Emotionally Damaged Woman Quotes

We've searched our database for all the quotes and captions related to Emotionally Damaged Woman. Here they are! All 29 of them:

I am often asked whether physical aggression by women toward men, such as a slap in the face, is abuse. The answer is: “It depends.” Men typically experience women’s shoves or slaps as annoying and infuriating rather than intimidating, so the long-term emotional effects are less damaging. It is rare to find a man who has gradually lost his freedom or self-esteem because of a woman’s aggressiveness.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Why do you suppose the poets talk about hearts?' he asked me suddenly. 'When they discuss emotional damage? The tissue of hearts is tough as a shoe. Did you ever sew up a heart?' I shook my head. 'No, but I've watched. I know what you mean.' The walls of a heart are thick and strong, and the surgeons use heavy needles. It takes a good bit of strength, but it pulls together neatly. As much as anything it's like binding a book. The seat of human emotion should be the liver,' Doc Homer said. 'That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers.' I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.
Barbara Kingsolver
You know how much you can hurt a girl’s ego by turning her down when she’s stripped in front of you?” I put my hand to my chest. “I’ll probably be in counseling for months to repair the damage.” “Somehow I think you can handle it.” “Games,” I mutter. “Emotionally speaking, I’m going to be the man in this relationship, aren’t I?” “You certainly aren’t like any woman I’ve ever met before.
Lexi Ryan (Unbreak Me (Splintered Hearts, #1))
He smiled without his teeth. Small, shyly. I found myself smiling back. Like an impulse Then he ruined it by saying… "You're not like other girls, are you?" And I activated. Every single emotion I'd been squashing into my guts exploded like a burst appendix. I jumped off the bed and turned to him with a scowl I was sure he'd need permanent therapy to recover from. "Are you kidding me Harry?" "Woah Audrey. Hey, hey, hey. It's a compliment." I felt like screaming. "It's NOT a compliment. I threw my arms up, any motion to get rid of the rage pulsing through me. It's an insult to every single woman on this PLANET. Don't you DARE try and pull that shit on me. "What shit?!" Harry was stupid enough to ask. "I was saying something nice…" I shook my head so hard. "No, you were saying something clichéd and UNTRUE. I AM like other girls, Harry. Don't misinterpret my hatred of romance as some kooky, laid-back, manic pixie NONSENSE. I am DAMAGED. I am not CUTE. I am emotionally-fucking-traumatised right now, okay? I am screaming on the inside. I am too angry and messed up to contain all the stuff girls spend every day containing. That's why I seem different. That is NOT sexy.
Holly Bourne (It Only Happens in the Movies)
It takes a cat to heal a woman's wounded heart." I say this knowing it takes a full range of other factors to resolve emotional damage issues and restore personal equilibrium. I've had a heaping share of therapy, familial support, friendships and rescue. What I craved now, however, was the privacy, closeness, and unconditional love of a cat to bring my healing process full cycle. I needed CiCi.
EsthersChild (It Takes A Cat)
Too often the survivor is seen by [himself or] herself and others as "nuts," "crazy," or "weird." Unless her responses are understood within the context of trauma. A traumatic stress reaction consists of *natural* emotions and behaviors in response to a catastrophe, its immediate aftermath, or memories of it. These reactions can occur anytime after the trauma, even decades later. The coping strategies that victims use can be understood only within the context of the abuse of a child. The importance of context was made very clear many years ago when I was visiting the home of a Holocaust survivor. The woman's home was within the city limits of a large metropolitan area. Every time a police or ambulance siren sounded, she became terrified and ran and hid in a closet or under the bed. To put yourself in a closet at the sound of a far-off siren is strange behavior indeed—outside of the context of possibly being sent to a death camp. Within that context, it makes perfect sense. Unless we as therapists have a good grasp of the context of trauma, we run the risk of misunderstanding the symptoms our clients present and, hence, responding inappropriately or in damaging ways.
