Emergency Exit Quotes

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So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit.
Alan Moore (Batman: The Killing Joke)
A library in the middle of a community is a cross between an emergency exit, a life-raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen instead
Caitlin Moran
Madness is the emergency exit. You can just step outside, and close the door on all those dreadful things that happened. You can lock them away…forever." The Joker
Alan Moore (Batman: The Killing Joke)
Laughter, along with madness, seemed to be the only way out, the emergency exit for humans.
Matt Haig (The Humans)
MEMORY'S SO TREACHEROUS. ONE MOMENT YOU'RE LOST IN A CARNIVAL OF DELIGHTS, WITH POIGNANT CHILDHOOD AROMAS , THE FLASHING NEON OF PUBERTY, ALL THAT SENTIMENTAL CANDY-FLOSS ... THE NEXT , IT LEADS YOU SOMEWHERE YOU DON'T WANT TO GO... ...SOMEWHERE DARK AND COLD, FILLED WITH THE DAMP, AMBIGUOUS SHAPES OF THINKS YOU'D HOPED WERE FORGOTTEN. MEMORIES CAN BE VILE, REPULSIVE LITTLE BRUTES. LIKE CHILDREN, I SUPPOSE. HAHA. BUT CAN WE LIVE WITHOUT THEM? MEMORIES ARE WHAT OUR REASON IS BASED UPON. IF WE CAN'T FACE THEM, WE DENY REASON ITSELF! ALGHOUGH, WHY NOT? WE AREN'T CONTRACTUALLY TIED DOWN TO RATIONALITY! THERE IS NO SANITY CLAUSE! SO WHEN YOU FIND YOURSELF LOCKED ONTO AN UNPLEASANT TRAIN OF THOUGHT, HEADING FOR THE PLACES IN YOUR PAST WHERE THE SCREAMING IS UNBEARABLE, REMEMBER THERE'S ALWAYS MADNESS. MADNESS IS THE EMERGENCY EXIT... YOU CAN JUST STEP OUTSIDE, AND CLOSE THE DOOR ON ALL THOSE DREADFUL THINGS THAT HAPPENED. YOU CAN LOCK THEM AWAY... FOREVER.
Alan Moore (Batman: The Killing Joke)
A library in the middle of a community is a cross between an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination.
Caitlin Moran (Moranthology)
Although I contemplated suicide many times, and developed concrete plans once or twice, I never gave up. Rather than take the emergency exit, I searched relentlessly for remedies and coping mechanisms. Although often feeling worn down and deeply discouraged, I persisted in hoping better times might come.
Larry Godwin (Transcending Depression: Quest Without a Compass)
Here is the secret to surviving one of these [airplane] crashes: Be male. In a 1970 Civil Aeromedical institute study of three crashes involving emergency evacuations, the most prominent factor influencing survival was gender (followed closely by proximity to exit). Adult males were by far the most likely to get out alive. Why? Presumably because they pushed everyone else out of the way.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Remembering's dangerous. I find the past such a worrying, anxious place. "The Past Tense," I suppose you'd call it. Memory's so treacherous. One moment you're lost in a carnival of delights, with poignant childhood aromas, the flashing neon of puberty, all that sentimental candy-floss... the next, it leads you somewhere you don't want to go. Somewhere dark and cold, filled with the damp ambiguous shapes of things you'd hoped were forgotten. Memories can be vile, repulsive little brutes. Like children I suppose. But can we live without them? Memories are what our reason is based upon. If we can't face them, we deny reason itself! Although, why not? We aren't contractually tied down to rationality! There is no sanity clause! So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit… you can just step outside, and close the door on all those dreadful things that happened. You can lock them away… forever.
Alan Moore (Batman: The Killing Joke)
Poetry had always seemed something I could turn to in need - an emergency exit, a lifebuoy, as well as a justification.
John Fowles (The Magus)
Hale looked at Macey, who added, "Seven minutes since shots fired." "Kat what's the emergency response tie in Midtown Manhattan?" "Not long enough if they want a clean exit," she told him. Macey hadn't heard Kat's words, but she looked at Hale like she'd read his mind.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
There aren’t perfect moments in life, not really, not when shit has gotten as weird as it can get and you’re broke in a mean city and the things that hurt feel so big. But there’s the wind flying and the weight of months and a girl hanging out an emergency exit, train roaring all around, tunnel lights flashing, and it feels perfect.
Casey McQuiston (One Last Stop)
Memories can be vile. Repulsive little brutes, like children I suppose. But can we live without them? Memories are what our reason is based upon. If we can't face them, we deny reason itself! Although, why not? We aren't contractually tied down to rationality. There is no sanity clause. So when you find yourself locked down in an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember: There's always madness. You can just step outside and close the door, and all those dreadful things that happened, you can lock them away. Madness... is an emergency exit.
Alan Moore (Batman: The Killing Joke)
It has been said that depression is a failure to imagine a plausible desirable future for oneself, and, not just in Marin, but in the whole region, in the Bay Area, and in many other places too, places both near and far, the apocalypse appeared to have arrived and yet it was not apocalyptic, which is to say that while the changes were jarring they were not the end, and life went on, and people found things to do and ways to be and people to be with, and plausible desirable futures began to emerge, unimaginable previously, but not unimaginable now, and the result was something not unlike relief.
Mohsin Hamid (Exit West)
Alright. Have fun. I'm out. Text me if you need me." She leaned to whisper in my ear. "Do you remember the code for a 911 emergency date exit?" She pulled back to look at me seriously. "Uh, 911?" "Good girl." She smiled at me and then at Caleb. Have fun you two!" She waved over her shoulder.
Shelly Crane (Significance (Significance, #1))
Exactly one month after he was convicted, when the lights were dimmed and the detention officers made a final sweep of the catwalk, Peter reached down and tugged off his right sock. He turned on his side in the lower bunk, so that he was facing the wall. He fed the sock into his mouth, stuffing it as far back as it would go. When it got hard to breathe, he fell into a dream. He was still eighteen, but it was the first day of kindergarten. He was carrying his backpack and his Superman lunch box. The orange school bus pulled up and, with a sigh, split open its gaping jaws. Peter climbed the steps and faced the back of the bus, but this time, he was the only student on it. He walked down the aisle to the very end, near the emergency exit. He put his lunch box down beside him and glanced out the rear window. It was so bright he thought the sun itself must be chasing them down the highway. 'Almost there,' a voice said, and Peter turned around to look at the driver. But just as there had been no passengers, there was no one at the wheel. Here was the amazing thing: in his dream, Peter wasn't scared. He knew, somehow, that he was headed exactly where he'd wanted to go.
