to deal with the other (he would have squeezed them at the same moment if Shukhov had held them in separate hands). Just then the guard heard his chief, who was in a hurry to get on, shout to the escort: "Come on, bring up the machine-works column." And instead of examining the other mitten the old guard waved Shukhov on. He was through. He ran off to catch up with the others. They had already formed fives in a sort of corridor between long beams, like horse stalls in a market, a sort of paddock for prisoners. He ran lightly; hardly feeling the ground. He didn't say a prayer of thanksgiving because he hadn't time, and anyway it would have been out of place. The escort now drew aside.

They'd followed him up and had seen him open the door of a room not far from the head of the stairs. He hadn't so much as glanced their way but had gone in and shut the door. She'd walked on with Martha, past that door, down the corridor and around a corner to their chamber. Drawing in a tight-faintly excited-breath, she set out, quietly creeping back to the corner, her evening slippers allowing her to tiptoe along with barely a sound. Nearing the corner, she paused and glanced back along the corridor. Still empty. Reassured, she started to turn, intending to peek around the corner- A hard body swung around the corner and plowed into her. She stumbled back. Hard hands grabbed her, holding her upright. Her heart leapt to her throat. She looked up,saw only darkness. She opened her mouth- A palm slapped over her lips. A steely arm locked around her-locked her against a large, adamantine male body; she couldn't even squirm. Her senses scrambled. Strength, male heat, muscled hardness engulfed her. Then a virulent curse singed her ears. And she realized who'd captured her. Panic and sheer fright had tensed her every muscle; relief washed both away and she felt limp. The temptation to sag in his arms, to sink gratefully against him, was so nearly overwhelming that it shocked her into tensing again. He lowered his head so he could look into her face. Through clenched teeth, he hissed, "What the hell are you doing?" His tone very effectively dragged her wits to the fore. He hadn't removed his hand from her lips. She nipped it. With a muted oath, he pulled the hand away. She moistened her lips and angrily whispered back, "Coming to see you, of course. What are you doing here?" "Coming to fetch you-of course." "You ridiculous man." Her hands had come to rest on his chest. She snatched them back, waved them. "I'm hardly likely to come to grief over the space of a few yards!" Even to her ears they sounded like squabbling children. He didn't reply. Through the dark, he looked at her. She couldn't see his eyes, but his gaze was so intent, so intense that she could feel... her heart started thudding, beating heavier, deeper. Her senses expanded, alert in a wholly unfamiliar way. he looked at her...looked at her. Primitive instinct riffled the delicate hairs at her nape. Abruptly he raised his head, straightened, stepped back. "Come on." Grabbing her elbow, he bundled her unceremoniously around the corner and on up the corridor before him. Her temper-always close to the surface when he was near-started to simmer. If they hadn't needed to be quiet, she would have told him what she thought of such cavalier treatment. Breckenridge halted her outside the door to his bedchamber; he would have preferred any other meeting place, but there was no safer place, and regardless of all and everything else, he needed to keep her safe. Reaching around her, he raised the latch and set the door swinging. "In here." He'd left the lamp burning low. As he followed her in, then reached back and shut the door, he took in what she was wearing. He bit back another curse. She glanced around, but there was nowhere to sit but on the bed. Quickly he strode past her, stripped off the coverlet, then autocratically pointed at the sheet. "Sit there." With a narrow-eyed glare, she did, with the haughty grace of a reigning monarch. Immediately she'd sat, he flicked out the coverlet and swathed her in it. She cast him a faintly puzzled glance but obligingly held the enveloping drape close about her. He said nothing; if she wanted to think he was concerned about her catching a chill, so be it. At least the coverlet was long enough to screen her distracting angles and calves. Which really was ridiculous. Considering how many naked women he'd seen in his life, why the sight of her stockinged ankles and calves should so affect him was beyond his ability to explain.