Diane Langberg (Counseling Survivors of Sexual Abuse (AACC Counseling Library))
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too. Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
Amy Schumer (The Girl with the Lower Back Tattoo)
Hidden emotional abuse is regular and repeated, always denied, and never resolved. An emotionally abusive man isn’t remorseful or sad for the damage he has caused his wife. Instead he denies, minimizes, or justifies his behavior, or he blames his target for it. This cycle repeats itself over and over again—a never ending merry-go-round of crazy-making pain with no end in sight.
Natalie Hoffman (Is It Me? Making Sense of Your Confusing Marriage: A Christian Woman's Guide to Hidden Emotional and Spiritual Abuse)
Jill was born into an inner-city home. Her father began having sex with Jill and her sister during their preschool years. Her mother was institutionalized twice because of what used to be termed “nervous breakdowns.” When Jill was 7 years old, her agitated dad called a family meeting in the living room. In front of the whole clan, he put a handgun to his head, said, “You drove me to this,” and then blew his brains out. The mother’s mental condition continued to deteriorate, and she revolved in and out of mental hospitals for years. When Mom was home, she would beat Jill. Beginning in her early teens, Jill was forced to work outside the home to help make ends meet. As Jill got older, we would have expected to see deep psychiatric scars, severe emotional damage, drugs, maybe even a pregnancy or two. Instead, Jill developed into a charming and quite popular young woman at school. She became a talented singer, an honor student, and president of her high-school class. By every measure, she was emotionally well-adjusted and seemingly unscathed by the awful circumstances of her childhood. Her story, published in a leading psychiatric journal, illustrates the unevenness of the human response to stress. Psychiatrists long have observed that some people are more tolerant of stress than others.
John Medina (Brain Rules: 12 Principles for Surviving and Thriving at Work, Home, and School)
Studies show that a mother’s presence can directly influence a child’s brain by insulating it from the damaging effects of stress or fear. But children torn from their mothers, like Libby was, and especially for prolonged periods, can suffer such acute stress that the development of their brain is affected, “disrupting a child’s ability to regulate their emotions and cope with future stress.”42
Kate Moore (The Woman They Could Not Silence: One Woman, Her Incredible Fight for Freedom, and the Men Who Tried to Make Her Disappear)
when Yazz talks about her unusual upbringing to people, the unworldly ones expect her to be emotionally damaged from it, like how can you not be when your mum’s a polyamorous lesbian and your father’s a gay narcissist (as she describes him), and you were shunted between both their homes and dumped with various godparents while your parents pursued their careers? this annoys Yazz who can’t stand people saying anything negative about her parents that’s her prerogative
Bernardine Evaristo (Girl, Woman, Other)
The 1947 best-seller Modern Woman: The Lost Sex urged that spinsters be barred from teaching children on the grounds of “emotional incompetence.” It was the ultimate example of the pendulum swinging—instead of prohibiting the employment of married women as teachers, society now wanted marriage to be mandatory. “A great many children have unquestionably been damaged psychologically by the spinster teacher who cannot be an adequate model of a complete woman either for boys or girls,” the authors argued.
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
Then Anomander turned to Gripp Galas. ‘Old friend, long have you served me, with valour and with honour. As my most trusted servant I have set my weight upon you, and not once heard from you a word of complaint. You have dressed my wounds on the field of battle. You have mended the damage of my clumsy youth. Did you truly believe that now, on this fraught day, I would once more draw tight this leash? We are all weakened by distress, and indeed it seems every tender emotion lies exposed and trembling to a forest of knives. Gripp Galas, old friend, your service to me ends here and it ends now. You have won the heart of a woman who in all things is nothing less than breathtaking. If love needs permission, I give it. If your future with Lady Hish can be served by any sacrifice within my ability, I give it.’ He set his gaze upon Hish Tulla. ‘Nothing need be asked and nothing need be surrendered by you, my lady. On this, of all days, I will see love made right.’ He swung into the saddle. ‘Go well, my friends. We are done here.
