Catalog Quotes

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Those unable to catalog the past are doomed to repeat it.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
In Senegal, the polite expression for saying someone died is to say his or her library has burned. When I first heard the phrase, I didn’t understand it, but over time I came to realize it was perfect. Our minds and souls contain volumes inscribed by our experiences and emotions; each individual’s consciousness is a collection of memories we’ve cataloged and stored inside us, a private library of a life lived.
Susan Orlean (The Library Book)
Miss someone until they come back, or until you come back, until their absence in your life becomes something to be avoided at all costs. Miss them until you don’t have to anymore, until you’re reunited in your favorite booth in your favorite restaurant ordering your favorite meal, miss them until it feels like you never left. Or miss them until you can’t anymore, until the things you miss are identified and cataloged as things and not a person, until you figure out that easy company and long talks and unblinking, all-knowing eye contact will find you again the way they found you the first time. Miss someone until you don’t.
Stephanie Georgopulus
Holy Abercrombie catalog, Megan thought.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
There was romance in the unknown, but once a place had been discovered and cataloged and mapped, it was diminished, just another dusty fact in a book, sapped of mystery. So maybe it was better to leave a few spots on the map blank. To let the world keep a little of its magic, rather than forcing it to divulge every last secret. Maybe it was better, now and then, to wonder.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
Poor Sasha. Poor girls. The world fattens them on the promise of love. How badly they need it, and how little most of them will ever get. The treacled pop songs, the dresses described in the catalogs with words like 'sunset' and 'Paris.' Then the dreams are taken away with such violent force; the hand wrenching the buttons of the jeans, nobody looking at the man shouting at his girlfriend on the bus
Emma Cline (The Girls)
Here is another miserable mental image I will have to catalog and make room for.
Patrick deWitt (The Sisters Brothers)
If you have to ask someone to change, to tell you they love you, to bring wine to dinner, to call you when they land, you can’t afford to be with them. It’s not worth the price, even though, just like the Tiffany catalog, no one tells you what the price is. You set it yourself, and if you’re lucky it’s reasonable. You have a sense of when you’re about to go bankrupt. Your own sense of self-worth takes the wheel and says, Enough of this shit. Stop making excuses. No one’s that busy at work. No one’s allergic to whipped cream. There are too cell phones in Sweden. But most people don’t get lucky. They get human. They get crushes. This means you irrationally mortgage what little logic you own to pay for this one thing. This relationship is an impulse buy, and you’ll figure out if it’s worth it later.
Sloane Crosley (How Did You Get This Number: Essays)
But he's looking for love in all the wrong places. Like fancy under catalogs At least he knows enough not to date while he's campaigning
Meg Cabot (Forever Princess (The Princess Diaries, #10))
When the Viennese government compiled a Catalogue of Forbidden Books in 1765, so many Austrians used it as a reading guide that the Hapsburg censors were forced to include the Catalogue itself as a forbidden book.
Craig Nelson (Thomas Paine: Enlightenment, Revolution, and the Birth of Modern Nations)
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
Are you coming down with something?" Mom asks. And just for the tiniest of seconds, I wonder what would happen if I told them the truth. That school is nothing like I imagined it would be. That I'm not the girl in the catalog at all. I'm not a Happy College Student. I don't know who I am. Or maybe I do know who I am and I just don't want to be her anymore.
Gayle Forman (Just One Day (Just One Day, #1))
Our minds and souls contain volumes inscribed by our experiences and emotions; each individual’s consciousness is a collection of memories we’ve cataloged and stored inside us, a private library of a life lived.
Susan Orlean (The Library Book)
Each time I read a book, I cataloged the parts that struck me dumb with envy and admiration for their beauty and power and truth.
Jack Gantos (Hole in My Life)
That night in my sister’s bed I stared at the ceiling and felt the true loss of our father. Not his money or his house, but the man I sat next to in the car. He had protected me from the world so completely that I had no idea what the world was capable of. I had never thought about him as a child. I had never asked him about the war. I had only seen him as my father, and as my father I had judged him. There was nothing to do about that now but add it to the catalog of my mistakes.
Ann Patchett (The Dutch House)
What people read revealed so much about them that she considered our card catalog a treasure house of privileged secrets; each card contained the map of an individual’s soul.
Alice Hoffman (The Ice Queen)
The way he talked about thoughts was the way i experienced them---not as a choice,but as a destiny. Not a catalog of my consciousness, but a refutation of it.
John Green (Turtles All the Way Down)
Making love to Aurelia was like rummaging through a card catalog in a deserted library, searching for one very obscure, little-read entry on Hungarian poetry.
Marisha Pessl (Night Film)
There's nothing like cataloguing books for taking your mind off things.
Mary Lou Kirwin (Killer Librarian (Killer Librarian #1))
But even more than her diary, Shimamura was surprised at her statement that she had carefully cataloged every novel and short story she had read since she was fifteen or sixteen. The record already filled ten notebooks. "You write down your criticisms, do you?" "I could never do anything like that. I just write down the author and the characters and how they are related to each other. That is about all." "But what good does it do?" "None at all." "A waste of effort." "A complete waste of effort," she answered brightly, as though the admission meant little to her. She gazed solemnly at Shimamura, however. A complete waste of effort. For some reason Shimamura wanted to stress the point. But, drawn to her at that moment, he felt a quiet like the voice of the rain flow over him. He knew well enough that for her it was in fact no waste of effort, but somehow the final determination that it had the effect of distilling and purifying the woman's existence.