Jodi Picoult (Nineteen Minutes)
My exit from the window is a little like a foal being born. It's a graceless and gangly drop, directly onto my mother's gerbera bed. I emerge quickly and pretend it didn't hurt.
Craig Silvey (Jasper Jones)
By degrees, however, he fashioned for himself out of this tendency a philosophy that was actually serviceable to life. He gained strength through familiarity with the thought that the emergency exit stood always open, and became curious, too, to taste his suffering to the dregs. If it went too badly with him he could feel sometimes with a grim malicious pleasure: "I am curious to see all the same just how much a man can endure. If the limit of what is bearable is reached, I have only to open the door to escape.
Hermann Hesse (Steppenwolf)
The bankers might not have said it in so many words, but gradually their strategy emerged: Target families who were already in a little trouble, lend them more money, get them entangled in high fees and astronomical interest rates, and then block the doors to the bankruptcy exit if they really got in over their heads.
Elizabeth Warren (A Fighting Chance)
no was a bad word in my hone no was met with the lash erased from our vocabulary beaten out of our backs till we became well-behaved kids who obediently nodded to yes to everything when he climbed on top of me every part of my body wanted to reject it but i couldn't say no to save my life when i tried to scream all that escaped me was silence i heard no pounding her fist on the roof of my mouth begging to let her out but i had not put up the exit sign never built the emergency staircase there was no trapdoor for no to escape from i want to ask all the parents and guardians a question what use was obedience then when there were hands that were not mine inside me - how can i verbalize consent as an adult if i was never taught to as a child
Rupi Kaur (the sun and her flowers)
The libido also made an early exit, as it does in most major illnesses—it is the superfluous need of a body in beleaguered emergency.
William Styron (Darkness Visible: A Memoir of Madness)
The alarm bells shriek again, echoing off the walls. “The hell is that?” asks Tattoo. “And why does it keep going off?” “There’s some crazy lady on the loose,” says Doc. “Keeps propping open emergency exits. Triggers the alarm. Are you going to let me go?” Well, at least my mom must be doing okay.
Susan Ee (World After (Penryn & the End of Days, #2))
one never knows what life may have in store for us, and it's always good to know where the emergency exit is.
Paulo Coelho (Eleven Minutes)
...one never knows what life may have in store for us, and it's always good to know where the emergency exit is.
Paulo Coelho (Eleven Minutes)
Simply as a gap in the known, doubt can be the emergency exit that leads somewhere else.
Jenny Odell (Saving Time: Discovering a Life Beyond Productivity Culture)
When I get on the bus, I like to sit in the seat that has the emergency exit window next to it. That way, in case of an emergency, I can choose who gets to get out alive, and who dies.
That Random Person
Here is the secret to surviving one of these crashes: Be male. In a 1970 Civil Aeromedical Institute study of three crashes involving emergency evacuations, the most prominent factor influencing survival was gender (followed closely by proximity to exit). Adult males were by far the most likely to get out alive. Why? Presumably because they pushed everyone else out of the way.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Everything I am is based on this ugly building on its lonely lawn—lit up during winter darkness; open in the slashing rain—which allowed a girl so poor she didn’t even own a purse to come in twice a day and experience actual magic: traveling through time, making contact with the dead—Dorothy Parker, Stella Gibbons, Charlotte Brontë, Spike Milligan. A library in the middle of a community is a cross be-tween an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold, rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen, instead. A human with a brain and a heart and a desire to be uplifted, rather than a customer with a credit card and an inchoate “need” for “stuff.” A mall—the shops—are places where your money makes the wealthy wealthier. But a library is where the wealthy’s taxes pay for you to become a little more extraordinary, instead. A satisfying reversal. A balancing of the power.
Caitlin Moran (Moranthology)
KYAG?” He pulls the folder (which does indeed have the Republic logo on the front) out of the pocket. It shows where the emergency exits are, where the flotation devices are, how to use the oxygen masks, how to assume the crash-landing position. “The kiss-your-ass-goodbye folder,
Stephen King (It)
Jasper: Is there a way out at the other end of the hallway? Cade: There’s an emergency exit. Rhett: Fuuuuucckk. Are you breaking our cousin out of her shitty, stuffy wedding? Jasper: Yes. Come up with a distraction and text me when it’s safe for us to run. Rhett: Can I pull the fire alarm? Cade: I will come up with something. Rhett: I’ve always wanted to pull the fire alarm. Cade: You did. I had to wait for your dumb ass after school while you finished detention for weeks. Jasper: Guys? Cade: Willa has a plan. That might actually be worse. But when I say go . . . go. You need to run.
Elsie Silver (Powerless (Chestnut Springs, #3))
When fire swept through the Cromañon nightclub in Buenos Aires in 2004 Bergoglio was one of the first on the scene, arriving before many of the fire engines. Some 175 people had died, with the tragedy being compounded by the fact that the club owners had locked the emergency exits to keep freeloaders out.
Paul Vallely (Pope Francis: Untying the Knots)
The mess that's emerging...at least reflects the truth of my experience, the fact that every contemplation is interrupted, and that every interruption becomes further object of contemplation, and that this rhythm of delusion and revelation feels as if it's essential to the nature of consciousness considering itself.
Edward St. Aubyn (A Clue to the Exit)
Seems to me you’ve got two choices: one, you can get in a gunfight with the United States government—because that always ends well—or you can run downstairs, get as many of your boys out through the emergency exits as you can, and order the rest to surrender. Your call, but bail money’s a lot cheaper than a tombstone.
Craig Schaefer (The Living End (Daniel Faust, #3))
It has been said that depression is a failure to imagine a plausible desirable future for oneself, (...), and life went on, and people found things to do and ways to be and people to be with, and plausible desirable futures began to emerge, unimaginable previously, but not unimaginable now, and the result was something not unlike relief.
Mohsin Hamid (Exit West)
Do you still think like that? The exit-strategy thing,” she asks. “Sort of, I guess? It’s different now; it’s not urgent like it used to be. It’s more like a habit, if that makes sense?” I glance at her face. “You know how some people go to movie theaters and have to find all the emergency exits, or they go out to eat and have to face the door no matter what, and half the time they don’t even realize they’re doing it?” She nods, but kind of slowly, hesitant. “That’s how it is, just like a glitch in the comfort matrix or something. Something my brain tosses out there, and I’m like, ‘Cool, thanks for the suggestion, but maybe we could just play a video game instead.’ It’s just crossed lines. It’s fine.