Steven Erikson
killing is the ultimate expression of hatred and fear, as sex is the ultimate expression of romantic love and desire. And, as with sex, killing a stranger who has otherwise provoked no emotion is inherently unnatural. I suppose you could say that a man who kills a stranger is not unlike a woman who has sex under analogous circumstances. That a man who is paid to kill is like a woman who is paid to fuck. Certainly the man is subject to the same reluctance, the same numbing, the same regrets. The same damage to the soul.
Barry Eisler (A Lonely Resurrection (John Rain, #2))
Ever since he’d set eyes on Elizabeth Cameron he’d been blind-no, he corrected himself with furious self-disgust, in England he’d recognized instinctively what she was-gentle and proud, brave and innocent and…rare. He’d known damned well she wasn’t a promiscuous little flirt, yet he’d later convinced himself she was, and then he’d treated her like one here-and she had endured it the entire time she’d been here! She had let him say those things to her and then tried to excuse his behavior by blaming herself for behaving like “a shameless wanton” in England! Bile rose up in his throat, suffocating him, and he closed his eyes. She was so damned sweet, and so forgiving, that she even did that for him. Duncan hadn’t moved; in taut silence he watched his nephew standing at the window, his eyes clenched shut, his stance like that of a man who was being stretched on the rack. Finally Ian spoke, and his voice was rough with emotion, as if the words were being gouged out of him: “Did the woman say that, or was that your own opinion?” “About what?” Drawing a ragged breath, he asked, “Did she tell you that Elizabeth was in love with me two years ago, or was that your opinion?” The answer to that obviously meant so much to Ian that Duncan almost smiled. At the moment, however, the vicar was more concerned with the two things he wanted above all else: He wanted Ian to wed Elizabeth and rectify the damage he’d done to her, and he wanted Ian to reconcile with his grandfather. In order to do the former, Ian would have to do the latter, for Elizabeth’s uncle was evidently determined that her husband should have a title if possible. So badly did Duncan want those two things to happen that he almost lied to help the cause, but the precepts of his conscience forbade it. “It was Miss Throckmorton-Jones’s opinion when she was under the influence of laudanum. It is also my opinion, based on everything I saw in Elizabeth’s character and behavior to you.” He waited through another long moment of awful suspense, knowing exactly where Ian’s thoughts would have to turn next, and then he plunged in, ready to press home his advantage with hard, systematic logic. “You have no choice except to rescue her from that repugnant marriage.
Judith McNaught (Almost Heaven (Sequels, #3))
God’s Message to Women When I created the heavens and the earth, I spoke them into being.  When I created man, I formed him and breathed life into his nostrils. But you, woman, I fashioned after I breathed the breath of life into man because your nostrils are too delicate.  I allowed a deep sleep to come over him so I could patiently fashion you.  Man was put to sleep so he could not interfere with the creativity. From one bone I fashioned you, and I chose the bone that protects man’s life.  I chose the rib, which protects his heart and lungs and supports him as you are meant to do.  Around this one bone, I shaped and modeled you. I created you perfectly and beautifully.  Your characteristics are as the rib, strong yet delicate and fragile.  You provide protection for the most delicate organ in man, his heart.  His heart is the center of his being; his lungs hold the breath of life.  The rib cage will allow itself to be broken before it will allow damage to the heart.  Support man as the rib cage supports the body.  You were not taken from his feet to be under him, nor were you taken from his head to be above him.  You were taken from his side to be held close as you stand beside him. I have caressed your face in your deepest sleep. I have held your heart close to Mine. Adam walked with Me in the cool of the day and yet he was lonely. He could not see or touch Me but could only feel My presence.  So I fashioned in you everything I wanted Adam to share and experience with Me: My holiness, My strength, My purity, My love, My protection and support. You are special because you are an extension of Me.  Man represents My image–woman My emotions. Together, you represent the totality of God. So man, treat woman well. Love and respect her, for she is fragile.  In hurting her, you hurt Me. In crushing her, you only damage your own heart. Woman, support man.  In humility, show him the power of emotion I have placed within you.  In gentle quietness show your strength.  In love, show him that you are the rib that protects his inner self. —Author Unknown
Ruth Harvey (Desired by the King)
