Emerald Mile Quotes

if there is a point to being in the canyon, it is not to rush but to linger, suspended in a blue-and-amber haze of in-between-ness, for as long as one possibly can. To float, to drift, savoring the pulse of the river on its odyssey through the canyon, and above all, to postpone the unwelcome and distinctly unpleasant moment when one is forced to reemerge and reenter the world beyond the rim-that is the paramount goal.

The black stream, catching on a sunken rock,   Flung backward on itself in one white wave,     And the white water rode the black forever. —ROBERT FROST

But they have preserved an aspect of the American persona that is uniquely vital to the health of this republic. Among many other things, those dirtbag river runners uphold the virtue of disobedience: the principle that in a free society, defiance for its own sake sometimes carries value and meaning, if only because power in all of its forms—commercial, governmental, and moral—should not always and without question be handed what it demands.

Thou shalt not” is soon forgotten, but “Once upon a time” lasts forever.

It’s sometimes surprising how people can open up when you demonstrate a willingness to listen to their stories with attentiveness and respect.

He rowed them past the last of the stars. He rowed them clear of the night's embrace. He rowed them straight into and beyond the break of day. And somewhere along that stretch of river, he also rowed them across an invisible fault line, a seam on the American continent that separates the terrain where the ephemeral events of everyday reality unfold from a more rarefied and singular realm, the place where mythic and permanent journeys of the imagination, such as those of John Wesley Powell, reside - the place of legends.

A river so clear and transparent that the bright stones suspended within its currents could be seen with the naked eye, glittering with the traces of an incontestable radiance whose depth and distance and truth lay beyond the reaches of any terrestrial imagination.

Grass! Millions of square miles of it. . . . a hundred rippling oceans, each ripple a gleam of scarlet or amber, emerald or turquoise. . . . the colors shivering over the prairies. . . . Sapphire seas of grass with dark islands of grass bearing great plumy trees which are grass again.

And you really live by the river? What a jolly life!” “By it and with it and on it and in it,” said the Rat. . . . “It’s my world, and I don’t want any other. What it hasn’t got is not worth having, and what it doesn’t know is not worth knowing.” —KENNETH GRAHAME, The Wind in the Willows

The English novelist J. B. Priestley once said that if he were an American, he would make the final test of whatever men chose to do in art, business, or politics a comparison with the Grand Canyon. He believed that whatever was false and ephemeral would be exposed for what it was when set against that mass of geology and light. Priestley was British, but he had placed his finger on an abiding American truth: the notion that the canyon stands as one of our most important touchstones—a kind of roofless tabernacle whose significance is both natural and national. It is our cathedral in the desert, and the word our is key because although the canyon belongs to the entire world, we, as Americans, belong particularly to it.

From here she could see miles of dark emerald forest with just a few birds erupting from its depths like flying fish skimming an ocean ... 'Annabel!' Ewan called. She looked down. He was standing in water, after all. So without a moment's trepidation, she launched herself from the downed carriage, coming home to his arms with all the security and the pleasure of child leaping from the second stair.

Out there in the middle of the maelstrom the Eater awaits, heaving and gulping, its mouth like a giant clam’s . . . its mind a frenzy of beige-colored rapid foam. A horrifying uproar, all things considered. Imagine floating through that nonsense in a life jacket. —EDWARD ABBEY

Beyond the rapids themselves, the river also concealed a host of other obstacles, wicked spots whose names offered a sufficiently graphic warning of what they would do to you if you let them. The Fangs. Helicopter Eddy. The Green Guillotine. Forever Eddy. The Devil’s Spittoon. No

It was March in the Napa Valley, just under sixty miles north of San Francisco, and Joy Lammenais’s favorite time of year. The rolling hills were a brilliant emerald green, which would fade once the weather grew warmer, and get dry and brittle in the summer heat. But for now, everything was fresh and new, and the vineyards stretched for miles across the Valley. Visitors compared it to Tuscany in Italy, and some to France

The canyon and her dories embody and elusive riddle. It is a paradox rooted in the dream that many of us share of immersing ourselves so deeply, so inextricably, into a pocket of landscape, or a stretch of river - anything that seems to embody the wildness we have lost - that we may somehow take possession of those places and make them ours. Yet the truth, like an eddy, runs in the opposite direction. In the end, it is they that claim us. And we who belong to them.