Jennifer Dugan (Verona Comics)
Lorraine was the emotional equivalent of a hollow-point round; the exit wound was a shit show.
Mary H.K. Choi (Emergency Contact)
If you look at survivable crashes, it’s rare that even half the emergency exits open,” says Shanahan. “Plus, there’s a lot of panic and confusion.” Shanahan cites the example of a Delta crash in Dallas. “It should have been very survivable. There were very few traumatic injuries. But a lot of people were killed by the fire. They found them stacked up at the emergency exits. Couldn’t get them open.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Something deep within him, what it was he had no leisure nor skill to recognize, seemed to retreat down long dim corridors away from the doom that impeded. He hadn't known he had those convenient corridors of evasion in him, with their protective turns and angles by which to put distance between himself and menace. Oh clever architect of the Mind, oh merciful blueprints that made such emergency exits available.
Cornell Woolrich (Literary Noir: A Series of Suspense: Volume Three)
If civility is your primary goal, or if productive conversation is impossible, make learning your go-to. If you just want to get through a family reunion, learning is your emergency exit that allows you to make almost any conversation civil.62 Adopt a frame of mind in which you are engaging in a study of someone with radically different beliefs than yours and try to learn all you can about how they form their beliefs.
Peter Boghossian (How to Have Impossible Conversations: A Very Practical Guide)
After several stops, and a dark journey through the tunnel under the bay, B stood up and said, “This is it.” They stepped off the train and took an escalator up a level, into a domed area, and then exited the train station. As always when Marla emerged from an underground space into the light, she felt a sense of new possibilities, as if she’d returned from the underworld and brought back secrets. There was power even in symbolic journeys.
Tim Pratt (Blood Engines (Marla Mason, #1))
Guinea worms grow up to a meter long inside the bodies of their victims, then escape by burrowing out of their skin. The only treatment, even now, is to speed the process of exit by winding the worms onto a stick as they emerge.
Bill Bryson (The Body: A Guide for Occupants)
Our ghoulish mission was to search for bodies. It was rich hunting that day and the many thereafter. We started on a small scale—here a leg, there an arm, and an occasional baby—but struck a mother lode before noon. We cut our way through a basement wall to discover a reeking hash of over one hundred human beings. Flame must have swept through before the building’s collapse sealed the exits, because the flesh of those within resembled the texture of prunes. Our job, it was explained, was to wade into the shambles and bring forth the remains. Encouraged by cuffing and guttural abuse, wade in we did. We did exactly that, for the floor was covered with an unsavory broth from burst water mains and viscera. A number of victims, not killed outright, had attempted to escape through a narrow emergency exit. At any rate, there were several bodies packed tightly into the passageway. Their leader had made it halfway up the steps before he was buried up to his neck in falling brick and plaster. He was about fifteen, I think.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
Scythe Anastasia was equally dumbfounded. "You?" she said. "No," Morrison blurted, "not me! I mean, yes, it's me, but I'm not the Toll, I mean." Any hope of strong, silent intimidation was gone. Now he was little more than a stammering imbecile, which is how he always felt around Scythe Anastasia. "What are you even doing here?" she asked. He started to explain, but realized it was way too long a story for the moment. And besides, he was sure her story was a better one. The other scythe in her entourage—Amazonian by the look of his robe—chimed in, several beats behind the curve. "You mean to say you two know each other?" But before either of them could answer, Mendoza came up behind Morrison, tapping him on the shoulder. "As usual, you're in the way, Morrison," he grumbled, having completely missed the conversation. Morrison stepped aside and allowed the curate to exit. And the moment Mendoza saw Anastasia, he became just as befuddled as Morrison. Although his eyes darted wildly, he managed to hold his silence. Now they stood on either side of the entrance to the cave in their usual formation. Then the Toll emerged from the cave between them. He paused short, just as Morrison and Mendoza had, gaping in a way that a holy man probably never should. "Okay," said Scythe Anastasia. "Now I know I've lost my mind.
Neal Shusterman (The Toll (Arc of a Scythe, #3))
Saeed went with his father to pray on the first Friday after the curfew's commencement, and Saeed prayer for peace and Saeed's father prayed for Saeed and the preacher in his sermon urged all the congregants to pry for the righteous to emerge victorious in the war but carefully refrained from specifying on which side of the conflict he thought the righteous to be.
Mohsin Hamid (Exit West)
Whatever the reason, Díaz knew it could wait. At the moment, he had only one task. Apprehend the shooter. As Díaz arrived at the site of the telltale flash, he found a slit in the fabric wall and plunged his hand through the opening, violently tearing the hole all the way down to the floor and clambering out of the dome into a maze of scaffolding. To his left, the agent caught a glimpse of a figure—a tall man dressed in a white military uniform—sprinting toward the emergency exit at the far side of the enormous space. An instant later, the fleeing figure crashed through the door and disappeared. Díaz gave pursuit, weaving through the electronics outside the dome and finally bursting through the door into a cement stairwell. He peered over the railing and saw the fugitive two floors below, spiraling downward
Dan Brown (Origin (Robert Langdon, #5))
He understood the theory. In an emergency people would have to exit that way, out through the window and over the wing. Hence all kinds of regulations mandated a minimum space, so people would be comfortable on their way through, except that if such a thing existed as a minimum space for a person to be comfortable, then why wasn’t every row just as capacious? It was a regulatory conundrum he couldn’t unravel.
Lee Child (Make Me (Jack Reacher, #20))
We were beginning to see that the medical profession, at the time still over 90 percent male, had transformed childbirth from a natural event into a surgical operation performed on an unconscious patient in what approximated a sterile environment. Routinely, the woman about to give birth was subjected to an enema, had her pubic hair shaved off, and was placed in the lithotomy position - on her back, with knees up and crotch spread wide open. As the baby began to emerge, the obstetrician performed an episiotomy, a surgical enlargement of the vaginal opening, which had to be stitched back together after birth. Each of these procedures came with a medical rationale: The enema was to prevent contamination with feces; the pubic hair was shaved because it might be unclean; the episiotomy was meant to ease the baby's exit. But each of these was also painful, both physically and otherwise, and some came with their own risks, Shaving produces small cuts and abrasions that are open to infection; episiotomy scars heal m ore slowly than natural tears and can make it difficult for the woman to walk or relieve herself for weeks afterward. The lithotomy position may be more congenial for the physician than kneeling before a sitting woman, but it impedes the baby's process through the birth canal and can lead to tailbone injuries in the mother.