Yasunari Kawabata (Snow Country)
...What’s the one superpower of June Elbus?” I thought about myself from head to toe. It was like being forced to read the most boring part of the Sears catalog. Like leafing through the bathroom accessories pages. Boring brain. Boring face. No sex appeal. Clumsy hands. “Heart. Hard heart,” I said, not sure where it came from. “The hardest heart in the world.” “Hmmm,” Toby said, tapping a finger in the air. “That’s a useful one, you know. Very handy. The question is . . .” Toby paused like he was considering this all very seriously. “What’s the question?” “The question is, stone or ice? Crack or melt?
Carol Rifka Brunt (Tell the Wolves I'm Home)
I am the library and the librarian, hoarding lives, a catalog for the faithful. Erase my name. Indelible is a word for stories.
Leigh Bardugo (The Lives of Saints (Grishaverse))
Seed catalogs are responsible for more unfulfilled fantasies than Enron and Playboy combined.
Michael Perry
Lastly, we need to know the strength of gravity on Dagobah. Here, I figure I’m stuck, because while sci-fi fans are obsessive, it’s not like there’s gonna be a catalog of minor geophysical characteristics for every planet visited in Star Wars. Right? Nope. I’ve underestimated the fandom. Wookieepeedia has just such a catalog,
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
...A friend has to be outside my reach, beyond my grasp. And there can be no friendship with someone whom I am not ready to betray: a friend is someone I can betray with love.
Slavoj Žižek (Abercrombie and Fitch "Back to School" 2003 Catalog)
Angels don't exist. Flawless skin, perfect hair, flowing white robes, all topped off with an adorable set of fluffy pink wings. Yeah. If you see that wandering around, you've probably stumbled onto the set of a Victoria's Secret catalog shoot. Prepare to get your butt kicked by security.
Cecily White (Prophecy Girl (Angel Academy, #1))
When I'm sleeping, the committee stays up all night and then greets me at dawn with really bad ideas. It's like, "Good morning! Everything is shit! Time to act impulsively. But first let's start by getting into imaginary fights with people from the past. Next let's catalog everything that's wrong with you and your life. Also, I want to remind you of everything you don't have—and everything you should be scared of losing. Let's begin!
Melissa Broder (So Sad Today: Personal Essays)
I have seen women looking at jewelry ads with a misty eye and one hand resting on the heart, and I only know what they're feeling because that's how I read the seed catalogs in January.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
I used to be an angry, lonely prick. Then I met a guy with four amazing kids and more issues than the Sports Illustrated back catalog and boom—happiness.” “Boom, happiness?” “Okay, boom. Boom. More booms. A mushroom cloud. Then happiness.
Tere Michaels (Cherish (Faith, Love, & Devotion, #3.5))
The way he talked about thoughts was the way I experienced them—not as a choice but as a destiny. Not a catalog of my consciousness, but a refutation of it.
John Green (Turtles All the Way Down)
There were no mail-order catalogues in 1492. Marco Polo's journal was the wish book of Renaissance Europe. Then, Columbus sailed the ocean blue and landed in Sears' basement. Despite all the Indians on the escalator, Columbus' visit came to be known as a "discovery.
Tom Robbins (Another Roadside Attraction)
He was not used to being at a loss. Usually, he was the gentleman with the plan. Every little detail cataloged and put in its place. But now he had no place, and the details were everywhere.
Lish McBride (Necromancing the Stone (Necromancer, #2))
What had survived - maybe all that had survived of Trism - was Liir's sense of him. A catalog of impressions that arose from time to time, unbidden and often upsetting. From the sandy smell of his sandy hair to the locked grip of his muscles as they had wrestled in sensuous aggression - unwelcome nostalgia. Trism lived in Liir's heart like a full suit of clothes in a wardrobe, dress habillards maybe, hollow and real at once. The involuntary memory of the best of Trism's glinting virtues sometimes kicked up unquietable spasms of longing.
Gregory Maguire (Out of Oz (The Wicked Years, #4))
What white middle America loathes these days are poor and poorish people, especially the kind who look and sound like they just might live in a house trailer. They will swear on a stack of Lands' End catalogs that they are not bigots, but, human nature being what it is, we are all kicking someone else's dog around, whether we admit it or not.
Joe Bageant (Deer Hunting with Jesus: Dispatches from America's Class War)
No powdery residue. But definitely suspicious. Smell." He slides a makeup catalog from beneath a microscope made out of a plate, a toilet paper roll, and an intricate arrangement of pipe cleaners. "Any ideas?" I take a scientific whiff. "Gardenia. Looks like those Mary Kay terrorists are at it again.
Sarah Ockler (Bittersweet)
When you love someone, it's like building a library and filling the shelves. It doesn't matter how many years it's been since Austen wrote Emma or Fitzgerald wrote This Side of Paradise. We can still pull them from the bookcases and dive back into the words, the same as they day they were written. All the years and memories are still right there, cataloged inside us.
Rachel Moore (The Library of Shadows)
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins
When I'm your boss, I'm implementing a corporate support uniform policy. No more of your weird little retro costumes. I've already got it circled in the Corporate Wear catalog. A gray shift dress." He pauses for effect. "Polyester. It's supposed to be knee length, so it should reach your ankles." I am insanely sensitive about my height and I absolutely hate synthetic fibers.