The Sea Witch’s Lament To really see what the sea witch had to go through, you must first remember what happens when you get your heart broken for the very first time. People always minimise it, say you’ll get over it, say first loves don’t matter as much as last ones, but that first heartbreak, that’s the death of your innocence. And you’re blindly walking in the darkness that’s trying to absorb you. A darkness that you have no tools or weapons to navigate, that is what the end of first love feels like. Some of us come out of that darkness still mostly whole, and those are the lucky ones.   Because some of us never come back at all. “And this was the story with the sea witch, the incredible ample-bodied being who was larger than life as a child, living her life with laughter and magic and joy. She spent her days learning how to look after the forgotten sea creatures that the merpeople considered too ugly or terrifying to tend to. Pilot fish and barracudas and eels were her friends, for they knew it was her they could always look to. Unfortunately for the sea witch, love comes for every woman. Just when we are sure we are safe from its clutches, it moves its way inside our hearts and we give ourselves completely to it, surrender in every way possible. This is why it is said love is to women what war is to men.   Sixteen-year-old Sea Witch fell in love with the then seventeen-year-old Mer-Prince. And he fell too for this impossible, wonderful, darkly magical girl from a different tribe who he knew his family would never approve of. You would hope it would be that simple, that when two people give each other their hearts, the world falls away and lets them be, but that is rarely the case. Love is as complicated as the truth.   So when his father presented him with an ultimatum, with a choice to give up his future kingdom and Ursula, Triton chose his kingdom. A part of him was too cowardly and too haughty to live the way she did, simply and protecting everything the merpeople threw away. So the sea witch was left to wander this darkness alone. And she never ever came out of it. To save herself from destruction, she blindly grabbed at her only lifeline, that which armoured what was left of her ruined heart by choosing the destruction that her mother, the sea, had given to her in her blood. The sea witch was never born evil, she became that way because she couldn’t let loose her emotions. Instead, she buried them deep and let them fester and turn into poison. This, this is the damage not grieving properly for first love can do. It can consume and destroy and harden all the goodness inside of you.   In the sea witch’s story, she had no one to turn to. But you, my darling, have an army of all of the stars, to fill your grief-filled days with the comfort you can hold onto. You are not alone. With this endless universe above you that has given you the gift of existence. You are not alone.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
After all, killing is the ultimate expression of hatred and fear, as sex is the ultimate expression of romantic love and desire. And, as with sex, killing a stranger who has otherwise provoked no emotion is inherently unnatural. I suppose you could say that a man who kills a stranger is not unlike a woman who has sex under analogous circumstances. That a man who is paid to kill is like a woman who is paid to fuck. Certainly the man is subject to the same reluctance, the same numbing, the same regrets. The same damage to the soul.
Barry Eisler (A Lonely Resurrection (John Rain, #2))
Anger, if not allowed to fester and grow out of proportion, is healthy, like a smoke alarm that if heeded can prevent all sorts of damage.
Sue Patton Thoele (The Courage to Be Yourself: A Woman's Guide to Emotional Strength and Self-Esteem)
The damage wrought—to ourselves and to others—by what we call sin needs healing just as much as other forms of spiritual and emotional harm do. The most fruitful way of considering sin may not be to see it as an evil that leads to a hell from which we must be saved but rather as a wound that needs to be healed. Both the context and the identical grammar require one and only one rendering of Christ’s words to the weeping woman, and they are instructive: “Daughter, your faith has healed you. Enter into a state of peace.
Fiona Givens (All Things New: Rethinking Sin, Salvation, and Everything in Between)
A woman neglected by her husband, or whose manners form a striking contrast with his, will always have men on the watch to soothe and flatter her. Besides, the forlorn state of a neglected woman, not destitute of personal charms, is particularly interesting, and rouses that species of pity, which is so near akin, it easily slides into love. A man of feeling thinks not of seducing, he is himself seduced by all the noblest emotions of his soul. He figures to himself all the sacrifices a woman of sensibility must make, and every situation in which his imagination places her, touches his heart, and fires his passions. Longing to take to his bosom the shorn lamb, and bid the drooping buds of hope revive, benevolence changes into passion: and should he then discover that he is beloved, honour binds him fast, though foreseeing that he may afterwards be obliged to pay severe damages to the man, who never appeared to value his wife’s society, till he found that there was a chance of his being indemnified for the loss of it.