And Petschek had asked—because he was genuinely puzzled by this—why so many people, Americans especially, seemed to feel that happiness was an entitlement. By dint of his own experiences as a refugee and a wanderer, Petschek found the notion to be strangely naive and immature—especially here at the bottom of a chasm whose ramparts offered such irrefutable testimony not only to the smallness of human affairs but also to the universe’s implacable indifference to those hopes and longings.

And Petschek had asked—because he was genuinely puzzled by this—why so many people, Americans especially, seemed to feel that happiness was an entitlement. By dint of his own experiences as a refugee and a wanderer, Petschek found the notion to be strangely naive and immature—especially here at the bottom of a chasm whose ramparts offered such irrefutable testimony not only to the smallness of human affairs but also to the universe’s implacable indifference to those hopes and longings. Yet

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

Crossover' is a word scientists use to describe dolphins' soaring over seas, their traveling so free and fast, so high-spirited and almost effervescent that their sleek bodies barely skim the waves. The suggestion of splashes from tail and pectoral leaves a luminous wake across the water. For these crossover miles, the dolphins, like their human terrestrial mammal kin, belong more to the element of air than the sea.... Held in [the dolphins'] fluid embrace, I pulled my arms close against my sides and our communal speed increased... Racing around the lagoon, I opened my eyes again to see nothing but an emerald underwater blur. And then I remembered what I had either forgotten long ago or never quite fully realized. This feeling of being carried along by other animals was familiar. Animals had carried me all my life. I was a crossover--carried along in the generous and instructive slipstream of other species. And I had always navigated my life with them in mind, going between the human and animal worlds--a crossover myself. By including animals in my life I was always engaging with the Other, imagining the animal mind and life. For almost half a century, my bond with animals had shaped my character and revealed the world to me. At every turning point in my life an animal had mirrored or influenced my fate. Mine was not simply a life with other animals, but a life because of animals. It had been this way since my beginning, born on a forest lookout station in the High Sierras, surrounded by millions of acres of wilderness and many more animals than humans. Since infancy, the first faces I imprinted, the first faces I ever really loved, were animal.

there were solid gold and silver vessels and ornaments, crusted with gems, miles of jewel-sewn brocade, gorgeous pictures and statues that the troops just hacked and smashed, beautiful enamel and porcelain trampled underfoot, weapons and standards set with rubies and emeralds which were gouged and hammered from their settings—all this among the powder-smoke and blood, with native soldiers who’d never seen above ten rupees in their lives, and slum-ruffians from Glasgow and Liverpool, all staggering about drunk on plunder and killing and destruction. One thing I’m sure of: there was twice as much treasure destroyed as carried away, and we officers were too busy bagging our share to do anything about it. I daresay a philosopher would have made heavy speculation about that scene, if he’d had time to spare from filling his pockets. I

Grass! Millions of square miles of it; numberless wind-whipped tsunamis of grass, a thousand sun-lulled caribbeans of grass, a hundred rippling oceans, every ripple a gleam of scarlet or amber, emerald or turquoise, multicolored as rainbows, the colors shivering over the prairies in stripes and blotches, the grasses – some high, some low, some feathered, some straight – making their own geography as they grow. There are grass hills where the great plumes tower in masses the height of ten tall men; grass valleys where the turf is like moss, soft under the feet, where maidens pillow their heads thinking of their lovers, where husbands lie down and think of their mistresses; grass groves where old men and women sit quiet at the end of the day, dreaming of things that might have been, perhaps once were. Commoners all, of course. No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.