Sally Thorne (The Hating Game)
He let go of her hand, and she got up to grab her phone. He watched her every move, cataloging the way she still favored her right ankle and the way her ass wiggled in her jeans. A smile teased the corner of his mouth. He’d spent many hours rebuilding the theater, and the times she’d been there, he’d never noticed her hips having such a sexy sway. If he didn’t know better, he’d think she was toying with him. She came back to him with her phone in hand. “Ready?” Oh hell yeah, he was ready.
Lisa Kessler (Devoted to Destiny (Muse Chronicles, #5))
The urge to catalog the myriad blunders in order to “learn from the mistakes” is for the most part an exercise in denial and self-deception.
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
You're not my matchmaker any longer. But we're still friends, and in the interest of our friendship we need to discuss page thirteen." "Page thirteen ?" "You've accused me of being arrogant. I've always thought of myself as confident, but I'm here to tell you, no more. After studying these pictures... Honey, if this is what you're looking for in a man, I don't think any of us are going to measure up." "I have no idea what you're talking about." "Who knew flexible silicone came in so many colors?" Her sex toy catalog. He'd taken it months ago. She'd hoped he forgotten it by now. " Most of these products are hypoallergenic. That's good, I guess. Some with batteries, some without. I suppose that's a matter of preference. There's a harness on this one. That's pretty kinky. And...Son of a bitch ! It says this one is dishwater safe. I'm sorry but there's just something unappetizing about that.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
The household was pervaded by this atmosphere of a calm adult woman and a man who gave into animal impulses. She reported to him in great detail what her analyst ... said about his binges and his hostility; she used Charley's money to pay Dr. Andrews to catalog his abnormalities. And of course Charley never heard anything directly from the doctor; he had no way of keeping her from reporting what served her and holding back what did not. The doctor, too, had no way of getting to the truth of what she told him; no doubt she only gave him the facts that suited her picture, so that the doctor's picture of Charley was based on what she wanted him to know. By the time she had edited both going and coming there was little of it outside her control.
Philip K. Dick (Confessions of a Crap Artist)
I think part of the reason we hold on to something so tight is because we fear something so great won’t happen twice. —Anonymous
Thought Catalog (The Art Of Letting Go)
Anything that feels forced or harder than it should be or causes you pain and distress is not meant for you.
Thought Catalog (The Art Of Letting Go)
I wander now, lost among the shelves. My hand cramps around the pen. I gather dust. But someone has to set down the words, put them in the proper order. I am the library and the librarian, hoarding lives, a catalog for the faithful. Erase my name. Indelible is a word for stories.
Leigh Bardugo (The Lives of Saints)
Percival guessed that his prey preferred to listen, letting her friends carry on with whatever amusing nonsense filled their lives, while she privately assessed their habits, cataloging their strengths and faults with clinical ruthlessness.
Danielle Trussoni (Angelology (Angelology, #1))
Libraries have always been mysterious, almost mystical places to me. There’s something about the sheer vastness of them, the seemingly infinite number of books they protect and keep, that inspires a sense of wonder, making each visit feel like a quest for ancient secrets. Whenever I step into one, I always wander the stacks, choosing books by some invisible pull rather than by the author’s name or the catalog. It’s not efficient, but I can’t help it. It feels more magical this way.
Peng Shepherd
When the army doesn’t come for you, when no one chooses to fight for you, when no one dives in after you with fairy tales and promises, you write a different story. You write a tale of adventure and chaos, of survival and fortitude, and instead of wishing to be saved, you save yourself.
Kelton Wright
The catalog showed a man sleeping peacefully while his model-wife read a book in soft but focused light. In real life, however, the light was so intense that the same man would have had to wear sunglasses.
Lorrie Moore (A Gate at the Stairs)
Republican or Democrat, this nation's affluent urban and suburban classes understand their bread is buttered on the corporate side. The primary difference between the two parties is that the Republicans pretty much admit that they grasp and even endorse some of the nastiest facts of life in America. Republicans honestly tell the world: "Listen in on my phone calls, piss-test me until I'm blind, kill and eat all of my neighbors right in front of my eyes, but show me the money! Let me escape with every cent I can kick out of the suckers, the taxpayers, and anybody else I can get a headlock on, legally or otherwise." Democrats, in contrast, seem content to catalog the GOP's outrages against the Republic, showing proper indignation while laughing at episodes of The Daily Show. But they stand behind the American brand: imperialism. They "support our troops," though you will be hard put to find any of them who have served alongside them or who would send one of their own kids off to lose an eye or an arm in Iraq. They play the imperial game, maintain their credit ratings, and plan to keep the beach house and the retirement investments if it means sacrificing every damned Lynndie England in West Virginia.
Joe Bageant (Deer Hunting with Jesus: Dispatches from America's Class War)
You know how some people were absolutely never children, but just came from a catalog fully grown, while other people you don’t even have to squint to imagine them charging down the stairs on Christmas morning in superhero pajamas? Mik’s the latter. It’s not that he’s “boyish,” though I guess he is a little—but only a little—it’s just that there’s something direct and real and electric and pure that hasn’t been lost, the intense, undiluted emotion of childhood. Most people lose it
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
God does not love us because we are so valuable; we are valuable because God loves us."12
James W. Sire (The Universe Next Door: A Basic Worldview Catalog)
These corners are getting a bit bulky." Mum looks consideringly at the catalog. "Maybe we should fold down if we're not interested in the page.