Mary Wollstonecraft (Maria: or, The Wrongs of Woman)
Except that it isn’t possible. A young woman’s unruly emotions in her teenage years—the whirlwind fury and self-doubt of female adolescence—may be a feature, not a flaw. That doesn’t mean a parent shouldn’t set boundaries or punish bad behavior. But absent a serious mental health problem, neither should a parent strive to banish all her daughter’s ups and downs.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
Your teenage girl may be driving you crazy. Though this be madness, there is method in it. She may just be beta testing. She’s flexing her muscles, discovering the power and extent of an intellectual and emotional prowess that will enable her to be the most compassionate of parents and supportive of friends. Women feel things deeply. We empathize. For good reason, when asked to identify their best friend, most men name their wives; most women name another woman.7 Soldiers write home to mom. And in the dead of night, small children cry out for one person. A woman’s emotional life is her strength. A key task of her adolescence must be to learn not to let it overwhelm her. A key task of maturity is to learn not to let it fade away. We need to stop regarding men as the measure of all things—the language they use, the kind of careers they pursue, the apparent selfishness of which we are so endlessly envious. We blame men for this obsession, but really, it is our doing.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
Becoming a woman means losing a body almost indistinguishable from a boy’s in terms of strength and solidity and growing into one that is softer, more sexually inviting, but more vulnerable, too. For the first few years, you can feel like a hermit crab who has outgrown a shell it must then abandon, blindly scurrying for another. The armor you eventually take up is of a different sort. You can no longer credibly challenge the boys to an arm-wrestling match and expect to win. Forced to rely on subtler talents, you develop them. You learn to strike with a glance; you learn to soothe with one, too. If done right, you fill your quiver with words, humor, intrigue, and emotion. You’ll spend a lifetime learning when to deploy each to greatest effect—and when to forbear and offer none. But
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
Becoming a woman means losing a body almost indistinguishable from a boy’s in terms of strength and solidity and growing into one that is softer, more sexually inviting, but more vulnerable, too. For the first few years, you can feel like a hermit crab who has outgrown a shell it must then abandon, blindly scurrying for another. The armor you eventually take up is of a different sort. You can no longer credibly challenge the boys to an arm-wrestling match and expect to win. Forced to rely on subtler talents, you develop them. You learn to strike with a glance; you learn to soothe with one, too. If done right, you fill your quiver with words, humor, intrigue, and emotion. You’ll spend a lifetime learning when to deploy each to greatest effect—and when to forbear and offer none. But for Pete’s sake, whatever type of women young girls become, they should all listen to feminists of a prior era and stop taking sex stereotypes seriously. A young woman can be an astronaut or a nurse; a girl can play with trucks or with dolls. And she may find herself attracted to men or to other women. None of that makes her any less of a girl or any less suited to womanhood. Young women have more educational and career options today than they ever have. Remember to tell your daughter that. Tell her also that a woman’s most unique capacity—childbirth—is perhaps life’s greatest blessing. But whatever else you teach your daughter, remember to include something more. Tell her because the culture so often denies it. Tell her because people will try to make a victim of her. Tell her because it’s natural to doubt. Most of all, tell her because it’s true. She’s lucky. She’s special. She was born a girl. And being a woman is a gift, containing far too many joys to pass up.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
Among those who would block the right of rape victims to choice, none is more determined than David C. Reardon,48 founder of the Elliott Institute. There is no eponymous Elliott; the institute’s website explains that the name was selected to sound official and impartial. Starting in the early 1980s, some pro-life advocates opposed abortion even for rape victims on the basis that it could lead to a condition they named ‘postabortion syndrome’,49 characterised by depression, regret and suicidality – a condition formulated as evidence that the Supreme Court had been wrong, in Roe v. Wade, when it averred that abortion was a safe procedure. The ultimate goal of the Elliott Institute is to generate legislation that would allow a woman to seek civil damages against a physician who has ‘damaged her mental health’ by providing her with an elective abortion. On the topic of impregnated survivors of rape and incest, Reardon states in his book Victims and Victors, ‘Many women report that their abortions felt like a degrading form of “medical rape.”50 Abortion involves a painful intrusion into a woman’s sexual organs by a masked stranger.’ He and other anti-abortion partisans often quote the essay ‘Pregnancy and Sexual Assault’ by Sandra K. Mahkorn, who suggests that the emotional and psychological burdens of pregnancy resulting from rape ‘can be lessened with proper support’.51 Another activist, George E. Maloof, writes, ‘Incestuous pregnancy offers a ray of generosity to the world,52 a new life. To snuff it out by abortion is to compound the sexual child abuse with physical child abuse. We may expect a suicide to follow abortion as the quick and easy way to solving personal problems.