From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.

Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed. . . . We need wilderness preserved—as much of it as is still left, and as many kinds—because it was the challenge against which our character as a people was formed. —WALLACE STEGNER

The tempestuous stretch of river below that dam, however, represents something no less central to the national ethos: the fact that another aspect of our character as a people derives from an extended encounter with wilderness.

Believe me, my young friend, there is nothing—absolutely nothing—half so much worth doing as simply messing about in boats. —KENNETH GRAHAME, The Wind in the Willows

Out there in the millrace, the rush of water was broad and powerful, and as the current pushed past, it did so with an eerie silence. But if you cocked your body at just the right angle, you could detect a faint thrum, a kind of basal tremor. The frequency of that vibration was impossible for the ear to pick up, but it registered unmistakably on the hairs of the forearms, the wall of the chest, and deep in the belly. This was the muffled resonance of a runaway river, the sub-audible bell-tone of water surging with ungovernable force into the throat of the canyon. Just

Three generations later, viewed from the standpoint of the digital age, a structure such as Hoover can appear to suffer from a kind of vulgarity of size—a thing so enormous and monolithic as to seem preindustrial, almost primitive. Like fascist architecture, that soaring wall of concrete, for all its Art Deco adornments, can strike the postmodern eye as embarrassingly elephantine and childishly simplistic. Yet one only need page through the dam’s elegant blueprints to realize that this is a machine that, in its own way, is as sophisticated as a Boeing 747—a marvel of engineering, of mathematics, of human thinking, of vision, and, yes, of art. For all these reasons, Hoover is regarded by many civil engineers as one of America’s most impressive achievements. It may not be much of an overstatement to say that, along with splitting the atom and sending the Voyager spacecraft beyond the solar system, Hoover is the most remarkable thing this country has ever pulled off. Unlike

But what made Litton’s ideas even stranger—and so at odds with prevailing sentiment—was the depth of his rage. Without quite realizing it, he was emerging as a ferocious and rather prescient expositor of a white-hot, no-surrender brand of environmental purism: the unyielding, unapologetic (and, his critics would later charge, unreasonable) defense of wilderness. “People often tell me not to be extreme,” he would repeatedly declare. “ ‘Be reasonable!’ they say. But I’ve never felt it did any good to be reasonable about anything in conservation, because what you give away will never come back—ever. When it comes to saving wilderness, we cannot be extreme enough.” In

He then offered one of the most infamous pronouncements that has ever been made about the Grand Canyon: Ours has been the first, and will doubtless be the last, party of whites to visit this profitless locality. It seems intended by nature that the Colorado River, along the greater portion of its lonely and majestic way, shall be forever unvisited and undisturbed. . . . Excepting when the melting snows send their annual torrents through the avenues to the Colorado, conveying with them sound and motion, these dismal abysses, and the arid table-lands that enclose them, are left as they have been for ages, in unbroken solitude and silence. That

And to say that the citizens of those rival domains did not always see eye to eye was a bit of an understatement, because each represented the antithesis of the other’s deepest values. To the engineers and the technicians who belonged to the world of the dam, Glen was no dead monolith but, rather, a living and breathing thing, a creature that pulsed with energy and dynamism. Perhaps even more important, the dam was also a triumphant capstone of human ingenuity, the culmination of a civil-engineering lineage that had seen its first florescence in the irrigation canals of ancient Mesopotamia and China, then shot like a bold arrow through the Middle Ages, the Renaissance, and the Industrial Revolution to reach its zenith here in the sun-scorched wastelands of the American Southwest. Glen embodied the glittering inspiration and the tenacious drive of the American century—a spirit that in other contexts had been responsible for harnessing the atom and putting men on the moon. As impressive as those other accomplishments may have been, nothing excelled the nobility of transforming one of the harshest deserts on earth into a vibrant garden. In the minds of its engineers and its managers, Glen affirmed everything that was right about America. To Kenton Grua and the river folk who inhabited the world of the canyon, however, the dam was an offense against nature. Thanks to Glen and a host of similar Reclamation projects along the Colorado, one of the greatest rivers in the West, had been reduced to little more than a giant plumbing system, a network of pipes and faucets and catchment tubs whose chief purpose lay in the dubious goal of bringing golf courses to Phoenix, swimming pools to Tucson, and air-conditioned shopping malls to Vegas. A magnificent waterway had been sacrificed on the altar of a technology that enabled people to prosper without limits, without balance, without any connection to the environment in which they lived—and in the process, fostered the delusion that the desert had been conquered. But in the eyes of the river folk, even that wasn’t the real cost. To