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
A Titus Andronicus catalog of threats beat at the door. They haunt my nightmares still.
David Mitchell (Cloud Atlas)
Someone you know is carrying a spiritual or physical or emotional burden of some sort, or some other affliction drawn from life's catalog of a thousand kinds of sorrow. In the spirit of Christ's first invitation to His twelve Apostles, jump into this work. Help people. Heal old wounds and try to make things better.
Jeffrey R. Holland (Created for Greater Things)
Joe you idiot!” He jumped up and down on the desk, waving his arms frantically. “Don’t you know that if you recite the Ikea catalog in the wrong order, you could accidentally summon a demon?
Craig Alanson (Armageddon (Expeditionary Force, #8))
My spirituality is most active, not in meditation, but in the moments when: I realize God may have gotten something beautiful done through me despite the fact that I am an asshole, and when I am confronted by the mercy of the gospel so much that I cannot hate my enemies, and when I am unable to judge the sin of someone else (which, let’s be honest, I love to do) because my own crap is too much in the way, and when I have to bear witness to another human being’s suffering despite my desire to be left alone, and when I am forgiven by someone even though I don’t deserve it and my forgiver does this because he, too, is trapped by the gospel, and when traumatic things happen in the world and I have nowhere to place them or make sense of them but what I do have is a group of people who gather with me every week, people who will mourn and pray with me over the devastation of something like a school shooting, and when I end up changed by loving someone I’d never choose out of a catalog but whom God sends my way to teach me about God’s love.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
That’s the thing I hate most about my brain, the way it stores and catalogs things, all this dumb shit on a giant hard drive in my head, so I’m forced to obsess over it all like a crazy person.
Matthew Norman (We're All Damaged)
There are moments in my life that stick to my memory. I suppose it's the same for everyone—snippets of life pasted in a scrapbook for you to look over every once in a while. You look back sometimes and relive an event, a smell or a sight. You catalog these things in your head and never really look at the whole. I think you miss something grand when you don't step back and examine everything together.
Benjamin X. Wretlind (Castles)
Plants are not like us. They are different in critical and fundamental ways. As I catalog the differences between plants and animals, the horizon stretches out before me faster than I can travel and forces me to acknowledge that perhaps I was destined to study plants for decades only in order to more fully appreciate that they are beings we can never truly understand. Only when we begin to grasp this deep otherness can we be sure we are no longer projecting ourselves onto plants. Finally we can begin to recognize what is actually happening. Our world is falling apart quietly. Human civilization has reduced the plant, a four-million-year-old life form, into three things: food, medicine, and wood...
Hope Jahren (Lab Girl)
He stood there weeping and watching us go, while behind him Lucky Paul entered and collapsed the prospector's tent, and I thought, Here is another miserable mental image I will have to catalog and make room for.
Patrick deWitt (The Sisters Brothers)
The thing about a wedding is: you don’t remember the vows. You forget them the second after your mouth utters the sacred words, because your brain needs the room to catalog every detail of your partner’s face. All of my concentration is on him. Everything is wonderful. Every day is the same. Every day is like our wedding day.
Sarah Hogle (You Deserve Each Other)
New Rule: You don't need a paper shredder. I've seen your mail--it's not that interesting. What are you worried about, that the magazine from the auto club might fall into the wrong hands? I hate to break it to you 007, but the Victoria's Secret catalog isn't actually a secret.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
So I started running through our weaponry to distract myself. I had my stun gun. Jonah had a pseudosword, and Aaron had a really cute butt. Not that his butt would be useful in de-botting Trey, but it's always good to have a full catalog of your strengths before going into battle.
Carrie Harris (Bad Hair Day (Kate Grable, #2))
I like the breath of foreign air, the close-up glimpses of lives far removed from my own. I liked to hear the accents and work out where their owners came from, to study the clothes of people who have never seen a Next catalog or bought a five-pack of knickers at Marks and Spencer.
Jojo Moyes (Me Before You (Me Before You, #1))
By clearly emphasizing all that was lacking in others, by mapping and raising to an art form the catalog of their flaws, Veblen’s mother had inversely punched out a template for an ideal human being, and it was the unspoken assumption that Veblen would aspire to this template with all her might.
Elizabeth Mckenzie (The Portable Veblen)
Our culture teaches us about shame—it dictates what is acceptable and what is not. We weren’t born craving perfect bodies. We weren’t born afraid to tell our stories. We weren’t born with a fear of getting too old to feel valuable. We weren’t born with a Pottery Barn catalog in one hand and heartbreaking debt in the other. Shame comes from outside of us—from the messages and expectations of our culture. What comes from the inside of us is a very human need to belong, to relate.
Brené Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
In the words of C. Joybell C., we’re all stars that think they’re dying until we realize we’re collapsing into supernovas – to become more beautiful than ever before. It often takes the contrast of pain to completely appreciate what we have, it often takes hate to incite self-recognition. Sometimes the way light enters us is, in fact, through the wound. 5.