I am SAM, and this is my latest mission. This one’s like a cross between a house of cards and a hand grenade with a missing pin. One wrong move, and—BOOM! The whole thing comes down. I’ve got to be in a dozen different places at just the right time, and in just the right order. Not only that, but this high-tech fortress disguised as a middle school is crawling with guards in the middle of the day. The trick is to act natural when anyone’s looking, and then move like the wind when they’re not. So I walk casually up the corridor, like I belong here. Deputy Marshal Stonecase passes me by and I give her a friendly (but not too friendly) nod. She has no idea I’m working undercover. That’s what the street clothes and prosthetics are for. As soon as I find myself alone, I swing into action. First I check my scanners, perfectly camouflaged inside an ordinary-looking backpack. Once they give me the all clear, I continue to the gymnasium. My first stop is the so-called equipment room. I know it’s a flimsy cover for Sergeant Stricker’s missile silo, but I can’t worry about that now. I work fast. I work carefully. I try not to think about the pair of fully armed heat-seeking missiles just under the floor. And the millisecond my package is delivered, I move on. This next maneuver is what you call a speed round. I cruise through the building like a ninja-tornado, dropping tiny subpackages of coded instructions in every empty corner I can locate. Once the inmates start finding them—and they will find them—they’ll know what to do. That’s it. Within twenty minutes, my mission is complete. The rest of this operation is out of my hands. So I go back to undercover mode and continue my day like none of this ever happened. In fact, none of it did. (You’ve got my back, right?) SAM out!

But I’m still breathing. Not deeply; not enough to satisfy, but breathing. Peter pushes my eyelids over my eyes. Does he know I’m not dead? Does Jeanine? Can she see me breathing? “Take the body to the lab,” Jeanine says. “The autopsy is scheduled for this afternoon.” “All right,” Peter replies. Peter pushes the table forward. I hear mutters all around me as we pass the group of Erudite bystanders. My hand falls off the edge of the table as we turn a corner, and smacks in the wall. I feel a prickle of pain in my fingertips, but I can’t move my hand, as hard as I try. This time, when we go down the hallway of Dauntless traitors, it is silent. Peter walks slowly at first, then turns another corner and picks up the pace. He almost sprints down the next corridor, and stops abruptly. Where am I? I can’t be in the lab already. Why did he stop? Peter’s arms slide under my knees and shoulders, and he lifts me. My head falls against his shoulder. “For someone so small, you’re heavy, Stiff,” he mutters. He knows I’m awake. He knows. I hear a series of beeps, and a slide--a locked door, opening. “What do--” Tobias’s voice. Tobias! “Oh my God. Oh--” “Spare me your blubbering, okay?” Peter says. “She’s not dead; she’s just paralyzed. It’ll only last for about a minute. Now get ready to run.” I don’t understand. How does Peter know? “Let me carry her,” Tobias says. “No. You’re a better shot than I am. Take my gun. I’ll carry her.” I hear the gun slide out of its holster. Tobias brushes a hand over my forehead. They both start running. At first all I hear is the pounding of their feet, and my head snaps back painfully. I feel tingling in my hands and feet. Peter shouts, “Left!” at Tobias. Then a shout from down the hallway. “Hey, what--!” A bang. And nothing. More running. Peter shouts, “Right!” I hear another bang, and another. “Whoa,” he mumbles. “Wait, stop here!” Tingling down my spine. I open my eyes as Peter opens another door. He charges through it, and just before I smack my head against the door frame, I stick my arm out and stop us. “Careful!” I say, my voice strained. My throat still feels as tight as it did when he first injected me and I found it difficult to breathe. Peter turns sideways to bring me through the door, then nudges it shut with his heel and drops me on the floor. The room is almost empty, except for a row of empty trash cans along one wall and a square metal door large enough for one of the cans to fit through it along the other wall. “Tris,” Tobias says, crouching next to me. His face is pale, almost yellow. There is too much I want to say. The first thing that comes out is, “Beatrice.” He laughs weakly. “Beatrice,” he amends, and touches his lips to mine. I curl my fingers into his shirt. “Unless you want me to throw up all over you guys, you might want to save it for later.” “Where are we?” I ask. “This is the trash incinerator,” says Peter, slapping the square door. “I turned it off. I’ll take us to the alley. And then your aim had better be perfect, Four, if you want to get out of the Erudite sector alive.” “Don’t concern yourself with my aim,” Tobias retorts. He, like me, is barefoot. Peter opens the door to the incinerator. “Tris, you first.