We are three quarters of a mile in the depths of the earth, and the great river shrinks into insignificance, as it dashes its angry waves against the walls and cliffs, that rise to the world above; they are but puny ripples, and we but pigmies, running up and down the sands, or lost among the boulders. We have an unknown distance yet to run; an unknown river yet to explore. What falls there are, we know not; what rocks beset the channel, we know not; what walls rise over the river, we know not. Powell wasn’t overstating their ignorance. At this point, they had no clear idea how far they had come or how much canyon lay ahead of them. They did not know how many turns the river would make, how many rapids there might be, or whether their supplies would sustain them through the time it would take to negotiate these obstacles. And they had no way of knowing that their most serious challenges lay ahead. Just

It may seem absurd to suggest that the canyon is somehow incomplete without the dam, but the speed run underscores the inescapable truth that every journey not only begins at the dam but is also enriched and challenged by it. And together the canyon and the dam offer a far more meaningful reflection of the society that claims them both: its triumphs and its failures; what it has been willing to sacrifice and what it has chosen to preserve; the things it celebrates and those it mourns; the price it has willingly

Of the many attractions that draw people to the bottom of the canyon, perhaps the most potent and beguiling is the realization that the experience is the opposite of a race—the antithesis of rushing from where you are toward someplace you think you would rather be, only to discover, once you arrive, that your true goal lies somewhere else. That is a defining characteristic of life in the world above the rim, and if there is a point to being in the canyon, it is not to rush but to linger, suspended in a blue-and-amber haze of in-between-ness, for as long as one possibly can. To float, to drift, savoring the pulse of the river on its odyssey through the canyon, and above all, to postpone the unwelcome and distinctly unpleasant moment when one is forced to reemerge and reenter the world beyond the rim—that is the paramount goal.

June 25, 1983

Sloane Sullivan, thirty years old. Pyro mage. Top ten percent of his training class. Anger issues, loyal, broken family, only child. Master of wards. Fischer Bahri, thirty years old. Cognitive mage. Interrogator, ability to not only read emotions but also push them, alter memories, hypnotize. Valedictorian of his training class. Loving family, one sister and two nieces. Cameron Jacobs, thirty-one years old. Storm mage. Protector, fierce fighter, relentless. Can manipulate weather within a seventy-five mile radius with the ability to create more localized storms. Generates lightning from hands. Severe childhood trauma. Fear of loss. Kaito Mori, twenty-nine years old. Shifter mage. Black panther: Bagheera. Heightened sense of smell, vision, and hearing. Oldest of five children. Struggled with depression in the past.

In the Grand Canyon, Arizona has a natural wonder which is in kind absolutely unparalleled throughout the rest of the world. I want to ask you to keep this great wonder of nature as it now is. I hope you will not have a building of any kind, not a summer cottage, a hotel or anything. else, to mar the wonderful grandeur, the sublimity, the great loneliness and beauty of the canyon. Leave it as it is. You cannot improve on it. The ages have been at work on it, and man can only mar it.