Thought Catalog (The Art Of Letting Go)
Concert pianists get to be quite chummy with dead composers. They can't help it. Classical music isn't just music. It's a personal diary. An uncensored confession in the dead of night. A baring of the soul. Take a modern example. Florence and the Machine? In the song 'Cosmic Love,' she catalogs the way in which the world has gone dark, distorting her, when she, a rather intense young woman, was left bereft by a love affair. 'The stars, the moon, they have all been blown out.
Marisha Pessl (Night Film)
I remember noticing for the first time how loud she was, her voice hard with silly aggressiveness. Connie with her whines and feints, the grating laugh that sounded, and was, practiced. A space opened up between us as soon as I started to notice these things, to catalog her shortcomings the way a boy would. I regret how ungenerous I was. As if by putting distance between us, I could cure myself of the same disease.
Emma Cline (The Girls)
Those relationships didn’t actually hurt you, they showed you an unhealed part of yourself, a part that was preventing you from being truly loved.
Thought Catalog (The Art Of Letting Go)
I personally find that for domestic purposes, the Trivial Pursuit system works better than Dewey.
Nick Hornby (The Polysyllabic Spree)
Where had he been? Drinking, obviously. Then she started cataloging all the ways he was worthless. On fool impulse, as his most potent available argument against Lily, Bud stuck his hands into his coat pockets and pulled out the many bundles of hundreds and threw them on the bedspread. If you were honest and stupid, you worked a couple of lifetimes for that kind of money, doled out by the hour in pocket-change amounts by asswipe bosses.
Charles Frazier (Nightwoods)
Is the purpose of theoretical physics to be no more than a cataloging of all the things that can happen when particles interact with each other and separate? Or is it to be an understanding at a deeper level in which there are things that are not directly observable (as the underlying quantized fields are) but in terms of which we shall have a more fundamental understanding?
Julian Schwinger (Quantum Mechanics: Symbolism of Atomic Measurements)
Are those paper clips?' I'd seen them in catalogs, but the pictures don't do them justice. They're beautiful, in an industrial sort of way. Eldric poured a clinking waterfall into my palm. 'Aren't they lovely! I can't keep my hands off them. But I give you fair warning: It was a box of paper clips that got me expelled.' 'Expelled?' 'A box of thousand paper clips,' he said, his long fingers curling, coiling, twisting. 'And a sack of colored glass.' 'Expelled!' I might be a wicked girl who'd think nothing of eating a baby for breakfast, but I'd never allow myself to get expelled. It's far too public.
Franny Billingsley (Chime)
The idea of being forgotten is terrifying. I fear not just that I, personally, will be forgotten, but that we are all doomed to being forgotten—that the sum of life is ultimately nothing; that we experience joy and disappointment and aches and delights and loss, make our little mark on the world, and then we vanish, and the mark is erased, and it is as if we never existed. If you gaze into that bleakness even for a moment, the sum of life becomes null and void, because if nothing lasts, nothing matters. It means that everything we experience unfolds without a pattern, and life is just a wild, random, baffling occurrence, a scattering of notes with no melody. But if something you learn or observe or imagine can be set down and saved, and if you can see your life reflected in previous lives, and can imagine it reflected in subsequent ones, you can begin to discover order and harmony. You know that you are a part of a larger story that has shape and purpose—a tangible, familiar past and a constantly refreshed future. We are all whispering in a tin can on a string, but we are heard, so we whisper the message into the next tin can and the next string. Writing a book, just like building a library, is an act of sheer defiance. It is a declaration that you believe in the persistence of memory. In Senegal, the polite expression for saying someone died is to say his or her library has burned. When I first heard the phrase, I didn’t understand it, but over time I came to realize it was perfect. Our minds and souls contain volumes inscribed by our experiences and emotions; each individual’s consciousness is a collection of memories we’ve cataloged and stored inside us, a private library of a life lived. It is something that no one else can entirely share, one that burns down and disappears when we die. But if you can take something from that internal collection and share it—with one person or with the larger world, on the page or in a story recited—it takes on a life of its own.
Susan Orlean (The Library Book)
There are two rooms used as libraries, for which my mother and grandfather keep two separate and opposing systems of organization in their heads—hers by subject, his by the way he feels about the author: Animosity, Betrayed, Curious, Delighted, etc.
Samantha Hunt (The Seas)
All farms require a resident dreamer, someone to thumb through seed catalogs in the cold days of late January, imagining summer fields of squash and cucumbers, tomatoes and sunflowers. Fall harvests are the reward of winter dreams. Someone must decide where the next fence should be placed, or conceive of a clever new way to organize the market stand. On a farm, there's no shortage of little dreams needing to be dreamed.
Forrest Pritchard (Gaining Ground: A Story Of Farmers' Markets, Local Food, And Saving The Family Farm)
She'd become an English major for the purest and dullest of reasons: because she liked to read. The university’s “British and American Literature Course Catalog” was, for Madeleine, what its Bergdorf equivalent was for her roommates. A course listing like “English 274: Lily’s Euphues” excited Madeleine the way a pair of Fiorucci cowboy boots did Abby. “English 450A: Hawthorne and James” filled Madeleine with an expectation of sinful hours in bed not unlike what Olivia got from wearing a Lycra skirt and leather blazer in Danceteria. Even as a girl in their house in Prettrybrook, Madeleine wandered into the library, with its shelves of books rising higher than she could reach … and the magisterial presence of all those potentially readable words stopped her in her tracks.