Marcus woke again to find Sanga lying asleep on his bed, and he quietly climbed off his own mattress, standing still for a moment to allow the slight feeling of dizziness to pass. Walking quietly on bare feet, he made his way up the corridor to the latrine, then went in search of his wife. Felicia was delighted to see him on his feet, despite her immediate concern for his well-being, which were quickly dispelled when he waved her away and turned a full circle with his arms out. ‘Well, you seem to be spry enough that I think we can assume the effects of the mandrake have completely worn off. You won’t be able to speak or eat solid food for some time yet though.’ ‘And that’s why I brought this for him.’ They turned to find the tribune standing in the doorway with a smile on his face, a small iron pot dangling from one hand. ‘There’s a food shop at the end of the street whose proprietress was only too happy to lend me the pot in the likelihood of getting your business for the next few weeks. Pass me a cup and I’ll pour you some.’ Marcus found his glass drinking tube and took a sip at the soup, nodding his thanks to the tribune. Scaurus sat in silence until the cup was empty, watching as the hungry centurion consumed the soup as quickly as its temperature would allow. ‘That’s better, eh? There’s more in the pot for when I’m gone. I’d imagine you’ll be spending another night in here just to be sure you’re over the worst of it, but that ought to keep you going until morning. And now, Centurion, to business? First Spear Frontinius tells me that you passed a message requesting a conversation with me, although from the look of things most of the speaking will be done by me.’ Marcus nodded, reaching for his tablet and writing several lines of text. He handed the wooden case to Scaurus, who read the words and stared back at his centurion with his eyebrows raised in astonishment. ‘Really? You’re sure of this?’ After thinking for a moment, Marcus held out his hand and took the tablet back. He smoothed the wax and wrote another statement. Scaurus looked grimly at the text, shaking his head. ‘You got that close to him?’ Marcus wrote in the tablet again. Scaurus read the text aloud, a wry smile on his face. ‘“Take a tent party with you.” A tent party? I’ll need a damned century if he’s as dangerous as you say. And the nastiest, most bad-tempered officer in the First Cohort. Do any names spring to mind, Centurion?

and delivered a front kick to Mr. J’s abdomen so powerful, it lifted him off the ground and sent him stumbling back at least six or seven feet. As Mr. J crashed on to the messy front lawn, he heard the front door slam shut. ‘Motherfu . . .’ He coughed frantically, trying to breathe in. The kick had knocked the air out of Mr. J’s lungs. He tried to get up, but pain forced him to sit back down for a couple more seconds. He brought his right hand to his stomach and squeezed his eyes tight. Finally. He was able to breathe life back into his limbs. ‘You sonofabitch.’ He got back on to his feet and ran towards the door. Locked. ‘Arghhhh . . .’ Mr. J let out a full-of-frustration cry. He stepped back and, using all the power he had in his muscles, threw his whole body, shoulder first, against the door. It rattled but that was about it. ‘Shit!’ He stepped back again and this time used his right leg to deliver a kick into the door handle. The door shook again, but it still didn’t open. He tried again. Nothing. One more time. Almost. Again, and this time Mr. J gave it everything he had. If this failed, he would use his gun. SLAM! The door finally flew open, cracking the doorframe and throwing splinters up in the air. As he cautiously stepped into the house, Mr. J pulled out a Sig Sauer P226 Legion from his lower-back holster. The pistol was equipped with a silencer. The front door took him straight into a sparsely furnished living room. Empty. Mr. J looked left, then right. Nothing. ‘Jeffery?’ Mr. J called in a loud and angry voice, while taking in the room. No reply. ‘Jeffery? C’mon, let’s talk.’ Silence. Across the room from him there was a shut door. ‘The kitchen,’ he thought. To his right, a corridor would take him deeper into the house. There was no one there either. Mr. J decided to go for the kitchen door. If he went for the corridor that would mean that he would have his back to the shut door. Never a good idea. He crossed the room and threw his back against the wall to the side of the door. He was about to try its handle

I take to patrolling the corridors between the hours of three and four in the morning. I visit the secret room often in order that I might keep my journal up to date. Routine is important, I think. A good routine diverts the mind from morbid imaginings. Sometimes I am sure I hear hysterical laughter from a cell I know to be empty. 
 I tape over the mirror in my study. The laughter ceases. 

And I return to my ritual perambulations. My movements through the house have become as formalized as ballet and I feel that I have become an essential part of some incomprehensible biological process. The house is an organism, hungry for madness. It is the maze that dreams. And I am lost.