Queen Coral tried flashing some more questions at Tsunami, but finally she flapped her wings and pointed to the surface. Tsunami pressed the egg to her chest and followed her mother, up and up and up through winding tunnels and cavernous palace rooms, through emerald-studded coral and pearl-laced curtains of golden sea grass. They swam to the top of the palace, where a guard stood watch over a view for miles underwater.

nonlinear force—like, say, the terminal velocity of rectitude or the angular acceleration of dumb luck.

people to prosper without limits, without balance, without any connection to the environment in which they lived—and in the process, fostered the delusion that the desert had been conquered.

June 25, 1983, was not any given evening. Not by a long shot. And with twilight now fading, the face of the water turned menacing and unknowable as the biggest flood in a generation throttled downstream into the night.

Cradled on the bed of that trailer was a small wooden dory. The boat’s profile was distinctive—an upturned prow that terminated in a sharp point, and a hull whose bottom was curved like the blade of a scimitar. Lashed to her decks were two sets of ten-foot oars hewn from straight-grained Oregon ash, and tucked into the footwell at the center of the boat lay a cable connecting a car battery to a pair of powerful search lamps, the kind of devices that jacklighters use when hunting deer in the dark. There was just enough light to make out her colors—a beryl-green hull and bright red gunwales. And if you looked closely, you could discern the black-and-gold lettering emblazoned along the right side of her bow that spelled her name: Emerald Mile.

Life is either a daring adventure or nothing at all. —HELEN KELLER

The more a man can achieve, the more he may be certain that the devil will inhabit a part of his creation. —NORMAN MAILER

Among many other things, those dirtbag river runners uphold the virtue of disobedience: the principle that in a free society, defiance for its own sake sometimes carries value and meaning, if only because power in all of its forms—commercial, governmental, and moral—should not always and without question be handed what it demands. What

Thus he was old enough to remember the freedom that had prevailed in the canyon country before the hordes of tourists had started pouring in, back when a man could launch a boat and disappear downriver without having to ask for permission or wait in line, devoid of any constraints other than those imposed by the water and the rocks, an adventure in the best sense of the word. And as those days receded ever further into the rearview mirror, there were moments—right now being one of them—when Thomas was forced to wonder about it all. In truth, no one who had tasted those liberties could look back on that time with anything other than a deep sense of longing. Like everyone else who had known the river during that era of innocence, Thomas mourned its passing and privately grieved that it would never return. Which is why part of him sometimes rebelled at the very restrictions he sought to enforce, if only because rules—even rules that were universally accepted as necessary and good—seemed to cut so directly against the spirit that the river had once embodied. This sense of loss now prompted Thomas to ponder a notion that was not merely unorthodox but, when viewed from a certain angle, downright subversive. Was it possible, he wondered, that a measure of what had been lost—the thing that had once defined the essence of this place, the thing that was now in the process of disappearing forever—was that very thing perhaps being offered a chance to express itself one more time, fleetingly, irresponsibly, nobly, right here before him?

Historians often minimize or discount the impact that any one individual can have on human destiny-and for good reason. Given the broad tides in the affairs of men, and the complexity of the fires that shape and change history, it is almost always a mistake to ascribe too much significance to the actions of a single person. But even the most jaded observer an concede that, every now and then, a man or woman steps up to the plate and takes a mighty swing that clears the bases and fundamentally changes the game.

The Temperance (XIV) Card “Highway 17 in Texas: we stop to watch buzzards supping on a roadkill porcupine. The mountains are a Persian rug of emerald and brown, wolfish clouds gathering rain. The towns stack up like a tarot deck. A row of Mexican women stand at clotheslines, shake the static from dresses. The fortune you believe is the one you'll get. Eres muy sexy, says the wrinkled man at the gas station. Eres divina. The jade cottonwoods speak of flooding; the yucca tattle on the south. You might say this about exile, mountains eroded by six hundred years of women's feet, the heavy press from babies and water buckets. Forty miles south, mothers find their daughters' bodies in boxes. The dusk is a murder of magenta and indigo against the black land, as monstrously beautiful as a rape tree. As we drive, a brown woman names the dying plants. She reads the cacti like an open palm.