Jeffrey Eugenides
Here's the problem: when every sin is seen as the same, we are less likely to fight any sins at all. Why should I stop sleeping with my girlfriend when there will still be lust in my heart? Why pursue holiness when even one sin in my life means I'm Osama bin Hitler in God's eyes? Again, it seems humble to act as if no sin is worse than another, but we lose the impetus for striving and the ability to hold each other accountable when we tumble down the slip-n-slide of moral equivalence. All of a sudden the elder who battles the temptation to take a second look at the racy section of the Lands End catalog shouldn't dare exercise church discipline ont he young man fornicating with reckless abandon. When we can no longer see the different gradations among sins and sinners and sinful nations, we have not succeeded in respecting our own badness; we've cheapened God's goodness.
Kevin DeYoung (What is the Mission of the Church?: Making sense of social justice, Shalom and the Great Commission)
Information wants to be free.' So goes the saying. Stewart Brand, the founder of the Whole Earth Catalog, seems to have said it first. I say that information doesn't deserve to be free. Cybernetic totalists love to think of the stuff as if it were alive and had its own ideas and ambitions. But what if information is inanimate? What if it's even less than inanimate, a mere artifact of human thought? What if only humans are real, and information is not? ... Information is alienated experience.
Jaron Lanier (You Are Not a Gadget)
The second evolutionary contribution that the REM-sleep dreaming state fuels is creativity. NREM sleep helps transfer and make safe newly learned information into long-term storage sites of the brain. But it is REM sleep that takes these freshly minted memories and begins colliding them with the entire back catalog of your life’s autobiography. These mnemonic collisions during REM sleep spark new creative insights as novel links are forged between unrelated pieces of information. Sleep cycle by sleep cycle, REM sleep helps construct vast associative networks of information within the brain. REM sleep can even take a step back, so to speak, and divine overarching insights and gist: something akin to general knowledge—that is, what a collection of information means as a whole, not just an inert back catalogue of facts. We can awake the next morning with new solutions to previously intractable problems
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
There’s no right way to be twenty-five. Because there’s no one, single, specific way to be human. As long as you keep your eyes open, as long as you keep trying new things and working hard and refusing to accept mediocrity as your fate, you will be okay. You will be happy. You will be exactly where you’re supposed to be.
Thought Catalog (Read This If: A Collection of Essays that Prove Someone Else Gets it, Too)
Speaking of libraries: A big open-stack academic or public library is no small pleasure to work in. You're, say, trying to do a piece on something in Nevada, and you go down to C Floor, deep in the earth, and out to what a miner would call a remote working face. You find 10995.497S just where the card catalog and the online computer thought it would be, but that is only the initial nick. The book you knew about has led you to others you did not know about. To the ceiling the shelves are loaded with books about Nevada. You pull them down, one at a time, and sit on the floor and look them over until you are sitting on a pile five feet high, at which point you are late home for dinner and you get up and walk away. It's an incomparable boon to research, all that; but it is also a reason why there are almost no large open-stack libraries left in the world.
John McPhee
When we meet someone, we form a first impression (“He seems like a really nice guy”), frequently with no apparent information on which to base it. This is because attributes of the person evoke in us something we’ve previously categorized as familiar and positive. The opposite can happen (“This guy is a complete jerk”) if some attribute taps into a previous negative experience. Our brain catalogs vast amounts of input from our family, community, and culture, along with what is presented to us in the media. As it makes sense of what it’s stored, it begins to form a worldview. If we later meet someone with characteristics unlike what we’ve cataloged, our default response is to be wary, defensive. In turn, if our brains are filled with associations based upon media-driven biases about ideal body type, or racial or cultural stereotypes, for example, we will exhibit implicit biases (and maybe overt bias).
Oprah Winfrey (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
There are pictures of me, too, but not many. I go from infant to about ten years old in one fell swoop. Maybe it's because I was the third child, and they were sick and tired of keeping a catalog of life. Maybe it's because they forgot. It's nobody's fault, and it's not a big deal, but it's a little depressing all the same. A photo says, You were happy, and I wanted to catch that. A photo says, You were so important to me that i put down everything else to come watch.
Jodi Picoult (My Sister’s Keeper)
To glorify God is not just to do so in religious worship, singing praise and enacting the traditional rites of the church. To glorify God is to reveal his character by being who we were created to be-the embodiment of the image of God in human form.
James W. Sire (The Universe Next Door: A Basic Worldview Catalog)
I cleaned the shit off my pink high-tops and drove home, stopping for an espresso at the coffeehouse across from the college. Men and women were hunched over copies of Jean Paul Sartre and writing in their journals. Most wore the thin-rimmed tortoiseshell glasses favored by intellectuals. Their clothes were faded to a precisely fashionable degree; you can buy them that way from catalogs now, new clothes processed to look old. The intellectuals looked at me in my overalls the way such people inevitably look at farmers. I dumped a lot of sugar in my espresso and sipped it delicately at a corner table near the door. I looked at them the way farmers look at intellectuals.
Mary Rose O'Reilley
If you work with or around children, you often hear a lot about how resilient they are. It's true; I've met children who've been through things that would drive most adults to the brink. They look and act, most of the time, like any other children. In this sense – that they don't succumb to despair, that they don't demand a space for their pain – it's very true that children are resilient. But resiliency only means that a thing retains its shape. That it doesn't break, or lose its ability to function. It doesn't mean a child forgets the time she shared in the backyard with her mother gardening, or the fun they had together watching Bedknobs and Broomsticks at the Astro. It just means she learns to bear it. The mechanism that allowed Lisa Sample to keep her head above water in the wak of her mother's departure has not been described or cataloged by scientists. It's efficient, and flexible, and probably transferable from one person to another should they catch the scent on each other. But the rest of the details about it aren't observable from the outside. You have to be closer than you really want to get to see how it works.