A fleet of restored vintage trolleys ran from the West Village to Downtown. They had adorable names like Rosie, Betty, Petunia, and the Green Dragon. They dinged cheerfully down the green median of a cobblestone path. Griffin took a few shots of Megan and Josh in front of the Green Dragon before we all climbed aboard. As we looped around the neighborhood, I looked out the window and felt the breeze on my face. The West Village was a great cross section of urban Dallas life. Yuppies, families, and empty nesters commingled on the streets. Most days a breeze blew down the corridor, making it bearable, even enjoyable, to sit outside the cafés year-round. A dog-friendly café with an adjoining dog park was down the block, and a parade of pups dripped down the street, tails wagging, sopping wet from doggie pools. A couple on roller skates did tricks for pedestrians before they skated away, hand in hand. It felt vibrant and magical. Homey.

Worship is the corridor through which we make the exchange of heaven. It is the avenue that leads us from the emptiness of this world to the fullness of the next world. It is the street that leads from decay and discouragement to renewal and glory.

A series of light bulbs dangling from raw wires illuminated its progression to a far-off end… and she wasn’t sure what she was seeing. The walls had cutouts in them, little curve-topped holes stacked three to a group and spaced far enough apart to accommodate ladders that led up to the middle and top levels. It was almost as though they were sleeping compartments of some kind— “Come on,” Apex hissed. “We don’t want to be caught here.” “Then why did you stop.” She glanced back at him. “What are all those spaces?” “None of your business.” As he pulled her away, she did some math in her head. Assuming they were a kind of bunk system, there had to be—Jesus, several hundred workers in the facility. “How many people are here?” she said, even though she’d already done the estimate, and even if she hadn’t, he would certainly not help her. It was more like she couldn’t believe the total. “We’re going all the way up to the main floor. It’s more dangerous in some ways and less so in others.” “Well, I’ll put that in my Yelp! review of this place. Thanks.” When they got to the next floor, he didn’t give her a chance to stop at the fire door. She caught only a glance through its window down another long corridor. Unlike the one under it, the level seemed to be far more brightly lit, and there were no sleeping pods. The walls were also finished, although only with raw Sheetrock from what she glimpsed. At the next landing, Apex stopped at a steel door that had no window in it. Pressing his ear against the steel panel, he seemed to not even breathe as he listened. Then he turned to her. “The lowest two floors are totally underground. The next one up is mostly so. This one is not at all, however, so I’m going to have to move fast. As soon as I open the way, we’re heading to the first door on the left that’s unlocked. It’s a break room. It will be empty and the windows are boarded up, so it’s safer. On three. One… two… three—” Apex ripped open the metal panel, and then recoiled as if he had been hit with toxic gas. Lifting his arm to his face, he ducked down low—and jumped forward

His polished shoes have a peculiar rhythm on the floor, highlighting how empty the corridor is. There’s a distinct difference between the light tap of his shoes and the soft squelch of the soldiers’ boots.

In all the days that followed, I sometimes felt like I was dreaming. All my life, I had known I would marry the Gentle Lord, and all my life, I had expected it to be a horror and a doom. I had never thought that I would know love at all, much less in his arms. Now that every hour was a delight, I couldn't quite believe it was real. We still looked for an answer. We still hunted through the library and prowled the corridors. But it seemed less like a quest and more like a game. And we played in that house. We chased each other through the rose garden, hiding and seeking in turns; we built castles in a room full of sand; I made him sit in the kitchen while I tried to cook for him and set the pans on fire. And I was his delight and he was mine. I had read love poems when studying the ancient tongues, though I had never sought them out like Astraia; I had learnt the rhythm of the words and phrases, but I had always thought them empty decorations. They said that love was terrifying and tender, wild and sweet, and none of it made any sense. But now I knew that every mad word was true. For Ignifex was still himself, still mocking and wild and inhuman, terrible as a legion arrayed for war; but in my arms he became gentle, and his kisses were sweeter than wine.