Barbara Ehrenreich (Natural Causes: An Epidemic of Wellness, the Certainty of Dying, and Killing Ourselves to Live Longer)
Naming (“christening,” “deeming”) is more than a performative moral act; it is linguistic and aesthetic as well. Identifying the emergence and establishment of anti-sacrificial moral practices will take on a form distinctive to a particular social order; the consolidation of the originary “belief” or gesture should therefore be represented in ways that make it inseparable from the entirety of that order. Naming commemorates earlier establishments of practices of deferral, and by enhancing the self-referentiality of the social order as a whole makes it impossible to think outside of that order. It should be kept in mind that all social orders do this—orders in the liberal tradition simply deny they are doing so, and therefore do it haphazardly and in violent fits and starts. Every social order, however small or transient, develops its own “idiom,” because any exchange of signs involves the respective participants taking up the words, phrases and expressions of the others for both phatic purposes and as a “multiplier” of meanings—if I repeat what another has said with slight changes in wording and tone, I not only say what I have said, but create a complex relationship between what I have said and what the other has said (and whatever others he was responding to have said—and left unsaid), a relationship that remains largely tacit but all the more difficult to shake or exit for that very reason.
Numa Denis Fustel de Coulanges (The Ancient City - Imperium Press: A Study on the Religion, Laws, and Institutions of Greece and Rome (Traditionalist Histories))
stepping lithe and incredulous from the study; of Karras, emerging bewildered from the kitchen while the nightmarish poundings and croakings continued. Merrin went calmly up the staircase, a slender hand like alabaster sliding upward on the banister. Karras came up beside Chris, and together they watched from below as Merrin entered Regan’s bedroom and closed the door behind him. For a time there was silence. Then abruptly the demon laughed hideously and Merrin swiftly exited the room, closed the door, then moved quickly down the hall while behind him the bedroom door opened again and Sharon poked her head out, staring after him with an odd expression on her face. Merrin descended the staircase rapidly and put out his hand to the waiting Karras.
William Peter Blatty (The Exorcist)
A Safety Travel with Sinclair James International Traveling to somewhere completely foreign to you may be challenging but that is what travelers always look for. It can be a good opportunity to find something new and discover new places, meet new people and try a different culture. However, it can involve a lot of risk as well. You may be surprised to find yourself naked and penniless on the side of the road trying to figure out what you did wrong. These kinds of situations come rarely when you are careful and cautious enough but it is not impossible. Sinclair James International Travel and Tours, your Australian based traveling guide can help you travel safely through the following tips: 1. Pack all Security Items In case of emergencies, you should have all the safety tools and security items with you. Carry a card with your name and number with you and don’t forget to scribble down the numbers of local police station, fire department, list of hospitals and other necessary numbers that you may need. Place them in each compartment and on your pockets. If ever you find yourself being a victim of pick pocketing in Manila, Philippines or being driven around in circles in the streets of Bangkok, Thailand, you will definitely find these numbers very helpful. It is also advisable to put your name and an emergency number in case you are in trouble and may need someone else to call. 2. Protect your Passport Passports nowadays have RFID which can be scanned from a distance. We have heard some complaints from fellow travelers of being victims of scams which involves stealing of information through passports. An RFID blocking case in a wallet may come in handy to prevent hackers from stealing your information. 3. Beware of Taxis When you exit the airport, taxis may all look the same but some of them can be hiding a defective scam to rob tourists during their drive. It is better to ask an official before taking a taxi as many unmarked ones claim that they are legitimate. Also, if the fare isn’t flat rate, be sure you know the possible routes. Some drivers will know better and will take good care of you, but others will take longer routes to increase the fare. If you know your options, you can suggest a different route to avoid paying too much. 4. Be aware of your Rights Laws change from state to state, and certainly from country to country, but ignorance to them will get you nowhere. In fact, in many cases you can get yourself out of trouble by knowing the laws that will affect you. When traveling to other countries, make sure to review the laws and policies that can affect your activities. There are a lot of misconceptions and knowing these could save you a headache. Sinclair James International
James Sinclair
The experiment is called the Strange Situation, and you can see variations of it on the Internet. A mother and her toddler are in an unfamiliar room. A few minutes later, a researcher enters and the mother exits, leaving the youngster alone or with the researcher. Three minutes later, the mother comes back. Most children are initially upset at their mother’s departure; they cry, throw toys, or rock back and forth. But three distinct patterns of behavior emerge when mother and child are reunited—and these patterns are dictated by the type of emotional connection that has developed between the two. Children who are resilient, calm themselves quickly, easily reconnect with their moms, and resume exploratory play usually have warm and responsive mothers. Youngsters who stay upset and nervous and turn hostile, demanding, and clingy when their moms return tend to have mothers who are emotionally inconsistent, blowing sometimes hot, sometimes cold. A third group of children, who evince no pleasure, distress, or anger and remain distant and detached from their mothers, are apt to have moms who are cold and dismissive. Bowlby and Ainsworth labeled the children’s strategies for dealing with emotions in relationships, or attachment styles, secure, anxious, and avoidant, respectively.
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection Book 2))
One evening in April a thirty-two-year-old woman, unconscious and severely injured, was admitted to the hospital in a provincial town south of Copenhagen. She had a concussion and internal bleeding, her legs and arms were broken in several places, and she had deep lesions in her face. A gas station attendant in a neighboring village, beside the bridge over the highway to Copenhagen, had seen her go the wrong way up the exit and drive at high speed into the oncoming traffic. The first three approaching cars managed to maneuver around her, but about 200 meters after the junction she collided head-on with a truck. The Dutch driver was admitted for observation but released the next day. According to his statement he started to brake a good 100 meters before the crash, while the car seemed to actually increase its speed over the last stretch. The front of the vehicle was totally crushed, part of the radiator was stuck between the road and the truck's bumper, and the woman had to be cut free. The spokesman for emergency services said it was a miracle she had survived. On arrival at the hospital the woman was in very critical condition, and it was twenty-four hours before she was out of serious danger. Her eyes were so badly damaged that she lost her sight. Her name was Lucca. Lucca Montale. Despite the name there was nothing particularly Italian about her appearance. She had auburn hair and green eyes in a narrow face with high cheek-bones. She was slim and fairly tall. It turned out she was Danish, born in Copenhagen. Her husband, Andreas Bark, arrived with their small son while she was still on the operating table. The couple's home was an isolated old farmhouse in the woods seven kilometers from the site of the accident. Andreas Bark told the police he had tried to stop his wife from driving. He thought she had just gone out for a breath of air when he heard the car start. By the time he got outside he saw it disappearing along the road. She had been drinking a lot. They had had a marital disagreement. Those were the words he used; he was not questioned further on that point. Early in the morning, when Lucca Montale was moved from the operating room into intensive care, her husband was still in the waiting room with the sleeping boy's head on his lap. He was looking out at the sky and the dark trees when Robert sat down next to him. Andreas Bark went on staring into the gray morning light with an exhausted, absent gaze. He seemed slightly younger than Robert, in his late thirties. He had dark, wavy hair and a prominent chin, his eyes were narrow and deep-set, and he was wearing a shabby leather jacket. Robert rested his hands on his knees in the green cotton trousers and looked down at the perforations in the leather uppers of his white clogs. He realized he had forgotten to take off his plastic cap after the operation. The thin plastic crackled between his hands. Andreas looked at him and Robert straightened up to meet his gaze. The boy woke.