John Darnielle (Universal Harvester)
My favorite book is The Mysterious Island. I order my books from a flimsy catalog the teacher hands out to every student in the class. Emil and the Detectives. White Fang. Like that. Money is tight for us, but when it comes to books my mother is a spendthrift; I can order as many as I like. I sit here day after day, waiting for my books to arrive. My books. It takes a month or more, but when they finally do, when the teacher opens the big box and passes out the orders to the kids, checking the books against a form taken from her desk, I glow with happiness. I've never had the newest dress, or the prettiest, but I always have the tallest stack of books. Little paperbacks that smell of wet ink. I lay my cheek against their cool covers, anticipating the stories inside, knowing all the other girls wonder what I could possibly want with those books.
Greg Iles (Dead Sleep)
On to the library. And all through his time at the card catalog, combing the shelves, filling out the request cards, he danced a silent, flirtatious minuet of the eyes with a rosy-cheeked redhead in the biology section, pages of notes spread before her. All his life, he had had a yen for women in libraries. In a cerebral setting, the physical becomes irresistible. Also, he figured he was really more likely to meet a better or at least more compatible woman in a library than in a saloon. Ought to have singles libraries, with soups and salads, Bach and Mozart, Montaignes bound in morocco; place to sip, smoke, and seduce in a classical setting, noon to midnight. Chaucer's Salons, call them, franchise chain.
Stephen Minkin (A no doubt mad idea)
The trouble is, we have up-close access to women who excel in each individual sphere. With social media and its carefully selected messaging, we see career women killing it, craft moms slaying it, chef moms nailing it, Christian leaders working it. We register their beautiful yards, homemade green chile enchiladas, themed birthday parties, eight-week Bible study series, chore charts, ab routines, “10 Tips for a Happy Marriage,” career best practices, volunteer work, and Family Fun Night ideas. We make note of their achievements, cataloging their successes and observing their talents. Then we combine the best of everything we see, every woman we admire in every genre, and conclude: I should be all of that. It is certifiably insane.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
Forgiveness means giving up hope for a different past. It means knowing that the past is over, the dust has settled and the destruction left in its wake can never be reconstructed to resemble what it was. It’s accepting that there’s no magic solution to the damage that’s been caused. It’s the realization that as unfair as the hurricane was, you still have to live in its city of ruins. And no amount of anger is going to reconstruct that city. You have to do it yourself.
Thought Catalog (Read This If: A Collection of Essays that Prove Someone Else Gets it, Too)
Occasionally, in the stillness of a taxi or an airplane, she would catalog the pleasures she had lost. Cigarettes. Chewing gum. Strong mint toothpaste. Any food with hard edges or sharp corners that could pierce or abrade the inside of her mouth: potato chips, croutons, crunchy peanut butter. Any food that was more than infinitesimally, protozoically, spicy or tangy or salty or acidic: pesto or Worcestershire sauce, wasabi or anchovies, tomato juice or movie-theater popcorn. Certain pamphlets and magazines whose paper carried a caustic wafting chemical scent she could taste as she turned the pages. Perfume. Incense. Library books. Long hours of easy conversation. The ability to lick an envelope without worrying that the glue had irritated her mouth. The knowledge that if she heard a song she liked, she could sing along to it in all her dreadful jubilant tunelessness. The faith that if she bit her tongue, she would soon feel better rather than worse.
Kevin Brockmeier (The Illumination)
Her gaze went with her, into a room with walls of frozen earth, and a floor the same, the latter split from corner to corner, and a fissure opened in it from which a flame column rose four or five times the size of a man. There was bitter cold off it rather than heat, and no reassuring flicker in its heart. Instead its innards churned upon themselves, turning over and over some freight of stuff which she failed to recognize at first, but her appalled stare rapidly interpreted. There was a body in the fire, hacked limb from limb, human enough that she recognized it as flesh, but no more than that. Baphomet's doing presumably, some torment visited on a transgressor. Boone said the Baptizer's name even now, and she readied herself for sight of its face. She had it too, but from inside the flame, as the creature there--not dead, but alive, not Midian's subject, but its creator--rolled its head over in the turmoil of flame and looked her way. This was Baphomet. This diced and divided thing. Seeing its face, she screamed. No story or movie screen, no desolation, no bliss, had prepared her for the maker of Midian. Sacred it must be, as anything so extreme must be sacred. A thing beyond things. Beyond love or hatred or their sum, beyond the beautiful or the monstrous or their sum. Beyond, finally, her mind's power to comprehend or catalog.
Clive Barker (Cabal)
Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive. ‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed. He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting. In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.