Eurydice He is here, come down to look for you. It is the song that calls you back, a song of joy and suffering equally: a promise: that things will be different up there than they were last time. You would rather have gone on feeling nothing, emptiness and silence; the stagnant peace of the deepest sea, which is easier than the noise and flesh of the surface. You are used to these blanched dim corridors, you are used to the king who passes you without speaking. The other one is different and you almost remember him. He says he is singing to you because he loves you, not as you are now, so chilled and minimal: moving and still both, like a white curtain blowing in the draft from a half-opened window beside a chair on which nobody sits. He wants you to be what he calls real. He wants you to stop light. He wants to feel himself thickening like a treetrunk or a haunch and see blood on his eyelids when he closes them, and the sun beating. This love of his is not something he can do if you aren’t there, but what you knew suddenly as you left your body cooling and whitening on the lawn was that you love him anywhere, even in this land of no memory, even in this domain of hunger. You hold love in your hand, a red seed you had forgotten you were holding. He has come almost too far. He cannot believe without seeing, and it’s dark here. Go back, you whisper, but he wants to be fed again by you. O handful of gauze, little bandage, handful of cold air, it is not through him you will get your freedom.

Visitors stream in and out of the rooms and corridors. There are families to see, questions to answer, a new admission from the ED. It’s one thing after another—randomly, it seems—bouncing from one story to the next. Mr. Gunther, headed for the NIH, leaves with his wife. She gives me a long look as they head toward the elevator. I wish her well; living with Pascal’s wager can’t be easy. Mr. Kinney, a dapper corporate attorney, is also getting out of here after a rough two weeks. His pancreas is totally destroyed, replaced by puddles of necrotic fluid, yet he refuses to accept the fact that his fondness for single-malt scotch is the reason why. His wife gives me a long look, too, then they’re gone. Jim, the Cardiology fellow, shows me the echocardiogram he just did on Mr. Warner, our guy with HIV. Nothing there, Jim says, no vegetation, no sign of endocarditis. We consider what this means, make a plan. Up on 10 Central, Mr. Mukaj’s bladder irrigation backs up painfully again but there’s nowhere else we can put him, no empty beds in the ICU or Step-Down Unit, no place where he can have his own nurse with him all the time. We bounce this around, too, decide to try this, then that, we’ll see. Mr. Harris, our patient with Marfan syndrome, a plastic aorta, and a septic hip joint, spikes a fever again. Not good. We make a plan. And so it goes, on into the evening. On days like this, doctoring feels like pinball: nonstop random events—intercepted here, altered there, prolonged or postponed by this or that, the bells and boinks sounding all around—and sometimes you can’t be sure whether you’re the guy pushing the buttons, manipulating the levers, and bumping the machine, or whether you’re inside the machine, whether you’re the pinball itself.

I handed over my recording device. He lifted it close to his mouth and spoke. This is what he said: "I took some photographs. I painted a few pictures, some of them are nice. Is this any reason for tormenting me? Digging with your ugly little shovels into the secret corridors of my brain? Rustling your miserable curiosity and tossing it in my face?" And then he laughed. "Why must you know? What empty wretchedness are you trying to fill? (Peals of laughter) Why? Dont you people have lives of your own? Or are you collection of bored and unfulfilled emptiness masquerading as humans?" He broke down in almost uncontrollable laughter-

a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.

While further exploring the first floor of the hospital, the friends discovered a dusty room filled with old photographs and crumbling letters; the room was labeled “Archives”. One picture caught their attention — a group of children in tattered school uniforms, their faces frozen in time. The letters spoke of longing and loneliness, and the pain of separation. “These kids do not look like they were at this school according to their own will. They look very sad, almost disturbed.” Emily said as she looked around, cautious of what may be in the basement of this place. Continuing on the main floor, a second room also had file cabinets in it but had no name on the door. Inside the room was an article from the Mountainside times of a time when the hospital had its own tale of tragedy and despair. During the war, the medical facility had been overwhelmed with wounded soldiers, and the staff struggled to provide adequate care. Rumors circulated of a nurse who, unable to cope with the constant death and suffering, succumbed to madness, killing 3 interns and one patient before being shot. It went on to say that since this incident, patients reported she still wandered the desolate corridors, her soft footsteps and distant sobs haunting those who dared to stay overnight. The war department cited an increase in transfer requests out of the hospital citing the interactions with “the inhabitants” that haunt the place. As the friends explored the hospital's abandoned wards and empty rooms, they could almost feel the weight of the past pressing down on them the whole time. Shadows danced along the peeling wallpaper, and the air was filled with an otherworldly chill and the dampness of a bog. Every creak and groan of the building seemed to whisper the stories of those who had lived and died within its walls. Its decrepit walls and shattered windows bathed in the ghostly light of the full moon.