Jens Christian Grøndahl (Lucca)
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
The older generation scratched their heads, long comfortable in misery or ignorance now, they’d lost their need to rock the boat. Rocking the boat got you drowned, plain and simple. Unionists out and out accused the emergent civil rights movement of merely being Republican foot soldiers in camouflage. The government dismissed them as rabble-rousers, agitators seeking their fifteen minutes of fame. The students with the wisdom of youth ignored all imprecations and sallied forth under ban, under the blow of rock and baton, coming up repeatedly against the hard, ugly face of hatred. They were the flame that would be put to the tinder of sectarianism and old hatreds, caught in the headiness of that year, of that dying, burning decade, they did not see that regardless of who sets the fire all who touch it will be burned and bear the scars for it.
Cindy Brandner (Exit Unicorns)
From the outset, it was clear to me that Boot’s dictum was wishful thinking. Already the Bush doctrine had made a vicious mockery of it. Iraq, since the American-led invasion, had descended into a lawless sectarian hell, and democracy had brought to power, with Nour Al-Maliki, a Tehran lackey determined to create a Shia theocracy in Iran’s image. The democratic government of “liberated” Afghanistan had proved itself a corrupt bunch of clansmen. Its writ, a decade after that country’s “liberation,” barely ran beyond the capital, Kabul, and even that city could not, in any meaningful sense, be said to be under full control of the central government. From the ashes and slaughter had emerged a sole negotiating partner who offered Washington any hope of a more stable future and a safe exit from the mire: the Taliban, against whom America had gone to war in the first place.
John R. Bradley (After the Arab Spring: How Islamists Hijacked The Middle East Revolts)
Lastly the corporate office design Gauteng will also require to be planned with particular furniture and tools requirements in mind. It is also important to consideration on sufficient working spaces. Interior office design has turned a little more complex as compare than interior design for residential assignments. This article is all about corporate interiors and project management Gauteng. Interior Office design Floor plans The interior floor plan for an office is first task for space planning. It require skill as well as good creativity for problem solving ability but also special facts of building sets as well as information of the company's needs who will dwell there, normally known as the client as well as tenant. Here the floor plan layout requires to meet all the companies obligations such as how many offices, meeting rooms and storage areas among others and also forces with the applicable regulations as well as standards. The floor plan will also include office designs for different technical and engineering services which include: • Electrical plans for lighting and power • Services designs for Emergency such as exit signs, emergency lighting and mass departure warning methods • Designs related to communications services including phones and computers • Designs related to Fire sprinklers of fire recognition systems and also flames hose reels • Air conditioning Designs • Plumbing services Designs • Designs for safety and entry control systems The corporate interiors and project management needs to be planned with keeping in mind not only all the standards necessary but also the needs of the client's requirements. Office re fit is a general good design perform for work flow and helpful working environments. • Finding the amount of offices, conference rooms and release plan workstations obligatory by the client. • Finding sufficient normal facilities which include storage areas, filing areas, printing areas, and staff facilities including kitchens and toilet facilities. • Office layout for right sitting of offices and workstation work areas to take full advantage of entry to natural light. • Concern of main workflow spaces and flow corridors. • Site of public areas including the reception as well as meeting rooms to keep away from disturbance to the common office work areas. • Area of heavy load luggage compartment systems to make sure structural uprightness of the floor. • Right area for break out as well as staff relaxation areas. • Correct furniture and tools planning
Interior Office Design Planning beforehand is Important
You know how they won’t let parents with kiddos sit in the exit row? It has nothing to do with safety. They’re worried you might open the emergency door and throw your kid out.
Karen Alpert (I Heart My Little A-Holes: A Bunch of Holy-Crap Moments No One Ever Told You About Parenting)
My premise is that startups and emerging companies should adopt a new, simple approach—start small, stay lean, raise only the funding you really need, grow the business judiciously and then execute an early exit.
Basil Peters (Early Exits: Exit Strategies for Entrepreneurs and Angel Investors (But Maybe Not Venture Capitalists))
I ask Dennis whether he has any advice for the people who'll read this book and never again board a plane without wondering if they're going to wind up in a heap of bodies at the emergency exit door. He says it's mostly common sense. Sit near an emergency exit. Get down low, below the heat and smoke. Hold your breath as long as you can, so you don't cook your lungs and inhale poisonous fumes. Shanahan prefers window seats because people seated on the aisle are more likely to get beaned with the suitcases that can come crashing through the overhead bin doors in even a fairly mild impact.
Anonymous
Interestingly, Jockey’s first attempt to enter India wasn’t with the Genomals. It was with Associated Apparels in 1962. Through the 1960s, many foreign innerwear brands were launched in India. Associated Apparels introduced the then world-famous Maidenform bras (owned today by Hanes) and tied up with Jockey to launch Jockey underwear in 1962. The international brand, Lovable, entered India in 1966 through a licensing deal and became a huge success. Along with it entered the brand Daisy Dee, through a subsidiary of Lovable, followed by Feelings. In 1971, Maxwell Industries launched VIP-branded innerwear for men in the economy segment, catching the attention of the discerning public with an advertisement featuring a Bollywood actor. In 1973, however, Jockey decided to leave India after the Indian government used the Foreign Exchange Regulation Act (FERA) to force multinational companies to dilute their ownership in their Indian ventures to 40 per cent. After Jockey exited India, its competitors flourished. Associated Apparels continued to focus on mid-premium innerwear during the 1980s and was successful in establishing themselves as a dominant player in the mid-premium innerwear segment through Liberty (men) and Libertina (women). Maxwell Industries, during the 1980s, launched the brand, Frenchie, to cater to the mid-premium innerwear segment. In 1985, Rupa & Co. emerged in the innerwear market, offering products across categories, including men, women and kids, and became one of the biggest manufacturers and sellers of innerwear in India. The success of Rupa was followed by many other domestic brands in the 1980s and ’90s, including Amul, Lux Cozi and Dollar in the men’s category, while Neva, Bodycare, Softy, Lady Care, Little Lacy, Red Rose, Sonari, Feather Line, etc., were the key players in the lingerie market. Then came the liberalization of 1991. With the regulatory hurdles to enter India removed, Jockey decided to return to India. And this time, it chose the right partners.