Celeste Ng (Little Fires Everywhere)
I realize God may have gotten something beautiful done through me despite the fact that I am an asshole, and when I am confronted by the mercy of the gospel so much that I cannot hate my enemies, and when I am unable to judge the sin of someone else (which, let’s be honest, I love to do) because my own crap is too much in the way, and when I have to bear witness to another human being’s suffering despite my desire to be left alone, and when I am forgiven by someone even though I don’t deserve it and my forgiver does this because he, too, is trapped by the gospel, and when traumatic things happen in the world and I have nowhere to place them or make sense of them but what I do have is a group of people who gather with me every week, people who will mourn and pray with me over the devastation of something like a school shooting, and when I end up changed by loving someone I’d never choose out of a catalog but whom God sends my way to teach me about God’s love.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
How different this world to the one about which I used to read, and in which I used to live! This is one peopled by demons, phantoms, vampires, ghouls, boggarts, and nixies. Names of things of which I knew nothing are now so familiar that the creatures themselves appear to have real existence. The Arabian Nights are not more fantastic than our gospels; and Lempriere would have found ours a more marvelous world to catalog than the classical mythical to which he devoted his learning. Ours is a world of luprachaun and clurichaune, deev and cloolie, and through the maze of mystery I have to thread my painful way, now learning how to distinguish oufe from pooka, and nis from pixy; study long screeds upon the doings of effreets and dwergers, or decipher the dwaul of delirious monks who have made homunculi from refuse. Waking or sleeping, the image of some uncouth form is always present to me. What would I not give for a volume by the once despised 'A. L. O. E' or prosy Emma Worboise? Talk of the troubles of Winifred Bertram or Jane Eyre, what are they to mine? Talented authoresses do not seem to know that however terrible it may be to have as a neighbour a mad woman in a tower, it is much worse to have to live in a kitchen with a crocodile. This elementary fact has escaped the notice of writers of fiction; the re-statement of it has induced me to reconsider my decision as to the most longed-for book; my choice now is the Swiss Family Robinson. In it I have no doubt I should find how to make even the crocodile useful, or how to kill it, which would be still better. ("Mysterious Maisie")
Wirt Gerrare (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)
A few days later, I found myself back in the cellar. But this time, I was involved in an activity way more fun than cataloging magic junk. “What happened to the promise of making out in castles?” I asked as Archer and I pulled back for a breather. I was leaning back against one of the shelves, my hands clutching Archer’s waist. Over his shoulder, there was a jar of eyeballs staring at me, and I nodded toward it. “Because, see, things like that? Kind of a mood killer.” He glanced at the jar and then turned back to me, waggling his eyebrows. “Really? I find it has the opposite effect.” Giggling, I elbowed him in the stomach and pushed myself off the shelf. “You’re sick.” He smiled and ducked his head to kiss me again, but I skirted around him. “Come on, Cross, we came down here for a reason, and it wasn’t fooling around.” Smirking, Archer folded his arms over his chest. “May not have been your reason, but-“ I cut him off. “No. Don’t distract me with your sexy talk. We need to search this place, and that spell Elodie did will only last so long.” Elodie had swooped into my body at the cellar door, doing a quick spell to unlock it. She hadn’t even looked at Archer, much less said anything. And the second the lock clicked open, she’d vanished. The smirk disappeared from Archer’s face, and he actually looked kind of sullen. “Are you honestly that bummed about not hooking up right now?” I teased. But he was deadly serious when he shook his head and said, “It’s not that. It’s Elodie.” “What about her?” Archer rolled his eyes. “I don’t know, Mercer. Maybe it’s that I’m not completely crazy about the ghost of my ex-girlfriend occasionally inhabiting the body of my current girlfriend.” I backed up another step and ran into another shelf. Something fell off and thunked against the dirt floor. “Whoa, I’m your girlfriend now?” Archer shrugged. “We’ve tried to kill each other, fought ghouls, and kissed a lot. I’m pretty sure we’re married in some cultures.” Now it was my turn to roll my eyes. “Whatever. Look, the fact of the matter is, I don’t have any magic right now. Elodie does. If her occasionally using me as her puppet means that I have powers again, then I’m fine with it. And you should be, too. My body, my ghost, and all that.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Things changed after that between me and Mark. I stopped being mortified that people might mistake me for one of his acolytes. I was his Boswell, don’t you know. I interviewed him about his childhood—his father was a psychiarist in Beverly Hills. I cataloged the contents of his van. I followed him around at work, sitting in while he examined patients. He had been a bit of a prodigy when we were in college. After his father developed a tumor, Mark, who was pre-med, started studying cancer with an intensity that convinced many of his friends that his goal was to find a cure in time to save his father. As it turned out, his father didn’t have cancer. But Mark kept on with his cancer studies. His interest was not in fact in oncology—in finding a cure—but in cancer education and prevention. By the time he entered medical school, he had created, with another student, a series of college courses on cancer and coauthored The Biology of Cancer Sourcebook, the text for a course that was eventually offered to tens of thousands of students. He cowrote a second book, Understanding Cancer, that became a bestselling university text, and he continued to lecture throughout the United States on cancer research, education, and prevention. “The funny thing is, I’m not really interested in cancer,” Mark told me. “I’m interested in people’s response to it. A lot of cancer patients and suvivors report that they never really lived till they got cancer, that it forced them to face things, to experience life more intensely. What you see in family practice is that families just can’t afford to be superficial with each other anymore once someone has cancer. Corny as it sounds, what I’m really interested in is the human spirit—in how people react to stress and adversity. I’m fascinated by the way people fight back, by how they keep fighting their way to the surface.” Mark clawed at the air with his arms. What he was miming was the struggle to reach the surface through the turbulence of a large wave.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))