Andrew Solomon (Far From The Tree: Parents, Children and the Search for Identity)
As soon as I got my feet under me, indignant rage bubbled over. “Don’t ever do that again. I’m not your fucking possession,” I hissed at him. His eyes flashed. “No, you’re not my anything, are you? I’m allowed to touch you as long as I don’t act like it means something, right?” The emotion on his face twisted my insides. Anguish and despair swirled in his eyes. I turned back for the bar to escape that look, and his arms were around my shoulders in a second, locking my back against his chest. His lips went to my ear. “I can see the way you feel about me when you don’t think anyone is looking. I fucking see it, Kristen.” His voice cracked. “I remember what you said to me that night in Vegas. I remember.” All of the fight drained out of my body in an instant. He breathed into my ear. “Why won’t you just let me love you?” A sob burst from my mouth, and I went limp in his arms. He held me up, hugging me to himself, absorbing my surrender. I turned in the circle of his embrace and buried my crying in his shirt. He put his face into my neck and held me so tightly I couldn’t breathe. But I didn’t want to breathe. I wanted to be his prisoner. I wanted to never escape. Tears poured out of me. “I can’t, Josh.” I gasped into his chest. “You don’t know it all.” “Then tell me,” he said. He pulled away from me and spoke to my eyes. “What is it? Because I know you want me. I know you’re acting. Just tell me why.” How do you share something like that? How could I tell him that my body could never do the one thing he needed it to? I couldn’t. I couldn’t get the words out. I couldn’t bear to see my value drop in his eyes, see him realize I wasn’t actually what he wanted. Less of a woman. Damaged goods. Barren. Sterile. I shook my head, biting my lips together. “Josh, you should just forget about me. Get serious with one of those other women you see. Have sex with them. Move on.” He let out a puff of exasperation. “What other women? There are no other women. There never has been. Do you know what I’m doing when you think I’m on dates? I’m at home, alone, wishing I was with you. This is what you’ve made me into. I pretend to see other people because I know if I don’t, you won’t see me anymore. Why?” “You…you haven’t been seeing anyone else?” I blinked at him. “Of course not. I’m fucking in love with you.” And like he couldn’t stand not to for one more second, he grabbed me and kissed me. His lips were pained and desperate, and I hopelessly kissed him back. I climbed him, combing my hands in his hair. I wished I could drown in him. I needed to extinguish the burning disappointment in my soul, and for a few seconds, I did. And then I pushed him away. He let me go and I staggered back in the grass, and he stood there, panting. “Josh, I can’t see you anymore, okay? This is over.” I choked on the words. I watched what I said hit him like a smack. “Why?” I wiped my face with the back of my hand and blinked through the tears. “Because you’re obviously taking this way more seriously than you should be. I told you. I told you from day one that this would only ever be sex. I never lied to you.” His jaw went rigid. “You’re lying to me right now. I know this isn’t what you want. You fucking love me, Kristen. Just stop—” He reached for me and I smacked his hand away. He stood staring at me, confusion and hurt etched all over his handsome face. “Why aren’t I good enough? Is it because I don’t speak a dozen languages? I don’t have a fucking master’s degree? I don’t make enough money? What is it?” It’s not you. I let the tears run down my face, and I clutched at my facade. “You thought you could change me just like you thought you could change Celeste. You’re changing the rules, just like you did to her. Don’t put your shit on me, Josh. You said you could handle this. You said you could—” “I’m not fucking crazy! Stop acting like I’m making this up!