Saurabh Mukherjea (The Unusual Billionaires)
They knew what gunfire meant better than anyone. Some were crying by the time they reached the exit and stepped outside into the afternoon air. The sun was already descending in the sky, leaving shadows crawling across the valley floor. Not daring to look behind her, Khalia’s eyes fixed on her target, the emergency bunker. Across the expanse of lush green grass before her, the beckoning hillside seemed impossibly far away. A warning prickle began at her nape, as if someone had her in their sights and was taking aim at her. More shots erupted from the hills behind them. The lead group broke
Kaylea Cross (Titanium Security Series Box Set: Volume I (Titanium Security, #1-3))
If you see that emergency-exit woman,” I call after him, “tell her Penryn sent you. Take care of her, okay? I think that’s my mom.
Susan Ee (World After (Penryn & the End of Days, #2))
Welcome onboard the USIC shuttle service to Oasis. Please give your full attention to the safety demonstration even if you are a frequent flyer. The seatbelt is fastened and unfastened as shown. No seatbelt on your seat? Hey, live with it. . . . In the event of a loss of cabin pressure, oxygen will be provided. It will be pumped straight into the mouth of the pilot. The rest of you just hold your breath and sit tight. . . . In the event of a collision, low-level lighting will guide you to an exit, where you will be sucked instantly to your death. Please remember that the nearest usable planet may be three billion miles behind you. . . . This craft is equipped with one emergency escape pod: one at the front, none in the middle and none at the rear. There’s room for the pilot and five really hot chicks. . . . Take your high heels off, girls, before using the escape pod. Hell, take it all off. Blow on my tube if it fails to inflate. There is a light and a whistle for attracting attention, but don’t worry, I’ll get around to all of you in turn. Please consult the instruction card that shows you the position you must adopt if you hear the command ‘suck, suck.’ We recommend you keep your head down at all times. . . . We appreciate that you had no choice of airlines today, and so we would like to thank you for choosing USIC.
Michel Faber
Those who try to juggle wisdom, power and greed, drop one of the balls, every time.”   – Greg Hamerton
Ever N. Hayes (Emergency Exit: 2020 (2020 Series, #1))
Shouldn’t you at least brief us on emergency procedures?” Nathan asked. “You know, emergency exits, that kind of stuff?” “Naw,” Jenkins said. “If we crash, there will be lots of exits.” Nathan
Andrew Peterson (First to Kill (Nathan McBride, #1))
I can't dignify all of these ideas about me with reply, but I will say that in this digital world of widespread fraud, in which elderly women from rural Michigan claim to be steroid-enhanced weightlifting experts and the like, it is useful, on occasion, to advance the cause of belief simply for the sake of belief, because if not belief in this world, then what do we have? If not the action of belief, we have only the grinding disappointments. You could go on finding weaknesses in the pattern of my online reviews when really what you should be doing, KoWojahk283 and TigerBooty! and RedDawn301, is going out into the yard and staring up at the night sky, or meeting people and looking for the good in them. And while you are doing that, I will talk about the emergency-escape plan at the Willows Motel, which advises that you should first feel the door to see if it's hot and also that if there is a fire in the room, you should leave the room immediately. The escape plan for the main floor, and there is only a main floor here, is simply to exit into the parking lot. How often this is the case! How often our only exit is into the parking lot! And how often the parking lot empties onto the county road, where there are only package stores and full-service gas stations. If KoWojahk283 were right about me, would I be here? Feeling the door, making sure it's not hot, and then exiting into the parking lot? ★★
Rick Moody (Hotels of North America)
I wasn't a big reader growing up, much to the dismay of my scholarly parents. My father once risked his life in a plane crash because he refused to slide down the emergency exit without first grabbing his books. He was the last passenger to exit the plane, clinging to his bag of books. But I didn't inherit my father's addiction to reading. I had always been too antsy to sit still with a book. Or to sit still at all! Until one day, I wasn't.
Kristina Kuzmic (Hold On, But Don't Hold Still)
Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015
Louis Yako (أنا زهرة برية [I am a Wildflower])
Today we look for man-made philosophical panaceas.  Discussions and debates go on in every center of learning in a search for ultimate wisdom and its resultant happiness ... We are searching for a way out of our dilemma, and the universal sign we see is "no exit".  But the cross presents itself in the midst of our dilemma as our only hope.  Here we find the justice of God in perfect satisfaction - the mercy of God extended to the sinner - the love of God covering every need - the power of God for every emergency - the glory of God for every occasion.
Billy Graham (Unto The Hills Perpetual Calendar)
She heard a small voice say, “We are experiencing some turbulence, ye ken. If ye look to the right and tae the left, ye will see that there are no emergency exits—” The speaker was interrupted by another voice, which said, “In point o’ fact, Rob, the stick has got emergency exits all round, ye ken.” “Oh, aye,” said Rob Anybody, “but there is such a thing as style, okay? Waiting until ye have nearly hit the ground and stepping off makes us look like silly billys.
Terry Pratchett (I Shall Wear Midnight (Discworld, #38))
we concentrate on the availability and installation of varied sorts of emergency lighting. Our extensive range of kit includes exit lights, over-head lighting and stair, and floor illumination. For more information, please visit us.