She wandered through the corridors, trying to find the exit. There were signs everywhere, arrows pointing, boldly colored lines on the floor that seemed to offer direction, but instead looped back and led nowhere.

Because she had not only observed him up close at trial on a daily basis but interviewed him twice providing great insight into Oswald’s killer. In addition, Kilgallen could check not only his background but investigate discrepancies in statements he made to the Warren Commission since she was the first reporter to read them, and since Ruby was still alive, the potential existed to interview him again. This strategy was unique, far afield from that conducted by any reporter or investigative body consumed with targeting Oswald as the key to unlocking the mysteries of the JFK assassination when Kilgallen believed he was not. In addition, after interviewing Ruby twice, Kilgallen had gained a soft spot for his plight, some sympathy for the man who shot Oswald. Whatever she heard during the twin interviews caused her to wonder if Ruby was a patsy, used and then discarded. Recall what she wrote after the second interview: “I went out into the almost empty lunchroom corridor wondering what I really believed about this man.” Kilgallen’s actions while pursuing the investigation indicated she had taken on the task of defending Ruby herself. She was standing up for him, demanding justice, becoming his paladin. She wondered if he had fair treatment, if his constitutional rights to a fair trial were honored. Armed with this mindset, Kilgallen was in fighting mode determined to leave no avenue of interest unturned. Kilgallen’s siding with Ruby’s defense team at his trial evidenced proof of Kilgallen’s focus on Ruby. She also attempted to aid the defense by securing more information from the FBI about Oswald. Then Kilgallen exposed only Ruby’s testimony at the Warren Commission before its intended release instead of the thousands of pages of pertinent information about others associated with the assassinations. It also appears likely she flew to New Orleans based

It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.

The short-barrel MP9 submachine gun released a cluster of silenced rounds that ran up Novakovich’s body, some of the bullets sparking off the case of the hard drive. Novakovich cried out and crumpled backward with a crash. The gunman pivoted sharply at the corner of the passage and turned the muzzle of the MP9 toward Marc. His night vision goggles would easily render the space visible, and there was no cover at all. Marc took the offensive and attacked as the weapon came toward him. With the Glock in his fist, he brought the heavy butt of the pistol across, smashing it into the lenses of the gunman’s NVG rig with such violence that broken shards were driven into the shooter’s cheek and eyes. The gunman jerked the MP9’s trigger, but the shots went wide, chugging into the wall and the ceiling of the corridor as the magazine emptied

SIMONE "It comes up inside me and it won't go away. It comes up, like a slow geyser of thick chemicals, and spreads through me. It makes me want something. I want it so much but I don't know what it is. It comes up from the bottom like a small seed, just floating there, and it bleeds around inside, looking for me." The empty loading dock corridor. Empty trailers. Her shoes on broken glass. Ice cubes. Her hands. SIMONE "And it makes me so sad that I will never figure out what it is, just enough to let it be, all by itself. And because I want it, it won't go away. It needs me to need it. And want me back. I can feel it moving. I can hear it and I can see it. I can almost touch it, and it is some kind of life. It is beautiful and warm and gentle and it is your friend. And then it turns, when you try to put it away, or when you can't carry it anymore, and it isn't allowed.

When they reached the top level, Susan turned to the left. The corridor had raised wallpaper in a classic floral design and nothing else. No small tables, no chairs, no pictures in frames, no Oriental runners. They passed by maybe a dozen rooms, only two with doors open. Myron noticed that the doors were extra wide and he remembered his visit to Babies and Children’s Hospital. Extra wide doors there too. For wheelchairs and stretchers and the like. When they reached the end of the corridor, Susan stopped, took a deep breath, looked back at Myron. “Are you ready?” He nodded. She opened the door and stepped inside. Myron followed. A four-poster antique bed, like something you’d see on a tour of Jefferson’s Monticello, overwhelmed the room. The walls were warm green with woodwork trim. There was a small crystal chandelier, a burgundy Victorian couch, a Persian rug with deep scarlets. A Mozart violin concerto was playing a bit too loudly on the stereo. A woman sat in the corner reading a book. She too started upright when she saw who it was. “It’s okay,” Susan Lex said. “Would you mind leaving us for a few moments?” “Yes, ma’am,” the woman said. “If you need anything—” “I’ll ring, thank you.” The woman did a semi-curtsy/semi-bow and hurried out. Myron looked at the man in the bed. The resemblance to the computer rendering was uncanny, almost perfect. Even, strangely enough, the dead eyes. Myron moved closer. Dennis Lex followed him with the dead eyes, unfocused, empty, like windows over a vacant lot.