Abby Jimenez
homosexuality a curable perversion. She professed to disdain men and insisted women had been “enslaved by the institution of marriage.” Yet she loved many men and married twice: she treated her first husband abominably, and was physically and emotionally abused by her second. She considered sex degrading, but was an enthusiastic advocate, and energetic exponent, of free love. “Out here I’ve had chances to sleep with all colours and shapes,” she wrote to a friend, shortly before meeting Ursula. “One French gunrunner, short and round and bumpy; one fifty-year-old monarchist German who believes in the dominating role of the penis in influencing women; one high Chinese official whose actions I’m ashamed to describe, one round left-wing Kuomintang man who was soft and slobbery.” She was a communist who never joined the party; a violent revolutionary and romantic dreamer; a feminist in thrall to a succession of men; a woman who inspired intense loyalty, yet inflicted enormous damage on many of her friends; she supported communism without considering what communist rule involved in reality. She was passionate, prejudiced, charismatic, narcissistic, reckless, volatile, lovable, hypercritical, emotionally fragile, and uncompromising. “I may not be innocent, but I’m right,” she declared. Ursula was entranced. Agnes Smedley seemed to embody political passion and energy, the very antithesis of the smug complacency she found in the bourgeois boudoirs of Shanghai. “Your very existence is not worth anything at all if you live passively in the midst of injustice,” Smedley insisted. Agnes was everything Ursula admired: feminist, anti-fascist, an enemy of imperialism and defender of the oppressed against the forces of capitalism, and a natural revolutionary. She was also a spy.
Ben Macintyre (Agent Sonya: Moscow's Most Daring Wartime Spy)
Nietzsche's 'On the Genealogy of Morality' and especially its third essay 'What do ascetic ideals mean' is to my mind, not only an abstract discussion of an issue but also a memoir, a description of his family's home ambiance and pedagogical practices. In one section, describing the defeatist, self-righteous outlook on life, Nietzsche has the word 'poison' appear four times. Going into details of glances and sighs typical locutions, makes the reader almost visualize Nietzsche's windowed mother and unmarried aunts, economically dependent on the goodwill of his grandmother, using their weakness to tyrannize the child, trying to make him a well-behaved, disciplined, adult-like boy — 'the little pastor', as he was called by his school friends. 'They wander around among us like personifications of reproach, like warnings to us — as if health, success, strength, pride, and a feeling of power were already inherently depraved things, for which people must atone some day, atone bitterly. How they thirst to be hangmen! Among them there are plenty of people disguised as judges seeking revenge. They always have the word 'Justice' in their mouths, like poisonous saliva, with their mouths always pursed, always ready to spit at anything which does not look discontented and goes on its way in good spirits. [ . . .] The sick woman, in particular: no one outdoes her in refined ways to rule others, to exert pressure, to tyrannize.' The mother-poison connection is also supported by a passage, mentioned before in trying to solve Nietzsche's riddle 'as my own father I am already dead, as my own mother I still live and grow old'. In it, he described the horrible treatment he received from his sister and mother, who were described as canaille (rabble), hellish machine and a poisonous viper. What is the nature of poisoning? It consists of exposing a victim, imperceptibly, to a harmful material, sometimes camouflaged as beneficial (when mixed with food or drink), without the possibility of resisting or avoiding it, resulting in diminished strength, health, and energy, or even death. In fact, the psychologist Alice Miller used the term 'poisonous pedagogy' to describe emotionally damaging child-raising practices, intended to manipulate the character of children though force, deception, and hypocrisy. Nietzsche was sensitized to such poison in his childhood and could smell it anytime he felt pressure to conform, or experienced disrespect for his separateness and individuality.
Uri Wernik