Malumgra Electrical Services Ltd
was a small lavatory. The door to the lavatory was missing and Myers screwed his face up at the sight of the mess inside. The place didn’t need cleaning. It needed burning. There were a few random, oil-stained chairs dotted about and a collection of torn car magazines. It was the poorest attempt at a customer waiting area Myers had ever seen. Along the back wall, however, was a large workbench and two tall tool chests. They were red with silver handles and covered in stickers. On the wall above the bench, which was covered in spare parts, drinks cans, and oily rags, were several calendars which fell into the category of cliché garage topless pictures. To the right of the workbench was a fire escape door with a long, silver push-handle and Myers thought that even hovels like the garage needed to have some form of emergency exit. He wondered what he’d find out there, then shuddered at the thought. He stepped into the space and felt a strange guilty pang of combined intrusion and fear. There were no cars in the garage, but the air retained a thick, oily smell borne of years of spilt oil and vapour seeping into the pores of every surface in there. He pulled his jacket in tight around him. It seemed as if every surface was coated in a thick layer of grease. But there was something else in that smell. Something that had combined with the oil to form a sickly aroma. He knew the smell, but it had been tainted by the oil and he couldn’t put his finger on it. There was something not quite right about the place. It was the first time he actually wished Fox had been there with him. Another pair of eyes would be useful, and despite her annoying traits, she was actually turning out to be a smart thinker. It was she who had seen the slight variation in the forms. It was she who had known the format of the numbers reflected a container number. And it was she who had theorised that Donald Cartwright could be in trouble. The fact that Donald Cartwright was not in the garage did not mean he wasn’t in trouble. In fact, it only gave weight to the theory. Something had happened in the garage. And Myers was sure the two were connected. Donald Cartwright’s shipment had been delivered to the garage, the only delivery for years that hadn’t been delivered to his father’s warehouse. The form was different and the adviser, Sergio, hadn’t countersigned it. The
J.D. Weston (The Silent Man (The Harvey Stone Series, #1))
I expected a dozen people packed into our cabin again but it’s only her and Ben, the guy with the buzz cut and black glasses who looks like a young astronaut. Clean-cut and stupendously brilliant. Cordero’s not too far off. She’s businesslike in her dark suit, but there’s also a military assuredness to her actions. I get the feeling that when a situation takes a nosedive she knows where the emergency exits are and how to deploy the water slide.
Veronica Rossi (Seeker (Riders, #2))
The week before Notes Day, all facilitators attended a training session to help them keep each meeting on track and make sure that everyone—the outgoing, the laid-back, and everyone in between—was heard from. Then, to make sure something concrete emerged, the Working Group designed a set of “exit forms” to be filled out by each session’s participants. Red forms were for proposals, blue forms were for brainstorms, and yellow forms were for something we called “best practices”—ideas that were not action items per se but principles about how we should behave as a company. The forms were simple and specific: Each session got its own set, tailored specifically to the topic at hand, that asked a specific question. For example, the session called “Returning to a ‘Good Ideas Come from Anywhere’ Culture,” had blue exit forms topped with this header: Imagine it’s 2017. We’ve broken down barriers so that people feel safe to speak up. Senior employees are open to new processes. What did we do to achieve this success? Underneath that question were boxes in which attendees could pencil in three answers. Then, after they wrote a general description of each idea, they were asked to go a few steps further. What “Benefits to Pixar” would these ideas bring? And what should be the “Next Steps” to make them a reality? Finally, there was space provided to specify “Who is the best audience for this idea?” and “Who should pitch this idea?
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
If you are wondering why you have to put your bag under the seat in front of you, it is because you, and the people you share a row with, will need a clear path of exit during an emergency.
Morgan Carver Richards (Why Your Flight Attendant Hates You)
if the product category is emerging, with decades’ more growth ahead of it, making a strategic move within the market rather than exiting the market might be worthwhile—even if competition is intense and substitutes exist. The early years of the smartphone and the tablet computer illustrate this line of thinking perfectly.
Victor Cheng (Case Interview Secrets: A Former McKinsey Interviewer Reveals How to Get Multiple Job Offers in Consulting)
A library in the middle of a community is a cross between an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination.
Alan Bennett (The Library Book)
Dammit, woman,” Kye cursed, rushing after me. “Slow down!” I whirled around then, slipping but catching myself. Please, let’s pile on the humiliation with busting my ass outside the lodge. “They think I don’t know I’m a mess?” I shouted, my voice shrill and filled with emotion I didn’t want to feel. “Well news flash: I know! I have to live with myself, it’s hard to miss!” And now snot was leaking out of my nose. Perfect! I swiped it with the back of my hand, grossed out and embarrassed. God, why couldn’t I get anything right? “Don’t look at me,” I cried when Kye was only a few steps away. “Why can’t I just be normal?” Kye’s eyes were crinkled at the edges and I saw pity there. It nearly killed me all over again. “Please don’t look at me that way.” I couldn’t deal with pity. “Holly?” Kye gently chucked his knuckles under my chin, lifting my gaze to his. “Fuck those people.” His poignant sentiment caught me off guard and I regrettably snorted, which was disgusting in my current state. “I mean it.” His fingers gave my chin a squeeze. And then he did the most startling, yet comforting, thing. He cupped my face, carefully brushing the cold tears off my cheeks with his thumbs while I stared up at him. I’d been mistaken. It wasn’t pity in his eyes. It was only kindness. Maybe even a little buried rage if his grimace was any clue. “They don’t deserve your time. They don’t even deserve the pleasure of your company.” I shook my head, sarcastically mumbling, “Because I’m such a gift.” “You’re damn right.” He smirked before his expression turned sincere. “You’re amazing Holly. This flawed, quirky, amazing woman.” Why did my heart speed up? His words replayed in my head. Again. And again. Flawed, quirky, amazing. He said those words with such earnestness, they burned into me. They stamped all over my heart what I already knew about Kye. What I forced myself to deny, to avoid at all costs, to pretend wasn’t real... I loved him. Against my better judgment and beyond all reason. I love you. I love you, my silent voice screamed inside my head. I was in love with Kye and I was doomed because I couldn’t free him. Didn’t know how and didn’t know if it was even possible. This relationship—real or fake—was on a ticking timer to its imminent demise and there was no emergency exit off this road to misery.
Poppy Rhys (While You Were Creeping (Women of Dor Nye))
Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.
Angie Sijun Lou (All We Ask is You to be Happy)
We aren't contractually tied down to rationality! There is no sanity clause! So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit. You can just step outside, and close the door on all those dreadful things that happened. You can lock them away… Forever.
Alan Moore (Batman: The Killing Joke)
Coincidence or a trick of fate (Amalfitano remembered a time when he believed that nothing happened by chance, everything happened for some reason, but when was that time? he couldn't remember, all he could remember was that at some point this was what he believed), something that must hold some meaning, some larger truth, a sign of the terrible state of grace in which Padilla found himself, an emergency exit overlooked until now, or a message intended specifically for Amalfitano, a message perhaps signaling that he should have faith, that things that seemed to have come to a halt were still in motion, things that seemed like ruined statues were mending themselves and recovering.
Roberto Bolaño (Woes of the True Policeman)
So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit.
Alan Moore
At the exit I stopped to look back, crisscrossing the light along the walls and the ceiling. “What’s up, Whitey?” Disco asked. “Nothing,” I said. I was about to continue when a high-pitched sound emerged from the way we’d come. The three of us froze. “Tell me that was the wind,” Olivia said. “That wasn’t the wind,” I said. “Bon Dieu,” Disco said. “I can’t take any more of this—” The sound echoed up through the voracious darkness again, and this time its nature could not be mistaken: some kind of hideous scream. For several moments I couldn’t move, couldn’t breathe. I couldn’t comprehend what we’d heard. A scream? But what made it?
Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
with towels so plush and fine that when she at last emerged she felt like a princess using them, or at least like the daughter of a dictator who was willing to kill without mercy in order for his children to pamper themselves with cotton such as this,
Mohsin Hamid (Exit West)
The only exit I will advise you is the emergency exit
'LORD VISHNU' P.S.JAGADEESH KUMAR
Madness is the emergency exit. You can just step outside, and close the door on all those dreadful things that happend. You can lock them away forever.
Alan Moore (Batman: The Killing Joke)
I hugged her close, the girl I’d survived the impossible with, the girl I would have given my right arm to actually have a shot with. “Fly safe tomorrow, okay? I won’t be there to haul you out through the emergency exit.” “I’ll try my best.” She sighed and hugged me back, fitting against me with the kind of perfection that didn’t exist in my world. “Don’t die over there.” “I’ll try my best.” I rested my chin on the top of her head and closed my eyes, breathing in the scent of salt air, lemons, and a perfume I couldn’t place but would never forget.
Rebecca Yarros (In the Likely Event)
I suspect strongly that he hoped for a narrow defeat after an exciting campaign. That would have been the ideal platform for his leadership ambitions and spared him the immense complex and detailed tasks of taking responsibility for the United Kingdom’s exit from the EU.
Peter Oborne (The Assault on Truth: Boris Johnson, Donald Trump and the Emergence of a New Moral Barbarism)
There is a whole swathe of nervous German professors who fear something like a Buddhist inundation and a decline of the intellectual West. Rest assured, the West will not collapse and Europe will never become a Buddhist empire. Anyone who reads the Buddha's speeches and converts to Buddhism as a result may well have thereby found some kind of solace for himself - yet in place of the path that the Buddha might show us, all that person has opted for is an emergency exit.
Gunnar Decker (Hesse: The Wanderer and His Shadow)
Stop treating your mouth as if it's your truth's emergency exit.
Angelos Michalopoulos (The man who has only one truth in him)
Saeed went with his father to pray on the first Friday after the curfew's commencement, and Saeed prayed for peace and Saeed's father prayed for Saeed and the preacher in his sermon urged all the congregants to pry for the righteous to emerge victorious in the war but carefully refrained from specifying on which side of the conflict he thought the righteous to be.
Mohsin Hamid (Exit West)
fucking parking spot.” The woman hauled herself out of the front seat. Her face wrinkled with the effort and her small, old eyes leaked and blinked in the sun. Your father took a step back. He stood for a moment, shoved his hands in his pockets, and crossed the parking lot toward me, the rage fading and his face becoming again the mask it had been since I’d returned from London and, four days before, made my foolish confession—a mask I no longer had a right to question or remove. We exited the structure and pulled into a handicapped spot in front of the emergency room entrance and ran. I held my sunglasses in my left hand and clutched my purse with my right. I had forgotten my sweater. Your father flung his windbreaker over his shoulder and the zipper stung my cheek, the beginnings of retribution, perhaps, for a past that had long ago laid down the invisible blueprint of our future.
Jan Ellison (A Small Indiscretion)
There’s a nook around back,” I said. “It’s an emergency exit, so no one ever uses it.” “I thought you didn’t date guys from school?” “Doesn’t mean I don’t know the make-out spots.” “Make-out? I thought we were talking. But if you insist…” I tugged him into the nook, wrapped my hand around the front of his shirt, pulled him to me, and kissed him. He chuckled, the vibration buzzing through our kiss. I’m bold, but I’d never been this bold. With Rafe, I could be. He liked bold. If his return kiss was any indication, he liked it a whole lot. We kissed until the bell rang, then he pulled back but only to glower in the direction of the bell. I laughed.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
There’s a nook around back,” I said. “It’s an emergency exit, so no one ever uses it.” “I thought you didn’t date guys from school?” “Doesn’t mean I don’t know the make-out spots.” “Make-out? I thought we were talking. But if you insist…
Kelley Armstrong (The Gathering (Darkness Rising, #1))
...with towels so plush and fine that when she at last emerged she felt like a princess using them, or at least like the daughter of a dictator who was willing to kill without mercy in order for his children to pamper themselves with cotton such as this, to feel this exquisite sensation on their naked stomachs and thighs, towels that felt as if they had never been used before and might never be used again.
Mohsin Hamid (Exit West)
gunshot cracked. Cormac went down. Ruhn swore, and Hunt held Bryce tight to his side as Cormac struggled on the ground, a hand to his shoulder. No exit wound. “Fuck,” Cormac cursed as Pippa Spetsos emerged from the shadows. She likely wanted the Avallen Prince alive for questioning. And if Hunt flew into the air … he’d be an easy target. Especially while still inside the confines of the cave, no matter how massive. Tharion went for a knife at his side. Water wreathed his long fingers. “Don’t be dumb,” Hunt warned Tharion. He whirled on Cormac. “Teleport us out.” “Can’t,” Cormac panted. “Gorsian bullet.” “Fuck,” Bryce breathed, and Hunt prepared to take their chances in the sky, bullets be damned.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
In 2016, the Georgia Institute of Technology published a study on human trust in robots that employed a non-anthropomorphic robot to assist participants in navigating through a building, providing directions such as “This way to the exit.” First, participants interacted with the robot in a normal setting to experience its performance, which was deliberately poor. Then, they had to decide whether or not to follow the robot’s commands in a simulated emergency. In the latter situation, all twenty-six participants obeyed the robot’s directional advice, despite having observed just moments before that it had lousy navigational skills. The degree of trust they placed in this machine was striking: when the robot pointed to a dark room with no clear exit, the majority of people obeyed it, rather than safely exiting by the door through which they had entered. The researchers conducted similar experiments with other robots that seemed to malfunction. Again, subjects followed these robots’ emergency directions, apparently abandoning their common sense. It seems that robots can naturally hack our trust.
Bruce Schneier (A Hacker's Mind: How the Powerful Bend Society's Rules, and How to Bend them Back)
There will never be a way to explain why I am this way. It’s something that you endure wholly, entirely. A deep and empty pit inside your flesh that never closes, no matter what you try to fill it with. No matter what thread you try to sew it shut with, it gapes and itches. An emergency exit that waits patiently for any who stray.
K.M. Moronova (The Fabric of our Souls)