Tad squeezed through the line of visitors in the White House corridor. He looked them over. Most were wounded soldiers, job seekers, and widows who had lost husbands in the Civil War. For a few hours every afternoon, Tad’s father, Abraham Lincoln, the president of the United States, would do his best to meet with them. Tad dashed to the staircase, blocking the path of a young woman with a baby. “Halt!” Tad ordered in his deepest voice. “Five cents to pass. The proceeds help wounded soldiers in the Union army.” The woman burst into tears. “What’s wrong?” Tad asked, startled. “Recently I was very ill,” she explained, wiping her eyes. “My husband left his army post to come visit me. He went back, but they arrested him for desertion anyway.” Her lips trembled. “He’s to be shot tomorrow.” Tad winced. “Oh, that’s dreadful sad, ma’am.” “I pray the president will pardon him.” “Oh, he will,” Tad said, his face brightening. “Pa’s a good man.” “There are so many people ahead of me,” the woman said anxiously. “I’m afraid I’ll be too late.” Suddenly there was a commotion on the stairway above. Tad looked around and noticed one of the president’s aides, his mouth tightly drawn, coming down toward him. “Your father wishes to see you,” the man said. “Immediately.” Tad turned back to the woman. “What’s your name, ma’am?” he asked. “Elizabeth Miller.” Tad nodded and hurried up the stairs. As he rounded a corner he glanced over his shoulder. The hall was empty. By his father’s office, the table with the visitors’ calling cards stood unguarded. Tad quickly found Mrs. Miller’s and placed it at the top of the pile.

He ran toward the light. When he passed the corpse of his dead friend, he began to weep again. He picked up his sword. He tried to smash a crystal window with its hilt. The corridor oppressed him. Beyond the windows, the dead brains drifted. He ran on. 'You should have done it,'whispered Birkin Grif in the soft spaces of his skull; and, 'OUROBUNDOS!'giggled the insane door, as he fell through it and in to the desert wind. His cloak cracking and whipping about him, so that he resembled a crow with broken wings, he stumbled toward the black air-boat. His mind mocked him. His face was wet. He threw himself into the command-bridge. Green light swam about him, and the dead Northmen stared blindly at him as he turned on the power. He did not choose a direction, it chose him. Under full acceleration, he fled out into the empty sky.

In those days, there was a small light, a small light was, the smallest corridor there ever was and would be possible because there would not be a way of return. That was my chance, I had. The mist was empty and lost, very lost.

Marcia started up the stairs to the second floor. The lights were dimmer on this level. Her footsteps clacked and echoed against the stillness of a building that during the day knew so much life and energy. There is no place more surreal, more hollow and empty, than a school corridor at night

It was His gentle voice who called and sent His angel pain to guide me, through the long ‘n dusty corridors, and empty hallways of my soul.

She swallowed, sent him a wild look, and rushed out. The slam of the door echoed through the empty corridor as she collapsed breathless against the wall outside his room. In a futile attempt to quiet her galloping heart, she pressed one trembling hand to her heaving chest. What in Hades must Lyle make of her bizarre behavior? He must think her raving mad. Right now, she was inclined to agree. Charlotte

The cosmos went on for ever, but not in its wildest constellation could there be anything really interesting; anything, for instance, such as forgiveness or free will. The grandeur or infinity of the secret of its cosmos added nothing to it. It was like telling a prisoner in Reading gaol that he would be glad to hear that the gaol now covered half the country. The warder would have nothing to show the man except more and more long corridors of stone lit by ghastly lights and empty of all that is human. So these expanders of the universe had nothing to show us except more and more infinite corridors of space lit by ghastly suns and empty of all that is divine.

The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar.

she jerked the Prophet out from under Harry’s hand and unfolded it to look at the front page — “you should go and find Slughorn and start appealing to his better nature.” “Anyone we know — ?” asked Ron, as Hermione scanned the headlines. “Yes!” said Hermione, causing both Harry and Ron to gag on their breakfast. “But it’s all right, he’s not dead — it’s Mundungus, he’s been arrested and sent to Azkaban! Something to do with impersonating an Inferius during an attempted burglary . . . and someone called Octavius Pepper has vanished. . . . Oh, and how horrible, a nine-year-old boy has been arrested for trying to kill his grandparents, they think he was under the Imperius Curse. . . .” They finished their breakfast in silence. Hermione set off immediately for Ancient Runes; Ron for the common room, where he still had to finish his conclusion on Snape’s dementor essay; and Harry for the corridor on the seventh floor and the stretch of wall opposite the tapestry of Barnabas the Barmy teaching trolls to do ballet. Harry slipped on his Invisibility Cloak once he had found an empty passage, but he need not have bothered. When he reached his destination he found it deserted. Harry was not sure whether his chances of getting inside the room were better with Malfoy inside it or out, but at least his first attempt was not going to be complicated by the presence of Crabbe or Goyle pretending to be an eleven-year-old girl.

Magnificent trees, the legacy of Lord Ashbury's distant ancestors, lined the way, their highest boughs arching to meet, outermost branches lacing so that the road became a dark, whispering tunnel. As I burst into the light that afternoon, the sun had just slipped behind the roofline and the house was in eclipse, the sky behind glowing mauve and orange. I cut across the grounds, past the Eros and Psyche fountain, through Lady Violet's garden of pink cabbage roses and down into the rear entrance. The servants' hall was empty and my shoes echoed as I broke Mr. Hamilton's golden rule and ran along the stone corridor. Through the kitchen I went, past Mrs. Townsend's workbench covered with a panoply of sweet breads and cakes, and up the stairs.

So far as I could tell, I was alone here, at least in this section. I wasn’t happy about the way the corridor went up a little ways and disappeared around a bend. I decided then and there if I ever try to be an architect, all my buildings would borrow from my old high school gymnasium—a big, empty space where you can’t possible hide anything. May not be much in the way of privacy, but there are advantages all right.

Ted rose early the next morning and took a taxi to the Museo Nazionale, cool, echoey, empty of tourists despite the fact that it was spring. He drifted among dusty busts of Hadrian and the various Caesars, experiencing a physical quickening in the presence of so much marble that verged on the erotic. He sensed the proximity of Orpheus and Eurydice before he saw it, felt its cool weight across the room but prolonged the time before he faced it, reminding himself of the events leading up to the moment it described: Orpheus and Eurydice in love and newly married; Eurydice dying of a snakebite while fleeing the advances of a shepherd; Orpheus descending to the underworld, filling its dank corridors with music from his lyre as he sang of his longing for his wife; Pluto granting Eurydice's release from death on the sole condition that Orpheus not look back at her during their ascent. And then the hapless instant when, out of fear for his bride as she stumbled in the passage, Orpheus forgot himself and turned. Ted stepped toward the relief. He felt as if he's walked inside it, so completely did it enclose and affect him. It was the moment before Eurydice must descend to the underworld a second time, when she and Orpheus are saying goodbye. What moved Ted, mashed some delicate glassware in his chest, was the quiet of their interaction, the absence of drama or tears as they gazed at each other, touching gently. He sensed between them an understanding too deep to articulate: the unspeakable knowledge that everything is lost. (p. 211)

When she told Obinze this some weeks later—she said, "So where did you learn to kiss? Because it's nothing like my ex-boyfriend's salivary fumbling"—he laughed and repeated "salivary fumbling!" and then told her that it was not technique, but emotion. He had done what her ex-boyfriend had done but the difference, in this case, was love. "You know it was love at first sight for both of us," he said. "For both of us? Is it by force? Why are you speaking for me?" "I'm just stating a fact. Stop struggling." They were sitting side by side on a desk in the back of his almost empty classroom. The end-of-break bell began to ring, jangling and discordant. "Yes, it's a fact," she said. "What?" "I love you." How easily the words came out, how loudly. She wanted him to hear and she wanted the boy sitting in front, bespectacled and studious, to hear and she wanted the girls gathered in the corridor outside to hear. "Fact," Obinze said, with a grin.

It was huge, stretching out in multiple corridors, with cell doors lining both sides of each passageway on multiple levels, interconnected by stairs and suspended ramps. The reception hall’s ceiling was made entirely out of glass, giving us a clear view of Purgatory’s cell rows. It was all stark and gray, with black metal and stainless steel bars and architectural details. It was a Brutalist’s dream, a recipe for emptiness and depression.